#drama theory

[im-totally-not-an-alien-2]

Breaking news! Vicky Vale leaks footage of Brucie Wayne following the new teenage rogue 'Phantom' around the city saying "Please let me adopt you 😭"

Phantom refuses and saying he's a supervillian not a lost puppy.

Turns out this was a part of Bruces plan however as Phantom now sees people all over tv talking about him and the Waynes and already considering him a new member of the family. They're even asking when there will be a face reveal. There was a reason he was wearing a mask! He. Is.. A. Villian. What about that do these people not get?!

Sure he doesn't kill people. Or hurt people at all really. Or steal from small family owned businesses. Or...yeah ok. Just because you're a bad guy doesn't mean you have to be a bad guy, ya know? Apparently Gotham doesn't.

Cause they insist hes just a very confused hero

[nocofamilyau]

bazinga

[wanderlust-in-my-soul]

Wound care - a good reason to get close to one another and express that you care (Part 3/?)

Semantic Error

About Youth

Fish Upon The Sky

21 Day Theory

Bed Friend

Some More

KinnPorsche

Bad Buddy

My Ride

Senpai, This Can't Be Love

Part of my favorite bl-tropes collection, as always in no particular order.

[buddieism]

i'm not particularly committed to the buddie first kiss being in a kitchen — but if it is, the obvious answer is that it's gotta be eddie's.

buck's kitchen gets a lot of buddie airtime, but those scenes are typically lighthearted — cosy, familial, warm. buck cooks for eddie in his kitchen, he helps christopher with his homework in his kitchen, he flirts with eddie in his kitchen, he comes out to eddie in his kitchen.

in comparison, eddie's kitchen has always been a place of raw honesty; a place for the serious, darker conversations. eddie talks about the shooting to buck in his kitchen, he tells buck he needs to move on in his kitchen, he asks buck about the lightning strike in his kitchen, he opens up about his relationship with kim to buck in his kitchen.

buddie's first kiss being in eddie's kitchen because it's the place where eddie is most vulnerable, especially when it comes to buck. because it's the place where buck feels the most comfortable, where he's "never a guest." something something love is stored in the kitchen...

[v-poreons]

OCposting..... This is Coven :3 she's a witch who specializes in luck magic! I need to post her so I can yap about her more, she's rotating in my brain at top speed

(Also her bf belongs to @oodliedoodlies hiiii hiiiiiiii hi hi hi)

[divineandmajesticinone]

4 MINUTES (2024) I EP. 1 & EP. 2

[pharawee]

—I SAW YOU IN MY DREAM · Episode 9

[kaeyachi]

There's something alarming about the continuing trope of an Alberich father putting their hopes and dreams on their sons, but their sons are dreaming of something else like, oh, I don't know, living a normal life? Not finding the world unfair? Have no burden concerning their lineage?

[taeiris]

little hcs for @pinkeoni ‘s theory

considering one of the “leaks” for s5 are that apparently noah will use prosthetics playing will+ the left hand theory

[allovelyhappily]

cr. off/gun ig story

[egophiliac]

WHO IS THIS PINK HAIR GENTLEMAN YOU JUST POSTED? HES SO PRETTY???

he's Hayate from Ride Kamens! 🦩 he is my bird son a very silly guy who's part of a superhero (well...hero-ish) group trying to take down a cult, although his real passion is lattes. also, he is very pink!

(the fancy outfit was just for a game event, alas, although I spent way too much time grinding to get the pink variant so now it is mine forever, mwahaha. >:)

[namtanlovesfilm]

cooking crush (2023) | theory of love (2019)

[dandelionjack]

an essay about Rogue, The Chimes of Midnight, and how i believe all this ties in to the overarching themes of the series EVEN IF the inside-a-tv-show theory proves untrue

“Rogue” named himself after a stock character. he is the archetypal Handsome Rogue because there has to be a Handsome Rogue role in a period drama story set in Austenesque Regency England.

it’s all theatre — smoke and mirrors. just like the war waged against imaginary foes in boom (because there needs to be an Enemy in a wartime story) was theatre; the creation of the Bogeyman in space babies (because there needs to be a Scary Monster in a children’s bedtime story) was theatre; The Woman following Ruby in 73 yards (because there needs to be a Ghost in a folk horror story) was theatre. dot and bubble less so, but it’s wise to note — the dots created the slugs after all. they invented the slugs so that there would be a tangible Creature for the finetimers (and the Doctor) to fear, rather than simply being betrayed by their own technology. because that’s exactly what the false, harmful narratives colonialists tell themselves — stories of taming and conquering a wild Mother Nature and her ferocious beasts — have trained them to expect from the world. the dots were telling a story too, or rather putting on a play.

the penultimate episode of any doctor who series, if not always leading directly into the two-parter finale, will typically begin to tie up loose narrative strands that have stretched across the entire season. at a first impression rogue doesn’t seem to be doing that. but then you take a closer look at the antagonists: creatures that play a role for fun without the slightest regard for those around them. lethal LARPers. cosplayers out to kill. to put it pretentiously, a hyper-realistic theatre of cruelty.

to nobody’s surprise, i’m bringing up my favourite eighth doctor audio drama — the chimes of midnight. edward grove gives every person trapped in the time loop a designated role: the chauffeur, the doctor-detective, the plucky young lady of the house, the lady’s maid, the scullery girl, the housekeeper. they keep playing these roles, over and over, until they begin to forget their original identity, until the part they’re playing takes over their entire sense of self. the servants keep dying over and over because they cannot transcend their roles, because they believe themselves to be “nothing but a scullery maid”. they are reduced to the parts they play in the narrative until they become nothing outside of it, until they become confined to a single location.

the chimes of midnight is set in Edwardian-era England, a time of restrictive, prescriptive class, status and social roles which defined a person’s life and career trajectory — this strict delineation is driven to its logical conclusion and deconstructed under the unnatural conditions of Edward Grove. similarly, rogue is set in a Regency-era mansion — another historical period defined in the popular imagination by its complicated social rules, elegant courtship dynamics, strict class barriers, gossip and elitism. these two doctor who stories don’t have any intentional watsonian connection, but they are deeply linked on a thematic level.

high society is forced theatre. a 24/7 LARP. play your part, put on your costume, don’t interrupt the performance. the audience is waiting. they’re oh so hungry for tragedy.

the biggest part of them all, the most sought-after role, of course, is The Doctor. a standard to live up to. a name to wear like a banner, a pledge, a promise. he has to be like this because this is what he’s like.

the Scullery Maid scrubs the kitchen floor. The Detective searches for clues. the Chauffeur starts up his car. the Duchess hosts a glittering soirée. the Rake hides a secret fling with the Wallflower. the Rogue breaks hearts and broods on the balcony.

and the Doctor? the Doctor dances. “onwards and upwards”. forever in perpetual motion, spinning and spinning and spinning across the stars. never pausing to breathe. never stopping.

p.s.: so, pray tell, what is Ruby Sunday in all this? “The Companion”, of course. smart, funny, sassy, quick-witted, brave, cheeky, curious, self-sacrificial. she almost feels generic because she’s meant to be. she wasn’t born. she was written. an essential part of the story too. circling the Doctor like a satellite forever.

[glimblshanks]

Okay I have to ask-

[anthurak]

Ever since I started posting about the Rosebird Parents theory, aka ‘Raven is Ruby’s real dad’, the most common question/criticism I’ve gotten regarding it* has been ‘What is the point of such a reveal?’ and ‘What does this add to the story?’

Well here is the answer:

A reveal that Taiyang isn’t Ruby’s father and that Raven IS would fit PERFECTLY into Ruby’s and Yang’s looming family drama, the dysfunctional MESS that is the STRQ family, and just how much said family FAILED Ruby and Yang as parents.

Raven being Ruby’s real father is the final, ultimate ‘dirty little secret’ of Team STRQ that they’ve kept from Ruby and Yang all these years.

Not some grand plot reveal tied up with Salem, the relics and/or Oz. But rather this much more PERSONAL and ugly product of STRQ’s numerous personal hangups, baggage and dysfunctions.

And far from being ‘out of character’, Tai and Qrow keeping such a secret from Ruby and Yang would be par for the course. Not just for them, but basically EVERY OTHER ADULT in the show. Whether it’s letting Yang think that Summer was her birth mother until Yang figured it out only AFTER Summer (supposedly) died, or Qrow letting Yang think he didn’t know anything about where Raven was despite having been in contact with her for YEARS and even having a pretty good idea where she is, or of course ALL THE OTHER SHIT the adults of RWBY have been hiding from their kids/students/charges.

And let’s not forget how Volume 9 ended with Ruby discovering a massive secret that was long kept from her and COMPLETELY changes something she once believed about her family. With the Blacksmith commenting “Who knows why they kept the secrets they did…”

Or how the last episode of Beyond has Ruby herself commenting to Yang “Maybe we don’t have the full picture…” in regards to Tai’s absence from Vacuo.

Throw in just how LITTLE we can truly be sure of regarding Team STRQ thanks to the aforementioned unreliable narrators and this is ABSOLUTELY telegraphing that Ruby and Yang are due for some MASSIVE reveals regarding their family in the near future. And given all the other hints or flat out statements as to what a hot fucking dysfunctional MESS Team STRQ truly is, those reveals are almost certain to be ugly and painful.

So a reveal that Tai and Qrow have actually been lying to Ruby and Yang for their ENTIRE LIVES in regards to who Ruby’s father ACTUALLY is?

Yeah, that sounds EXACTLY like something we could be expecting.

--

*At least as far as actual arguments go and not people just going ‘WAAAA! I don’t like Raven so this theory is bad!’ and ‘Well… you’re just crazy/stupid, so there!’

[swan2swan]

Anyway, CampFam, are we ready for Season 2 Chaos Theory Yasammy?