#dorothea ernst
Explore tagged Tumblr posts
toiich · 3 months ago
Text
Tumblr media
‘Max Ernst with Dorothea Tanning and his sculpture Capricorn’
by John Kasnetsis, 1952
194 notes · View notes
electrojazzmin · 2 years ago
Text
Tumblr media
Max Ernst with Dorothea Tanning and his sculpture Capricorn | John Kasnetsis
917 notes · View notes
federer7 · 7 days ago
Text
Tumblr media
Dorothea Tanning and Max Ernst with the sculpture Capricorne, Arizona. 1948
Photo by John Kasnetzis
37 notes · View notes
diioonysus · 1 year ago
Text
Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media
hair + art
339 notes · View notes
hanniedraw · 5 months ago
Text
The new OLNF demo uptade healed me
35 notes · View notes
page-28 · 2 years ago
Text
Tumblr media
Us
227 notes · View notes
questcequecestqueca · 5 days ago
Text
Tumblr media
John Kasnetzis - Dorothea Tanning and Max Ernst
7 notes · View notes
proustian-dream · 9 months ago
Text
Tumblr media
Dorothea Tanning, Max Ernst, and William N. Copley, Toy Theater, c. 1948.
23 notes · View notes
mr-e-gallery · 3 months ago
Video
youtube
The Dorothea Tanning & Max Ernst Show
8 notes · View notes
dosartistas · 1 year ago
Photo
Tumblr media
Dorothea-tanning-max-ernst-by-lee-miller-1946; Abre una nueva pestaña Dorothea Tanning. Max Ernst. By Lee Miller. 1946.
21 notes · View notes
kiki-de-la-petite-flaque · 2 years ago
Text
Tumblr media
Ph John Kasnetsis, Life Magazine, 21 January, 1952
Dorothea Tanning and Max Ernst with his sculpture, Capricorn.
65 notes · View notes
sixbucks · 4 months ago
Text
Tumblr media
Dorothea Tanning and Max Ernst with his sculpture, Capricorn, in Sedona, photograph by John Kasnetsis, 1947
This photograph appeared in LIFE Magazine, January 21, 1952
5 notes · View notes
marywoodartdept · 1 year ago
Text
Dorothea Tanning: Doors to Womanhood
Did you ever stop to consider who the famous women Surrealists painters were? This week Abby dives into that question and arrives at the doorstep of painter Dorthea Tanning, considered the last Surrealist. #MarywoodArt #ArtHistory #StudyArtAtMarywoodU
“Women artists. There is no such thing— or person.” —Dorothea Tanning, October 1st, 1990. Surrealism is one of the most well known art movements of the 20th century, easily recognizable in the obscured faces of Magritte or Dali­’s dripping clocks decorating college dorm rooms. Artworks identified with this movement captivate the imagination of the masses, allowing viewers to enter worlds that…
Tumblr media
View On WordPress
2 notes · View notes
donaiocell · 9 months ago
Text
Tumblr media
1 note · View note
paolo-streito-1264 · 4 months ago
Text
Tumblr media
John Kasnetsis. Dorothea Tanning and Max Ernst with his sculpture, Capricorn, in Sedona, 1947.
542 notes · View notes
drachenwiki · 3 months ago
Text
A lot of the time when you read about African dragons online, people talk about cryptids like the Kongamato, Mokele-Mbembe or the Das-Adder. Most of these creatures, while originating in local folklore or mythology, have been warped beyond recognition by European accounts and in many cases are also not particularily dragon-like aside from being reptilian and sometimes being associated with water.
So for this African History Month, I decided to do a series of posts about African mythical creatures that actually are very similar to dragon myths and probably have a common origin or are at least connected through mutual influences.
Tumblr media
The first such dragon is Arwë (also known as Wainaba). This giant serpent is said to have been worshipped in Ethiopia before king Ezana of Axum embraced Christianity in the 4th century.
According to legend, a stranger came to Arwë's land and met a woman who cried because her daughter was about to be sacrificed to the dragon. The stranger asked her for a white lamb and the juice of the poisonous Euphorbia tree. Then he offers the lamb and juice to Arwë, who is poisoned and dies. The people of Ethiopia make the man their king, and after his reign he is followed on the throne by his daughter, the Queen of Sheba. With king Solomon she becomes the mother of Menelik I., the first historical king of Ethiopia.
There are many alternative versions of the tale. In one of them, the stranger is a wizard who fires flame from his palms to kill the serpent, while in another version one of the seven saints of Ethiopia, Abba Mentelit, kills the dragon with his cross.
In the versions of the story that include human sacrifices, one can clearly see parallels to the legend of St. George, who was and still is a very popular saint in Ethiopia.
Sources:
Edward Ullendorff (1956), The Contribution of South Semitics to Hebrew Lexicography, Vetus Testamentum, https://www.jstor.org/stable/1515723
Ernst Hammerschmidt (1965), Jewish Elements in the Cult of the Ethiopian Church, Journal of Ethiopian Studies, https://www.jstor.org/stable/1515723
Dorothea McEwan (2007), Sebetat: the Many Lives and Deaths of a Monster, Journal of Ethiopian Studies, https://www.jstor.org/stable/41988222
How Makeda Visited Jerusalem, and How Menelik Became King in Anthonia C. Kalu (2007), The Rienner Anthology of African Literature, Lynne Rienner Publishers, ISBN 9781588264916
Andrea Manzo (2014), Snakes and Sacrifices: Tentative Insights into the Pre-Christian Ethiopian Religion, Aethiopica, Vol. 17, https://doi.org/10.15460/aethiopica.17.1.737, ISSN 2194-4024
Wainaba, the Serpent Ruler, Oxford Reference
Enno Littmann (1904), The Legend of the Queen of Sheba in the Tradition of Axum, BiblioLife (2009), ISBN 978-1103925988
39 notes · View notes