#dorian corpus

[love-toxin]

Dorian doesn’t know his own strength, you say? 👀 can’t wait for him to get all mean n’ bruise my cervix prrrrrr-

somehow I have this image of like...Dorian being so paranoid about being found out as an android/hunted down by Trinity that when you arrive on scene, he's so suspicious of you (because you're too pretty and make him feel too weird to be any normal human) and obsesses over thoughts of you without knowing he's in love until you do something drastic--like show up at his apartment door with some desserts you made or just to deliver his mail that was in your box by accident. and you have such a huuuuge crush on him you let him drag you by the arm into his place and shut the door behind you, thinking he's finally confessing his feelings for you even though he looks like he's about to punch something to everyone else.

(cws: rough sex, dubcon, afab darling)

cut to him holding your arms back and absolutely plowing you on his bed from behind, your pretty legs all shaky and your tits jiggling so mesmerizingly as he drags his cock in deep squelching thrusts through your precious, messy cunt. he's trying to interrogate you but he sounds somewhat garbled because of his messed-up voicebox, and it just sounds like guttural moans to you so you're none the wiser. when you try to squirm off he thinks it's cause you're trying to get out of talking--even though it's really cause he's pushing you to the brink of cumming your brains out--and he yanks you back by the hips every time, slamming you down on his cock even harder to hear you yelp and squeal before you bow your head in submission again.

eventually he realizes he's not getting the answers he wants, and that you're actually getting pleasure out of this questioning session, so he plucks you off the sheets and manhandles you in front of his mirror, just to bend you over the coffee table and make you look at how pathetic this is. how much you leak and drip all over his sweatpants as he pries you open, how your back arches and your tongue lolls out of your mouth when you should be clamming up and kicking him off. what's really pathetic is how hard he is, to the point that his cock has taken on a purplish hue at the tip (he didn't even know it could look that way) and it's no surprise when he decides that if you aren't going to talk, you should at least put your mouth to use and stuffs his tongue inside it. he hates all you Trinity scum, but he hates you the most, because no lemming of theirs should ever have such a soft, clingy pussy and the sweetest eyes when you beg for him to cum. he hates that you run your fingers through his hair and flash him a wobbly smile as you confess that you like him too, and that you wish you had said something sooner. he shouldn't cringe when you gasp in pain at a particularly bruising thrust, and he especially shouldn't pull out and lift your hips to his face to kiss your sweet, sloppy pussy better.

eventually, he'll have to realize that you're not with Trinity at all and that he just has a fat crush on you, but that might not come for awhile. so there's plenty of time, once he's finally let you drop and catch your breath for the session, to interrogate you again. maybe he needs new methods; new positions, new tortures to put you through, like sitting you on his mouth until you squirt or fucking those beautiful tits until he shoots ropes all over your adorable face. maybe he just has to pin you in a mating press and let you feel his biceps flex as he holds you down, threatening to put you in a chokehold if you don't give up Trinity's secret plans. there's so much he can do...and he won't rest until he's tried everything to get you to fess up, innocent or not.

[supernaturalkickparty]

New guest announcements! Keeping my fingers crossed that Jake Abel is added or if someone from WIndy or Walker is added

Corpus Christi Comic Con announcements are finally being made.

Hoping Jake Abel is invited back this year, missed meeting him last year.

[a-gay-a-day]

Oscar Wilde

Oscar Wilde’s full name was Oscar Fingal O'Fflahertie Wills Wilde, and he lived from 1854-1900. He wrote a number of plays such as The Importance of Being Earnest and Lady Windermere’s fan, though he is best known for the novel The Picture of Dorian Gray. 

Oscar Wilde was involved in two main trials, Wilde V. Queensberry, in which he was accused of being a sodomite and sought to contest this by claiming it was libel, and Regina V. Wilde, in which he was also accused of being a sodomite, but this time he was the one being tried for homosexuality.

Oscar Wilde was sentenced to hard labor in prison, and had a hellish experience in the prisons he was transferred to. His incarceration wore on his health quite badly, and he was frequently made into an object of humiliation in prison. When he was eventually allowed pen and paper, he wrote a letter which he did not send, but was permitted to take with him out of prison. 

An except from his poem “A Ballad of Reading Gaol, written in prison, goes like this: For each man kills the thing he loves,/Yet each man does not die./He does not die a death of shame/On a day of dark disgrace. I would recommend reading the entire poem, as it is quite moving. 

A transcription of the Wilde trials and letters can be found here. You may need to navigate from page to page to read the full corpus.

[uniquetyphoonmiracle]

Por cierto..hablando de la VIRGIN..no solo me hara CANTAR con un KISS ME ONCE [=cd de KYLIE MINOGUE entre cd APHRODITE y cd GOLDEN que se lo vi presentar en CRUILLA FESTIVAL de BARCELONA justo después que actuara DORIAN presentando cd JUSTICIA UNIVERSAL que se lo vi presentar 3 veces como fue el día anterior o 5_7_19 en el FESTIVAL RIO BABEL=canción del cd BOCANADA del fumador CERATI que incluye PERDONAR ES DIVINO..así como a la RIVERA del MANZANA+eRES o sala RIVIERA el día de la ALMUDENA patrona de Madrid y cumple de mi Madre=9_nov_18..donde CERATI hubo de acabar su gira FUERZA NATURAL pero no pudo al darle el ACV en el campo de Fútbol de la Universidad de CARACAS siendo trasladado a la clínica LA TRINIDAD de donde no despertó hasta morir más de 4 años y medio después.. pues tanto tabaco y vicio que fomenta la música no es bueno como si lo es el Sexo gratis y libre o limpio y puro]..sino que en vez de tanto vicio o exceso y falso amor o al dinero que promueve la IDOLATRIA así como las Desigualdades se acabaran como el FUMAR

Se me olvidaba destacar que cd BOCANADA de CERATI entre debut en solitario cd AMOR AMARILLO y cd SIEMPRE ES HOY contiene VERBO CARNE que grabó con la filarmonica de LONDRES en ABBEY ROAD

..y sin olvidar que BUNBURY [=1er grupo APOCALIPSIS] y CERATI [=ultimo CD FUERZA NATURAL] que nacieron el mismo día pero con 8 años de diferencia ..solo coincidieron una vez como fue en el Festival de MONTERREY siendo en ESPAÑA por la diferencia horaria día de mi 33 cumpleaños [28_11_04]..es decir..a donde tenia que haber ido desde CORPUS CHRISTI [TEXAS] según el billete que me saque pero luego aborte el viaje al no tener apenas tiempo para estar o alargar el viaje

Por cierto..MONTERREY es famoso por su cerro de LAS MITRAS [=GORROS de los PAPAS] y su parada de bus se llama ESCOBEDO..=hermanos del grupo SOBER [1er single LOCO ] cuyo batería Alberto "MADRID" murió en la M_40 arrollado en su Honda SHADOW siendo su último cd REDDO [=REFLEJO en latin] y siendo sustituido por Manu "REYES" que debuto en SOBER en cd DE AQUI A LA ETERNIDAD

[blackswaneuroparedux]

Anonymous asked: I always think of you as Kristin Scott Thomas’ character Fiona in Four Weddings and a Funeral as a beautiful woman who is scarily clever and classy. So with my upcoming wedding (next year!) and especially wedding music I thought of you. I really would appreciate your advice on Mendelssohn or Wagner as they seem to be the traditional choices of music to play at a traditional church wedding. My fiancé isn’t bothered what music we play but I can’t decide. Please do help as I value your unvarnished truth.

Thank you for the flattering words which while well intentioned are nevertheless entirely misplaced.

Swiftly moving on, a sincere congratulations on your forthcoming wedding. I can only imagine how stressful it must be running around like a headless chicken trying to desperately organise everything. And desperate you certainly must be - perhaps even certifiably insane -  if you’re turning to me on Tumblr for advice!

I’m not married....yet ( oops! better get that caveat in before I am chastised by those who really know me)  but I am a wedding veteran - some would even say, a jaded one (thank you, mummy).

Every season there is a string of wedding invitations that I can’t turn down and I feel obligated to attend. While great fun, one wedding starts to blur into another especially when the champagne starts to copiously flow. I have my own thoughts on the good, the bad, and the tacky about wedding etiquette but I don’t want to disappear down that rabbit hole. Instead let’s talk about Mendelssohn and Wagner.

Both music pieces have traditionally struck a chord (pardon the pun) and have become a staple of traditional weddings since time immemorial.

Mendelssohn's ‘Wedding March’ was originally composed in 1842. He got there first.

Wagner's ‘Bridal Chorus’ came later in 1848. The ‘Bridal Chorus’ became a popularised piece to play at weddings around Europe after it was most memorably used as the processional at the wedding of Victoria, the Princess Royal to Prince Frederick William of Prussia in 1858. Nowadays - certainly in Britain and the US -  it is generally known as "Here Comes the Bride”.

I suppose the straight forward answer is that it doesn’t have to be Wagner vs. Mendelssohn. Why not both?  Wagner’s ‘Bridal Chorus’ can be used for the entrance processional of the bride walking down the aisle and the Mendelssohn ‘Wedding March’ for the recessional walk out of the church.

But you did say you wanted my ‘unvarnished truth’ so allow me the small luxury of an arm chair rant from the Coronavirus self-isolation of my Paris apartment. 

Of the two I would definitely ditch the Wagner piece. Please don’t misunderstood me. I am a huge fan of Wagner’s music - like any true Wagnerian I have taken more than one pilgrimage to Beyreuth - but in this case playing Wagner’s music would show a frightful ignorance of the meaning behind the ‘Bridal Chorus’ piece.  

I don’t know why more people haven’t picked up on this but I’ve always found it a terribly odd piece to play at a wedding especially as it originates from Wagner’s masterful opera, Lohengrin.

Wagner came upon the opera's inspiration around 1845 when he took interest in the legend of the Holy Grail through the poems of Wolfram von Eschenbach and the anonymous epic of Lohengrin. Composed by 1848, Lohengrin features "Bridal Chorus" as the prelude to a very short-lived, doomed marriage between Elsa and Lohengrin.

The famous ‘Bridal Chorus’ is lustily sung by women of the bridal party serenading Elsa to the bridal suite after the wedding in Act III. Elsa is not allowed to know her true knight’s true name and identity. But this is a romantic German opera and so of course Lohengrin is found out with dire consequences for all.  A sad Lohengrin ends up revealing that  he is in fact a knight of the Grail and son of King Parsifal, sent to protect an unjustly accused woman. The laws of the Holy Grail say that Knights of the Grail must remain anonymous. If their identity is revealed, they must return home. Lohengrin is lead back to the castle of the Holy Grail. Elsa is grief stricken at being left behind.  Poor Elsa (naturally) collapses and dies with a broken heart.

Charming.

To say it’s not the happiest of allusions of looking forward to a long life of wedded bliss would be an understatement.

However my objections against Wagner’s ‘Bridal Chorus’ goes beyond this. For one thing I find it rather too sombre - Oh dear God! Is marriage really like this?!

My main ire is that it overly used and therefore boring to listen to. And when one is bored the mind wanders.

In my case, without sounding malicious, my mind just drifts to whispering mischievous lyrics under my breath that go like, “here comes the bride, big fat and wide, here comes the groom, skinny as a broom.” Try as I might I can never get those words out of my silly mind whenever I hear the organ music playing “Here come’s the bride.” Not my finest hour.

Now Mendelssohn’s ‘Wedding March’ is different beast entirely. Beast being the operative word as we are dealing with Pagan deities.

Typically used in church wedding recessionals, the ‘Wedding March’ piece has sparked controversy due to its literary origins. The Prussian monarch Friedrich Wilhelm IV commissioned Mendelssohn to compose incidental music for many pieces that were based upon Greek mythology and tragedy in order to revive the genre of literature and performance. Among his commissions, in 1843 Mendelssohn composed a setting for William Shakespeare's A Midsummer Night's Dream; the setting comprises twelve musical numbers and a finale. The plot of Shakespeare's play focuses on a pagan god and goddess and is filled with fairies, magic, and fantasy. Due to the piece's pagan, fantastic inspirations, some puritanical leaders and musicians - particularly in Roman Catholic churches - have found the piece to be inappropriate for a Christian religious ceremony. In its defence at least Shakespeare’s A Midsummer Night's Dream was a comedy with a happy ending.

If you’re feeling traditional rather than puritanical then the joyous Mendelssohn ‘Wedding March’ might still be a great option either as a processional or recessional.

If you’re looking for options outside of either Wagner and Mendelssohn then it’s really a matter of exercising good taste alongside what suits the personal tone of your wedding.

Off the top of my head I keep coming back to Johann Sebastian Bach.

Bach’s many cantatas and fugues seem to tick all the boxes. In particular there is Jesu, Joy of Man's Desiring (derived from the cantata Herz und Mund und Tat und Leben, "Heart and Mouth and Deed and Life”). There is also the Toccata and Fugue in D minor ‘Dorian’ BWV 538 and the Toccata and Fugue in F Major, BWV 540.  Arioso in A flat for solo piano from Cantata No. 156 "Ich steh`mit einem Fuss im Grabe is softly elegant. A particular favourite piece of mine is Weichet nur, betrübte Schatten, BWV 202, the ‘Wedding Cantata’. Of course many would point out that Bach’s Ave Maria would be perfect for a processional but I would think twice about that. As beautiful as the piece is it is about the Virgin Mary after all and you may invite unwanted speculation from your guests if you are (cough) chaste.

Trumpet Tune in D by Jeremiah Clarke is a little more festive. Or consider his more famous Trumpet Voluntary ‘The Prince of Denmark's March’.

Charles-Marie Widor  was a fine composer and his Toccata (from Symphony for Organ No. 5) is spiritually intense for traditional organ music.

Eugène Gigout's famous Grand Chœur Dialogué might appeal to you as well.

G.F. Handel’s Water Music Suite - Air has a graceful and calming tone. The Arrival of The Queen of Sheba (Solomon) HWV 67 is upbeat and was made for a processional.

Beethoven’s Für Elise is perfect to calm last minute panic attacks before you go up the aisle.

And how can one forget Wolfgang Amadeus Mozart?

The Serenade No. 13 for strings in G major, K. 525 or more commonly known as Eine kleine Nachtmusik KV. 525 - II. Romanze: Andante is a beautiful melody familiar to many and sets a soothing tone. Ave verum corpus, K.618 is profoundly spiritual and lifts your hearts up to the angels. ‘Alleluia’ from ‘Exsultate, jubilate’ is wonderful if you can get your hands on a competent soprano. If you are feeling more adventurous then the Spanish Wedding March from The Marriage of Figaro which might be to your taste. 

Elgar’s Salut d'Amour, Op. 12 is soft, inviting and makes one feel you’re in some 19th Century romance novel set at court.

Elgar finished the piece in July 1888, when he was romantically involved with Caroline Alice Roberts, and he called it Liebesgruss ('Love's Greeting') because of Miss Roberts' fluency in German. When he returned home to London on 22 September from a holiday at the house of his friend Dr. Charles Buck, in Settle, he presented it to her as an engagement present. The dedication was in French: à Carice. 'Carice' was a combination of his wife's names Caroline Alice, and was the name to be given to their daughter born two years later.

Edvard Grieg’s Wedding Day at Troldhauen, Op. 65, no. 6 is magnificently playful.

Jean-Joseph Mouret’s Rondeau from Sinfonie de Fanfares is a beautiful Baroque piece. What’s a wedding without trumpets that could be heard all the way into the heavens?

Gluck’s Dance of the Blessed Spirits from his Orfeo et Euridice can be an elegant choice to do a recessional. Perfect for sensitive souls.

Gabriel Fauré’s Pavane, Op. 50 is sublime. I can never get tired of listening to it. Would make a worthy piece as a processional.

I would also throw into the mix Gaetano Donizetti’s ‘Una furtiva lagrima’ (A furtive tear) is the romanza from Act II of his delightful opera L'elisir d'amore.

It is sung by Nemorino (a tenor) when it appears that the love potion he bought to win the heart of his dream lady, Adina, works. Nemorino is in love with Adina, but she is not interested in a relationship with an innocent, rustic man. To win her heart, Nemorino buys a love potion with all the money he has in his pocket. That love potion is actually a cheap red wine sold by a traveling quack doctor, but when he sees Adina weeping, he knows that she has fallen in love with him, and he is sure that the "elixir" has worked. It may not fit your idea of a processional but I would try and use it some where in your wedding - perhaps at the reception.

I feel guilty about trashing on Wagner and Mendelssohn so I will leave you with two final thoughts. Reconsider Wagner’s opera Lohengrin. Forget the Bridal Chorus but instead listen to the chorus ‘Gesegnet soll sie schreiten’ in Act II. The various horns give this chorus a dreamlike quality and you feel like you are floating on air. Mendelssohn’s On Wings of Song is a powerful and poignant piano piece and quite suitable to play as your guests away your arrival in church.

I am sure there are other great classical music pieces that I have neglected to mention but others reading this might give their thoughts in the comments below.

If knowledge is knowing a tomato is a fruit, then wisdom is not putting it in a fruit salad. So give careful and considered thought to what music you throw together into the mix as your church wedding processional and recessional.

Congratulations again and I hope it’s a special day for both of you and your families and friends.

Thanks for your question.

[corpuserotis]

Convocatoria internacional de texto

CONVOCATORIA INTERNACIONAL DE TEXTOS CORPUS EROTIS

Introducción

El proyecto Corpus Erotis está interesado en establecer, conversaciones con diferentes géneros literarios, tomando cómo tema el erotismo el cual es considerado un tabú o parte de  “lo prohibido”  y que genera demasiada polémica y crítica. Como objetivo final, se realizará una publicación colectiva con textos recibidos.  

Corpus Erotis es una convocatoria de texto que se realiza por el interés en la diversidad y multiplicidad de miradas frente al Erotismo a través  de diferentes, experiencias, relatos, crónicas, poesías o cualquier tipo de escritura, que respondan a:

¿Qué es para ti el Erotismo?

*Este Proyecto no está buscando escritura virtuosa valoramos  ante todo la honestidad y diversidad de los diferentes puntos de vista. Nos interesa tu opinión frente al Erotismo, no tienes que ser un escritor profesional.  

Cierre convocatoria: Noviembre 12 de 2020

¿Cómo Participar?

Pueden participar personas de todas las nacionalidades mayores de 18 años

El texto tiene que responder a  ¿Qué es para ti el Erotismo?

El texto tiene que responder a  ¿Qué es para ti el Erotismo?

El texto debe tener un máximo de 150 palabras, en caso de ser una narrativa gráfica ( 1 a 6 viñetas)

Puede participar  todo tipo de escritura. (Crónica, Cuento, Híbridos, Poesía, Relato, narrativa gráfica, e.t.c)  

Cada participante deberá enviar un archivo electrónico en formato docx, letra Times New Roman o Arial, 12 puntos, interlineado 1.5, El título del texto deberá ir en negritas y centrado

Los Archivos de narrativa gráfica se deberán entregar en formato (.jpg, .jpeg, .png o .tiff)

Los textos deberán  ser guardados con la siguiente estructura: Abreviatura, Nombre de autor o pseudónimo y título del texto.                                      Ejemplo: RT - Dorian Hermosillo - Mirada inquietante.                              Abreviaturas (Crónica: CR, Cuento: CT, Híbrido: HD, Micro ficción: MF, Narrativa gráfica: NG, Poesía: PS, Relato: RT, Opinión: OP)

Por cada autor, se tomarán en cuenta hasta tres textos que deberán estar en archivos independientes.

Sus propuestas deberán ser enviadas al correo (corpuserotis@gmail.com) con el asunto: Convocatoria CE. Al mandar este correo electrónico, los participantes aceptan que sus textos e imágenes sean publicados en distintos medios de difusión con respecto al proyecto Corpus Erotis, en caso de ser seleccionados.

En el cuerpo del correo, deberán escribir un pequeño texto donde manifiesten que los textos y/o imágenes son de su autoría.

Todo texto que no cumpla con lo establecido, no se tomará en cuenta.

Corpus Erotis notificará por correo electrónico a los autores seleccionados.

La primera Convocatoria de texto Corpus Erotis estará abierta del 26 de Octubre 2020 hasta el 12 de noviembre 2020.  

Aviso de derechos de autor/a

Corpus Erotis se encuentra registrada bajo la licencia Creative Commons Atribución-Compartir igual 4.0 Internacional. Por lo tanto, esta obra se puede reproducir, distribuir y comunicar públicamente en formato digital, siempre que se reconozca el nombre de los autores y de Corpus Erotis. Se permite citar, autoarchivar, republicar, siempre que se reconozca adecuadamente la autoría, mientras que a la obra original no se le realicen cambios. Corpus Erotis no retiene los derechos sobre las obras publicadas y los contenidos son responsabilidad exclusiva de los autores, quienes conservan sus derechos morales, intelectuales, de privacidad y publicidad.

El aval sobre la intervención de la obra (revisión, corrección de estilo, traducción, diagramación) y su posterior divulgación se otorga mediante una licencia de uso y no a través de una cesión de derechos, lo que representa que Corpus Erotis se eximen de cualquier responsabilidad que se pueda derivar de una mala práctica ética por parte de los autores. Como consecuencia de la protección brindada por la licencia de uso, el proyecto puede publicar retractaciones o corregir la información ya publicada. La publicación de contenidos en este proyecto no representa regalías para los contribuyentes.

Declaración de privacidad

Los nombres y direcciones de correo-e introducidos en este proyecto se usarán exclusivamente para los fines declarados por este proyecto y no estarán disponibles para ningún otro propósito u otra persona.

Cronograma

Oct. 26 ………………….. Lanzamiento de 1ra convocatoria Texto CE

Nov. 12 ……………...…… Cierre de 1ra convocatoria texto CE

Nov 29 …………………… Libro final Corpus Erotis

Las fechas pueden variar de acuerdo a imprevistos o cambios en lo estipulado.

[teevzieforthetea]

In honour of it being world Book day today, I've decided to make a list of my most recommended books over the years

(basically books I have recommended to different ppl over 5 times)

In no particular order (because we don't do that here):

-The Corset by Laura Purcell

- Baaz by Anuja Chauhan

(indian Air force, need I say more?)

- The picture of Dorian Gray by Oscar Wilde

(Oscar Wilde is my idol )

- The Murder of Roger Acroyed by Agatha Christie

(the woman is a Gods damned legend I swear)

-Everything Everything by Nicola Yoon

-The infernal devices trilogy by Cassandra Clare

(anything by Cassandra Clare, really it's all pretty cool)

-The inferno by Dan Brown

-Angels and Demons by Dan Brown

-The Da Vinci code by Dan Brown

(yes I'm aware that's alot of Dan Brown but he's awesome)

-Greek Gods by Rick Riordan

-The Magnus Chase trilogy by Rick Riordan

- The whole corpus of Percy Jackson series by Rick Riordan

-The Kane Chronicles by Rick Riordan

(I know that's a lot of Rick Riordan, but it's amazing mythofiction)

-Me before you by Jojo Moyes

-Water by Bapsi Sidhwa

- The Siren by Keira Cass

Go forth and read some good books my fellow human.

[ave-paris]

Part Three: The Lit(eral) Analysis

So here we are.

To analyze the minds of Dark Academics, I decided to, as previously mentioned, analyze the texts they engage with the most, since literature is highly prevalent in DA as its originator. Plus, I’m a Linguist, so that’s kinda what I do.

My methodology was thus:

I chose to analyze a text corpus of eight novels that I have personally seen a lot of while browsing Tumblr for my usual, vaguely DA blog, using a tool called Voyant.

So why just choosing texts, rather than using a program to tell you which are most popular? That sounds biased and inefficient. Well, my friend, blame tumblr.com. See, Tumblr utilizes infinite scrolling, which mean if I were to webcrawl this page... say goodbye to any processing power I would have, now and forever. I didn’t want to pick just one blog to scrape, of course, for the same bias reason. As well, most of the texts are in screenshot form, and are often not source-cited, meaning it would be essentially useless to me from a data collections standpoint.

So what I did instead to collect texts was not only scroll my own Dashboard, but search the Dark Academia for most popular posts of all time, and some names kept coming up again and again.

Furthermore, I picked specifically the novels that came up the most from those most common authors.

The novels analyzed were: 

Crush by Richard Siken

Letters to Sartre by Simone de Beauvoir

The Bell Jar by Sylvia Plath

The Diaries of Franz Kafka 1910-1923 by Franz Kafka

The Early Diary of Anaïs Nin by Anaïs Nin

The Flower of Evil (Les Fleurs du Mal) by Charles Baudelaire

The Picture of Dorian Gray by Oscar Wilde

The Secret History by Donna Tartt (of COURSE!)

You may notice something about these novels:

Many of them are diaries/letters.

A lot of them are French.

We will get into why this may be later.

Some limitations:

Some authors were eliminated because, though they were common, they didn’t have one unifying text that seemed to resonate with the community. This was the case, sadly, for my main man Albert Camus.

Many of these texts are works in translation from French, which certainly affects word occurrence, though I’d posit it doesn’t affect perceived sentiment of the text as much. 

So with our corpus created... onto Voyant!

Other entries:

1 2 A 3 4 5 6 7 8 O B

[uglysfc]

People v. Collier :: :: Supreme Court of California Decisionshttps://law.justia.com › cases › california › supreme-court

THE PEOPLE, Plaintiff and Respondent, v. CLIFFORD T. COLLIER, Defendant and Appellant. COUNSEL. Frank C. Morales, under appointment by the Supreme Court, ...

People v. Collier - Justia Lawhttps://law.justia.com › california › court-of-appealTHE PEOPLE, Plaintiff and Respondent, v. CLINTON LEE COLLIER et al., Defendants and Appellants. COUNSEL. Wesley H. Mathews and E. Werden Conway, ...

People v. Collier, No. 345826 | Casetext Search + Citatorhttps://casetext.com › ... › MI › Ct. App. › 2020 › March

Mar 19, 2020 — This case arose as a result of a coordinated plan by defendant and her son, Dorian Collier, to rob the victim. According to the prosecution, ...

People v. Collier, 2021 Ill. App. 4th 200132 - Casetexthttps://casetext.com › ... › App. Ct. › 2021 › OctoberOct 29, 2021 — ¶ 2 Defendant, Brandon Collier, filed a pro se postconviction petition raising several claims of deprivation of constitutional rights. The trial ...

PEOPLE v. COLLIER - FindLaw Caselawhttps://caselaw.findlaw.com › ... › CA Ct. App.

District Court of Appeal, Fourth District, California. PEOPLE v. COLLIER. Cr. 774. Decided: October 28, 1952. Richard L. Rykoff, Los Angeles, for appellant.

PEOPLE v. COLLIER - FindLaw Caselawhttps://caselaw.findlaw.com › ... › CA Ct. App.Court of Appeal, Second District, Division 6, California. The PEOPLE, Plaintiff and Respondent, v. Tyree Christopher COLLIER, Defendant and Appellant.

COLLIER v. PEOPLE | No. CIV S-09-0656 DAD P. - CaseMinehttps://www.casemine.com › ... › 2010 › September

COLLIER v. PEOPLE. ORDER. DALE DROZD, Magistrate Judge. Petitioner is a state prisoner proceeding pro se with an application for a writ of habeas corpus ...

Ramirez v. Collier - SCOTUSbloghttps://www.scotusblog.com › case-files › cases › ramir...

Issues: (1) Whether, consistent with the free exercise clause and Religious Land Use and Institutionalized Persons Act, Texas' decision to allow Ramirez's ...

Ramirez v. Collier - Ballotpediahttps://ballotpedia.org › Ramirez_v._Collier

"(1) Under the Free Exercise Clause and Religious Land Use and Institutionalized Persons Act (“RLUIPA”), 42 U.S.C. §§ 2000cc–2000cc–5 (2000), does the State's ...

Gates v. Collier - Wikipedia

[ivyxspace]

TW: Morte e alcoolismo.

Os últimos anos haviam sido ruins para caralho, sem eufemismo nenhum. Dorian havia passado um bom tempo vendendo drogas sem ter maiores problemas com a lei. Sempre tinha um dinheirinho aqui e ali para pagar um policial, e sem falar que era um homem esperto. Era esperto até ser burro para caralho, afinal dinheiro não comprava a fidelidade de ninguém dentro do mundo do crime, quando um cai, vai um entregando o outro e fazendo jus ao dilema do prisioneiro.

Caiu por tráfico de drogas e nos primeiros anos ali pensou seriamente em continuar no mundo do crime. A cadeia era o melhor LinkedIn para quem tem problemas com a lei, você aprendia coisas, fazia um networking e até saía com mais respeito do que entrou. Nunca recebeu uma visita, um telefonema da família. Fora seu advogado, que era um imprestável na tentativa de regime aberto ou habeas corpus, ninguém o viu. Não ligava. Sua mãe havia falecido quando Dorian era pequeno, e seu pai era um bêbado imprestável. Se ele fosse competente como pai, o filho não estaria ali, saindo da cadeia com nada além das mudas de roupa e fichas de telefone público (quem usa orelhão hoje em dia?). O desgraçado do genitor nem para atender os telefonemas do advogado, que para variar também estava pouco se lixando.

Deixou a porta de entrada da penitenciária e se pôs a olhar o estacionamento com alguma esperança que o inútil tinha deixado um carro ali. E havia um carro à sua espera, mas quem estava encostada na lataria era muito mais interessante que o seu advogado. Deu um sorriso safado e foi se aproximando, o que é um arranhão para quem já está fodido? No máximo ia apanhar de mulher bonita... Merecidamente. "Mas ora, ora. Liguem pro céu, perderam um anjo aqui."

[love-toxin]

They're here! They exist! And they're in this document for your viewing pleasure! Scroll all the way down past Blake to meet Aryll, Synth, Lyza, Rainn, Dorian, and Sahvi!❤️

Yandere OC Masterdoc (New!)

[bongianimuseum]

“Fragilità e Distacco / 70 Years Ruggero  Maggi”

COMUNICATO  STAMPA

SPAZIO OPHEN VIRTUAL ART GALLERY

“Fragilità e Distacco / 70 Years Ruggero  Maggi”

a cura di Sandro Bongiani

Dal 29 agosto al 28 novembre  2020

Inaugurazione: sabato 29 agosto 2020, ore 18.00

 S’inaugura sabato 29 agosto 2020, alle ore 18.00, la mostra  collettiva internazionale a cura di Sandro  Bongiani dal titolo: “Fragilità e Distacco / 70 Years Ruggero Maggi” che lo Spazio  Ophen Virtual Art Gallery di Salerno dedica all’artista italiano Ruggero Maggi, uno dei più interessanti artisti contemporanei nati negli anni cinquanta. Una importante mostra collettiva internazionale in concomitanza anche della speciale ricorrenza del suo settantesimo compleanno, presentando 289 opere di 295 artisti presenti su un totale corpus grafico di ben 388 opere arrivate  da ogni parte del mondo.

Ruggero Maggi inizia la sua attività di artista negli anni '70 con lavori incentrati sulla poesia visiva, sulla mail art, copy-art, laser art e olografia caratterizzati anche dall’inserimento di “estratti” di vita reale. Con il passare degli anni queste strutture “interferenti” all’interno dell’opera sono diventate sempre più evidenti, in un rapporto di intensa “osmosi”, in cui a partire dal 1989 gli arcaici elementi naturali convivono con componenti tecnologici, fino alle opere recenti dove il concetto “Artificiale /Naturale” tra ”sincronismo concettuale e emozionale” assume un ruolo predominante consegnandoci una realtà in cui l’azione umana coincide con quella morale, in un complesso intrico di rimandi e di sollecitazioni. Sandro Bongiani nella presentazione a questa rassegna scrive: “un continuo interesse verso la natura e la dimensione umana in un complesso rimando di sollecitazioni e interferenze, di sottintesi e nascosti richiami in cui l'azione coincide sinteticamente con il tempo provvisorio e oscuro dell’uomo. In questa particolare condizione, la sua ricerca marginale di confine “più vera di natura” ha saputo prendere corpo e manifestarsi in una sintesi poetica accorta che condivide le urgenze estreme della vita ed i contrasti inquieti della nostra malandata  società contemporanea”.

  Artisti presenti:

Christian Alle  Dino Aloi  Antonio Amato Lutz Anders  Leslie Atkins  Paola Baldassini  Franco Ballabeni  Calogero Barba  Fabiola Barna Donatella Baruzzi Pier Roberto Bassi Umberto Basso  Keith Bates  Elisa Battistella  Lutz Beeke Giacomo Beffa  Lancillotto Bellini  Milena Bellomo  C. Mehrl Bennett  John M. Bennett  Luisa Bergamini  Mariarosa Bergamini Pedro Bericat  Carla Bertola Diane Bertrand  Rita Bertrecchi  Massimo Biagi  Gabriele Bianconi  Lucia Biral Manuel  Xio Blanco Antonio Bobò  Rovena Bocci  Norbert Bockmann  Kika Bohr Giovanni Bonanno  Adriano Bonari  Anna Boschi Rosa Bosco  Maria Cecilia Bossi  Marzia Braglia  Hans Braumüller  Rossana Bucci Joachim Buchholz  Anna Maria Buonapace  Viviana Buttarelli  Fulgor C. Silvi  Mirta Caccaro Alfonso Caccavale  Glauco Lendaro Camiless  Loretta Cappanera  Guido Capuano Lamberto Caravita  Cascadia Artpost  Bruno Cassaglia  Antonia Mayol Castello Gianpiero Castiglioni  Renato Cerisola  Bruno Chiarlone  Simonetta Chierici Silvia Cibaldi  Cosmo Cinisomo  Circulaire132 Maria Antonietta Claretto  Anna Maria Cognigni  Ryosuke Cohen  Mabi Col Francesco Cornello  Enzo Correnti Carmela Corsitto  Crackerjack Kid  Maria Credidio  Anna Maria Crescenzi  Laura Cristin Carla Crosio  Rosa Cuccurullo  Crescenzio D'Ambrosio  Nicolò D’Alessandro  Diana Danelli Marc De Hay  Ko De Jonge  Mario De Leo Antonio De Marchi  Teo De Palma  Adolfina De Stefani  Albina Dealessi  Michel Della Vedova  Antonio Di Michele  Debora Di Bella  Elena Di Felice  Maura Di Giulio  Fabio Di Ojuara  Franco Di Pede  Marcello Diotallevi  Giovanna Donnarumma  Mike Dyar Eart Art  Mimmo Emanuele  Rita Esposito Ever Arts  Cinzia Farina  Fernanda Fedi Gretel Fehr Domenico Ferrara Foria Ivana Ferraro  Luc Fierens  Giuseppe Filardi  Anna Finetti Alessandra Finzi  Aaron Flores  Maurizio Follin  Roberto Formigoni  Kiki Franceschi  Nicola Frangione  Piet Franzen SIDAC  Giglio Frigerio  Ivo Galassi Daniele Galdiero  Rosalie Gancie  Antonella Gandini  Attilia Garlaschi  Claudio Gavina  Ombretta Gazzola  Roberta Ghisla  Roberto Gianinetti  Mario Giavino Ed Giecek  Gino Gini  Guglielmo Girolimini  Lino Giussani Coco Gordon  Bruno Gorgone  Daniela Gorla Claudio Grandinetti  Elke Grundmann  Paolo Gubinelli Giovanni Gurioli  _Guroga  Karl Friedrich Hacher  Hanrahan Peter Hide 311065 Uwe Hofig Slanye Huang  Carlo Iacomucci  Ibirico Gennaro Ippolito  Robert James  Benedetta Jandolo  Janus Edition Isabel Jover  Magda Lagerwerf  Felipe Lamadrid  Giusi Lazzari Ettore Le Donne  Nadine Lenain  Pascal Lenoir Alfonso Lentini  Marialisa Leone  Giovanni Leto Pino Lia  Pierpaolo Limongelli Pietro Lista  Oronzo Liuzzi  Serse Luigetti Ruggero Maggi  Olga Maggiora Nadia Magnabosco  Mailarta  MailArtMartha Loredana Manciati  Antonio Mancini  Antonello Mantovani  Angela Marchionni Renzo Margonari  Patrizio Maria  Dorian Ribes Marinho  Laura Marmai Max Marra  Calogero Marrali  Maria Grazia Martina Maribel Martinez  Gianni Ettore Andrea Marussi  Anna Maria Matone  Anja Mattila Michelangelo Mayo  Monica Mazzone  Pierluigi Meda  Massimo Medola  Myriam M. Mercader  Miche Art Universalis  Monica Michelotti  Virginia Milici  Gabi Minedi Antoni Mirò  Annalisa Mitrano  Henning Mittendorf  Mauro Molinari  Domingo Sanz Montero  Maya Lopez Muro  Museuvofmailart  Keiichi Nakamura  Giuliana Natali  Katerina Nikoltsou  Aldo Nodari Pierangela Orecchia  Clemente Padin  Lucia Paese  Franco Panella  Katia Paoletti  Linda Paoli Paola Pareschi  Sjoerd Paridaen  Enzo Patti  Giuseppe Pellegrino  Remy Penard Walter Pennacchi  Mariella Perani  Marisa Pezzoli  Riccardo Pezzoli  Tarcisio Pingitore  Horvath Piroska  Valentina Poli  Veronique Pozzi Painè  Nadia Presotto  Daniele Principe  Tiziana Priori  Gina Pritti Giancarlo Pucci  Fabrizio Randini  Cesar Reglero  Gaetano Ricci   Angelo Ricciardi  Isabella Rigamonti  Carla Rigato Ina Ripari  Costantino Rizzuti  Ilaria Rizzuti  Jaume Rocamora  Gian Paolo Roffi  Claudio Romeo Piero Ronzat  Giovanni Ronzoni  Lorenzo Rosselli  Manuel Ruiz Ruiz  Marialuisa Sabato  Hikmet Sahin Piero Sani  Sergio Sansevrino  Antonella Sassanelli  Antonio Sassu Anna Maria Saviano  Roberto Scala  Duccio Scheggi  Peter Schubert  Lars Schumacher  Jörg Seifert Cesare Serafino  Lucio Serafino Tiziano Serafino  Domenico Severino  Noriko Shimizu  Maria Josè Silva – Mizè  Pietro Silvestro Cecilia Solamito  Luigino Solamito  Alberto Sordi Cristina Sosio  Lucia Spagnuolo  Celina Spelta Ciro Stajano  Honoria Starbuck  Giovanni e Renata Strada  Rod SummersVec  Elisa Taiola Franco Tajariol  Nello Teodori  Ernesto Terlizzi  Gian Paolo Terrone  Elsa Testori Roberto Testori  Thierry Tillier  Paola Toffolon  Renata Torazzo  Micaela Tornaghi  Horst Tress Alan Turner  Stefano Turrini  Mikel Untzlla Sigismund Urban  Valdor   Generoso Vella  Silvia Venuti Ada Vera Verbena  Daniele Virgilio  Alberto Vitacchio  Antonio Zenadocchio  Rolando Zucchini.

 RUGGERO  MAGGI / Biografia

Dal 1973 si occupa di poesia visiva e libri d'artista (Archivio Non Solo Libri); dal 1975 di copy art e arte postale (Archivio Amazon); dal 1976 di laser art, dal 1979 di olografia, dal 1980 di X-ray art e dal 1985 di arte caotica sia come artista - con opere ed installazioni incentrate sullo studio del caos, dell’entropia e dei sistemi frattali - sia come curatore di eventi: “Caos italiano” 1998; “Caos – Caotica Arte Ordinata Scienza” 1999 – 2000; “Isole frattali” 2003, “CaoTiCa” 2004, “Attrazione frattale” 2006, “Caos e Complessità” 2009, “Caos, l’anima del caso” 2010, “Caotica.2014” Lodi e Jesi.

Tra le installazioni olografiche: “Una foresta di pietre” (Media Art Festival - Osnabrück 1988) e “Un semplice punto esclamativo” (Mostra internazionale d’Arte Olografica alla Rocca Paolina di Perugia – 1992); tra le installazioni di laser art: “Morte caotica” e “Una lunga linea silenziosa” (1993), “Il grande libro della vita” e “Il peccatore casuale” (1994), “La nascita delle idee” (1993) esposta nel 1995 al Museo d’Arte di San Paolo (BR).

Suoi lavori sono esposti al Museo di Storia Cinese di Pechino ed alla GAM di Gallarate. Ha inoltre partecipato alla 49./52./54. Biennale di Venezia ed alla 16. Biennale d’arte contemporanea di San Paolo nel 1980.

2006 realizza “Underwood” installazione site-specific per la Galleria d’Arte Moderna di Gallarate.

2007 presenta come curatore il progetto dedicato a Pierre Restany “Camera 312 – promemoria per Pierre” alla 52. Biennale di Venezia.

2008 presenta come curatore il progetto “Profondità 45 – Michelangelo al lavoro” sul rapporto Arte -Tecnologia. Nel 2008 a Villa Glisenti (BS) ed all’Art Centre della Silpakorn University di Bangkok, per un simposio artistico italo-thailandese dedicato alle problematiche del riscaldamento globale, realizza l’installazione “Ecce ovo”.

2009 cura l’installazione site-specific collettiva “Prima o poi ogni muro cade” all’interno di PLAZA: OLTRE IL LIMITE 1989-2009 XX Anniversario della caduta del Muro di Berlino in Galleria del Corso a Milano; evento successivamente presentato a Villa Pomini a Castellanza (VA) e Spazio Luparia a Stresa.

2010 “GenerAction – un promemoria per le generazioni” progetto di Mail Post.it Art presso la Galleria di Arti Visive dell’Università del Melo - Gallarate.

2011/2013/2015/2017 presenta a Venezia con il Patrocinio del Comune di Venezia Padiglione Tibet, progetto presentato successivamente alla Biennale di Venezia, al Museo Diotti di Casalmaggiore (CR), palazzo Ducale di Genova e presso la Biblioteca Laudense di Lodi.

2014 PadiglioneTibet partecipa alla Bienal del Fin del Mundo in Argentina.

2016 “TERRA/materiaprima” progetto di Mail Art presso la Galleria di Arti Visive dell’Università del Melo – Gallarate.

2016 presenta Padiglione Tibet al Castello Visconteo di Pavia.

2017 presenta la 1 Biennale Internazionale di Mail Art a Venezia – Palazzo Zenobio

2018 Padiglione Tibet partecipa alla Vogalonga (Venezia)

2018 installazione “Erosioni in pinzimonio” - Poetry and Pottery Un’inedita avventura fra ceramica e poesia visiva - CAMeC centro arte moderna e contemporanea La Spezia

2018 installazione CaraPace - Museo Tecnico Navale - La Spezia

2019 “Onda Sonora” libro collettivo – V Biennale del Libro d'artista - Napoli

2019 ARTNIGHT Venezia – Padiglione Tibet - videoproiezione 2011.2019. Storia di un padiglione per un paese che non c'è - Magazzini del Sale, Reale Società Canottieri Bucintoro

2019 riceve il Premio alla carriera - PREMIO ARTE IN ARTI E MESTIERI 2019 – XIX EDIZIONE - Fondazione Scuola Arti e Mestieri "F. Bertazzoni" - Suzzara (MN)

2020 “#GlobalViralEmergency / Fate Presto” L’arte tra scienza, natura e tecnologia - Spazio Ophen Virtual Art Gallery – Salerno

  “Fragilità e Distacco / 70 Years Ruggero  Maggi”

SPAZIO OPHEN VIRTUAL ART GALLERY  

Via S. Calenda, 105/D  - Salerno,  Tel/3937380225    

e-mail:  bongianimuseum@gmail.com     

Gallery: http://www.collezionebongianiartmuseum.it  

Orario continuato tutti i giorni dalle 00.00 alle 24.00

[tuinstrum]

[Latest News] Flower Mound, Texas News

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Flower Mound, Texas News

‘Hobbs & Shaw’ China Box Office Overtakes North America Gross in Second Weekend

Polish Director Jan Komasa on Venice Days, Toronto Player ‘Corpus Christi’

Hurricane Dorian parties kick off in Florida Labor Day weekend as state waits to see if storm hits

West Texas shooter’s neighbor ‘threatened her with rifle and yelled at her over trash in a dumpster’

Kevin Hart ‘is able to walk and move his extremities’ after injuring back in car accident in LA

Sister of USPS driver killed in Odessa rampage was on phone with her when Seth Ator, 36, shot her

West Point cadet plummets to his death after ‘hanging onto a rock ledge’ at NY cliff-diving spot

‘Hobbs & Shaw’ China Box Office Overtakes North America Gross in Second Weekend

Posted: 02 Sep 2019 12:35 AM PDT

"Hobbs & Shaw" dropped a gear or two in its second weekend on release in Chinese theaters. The "Fast & Furious" franchise spinoff nevertheless remained in pole position ahead of a largely unchanged chasing pack at the Chinese box office. According to data from distribution and exhibition consultancy Artisan Gateway, "Hobbs" scored $26.3 million on […]

via https://youtu.be/mFQfuwZZ8h8

Polish Director Jan Komasa on Venice Days, Toronto Player ‘Corpus Christi’

Posted: 02 Sep 2019 12:06 AM PDT

When a young man with a troubled past arrives in a small-town Polish parish, he pulls off an unlikely feat, convincing the villagers that he's a visiting priest. But not long after he's welcomed by the community, he learns of a tragic accident whose repercussions have divided the town. Pursued by a dark secret from […]

via https://youtu.be/mFQfuwZZ8h8

Hurricane Dorian parties kick off in Florida Labor Day weekend as state waits to see if storm hits

Posted: 01 Sep 2019 11:32 PM PDT

Hearing that a monster category 5 storm like Hurricane Dorian is barreling towards your home is enough to make most people flee in fear… but many Floridians are not like most people.

via https://youtu.be/mFQfuwZZ8h8

West Texas shooter’s neighbor ‘threatened her with rifle and yelled at her over trash in a dumpster’

Posted: 01 Sep 2019 11:32 PM PDT

Veronica Alonzo said Seth Ator, 36 (left) was her neighbor and that he had gone to her house while carrying a large rifle, to yell at her for leaving garbage in a nearby dumpster a month before the shooting.

via https://youtu.be/mFQfuwZZ8h8

Kevin Hart ‘is able to walk and move his extremities’ after injuring back in car accident in LA

Posted: 01 Sep 2019 11:03 PM PDT

Bryan Cranston, who co-starred with Hart in the 2017 film The Upside, wished him well in a message he posted to Instagram.

via https://youtu.be/mFQfuwZZ8h8

Sister of USPS driver killed in Odessa rampage was on phone with her when Seth Ator, 36, shot her

Posted: 01 Sep 2019 09:53 PM PDT

Rosie Granados (left), twin sister of Mary Granados, tearfully recalled being on the phone with Mary the moment she was fatally shot during the mass shooting in western Texas on Saturday.

via https://youtu.be/mFQfuwZZ8h8

West Point cadet plummets to his death after ‘hanging onto a rock ledge’ at NY cliff-diving spot

Posted: 01 Sep 2019 09:52 PM PDT

New York State Police said the cadet was pronounced dead at the scene of the incident in Hunter, New York around 11am on Saturday. The man’s name is being withheld for 24 hours per DOD policy.

via https://youtu.be/mFQfuwZZ8h8

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from [Latest News] Flower Mound, Texas News via [Latest News] Flower Mound, Texas News September 02, 2019 at 03:44AM

[whittlebaggett8]

Things you may have missed on Netflix’s ‘Chilling Adventures of Sabrina’ part 2, Defence Online

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Sabrina confronts Satan.

source

Diyah Pera/Netflix

Warning: Spoilers ahead for part two of “Chilling Adventures of Sabrina.”

The “Chilling Adventures of Sabrina” is based on the series from Archie Comics.

The Netflix series hides references to Archie Comics in the background of scenes.

The series also makes pop culture references and mentions real Biblical characters.

Visit INSIDER’s homepage for more.

“Chilling Adventures of Sabrina” is back for its second season, and the young teen witch is going head-to-head with Satan.

Between a few references to Archie Comics, who publishes the “Sabrina” comics, pop culture mentions, and Biblical characters, the Netflix series sneaks in a number of hidden details for viewers.

Some references, like Harvey’s “Archie’s Mad House” posters and the meaning behind Gehenna Station, are from the first season.

Read more: Things you may have missed on Netflix’s ‘Chilling Adventures of Sabrina’

We worked with Archie Comics to find some of the comic references used on the series.

Here are some details you may have missed.

The professors at the Academy of Unseen Arts are named after real people.

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Aunt Zelda meets the other teachers.

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Netflix

Brother Machen is most likely named for theologian John Gresham Machen. He taught at Princeton Seminary but rebelled against the modern Presbyterian theology and helped form a more orthodox version.

Sister Karswell could be named after Julian Karswell, a character from the 1957 horror movie “Night of the Demon.” In the movie, Karswell ran a Satanic cult.

Brother Lovecraft is named for HP Lovecraft, a writer known for his horror fiction.

Brother Bierce is probably named after Ambrose Gwinnett Bierce, a writer and poet. He wrote a satirical dictionary titled “The Devil’s Dictionary.”

Sister Jackson is named for author Shirley Jackson. Jackson was known for her horror and mystery stories.

Dorian’s Gray Room is named after Dorian Gray.

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Dorian Gray has his portrait.

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Netflix

Dorian Gray is the main character in Oscar Wilde’s “The Picture of Dorian Gray.” Obsessed with his beauty, Gray sells his soul so that he will not age. A portrait of Gray grows old instead.

Salome dances for the boys at Dorian’s Grey Room.

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Salome dances.

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Netflix

Salome is often referred to as the daughter of Herodias and is said to have danced for King Herod. Though she’s never actually named in the Bible, Salome is often identified as the girl who presents John the Baptist’s head on a platter to her mother. On the series, Salome presents Nick with a fake version of Sabrina’s head.

Oscar Wilde featured Salome and the dance in his tragic play “Salome,” in which he names her dance, the “Dance of the Seven Veils.”

Sabrina is attacked by the three Plague Kings during the first episode.

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Sabrina and Nick confront the demons.

source

Netflix

In the Book of Tobit, Asmodeus is a demon often associated with lust. He is sometimes considered a prince of hell or king of demons. He sends rats after Sabrina.

Purson is considered a king of Hell and sends bats after Sabrina.

Beelzebub is sometimes another name for the Devil, but like Asmodeus, in some demon classifications, he is another prince of hell. He is also sometimes known as the “Lord of Flies.”

Father Blackwood asks questions from the Corpus Arcanum.

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Father Blackwood with the Corpus Arcanum.

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Netflix

“Corpus” means a collection of written works or “body” in Latin. Arcanum comes from the Latin word for “secret.”

Sabrina’s test to become Top Boy consists of real people and events.

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Sabrina cheats on her test.

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Netflix

The Lesser Key of Solomon is a spell book on demonology.

John Dee was an advisor to Queen Elizabeth I, but he was also a mathematician, astronomer, and astrologer who also studied the occult.

Published in 1487, the “Malleus Maleficarum,” often translated to “Hammer of Witches,” argued that all witches or anyone who dealt with magic should be killed. It also recommended methods of gaining a confession from those accused.

More than 200 people were accused of being witches during the infamous Salem witch trials that took place in Salem, Massachusetts.

The Pendle trials took place near Pendle Hill in England where 12 people were accused of witchcraft and murder.

Anne Boleyn was King Henry VIII’s second wife who was beheaded after being accused of treason and adultery.

Grigori Rasputin was a mystic who described himself as a holy man and acted as a healer for Russia’s Tsar Nicholas II and his family. He was a controversial figure and was assassinated.

Nick calls Doctor Cerberus’ bookstore Dr. Cyclops.

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Nick and Sabrina go out for food.

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Netflix

“Dr. Cyclops” is a sci-fi horror film based on a short story of the same name about a scientist who’s shrinking his subjects.

Doctor Cerberus’ bookstore has a tie to showrunner and creator Roberto Aguirre-Sacasa. Aguirre-Sacasa wrote a play called “Doctor Cerberus” about a teen who is bullied and struggles to fit in.

Some issues from various Archie Comics publications can be seen in Doctor Cerberus’ bookstore on the second episode.

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Sabrina walks in the bookstore.

source

Netflix

When Sabrina almost steals a pack of gum, she walks past an issue of “Archie’s Mad House.” Issues of “Afterlife With Archie” can be seen by Ms. Wardwell’s head after Sabrina leaves. The issues can be spotted on the shelves throughout the season.

Lucifer Morningstar may sound familiar.

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Satan comes to Greendale.

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Diyah Pera/Netflix

Lucifer Morningstar is a character from the DC comic “The Sandman.” He’s also portrayed on the series “Lucifer.”

Lucifer itself translates to “light-bringing” or “morning star” from Latin.

Sabrina still has her Thermos with Archie characters on it.

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Sabrina eats lunch.

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Netflix

During play rehearsals, Sabrina’s Thermos can quickly be seen.

Harvey buys “Afterlife With Archie” comics.

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Sabrina runs into Harvey.

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Netflix

At the end of the second episode, Sabrina runs into Harvey at Doctor Cerebus’ as he is buying some comics.

Lupercalia was a real pagan festival.

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Everyone at the Academy participates in Lupercalia.

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Diyah Pera/Netflix

The pagan festival of Lupercalia was held in Rome and was believed to occur as a way to please the god of fertility, Lupercal. The festival included a sacrifice and a feast.

Nick’s magician’s poster on episode four takes inspiration from old posters.

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Nick does magic tricks.

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Netflix

From the font to the demon on his shoulder, Nick’s poster looks similar to posters from 1800s magicians such as Howard Thurston and Harry Keller. Viewers can see more of the same type of posters on the walls at Doctor Cerberus’ bookstore.

The Anti-Pope draws his name from the Bible.

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The Anti-Pope arrives at the Academy.

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Netflix

The Anti-Pope is named Enoch of Antioch. Enoch was the son of Cain, who murdered his brother Abel in the Book of Genesis. There is also another Enoch who is said to have written the Book of Enoch, an ancient Jewish work.

Antioch was an ancient Greek city on the Orontes River.

When Father Blackwood and Zelda are planning the seating arrangements for their wedding, some of the last names can be seen.

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Zelda and Father Blackwood plan their wedding.

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Netflix

The names Soper, Rojek, and Terpstra appear on the chart. Alexandra Rojek does the set design, Isaac Terpstra is an on-set dresser, Lisa Soper does the production design on the series.

Sabrina says they are going to throw a “Hail Malphas pass.”

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Sabrina talks with Nick.

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Netflix

A “Hail Mary pass” is made in football as a last-ditch effort to score. Instead of Mary, Sabrina references Malphas, a demon often described as a Great Prince of Hell.

Father Blackwood references a number of demons during the wedding ceremony.

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Father Blackwood during his wedding.

source

Netflix

Astaroth is a demon who’s often depicted as the Great Duke of Hell.

Furfur is often depicted as a Great Earl of Hell.

Hathor was an ancient Egyptian goddess who was associated with goodness and love.

Ishtar was a Mesopotamian goddess who was associated with love and sex.

Saleos is a demon who was often depicted as a Great Duke of Hell.

Uvall was also depicted as a Great Duke of Hell.

Vassago is often depicted as a Prince of Hell.

Nick says they need a “Hand of Glory” to get into the Academy after being expelled on the sixth episode.

caption

Hilda gives Sabrina the hand.

source

Netflix

A “Hand of Glory” is the preserved hand from a dead man, usually one who had been hung. According to 18th-century legends, if the hand was used as a candlestick and presented to someone, it would make them unable to move.

Methuselah is a member of the Witches Council.

caption

Methuselah in Father Blackwood’s office.

source

Netflix

Methuselah is a Biblical figure mentioned in Genesis.

Ambrose comes up with the Melmoth spell to hide Sabrina from the Dark Lord.

caption

Ambrose and Sabrina work to stop the Dark Lord.

source

Netflix

Written by an Irish author in 1820, “Melmoth the Wanderer” is a novel about a man who sells his soul to the devil in exchange for 150 years of life. But as he continues to live, he tries to find someone who will take his place.

Satan tells Sabrina they must dance the Mephisto Waltz.

caption

Sabrina prepares to dance with Satan.

source

Netflix

The demon Mephisto, or Mephistopheles, is mentioned in German folklore. He represents the devil in the legend of Faust, another tale of a man who sells his soul to the devil.

As the saying goes, Sabrina literally “dances with the devil.” That phrase is often used to mean risky or reckless behavior.

Sabrina mentions Saint Dunstan when she tries to trap Satan.

caption

Sabrina confronts Satan.

source

Netflix

Saint Dunstan was first a monk before becoming the Abbot of Glastonbury Abbey. He moved up in rank before eventually becoming the Archbishop of Canterbury. He worked as a silversmith, which makes sense for her mentioning the saint when she traps Satan with a horseshoe.

Satan says only the Spear of Longinus can kill him.

caption

Satan cannot be beaten easily.

source

Netflix

Also known as the Holy Lance, the Spear of Longinus is mentioned in the Book of John. It is said to be the spear that was used to stab Jesus as he hung on the cross. The spear is named for Saint Longinus, the name given to the Roman soldier who stabbed Jesus.

When Prudence transports her sisters to the Spellman’s, she says, “Son of Pazuzu.”

caption

Zelda and Ambrose are surprised by Prudence’s appearance.

source

Netflix

Pazuzu is a demon of wind in the Mesopotamian religion. He is also the demon featured in “The Exorcist.”

Other pop culture references on part two of the series include:

caption

Sabrina talks to Leviathan.

source

Diyah Pera/Netflix

Father Blackwood calls Sabrina “Agatha Christie,” a reference to the author known for her detective and mystery novels.

When Sabrina tells her friends that she is rehearsing for a play, Harvey asks her if it’s “The Crucible.” “The Crucible” is a dramatization of the Salem witch trials.

Theo picks up a copy of Franz Kafka’s “The Metamorphosis” at Doctor Cerebus’ bookstore. The story is about a man who wakes up and discovers that he has transformed into a bug.

Ms. Wardwell has a book about Eleanor of Aquitaine in her home. Eleanor a powerful woman who was the queen consort of France, and then after an annulment and second marriage, she became queen of England.

When the ghost of Constance appears on the fifth episode, she is singing an English folk song called “Lavender’s Blue.” A version called “Lavender Blue” was included in the Disney movie “So Dear to My Heart.”

On the sixth episode, Ambrose mentions “Fawlty Towers,” a British sitcom that starred John Cleese.

Harvey compares Sabrina to Dark Phoenix from the “X-Men” comics during the seventh episode.

At Sabrina’s coronation during the season finale, they sing “Masquerade” from “The Phantom of the Opera.”

The post Things you may have missed on Netflix’s ‘Chilling Adventures of Sabrina’ part 2, Defence Online appeared first on Defence Online.

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[love-fashionone]

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[corpuserotis]

What is Eroticism for you?

INTERNATIONAL CALL FOR TEXTS CORPUS EROTIS

INTRODUCTION

The Corpus Erotis project is interested in establishing conversations with different literary genres, taking the Eroticism as a subject, which is considered a taboo or prohibited and that generates too much controversy and criticism. As a purpose, collective publication will be made with the texts received.

Corpus Erotis is a text call, which is made out of interest in the diversity and multiplicity of views in the face of eroticism through different experiences, stories, chronicles, poetry or any type of writing, that respond  to :

What is Eroticism for you?

*This project is not looking for virtuous writing, we value honesty and diversity of different points of views. We are interested in your opinion about the subject the Eroticism, you don't  need to be a professional writer.

Deadline: November 12 of 2020

How can you to participate?

People of all nationalities over 18 can participate

The text has to respond to What is Eroticism for you?

The text must have a maximum 150  words, if it’s a graphic narrative (1 to 6 panels)

All types of writing can participate (Chronicle, Short story, Hybrid, Poetry, Graphic Narrative, etc.)

Each participant must send an electronic mail, with a file in docx, letter Times New Roman or Arial, 12 points. The title must be in bold and centered

The graphic narratives files must be submitted in in format a high resolution. (.jpg, .jpeg, .png o .tiff)

The text should be saved with the following  this structure: Abbreviation, Author´s name  or pseudonym and title of the text.                                                   Example: ST- Dorian Hermosillo - Hunting look                              

Abbreviation (Chronicle: CR, Story: ST, Hybrid: HD, Poetry: PT, Graphic Narrative: GN, Opinion: OP)

For Each participant, up to  three texts, will be taken into, the texts must be  in separate files

The text should be send to email (corpuserotis@gmail.com) with the subject: CE Call. By sending  this email, you are agree that their texts and images are published  in different media with regarding to the Corpus Erotis project, if you are selected.

In the body of the email, you should write  a small text where it stipulates that the texts and images are of its authorship.

Any text  that doesn't comply with the provisions, will not  be selected.

Corpus Erotis will notify the selected participants for email.

The first  International call of text Corpus Erotis will be open from  October 26th, 2020 until November 12, 2020

Copyright Notice

Corpus Erotis is registered under the Creative Commons Attribution-ShareAlike 4.0 International. This license requires that reusers give credit to the creator. It allows reusers to distribute, remix, adapt, and build upon the material in any medium or format, even for commercial purposes. If others remix, adapt, or build upon the material, they must license the modified material under identical terms. Corpus Erotis doesn't  retain  the rights to published works and the contents are sole responsibility of the authors, who keep their moral, intellectual, privacy and publicity  rights.

The guarantee  on the intervention  of the work (revision ,correction  of style, translation, diagraming) and subsequent  disclosure is  granted through a use license and not through  a transfer of rights, which represents that Corpus Erotis is exempt from any liability that may arise from ethical malpractice on the part of the authors. As a consequence of the protection provided by the license of use, the project Corpus Erotis can post retractions or correct information already  published. The publishing content in this project does not represent royalties for taxpayers.

Privacy Statement

The names and emails addresses  entered in this project will be used exclusively for the purposes declared by this project and will not be available for other purposes.

Declaración de privacidad

Los nombres y direcciones de correo-e introducidos en este proyecto se usarán exclusivamente para los fines declarados por este proyecto y no estarán disponibles para ningún otro propósito u otra persona.

Schedule

Oct. 26 …………………..  Launch of  1st  International call of text Corpus Erotis

Nov. 12 ……………...…… Deadline of 1st International call of text Corpus Erotis

Nov 29 …………………… Final book Corpus Erotis

The dates may vary according to unforeseen events or changes in the stipulations.