#don't gamble kids

[anxiouslyfred]

Sweepshakes

Summary: Thomas gets an old british game on holiday that causes some headaches when the sides play it. All because of a dice shaker.

Author's Note: I have no clue if Gambler was released in other countries. I do know it's no longer made in the UK as my brother tried to get one this year and it was second hand... and could've saved that money as the one we know about the game from is waiting for one of us to claim. So many fond afternoons at Grandad's playing this game. I'm going to miss them.

My Idea for this fic: Remus would love playing Gambler. The issue is getting him to put the shaker down, ever, at all, not just when there's a sweepstakes or lottery. That man would always be shaking it until Roman or Virgil are starting a fight just to get it off him. Janus is calmly avoiding calling sweepstakes by always trying to roll doubles again until everyone just wants them to move around the board

/\/\

It was an old British game that Thomas had come across on a holiday. Remus had been obsessed when he’d seen it in the shop and Janus was pretty intrigued too. The other sides weren’t as thrilled to see a game called Gambler, but with Logan mentioning that it could have been a game to help people stop gambling and Virgil hoping that would mean Remus might stop trying to convince Thomas to gamble it was brought home.

Logan’s theory was soon disproven but that didn’t matter to the other sides when they now had a new game to play together, even if only four of them could play at a time.

One thing Virgil regretted however was his part in getting the game brought. He still believed that playing Gambler occasionally would reduce Remus’s desires to actually gamble, but didn’t think that was worth the headaches, never ending headaches, that came every time the game was played.

See one thing about Gambler is that for the sweepstakes and the lotteries there was a dice shaker specifically made and it got loud. When it came up in the game that was fine, a moments shake, place it down on the board and everyone can carry on getting their prizes or not and taking their turns.

The rest of the time Remus had a tool left right in front of him that could make a lot of noise, get a lot of annoyed reactions, without him needing to say or do anything besides pick it up and shake.

“Janus, are you having your go?” Logan asked, frowning and clearing having just checked everyone’s positions after the shakers noise got too loud.

Janus shook their head, smug, “Oh I already have. I rolled a double and decided to try rolling a second.”

“Couldn’t give us that moment of peace, could you?” Virgil hissed out, trying not to get Remus’s attention as he rolled. “A horse race. Remus put that down and put money in the pot.” He snapped aloud after moving.

“Oh, Why?” Remus leant over the board looking at everyone’s pieces curiously to see what was happening.

The card was dealt in front of him before anyone explained, Logan, Janus and Virgil already having put their entry fees in already. “We’re betting on the races.” Janus smirked, “And I’m going to-”

Virgil rolling the die cut them off.

“That appears to be my number, Janus, so I believe you lost.” Logan stated, taking the winnings as it had dubbed itself banker for the game.

“And Remus’s go before you reach for that infernal thing.” Virgil forced the dice into Remus’s hand before it could be picked up.

He took that as a challenge to roll two uncontained dice as noisily as he was shaking the five.

“Kiddo’s will your game take too much longer? I’ve almost finished dinner.” Patton asked, looking through from the kitchen.

“Two rounds max.” Janus replied confidently.

“The chances of you rolling four doubles over your next two rolls is 0.00077160370370444. We should be done shortly, Patton. I think at least two of us are halfway to completing the game.” Logan corrected, looking back at the board at Virgil’s snicker.

With a smirk Virgil turned the fortune card Remus had passed him to Janus. “Pay up.”

The hiss they replied with was drowned out by the shaker starting up again.

“The game is over now!” Roman declared, popping up in the room, sword already in hand. “I will slay you for that infernal racket.”

“You’ll never stop me shaking my thing.” Remus screamed in return, leaping onto the game board to twerk while still rattling the shaker

“Yes I shall!”

Logan straightened his glasses, having dodged Roman’s charge. “I suppose Roman was right. We can’t really continue with one of our players leaving and taking an important game device with them.”

[heyitsburtburt]

Streaming now! Come on in and watch me gamble (not literally don't worry)

[napsaps-archive]

TCU kind of sucks 😭

[d4ydream-girl]

as a fan of the books i was not expecting so many gods to just appear in this first season. like obvi Dionysus and Ares show up but now we also got Hephestus and in the next ep Hermes directly interacting with the trio. at first i was like why are they here the whole point is that the gods are supposed to be absent... but in a way that's exactly what their earlier appearance is showing.

Hephaestus has time to fucking wander around his rusty amusement park. Hermes has time to gamble and slowly deliver packages (why was he just fucking walking around like can't bro teleport or something??). Ares and Mr D do whatever they want wbk.

the point of showing them earlier is to show what they ARE doing INSTEAD of visiting their kids. like bro is out here moping around his lonely little amusement park while all the demigods at camp fucking hate their godly parent. they have all the time in the world but they just don't care.. they choose to do other shit instead of seeing their LITERAL CHILDREN. it's so painfully obvi to the viewer why Percy hates them all so quick, but the gods just don't realize.

[quixoticanarchy]

my dad gave me a book to read about the Dust Bowl so that, in his words, i would stop missing oklahoma, and jfc is it grim. like i did know it was an environmental catastrophe of almost unimaginable magnitude but all the policies that led up to it are so strikingly and blatantly stupid and also just a blisteringly clear indictment of imperialist and capitalist views of land coming home to roost in spectacularly awful fashion. the way that grasslands were framed as empty desert needing to be civilized through farming - the last gasp of the frontier, and a "make the desert bloom" narrative par excellence - and the urgency of the federal government to get settlers into every conceivable area, and the eagerness of the railroads and land speculators to invent promises to lure people out there, and the delight in the wholesale destruction of an ecosystem and the absolute confidence that people could conquer and remake a landscape as they wished, and that land would forever be an inexhaustible resource... i remember watching the ken burns documentary and being struck by the horror of the dust bowl back then too, but it really needs to be put into context as fallout specifically generated by imperialism and by capitalist & extractivist & white supremacist views of land that were not at all unique to this one catastrophe, and while it was a perfect storm of several terrible courses colliding, it can't be seen as a one-off fluke horror. it's just the extreme end result of the same kinds of reckless rolls of the dice that we're still doing ecologically on a massive scale, with industrial agriculture and with extractivism as a whole

[bredforloyalty]

#obviously Dean but the person in the tags who said Nate Jacobs is seeing in shrimp colors. so wise

@pregnancykink STOLEN VALOR wee wooo🚨stolen valor HXSFVY

[mossymozzarellasticks]

Lets go gambling! (as a queer kid)

accidently comes out as bi to family "aw dang it"

accidently comes out as bi to classmates "aw dang it"

dad's transphobic "aw dang it"

mum's transphobic "aw dang it"

classmates are transphobic "aw dang it"

my entire country is transphobic and homophobic "aw dang it"

[hydrachea]

Yesterday took all my funds for 1 single Roland and a random d'Eon, then this morning I rolled with the gift quartz... CALL ME AVENTURINE THE WAY 6 QUARTZ WAS ALL I NEEDED.

(Ignore the 90 quartz and 18 tickets of yesterday.)

[hauntingblue]

Sabaody time.... I am so fucking scared

FIRST OFF I KNOW THATS NOT WHAT HE SAID!!!!

Another one for the sanji faces hall of fame

Luffy should have stuck with the fritters.... I know the end of this........

More for the hall of faces (? Got confused)

OH FUCK HERE WE GO!!!!!!!!

AJDKAJSK TELL HIM USOPP!!!

AJDHAKSBIASNAOAJ!!!!!! COLD!!!!

Califa wearing jabra's shirt bc nami ripped all her clothes 💀💀 wild

Franky and usopp team up with the sunny

Usopp once again just telling the truth

Look at him... 🧍🏻‍♂️

Conqueror's haki tease..... yeah

This just..... yeah.......

GET A JOB!!! LEAVE THEM ALONE!!!

Is he clocking that sanji had to cross the red line so he sure as hell didn't do it with pirates bc he doesn't know how...... or am I reaching (yeah)

Incredible use of the gag here btw

Shakky.... my queen... why does rayleigh have a former amazon lily empress and kuja pirate hidden away in a nasty bar in sabaody.... how can he do that... girl.... that love sickness really got her bad... and the man is gay for a dead man. Damn. WAIT A FUCKING SECOND

SHAKKY WHAT IS GOING ON!!! WDYM HE HAS A GIRL!!! RAYLEIGH WHAT ARE YOU DOING???? open relationship???? What is their deal. I am so curious now ajdhajnsns

Luffy is looking at the camera (?) Like he is wondering what their deal is too... he gets me

Also am I crazy to think that killer would uave been related to the shandians just by the way he looks.... the pants like wiper wears and the long hair like kalgara... also introduced fighting urouge who is a skypiean.... do you see my vision.... maybe oda went naaah with this and that's why his design changed after the timeskip but here??? Idk

Look at this fucking loser..... AHDJAHSKA

I so want to know what is going to happen to kid because he has been doing terrible things to people but we never get into that... maybe shanks was the consequences.... but anyways he is right here lmao... "aren't we kinda cute killer??"

They want each other so bad.... "and he's got bad manners 😏😈"

AN OLD MAN WHO WHAT also haki introduction hello 👋🏻 so I was right about luffy and the bull ALSO CHAPTER 500!! CRAZY!!! ONLY 630 MORE TO GO

Sanji smoking three cigarettes akdjsisjl he is STRESSED

Nami once again not having enough money to save someone she cares about we should all kill ourselves

Hachi blaming himself for being a pirate when even nami is worried about him right now.... we need to kill the celestial dragons

The fucking cover for this volume..... do they know....

Look at these fucking freaks

Usopp landed butt first into the tenryuubito 💀💀💀 Here we fucking go...

[astro-b-o-y-d]

Found out yesterday that my new phone can in fact run Cookie Run Kingdom, so I may be in trouble

[wolfofcelestia]

Took a gamble on this core and enhanced it with the level 15 core that I was using

And it paid off

[quantomeno]

The Gilded 7 Casino

This song is clearly influenced by Take 5. Or at least I want to think it is. I discussed time signatures in my previous song analysis, but like I said then the most common time signature is 4 4 (it's even called common time). It's 4 crotchet beats per bar. If you can dance the Macarena to it, it's 4 4 time. If you can dance a waltz to it, it's 3 4 time. Take 5 uses a very unusual time signature: 5 4 (5 beats per bar). Take 5 also always makes me think of casinos, even before I played this game.

Now, the Gilded 7 Casino also has a relatively uncommon time signature, but it sadly hasn't got the number 7 in it. This felt like a massive missed opportunity but it would have also been quite odd to write so I can accept it.

Anyway, to the actual analysis: the song is written in 6 8 time. Note that both numbers are different from usual. The unit beat is different: instead of a crotchet (quarter note) it's a quaver (eighth note). This is known as compound time. It's the time signature used for songs such as Greensleeves or INXS' Never Tear Us Apart.

It is my favourite time signature.

A waltz has the accent repeating every three beats (1, 2, 3, 1, 2, 3 for an example see this video at 1:22), and so does 6 8 (but it's more like 1, 2, 3, 4, 5, 6). You have to imagine it like two beats played per bar, and those two beats are split into thirds.

The easiest way is to say 'coventry' two times a bar.

Take a listen. Note that the tempo is quite slow relative to each 'coventry' (it's almost one coventry a second, I think it's 48 a minute), but because it's three little beats per each two big ones, it feels quite fast.

(Note that I've seen people write sheet music for it using 3 4 time. I think this wrong, but if you change the tempo the two time signatures are virtually indistinguishable, so who knows.)

So, why 6 8 (or 3 4 even)? What does this bring?

Let's take a step back and look at the rest of the song first.

It's rich. The piano feels weighty, with nice, heavy chords punctuated by deep, low notes which anchor us to the beat. You have that warm, arco violin paired with that husky-voiced saxophone. We have that constant heartbeat of the piano along with a walking bass in the back that fills out the sound nicely. It is a thick texture that is veritably thrumming with life, yet... there is still something not quite wholesome about it, isn't there?

My sources tell me it is written in D minor. This accounts for part of the discomfort it engenders. The minor key brings a sinister atmosphere to the piece; you feel like something bad is happening, if not evil than at least something dodgy. Exactly how it feels to be in a casino, surrounded by all the money being thrown around and the shady dealings going on. The casino is a Family-run business after all.

(D minor to me is also an elegant and rich key, that evokes deep purples with touches of crimson. It's because of the D being the tonic. It just is OK.)

The dynamics are decidedly loud, again creating a bustling atmosphere. I feel it is pertinent to note here that the first time we hear this song (correct me if I'm wrong but I distinctly noticed this last time I played) is during the slot machine gun scene. Unless you voluntarily choose to go back to the casino afterwards, this cutscene is the only time you'll hear the song. This piece is designed to evoke a sense of chaos and thrill.

And now, we reach the rhythm.

6 8 time. It evokes a waltz or a ballroom dance, which aids in building that elegant, luxurious vibe, but, being 6 8, it is notably quicker than a normal waltz would be. It gives the piece a briskness, but since each fundamental beat (the 1 and the 4 I pointed out earlier) is quite slow, it doesn't lose that languid, almost bloated feeling.

Then we have the violin and sax. The violin tends to jump between playing short, detached, strongly accented notes (e.g. at 0:52) and longer, smooth notes, but never really losing any intensity (e.g. 0:41). The saxophone is much the same (listen from 1:20 to 1:43). Again we have this contrast between the stateliness, the weighty feeling of wealth, and the buzz of the casino. It's a bit like the ostentatiousness of the nouveau-riche compared to old money: the casino has cash and it's showing it off. The elegance here is all bought and as a result it ends up feeling tawdry. It also helps with the action-packed scene that it features in. This is further evoked by the sax's tendency to add ornamentation to its longer notes: little flitterings of notes at the start of the drawn-out ones. It feels like it's trying to impress you.

Also, big shout out to the percussion: that cymbal crash really brings out the bam! and could be a bit of a play on the sound of coins falling. The drum beat enters quite late, at the same time as the sax. It doesn't quite work to keep the beat, however, if anything it seems to land on off beats, opposing the regularity and pacing of the piano. Once again, we have a song that brings out unease but also bewilderment and hustle and bustle. The song feels fun, it just has a dark undercurrent.

Exactly how the casino should feel.

It is not Layton-esque, and it highlights how future London has become a seedy city ruled by criminals. Recall that Layton, a man of simple elegance and refinement, who appreciates the craftmanship of a simple lacquered stool, is now (supposedly) the owner of this den of iniquity.

It evokes all the things Layton patently isn't and in doing so encourages a sense of revulsion that things could become so bad. The whole casino makes me feel sad, because it stands opposed to everything Layton believes in, and the thought he has changed so completely he would forgo those values hurts.

[haystarlight]

AMITY'S JUST POOR NOW

[hua-fei-hua]

we have moved on to persuasive speeches in comm class n bc we have so little time left in the semester they're gonna be partner debates, so i have grouped up with the guy in there with whom i started talking abt genshin a while back, n we're just like. "fuck it. let's just do the ethics of gacha games and whether they should be regulated like gambling in casinos"

[theheadlessgroom]

@beatingheart-bride

"I don't think she's ever mentioned how they met and married," he shrugged, thinking a little more about it-he wanted to say she may have mentioned in passing that they married after she took over the haberdashery, but even then, he wasn't sure. Minnie seemed to like gossip unless it involved her, and outside of complaining about her husband, she talked very little about her past.

"I'm sure it goes without saying now, but...I only ever want to marry for love," Randall smiled shyly, as he took Emily's hand in his, eyes full of quiet adoration as he gazed at her, his future wife. He hoped the two of them would have a long and happy marriage not only like they did in the future (how bittersweet it was to think that, even as ghosts, even when they were apart, they were still happily married, they still loved each other), but like his parents, who were happy together all their days, even in the face of so much discrimination from their neighbors.

"I never want to be that miserable," he continued, pale cheeks turning a soft pink as he gave Emily's hand a gentle squeeze. "And...I know I-we-never will be. I just...I can't see it happening! Even if I didn't know the future from what you've told me, I...I have a very good feeling that we'll always love each other, no matter what happens."

He punctuated this with a kiss to her knuckle, his heart skipping a little beat when he did so-theirs was a love that had already survived so many ages, and he believed in his heart of hearts that, even as they changed the future, it would stay that way.

[aceofspadegrass]

I think it's quite festive that last year was a Last Boss year (🐅) and this year gets to be a Chishiya and Usagi year (🐈🐇)

Love that for them. Also because of Standards and Morals in this town Chishiya and Usagi are hereby allowed to sword fight in the street. Fake and real swords allowed, but it can't be on fire.