#doumbek

[sca-nerd]

I don't know who needs to hear this, but you're not actually good at the doumbek. Everyone around you is just drunk.

[beyourselfchulanmaria]

👍 Awesome 🎶 手鼓 tabla／中東鼓 doumbek／阿拉伯鼓 darbuka🪘 優秀！💐 love it xoxo 🙏 Thanks~*

Biraz darbuka ve freddie mercury iyi gelir 🌹🤍

[shamandrummer]

The Key Aspects of Shamanic Drumming

Shamanic drumming is a traditional practice used in various Indigenous and shamanic cultures around the world. It involves rhythmic drumming to achieve a range of ecstatic trance states in order to promote healing, gain insight, and communicate with the spiritual dimension of reality. Ecstasy is defined as a mystic, prophetic, or poetic trance. It is a trance-like state of exaltation in which the mind is fixed on what it contemplates or conceives. The drum serves as a concentration device, enhancing one's capacity to focus attention inward. It stills the incessant chatter of the mind, enabling one to enter a subtle or light-trance state. One of the core beliefs of shamanism is that innate wisdom and guidance can be accessed through the inner senses in ecstatic trance. Practitioners enter altered states of consciousness to experience direct revelation from within. Here are some key aspects of shamanic drumming:

Purpose: The primary purpose of shamanic drumming is to facilitate communication with the inner self and the spiritual realm. It is often used in rituals, ceremonies, and healing practices. A key objective of shamanic ritual is to engage the spirit world to effect specific changes in the physical world. The material and spiritual worlds interact continuously, and a shamanic practitioner can gain knowledge about how to alter physical reality by taking direct action in the spiritual aspect of the world. From a shamanic perspective, all human experience is self-generated because the entire universe exists within human consciousness. Each human being is a hologram of the universe. Essentially, we are the universe experiencing itself in human form.

Technique: Practiced in diverse cultures around the planet, this drum method is strikingly similar the world over. Shamanic drumming uses a repetitive rhythm that begins slowly and then gradually builds in intensity to a tempo of three to seven beats per second. The ascending tempo will induce light to deep trance states, and facilitate the shamanic techniques of journeying, shapeshifting, and soul retrieval. Practitioners may progress through a series of trance states until they reach the level that is necessary for healing to occur. When ready to exit the trance state, the practitioner simply slows the tempo of drumming, drawing consciousness back to normal.

Instruments: One of the most useful drums for shamanic work is the hand or frame drum. Its resonance and versatility make it my drum of preference. Such drums are portable, affordable, and easy to play. They can easily be held in one hand, leaving the other hand free to stroke the drum. Though I highly recommend frame drums, any type of drum may be used in shamanic drumming. There is a myriad of styles and drum types to choose from. Congas, doumbeks, djembes, ashikos, tablas, and timbales are but a few of the drum types readily available. In selecting a suitable drum, play several and listen for the drum that calls to you. You will know it by its voice. It will strike a deep chord within you.

Experience: During shamanic drumming, practitioners often report experiencing visions, connecting with spirit guides or power animals, and gaining insight or guidance. Ecstatic trance is not always what many people anticipate it to be, and sometimes there may be doubt that anything at all takes place. There are, however, some key indicators that confirm a transcendent state of consciousness. Once you enter a trance state, the rhythm or sound of the drum tends to change. The drumbeat may appear to speed up or slow down while the sound may grow louder, softer or disappear. You may experience a change in body temperature, feel energy flowing through your body, or find yourself twitching, swaying or rocking. It is not uncommon to hear sounds or voices. You may even smell specific aromas. You may see colorful patterns, symbolic images or dreamlike visions. Some people may find that they have a highly developed inner vision, whereas others may rely more on an inner voice of insight or an inner feeling of certainty. Be prepared to experience ecstatic trance with any of your senses. The key is to observe whatever happens without trying to analyze the experience.

Cultural Significance: Shamanic drums have a rich historical and cultural significance, evidenced by their use in archaeological sites worldwide. The rituals of the earliest known religions evolved around the beat of the frame drum, which originated in Siberia, together with shamanism itself thousands of years ago. Shamanic drumming is an integral part of many Indigenous cultures around the world, including those of Siberian, Mongolian and European peoples. The history of shamanic drumming in Europe is rich and varied, spanning back thousands of years. Various European cultures, such as the Celtic, Viking, Germanic, and Sami people practiced shamanism, which involved connecting with the spiritual realms through drumming, chanting, and other rituals. Shamans in diverse cultures around the world used drums as a tool for trance induction and journeying to commune with spirits, seek guidance, and perform healing ceremonies to accompany life and death.

Modern Use: Today, shamanic drumming is also used in various contemporary spiritual and therapeutic practices to promote relaxation, self-discovery, and personal growth. Practitioners have found innovative ways to incorporate shamanic drumming into various healing modalities, while still honoring the traditional techniques. One notable adaptation is the use of shamanic drumming in sound therapy. This application harnesses the sound vibrations of the drum to induce deep relaxation and promote healing on physical, emotional, and spiritual levels. Another modern interpretation involves integrating shamanic drumming into mindfulness practices. Here, the drum serves as a tool for grounding, focusing attention, and achieving a meditative state of nonjudgmental awareness of what's happening in the present moment. Mindfulness has gained widespread popularity as a means to reduce stress, increase self-awareness, and enhance mental well-being. Shamanic drumming continues to offer today what it has offered for thousands of years: namely, a simple and effective technique for affecting states of mind.

[anamelessfool]

No instrument fucks harder than a doumbek sorry I don't make the fuckin rules

[vrianch]

PLAYLIST

Artist name Track name

1 Afro en Las Alturas Afro en Las Alturas 2 Planeta Bleepolar 3 Brillo Más que el Oro Ahomale 4 Cardo o Ceniza Dengue Dengue Dengue 5 Efecto Manglar Black Mambo/Ácido Pantera 6 Evidence Oscar Barcelli 7 Makaró Chaivers 8 Caparica Populus 9 Atlántida Dengue Dengue Dengue 10 Una Larga Noche Chabuca Granda & Nicómedes Santa Cruz 11 Cantuta (Live) Daniel Susnjar/Aaron Logan/Andrew Ovens/Claire Keet/Habir Jumani/James Chapman/James Marelich/James O'brien/Jesse Vivante/Jona 12 Qanchi remix Mikongo/Dengue Dengue Dengue 13 Komo Deke No Mikongo/Los Chicos Altos 14 Mayoral Lucila Campos 15 Tales from the Doumbek Clap! Clap!/Domenico Candellori/TOROZEBU 16 El Futuro Ya Pasó (feat. iLe) Trending Tropics/iLe

[iamkenlee-blog]

"아랍북 다르부카에 관한 메모"

벨리 댄스 수업 참여하는 동안 자연스레 몇몇 이집트 음악을 접했다. 그중 움 쿨숨(Umm Kulthum)이란 분이 가장 유명한 국민 가수이시라길래 유튜브에서 음반 몇 개를 찾아 약 반년에 걸쳐 틈틈히 들어봄.

월드 음악 중에서 ���젠틴 땅고와 포르투갈 파두는 듣자마자 귀에 팍~ 꽂혔던 반면 아랍 음악은 예전부터 내 취향이 아님을 알고 있었기 때문에 이번에도 크게 다르진 않을 거라고 보고 시나브로 귀에 익을 때까지 어느 정도 여유를 뒀건만 역시나 실패.

하지만 벨리 댄스에서 중요한 타악기로 쓰이는 다르부카(Darbuka)만큼은 예외로 한번 듣고 꽃힘. 기원은 매우 오래돼 위키 백과에는 고대 이집트 및 메포소타미아(=바빌론, 수메르) 때까지 거슬러 올라 간다고 써 있다. 아마도 벽화나 부조에 비슷한 그림이 남아 있나 보다. 그런만큼 명칭도 다음과 같이 여럿이다.

(1) 다르부카(Darbuka) : 구글에는 '공격'을 의미하는 아랍어 'Darba'에서 기원했다고 나옴. 악기 연주를 들어보면 왜 공격적이란 명칭이 붙었는지를 충분히 납득.

(2) 고블릿 드럼(Goblet Drum) : 형태가 고블릿 잔(=와인 잔)처럼 생겼다고 해서 이렇게 부르는 듯.

(3) 따블라(Tabla) : 본래는 인도 대륙에서 기원한 거로 추정하는 (봉고처럼) 두개의 북을 한 쌍으로 묶어 부르는 명칭인데, 어떤 연유로 여기에 쓰였는지는 모르겠다.

(4) 둠벡(Doumbek) : 한국에서 장구 배울 때 '구음'이라고 해서 "덩기덕 덩 덕"과 같이 입으로 북소리를 재연하듯 이 동네 사람도 "둠 텍~텍 둠 텍"과 같은 게 있는데 이 전통에서 비롯한 명칭인 거 같다.

예전에 쓴 글에서 내가 악기 소유욕이 있다고 했듯, 다르부카도 구입했었다. 코로나가 한창 기승일 때 집에서 북이나 두드리려고… 유튜브에 '막숨', '발라디', '사이디' 등등 기본 리듬 정리해 놓은 자료가 있길래 따라서 몇 번 두드려 봄. 보기와 달리 난이도를 조금만 올리면 멘붕 오더만. 여기에서 더 나가려면 시간 투자를 엄청하지 않으면 안되겠단 느낌이 들었고, 한동한 구석에 방치해놨다가 벨리 댄스 쌤에게 줘버림.

당시 내가 주로 참고했던 기초 리듬 영상은 아르템 우즈노프(Artem Uzunov)��� 연주자가 만든 콘텐츠였다. 미국에서 태어나 어린 시절을 모스크바에서 보냈단 거 외에는 구체적인 정보가 없다. 데뷔 음반은 2013년에 발매한 '함 해볼까(=Let's do it)'이고, 유튜브에 전곡이 올라와 있다.

네 번째 트랙에 '춤 추고 싶다(=I Wanna Dance)'란 곡이 있는데, 내가 수업 참여중인 벨리 댄스 쌤이 이곡에 맞춰 한 공연 영상이 있길래 허락받아 링크. 4년전 영상이건만, 이분도 방부제 미모임.

[earcandle]

ECP0818v2 J Neo Marvin & the Content Providers at the House of Love, Tape 1, 120504

The House Of Love was a cabaret on Fulton St. in San Francisco in the 2000s that hosted an interesting series of shows with musicians, artists, and writers in a friendly, informal setting. Carvell Wallace, Accidental Beauties frontman, occasional Content Provider, and acclaimed writer and journalist, is visible behind the players working the soundboard.

J Neo Marvin and the Content Providers are captured here playing a potent set of songs from their three CDs. The lineup at this show was:

J Neo Marvin: Vocals and guitar Davis Jones: Keyboard and vocals Stephen Abbate: Lead guitar and vocals Jeremy Hanberry: Doumbek and vocals

Ear Candle Productions is a small music label, video production, and eLearning website designed to be a place for the arts to stay and to be a venue for the creative products of the owners, John Bassham (AKA J Neo Marvin) and Debra Nicholson Bassham (AKA Davis Jones). We live in San Francisco. Come visit our website, check out our YT, Bandcamp, Ear Candle Radio, and other pages at https://earcandleproductions.com

[byrekis]

[pocketsrestorations]

Check out this listing I just added to my Poshmark closet: Egyptian North African Large 15" Red Clay Handmade Darbuka Doumbek Bass 10" Drum.

[can-of-pringles]

Help my dad got a new Doumbek drum

[vrianch]

Explora una fascinante selección de música afroperuana fusionada con estilos jazz, electrónico y versiones clásicas, icónicas en el Perú. La cual ha sido elaborada con mezclas en vivo y reeditada cuidadosamente para un acabado final.

Descubre la riqueza y diversidad de la música peruana fusionada con elementos contemporáneos, en ésta búsqueda personal que abarca a la música ecléctica, original, baleárica y latinoamericana.

Tracklist: 1 Afro en Las Alturas Afro en Las Alturas 2 Planeta Bleepolar 3 Brillo Más que el Oro Ahomale 4 Cardo o Ceniza Dengue Dengue Dengue 5 Efecto Manglar Black Mambo/Ácido Pantera 6 Evidence Oscar Barcelli 7 Makaró Chaivers 8 Caparica Populus 9 Atlántida Dengue Dengue Dengue 10 Una Larga Noche Chabuca Granda & Nicómedes Santa Cruz 11 Cantuta (Live) Daniel Susnjar/Aaron Logan/Andrew Ovens/Claire Keet/Habir Jumani/James Chapman/James Marelich/James O'brien/Jesse Vivante/Jona 12 Qanchi remix Mikongo/Dengue Dengue Dengue 13 Komo Deke No Mikongo/Los Chicos Altos 14 Mayoral Lucila Campos 15 Tales from the Doumbek Clap! Clap!/Domenico Candellori/TOROZEBU 16 El Futuro Ya Pasó (feat. iLe) Trending Tropics/iLe

[earcandle]

ECP0818 J Neo Marvin & the Content Providers at the House of Love, Tape 1, 120504

The House Of Love was a cabaret on Fulton St. in San Francisco in the 2000s that hosted an interesting series of shows with musicians, artists, and writers in a friendly, informal setting. Carvell Wallace, Accidental Beauties frontman, occasional Content Provider, and acclaimed writer and journalist, is visible behind the players working the soundboard.

J Neo Marvin and the Content Providers are captured here playing a potent set of songs from their three CDs. The lineup at this show was:

J Neo Marvin: Vocals and guitar Davis Jones: Keyboard and vocals Stephen Abbate: Lead guitar and vocals Jeremy Hanberry: Doumbek and vocals

Ear Candle Productions is a small music label, video production, and eLearning website designed to be a place for the arts to stay and to be a venue for the creative products of the owners, John Bassham (AKA J Neo Marvin) and Debra Nicholson Bassham (AKA Davis Jones). We live in San Francisco. Come visit our website, check out our YT, Bandcamp, Ear Candle Radio, and other pages at https://earcandleproductions.com

[vireosy]

street performer

ko-fi / twitter / deviantArt / wysp

[pocketsrestorations]

Check out this listing I just added to my Poshmark closet: Musical Instruments.

[ryangreenart]

Bought a @meinlpercussion darbuka at @guitarcenter last night and now every evening will be relaxingly rhythmic. I can already imagine the appreciation from our neighbors. #darbuka #doumbek #drum #handdrum #percussion #guitarcenter #meinl #midlifecrisis #burbank #fueledbytea #ipadpro #procreate (at It’s Boba Time) https://www.instagram.com/p/B2np0tHAHzg/?igshid=1w4td42blv4sx

[roelswara]

View this post on Instagram

A post shared by Roelswara Composer (@roelswara_cmpsr)

Reposted from @arabinstruments (@get_regrann) - Ceramic Hassan darbuka with fish 🐠 skin, model 6019 in our website. Tag 2 friends who love fish skin like us ❤️😍🥰😘#arabinstruments #darbuka #doumbek #percussion #drums #bellydance follow @roelswara_cmpsr #roelswara https://www.instagram.com/p/B52O0PFlczY/?igshid=14w1gnh4cugo