#draw what you want I'm not the boss of you

[corvidcorgi]

YOOOOOO this is awesome!! Thank you for playing!! I didn't actually realize anyone would be interested in my silly bug knight game.

I'm so glad you enjoyed it, and that it worked so well for you! Some of the notes you had are definitely things I want to revisit -- "occupants" are a holdover from when I still thought I was going to be able to fit a combat system in, and then I kept them around because I wanted them as the basis for the friendly encounter. In general anything that poses a danger, like hazardous obstacles, was stuff I decided I would have to come back to later.

Bosses are similar, but I was even more worried about them because I wasn't sure how to randomly generate a challenging boss encounter in a way that would scale (the combat system I was thinking about at did involve ways to spend XP in order to increase more directly combat-related stats). I hadn't really thought about it, but the wandering spearmaster and the dragon of the mines in your notes got me thinking that the legend aspect could be a way to generate boss concepts, but I'm still not sure how to implement them.

Making "Map it" the last step in generating the room rather than the first makes a lot of sense to me. Originally it went first because I was picturing someone drawing a physical map, but as a sort of mind-map style "draw a circle and connect it to the previous circle with a line" type deal.

In retrospect that was an overly narrow assumption, based on what I tend to do (draw a circle and then put descriptive notes in/around it). Putting it last makes it more flexible, and it also means that if mapping the room is what puts you over the threshold for spending XP, you've already defined the room's challenges before you define your solution.

This is a lot of rambling without a specific endpoint, but -- thank you! I had a lot of fun writing this, and it means a lot that someone would play it, and let me know how it went. <3

200 Word RPGs 2024

Each November, some people try to write a novel. Others would prefer to do as little writing as possible. For those who wish to challenge their ability to not write, we offer this alternative: producing a complete, playable roleplaying game in two hundred words or fewer.

This is the submission thread for the 2024 event, running from November 1st, 2024 through November 30th, 2024. Submission guidelines can be found in this blog's pinned post, here.

[crazysodomite]

what is it like to be kind of popular/getting people interested in your own ideas and not fan art?

I don't think I'm popular *looks behind my back fearfully* 😨

Here's the thing. A lot of people post things and just expect people to find them and interact with them. To some people it works. But a lot of the time there's no way for people to even find your stuff or engage with it.

A lot of people go into fandom tags to look for art and writing, but not a lot of people just scroll the "oc" or "art" or "writing" tags aimlessly.

I'm not like. A social media expert 😼 or whatever. I don't know anything about anything ♥️ I literally just do whatever weurd things i want and that's it

Here's some things I can advise:

If you have ocs.... Please feel free to actually talk about them in detail, share your thoughts on them in detail, write actual info and profiles on them. Don't be shy to do this bc there's no way for someone to engage with your ocs if they don't really understand who you're talking about except the names 😭... Feel free to like link their info in your pinned or their toyhouse profiles or whatever... !!!! A lot of the times I follow someone and they ask to engage with their ocs, and I want to, but I literally just don't understand who they're taking about... Or I see someone talking about their ocs in very vague terms but I can't actually find who they're talking about.... (Not that you have to do this do whatever you want ... I'm not the boss of you ♥️ it's just something id like to see) And also don't be shy to actually remind people who you're talking about bc people who haven't been following you for a long time won't know. I think this is simpler for me because my concepts/characters are very basic/shallow and easy to understand. Taur who is a bee, taur who is a bath, etc... Is Inherently understandable and doesn't have any deep lore

👆 this applies to everything in general not just ocs. Talk about art. Talk about your own art. Talk about what you love in the art of others. Talk about your plans and concepts and ideas. Talk about your projects. Share with the world 🌍 🌍 🌍

Don't be shy to talk about your things. I think some people are anxious about seeing people unfollowing them. I personally use xkit to hide my followers on pc and actively avoid looking at my follower count on mobile... Because idgaf ♥️. If someone doesn't like what I post they're Nothing to me. I post about taurs and weird things basically every day. What do I have to lose? My dignity as a Tumblr blogger? Genuinely like just share whatever thoughts or concepts or doodles or drawings you want without being like "aww nobody wants to see this". Honestly I also do this because I don't have friends to talk about concepts and stuff with so your mileage may vary. Maybe you don't want to post. Maybe you worldbuild with your friends. Then maybe you can share the results of that worldbuilding and thoughts, that's good too.

Self reblog your stuff 😭 even old stuff. Self reblog your stuff and then elaborate on it further with your thoughts. Dig up old concepts and do things with them. Its okay to do this. Not everyone sees your stuff when you first post it... !

Actually engage with others. Others are more likely to see you and engage with you when you do the same to them. If you never interact with anyone else's art why would others interact with yours. And unfortunately posting stuff and expecting people to just stumble upon it is not a very good strategy...

[subway-boss-jericho]

something something fictional characters' birthdays something something screw this post and happy birthday to Redmet who I made as a head-empty digital warmup a year ago and has never left my brain since

(Original digital painting thing)

(These two doodles in my sketchbook)

(Drawing from the two days ago where I, on a whim, decided to make him the subject of a high-effort doodle. Cut to me going home, finding checking the original doodle, and finding that my brain put him back in my head almost exactly a year later for NO reason.)

Who is he? Why is he here?? Great question. You know about as much as I do, he's an enigma to me and I do not comprehend his intentions. There's a really blurry line going on here between AU and OC and he feels like he's walking straight down the middle. A friend described him as the herobrine for my brain and I can't stop thinking about it

Lore? No idea boss. Personality? Cryptic and unclear. What is His Deal? I am Not Sure. Why does he Look Like That? Whimsy, I suppose. I picked up a red digital paintbrush and couldn't decide if I wanted to draw Emmet or Ingo and I guess this is just happening now.

I've misremembered his original design but I really like how the most recent drawing turned out so I might go through and make a proper reference, something about him fascinates me and I'm keeping him. Here to stay. Will probably make guest appearances around here, unsure

:] happy birthday Redmet. hope y'all like him. even if you don't I do ✨

[mostofthingsmostofthetime]

Me: Everyone interepartes & visualises characters differently & no headcannon is really wrong

My mind when people draw Annie with straight or just mildy wavy hair instead of a lion's mane:

[gyroshrike]

Finally finished the thing

[mintjeru]

i've been streaming a blind playthrough of hollow knight to 2 groups of people for the past month and a half and i really wanted to share some of my favorite experiences ><

open for better quality | no reposts

[my-various-aus]

Wanted to try drawing @lovesart23's redesigned version of Fizzarolli.

He's on Ozzie's balcony, wanting Ozzie to be the first person to see his new suit.

Ozzie approves.

[dandyshucks]

the physical exhaustion so bad that i can barely hold and move a pen/pencil VS my need to express the love i have for my guy. battle of the ages.

[heartbeetz]

I NEED to get back into oc f/os. I just remembered my old casino themed anthro shark guy. He never got a solid enough ref sheet (or lore, really) for me to feel comfortable making him one of my f/os but maybe I should remedy that at some point. Big Jack.........

[gatheringkeepsakes]

.

[kawarikisaki]

I do commissions. I've been doing them for years but finally decided i needed a sheet. I feel so professional now.

[unholyeverything]

I just realised tomorrow marks the 7ths week of me being sick and feeling like garbage lol It's some ups and downs but generally it's been a while since I've been healthy and none knows whats up which is nice.

[iiiiiiis-things]

idk just thinking about how you burst into your home damn near slamming the door shut, only for toji to stop it with the large palm of his hand before he smoothly walks in behind you. you're on 10 right now, stomping and shouting around the house (while your husband follows like a lost puppy) until you make your way to the kitchen yelling something about how it was "totally unnecessary to punch him" honestly toji didn't even know what the hell you were going on about, i mean he wasn't even listening. he silently convinced himself that it wasn't his fault- no it was definitely yours that he couldn't focus on the sweetness of your voice. i mean he just couldn't stop himself from trailing his eyes down to your ass, sinfully watching from his stance at the doorway as it jiggled with each hard step you took. "you can't keep doing this shit man-" your words go in one ear and out the other, again wasn't his fault, he can't help but think about is how fucking sexy you look right now. lace tussled into a slight mess, lip gloss smeared across your puffy lips because of how much you opened your fat ass mouth out of anger, and that dress ? oh that dress is what gotten you in the situation in the first place, the way it hugged your frame perfectly, mapping out each of your curves in all the right ways. had you not wore it like he told you to he wouldn't have had to beat his boss ass for staring at you a little to long. lashes that had been ripped off are still in his car, sitting prettily right on his dashboard, he couldn't care less in fact he was glad you took em off ecstatic even, toji loved to see you natural, toji thought you were so god damn fine

"what ?"

...did he say that out loud ?

"nothin'" he muffled out "are you even listening? see this the shit i'm talking about-"

toji wanted nothing more than to bend you over the kitchen island and shut your big ass mouth with each deep stroke he gave you, dick hitting deep in that gummy area that always turned you into mush whenever he found it, but alas he didn't, he knew you were angry, just didn't know why. aren't you glad he protected you from the preying eyes of his boss ? did it cost him his job ? maybe.. but it doesn't matter because it was all for you, his lovely wife. "here asshole" toji finally snapped out of his head when he felt you shove something against his chest before walking off. noodles ... you made him-

"a cup of noodles ?" he questioned following you out the kitchen "you didn't eat at the party." the scar on his pretty lips decided to rise. oh how sweet you were, even after being so pissed at his possessiveness you still cared enough to make sure he ate before the night was over but there was still one problem.. "you didn't either" "i'm not hungry." once you reach the bottom of the stairs he stops dead in his tracks "baby- where you going ?" "to bed." no hug ? no kiss goodnight ? no invite ? oh he fucked up.

smut! under the cut (18+)

"now do you forgive me?" voice comes muffled from beneath you as you ride out your nth climax of the night your husband had been sucking and licking into you for hours drawing out orgasm after orgasm. and shit were you ovulating? because you just can't get enough. "fuck" you roll you head back in pleasure riding the sweet sensation of his nose repeatedly brushing against your clit

*smack!*

"i asked you a question mama" you moan loudly at the combination of the nickname and his tongue thrusting in and out of you hitting that special spot each time. "y-yes baby" you grind down to match the rhythm of his tongue as he begins to play with the fat of your ass tugging and gripping tightly, encouraging you to move your hips faster "'m sorry baby, so so sorry" his lips wrap around your rednend clit while he stuffs two fingers into you. at this point you were so overstimulated but you just couldn't stop riding his face even if the world was ending. bringing a hand to his hair you push it back unveiling those gorgeous green eyes. toji looks up making eye contact with you, you begin feeling the tension that was building up about to finally burst (again) "i didn't mean to upset you" he wraps his fore arms around your things getting you to grind down even harder against his perfectly fat nose "i-it's okay toj- fuck you're so deep" "i just don't like when other boys stare at you" he couldn't even bring himself to call his boss a man. a man would never violate a women's privacy like that, basically eye fucking her while she's out with her man. you felt everything, every touch, and god you were so hot, moans were leaving your mouth left and right as you felt him continue sucking, his fingers thrusting into you so desperately as if they were asking for forgiveness too.

this was gonna be a longggg night .

[stromblessed]

Mizu, femininity, and fallen sparrows

In my last post about Mizu and Akemi, I feel like I came across as overly critical of Mizu given that Mizu is a woman who - in her own words - has to live as a man in order to go down the path of revenge.

If she is ever discovered to be female by the wrong person, she will not only be unable to complete her quest, but there's a good chance that she'll be arrested or killed.

So it makes complete sense for Mizu to distance herself as much as possible from any behavior that she feels like would make someone question her sex.

I felt so indignant toward Mizu on my first couple watchthroughs for this moment. Why couldn't Mizu bribe the woman and her child's way into the city too? If Mizu is presenting as a man, couldn't she claim to be the woman's escort?

However, this moment makes things pretty clear. Mizu knows all too well the plight of women in her society. She knows it so well that she cannot risk ever finding herself back in their position again. She helps in what little way she can - without drawing attention to herself.

Mizu is not a hero and she is not one to make of herself a martyr - she will not set herself on fire to keep others warm. There's room to argue that Mizu shouldn't prioritize her quest over people's lives, but given the collateral damage Mizu can live with in almost every episode of season 1, Mizu is simply not operating under that kind of morality at this point. ("You don't know what I've done to reach you," Mizu tells Fowler.)

And while I still feel like Mizu has an obvious and established blind spot when it comes to Akemi because of their differences in station, such that Mizu's judgment of Akemi and actions in episode 5 are the result of prejudice rather than the result of Mizu's caution, I also want to establish that Mizu is just as caged as Akemi is, despite her technically having more freedom while living as a man.

Mizu can hide her mixed race identity some of the time, and she can hide her sex almost all of the time, but being able to operate outside of her society's strict rules for women does not mean she cannot see their plight.

It does not mean she doesn't hurt for them.

Back to Mizu and collateral damage, remember that sparrow?

While Mizu is breaking into Boss Hamata's manse, she gets startled by a bird and kills it on reflex. She then cradles it in her hands - much more tenderly than we've seen Mizu treat almost anything up to this point in the season:

She then puts it in its nest, with its unhatched eggs. Almost like she's trying to make the death look natural. Or like an accident.

You see where I'm going with this.

When Mizu kills Kinuyo, Mizu lingers in the moment, holding the body tenderly:

And btw a lot of stuff about this show hit me hard, but this remains the biggest gut punch of them all for me, Mizu holding that poor girl's body close, GOD

When Mizu arranges the "scene of the crime," Kinuyo's body is delicate, birdlike. And Mizu is so shaken afterward that she gets sloppy. She's horrified at this kill to the point that she can't bring herself to take another innocent life - the boy who rats her out.

MIZU'S ONE MOMENT OF SOFTNESS AND MERCY, COMING ON THE HEELS OF HER NEEDING TO KILL A GIRL TO SPARE HER THE WORST FATE THAT THIS RIGID SOCIETY HAS TO OFFER WOMEN, AND TO SPARE A BROTHEL FULL OF INNOCENT WOMEN WHO ARE THE CASTOFFS OF SOCIETY, NEARLY RESULTS IN ALL OF THEIR DEATHS

No wonder Mizu is as stoic and cold as she is.

And no wonder Mizu has no patience for Akemi whatsoever right before the terrible reveal and the fight breaks out:

Speaking of Akemi - guess who else is compared to a bird!

The plumage is more colorful, a bit flashier. But a bird is a bird.

And, uh

Yeah.

I like to think that Mizu killing the sparrow is not only foreshadowing for what she must do to Kinuyo, but is also a representation of the choice she makes on Akemi's behalf. She decides to cage the bird because she believes the bird is "better off." Better off caged than... dead.

But because Mizu doesn't know Akemi or her situation, she of course doesn't realize that the bird is fated to die if it is caged and sent back home.

Mizu is clearly not happy, or pleased, or satisfied by allowing Akemi to be dragged back to her father:

But softness and mercy haven't gotten Mizu anywhere good, recently.

There is so much tragedy layered into Mizu's character, and it includes the things she has to witness and the choices she makes - or believes she has to make - involving women, when she herself can skirt around a lot of what her society throws at women. Although, I do believe that it comes at the cost of a part of Mizu's soul.

After all, I'm gonna be haunted for the rest of this show by Mizu's very first prayer in episode 1:

"LET" her die. Because as Ringo points out, she doesn't "know how" to die.

Kind of like another bird in this show:

[gloomwitchwrites]

LOVED the sit down fics. Please consider: US telling THEM to sit down. What are they going to do? Argue and sleep on the couch? (Love your works!! Always makes my day when I see a new one)

AHHHHHHHHH! ANON OMG! I love this. I giggled and kicked my feet the entire time I was working on these. I had so much fun jumping back into the Imagines Series after Kinktober with this prompt. While I'm still working through the 3.5k Spooky Bingo event, I am returning to my usual content.

For those curious, THIS is the fic that Anon is referring to.

Presented in four double drabbles.

For the masterlist and how to submit your own request, click HERE

Content & Warnings (per the warnings MDNI): established relationship, suggestive themes, flirting, arguments, swearing

Word Count: 800

ao3 // main masterlist // imagines & what if masterlist

John Price

“John. We have to talk about this.”

“We are talking.”

“No. We’re arguing. And you’re not listening.”

“Of course I’m listening, love.”

“Then what did I just say?” you ask, exasperated.

John opens his mouth and then pauses. He loses steam, the gears turning as he realizes he’s wrong. He takes a deep breath and then holds up his hands. “If I’m being honest, love—”

“Fuck. Sit down, John.”

Your tone is sharp, and John drops into a chair, completely silent, his gaze locked in on you.

“If you are not going to listen to me, then I’m ending this discussion. We can come back to this later. When we’re calm.”

John is always the steady one. He’s your rock, but for whatever reason, this one discussion has transformed into an argument.

There is silence after, and you have no idea what John thinks of your sudden authoritative demeanor. His face is blank, and then his mouth turns up into an amused smile.

“What?” you ask, suddenly flustered.

John relaxes into the chair, spreading his thighs wide in invitation. “You’re so fucking beautiful when you’re angry, love.”

“Don’t distract me, John,” you mutter, the irritation beginning to melt away.

Kyle "Gaz" Garrick

"We're having this out," says Kyle, grabbing your upper arm. He tugs you against him, head tipping forward in an intimate gesture.

"I don't want to argue with you," you reply.

"And I'm not done." His tone is calm but firm. Whenever Kyle sets his mind to something, it can be difficult for him to change course.

"Well, I am." Kyle's hold on your upper arm tightens a bit. It's not painful, but he draws you closer. "Now, sit down."

"Wha—"

"Sit. Down."

Kyle draws back, startled. His hold loosens and descends to grasp your wrist as he sinks onto the sofa. You rarely assert yourself, but you're frustrated with him.

“I am done fighting about this. Either we find a compromise, or we end this discussion.” Kyle breathes deep, his gaze intense as you continue. “You can sleep out here if you won’t budge.”

“I sleep beside you,” replies Kyle.

“Then talk to me. Don’t push me around.”

Kyle’s hand on your wrist softens, his thumb gently caressing the inside of your palm. It makes you shiver, and Kyle pulls you closer. "I'm sorry," he murmurs, voice soothing.

"Can we talk now? No fighting?"

"No fighting," he agrees.

Simon "Ghost" Riley

Irritation bubbles under your skin, creating a buzzing sensation that puts you on edge. You and Simon rarely fight but the two of you always circle back to the same issue.

“I’m sick of talking in circles. We have to figure this out.”

The corner of Simon’s mouth twitches. “I’ve already told you how I feel about it,” he says.

“I understand but we have to find a compromise.”

“I’m not willing to budge on this.”

“Simon—"

He pushes in, invading your space. “You’re the one that’s undecided.”

You hate being bossed around, and you hate it more when Simon flaunts his dominance during a disagreement.

“Sit down,” you growl.

Simon blinks, startled. “What?”

“Sit. Down.”

Simon’s gaze narrows, the middle of his brow creasing. But he sits, settling on the sofa.

“I understand how you feel but I need you to listen to how I’m feeling. This is a big decision, and I want us to talk through things. I’m not just going to bend over and take it.”

“But you like it when I bend you over.”

“Simon Riley!”

Simon smirks “Need to let out a little steam?”

“Yes,” you mutter, flustered. “But this conversation isn’t over.”

John "Soap" MacTavish

Arguments with Johnny almost always end in sex.

He’ll use his tongue, his fingers, and then eventually his dick until you’re blissfully fucked out of your head.

“You are not distracting me,” you say sharply as Johnny moves in, a sly smile on his face.

His hands settle on your waist, gripping tightly. You know if you don’t get a handle on this now, you’ll be face down in the bed with ass in the air in moments. It’s Johnny’s favorite position.

Placing your hands on Johnny’s chest, you give him a bit of a shove, creating space. “Sit down, Johnny.”

Johnny’s eyebrows rise suggestively. With a sauntering sway, Johnny sits on the edge of the bed. He’s shirtless and wearing grey sweatpants. They hang dangerously low on his hips.

You cover your eyes. “We need to have a conversation that doesn’t end in sex.”

“I don’t see the issue.”

“Of course you don’t,” you mutter.

“I like it when you boss me around.” You can feel his heat just before his arms slide around you.

“Oh my God,” you groan, pushing at his chest. “Sit down.”

Johnny teasingly nips at your neck. “Only if you sit in my lap.”

taglist:

@glitterypirateduck @km-ffluv @tiredmetalenthusiast @miaraei @cherryofdeath

@ferns-fics @tulipsun-flower @miss-mistinguett @ninman82 @eternallyvenus

@beebeechaos @smileykiddie08 @whisperwispxx @chaostwinsofdestruction @weasleytwins-41

@saoirse06 @unhinged-reader-36 @ravenpoe67 @sageyxbabey @mudisgranapat

@lulurubberduckie @leed-bbg @yawning-grave81 @azkza @nishim

@voids-universe @iloveslasher @talooolaaloolla @sadlonelybagel @haven-1307

@itsberrydreemurstuff @cod-z @keiva1000 @littlemisscriesherselftosleep @blackhawkfanatic

@sammysinger04 @kylies-love-letter @dakotakazansky @suhmie @kadeeesworld

@umno-yeah @jackrabbitem @arrozyfrijoles23 @lovely-ateez @waves-against-a-cliff

@ash-tarte @marispunk @gingergirl06 @certainlygay @greeniegreengreen

[luveline]

your bombshell!reader x spencer is feeding me so well, i'm obsessed!! SJSJS since we've seen reader jealous, is it possible to have a fic where it's spencer that's jealous?

thank u!! fem!reader

Your outfit today is simple. Pencil skirt, dark stockings, hair pristine. The thing that catches Spencer's attention, holds it between two squeezing palms, is the shirt and blazer ensemble you've styled. It's cut to fit, sleek and dark and hard to look away from. 

You brush past the back of Hotch's chair with a sigh, clearly unaware of the attention you're garnering from across the way. “What's wrong with him?” you ask. 

“The same thing as usual,” Hotch says. 

“It's not like we've ever instantly solved a case. Gideon knows this takes time.”

Elle pokes her tongue into her cheek, eyes flared wide. She says a lot without saying anything, flicking through the police files in front of her dispassionately.

“How come you stayed?”

It takes Spencer a moment to realise you're talking to him. “What?” 

“You didn't go with Gideon?” You hold your chin in your hand. “Not getting along anymore?” 

Spencer isn't not getting along with his mentor. He would've accompanied Gideon to meet with a past mass murderer, only you're here, and so he'd found unrelated reasons to stay. 

“We're fine,” Spencer says, not wanting to say more and give himself away. 

“Well, he took Morgan.” You pout, your voice dripping to a wistful whine. “What am I gonna do now without him? None of you guys ever wanna play with me.” 

Hotch smiles to himself. Spencer's stomach ties itself in knots, a tight noose that grows tighter still when you notice his expression and lean in toward your superior. “What's that smile for, Hotchner?” 

“Don't you have emails to look through?”  

You hold your cheek in your hand lightly, fingertips digging into the soft of your cheek. Your smile is like a kick to the chest, achingly sweet on such a pretty face. “No…” Your pinky digs into the corner of your mouth. “I don't remember that being on my agenda today.” 

“Consider it an addition.” 

Is Hotch flirting back? Spencer isn't sure why that strikes him so hard. Maybe because Hotch would actually have a chance with you if he wanted it; your flirting with Hotch is more real than if it were with Spencer, because Spencer is a twenty-something know-it-all who still dresses like his mom buys his clothes. 

“It's a lot of emails, boss,” you say. 

“You have time. Start with the ones sent by Hughes and work your way down.” Hotch slides the login information across the desk into your reach. 

You look at it unhappily. Look up at him. 

Just being looked at by you is a full body experience. Whenever you look at him, he begs himself to play it cool as Hotch is now, to treat it as the affectionate playfulness of a friend rather than serious flirting. He'd have a better chance of being taken seriously by you if he didn't blush whenever you so much as breathed in the same room. 

He wishes he could respond calmly like Hotch. (He wishes you'd flirt with him and him alone. He buries that deep.) 

Envy eats at his hands. Pins and needles he tries to shake away. His movements draw your attention, and your smile worsens, which is to say sweetens, like seeing him again is a treat for the eyes. 

“You'll help me, won't you, baby?” you ask.

He goes a little blind. 

Hotch and Elle watch the encounter with similar parts pity and amusement. 

“You can read through them so quickly, I could really use your…” —you drag your fingertips down your face until your nails are at your jaw— “expertise.” 

“Reid has his own tasks–” 

“I can help,” Spencer interrupts. 

You drop your hand from your face altogether. “Thank you. Have I mentioned how much I missed you while I was away?” 

“Only five times,” Elle says under her breath. 

“They try so very hard to keep us apart. It's not fair.” 

Because unlike Reid, you don't have multiple degrees. You're still learning, and you can't be here permanently, but your talent, your knack for profiling, is unignorable. You're guaranteed a place on the team as soon as you can prove yourself to Strauss. Without a Gideon to vouch for you, that could take a while, and yet you're never jealous of Spencer skipping a few hurdles to get here. 

If anything, you admire him. “They don't understand our bond, that's all. And together we're hard to beat. Isn't that right, Spence?” 

Perhaps Spencer shouldn't be jealous. You don't call Hotch by anything so saccharine, after all.