#don't get me wrong this is a positive thing!

[kwoniele]

don't let them hear — choi subong

synopsis: lights off meant something a little different between you and the famous choi subong, also known as thanos.

genre: smut and fluff bc theyre js exes who want eo bad LOL. green flag choi subong... say WHAT 💜

warnings: afab reader, tease, fingering, nothing else honestly

author's note: this is the first time i have ever written on this account + since my social media detox so pls bear w me if this isnt exactly up to your standards ha ha ha... ily anyway not proofread! i wrote this when it was 3am leave me be.

"lights will be turned off in ten seconds."

in a moment, the lights will dim and the only thing shedding light in the room would be the giant pig dangling from the ceiling and choi subong's pale skin that's attached to yours. ever since he told you he would be joining you in bed tonight, you couldn't deny the fact you were thrilled. your drug-addict ex boyfriend shouldn't have excited you this much. let alone the fact you were waiting for him. 

"five, four, three, two, one." now, it was fully dark. 

you sighed in disappointment. you turned away from the side subong was and decided to sleep on your own. you knew you shouldn't have trusted him at all, yet you were gullible enough to believe he'd keep his promise. and he didn't. cause if he did, he would be beside you with his arms wrapped around your waist pulling you closer to him so that you could warm one another up.

"y/n?," your eyes abruptly opened, "are you still awake?" he actually did it. he actually kept his promise.

he actually came.

you decided to play the stubborn game and not answer. but you knew that he was aware you were definitely up. "don't want me here? okay señorita. i'll leave." his footsteps began to get quieter as he 'left'. you felt guilty and decided to let him explain himself. after all, it hasn't been long since that robot woman announced it was time for bed.

"fuck you." you turned toward him, expecting him to be halfway gone already. yet you met a choi subong sitting down with his arms trapping his knees while replicating footsteps that were leaving. "wow. double fuck you.'

"please, i know you want me here. so move over." he stood up and laid down beside you as his head automatically dug itself into your chest. "i don't give a fuck if you're going to go on some lecture about how i should have been here sooner, so don't waste your time." he pecked your collarbone before adjusting his position. "i'm here with you and that's what matters. okay?"

speechless is an understatement. you couldn't even be mad. you couldn't feel the slightest anger in you because he's right there. you could see his purple hair laying on your neck.

wait. something's wrong. something's missing.

"wait. choi subong. where's the necklace?" you used two fingers to tilt his head up so you could see his eyes. they're still as pretty as ever. fuck him for having such charming eyes. 

"gone. i threw it away when i saw you rave about how you were so much happier when you quit." he stared at you. waiting for you to say something. "what? do you want me to dig my hands into the toilet to retrieve it?"

"did you seriously… get rid of it? for me?" you sat up. tucking a strand of hair behind your ear before holding his hands. you noticed the tattoo he dedicated to you. the little heart with a sun next to it because he said that you were his ray of sunshine.

"of course i did. i meant it when i told you i'd fix myself as long as we crossed paths again, you know. i don't just make promises for the sake of—" shutting him up with your lips was probably your favourite thing to do. you missed this. you missed him. you missed feeling his lips perfectly match yours everytime you leaned in to him. 

"then i meant it when i told you i'd let you fuck me whenever, wherever. hopefully you take that damn opportunity now." he analysed your face before realising you were serious. he didn't even need to say anything. he just held your face by your jaw, kissing you rougher than earlier while gently laying you down on your bed.

he took off your pants and placed it just beside the bed, sliding your panties right after it. "fuck. how long have you been this wet, hm?" his middle finger glided itself from your cunt to your clit, using your slick as lubricant to teasingly insert his finger in your hole. "was it when i told you i quit? or when you kissed me? or better yet, since you saw me?"

"fuck, subong–" his free hand covered your mouth, preventing you from letting a noise out. 

"can you be quiet for me, baby? wouldn't want to let these jackasses know i'm fucking the prettiest girl here, would you?" you shook your head, agreeing that you should be dead silent. 

you didn't even notice that he snuck a second finger, fucking you with his fingers repeatedly until your were squirming and arching your back from the bed. "that's it, baby. do just that." his thumb flicked your clit, causing you to buck your hips on his hand. 

you don't know how he understood, but you mumbled against his hand that you were going to cum. his smirk was evident in the dark room which caused you to be pushed to the edge even more. "are you going to cum? hmm? is my baby finally going to cum for the love of her life?"

all you could do was nod. it was cute to him.

when you finally reached your release, he made sure to lick off all of your juice from his fingers. you watched him slowly suck on his ring finger while intensely staring at you. "i love you. don't leave ever again. i better be the only one you do this to."

"only for you, baby. just you and me. choi subong and future choi y/n. okay?

[demonic0angel]

Prolonged ecto contamination can cause regenerative abilities. This is great when something important is stabbed or a limb is lost. But for other things, not so much.

“Daddy,” A five year old cried, “somethings wrong with mommy!”

Jason ran to his and his wifes room. He stopped by the door, taking in Jazz's tense still frame perched on the edge of their bed. She gazed at a small cylinder object cluched in her hands.

"Jazz?" Jason called.

She slowly lifted her gaze to him and turned the object around, revealing two pink lines.

"Is-is that an old one?" Jason stammered.

Jazz moved her head to side to side.

"Defective?"

"I've done ten of them, all the same."

But, but that couldn't be. Jason mentally floundered. After a failed vasectomy resulting in kid numer six and then a failed tube tying causeing baby number seven, Jazz had a hysterectomy.

Jason opened his mouth to address this but then remembered that their kids were in the room. It wouldn't be good for kids to witness their parents having a meltdown over a positive pregnancy test. Or discuss a possible lawsuit against a certain hospital and surgeon.

Switching gears, Jason called to his kids, "Come on tribe! To the living room for a movie."

"What about Mommy?" the five year old protested.

"Don't worry," Jason scooped up his kid and pecked her forehead. "Your dad got this," he said with way more confidence than he felt.

(OML I LITERALKY FUCKING ROLLED WHEN I SAW THIS ASK ASDFGHHKLLL THIS IS SO FUNNY BC IN MY ORIGINAL IDEAS ABIUT ANGER MANAGEMENT, THEY HAVE 5 KIDS)

Jazz stared at him blankly. Jason stared back. They both stared at each other. Then he admitted, “I don’t think I got this.”

Thank goodness their oldest, Elinor, was able to understand and distract all of her siblings. Now it was just Jason, Jazz, and their Ancient ghost dog alone to discuss what to do next.

Jazz continued staring at him, holding Shadow in her arms before she said, “Y’know, we could….”

“Don’t even start,” he said in exasperation. While he would always give her the choice, he knew that none of them would actually genuinely consider it.

She sighed. “I know. I want it anyways. It’s mine. It’s our baby.”

Her possessiveness was so cute. Jason reached over to hug her, squeezing her gently and placing his chin on her head. It was a bit difficult due to her height, but she hunched over to tuck herself into his arms, so it was a little easier.

“We’ll handle it. Together, like always. It’s not like we’re lacking in money anyways. And we have plenty of rooms and we can get help from our support groups. I can take another break from being Red Hood and you’ve never stopped your online therapy sessions, so I think we can do this.”

Jazz sighed, nodding before she suddenly groaned aloud and used a fist to hit Jason’s chest. Jason blinked. “What?”

“You know what my siblings call me?! They call Miss Weasley! At this rate, we’ll have a football team by the time we’re done!”

Jason tried not to laugh but a twitch must’ve alerted Jazz to his amusement because she looked up at him and glared. Shadow growled lightly on her lap. She scolded, “You’re giving the news to our families again. And I won’t stop Dan from trying to kill you this time.”

“Even if it makes you a single mother to 7 kids?” Jason asked idly.

Jazz paused and then she cursed softly. Jason snorted into her shoulder before Jazz then said, “I think after this, we’re using condoms again.”

Horrified, Jason lifted his head up and stared at her in disbelief and shocked horror. “What!”

“Jason! We have 7 kids now! Can I please get a break!”

Jason groaned, long and loud. Then he sighed, rubbing Jazz’s sides in faux sadness as he bemoaned, “Fine… since I love you so much… I’ll wear protection next time…”

Jazz pinched his cheek with a little narrowed eye stare and smile, shaking lightly but she said, “Thank you, dearest. We’ll handle this together, alright? It won’t be easy, but we’ve done this six times before, we can do this a seventh time. I think I should ask Dan how he does it…” she mumbled more plans to herself, as Jason just held her, closing his eyes.

If his past self was ever told that he’d have a wife and seven kids, he was sure that he’d probably snitch to the cops that someone was hallucinating.

Not that he’d ever trade this for the world, of course.

[etherealmelodys]

Choi Su-Bong/ Thanos

NSFW Alphabet

Warning: Talks of oral, penetrative sex, squirting, dacryphilia, mentions of drugs, Thanos just being himself.

A/N: ong I'm sick of ppl writing Thanos like he's abusive, my purple haired king would never!! But tbh he's lucky he ain't real or I'd suck the skin right off his dick ykwim

A - Aftercare (What they’re like after sex)

Contrary to popular belief, I don't think he'd be that bad at aftercare. He's not amazing at it don't get me wrong, but he's not gonna just leave you alone with nothing. He definitely might offer you some sort of drug he's got on his roster, but I believe he'd clean you up and make sure that you're feeling okay and get confirmation that he wasn't too rough with you.

B - Body Part (Their favorite body part on you and themselves)

Nobody can tell me that this man isn't obsessed with his tongue oml. To him, it's a gift from the gods that he gets to use it to taste every part of you. From your soft lips to your breasts, all the way down to your cunt. He's an ass man oh my. He loves the way it jiggles when he fucks you from behind, how soft and smooth it is when he grips it while you ride him.

C - Cum (Anything to do with cum)

You cannot tell me this man doesn't love cumming all over your back or ass. He's obsessed with the way it slides down the curve of your ass, coating his thighs in the substance. He adores how messy the whole process is, wanting to see you covered in just him, it could get him higher than any drug he's tried.

D - Dirty Secret ( Self-explanatory)

He just wants one night where he can do whatever he wants to your tits. Whether it be playing with your nipples, leaving hickeys on them, massaging them, or more importantly squishing them together and fucking them, his tip going between your plump lips every time he thrusts up into them.

E - Experience (How experienced are they?)

Did y'all see all the people that swarmed him once they knew who he was? Imagine what it was like outside the games. He is well-experienced when it comes to fucking someone, but not having an intimate moment with another person.

F - Favorite Position (What positions do they like the most?)

He loves any position that puts him in a position of control. He loves reverse cowgirl especially because it gives him full access to the sight of your ass. He's also a fan of doggy style, again due to the sight he gets of your ass but also because of how deep he can get in that position.

G - Goofy (How serious are they in the moment? Do they tease you?)

He is teasing the shit outta you I'm so sorry. I don't think he has the capability not to tease you. It just gets him so worked up seeing your eyes well up with tears at his comments, it just makes his cock throb.

H - Hair (What’s the hair situation down there)

I honestly cannot decide with him. For one he gives off the vibes that he's bald down there, finding the hair to be an annoyance. But also I don't think he'd care enough about it to shave it and just let it grow. For the sake of the argument, I'm just gonna say he shaves his shit bald.

I - intimacy (How romantic are they in the moment?)

I feel like there are some times when he can be very romantic if you need it. Usually, he's the type to go rough and fast. But occasionally he can be slow and sensual, giving you gentle kisses and touches, treating you as if you were the most delicate thing he's ever handled.

J - Jack Off (How often do they touch themselves?)

He jacks off very frequently, about every other day tbh. I don't think he'd do it to porn often, and if he did it would be to an actor who looks like you. But most of the time he does it to the memory of you, whether it be you grinding down on his face making those pretty noises he loves so much, or him fucking into you, your whines the only thing he can hear besides the slapping of your skin against his.

K - Kinks (What are their kinks?)

You cannot tell me this man isn't into Exhibitionism. He loves the idea of you guys almost getting caught in the middle of the act, he swears he feels himself get even harder at the sight of you trying to quiet yourself down in an attempt to not get caught. He's also into dacryphilia, seeing you cry from the overwhelming amount of pleasure he's causing you makes him cum right on the spot.

L - Location (Where do they prefer to have sex?)

He would be into anything public, bathroom stalls, fingering you under a table, having you bounce on his dick in a dark crowded club, he's into it all.

M - Motivation (What turns them on?)

Seeing you in any type of revealing clothing, especially skirts, immediately gets him hard. Seeing you in lingerie is by far the sexiest thing you could wear in front of him. He'd want you to keep it on as he bends you over, pulling the lingerie to the side and eating you out to his heart's content.

N - No (What are some things they’ll never do?)

He's not really into the whole submissive role, he always wants to be the one in charge, at least during any sexual interaction. He's also not into doing anything that can seriously harm you.

O - Oral (How do they feel about oral? Do they prefer giving or receiving?)

I don't think he has a preference between the two. He loves the sight of you on your knees, trying to fit his cock in your mouth, tears in the corner of your eyes due to the brutal pace he's set fucking your face. But he also adores the feeling of your thighs wrapped around his head, unintentionally pulling him closer to your cunt. The feeling of it pulsing around his tongue when he finally makes you cum, the little whines and moans you let out from the overstimulation.

P - Pace (How fast/slow are they?)

He's fast with his pace, he swears he can't help himself. The feeling of your tight walls wrapped around his cock, practically begging him to pound you into the mattress with all the force he can muster. It's your fault for feeling so damm good.

Q - Quickie (How do they feel about quickies?)

He loves them so much! He's usually busy writing his songs or in the studio recording, so quickies are always a yes for him.

R - Risk (How willing are they to experiment? Do they take any risks?)

He loves experimenting, but he's usually the one to initiate it due to his impulsive behavior. If it’s something you're not willing to try he'd absolutely respect that. But if you brought something up? Oh baby he's down to do whatever as long as it doesn't put either of you in danger. Wanna try out bondage? Go ahead and get comfortable because you'll be tied up for a while.

S - Stamina (How many rounds can they do? How long can they go for?)

When he's not high out of his mind, he doesn't go that many rounds usually 2 will be enough to get him tired. But when he's off some? Ooh boy you better prepare yourself. This man is a beast when he pops a pill, you'll be so exhausted by the time he's finished. Expect around 4-5 rounds with him before he's all out of energy.

T - Toys (Do they have any toys? Are they willing to use any?)

I don't think he has that many to be frank, at most he has a vibrator or two, maybe a cock ring if you wanna be bold. I think he's so cocky and confident about his skills that he finds them to be unnecessary. Sometimes if you're having trouble cumming he’ll take one out and use it on you, but it always gets out of hand due to the fact that he wants to see you squirt from the toy. “Cmon baby, I know you can do it. Don't you wanna make me happy? I know it'll feel so good for you so just relax and squirt all over this toy”

U - Unfair (Do they tease you? How unfair are they in the bedroom?)

I fear this man is the biggest teaser throughout the whole show. He'd find a way to tease you about anything and everything. In the bedroom you are not getting a MOMENT of peace. This man will edge you and overstimulate you all in the same night. He’ll find a way to tease you about the noises you make, saying “Aww baby, you're being so loud! Am I making you feel that good? Don't be shy, you can admit that I'm the best at making you cum.”

V - Volume (How loud are they?)

He's not too loud when it comes to his noises, just occasional growl and grunt. He's definitely into dirty talk though, a lot of it. You'll hear him say stuff like “That's my good bitch, taking my cock up her cunt like the good girl she is. Don't worry baby, I'm gonna make you feel so good you won't know what to do with yourself.”

W - Weird Fact (Self-explanatory)

He's always wanted someone to do a line of coke off his cock while he was hard.

X - X Ray (What’s it looking like in those pants.)

He's about 5’11, a little on the thinner side, but he's still toned. I think he's a lot girthier than he is long, so about 5.7 inches, but his girth makes up for it. His tip color is a deeper pink color, around #E0676B. He has a slight curve down, with a thick vein running down the left side of his shaft.

Y - Yearning (How high is their sex drive? How often do they have sex?)

This man wants to do it with you every day. Not only is it the drugs that get him worked up, but just seeing you looking so damn sexy just being yourself, he could take you anytime anywhere, regardless of who's around.

Z - Zzz (How fast do they fall asleep after sex?)

I feel like he falls asleep very fast. After he's done making sure you're okay, he's slumped. He is not the type to wait for you to sleep first before he does.

(I've cooked with this one guys I cannot even lie. Thank you all sm for the recent support! I truly appreciate all the attention my work has gotten!)

Taglist:

@xera4170

[x-necromantic-x]

(reblogging w/ my comments under op’s post to have it on one of my blogs)

hi!! this was my post that you're talking about! and wow haha i did not think it would strike this much of a nerve with some people, but it's always a good thing to see other people passionate about things i'm passionate about also.

a few things–

the post overall was meant to be lighthearted in nature, as someone who enjoys both the musical and the poem it wasn't really an us vs them thing. moreso a playful jab at people who made assumptions about the myth based off the musical (which, in my comments there were a lot of) and if you don't do that, the post doesn't apply to you!

in the pinned comment under the post i talk about how a conversation can definitely happen over the ethics of the situation, i'm all for interpretations of the story and enjoyed the people discussing the myth from the perspective of actually having read the myth or of being aware of it. whenever i corrected people in the comments, it was about things they got wrong about the material specifically, such as people saying circe used her magic to force him to bed or arguing about things a simple google search could tell you whether it did or didn't happen. If you interpret the text as being non-consensual, it was never the point of the post to say that your interpretation is incorrect! me personally though, i don't like the optics of circe being turned into a supporting/positive character if she was a rapist in the original.

I wasn't defending hamilton lmao!!! it was a joke!!! it was a bit!!!!

i also never said homer!odysseus was a horrible person! i very much don't think he is! to me, the point of the story is it's exploration of the human condition, and that even if he had faltered in his resolve to get home, that he still wouldn't have been a horrible person because any normal person in his shoes would have done similarly! i dunno where you got this bit but yk, js for the record.

your interpretation of book 10 in the odyssey is fine, if not a little lost on me. odysseus was certainly not initiative in the task of going home. of course, you can read and take away from it whatever you like, but– and i'm not trying to sound pretentious here– in my analysis class for the odyssey specifically we talked about how this section of the odyssey goes into the nature of human temptation when faced with luxury or an easier way out. Odysseus intentionally spends longer than he has to, a full year, and doesn't make the decision to leave until his crew bugs him and calls his delays “madness”. That doesn't read to me as them being like let's leave and he's like alr bet, it reads as odysseus finding reasons to remain on the island even after his crew is ready to go. you can find all of this in the text.

i never mentioned being fixated on the telegony either, all of my rebuttals have been centered around text and examples found in the odyssey itself. it wasn't really a gotcha moment with circe either, there's no debate that odysseus’ is one of history's great morally ambiguous figures in fiction, with or without her.

lastly, i think the odyssey is sooo romantic! a lot of your post seems to have misunderstood the point of mine fundamentally, and that's ok, i probably could have phrased it better! i think epic is romantic, i think the odyssey is romantic, the point i was trying to get at when seriously debating the storytelling of epic is that i think a lot of people miss the nuance that went into the storytelling of the odyssey in favor of a more sanitized, more easy to swallow protagonist. again, how i studied it, and how i believe the odyssey was meant to be read, is as a critical analysis of the human condition. Myths are reflective of the societies they come from, and i want people to be aware that the myths we read are a glimpse into what sorts of things people back then valued and strove for, how they're different from us, and how they're not. you mentioned having wished you’d studied the literature, and i think if you had, you would have come to a similar conclusion.

while i don’t think op misinterpreted my points intentionally in bad faith, calling me an asshole or saying i’m illiterate definitely made me raise an eyebrow. i tried my best to keep the conversations in my own comments respectful and productive, and hostility was definitely not the tone of my original shitpost. i think most people were able to talk about their perspectives and interpretations of the odyssey without going there. i’m attaching my pinned comments below for more context about the post itself

Some assholes on Instagram saying that Epic fans are "gaslighting" themselves about Odysseus being faithful to Penelope because of the Circe part and being pretentious about it and how we are stupid for considering The Odyssey romantic

Motherfucker

1. The Odyssey is an epic poem we all fucking know that? That it's a tragedy, technically comedy (comedy in ancient literature used to mean "happy ending", not funny stuff)

2. The Circe bit can be interpreted in different ways, as if it was fully consensual or not or just a transaction. There was still a difference in power dynamics, which was 100% mentioned by Calypso in the beginning, but if you choose to ignore that part if the same as saying some of Zeus' kids were ok to be conceived because the women agreeded to what A GOD wanted.

3. Obviously Epic!Odysseus is differente from Homer!Odysseus, but trying to say Homer! Odysseus is a horrible person that fully wanted to cheat on Penelope just because you want to defend ALEXANDER HAMILTON, i have bad news about you.

4. "The crew had to beg to go back!" I read the Odyssey too. As a child and a few days ago. They stayed on Circe's island to rest so Odysseus job as a captain was literally wait until his crew told him they were ready to leave, specially after what they have lived. Odysseus didnt force anyone to stay in that island, when the crew went "oh, sir, we miss our families, please lets go back now, yes?" Odysseus immediately said "ok". It literally felt like a father waiting for the kids to stop playing in the playground.

5. Homer!Odysseus is not perfect, at all (man killed his disloyal maids because he didnt want to deal with shit anymore, even if they also were coerced/raped by the suitors), but come with a better gotcha than Circe. You are just fixiated on the Telegony and it shows.

6. Idk what to tell you, but if you think renouncing a life with two inmortal godesses (one of whom offered you immortality), traveling for 10 years defying a God's rage, killing 108 men who wanted to marry your wife (and ruined your house), almost killed yourself when said wife rejected you only for her to go "haha i was just testing you, silly :)", have your literally marriage have a word created for you two specifically is not romantic... Idk go read Bridgerton

[jazzyolivervo]

Aight. Let's tackle this point by point.

Content Warning for the screenshot below: Death threats.

"Jazzy is saying they're nice because she's afraid they won't hire her anymore."

I've left paid jobs because the clients did things I wasn't happy with. I left an entire project with a cast of personal VO heroes of mine because I was not happy with the client's overall behavior. Is my income important? Sure. But it's not nearly as important as my morals. I'm a very blunt individual. If I don't like people, I will say it to their faces. Like this.

Hey, ii-neg! I don't like you! Or anyone who follows you! Especially with how much you wish death onto the II creators. Something I DO have proof of. Don't believe me?

Looky! I posted evidence! It ain't that hard.

Also, please report this! I don't think Tumblr likes encouraging murder on their platform~

"I have people and proof that beg to differ."

Show it then.

"You do know about the ableism. Don't deny it."

No, because all you do is claim that it happened and then proceed to do nothing. I can deny it all I want because you refuse to show any actual evidence.

"Adam cowardly licked Israel's boots."

The evidence you have of that is a flag from a decades-old, largely unused IG account. It is possible that he, being a teenager at the time it was last used most likely, wasn't aware of that the flag was for a country that was doing REALLY bad stuff. It is entirely possible he thought AT THE TIME it meant Judaism. It's entirely possible, and even believable, that he wanted to represent his faith and didn't realize what the flag actually meant. Was it a mistake? Sure. Was it one he corrected? Yes. And it's stupid that you're still dragging him on this. And considering the man went so far as to delay episodes in solidarity with anti-Israel strikes, I do not think you can factually say he's an Israel supporter.

But again, your account is one that relies on just saying things without actually providing actual evidence.

Aaaaaaaanywho! I'm gonna go ahead and stop giving this person attention after this. Seeing their post about me told me everything I need to know and further posts saying they're wrong is pointless given that any individual who thinks about what they're actually saying for 5 seconds can get the gist themselves.

I'm still gonna do positivity posts on here like the dirty little "posie" I am. But they'll be a wide range of topics! :D

Someone wake me when they actually present actual evidence.

[elysianholly]

Someone asks people to explain to them why Xander gets more hate than Spike. People do. OP turns off reblogs of those explanations.

Sounds about right.

For the record, here's why Xander gets more hate than Spike.

The story rarely, if ever, tries to position Spike as being in the right until S7, when they equip him with the thing that Xander has had throughout the duration of the series. I don't need to explain to people why Spike's actions are wrong; the story does it for me.

The same is not true for Xander. And even when he does fuck-up, his fuckups are forgiven/forgotten literally within the span of an episode. When he does something not terrible? He's lauded as a hero. Buffy literally thanks him for NOT sexually assaulting her in S2 when she was under a spell. She THANKS HIM for doing the bare minimum.

So yes. Xander sucks. And the reason he gets more hate is the story is frankly oblivious about how much he sucks, to the point that it constantly tries to reinforce that he is in the right, actually.

With Spike? That happens rarely, if ever.

[spacemonkeysalsa]

Little rant, take the trigger warnings seriously.

For the most part I think it's really good to have some perspective, and allow others people to be wrong about video games on the internet without letting it affect me. But sometimes there's just a needling little thing that repeatedly bothers me, and it's usually because there's a real world analogue that I can't forget about. Something that is more important than video games.

As an example, I get more upset than is rational about the "Astarion is actually so evil" takes, because they generally come down to a handful of arguments I have heard before, but in real life, about real people. And when I say I have heard them in real life, I mean in the context of legal arguments about whether or not to prosecute people who have been trafficked for their participation in human trafficking. Additional context is that I am an atty and have a broad exposure to different areas of law.

What a lot of people don't appreciate about human trafficking is that it is incredibly common for people who have been trafficked to be put into a position where they must participate in illegal, and abusive, acts against others. One reason why this is done is because it makes it that much riskier for them to go to the authorities, creating a heavy incentive to not do that. To never ask for help.

You can be a plaintiff in one case and a defendant in another. Duress and coercion could be considered, but it's just not always what happens. Jurisdiction matters, culture matters. But regardless of all that, it doesn't often get to a legal phase in the first place because it's very easy to convince victims of human trafficking that they are just as culpable, because they have helped to traffic others, and that the duress they are under will not be considered. And like. They are often right about that, unfortunately.

Idk for sure how much research was done when they were writing Astarion's character, but this aspect of his story stood out to me because it's so rarely depicted (and then isn't depicted well) in media. I can name you several bad examples, but few good ones. Even being translated into high fantasy, and with magical compulsion and effing vampires, this element of Astarion's story, and how acclimation to cruelty has shaped his personality is not remotely subtle.

Maybe even especially with the supernatural elements, it helps, because it takes away some of the ambiguity that people argue about in a court of law irl. And I think it takes a side in that ongoing legal debate, by emphasizing his total lack of autonomy.

[ravinoforre]

So I saw an opinion on a character that I, respectfully, don't agree with at all, and it isn't the first time I've come across this particular take either. I don't like nor want fandom discourse, making counter points to arguments in general make me nervous, but as someone particularly attached to them and their related characters, I have a lot of thoughts I want to get out there in the hopes that maybe they can be seen from a more positive perspective. So um, here they are. Get comfortable, this is gonna be a long one. ------------------------------------------------------------------------------

In Defense of Lily (Pokémon XD).

Those of you who've played this might already know what I'm referring to, so I'm just going to rip off the proverbial band-aid. Right at the start of the game, as you, the player, are being introduced to her, one of the first things she says is;

...and ok yeah, I admit. This is kind of a weird thing for her to say (in front of her son too, oops). This is usually one of two instances that people latch onto to prove she's an awful mother, but there is, at least in my opinion, some hidden context to her words. First of all, she's not wrong; the whole lab does in fact constantly sing their praises and fawn over both these kids (which is adorable tbh). Secondly, it's not unreasonable for her to believe that lots of inflated praise on a child, no matter how well meaning, may have negative consequences on their development. A kid receiving a constant stream of "you're so cool/special/talented" may end up with an inflated ego and become depressed, or even lash out in anger, if that praise either stops or something comes along to disprove it (like failing a test or making a mistake).

(Side note, I came across some partially related studies (x), (x) and an article from a parental psychologist (x) that go into different types of praise given to children; person, or ability praise ("you're so clever") vs process, or effort praise ("you worked really hard"), their effect on self esteem, personal growth, and performance, and how ability praise actually negatively effects a child's sense of worth compared to effort praise or even no praise at all. It's a lot to go through right now and this post is already going to be super long, but I mention them here because I'll go into something later that you may find rather interesting. I know I do. They're fascinating reads, too, I would recommend!)

Now listen up! Lily, contrary to the belief that she's a cold-hearted mother who shuns her offspring, actually does praise and engage with her children! Throughout the story, she'll talk to Michael and say some interesting and wonderful things as his adventure continues! The problem is that unfortunately, a lot of this proof is hidden throughout each story beat in a section of the lab that is no longer required to enter to progress (and most people won't bother to go back and speak to their own mother who apparently "hates" them). Off to find Jovi:

🥹 baby... Before saving Phenac City:

🥺😭euuhhbbebeh father mentioned During the Phenac City hostage situation:

After the Phenac stuff:

"I'm proud of you." You literally cannot get a more explicit form of praise than I'm proud of you. Hell, I can't even recall a time my own mother told me that. Fucking hell. Also. Pampered?! You hear that? She's practically contradicting those accursed two lines! By her own admission, the kids are pampered babies! Her concern isn't that people will spoil them—because they're already spoiled!

(Jovi is a pampered baby princess). I think Lily's worry in her comment is that may roll too far; it's like she says—spoiled rotten.

Ok one more example for this section:

(disclaimer: these screenshots are from the romhack XG which is why her name isn't in all caps; trust me, this same line is in base XD too) Remember the types of praise I mentioned earlier? Ability (person) praise and effort (process) praise? And how the former could be damaging to a child's self esteem? Do you notice anything particular about the way she speaks to Michael and praises him? "You've become an outstanding trainer in your own right." Not "You're so strong." "You're doing so much for the good of others." "Your courage will save the Shadow Pokémon." Not "You're so brave." "You did it all by yourself without anyone's help." She's praising his actionable efforts! She's applying process praise! (Pleeease read those studies and article, at least the first study I linked, it's genuinely insightful and fascinating, and it's even more amazing that an example of it is featured in a video game by a character most people won't interact with beyond necessity! I love this game! So! Fuckinhg!! Much!!!

AAAAAAAAAAAAAAAAAAA-

Ahem. She's also not saying that people shouldn't praise her kids either; only that she wishes it wasn't gushing praise all the time. Too much of a good thing could be harmful, after all. Let's see...

Sounds reasonable so far, right?

...Galactic peace?! My brother in Arceus, all he did was beat you in a friendly Pokémon battle—a battle that Michael's already been led to believe he'd win anyway thanks to that previous comment from his coach (those screen caps are in chronological order)! Even without the fact that by this point he's midway through a dangerous fight against a criminal organization, it's probably not a good idea to give a developing young teen a literal God complex; what if he gets so full of himself he genuinely believes he's unbeatable... and then loses? That child's mental state is going to plummet. So even if you don't agree with Lily's praise comments, you might at least better understand where her concerns are coming from if this is potentially the kind of thing that's being told to her kids regularly.

Moving on, try putting yourself in her shoes a moment. She's a working, grieving, single mother of two who, according to an NPC in the lab "has an exceptionally high sense of responsibility".

As a scientist with the necessary expertise, she has the heavy task of helping realise a sensitive project—sensitive not just in terms of urgency (as Krane predicts Cipher is going to be a threat again), but also in terms of emotional weight; this project was something her late [husband] poured everything into until his death, so both her and Krane continued on with it; by the time the game starts, they're agonisingly close to completion. And time is of the essence. Quick tangent: watch the cut scene post Krane kidnap again. The camera rests on Lily an awfully long time. The father of her children died before this project was finished, and now Krane, a close friend of both of theirs, has been taken away by force. Both her children have witnessed something traumatic. Her daughter is sobbing. She's literally being told the situation is "hopeless" by a colleague. Imagine the sheer anguish this woman must be going through before having to push through all of it and take complete charge for the sake of finishing the project. For the morale of the entire lab staff. For the sake of keeping her kids calm. For the fate of the region itself. Anyway, because of this project, and how close they are to finishing, she isn't able to afford much, if any, time off to spend with her kids "this instant". It's probably why the lab staff have pitched in to help look after them (which must make her feel pretty damn guilty with that high sense of responsibility of hers). It's why she asks her son to go find his little sister in her stead.

And this brings me to point number two that I've seen used countless times to slander her:

She just lets Jovi run off on her own, and doesn't care what her kids are up to.

Which... no, sorry, hang on here. Lily isn't letting Jovi run off on her own. For starters, both her and Krane believe she's in or somewhere outside the lab grounds, playing hide and seek with the caretaker, Adon.

A game of hide and seek (particularly if they're taking turns hiding) is likely why nobody's seen her since lunch, by the way, and not Lily not giving a damn about the whereabouts of her child. And when she's found and brought home again, Lily says this;

This implies she's spoken to her daughter about running off on her own before, and we do later get to know that Jovi has a habit of running off ahead; she runs off down the steps in Gateon ahead of her brother, she rushes off to deliver the machine part by herself to the chamber, and even though Michael is the one asked, she runs off to go see Datan—despite Lily telling her she doesn't need to do that. This means if Jovi gets invested in something, it's apparently hard to stop her. Visiting Kaminko's is a recent fixation of hers, and if Adon is already aware of where else she might have gone off to if she's nowhere on lab grounds, it might mean she's been there before (that, or Adon was the one who caved and told Jovi where to find the place). I might even speculate and say Lily has specifically told Jovi before about not running off to the manor. Anyway, check out what she says when you find the little runaway but come back empty handed.

The heart-sinking realisation and disappointment in that "...Oh" alone....

So no, Lily isn't letting her young child run off on her own—Jovi is disobeying her mother. She's either used the game of hide and seek as an excuse to dip (and then forgot about Adon entirely), or she got bored midway through and decided to head to her new place of interest despite any of her mother's previous objections. (And before anyone says anything, no, that doesn't mean Jovi is a bad kid, either. She's, what, around 7 yrs old? She is doing typical little kid things, emulating her older brother, and discovering and pushing her boundaries as she grows up. I have seen some putrid, abysmal hate for her over the years too. She is a child, leave her alone.) Onto the second half of the above statement; she doesn't care what her kids are doing. As in, Michael is on a treacherous journey against a dangerous group of people and she's totally ok with letting her kid do that (as if that isn't the case with practically every mainline entry protag mother but alright, I'll bite).

Introducing one of my favourite exchanges with her in the game. During this time, the purify chamber still isn't complete, and they'll need to use an alternate way of purifying Shadow Pokémon until then—the Relic Stone in Agate Village.

oh it worries her, does it? You know what happens when No is selected?

And then she drops the conversation. There's no endless loop to get him to go, which would have been the more convenient thing for the devs to implement. But this was a very deliberate choice that tells me more about a character than I've seen done in a video game before. She's respecting her son's decision to stay home. She is not forcing him to do something he isn't comfortable with. Of course, as a video game, the purpose is to progress to the next story beat. So he has to go. Better talk to her again.

I don't even think I need to add any extra commentary, this should really speak for itself at this point.

I've also reached the image limit on this post so it's probably time I wrapped this up, so in conclusion; is Lily a bad mother, as I've seen people claim? No, and I believe I've showcased plenty to prove she isn't. She's not perfect, no parent is, but she's a damn sight more involved in her children's lives than the mainline moms, who are often nothing more than out of the way Pokémon Centers that don't acknowledge their child's journey in any meaningful way. So then, was she in the right for saying what she did at the start of the game, right after Krane praises her son, who is in earshot of this conversation? Well... also no. She could have picked a better time and place to bring it up, honestly. But God forbid a woman make a mistake or voice a concern, lest her be mischaracterized and demonized forever by two unfortunately worded lines of dialogue.

------------------------------------------------------------------------------ "Michael, you're finally going off to the ultimate battle, aren't you? You've really grown in stature. As your mother, it makes me feel conflicted. I'm happy and proud on one hand, but I'm also a little sad. Go and get rid of Cipher, and make it quick! And come home safely."

------------------------------------------------------------------------------ If you've managed to reach the end of my ramblings, I'd like to say thank you. Hopefully I've given you some food for thought. Maybe I've even changed your mind about her. And even if I haven't, I appreciate you taking the time to read this regardless.

[kirain]

Do you think Spite cares about Rook and the others?

This is an interesting question. Canonically, spirits in general don't feel things the same way mortals do. They certainly have emotions, but they're less complex than ours, often aligning with what type of spirit they are. Spite is a malevolent spirit, therefore his emotions are mainly negative.

That said, since he's linked to a human, it is possible Spite's feelings are influenced by Lucanis, and vice versa. Unfortunately, the game doesn't go into a whole lot of detail on this, which is one of the many complaints I have with the writing. As we've seen from Dragon Age II, Anders was severely influenced by his spirit, to the point that it became lethal to the team, depending on your choices. Moreover, when you try to twist a spirit from its original purpose, it becomes a demon, and I'm forced to wonder if that includes making them feel more complex emotions.

Emmrich believes spirits are capable of expanding beyond their naturally simplistic state, which could very well be true if we consider the Evanuris—but Spite's case is fundamentally different. He doesn't take on a physical form and he didn't leave the Fade of his own accord. Manfred is a spirit of curiosity, making him a benevolent type, and he has no trouble distinguishing right from wrong (even pointing at Hezenkoss and yelling "bad"), but his emotions align with his nature and Emmrich is the perfect mentor, allowing him to fulfill his purpose.

Spite doesn't have the same luxury. Lucanis is an assassin, but he has no interest in harming innocents, he doesn't care about revenge, he isn't sadistic, and he even stops Spite from killing his cousin in a rage. So the questions we should really be asking are: can malevolent spirits feel positive emotions without being corrupted? Would Spite change at all? And was he already twisted from something else when Zara pulled him from the Fade? Solas implies he is or was actually a spirit of determination, but his agreement with Lucanis may have altered his purpose. This was such a missed opportunity that I wish the devs expanded on.

Now, whether or not he cares about Rook and the team, there is a factual answer. I don't even think it's open to interpretation at this point. Years ago, following the lore, I would've said "probably not", but he definitely shows some form of affinity for them, even "missing" Manfred if he dies. Yet the moment that gave me pause when it comes to Spite was in the Heights of Athim, when I neared the giant well. I managed to find a clip and I'd like to explain it.

The spirit in the well is a spirit of despair. These spirits lure people in with promises of something that brings them comfort, like it did to the farmers in the Hossberg Wetlands. In that scene, it's trying to lure Spite in using Rook's scent—meaning Rook is a comfort to Spite. He also gets irrefutably angry at Solas for hurting them. So whether or not this muddles the lore a little, I think it's safe to say Spite absolutely adores Rook.

[angelinthefire]

Re: @fieldofheathers-stuff

I think approaching Arcane as a tragedy is interesting because I actually never got a tragedy vibe from it. Probably because I believe it ends on a more hopeful note. Cait and Vi together, and particularly the airship sailing into the distance. Even without the implication that Jinx is alive and on board, it's just a hopeful image imo. (I'm also coming into this with the assumption that no body=not dead. For Jinx, that's obvious, and i think you're supposed to conclude that she's alive, or at least it's very open ended. But I also think that it would be easy to bring back Warwick, Jayce, and Viktor too.)

If we're talking about tragedy, I think it's useful to have a more specific definition. There's Greek tragedies - trying to escape fate and failing. And Shakespearian tragedies - when the hero's greatest strength becomes the source of their downfall. (And there’s probably others and more detail you can get into, but I'm just talking about what I remember from high school, lol)

And there are definitely story arcs that are mostly tragic, in both senses. Like Jinx trying to escape the fate of killing the people she cares about. And Viktor’s unswerving determination to make something of himself being both the cause of his rise and his fall.

But then there's a reversal at the end of their stories. Jinx uses her destructiveness to save Vi, her curse becomes her strength. Viktor's determination is met by Jayce's determination to save him, and the inescapability of their friendship. For both of them, the mechanic of the other kind of tragedy takes over. And both of them find a kind of redemption, rather than the utter ruin that's typical of tragedies.

(This is all just occurring to me now btw)

Re: @klorophile and the idea that season 2 should have gone differently.

I disagree with that. I think the two seasons really need to be taken as a unit. The fact that season 2 involved things becoming their opposite doesn't change that they're a single story - again in Shakespeare things becoming their opposite is part of the tragedy. I also don't think the end of season 1 really functions as an ending on its own either, to me it's more of a turning point.

I also think it's a mistake to say that the message is that "you pay the consequences for your actions." That’s punishment, not consequences. Consequences can be unforseen, they can be chaotic, they can be entirely disproportionate. I think that's established very early on.

I also want to point out that in my original post, I'm talking about plot, not themes. Like the way the story is structured. It's more about characters dealing with stuff than trying to accomplish stuff.

If "consequnces" are a theme, I don't think the show is saying that consequences are payment for wrongs. It's just that everything is connected. Everything is part of a chain of actions and reactions, that you cannot control. At most, the show is saying that it's vain to think that you can plan and forsee all the consequences of your actions.

And season 2 was absolutely necessary for that, because season 2 is when things really got chaotic and out of control.

It's not about characters having to pay consequences. It's about characters having the "oh shit, this isn't what I thought it would be" realization. Every character goes through that. Where they get what they thought they wanted, but it comes along with something unexpected and unwanted.

For Caitlyn, she's always had a very strong sense of justice, and in season 1 she's always fighting against those with more power than her. And then in season 2 she is in a position of power, and she immediately does bad things. Her sense of justice doesn't matter. No one in power is innocent. That's what I get from her arc, and whether or not she suffers as a result of her actions is irrelevant. (even though she does lose an eye. that's pretty serious). She failed and she has to live with the knowledge that she failed. The consequence of her failure is that she brought war to her city.

With Jinx, it's very heavily implied that she did not die, that she escaped the explosion through the air ducts and left Piltover, that she broke the cycle and walked away. Which is what she wanted, she wanted to be free from the cycle of killing and death.

But even if you do take her ending in season 2 as a true death. She's not paying a price for her mistakes, not at all. There's a schnee video that gives a really good take on this, even though I disagree with him and belive that Jinx is alive. All Jinx ever wanted was to help the people she cares about. But time after time, she's cursed, she hurts them instead. Even when she starts to turn things around, Isha dies anyways. So Jinx sacrificing herself for Vi is a way for her to finally save her sister. Blowing up their father figure with the monkey bomb saves the day instead of destroying everything. (But again, she's not really dead).

And to reiterate: the thing that changes about consequences for season 2 is that they become chaotic and unpredictable. This is described in the "pass me a tome" scene. There's a series of clear actions and reactions, but at a certain point, if a system is agitated too much, it starts producing unintended outcomes. That's what the wild rune is, that's what Isha falling into Jinx's life is, that's what Warwick is. Order and chaos is another big theme in the show, and season 1 covered the order side of things, it involved science mastering magic. Season 2 is the chaotic outburst that follows.

Regarding Viktor and Jayce, Viktor was the one who had to be stopped most of all, because Viktor was the one trying to remove disorder from the world. Jayce believed hextech was a curse because it created the apocalypse world that he experienced, but for that to come about it required Viktor as a catalyst, so Viktor being taken out was more important than eliminating hextech. The role that Ekko plays is very simply communicated in the line, "that device can't be". It's the contradiction that still exists despite all of Viktor's efforts that breaks through his armour.

For Vi and Jinx, yes they can mend their relationship and relate to each other as equals, but like I said in my original post, that's not really the point of their story. They can be sisters again, they can still love eachother despite everything each of them has done. But they're still stuck in a cycle. What Jinx needs most of all is not a good relationship with Vi, what she needs is a fresh start. She doesn't need to rewrite her story, she needs to build something new. And saving Vi, fixing their relationship, means that Jinx can start fresh without that baggage weighing her down.

And this comes back to my reply to fieldofheathers-stuff. In that I think Arcane is structured like a tragedy, but it's also not. I don't think it has a totally sad ending. Things are melancholy for Mel and Ekko. But Jinx is free to start something new. Vi and Cait get to be in love. Even Jayce and Viktor, their story ended with love and camaraderie.

Every work of fiction involves the creators pushing the characters in a certain direction because they want it to end a certain way. The real question is how natural it feels. I think Arcane does feel natural, because the characters do not wind up with the endings they "deserve", they end in a place that feels organic considering their journeys and their conditions.

I've been thinking about how I would most concisely sum up the plot of Acane. Because I think a lot of the complaints you see come from some people result from expecting it to be a certain kind of story that it's not.

And I think the most concise way to put it is that Arcane is about consequences. The first episode starts with an explosion, that the characters spend the rest of the arc dealing with the repercussions of. And then the first arc ends with two massive events - Powder killing her family and the invention of hextech - that they spend the entire rest of the show dealing with.

I think most of the stories we get from Western media are about achieving or accomplishing something, or the failure to achieve something. And you can frame Arcane in those terms. But I think to best understand the story, you have to step out of that typical framework. Because the thing with an achievement-based story is that there is a particular end goal in mind, and I don't think Arcand has that.

Like take Vi and Jinx, for example. A typical way to frame their story would be that it's about two sisters trying to rebuild their relationship. That presupposes a certain ending: They either succeed or fail at their relationship, and that's what the focus is on.

But it's not about that. It's about - how do you deal with an event that fundamentally changes you?

In season 1, Vi's answer was to recapture what things were like before. In season 2, they try to redo the past (saving Vander) and get a different outcome, but that's impossible. The answer comes with Ekko - to build something new.

And this is all over the show - action and reaction, how the arcane wakes up, killing is a cycle.

[misskentuckyrain]

Just A Little Bit.....

So what says Happy 90th Birthday Elvis like a smutty one shot?

To be fair I started writing this last week, just a rambling idea that popped into my head!

Warnings: Just a lot of smut to be honest, with a sprinkling of fluff

Word Count: 2.1k

The warm spring air blows through the curtains that hang at the window, the afternoon sun shines through the gap. After such a cold winter it actually felt nice to feel the warmth on your skin.

On a break between tours you and Elvis are spending some rare alone time in your bedroom. It’s early afternoon and post lunch Elvis had suggested you spend a little quality time together.

You thought you knew what “quality time” meant. To Elvis it was a time where he got you both naked, have himself as deep inside you as possible in as quick a time as possible but this time you are wrong.

As you lie on top of the bed covers, eyes closed, you hum along to a familiar song playing quietly on the radio. Elvis is reading next to you, his side pressed gently against yours. The feel of him is always comforting, something about the lightest touch from him makes you feel safe. Letting out a contented sigh you hear the DJ on the radio lining up the next song, as it plays it becomes clear it’s a song, and a voice you know well. 

“I don't want much, Just want a little bit, Don’t want it all, Just a little bit. Give me an eeny weeny bit, a teeny weeny bit of your love…”

You giggle to yourself as the familiar voice fills your ears. Elvis glances side-ways at you, a grin forms on his lips.

“Who’s this guy?” he starts “He can’t hold a tune that’s fo’ sure!” 

Rolling your eyes and laughing you move up and across to straddle his lap, moving the book out of his hands and placing them around your waist.

“Oh I don’t know..” you say as you lean forward to place a quick kiss on his lips

“I think he’s kinda ok. I mean, it’s a catchy tune at least. I bet the singer is cute too….” causing Elvis to roll his eyes at you now.

“Honey, I ain’t been called cute in a long time” Elvis attempts to keep it light but you can see a hint of something in his eyes. A bit of sadness? Perhaps embarrassment. You love him for all he is, even the things he sees as negatives you see as positives but you know he struggles with the way he looks now, compared to his younger years.

You tut at him and make yourself a little more comfortable. Making your way down from his temple you kiss your way down to his lips, singing quietly as you go.

‘Turn your lamps down low, Slip me a kiss….” 

You go in for a longer kiss. As you pull away Elvis grumbles slightly. 

“Turn your lights down low. I won't let you resist…”

Kissing down Elvis jawline to his neck you back up onto his thighs, undoing the buttons on his shirt as you go, pushing it off his shoulders and leaving his chest bare to you.  Continuing your path down his chest you take a second to flick your tongue over his nipples, sucking a little on them as you lean back. Pulling your dress over your head and flinging it to the floor, you sit on Elvis thighs in just your lace panties clearly much to Elvis’ delight as his eyes light up and darken simultaneously.

Elvis’ hands move to touch you but you stop him, firmly placing them back at his sides, as you shake your head no at him with a smile. He lets out a loud sigh in frustration and you laugh.

“I want an eeny weeny bit, a teeny weeny bit of your love…” you continue.

“I’ll give ya an eery weeny bit in a minute Darlin’” Elvis grumbles, clearly still frustrated at not being allowed to touch you. You tut again at him.

“I think we both know there is nothing eeny or weeny about this” Elvis jumps slightly as you wrap your hand around the bulge currently tenting his pants.

Grasping hold of the button you pop it open easily and draw down the zipper, letting the backs of your fingers tease the flesh underneath as you move slow pace.

True to form Elvis is not wearing any underwear so his cock bounces out as you push open his pants, getting Elvis to lift his hips up slightly so you can pull them down his long legs and off of him, his pants destined to join your dress on the floor.

You gaze down at his form for a minute, admiring every inch of it. Still strong, even with a little padding as you liked to call it and still very beautiful. 

Elvis starts to fidget, likely a little uncomfortable under your unwavering stare. You lean forward and gently wrap your fingers around his length, whispering as you pull him into your mouth,

“I want an eeny weeny bit…..”

Elvis draws in a loud breath as you tease your tongue around the head of his cock, swirling it around before taking him fully into your throat, the head hitting the back and making him jump a little with the sensation. Pulling back to the tip you swirl your tongue again before bobbing back down to envelop him in your mouth. You swallow as your nose hits his pubic hair, the action tightening your throat around him.

“God damn baby!….” Elvis yells, sitting up straighter as one of his hands finds it’s way into your hair. A smile forms on your lips as they stretch around him and you feel your pussy start to throb. Nothing turns you on more than giving Elvis pleasure and having the taste of him on your tongue.

Allowing Elvis’ hand to stay where it is you bob up and down on him for a while, letting him guide your speed. Bringing a hand up, you gently cup his balls and play with them, letting your finger stroke the skin behind them as you do. The air is filled with gasps and moans and the odd “Oh honey”. 

A little time passes and your feel them start to draw up and his thighs tense, you know Elvis is close and you are more than willing to get him there but he clearly has another plan for the both of you.

Elvis gently pulls your mouth away from him, a string of saliva still connecting his cock to your lips. You wipe your mouth on the back of your hand just as Elvis hauls you up into his lap and kisses you. Hard.

Manoeuvering you so he has you where he wants you Elvis holds you so your pussy is hovering directly over his cock but instead of guiding himself in, he leans forward a little

“Just a little bit…”

Elvis says quietly to you, lowering you enough so just the head of his cock is inside you. 

“Give me an eeny weeny bit…”

He lowers you a little bit more, stretching you out as he moves slowly into you. You whine in frustration and a smug smile crosses Elvis face, he loves to tease.

“A teeny weeny bit of your love…”

With the final word he plunges the rest of his length into you, making you groan loudly, eyes rolling back into your head slightly.

“Oh…god…” you stutter out.

“Nope, just good ol’ Elvis honey” he laughs as his hands wrap around your hips and he begins to set up a hard and fast pace, lifting you and dropping you back down on to his cock. 

Elvis controls the pace for a moment, moving you up and down on his cock, bucking it up into you, the head rubbing directly over your g-spot and your clit rubs against his pelvis as you move.

After a while his grip on your hips lessens and he lets you ride him to your chosen tempo. You slow it down a little as you move on his cock in a more relaxed speed, wanting to savour the feeling for a little longer. 

Riding Elvis, either front facing or reverse, is one of your favourite positions, and you have quite a few. Not only are you able to look at his face the whole time, memorise the looks of pleasure as they cross his handsome features but you get to see how he looks back at you. 

As his crystal blue eyes stare back, although somewhat darkened with lust, you can see the love and need there is between you. So wrapped up in your thoughts you don’t realise you have now slowed to a snails pace. 

A smile crosses Elvis face followed by a hard thrust that has a gasp escaping your lips. 

“Thought I fucked you into a trance for a moment there honey” he chuckles.

“Nearly had me calling the doctor for ya” he continues, moving his hips at a faster pace. You move your hips to try and meet his pace but at this point he is basically holding them and pulling you down onto his cock, fucking himself into you.

“Hmmmmmnnnnnn….” is the only sound you can manage as you wrap your arms around Elvis neck. You can feel your orgasm bearing down, tingling around the edges and you know it is going to be intense, you don’t want to end this just yet but you can also tell that Elvis is getting close.

“Just a little bit…..more…” you whisper in his ear, nibbling at his ear lobe, you tighten your muscles around his cock as you plunge down on him. 

“Oh…Jesus…so…so tight…..so good. Not gonna last baby. Need you to come with me…..” Elvis nuzzles into the side of your face as you both gasp for air and your movements become more frantic, the sound of skin slapping skin echoing around the bedroom.

“Just a lit…….” you are unable to finish that sentence as Elvis pulls you down onto him one more time, his cock hitting directly into your spot and making you explode around him. At the same time you can feel his hips stutter and a familiar warmth spreads through you as he throbs inside you with a loud groan.

As you both try and catch your breath, Elvis holds you close and continues to thrust his hips into you, although at a far gentler pace. You revel in the feeling of your pussy still clenching around his length, the aftershocks of your orgasm still running through your whole body. You slide up and down on what you assume to be his now softening length a few more times and then stop but Elvis movements don’t stop.

You lean back so you can see his face and you see that same smug grin from earlier. Elvis glances down to where you are both joined and moves his hand from your hip to your sodden clit, his fingers starting to move over it in a circular pattern. A gasp escapes your lips, you’re a little oversensitive.  

“Elvis!…..”

You try and move back a little, away from his touch but he stops you by wrapping his other arm more firmly around your waist.

“Just a little bit…” he grins, fingers still rubbing their pattern “I know ya have one more for me honey…give me a teeny weeny bit….”

You hate to admit it but he’s right again and to your surprise you feel another orgasm fast approaching. Leaning forward again you move your hips in a gentle motion aware that Elvis cock is still inside you, not as hard as it was but hard enough to add to the pleasure.

“Oh god… Oh Elvis…I’m going…I’m going to come again…El…..”

Elvis kisses you repeatedly on the side of your face as you nuzzle into his neck, making the space between you humid as you gasp and whine against him.

Your second orgasm is less intense than your first, it washes over you at a slower pace, like a wave crashing on the sand. You feel Elvis’ now softened cock slide out of you as you clench around it for a second time. His magical fingers work you through it until he can feel your body relax against him and your breathing has evened out. 

You sit back, taking his face in your hands and kiss him slowly. Pausing for breath you whisper with a smile

“I want an eeny weeny bit, a teeny weeny bit of your love”

Elvis brushes some hair out of your face and kisses you again, smiling.

“You have it. Always.”

[yourfellowhuman07]

Hello, my fellow Entrapdak shippers!

I am happy to say it is once again time for Entrapdak Positivity Month, a fandom event created by the always lovely @maireadralph, who works tirelessly to put on all the major events, zines, and is currently running the Entrapdak Community here on Tumblr.

Now, like last year, I have decided to make another Ask Game for those who don't plan on drawing or writing anything but still wish to participate in the event this year.

The game is simple, just open your Ask Box and reblog this post so fellow shippers can ask you one of the questions I have written for this year. I will also link the Ask Game from last year if anyone wants to answer those (I know I'm willing).

Now without further ado, the questions:

What were Entrapta and Hordak’s first impressions of each other?

Who fell first, and who fell harder?

When and what made them realize their feelings for each other?

Who proposed first and how did they do it?

What’s the first Human/Our World AU that comes to mind when it involves Entrapdak?

What is the worst take on Entrapdak you’ve ever seen/heard?

What part(s) of their relationship made you fall in love with the ship?

How long have you been shipping them for?

Which of Hordak’s various designs throughout the series is your favorite (Season 1/2, Season 3/4, Season 5, or the flashback design in the finale)?

What is one thing they don’t like about each other that they can look past?

What is an interest/hobby they each have that you have no evidence for, but you know in your heart they love?

What is a weird crack headcanon you think about for fun?

What would happen if Entrapta joined the Horde before she was offered to join the Alliance?

What does Hordak wear now that he is out of the Galactic Horde?

What kinds of movies/TV shows/books do you think they like?

If you have/hypothetically had a playlist for them as individuals and/or as a couple, what is/would be on it?

For my writers and imaginers, what is an old story idea you had about or involving Entrapdak that you abandoned?

What was Hordak’s reaction when he met Wrong Hordak?

In your mind, what happened to Entrapta’s parents?

What was (x character)’s reaction to finding out Entrapdak was a thing?

How long did it take for Entrapta and Hordak to get into a relationship after season 5?

Who’s the most likely to tell the other about their feelings first?

How do you think Entrapta’s hair works (Robotics, Genetics, Magic, etc.)?

 What type of music would they listen to?

Who’s bringing the stray animal they found on the street home?

What do they find the most attractive about each other (besides their mutual intelligence)?

 What, in your mind, is Hordak’s punishment, and how does he feel about it?

 Could you tell me about any potential kids they might have?

 What’s something random you wanted to talk about regarding Entrapdak?

Your own SFW question?

And for those who would like to use it, Last Year's Ask Game:

[gauntletqueen]

I'm known to be honest. To a fault, some would say, but only logically, not emotionally. Without even realising it, I usually put up a front of sorts, appearing perfectly happy and content. It's not so much that I lie about how I feel, it's moreso that I can't get myself to talk about my emotions in the first place. It makes me feel really awful. I'm taking this time to be truly honest about how I feel and who I am.

I'm afraid of a lot of things. That most of my friends secretly don't care about me and only humor me because the alternative is too much of a hassle. That I'll never actually be happy with who I am, no matter how many positive changes I make to myself. That people will realise I'm not anything special, that so many people in my spheres are a better alternative to me, that what little I've managed to accomplish in my continuous car crash of a life amounts to nothing. That my years of professional education, self-taught skills and dreams of becoming an artist really have been wasted. That I'm undeserving and even incapable of real romantic love. That, by being honest about all this, I'll drive people away.

Most of all I'm afraid of the relentless march of time. That all of my bad choices, failures, wasted opportunities, fears and losses are constantly compounding. The terrifying prospect of living in a world that keeps getting worse, that as time goes by, the people in whom I find the most comfort will be taken from me. That my chances to live my life in a way I can be happy with are slipping away.

And I feel ungrateful. I'm told I'm loved, that I matter and that I do have a positive impact on the lives of others. People tell me they love what I do, that they look up to me, feel inspired. They put me on a pedestal, think me unapproachable. It makes me angry how wrong that feels. My self esteem is so bad I can't imagine a world in which these people aren't wrong for this. I know their feelings are valid, I know I should just be happy with their compliments, but it's like I'm an outsider in my own mind, desperately clawing at the windows and screaming to stop being so stubborn, so sad, so self-destructive.

I've often talked about wanting, needing to be a robot. For gender euphoria, of course, and to be rid of the need to eat and sleep, and chronic illness. But it goes deeper. I want to be something other entirely, somewhere else entirely. Something disconnected from this hellish existence where I'm constantly fighting myself in every way. Something not bound by the ticking clock of a biological life, or the crushing fear of a monotonous, unfulfilled everyday existence. Free to just be, without a lifetime of dreams and worries, stretching both back and forward in time. Maybe I want to be nothing at all.

I don't know if this makes sense. I just wrote it down. I'm sorry. Thank you for reading.

[unmuchancho]

Okay, so I wanna add some things here (not native English speaker and I was not the best in class, sorry about writing), and I'll probably be wrong about some stuff, feel free to correct me.

I don't want to say what happened to Bart is correct. Being kicked out of who you consider your family, safe and trustworthy just because something you can't control feels incredibly shitty, I know that fear, but I want to mention other point of view and what I think is the most cruel part.

First, I don't think Jay moves Bart's stuff in garbage bags as something bad. Probably part of the garbage is Jay cleaning how messy and careless Bart's room is (I mean, look at the CD open next to fries, that's savage), and even if some of them are Bart's stuff, it is not a bad idea to use garbage bags, they are cheap, comfortable to carry and perfect for small moving. Jay not using boxes is better, because boxes are for real moves, like from a house to another house (or maybe in the USA is different, idk), he used what he had at home in that moment because he wouldn't really kick out Bart from his home, just take his stuff out of the room.

And he didn't move everything, Judy kept the TV.

Secondly, Bart being clearly moved to a guest room is fine, but you know what would have been cooler? A whole scene of Bart arriving at the house, noticing his room is not his room, going to talk (or complain) at Jay and finding out Judy's existence. They could have had a talk to demonstrate they are family and all the sweet stuff and maybe Bart and Judy could have had a bit of coexistence and MAYBE, I am not that sure about this, they shared their bedroom, like a sibling-like relationship. I know his relationship with Helen was different, but it was a similar situation, the daughter of your "dad" suddenly lives with you too.

What I think was a low kick move were the posters and the photo, because with the posters we don't know what happened to them. I want to think Jay took them off to give them to Bart later so he could put them in his new room, but we don't know. Oh, and I really think they could have done the other way, Bart keeps that bedroom and Judy is move to the guest room, she hadn't been in there for decades and the important thing is that she is back, not the memories of the room of the past century.

Lastly, I want to point out the photo of the first and last number. When Jay takes away Bart's stuff he doesn't take the photo, and that is Bart's photo of his family, is important to him, he has it on his nightstand. I get it, is to show us how Judy reacts, but still, was Jay really not thinking about giving Bart his photo of his family back? Because in the scene Jay and Joan leave the room without taking the photo, Judy keeps having it with her, and don't come up with the "they will get it later", they are speedsters, they do that immediately, or Judy could have given it to Jay in a single move of wrist.

In the lasts panels we can see how Judy now has a photo of the family, like Bart did, in her nightstand, the same position. Maybe it is because they wanted a parallelism with the beginning of the story, or because they didn't want to think of a different design for the frame, but it bothers me that it is the same frame and the same position. Did they really throw away Bart's photo to put Judy's one? Did Judy keep the original photo and throw it to the trash just to put hers? Like they show with Judy, it's important the photo of their family, but why is it any different with Bart? I say again, the photo from the beginning of the story, is Bart's photo, and even if we can guess that the photo is okay and Bart is fine, none of that is shown to us.

Okay, that was quite a text... Good night!

Ways that Judy Garrick could have been introduced that doesn't break canon and completely alienates foster children.

1.) She is not Jay and Joan's biological child - she is instead a niece or cousin of one of them and she obtained powers in ways not unlike Wally. This keeps the long-standing and important canon that Jay and Joan are infertile.

2.) She is an adopted child of both of them and again she obtained powers in similar ways to Wally. This again, maintains the important long-standing canon of Jay and Joan's inability to conceive.

3.) This is the big one; Jay does not remove all of Bart's belongings from his house upon arrival of Judy - he instead moves them to a guest bedroom thus allowing Judy the access to her old room, and makes space for the other fostered person and allowing him space in the home.

[uboat53]

All right, I see enough of it going around that I need to address this doomerism among young Americans. Call this a LONG RANT (TM) or just an old man shouting from his porch if you will.

INTRODUCTION

Young people. The United States is not "falling apart". The world is not under threat of imminent collapse. Society is not coming apart at the seams, it is not going to disappear, and we do not need to prepare to replace it. The worst that will happen is that a lot of people will lose rights that they've gained over the last century and the government will become a whole lot less representative of the country it governs.

Don't get me wrong, this is bad, but it's not "start stockpiling dried food and weapons to prepare for societal collapse bad", and thinking that it is will stop you from doing a lot of the things that could be done to stop what's actually happening.

A BIT OF HISTORICAL PERSPECTIVE

The current state that we live in, particularly here in the US, is very new. Are the attacks on trans and gay people terrible? Absolutely. Is the return of white supremacy horrifying? Definitely. Are the efforts to deny rights to women deplorable? Yes. But you have to understand just how new many of the good things that are now under attack actually are.

I'm not even 40 yet and, when I graduated high school, 13 states still had "sodomy" on the books as a criminal offense. Gay people didn't even get the right to marry until I had already graduated college. The Violence Against Women Act didn't pass until I was almost out of elementary school. The Rodney King riots happened recently enough that I can actually remember watching them on the news.

And forget about me, Ruby Bridges desegregated the first previously all-white school in New Orleans in 1960. She's only turning 70 last year (as did the Brown v. Board of Education decision that banned segregation in the first place) and is very much alive. So are a lot of those people in the famous pictures screaming racist abuse at her. The US Supreme Court decision that established a right to interracial marriage (Loving v. Virginia, 1967) isn't even old enough to retire yet and Martin Luther King Jr., who often feels like a fairly distant historical figure to us, would only be 96 this year if he had lived.

All of this is to point out that, not only are the rights we're defending actually fairly new in US history, much less world history, but that many of the people who opposed these rights when they were put in place are still very much around and they're still unhappy that those rights exist.

WHAT'S REALLY HAPPENING

Here's the thing, what's really happening is not the destruction of the American political and social system, it's just a sustained effort to hijack and twist them. If the MAGA crowd have their way, the institutions of Congress, the Supreme Court, the Presidency, and the entire administrative state won't actually collapse or cease to exist, they'll just be changed such that they only represent the values and desires of white, Christian men. It'll be a disaster, to be sure, but it won't destroy the fundamental structure of how you live.

Frankly, what's the most creepy about it is how little you'll actually notice the change.

What you have to understand about government is that it's not some impartial reading of rules. There's a huge amount of discretion built into the system. And, to be clear, this is a good thing. No set of rules written in stone could ever hope to cover every situation that real people find themselves in. We allow officials at all levels to make judgement calls. They're guided by the rules, but they have a lot of room to make different decisions within those rules because we want them to consider the real-world circumstances.

Of course, given all of that, you can see how important the person in a given position can be. We've already seen a movement around the country focused on district attorney elections because, if you can replace a fire and brimstone conservative with a progressive or vice-versa, you can completely change how justice is administered in a particular jurisdiction.

MAGA conservatives have figured this out as well and they focus on it to a greater extent than just about anyone else. The death threats they send to, for example, election administrators aren't intended to destroy the apparatus of election management. They're intended to force the person out of the office for fear of their safety in the hopes that they can be replaced by a MAGA loyalist. As I said, the person is important.

This is happening now at just about every level, but many of those opposed to the MAGA movement misunderstand what's going on. They're not trying to destroy our governing institutions, they're trying to capture them.

THE HAZARDS OF DOOMERISM

The answer, of course, to what the MAGA crowd is doing is to outfight them. Polling fairly consistently shows that no more than about 30% of Americans actually believe MAGA nonsense and even less than that actively seek to put it into practice. If enough other people come out and reject their candidates, reject their ideas, and insist that authorities deal appropriately with their threats of violence, they will lose. And, let's face it, MAGA supporters are overwhelmingly older than the American population at large; if we hold them off long enough they'll die off, this isn't a group that's set to continue into the future.

By succumbing to doomerism, the idea that everything is already lost and that, rather than take over society, the MAGA crowd will destroy it, people are turning away from the one thing that could actually stop this takeover; political action. If you think that society is actively collapsing, you're not going to invest your time and energy in it, you're going to spend your time preparing for said collapse and attempting to shield yourself from the worst effects of a Mad Max world.

And, let's be clear, no amount of hoarding of dried food, guns, and seeds will do anything to protect you from a government that is committed to denying you basic rights. Doomerism, whether passively lying down and awaiting the end or actively preparing for the collapse of society, only distracts you from doing anything about what is actively happening.

CONCLUSION

Society is not about to collapse. I know it makes great disaster porn and gives people a sense of black and white certainty in a complex and often confusing world, but what's actually happening is that society and government are being captured one institution at a time by people who want to return to a time when only straight, white, Christian, cisgender men had any rights or representation in society. By embracing a narrative of societal collapse, you are disengaging from both society and government, making it easier for these people to capture them and, when society doesn't collapse, you're going to find that none of the things you've done to prepare for "the end" won't help you a bit.

This is the whole point, though, who benefits from you dooming it up? It's the people who want to do all the things that you don't like! They benefit from you giving up on society, they benefit from you failing to defend important institutions, and they benefit from you letting them get their people into important positions, so don't do that!

By giving up on society and becoming a doomer, you're letting all the things you dislike happen, but instead of society collapsing so that you don't have to deal with it, what's actually going to happen is that society will continue to exist under the control of people who want to take away all of your rights and opportunities. But here's the thing, that can only happen if you let it. Fascists (and that's exactly what the Moral Majority/Tea Party/MAGA/Whatever-they-call-themselves-next-week crowd are) make a lot of noise and threaten a lot of violence because they're trying to intimidate you into not fighting them, they're actually very weak and can't win if you stand up to them.

So fight back. Stop pretending that you're helpless and that nothing you do matters. Maybe you can't change the entire world by yourself, but every single thing you do adds up. Even just helping one person is enough, you could be the one to bring just one more person into the fight who tips the balance. More importantly, it's not a black and white, fascists win vs. fascists lose, situation; everything is in shades of gray. Every action, every good deed, every win makes the long term better than it would have been otherwise. If we lose trans rights but keep gay rights, that sucks, but it's still better than losing both and it means that we can focus our efforts on getting trans rights back instead of having to fight for both of them again.

Ultimately, though, doomerism isn't some brave position, it's the coward's way out. Giving up is exactly what the MAGA people want you to do, do you want to give them the win without even fighting for it?

[eusuntgratie]

as a certified mom(tm), what's the most common thing people get wrong when they write children?

ooooh i love this question! (adding certified mom to the resume STAT btw)

i think the MOST common thing people get wrong is the realistic development/representation of a child at a certain age. i see lots of fic where a three year old is speaking in full sentences, where an eight year old baby-talks all the time, where a six year old has literally no concept of what is happening in their life. i saw a good tumblr post that was a great resource for writing kids by age that i'll see if i can find. but with how many moms are on tumblr, i think just asking them... how would a five year old talk? or how would a ten year old handle this type of situation? would be a great start.

there are other things that are always jarring for me as a parent that someone who doesn't spend a lot of time with kids might not notice or care about.

the first is that your (young) kids are ALWAYS around. you are literally always responsible for where your kid is and what they are doing. if they aren't with you, you've made a plan for where they are, how they'll get there, when you'll pick them up, etc. there are exceptions of course (people living on huge pieces of land or in neighborhoods where they know everyone are more likely to have their kids running around and might not know exactly where they are, some people have multigenerational households and have a lot of help). but even in those cases, the parent still knows and is responsible for that kid. there's nothing wrong with writing a kidfic that isn't realistic just bc its cute or you like the trope. but as a parent its jarring as hell to have a character introduced as a parent (especially a single parent!) and then the kid is never around. i promise you that man is not fuckin' or going on dates as much as you want him to be 🤣 or if he is, it took a LOT of work or he has a LOT of support.

related to this, every parent i know is exhausted. if their love interest isn't attracted to their eye bags or letting them sleep instead of waking them up for sex, get outta my face. the sexiest thing a partner could do for a parent? LET THEM SLEEP.

related, we do fuck with kids in the house. (cough cough chris going on sleepovers 3x/week in fic 🤣). its okay. you can make keeping quiet sexy. you can lock the door so you'll hear it if they need something without traumatizing them. you can use a baby monitor to keep an eye or ear out. we don't wait until our kids leave to have sex, or some of us would hardly ever have sex.

a few random notes and i'll wrap up. kids aren't (and shouldn't be put in the position to be) solving their parents problems for them. most kids won't immediately trust a new adult, especially if that person is dating their parent and their other parent is still in their life, even if they really like that person. a parent would not leave their child with their brand new love interest unless they had literally no other option. i have some issues, but there are very few people i trust to be alone with my kid. someone i don't know well would never make it onto that list.

lastly, parents fuck up. we aren't perfect. i try really really hard to break generational shit, to do better, to be a good mom. i've read lots of books, done tons of therapy, found great resources, done parenting groups, i consult with other parent friends and friends who work in mental health about challenging situations. and i fuck up all the time. kids, even great kids, are little assholes sometimes. nobody's perfect, and that's okay. nobody's kid is a perfect little angel 24/7 and nobody is a perfect parent.

my askbox is always open and i always love to talk about writing! thanks for this it was a fun question to answer <3