#dr: dem

[improved-twink]

happy pride month!

[orengejoshi]

by popular demand

[scooterpengie]

My prediction for their next meeting 😭 (Gravity Falls reference)

[wormsinsdirt]

I was just thinking about villainous again. fucking uhgahghggshg

[autism-calzone]

favours for Satan

[tomatotarantula]

I love them smm theyr so special to me sillys frfr

[13-wonder-writer]

Steht es eigentlich in den Tatort Gesetzen geschrieben, dass wenn ein Tatort Kommissar/Charakter eine Dreiecksbeziehung/Poly Beziehung in seiner Jugend hatte, er auch der ist, der als erstes aus diesem Verhältnis ausgeschlossen wird? Man könnte es meinen

[ilredeiladri]

Dr Berger weiß nicht, wie man sich im Theater benimmt - in 10 Akten Gifs.

[jellysnail-draws]

Some stuff I’ve been working on in the past week or so :)

[justinspoliticalcorner]

Marina Dunbar at The Guardian:

Jill Biden acknowledged on Monday that her husband, Joe Biden, made “the right call” by stepping down from his run for re-election as president. In a candid interview on Good Morning America, the first lady spoke openly about her feelings as her family’s time in the White House comes to an end. “I’ve had such a great four years,” she said to ABC News’s Deborah Roberts. “I mean really it has been the honor of our lives. It’ll be tough to maybe step away from it, but we’re starting a new chapter of our lives. A new journey.”

She added: “It’s time for something new. It was the right call.” Jill Biden’s remarks were the first addressing her 81-year-old husband’s decision to drop out of the 5 November presidential election amid concerns about his age. That made way for Kamala Harris, 60, to run against Donald Trump, 78, who is seeking a return to the White House after losing the presidency to Biden in 2020. In Monday’s interview, Jill Biden described herself as excited about the potential for a Harris presidency. “There’s a lot of energy out there,” she said. “Kamala Harris is going to win this, and it’s going to be just another chapter for the White House.”

In an interview with Deborah Roberts on ABC’s Good Morning America today, FLOTUS Jill Biden admitted that her husband Joe made the right call in pulling the plug on his re-election bid.

From the 10.21.2024 edition of ABC's Good Morning America:

[zomedy]

get him his FUCKING rubies NOW

[blatant-disrespect-for-birds]

Here's the full sketch page for this post by the way just completed it I'm going insane

[scooterpengie]

Redrew this moment from Gravity Falls but with them because I really love Flug and Dem's sibling dynamic 😭

This started as a joke but now I'm like Flug and Dem give me such Mabel and Dipper vibes, I wanna see how many more Gravity Falls jokes I can make

[chaos-tree-lol]

They gave us sheet tablecloths.

Tell me what would you have done in my position?

[michameinmicha]

Hab angriff der computerviren gelesen und das buch ist irgendwo zwischen "geht so" und "ich will den autoren den hals umdrehn" aber hier sind zwei gute stellen daraus: in denen randomly beschrieben wird was justus anhat! Jemand zeichne mir einen justus im garfield shirt bitte🙏

[shezanenigma]

THE DEATH OF SLIM SHADY

Eminem Album Review

💎💎💎💎💎

5 Diamond Review

By ShezAnEnigma

Eminem's newest album, "The Death of Slim Shady," is not just another collection of tracks; it's a reflection on his legacy, his inner battles, and the persona that has both defined and haunted him for decades. As always, Eminem draws from his own feelings and inner battles, creating a narrative that is both compelling and raw.

Since his debut album "The Slim Shady LP" in 1999, Eminem has been known for his sharp, often controversial lyrics and his alter ego, Slim Shady. Albums like "The Marshall Mathers LP" (2000)  and "The Eminem Show" (2002) showed us the provocative, unfiltered side of Eminem, with tracks that were intense and filled with intricate wordplay, dark humor, and brutally honest storytelling. 

Over the years, Eminem has consistently pushed boundaries and confronted personal demons, from addiction and mental health struggles to family conflicts and industry pressures. Albums like "Recovery" (2010) and "The Marshall Mathers LP 2" (2013) saw him addressing his battles  and seeking redemption, while "Kamikaze" (2018) and "Music to Be Murdered By" (2020) showcased his relentless lyrical skill and unyielding defiance against critics.

In "The Death of Slim Shady," Eminem takes us on a ride through the chaotic mind of Marshall Mathers, where Slim Shady's influence is still strong. The first two-thirds of the album hit hard with that familiar, in-your-face style. Songs like "Lucifer," (produced by Dr. Dre) "Evil," and, "Antichrist" bring back that vintage Slim Shady vibe, full of biting commentary and controversial takes. Eminem doesn't hold back, targeting everyone from Lizzo to MAGA pundit Candace Owens, with some particularly pointed jabs at Caitlyn Jenner and the late Christopher Reeve.

But the real turning point comes with "Guilty Conscience 2," a powerful sequel where Eminem faces off against his alter ego. This track feels like a climactic moment where Marshall Mathers finally confronts Slim Shady, leading to a symbolic "murder-suicide." It's a moment of catharsis, marking the end of an era for Eminem.

As the album progresses, the tone shifts dramatically from aggressive shock rap to more introspective tracks like "Temporary" and "Somebody Save Me," a poignant duet with Jelly Roll. These two songs are my favorites because they have a deeper emotional pull and feel incredibly personal. Eminem is known for writing from his heart, and you can sense how difficult these tracks must have been for him to create. In "Temporary," he includes snippets of audio featuring him and his daughter Hailie, reflecting on how she will feel when he dies. In "Somebody Save Me," Eminem opens up about his struggles with addiction and his regrets as a father and uncle. These songs are slower, more reflective, and deeply emotional, painting a vivid picture of a man who has missed out on significant moments in his life and is filled with remorse.

While "The Death of Slim Shady" has echoes of "The Eminem Show" and "Encore," it's not a throwback. The production and the wordplay is as sharp as ever, and Eminem's flow is versatile and confident. He may be 51 now, a long way from that kid who broke out in the 1990’s but this album proves he still has the same lyrical prowess.

Overall, "The Death of Slim Shady" is an album that demands to be listened to from start to finish. Eminem's ability to balance the raw, controversial edge of Slim Shady with his personal reflections on regret and redemption makes this a standout in his career. This album isn't just about saying goodbye to Slim Shady; it's about Marshall Mathers coming to terms with his past and looking forward to his future. It’s an emotional, powerful journey that leaves a lasting impact.