#dont make me write something for this

[woollenjumper]

hello? what's this?? a show that combines sherlock-style cryptic puzzles with creative murders, identity theft, and also comes served with a healthy sprinkling of comedy? starring WILTY's very own david mitchell as an endearing, bumbling, brilliant detective?

ohhhh dear.... this ticks so many of my boxes.... ohhhh no....

trying not to obsess over this potential new pathetic blorbo nice character who is just trying his best.

[inkskinned]

because sometimes there are invisible tests and invisible rules and you're just supposed to ... know the rule. someone you thought of as a friend asks you for book recommendations, so you give her a list of like 30 books, each with a brief blurb and why you like it. later, you find out she screenshotted the list and send it out to a group chat with the note: what an absolute freak can you believe this. you saw the responses: emojis where people are rolling over laughing. too much and obsessive and actually kind of creepy in the comments. you thought you'd been doing the right thing. she'd asked, right? an invisible rule: this is what happens when you get too excited.

you aren't supposed to laugh at your own jokes, so you don't, but then you're too serious. you're not supposed to be too loud, but then people say you're too quiet. you aren't supposed to get passionate about things, but then you're shy, boring. you aren't supposed to talk too much, but then people are mad when you're not good at replying.

you fold yourself into a prettier paper crane. since you never know what is "selfish" and what is "charity," you give yourself over, fully. you'd rather be empty and over-generous - you'd rather eat your own boundaries than have even one person believe that you're mean. since you don't know what the thing is that will make them hate you, you simply scrub yourself clean of any form of roughness. if you are perfect and smiling and funny, they can love you. if you are always there for them and never admit what's happening and never mention your past and never make them uncomfortable - you can make up for it. you can earn it.

don't fuck up. they're all testing you, always. they're tolerating you. whatever secret club happened, over a summer somewhere - during some activity you didn't get to attend - everyone else just... figured it out. like they got some kind of award or examination that allowed them to know how-to-be-normal. how to fit. and for the rest of your life, you've been playing catch-up. you've been trying to prove that - haha! you get it! that the joke they're telling, the people they are, the manual they got- yeah, you've totally read it.

if you can just divide yourself in two - the lovable one, and the one that is you - you can do this. you can walk the line. they can laugh and accept you. if you are always-balanced, never burdensome, a delight to have in class, champagne and glittering and never gawky or florescent or god-forbid cringe: you can get away with it.

you stare at your therapist, whom you can make jokes with, and who laughs at your jokes, because you are so fucking good at people-pleasing. you smile at her, and she asks you how you're doing, and you automatically say i'm good, thanks, how are you? while the answer swims somewhere in your little lizard brain:

how long have you been doing this now? mastering the art of your body and mind like you're piloting a puppet. has it worked? what do you mean that all you feel is... just exhausted. pick yourself up, the tightrope has no net. after all, you're cheating, somehow, but nobody seems to know you actually flunked the test. it's working!

aren't you happy yet?

[spaceistheplaceart]

found an old ekurei comic rotting in my files, decided to finish it. upon my rewatch of mp100 i kept noticing how many times dimple was referred to as a pet- but he's not ! ! ! he's a friend :)

[luvfy0dor]

incest and pedophilia isn't sexy

[rendevok]

The sensation of waking up next to you ❤️💙

+bonus doodle:

…and they mimir’d happily ever after the end. ❤️

(ID under cut!)

Miles is roused from sleep by sunlight shining on his face. Slowly, his eyes adjust to the light, until finally, his scope of awareness broadens to a body he had been sleeping on.

Page 2

Miles looks up to the figure that holds him, and upon seeing, his eyes widen in recognition.

Miles looks up to the figure that holds him, and upon seeing, his eyes widen in recognition.

The bottom panel of the page shows minimal details of a window shedding light onto the bed and blankets as seen from a higher view in the room.

Page 3

On the other side of the bed, Phoenix rests, his head propped by the headboard. His hair is messy from sleep, and his expression is thoughtful. The light of the morning highlights his features.

The sun shines through the blinds of the window.

Phoenix finally notices his observer, and turns to look at him.

Page 4

Phoenix takes Miles’ hand in his, and lifts it to gently kiss the ring on Miles’ finger. They both move to share a kiss, and their hands shift to hold one another. Miles’ ring sparkles in the sunlight.

Page 5

They link their fingers as they kiss, and the morning creates a quiet atmosphere around them.

They part, but remain close, their fingers fully interlocked. Phoenix greets “Good morning,” with a tender, loving expression as he looks at Miles. Miles’ own expression is soft, unguarded, and fixed on Phoenix.

Page 6

Phoenix and Miles settle back into their shared bed; the morning sun illuminates them. They both smile softly, seeming happy and at peace. Miles rests his head under Phoenix’s neck, and his hand on Phoenix’s chest. One of Phoenix’s hands rests over Miles’ own on his chest, while his other hand holds Miles closer, revealing a matching ring of his own. Both rings shine softly in the sunlight.

Bonus image

A small simple drawing of Phoenix and Miles having fallen asleep again while holding each other as in the final page of the comic.

End ID.]

[nonranghaes]

"it's just me."

you barely get a chance to roll onto your back before soonyoung's already climbing onto the bed and somewhat on top of you and your blankets, and it's only seconds later that he crashes. it's far from the first time this has happened (soonyoung is clingy and cuddly, especially when he's sleepy), but he manages to knock the wind out of you nonetheless. he rests his head on your chest, and you wiggle an arm out to curl around him as best as you can in your semi-trapped position.

"soonyoung--"

"just go back to sleep," he murmurs. "everything's fine."

you stroke his hair, thumb dipping down to graze his cheek at one point. "soonie--"

"i mean it," he says, eyes peering up in the low light to see yours. "i'm fine. just need to nap." his hand finds yours, and he wraps your arm around him as he snuggles in. he plants a kiss against your chest before resting his head against it again, eyes fluttering shut. "you can rest a little longer, too."

you settle back down after a moment, arms wrapped around soonyoung as you shut your eyes again. sometimes you swear this tiger is a teddy bear, but regardless of which he is, he's yours.

[deoidesign]

Portrait of a vampire

Photo of a werewolf (who doesn't trust cameras)

As a treat I like to paint my characters realistically from time to time... so I can see them...

Webcomic

[littlest-bugz]

Man :( My uncle kinda bummed me out about my fantasy series.

He's like "well you need humans or elves or something that readers can already relate to" and I'm like

the 10+ species I made was for nothing? The species I made to replace the human population is just,,, irrelevant? Like damn :( I really broke my back making this fantasy realm for 8 years, and I have to change it entirely now because humans need to be there for 'relatability'?

My wee little heart is shattered,, Would literally anyone read a fantasy series that doesn't have humans or elves?

[littleplantfreak]

Inmate Togame? Inmate Togame

So inmate Togame Jo who's well mannered to a point. He doesn't do much harm, and is always polite to you as a nurse to the prisoners. Sure he has a bad habit of calling you pet names, but that's the least offensive thing you've been called while working.

When he does get into fights, he waits patiently as you tend to the other people first, saying he's good with being the last one out. He likes to watch you work, thinking even if it's one sided that it's time well spent with you, and it's hard to mind those pretty green eyes being on you the whole time.

And when he has to take his shirt off to let you look at some bruised ribs, he can tell you're staring at more than just the bruises. He won't say anything, but when he leaves later he brushes his knuckles across your lower back to watch your reaction, pleased to see you arching from it.

Things go back and forth a weird push and pull of you both trying not to get too close but also soaking up the other's presence until he gets in a nasty fight. One that somehow lands him in solitary, though they've thrown him in there without bringing him to get checked up first, leaving you demanding the guards let you in. Against their concerns, you insist he'll be nothing but civil with you.

He's bloody and still heaving from the fight as he sits on the floor slumped over, but most of the blood actually isn't his, which is a relief you guess. When he kisses you as you get a closer look at his face, suddenly all bets are off and you're both starved for one another. Needless to say once the guards knock to check in, you request more time with the patient due to extent of injuries.

[lost-in-fandoms]

This is me, trying to preemptively soothe myself for whatever will be said about Daniel in this incoming race week. This got longer than I was expecting, it's about 3.5k, so it's on ao3 too if you prefer to read it there.

Daniel wakes up to the feeling of Max sliding in bed behind him. He smells like Daniel's body wash and his skin is still warm and damp when he tucks himself close against Daniel's back, knees slotting in behind his.

Still too asleep to find a way to work his voice for a proper hello, all Daniel manages is a sleepy sigh, but Max doesn't seem to want to break the silence either, squeezing the arm he sneaked around Daniel's waist in his own quiet greeting, smushing his face against the sweaty back of Daniel's neck.

The room is still fully dark, a combination of the blackout curtains and the fact that it's still not even dawn, so Daniel is happy to let the sound of Max's breathing pull him back under, until he realises two things.

First, Max is still curled up close behind him, sweat already condensing between them, not rolling away like he usually does, complaining about Daniel's mound of blankets, which piles up especially high when Max isn't there.

And second, Max is supposed to be in England.

Suddenly much more awake, he opens his eyes again, trying to make his sluggish limbs coordinate to allow him to turn around, but Max squeezes him harder, keeping him in place, shaking his head slightly, nose dragging against Daniel's skin.

"Hey," Daniel mumbles, raspy and heavy with sleepy. Max doesn't answer.

"Max," he tries again, feeling more and more awake, as confusion and worry start to mix in his stomach.

Max, stubborn in this like in everything else, doesn't budge. His steady breath is damp on Daniel's nape.

For a moment, Daniel considers the pros and cons of trying to have this conversation now, trying to turn around and make Max answer his questions, but finally he decides this can probably wait for the morning. If this isn't a dream, Max will probably still be there, and it will be easier to figure out what happened between this morning, when Max had facetimed him on his way to the factory, and now, Max tense and too warm in his bed.

So he lets it go, intertwining his fingers with Max's and sighing again, feeling Max's acknowledgment of his momentary retreat in the way his muscles finally uncoil, relaxing against him.

Silence falls again in the room, only broken up by the whirring of Daniel's white noise machine and the buzzing of far away traffic, LA's neverending lullaby, but neither of them falls asleep for a long time.

The next time Daniel wakes up the room is still dark, in that unique way it gets when it's light outside and his blackout curtains are doing their job, and his bed is empty. For a second he wonders if it had just been a dream, a weirdly realistic fantasy conjured from the aching spot in his heart that is missing Max all the time. But he can smell Max's scent on his skin, even hidden underneath his own body wash, and the sheets beside him are still just barely warm.

And when he reaches the kitchen, still rubbing sleep from his eyes and tugging on a hoodie he had picked up from the floor, Max is sitting on a stool, very much not a dream.

"Morning," Daniel greets him, trying to figure out if asking what are you doing here right away is going to get him an answer or an annoyed Max.

He doesn't get the chance to try though, because Max only smiles at him, bright even if pinched at the corners, before pointing at his phone and at the earbuds in his ears.

Almost done he mouths. He pulls a face, exaggerated and ridiculous, but so paper thin Daniel can still perfectly see the annoyance behind it.

Daniel nods, joining him at the counter, sitting on the stool next to him and smiling as Max scoots closer, intertwining their ankles.

He wishes he had grabbed his own phone from the nightstand to keep himself busy, or maybe to order food, since he's not sure on what's in the fridge, but he's feeling too lazy to get back up, so he resorts to laying his head down on the countertop and look up at Max's face.

His mouth is in a hard line as he nods along to whatever they're telling him, distractedly running a hand along his unshaven jaw. He looks tired, and annoyed, and beautiful, and Daniel missed him so much it feels like even sitting like this, close and touching, is not enough to soothe the gnawing pit in his chest.

Max rolls his eyes, then looks down at Daniel and smiles again, reaching over to brush a hand through his hair, the motion smooth and practiced, the same he uses when petting his cats. Daniel fights hard to not close his eyes.

"Yes, change my schedule, email it to me, whatever. I have to go."

Daniel frowns at the snappiness of Max's tone, watches as his expression grows even stormier at whatever he's been told. Something tells him Max was not exactly free to come here.

"Yes, fine. Bye."

If Max had a flip phone, Daniel is pretty sure he would have just snapped it closed. As it is though, he just swipes his finger on the screen and drops his earbuds on the counter, pressing his hands against his eyes with a sigh.

"I'm going to throw out a wild guess, and say you're not a happy bunny this morning," Daniel says, hoping to ease some of the tension from Max's shoulders.

He partially succeeds, as Max does drop his hands, rolling his eyes at him, before laying his head down on the counter too, so that they're staring at each other from the same point of view.

"I am happy to be here," Max says, slow and precise, the way he gets when he's trying to correctly convey his feelings, "but the team is not."

Daniel hums, bumping their knees together. He doesn't really care if the team is happy or not, but he knows being at the receiving end of a scolding like the one Max must have just gotten is not fun.

"They're not very happy with me lately," Max adds a bit ruefully, closing his eyes. His cheek is smushed against the marble, making the bags under his eye disappear a little, the other one much darker in comparison.

"Flew away from many sponsor events then?" Daniel asks, again trying make Max smile. This time it works only halfway, a corner of Max's mouth ticking up, the other kept in place by his cheek and the counter.

"Just a couple. They..." Max stops, a hand coming up to tug at his ear, fiddle with his hair. Daniel wants to grab his fingers, press his mouth against Max's forehead and learn each one of his thoughts like that.

Instead, he has to speak. Boring.

"Why are you here, Maxy?" he asks, because he can't not. He wonders if he should add that he is happy that Max is there, hopes that he doesn't have to, that Max would know anyway.

"I missed you."

Simple, easy, deadly.

Daniel feels his heart do a weird stuttering skip, lungs squeezing, trying to accommodate the surge of love suddenly flooding his chest.

"I missed you too," he chokes out, giving up on resisting the urge and leaning forward, bumping his nose against Max's, their knees knocking together, looking for a kiss.

Max tastes like orange juice, Daniel probably tastes like sleep, and it's awkward because of the uncomfortable position. It's the best thing Daniel has done this whole week.

"They briefed me," Max murmurs, lips still brushing together, sounding like it pains him to speak. A part of Daniel wants to go back to kissing, but he can feel they are now getting to the real reason why Max is there, and doesn't want to stop it.

Not that he doesn't believe Max missed him, Max never lies, never says something sweet if he doesn't mean it, but he knows there must be another reason why he looks like this, instead of just happy to be with Daniel. And even if some part of him knows this will probably not be an easy conversation, he also suspects it's one they need to have.

"On what to say about you."

Daniel jerks back a little before he can really think about it, the words stinging sharply.

He knows it makes sense. He knows he now basically is an ongoing PR disaster for the team, and a part of him enjoys it, but the reminder of it still hurts. And it hurts to think about Max, sitting somewhere across the world, getting told what to say when asked about him.

Max's eyes are open again now, but his expression is carefully blank, just studying whatever Daniel's face is doing, and Daniel suddenly hates it all, pain and rage swelling once again inside him.

He's been doing well, trying his best not to think about it. He's been keeping himself busy, keeping himself with people, refusing to let the feelings dwell and drag him under, but it's unavoidable with Max right there, talking about it.

And something must show on his face, because he sees something flicker under Max's blank expression, and then he's moving back too, out of the space where they were still sharing air, taking his head off the counter with a wince.

For a second, Daniel thinks about staying where he is, neck starting to twinge painfully, and letting Max say whatever he's going to say, probably some kind of apology, then an excuse, and then letting him leave. He thinks about letting Max think that for Daniel it is worse to have him here, painful reminder of everything he's not going to get anymore, than have him gone, aching pit of absence in his stomach. Thinks about where all of that would lead.

He straightens too.

His wince is probably identical to Max's, his neck aching and sore from the awkward position, and he knows that normally it would make Max smile, it would make them both crack a joke about it. But now Max is too busy trying to hide what he's feeling, wanting to calibrate it on whatever Daniel is feeling, to joke about old age or something, and Daniel hates it.

He grabs Max's arm, pretending he doesn't see Max's barely there flinch, pretending it doesn't send a new wave of hurt through him, and leads him out of the kitchen, to the couch. Max follows him quietly, trustingly, not even asking where they're going, what is happening. Daniel hates it.

He lays down on the couch, tugging Max on top of him. A part of him wishes they had done this last night, when they were close and aided by the dark, but he knows that, as much as he doesn't like it, this is probably better. He doesn't want to have this conversation more than once if possible, so it's better this way, something they'll both remember clearly.

Max is still tense on top of him, careful, but he relaxes a little as Daniel winds his arms around his waist, tugging him closer, the familiar weight of him on top of him comforting.

It's only when they're properly settled that he lets out a breath, and he forces himself to face this head on.

"What did they tell you to say?"

He's proud of how steady and neutral his voice sounds, the swirling mess of emotions inside him nowhere to be found.

For a long moment, Max doesn't answer. His hair is barely brushing against Daniel's chin, and he can feel where Max's chest is expanding as he breathes, pressing against him.

"I am not going to do it," Max finally says, voice quiet but sure. "I told them, I am not."

Daniel hums, not even tempted to doubt him.

"What did they say?" he asks again, wanting to know, wanting Max to tell him.

"That you knew." Ouch. "That you were not performing." Ouch. "That this was the best choice for the team, and I am excited to see what Liam can do." Ouch.

He's not surprised Max wouldn't say any of this, he's more surprised the PR team would even try to make him say this, but it still hurts to know that this is how they are going to spin the story.

"Excited, uh?" is all he manages to say, slightly choked.

Max pushes himself up on one elbow, struggling against Daniel's hold on his waist, to glare up at him, eyes steely and fierce and red rimmed.

"I am not going to do it," he repeats, forceful and sincere. "They are wrong and they are stupid, and I am not going to sit and lie and..."

He breaks off, pursing his lips and pressing them firmly together, eyes shiny. Daniel loves him so much it hurts.

"I know I can't tell the truth," Max says slowly with a grimace, voice breaking under all the feelings he's trying to keep at bay, "but I am not going to lie."

Daniel wants to kiss him again. He wants to tug him close and kiss him and get lost in each other and in love until everything outside the door doesn't matter anymore. He wants to push all this away until it isn't hurting either of them.

Instead, he gently pushes Max down on his chest again, one hand on his neck and one on the small of his back, and breathes.

"You told them that?" he asks.

Max's nod drags the fabric of his hoodie against his skin, bunching it up.

"I said, I will be polite and I will say nice things about Liam, and about Yuki and Checo, but I will not say that shit about you. I am not fixing this for them."

Daniel wonders what the Daniel of 10 years ago would have said, if he got told that in 10 years time Max would still be by his side, fiercely on his side.

"Thank you, Maxy," is all he can say, his feelings to messy and big to try and put them into words without spilling them all over the room, making clean up a bitch he doesn't want to deal with today.

Max nods again once, rough and too quick, dislodging the hand Daniel still has on his neck.

"They were not happy," he says, squirming a little until Daniel puts his hand back. "They told me there will be consequences," he snaps, slightly derisive, "so I told them I can do consequences too, and left."

Well, that explains the scolding.

"You left?" Daniel asks, not disbelieving, but still incredulous somehow.

"I didn't want to be there anymore," Max says, as if that explains it all. It probably does, for him.

For Daniel, it's yet another confirmation of which side Max is on. Not that he needed one more, but it's still nice to have. Nice to know that even in something like this, something this big and catastrophic, Max will choose him, over and over. The flood of love is back, and this time Daniel has to tip his head back and breathe, trying not to let it out through his eyes.

"How angry are they?" he asks, when he feels like his voice isn't tangled up in a knot in his throat anymore.

Max shrugs awkwardly, trapped between Daniel's body and Daniel's hands.

"Angry."

It makes Daniel snort despite himself, the sound slightly wet.

"Can't have everything their way, I guess."

He can imagine it, Max storming out of a meeting room, leaving behind a mix of perplexed and angry people, knowing they can't really punish him in any meaningful way that isn't making him do more sponsor events. It's a very satisfying thought.

And then Max takes a breath, pushes himself up on an elbow again, and decides to shift Daniel's world once again.

"Do you want me to leave?" he asks. Then, probably because he sees Daniel starting to frown, he adds "not here. The team."

It knocks the breath straight out of Daniel's lungs.

He blinks, unable to process what Max has just said.

"You...what?" he stutters, shifting back a little, trying to look at Max's face better without straining his neck.

He's almost expecting Max to laugh, to take it back, to crack a joke. But Max is deadly serious, the same unshakeable firmness Daniel knows from years of debriefs and arguments on his face.

"I want to win," Max says, not taking his eyes away from Daniel's. "I want to race, and I want to win, for a little while longer. But I don't like what they have been doing, what they did to you. I don't like what the team has become. I don't like what the sport is becoming. So if you want me to leave, if it would help that I leave too, I will leave at the end of the year."

Daniel can't breathe. There's loyalty, and there's Max being loyal, and then there's this. He doesn't know what to do with any of this.

"You can't...I can't ask you to leave." His voice sounds distant to his own ears, so overwhelmed it doesn't even feel his.

"If you want me to, if it would make you hurt knowing I am still racing with them, if it would make you angry, or hate me..."

"I am not going to hate you," Daniel interrupts. He doesn't know many things right know, but he knows that. He's suddenly torn between wanting to tug Max close again and wanting to keep looking at him while they talk about this, and settles on bringing his hand up to Max's cheek, relishing in the way he immediately leans into it.

"I don't want you to stop racing because of me," he says, another thing he's sure of.

"I would, if you asked," Max tells him, easy and steady, as if it's not monumental. Max Verstappen, willing to stop racing, for him.

"I won't."

Max nods, then breaks eye contact, suddenly looking shakier, unsure.

"You can't..." he takes a breath, bottom lip jutting out. Daniel's heart is beating too fast in his chest. "You can't hate me for it. I asked, and you said no, you can't hate me for it, now."

Daniel gives in, pressing Max to his chest again, bending his head to press his lips against his hair.

"I won't," he promises, voice swollen and heavy. "I won't hate you, Max. I won't even be angry at you, not for this. It was never on you."

Something that Daniel hadn't even noticed seems to uncoil between Max's shoulders and he slumps against Daniel's chest with a shuddering sigh, arms coming around Daniel's waist to hold him tighter.

Daniel wonders for how long Max had been carrying the weight of this misplaced guilt, of this fear. Wonders how he hadn't seen it before.

"If you want to leave for you," he carefully says, giving himself time to properly word what he wants to say, thinking about retirement jokes, and about much more serious retirement conversations, "you are free to leave. I will not be angry about that either."

Max shivers as he nods.

"I don't know if I want to," he mumbles, half lost in Daniel's hoodie. His hair is soft against Daniel's lips.

"You don't have to decide right now," Daniel tells him, suddenly and strongly grateful they're having this conversation like this, and not through a phone. Or worse, not having it at all. "I am not going to be your WAG, but I am not going to be angry either."

There's many things Daniel has to work through, to figure out. The past few weeks have been hard, some days spent in bed, too sad and angry and betrayed to feel like getting up, others spent doing things, feeling like all of this is just the start o something better. He is still confused, and a bit lost, but this he knows. Max he knows.

"I love you," he says, because it's the easiest way he has to promise forever without saying it, the word too big for a moment like this.

"I love you too," Max says, easy and unwavering, as if he wasn't shaking in Daniel's arms a few moments ago, as if the words are a steady enough pillar to sustain the weight of the crumbling word around them.

And maybe they are. Maybe they are.

The conversation isn't over, he knows it. What Max has said is too big to just let it go like this, especially if he really is considering retirement. And he wants to know when Max has to go back, what the team has told him, what his punishment for leaving like this will be. But for now, Daniel presses his lips again Max's hair again and breathes out, feeling like they have pushed past something, undone a particularly nasty knot.

And for everything else they have time.

[rhymeswithumbrella]

you know what really pisses me off? so many people acting like he is the worst person out there and no one will miss him. A LOT of people are grieving now and missing him including people that these people supposedly follow and care about. liam was not the supervillain people wanted him to be. he was messed up and did messed up things likely because of what happened to him. this conversation deserves so much more nuance than people are giving it. and maybe it’s too early to have this conversation now but it’s helping me process and grieve so i’m really writing this for me. people are complex and doing bad things doesn’t make you a bad person or someone worthy of death without being given the chance to make things right. and another thing, it is SO hypocritical to make fun of him and look down on him like he’s the ultimate Bad Guy meanwhile i bet every single person you have ever admired in the spotlight has likely also done bad things or at least things you wouldn’t be proud of. fame is an illness and it can cause people to harm others because they were hurt themselves. human beings are a culmination of everything that they’ve been through and everything they’ve done. he is not only the bad things he’s done and it’s okay and normal to grieve him as a whole person, because he was one.

[mitskiluvr]

watched the persona 5 proof of justice ova from years ago and was getting acid reflux with how queer everything was... what do you mean its just 20 minutes of joker mourning his boyfriend. that's the entire ova.

[jemmo]

Making sense of love for love's sake: the game

Despite all the things i absolutely adore about how the plot unravels and expands in love by love's sake, upon first watch, there's some things i couldn't piece together, which @lurkingshan echoes in their post:

'The way the author was messing with Myungha and forcing cruel choices on him really does not track with a desire to help him find happiness.'

And to preface, this is not something i fully get yet either. I think i'll need a good month and a sizeable reading list of relevant resources to understand just what/who this author/sunbae is and what his role is and how he is associated with myungha. But as always with the best shows for meta (aka bad buddy), as a plot unfolds, you can always find a better understanding by looking backwards and re-contextualising what you've already seen. so i watched ep 1, specifically the scene between myungha and his sunbae at the bar. And i will talk about how everything said in this scene has a whole new meaning now we know the full story, but for now i wanna focus on that question that they keep coming back to; "Then... will you change it for him?".

When you watch the show for the first time, your brain follows the simplest, most obvious version of the story you're being told, one where myungha has been pulled into the world of his sunbae's novel that's being turned into a game and given the opportunity to fix the thing he didn't like about it; making yeowoon happy, and thus you just think the rules of the game are imposed by the author, and so when these cruel choices first come up, you see them as the difficult roadblocks that are nevertheless necessary to any kind of game, forcing the player to make an impossible choice so that the game can continue in a certain direction and its only after that you learn whether it was the right choice or not, or there is no right choice, it simply changes the game you are playing.

And when its revealed what this game actually is, at first i tried to interpret these cruel choices, namely the choice between yeonwoon and myungha's grandma, and at best i could come up with the concept of this being a choice between staying stuck to the past aka choosing his grandma, even though he knows that choice doesn't mean she's safe bc he knows the future where he loses here, its an inevitability, but thats the small happiness he knew before it was taken away and thus that happiness is known and safe, theres no risk, versus choosing to pursue a new happiness, a love of yeowoon and thus himself, which he doesn't know, he hasn't experienced yet, and could be risky. Its a happiness that isn't guaranteed like his grandma, but its a happiness that looks to the future and has hope in it that he can find a new happiness to pursue despite what has happened in his past.

And that fits nice, okayish. But then i watched ep 1 and heard that question "Then... will you change it for him?" And watching through the rest of the eps, we come back to this scene at the bar and each time we get a new run up to the author asking this question, either new dialogue is added or we hear a different piece of the conversation entirely. It starts at the beginning of ep 1 as:

"Because Cha Yeowoon is the only one who's miserable." "It can't be helped that some people's lives are like that" "The fact that some people are destined to live that kind of life is what's vile."

Then a bit later in ep 1 we go back and its expanded.

"It can't be helped that some people's lives are like that" "The fact that some people are destined to live that kind of life is what's vile." "Why? Do you think you'd write it differently?" "Yes, definately. Someone like Cha Yeowoon, or someone like me with an awful life, can also be happy."

And then all the way on in ep 6, we get this new dialogue.

"I don't like talking about destiny." "Why?" "Because it means everything is predestined." "Then do you not believe in fate?" "Fate and destiny are the same. My grandma likes to say that. She said life is like a written book, and how you'll live and die are written in it. (...)I don't like things like this. Even if fate is already destined, I think it can still be changed. Otherwise, there's no point in trying." "Really? Then Myungha..."

And while we don't hear the author ask the same question, I feel like him getting cut off like that insinuates that the conversation leads to that same ending point. All that is to say, every time we hear this question being asked, its like we learn more and more about what this whole thing is, what the game is, what myungha is saying he will do by agreeing to do what the author asks. And every time, we see myungha being more defiant against the idea of yeowoon being resigned to his miserable ending. He starts off thinking that kind of life is destined, and while it's miserable, its not something he can fight. Then he says he'd want to write the story differently, bc yeowoon, or even him, could be happy. He challenges the idea that yeowoon, and thus himself, is fated to be miserable, and opens up the possibility for happiness for them both, but doesn't yet have the means or resolve to do it, its like he knows its possible on a fundamental level, but doesn't see it as something he can actually achieve. But then we circle back to the idea of destiny and books, both of which came up in the previous quote, and seems incredibly pertinent seen as this whole thing is about a novel this author has written. Myungha talks about how he hates the idea that life is a book where everything written is predestined to happen, from the moment you live to the moment you die. He says "Even if fate is already destined, I think it can still be changed. Otherwise, there's no point in trying." That vile way of life he described before that he said was destined, he is now saying it can be changed, and that possibility is now something he's holding onto, its what he sees hope in so that he can keep trying, bc now he finally is trying, he has the resolve, he's trying to realise this thing, this impossibility of rewriting the life he thought was destined through the way he loves yeowoon.

And coming back to those cruel choices, given this fresh context, it made me think. bc this isn't actually a game that myungha has been put into where the rules are dictated by an author completely separate from him. He said himself, he'd rewrite it, he'd change things for yeowoon. And when you start to think of it less as him fighting against a rigid, removed system and more like him being a character in a story he is trying to rewrite himself, that has both the author and his own limitations, or just his own if you're in the school of thought that the author is some figment or part of myungha himself or his conciousness, then you can start to see where these cruel choices might come from. They could be myungha, the author making edits to this new story, imposing his own doubts and limitations on himself. When he says he has to pick between Yeowoon and his grandma, what if that's the new author myungha seeing this story unfold and thinking no this isn't right, he can't have it all, i'm not deserving of this much happiness.

And what makes me like this idea even more is that when we get that second choice between ending after 14 days or getting 100 days back at the cost of resetting Yeowoon's affection to 0, that whole conversation happens in what I think the bar actually is which is this frozen moment in time where myungha is in the water with this extension of a voice in his head that is talking through these things. That conversation in itself needs its own post, but when you look at it both as a decision to break up or not or a decision to hold onto life or not, you can see how the author is just this soundboard relaying the decisions myungha is going through in his head. The author's voice is his own, weighing up his decisions. And if he is the author here, it only reinforces that the person making the rules of this game is him. You can even extend it further to the idea of the debuffs, where he puts in place this thing that makes it so he causes harm to yeowoon when he's around, and its only by garnering affection that he can prevent it. He gives himself a reason from the get go to stay away from yeowoon and reason it as him doing it for yeowoon's safety, when in fact the only way to make yeowoon safe is to increase his affection, which he can only do by being near him. Its a system that at first gives myungha a reason to stay away aka not like himself, but ultimately says the only way you're going to make yeowoon like you, or the only way you can like yourself, is if you accept risk. And that in itself screams to me of a myungha writing in these game systems that are trying to encourage his own-self love while falling at the hurdle of his own lack of self-worth.

The idea is still messy in my head even for me, but i just really like the idea that myungha could be trying to fix this thing both as a character and game master, and that both these versions of him have these flaws that manifest in their different ways to cause the events we see. It kinda is the definition of being your own worst enemy, the idea that in order to work towards loving yourself, the biggest obstacle you have to encounter is yourself, bc we are the ones holding ourselves back, making all these rules that make it harder to like ourselves and pursue our own happiness. The voices in our head telling us that we aren't good enough and aren't deserving are our own, and while the things that happen to us can inform what they say, we're the one's reinforcing those words. And what this show teaches us is that, if we're the one holding that pen all along, we can choose to change what those words are. If we make the rules, you don't have to create a game with concrete ultimatums, you can create a game where rules don't control you. Instead, you make the decisions, and you can make the ones that make you happy.

[coolnonsenseworld]

Samurai and Ninja in crappy pics because December here is under a constant cloud and I just want y'all to see them all golden and cute without learning how to take aesthetic pictures 🥴 💙❤️😆🥰

linktr.ee/Mezzy

[not-equippedforthis]

really love characters who have varied panic responses. kirk stating himself that he does not panic outright, externally, not in high-stress dangerous situations, but instead becomes tense and level like a wound string, on-guard: mostly because his role as captain necessitates that he maintain level rationality even when facing potential death as his training as 'the guy who tells you what to do when shit hits the fan' requires, but also because his childhood experiences taught him early that drowning in the desperate haziness of panic won't help you survive. especially as kirk already follows his intuition so deeply. he learned to grasp and contort the feeling. spock is the main person who represses his emotions, of course, but kirk does it to those deep-set, personal ones (this includes how he doesn't reveal anything truly personal about himself willingly 90% of the time, only what others already know/shallow anecdotes) in a much more subtle way that's really interesting to me. certified expert at avoiding the subject as long as he isnt caught out on the lie. professional bluffer.

in terms of past or parents we dont know much!!! hes known as the heart-on-his-sleeve guy!!! like yes he yells, he gets irritated, excited, hes a whirlwind of quick-thinking and plans and intuition, he goes out of his way to connect with his crew and shows it, when he puts on a little act or bluff he puts his heart into it and clearly enjoys the dramatics so much, at times he wears his heart on his sleeve, he laughs openly and is honest to spock about what he means to him, he's very sun-coded to me in a burning, passionate way, always intertwined with the stars and seeking them out, but when it comes to genuine deep-set turmoil? we dont actually know all that much about him??? hes so full of emotion and character (i love fics where spock characterises jim's mind/bond as a whirl of colour and sensations, hes a quick thinker!!! intuitive!! lively!!!) and yet its still so outwardly surface level. tarsus iv gets mentioned like twice? so especially here where kirk gets briefly jumpscared by the creature, because like:

its subtle but his eyes. his eyesss!!!!! kirk commands with his emotions but there's always some sort of level of control to it, or he transforms them into something that spurs on others or uses them to ascertain a goal: seeing unguarded fear/distress in his eyes even if its faint and brief (in this instance) makes me go insane every single time. like!!! its such a small moment!!! he isnt even panicking!!! really, he just got jumpscared!!! its insignificant!!!!!!! but seeing a two-second flash of actual, naked apprehension is just...oughhh,,,,,,,,,

oh god, and dont even get me started on the galileo seven episode where he assumes a tense level-headedness throughout the whole thing, irritated and apprehensive but not panicking, making sure he maintains intelligent rationality, even when he has to leave them behind, but when spock and the crew are confirmed safe and the bridge is occupied the camera pans to him and his eyes look like they're fucking watering and he's so achingly relieved. don't even talk to me. im. fuck.

he shows so so much but at the same time reveals so little.

[narzissenkreuz-ordo]

ok im loosing my mind at this theory? canon connection? from twitter

1.2 spoilers/theories / luocha companion quest mentions / leaks(?)

i was ALSO under the assumption that dan feng is dead and dan heng is just a Fucked Up On Purpose reincarnation of himself. but these TWO screenshots fuck it all up

(apparently this was data mined from the game and hasn't been deleted but im unsure if its 1.3 leaks for imbibitor lunae's companion mission or not)

and this is just a screenshot from Luocha's companion mission where March is talking about a novel that has a molting/de-aging story beat and said novel is a main focus throughout the mission

the clear use of "molting" is. super telling especially since Luocha is a follower of the abundance and has unclear motives on the Luofu that havent come to light yet compared to Dan Feng's gay gay homosexual gay immortality sin

and boy does hyv like to drop hints like this in the patches leading up A Big Reveal

this makes the lore EVEN MORE complicated than it already WAS trying to figure out whats going between these two(?) characters and if Dan Feng was actually just de-aged its honestly So Much More Tragic than just Dan Feng dying because Dan Heng IS Dan Feng. Blade ISN'T as delusional in thinking they're the same person, though Dan Heng isn't trying to gaslight gatekeep girlboss by pretending not to know Blade because he GENUINELY doesn't. Dan Feng isn't dead, Dan Feng just doesn't exist anymore in the capacity that his loved ones can remember . And it hurts SO much more.

This also explains why Jing Yuan was acting so fucking insensitive to Dan Heng in the 1.2 trailblaze mission. Jing Yuan is a long-life species and not a stranger to the death of people around him, he is familiar with the Vidyadhara reincarnation cycles & him repeatedly referring to Dan Heng as Dan Feng is unwarranted and not in character IF Dan Feng is actually dead. If Dan Feng was de-aged & grows into being Dan Heng that throws a huge fucking wrench in the already messy & convoluted Vidyadhara reincarnation. His friend did not die and move on to their next incarnation that is to be expected of Vidyadhara, Dan Feng NEVER died but his existence was so altered to the point that his death would have been kinder

bonus me trying to explain to my non-hsr friend this shit;