#dressing the jellicles

[emmikay]

Dressing the Jellicles-

Historical Clothing for Griddlebone

1948 Silk satin couture evening dress by Norman Hartnell

(Museum of London)

[feral-cryptidz]

Planning on cosplaying tugger, so take these shitty doodles of me as him featuring one billion outfits

[murdleandmarot]

GET FRAGGLE-IFIED‼️‼️‼️

So recently I’ve been more than a little obsessed with the 1983 Jim Henson company project called “Fraggle Rock,” about all these silly little muppet creatures having crazy adventures in the cave system in which they live, called, appropriately, Fraggle rock. After watching 3/4 of the seasons, I started doodling some of my fav cats OCs as fraggles, and it just sort of spiraled from there. So if I’ve sent you 🫵 an ask about the kind of clothing your oc would wear, this is why :D. Without further ado:

THE FIRST WAVE‼️‼️‼️

These are the tallest of the bunch, and they are, reading left-right left-right:

@gotham-native’s Calypso, @ernestelm’s Vega, @toki-toro’s Chaumet, and last but certainly not least, @cillyscribbles’s Tin Tin!!!!

[elita-prime1]

Hey cats fandom does anyone here know any fun and obscure piece of trivia ya know i have not heard of b4? like it could be like actor, the development of the musical, the sets and costumes, actor's interpretation of their characters, productions and non reps etc.

[emmikay]

Dressing the Jellicles-

Historical Clothing for Demeter

Shaduko Necklace and Earrings

1860s

Bonham’s

[per-the-jellicle-magician]

Random Warsaw Vicky photo from my stash that I do not remember saving XD

[crazy-dane-art]

This dragged me out of an art block

[sigmastolen]

the problem with being a snob in the year of our lord 2024 is that i'll listen to interviews on the wrong cat died and feel compelled to find videos of that actor's performances, but so many of them are from the broadway revival or us tour 6 and i'll start watching and have to stop halfway through bc i still hate the revival choreography sorry

[emmikay]

Dressing the Jellicles-

Historical Clothing for Griddlebone

Thierry Mugler Fall/Wint 1997

[murdleandmarot]

Hi hello! 7 9 & 22 for bellebelle

hi hello to you!! I’ve missed this :)

7. Describe them in three words, now let them deserve themself.

My words: lovely, anxious, strong

Bluebelle: nervous, quiet, lost

9. Do they empathize with non-sentient things?

Not so far as to talk to them, (thought she definitely did that a lot when she was younger), but I think she definitely empathizes with stuffed toys or things with a little more life. But although I don’t believe she’d talk to plants or anything, she’d still do her best to take care of them

22. Do they like being called pet names? Do they call other people pet names?

Bluebelle doesn’t mind pet names. Victoria might call her Bella or Bellebelle (!!! I just realized you that nickname in the ask!!! Thank you for giving me the idea a while ago). Misto also seems the type to use pet names, or at least nicknames, but Plato seems like a full name kinda guy.

Bluebelle was originally going to be French, so I’ve taken to calling her belle bleue sometimes. In my head, @cillyscribbles’s darling Molly would call Bluebelle that. Because. French <3. (I think we discussed what Tin Tin would call her? But I forgor sorry cilly)

As for her calling others nicknames, Victoria is Vicci or Tori, and Misto….i think Bluebelle would shorthand it to ‘stoffelees. She’s very much like me in that way, Misto just sounds too harsh for her. She likes the way shortening his name sounds in her mouth.

And it’s really hard to shorten Plato lol :)

[pixiedustjellicle]

I have such a difficult time connecting with the Cats community now. Part of me feels like maybe I'm too old for the current fandom(I don't feel old, but I'm certainly not 19 anymore). Or that perhaps it's because I don't much care about ships. Sometimes I worry that I intimidate people, and I'd hate that. Let me introduce myself and how Cats has shaped my life, and maybe I can find my people?

I first saw Cats at a tiny local theatre when I was eight. I fell in love with it, and even though I didn't have the movie yet, I spent months afterwards with just the poem book and highlights album. Eventually I got the 98 VHS too- and then another local theatre put it on when I was ten! I got to see it twice there. And afterwards, I made up my own attempt at a costume, turned our spare room into my attempt at the set, and put some chairs in there to put on the highlights show for some friends of my mother. The CD was worn out, I went on with the show, and they even gave me a card and a new CD afterwards- the London 2 disc set! Looking back, I think how embarrassing it probably was, but I was so happy and proud of myself in the moment. Two more years later, US Tour 5 came through Nashville, and I got to go and stagedoor for the first time. I wore a tail I made and one of the actresses told me I had a perfect Bombalurina tail twirl. For all those years, I worked Cats into school projects, I drew nothing else. My mom put up with it for so long, and I still thank her to this day.

And then I went into middle school. New school, new students, and I started getting bullied for it. I found other musicals I didn't get bullied for- Phantom, Wicked, and Sweeney- to latch onto, and I kinda put Cats in the back of my head. I still loved it, but my hyperfixation had waned thanks to mean kids, and other than occasionally watching the 1998 movie, I didn't think much of it for years.

But the US Tour 6 announced a date in Nashville. I hadn't seen the show in eight years, and I wasn't about to miss it. I had already started taking an interest in cosplay, but I'd never made a costume like that. I remembered admiring the CCDB as a kid though, and I told myself I was totally capable of making my own, just to go see the show in costume. And I did.

And the cast were SO sweet, and I started finding Cats fans on Instagram. I thought I could do better on the costume, so when the show stopped in Chattanooga a couple months later... I did it again.

The pandemic hit and I lost my job. Immediately I started getting work making Cats cosplays for others, and I haven't stopped since. And when the show resumed, I made an overnight trip to Memphis to dress up again!

And then, I saved until I could finally go see the Royal Caribbean production (front row all three performances), and got to cosplay on the cruise and get a picture on stage with the cast! This was absolutely everything to me, especially seeing the original choreography as opposed to the revival. I definitely cried. (I'm in the middle bottom row!)

I've gotten to make some costume pieces for three regional productions of Cats, in the Dominican Republic, Atlanta Georgia, and most recently Georgetown Texas. I've won some local cosplay contest with my costumes, too! And I'm lucky enough to own a few original pieces- though I've had to part with some too.

My love for this show has spanned just over 17 years now. I adore the story, the costumes, the choreography, the sets, and the characters. It's part of how I learned I am autistic. It's given me confidence I didn't know I could find. And every time I get to see it live, I feel like I'm where I belong. The fandom has felt quiet. And I'm not sure if that's just because I don't know where I fit in? So here's hoping I can find my tribe.

Favorite productions: Original Broadway, Moscow, and Mexico 2013/2018

Favorite Cats: Jemima/Sillabub, Bombalurina, Demeter, Munkustrap, Tumblebrutus, Jellylorum

Favorite songs: Jellicle Songs for Jellicle Cats, The Song of the Jellicles and the Jellicle Ball, Macavity

Favorite cats to cosplay: Etcetera and Victoria

[bestmusicalworldcup]

This is the preliminary list of entries for the Best Opening Number Tournament. In the event an incorrect song is listed or you otherwise want to litigate what the correct opening number actually is, I will give until April 2nd for you to do so.

1973 25th Annual Putnam County Spelling Bee 3 Small Words 30/90 A Cautionary Tale A Comedy Tonight A Man Of No Importance A Million Miles from Heaven A Rumor in St. Petersburg A Word to the Wise Add Át! (Nyitány) Alexander Hamilton All the Livelong Day And You Don’t Even Know It Another Day of Sun Another Op'ning, Another Show Anybody Have A Map? Aquarius Backstage Babble Bah Humbug! Be the Hero Beautiful Belle Bikini Bottom Day Blow Born to Lead Busy Woman Can't Wait Carrying the Banner Circle of Life Comedy Tonight Company Concerto in F Deep Beneath the City/Not There Yet Deliver Us Denton U.S.A. Don't Stop Me Down in New Orleans Dream a Little Harder Epiphany Every Story is A Love Story Everybody's Got the Right Ex-Wives Falsettoland/About Time Fancy Dress Fathoms Below Fathoms Below Feut of een Vent Finland Four Jews in a Room Bitching Frozen Heart Fugue for Tinhorns Genetic Repo Man Give Them What They Want Gone to Oregon Good Morning Baltimore Good Morning, Good Day Goodbye, Eddie, Goodbye Goosebumps Grease Half as Big as Life Hannibal Hannibal Happiness Hard Work Heaven on their Minds Hello Here Right Now High School is Killing Me House of Borden I Don't Know I Dream of a World I Hope I Get It I Need a Life I Need to Know I Want to Be I Wonder What the King Is Doing Tonight If You Can Find Me I'm Here Il se passe quelque chose à Monopolis Impress Me In In the Heights Intermission Song Invocation and Instructions to the Audience It All Comes Back (Opening) It Sucks to Be Me It's Your Wedding Day Itt vagyunk (Nyitány)

Jellicle Songs for Jellicle Cats Jet Song Just Another Day Just Leave Everything to Me Just Like it Was Before Karnak's Dream of Life Le temps des cathédrales Leave Let There Be Light On My Feet Live in Living Color Live Like This (Opening) Madame Guillotine Madrid is My Mama Magic Time Magic to Do Mama Who Bore Me Marvin’s Giddy Seizures Me and My Town Menni kéne Merano Merrily We Roll Along Miracle More Than Survive Murder Ballad No One Mourns the Wicked Not for the Life of Me Nyitány O Virga ac Diadema Oh My God (You Guys) Oh the Things You Can Think Oh What A Circus Oh, What A Beautiful Morning One By One Opening (The Secret Garden) Opening Number (Tootsie) Overture/All That Jazz Overture/Food Glorious Food Peace on Earth Penser l’impossible Pieces of Lives Populism Yeah Yeah Prelude Prelude: The Ballad of Sweeney Todd Prepare Ye the Way of the Lord Prológ (Abigél) Prológ - Nem szabad félni! Kuksi dala Prolog (Elisabeth) Prologue (Great Comet) Prologue (Little Shop of Horrors) Prologue / The Day I Got Expelled Prologue: "Into the Woods" Prologue: Frogs Have So Much Spring (The "Spring" Song) Prologue: Once Upon a December Prologue: Ragtime Prologue/A Warning to the Audience Prologue/Any Dream Will Do Prologue/Invisible Prologue/Jet Song Prologue/The Launching Punjabi Wedding Song Reefer Madness Road to Hell Roaring On Rock Island Santa Fe (Prologue) Science Fiction/Double Feature Scrooge Seesaw Selling Out Shiver My Timbers Sit Down John Skater Planet Some Kind of Paradise Spies Are Forever Springle Ring Still Hurting Sunday In the Park With George Superhero Girl Take Me To Heaven Te kit választanál Tear Me Down The Advantages of Floating in the Middle of the Sea The Bells of Notre Dame The Bells of Notre Dame The Family Madrigal The Forest The Girl Who Drove Away The Greatest Show The Guy Who Didn't Like Musicals The Old Red Hills Of Home The Oldest Orphan in the John Grier Home The Pajama Game/Racing With the Clock The Sound of Music The Stars Look Down The Sweetest Sounds The Tickle Me Wiggly Jingle The Turning of the Key The Virginia Company There Will Be Sun There You Are There's a House This is Halloween Thneedville Tina's Mother To Be Me Too Much Exposition Tower of Babble Town Tradition Tulsa '67 Tune Up #1 Untitled Opening Number Vérone Vuelie/Let the Sun Shine On Was für ein Kind We Are What We Are We Dance We Start Today We're in the Money Welcome To The Renaissance Welcome to the Rock Welcome to Wonder Land West of Words What Are the Odds What Are You Thirsty For? What Time is It? What’s Inside When I Climb to the Top of Mount Rock When You're an Addams Where is the Justice Wilkommen Willamania Work Song (Look Down) Worst Team Ever You're a Good Man, Charlie Brown Your Day Your Day In Court

[emmikay]

Dressing the Jellicles-

Historical Clothing for Exotica Amunet

Reception dress, 1877

From the Minnesota Historical Society

[clovenhoofedjester]

jellicle lineups; part 3/4

LETS GO PEOPLE!! LETS GO !! sorry for taking so long to get around to this one !

demeter | 🔒 🍰 🌇

DEETER

ive seen a lot of complaints about demeters design being toned down over the years so i decided to bring some of the bolder design choices back for mine. mullet demeter is REAL now ! honestly i couldve done more w/ their makeup but shhh its ok....

i tried to push the gold in their design by making the eyeshadow really obvious and giving them gold lips. enjoy their lacy dress too... i tried to design something which they could dance comfortably in

demeters newer 3 words (nervous, sensual, secretive) mean everything to me. love them so much. i think theyd be 29 in human years

bombalurina | 🌹 🍓 🛼

so i totally based her hair on that concept art for drag queen bomba. the bob is too cute ! i had a blast doing her design for the most part. i struggled w that makeup and the color of her dress but its ok.

i also tried to give her something she could dance in—just like. imagine the length of the dress a little shorter. im not going back and fixing it

i based her color palette/patterns directly on her concept art because tbh, i dont love blond/ginger bomba ! so black/white/red hair bomba it is

i think she would be 27 in human years

hysperia | 🪴 ⌚ 🍡

this is my version of exotica, renamed hysperia, because i do not love her og name. its not fun. the name hysperia is taken from an ensemble kitten character from the og london production

i also based her design on a multitude of things, asides from her 2 costumes in 98—like some nbq/greycat designs since i feel like that design not becoming a common ensemble character was a waste. A WASTE I TELL YOU! ive also based her fur length on warsaw victoria because oh my godddd that design is so good. peak

her neck bow is a nod to the 2019 movie... the macavity girls w/ those bow collars. they were onto something there

she would have a much more prominent role than the few times she cameo'd in 98, still retaining the elegant/shy personality she shows in the film. shed be 29 in human years

cassandra | 🪐 ♠️ 🥯

i originally made her makeup a lot closer to her replica designs but decided to go for something a little different based on a makeup look i saw on pinterest LOL. so like. enjoy her slight earthy gothic vibes. i also didnt struggled too much on her outfit since i came into this knowing that i wanted her to be wearing something formfitting and bejeweled. a little circus-y too

more people have got to play up her disdainfulness. she'd be 26 in human years

alonzo | 🎹 🍢 🎳

once again, another design pretty similar to his standard replica one. i just tried to make the black patch on his face a little greyer and with some white detailing. because tbh every alonzo with white mascara makes me go crazy its so cute

i also tried to make his head fur/bangs a little distinctive—inspired by a random pic from a production i dont know the name of

enjoy his little cute fit too. pinklonzo. pastelonzo

that one gif of him pantomiming eating a playing card IS canon to me. he'd be 28 in human years

munkustrap | 📼 🥧🎙

verrrry similar to standard replica munks makeup-wise ! however, fur wise.... say hi to mulletstrap. to manestrap. 2 me he is tuggers brother so he gets that. i have no justification for the mullet other than idk, looks good, is funny, and the oslo 1985 production was right to give him one. also he and demeter can match now

i do like when theyre seen as something of a prince... so say hi to the gothenburg and opera populaire-esque epaulettes. theyre cayoot. they also get warsaw munks Big Pant Vibes

give this man a break. hed be 30 in human years

macavity | 🔥 🥂 🎯

he was actually one of the first cats i made design notes for when i started hyperfixating on this musical like.... two months ago. i really tried to mix elements from a bunch of different designs 4 him.... and sorry yall hes a deut brother too. im predictable

the manginess, mane, more ginger-y head fur, tugger-ness and the mouth markings from the 2016 revival... the big big hair, white fur and general makeup from his replica design... and the stylings of il sistina mac with the fitted coat. he also gets unique eyelashes like tugger—this time white instead of gold. he also gets that ominous magic cat eye shading

i think he would act a lot like 2019 mac... suave. but also not as dorky and desperate as he is in that movie LOL. he'd be 33 in human years

ONLY ONE MORE LEFT..... THE OLDIES........ MAYBE... I MIGHT MAKE DESIGNS FOR SOME OF THE SWINGS TOO LOL

[verdicloud]

pouncival ideas

before, i never really paid close attention to the ending of the show “the ad-dressing of cats”, there wasn’t much dancing or plot, and i just listened to ken page’s legendary singing. but i recently noticed something. pouncival. he’s front and centre of all the cats, and he even does slightly different poses/choreo than the rest of them. pouncival is also one of those cats that i never paid too much attention to, but he’s been nagging me ever since this discovery.

the more i thought about it, the more i realised that he doesn’t really have a proper “role” in the tribe other than being a troublemaker, which doesn’t help anyone. when i searched for inspiration on tumblr, there were hardly any pouncival hcs that were exclusively him. and even then, it was just things we already know about him.

i NEEDED to know him better. he would not let go of my brain for the past three days. but i’d like to thank him for giving me something to think real hard about. here’s my ideas for him!

this next part is a review of pouncival. feel free to skip to “finally, my ideas” below the screenshot of pounce —

what we know :

- pouncival is the youngest tom cat in the tribe

- he’s a mischievous and childish kitten with a knack for troublemaking

- he’s carefree and playful, just a happy kitten, sometimes callously so

- his alternate is carbucketty, a name invented by t.s. eliot for a “knockabout” cat

what we can infer :

- he loves his friends! (he pranks grizabella at tumble and plato’s idea, and he lets victoria snuggle up to him at the start of “mister mistoffelees”)

- he’s a comedic kitten who loves making people laugh, even at his own expense

- he’s the type of kid to roll in the mud and eat dirt (affectionate)

- he’s the class clown who’s lowkey an icon

• in my personal list of the cats and their three words (or more specifically “three adjectives describing their personality”), i gave him childish, blithe, and puckish.

his main character moments :

- causing trouble, and being the first “cockroach” to appear, during “the old gumbie cat”

- pranking grizabella twice

- getting reprimanded by jellylorum and electra during the jellicle ball “chant”

- being the pollicle who leads the march (it goes wrong, naturally)

- falling over a bunch, the little rascal (he’s very good at it too. top job, karl morgan /srs)

finally, my ideas :

other than the “boys group”, pouncival is also close friends with electra (and therefore etcetera). electra is something of a fussy and uptight kitten, like the type of girl who always wants to be the “boss” of the friend group and twist the story so she wins during roleplays. pouncival gives her the perfect excuse for someone to yell at as a frustration outlet. his carefree and playful attitude means that, not only does he not mind, he plays along and sometimes does cheeky things on purpose to rile her up or lift her spirits (electra is secretly very grateful).

pouncival’s childishness also means that he has a vivid imagination, and this lead to him being very inventive. also, as previously established, he has no qualms with being unhygienic, so he is very resourceful in digging through the trash, no matter for food, supplies or props for electra’s roleplays. as such, he was actually the one to make the costumes and props during jennyanydots’s number and for munkustrap’s play…

once, electra got really upset during a group roleplay, so as an apology and also to cheer her up, pouncival made mice and cockroach costumes, and along with the rest of the kittens, they performed a hilarious, modified to comedic version of the nutcracker for her. the costumes ended up being reused for jenny’s number.

another version of this could be: once, electra was scolded by jenny, and being especially sensitive to the disapproval of the older cats, especially one she admired, she got really upset. so pouncival and etcetera “took revenge” for her by sneakily asking demeter and bombalurina to help them write a musical number about jenny. pouncival made the costumes and they secretly performed it for electra, twisting the meaning to make fun of the old gumbie cat instead. normally electra wouldn’t be too happy about this, but she was still upset at jenny at the time and it gave her the catharsis she needed.

both were more than successful.

pouncival also made the notorious candy cane bagpipes. plato, being tugger’s other biggest fan, begged pounce to help him create a special birthday gift for him to give to tugger. pounce isn’t sure what tugger’s response was, but it left plato smiling for days.

during the production of “the pekes and the pollicles”, an extremely stressed out munkustrap gave pouncival the job of costume design, collaborating with mungojerrie and rumpleteazer. with the help of their smart looting skills, the three made exceptional costumes for all four breeds of dog as well as rumpus cat, earning them lead roles (though munkustrap might have regretted that) and a pat on the head.

pouncival the knockabout cat lives!!! or maybe pouncival the invention cat?

(also why are his eyes lowkey so beautiful)

[lewovo-poto]

1988 Phantom of the Opera (Partial) Viewing Experience at The New York Public Library for the Performing Arts, Theatre on Film and Tape Archive. July, 2024

---

After learning that it’s possible to make appointments at the NY Library Archive and that they allow viewing of all closed Broadway official recordings for research purposes, I happily booked an appointment. But because I was rushing after watching Cat the Jellicle Ball in the afternoon (great show btw!) and got lost and took the wrong subway, I arrived after 5 PM, and the archive closes at 6 PM. This meant I couldn’t finish watching, so I knew I'd have to come back next time. The archive staff checked my bag and allowed me to bring in paper, a pen, and my phone.

I realized I didn’t have much time, so I thought I’d focus on the key parts. But then, disaster struck again—the computer was about as old as I am, and even my elementary school computer was more advanced. The interface was really difficult to use, and I didn’t really know how to fast-forward or rewind properly, so after wasting 10 minutes, I gave up and decided to just watch it as it was. 😂

(Sorry for any grammar mistakes, English is not my first language)

---

**1988 Phantom Review**

The opening captured the surrounding audience, since this was a performance with a live audience. The video quality was average, but if AI restoration becomes possible someday, that would be great. It wasn’t bad, just the typical quality you'd expect from the 1980s.

The Overture was particularly intriguing. I had read in other reviews that there was a female voice, so I was curious, and it turned out there really was a soprano singing along with the Overture, with an “ah—” as the chandelier slowly rose. It sounded quite Gothic. (I wonder when this was introduced and when it was discontinued, as I’ve never heard this version before. It must have been used for a very short period.)

Sarah danced throughout, but there was a moment where she seemed a bit confused, though she quickly resumed dancing normally. After the first part of Hannibal, Carlotta practiced her voice while the old manager introduced everything with a cheerful and enthusiastic tone, rather than the usual tired one (I couldn’t tell if this was because someone else was taking over this mess of a theater or if it was just his naturally cheerful demeanor lol). The conductor squatted down with the sheet music, communicating with the orchestra while waving his arms. I have to say, the immersive experience of the Bucket Show was quite something.

During the iconic “He’s there, the Phantom of the Opera!” line, a male voice also shouted, “There’s a ghost!” Huh?? I hadn’t noticed that before. It seems that the original cast of the Broadway production used British accents (even though most of them, except MC and Sarah, should have been American).

Carlotta looked so small compared to the manager, haha. After getting angry, she said “Ubaldo, Andiamo” in a very deep voice, which I think was the first time I heard that line delivered in a lower register.

Madame Giry asked, “Will the Viscount be at tonight’s performance?” and the manager replied, “Of course, he’ll be in our box.” I don’t think these lines are in the current production anymore; at least, they weren’t in the 25th-anniversary performance.

TOM:

Sarah was so skinny! She really was the wide-eyed ingénue type, with her large eyes. Her dress seemed more teal than green. She wasn’t the lively, bouncy type, but rather, every movement was slow and gentle, and her voice is with lots of vibrato.

Steve Barton’s loud “BRAVO” during the recollection scene was followed by soft, broken out sentences full of laughter, making it seem like he was lost in a beautiful memory.

After TOM, Sarah kept talking and nodding with the conductor, probably reviewing the performance. When MC’s “Bravi” came out, Sarah fell into deep thought until Meg came over and startled her. Meg was super cute, and Sarah’s Christine maintained a frozen, pensive expression while talking to Meg, not really happy until she sang “Angel of Music, guide and guardian, grant to me your glory!” and finally smiled. When Madame Giry said, “Come and practice,” it sounded like there was a male voice saying “Asshole” (though I didn’t see this in anyone else’s report, so it might have been me lacking sleep and hallucinated, or perhaps a spectator’s accidental comment was recorded).

Steve Barton is truly the best Raoul, bars none! He exudes both gentleness and elegance, while his voice carries the excitement and joy of someone who has just fallen in love. When he sees Christine, his face lights up with a smile, and when he says "SOAKED to the skin" to her, he really emphasizes the word "SOAKED" with a pause. Similarly, when he says "Little Lottie," he pronounces it pointedly, like "Li—ttle Lo—ttie," as if savoring the name with each syllable. Sarah’s Christine is also very happy to see Raoul, but when she mentions the Angel, her expression turns pensive and melancholy again. Christine initially declines the dinner invitation, but when Raoul says, "No no, you must change, 2 mins, MY little Lottie" (“MY"!), Sarah’s Christine ends up smiling and looking amused. Because of this, it doesn’t seem like Raoul is being overbearing; it feels like, for a brief moment, the two of them have mutually agreed to go to dinner. It’s only after Raoul turns away that Christine realizes, "Oh no, I can’t go—everything has changed." (Could be me reading too much into it)

When Sarah's Christine first heard MC’s Phantom, she wasn’t scared—it was just… a normal expression when Sarah's Christine thought of the Phantom, the pensive kind, until the “enter at last, master” line when she smiled. MC’s Phantom in the mirror was really… creepy, especially with the makeup and lighting.

(At this point, my notes became too messy to decipher… I was probably too excited at the time.)

Title Song:

During the boat scene, Christine looked very happy, while the Phantom leaned slightly as if about to touch Christine’s face (probably during the “Where night is blind” line).

MOTN:

MC’s Phantom had noticeable… eye bags, lol. MC’s rendition of MOTN felt like a lullaby, but with a Gothic allure. The body language was similar to Sarah’s TOM, with every movement slow and deliberate, very graceful (maybe due to the original stage direction by Gillian Lynne). Sarah's Christine looked somewhat hypnotized. During “Turn your thoughts away from cold unfeeling light,” MC’s Phantom’s fingers almost touched Sarah’s face, coming close to a kiss before pulling away. MC’s “Soar” & “Be” was super long and well-sung. Another part I liked was when, possibly due to the height difference, MC’s Phantom slightly hunched over during “Floating, falling,” making him look extra creepy. It also felt like, after maintaining such an elegant demeanor for so long, MC’s Phantom was finally losing some composure as he got closer to Christine. During “The music that I write,” MC’s voice was particularly seductive, and his lower register was impressive.

Since this was the Broadway version, when Christine was Christine ightened and fainted, the Phantom didn’t carry her. MC’s Phantom looked more like he was in a composed shock—surprised but not panicked, and he gently covered Christine with the cloak. The monkey music box didn’t work well in this performance, lol, as it didn’t play any music (even in the official recording, lol).

When Sarah's Christine woke up, she wasn’t the playful, cute, and mischievous type (like Sierra in 25th Anniversary, and many others). Sarah's Christine looked curious but also more anxious, as if she was unease waking up in a strange environment, which is honestly a very logical reaction after woke up at a strange place, and quite Leroux. When she sang “who’s the face in the mask,” her face showed more fear (though, speaking of which, while its believable for Sarah’s Christine to act anxious when woke up, it’s a bit unbelievable that Sarah's Christine, who seemed so uneasy and scared, would dare to remove the Phantom’s mask. I think I prefer a more playful Christine but that’s more of a personal preference).

After revealing the mask, Sarah's Christine cried and wailed a lot (she seemed very scared, poor girl). MC’s Phantom… my notes got messy again here (probably because I was too excited), but the dialogue used “vixen” instead of “viper.” MC’s Phantom also cried and groaned in pain, crawling toward Christine. I remember he turned his face toward Christine without covering it (though it was hard to see the disfigurement makeup in the dark), reaching out his arm, pleading, and letting out a super sad, sobbing “Oh Christine…” After getting the mask back, MC’s Phantom reached out as if to caress Christine’s face but switched to using his wrist at the last second.

In the Magical Lasso scene, there was a brief glimpse of the Phantom and C. The original Broadway Madame Giry really had a strong witch-like aura, haha.

Then I fast-forwarded because the library was about to close. I remember Sarah’s Christine as the Page Boy was *super* cute. Honestly, that was probably the cutest and most lively I saw Sarah's Christine. Then I fast-forwarded to the rooftop scene, where Sarah’s Christine had her usual fearful attitude toward the Phantom. When singing “So distorted, deformed,” her face seemed to show… a look of disgust (oh nooooo!). But when she sang “in that night, there was music in my mind,” she smiled again. She’s truly a Christine who’s more in love with the Voice... Then the staff had finished clearing the other tables, so I also got up to leave. Through fast-forwarding, it seems like Christine and Raoul had lots of hugs and such. I really hope I can go to NY on a business trip again soon and have time to visit the library to watch the official recording! Next time, I hope I can take my time and enjoy it slowly from start to finish.

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**Personal Reflections**:

Steve Barton needs no further discussion—eternally the best! I've always thought of him as the steady, noble, and gentle Prince Charming type of Raoul. After watching (a portion of) the official recording, I realized that Barton’s Raoul also has a very lively and passionate side, full of the excitement of a young man in love. His voice is full of teasing warmth, especially when he first encounters Christine. Unfortunately, I didn't get to see much of the rooftop scene, but he seems to exude gentleness. In summary, he's a perfect Raoul!

As for Sarah's Christine... uh, well, I have mixed feelings. I've heard others praise Sarah, saying she has a very classical Gothic 19th-century vibe, so my expectations were quite high. I was imagining a mysterious woman with her head in the clouds. Of course, there are also criticisms of her acting, saying it's somewhat lacking (I shall never forgot that one critic was like “She can’t act scared in NY subway at 3am” or something, which is quite mean). After watching this segment of the official recording, I feel... there were some elements in both? She is indeed a graceful, intellectual Christine, with many secrets buried deep in her heart. Her facial expressions seem fine to me, mostly seem pensive and wistful, definitely able to act scared and unsettled. Maybe it's because her Christine always seems deeply burdened, so her expressions often appear serious. But when it comes to her interactions with the Phantom... it feels like her Christine doesn't really love him. Christine only seems truly happy when the Phantom is acting as her Angel of Music or when he has her completely under his spell, but once the Angel leaves or when she's not controlled by the music, Christine immediately returns to reality, filled with unease. Also, during the rooftop scene when describing the Phantom's face, Sarah's Christine actually shows disgust, which really shocked me because I usually see this moment as one of fright (at the Phantom's actions and ferocity) rather than revulsion at his face. So, it's hard to judge—paired with Barton's flawless Raoul, it feels like Sarah’s Christine would be very willing to leave the Phantom. She does give off Leroux Christine’s melancholy and pensive energy——a woman with many secrets, and I really like that about her.

MC’s Phantom—it's a pity I couldn't see the later scenes where the Phantom truly lets loose and explodes. However, from the parts I did see, MC's Phantom is a very classic Gothic "monster." His movements are slow and graceful, yet strangely seductive, and at the same time, quite creepy, especially with the makeup and lighting. His voice is very controlled—except when he's too close to Christine or when his mask is removed, he generally seems like a Phantom who is mostly in strict control of himself. He's very restrained, always keeping his movements and interactions with Christine just on the edge of touching, almost kissing, but then pulls back at the last second (which aligns with the original choreography and the director's intent to express suppressed desire). His anger, perhaps due to the nature of his voice, isn't one of raging madness but more of sadness followed by painful wails, full of pleading. His control over his voice and how he used that to convey emotions is just so captivating and heartbreaking. Oh, how I wish I could see MC's final lair scene, as MC's Phantom is really one who is very composed and elegant most of the time (honestly, it’s more like the Phantom in Kay's novel—one can understand how the old-school Phantoms influenced Susan Kay's inspiration). And I really want to see MC's Phantom with other Christines, like Dale Kristien. I know she’s one of the most supportive of the Erik/Christine relationship and is a fan of MC. I'm very curious how MC and she would perform together.