#don't bother reading

[msclaritea]

Ignore the latest article from Variety featuring Benedict Cumberbatch. She 👇🏼 knows him, personally and this sounds nothing like him. Crazy Days and Crazy Nights already outed his other blackmailer/pr woman Karon Maskill and Sophie Hunter, playing ghost writer in past articles, especially ones that mention the Rent-A-Kids. Scientology likely called in a favor at Penske Media to publish another fake article. This is also probably in response to what I revealed the other day. The timing. Leaf had made a quip earlier about how much like Spare this article was, but only just realized how much. We all know now that Meghan Markle was the self-hired ghost writer for Harry's book, with the intention of humiliation. That's all these piece of shit Epstein women are good for. Remember also the story of L Ron Hubbard and the girls in Sea Org. He would send them to deliver messages, including graphic threats to grown men, on his behalf. These chicks have been trained, since childhood, to tear men apart, while stealing their money.

Hey Ben, your shit stained public relations and that crap still stuck to your shoe, just torpedoed your showing at Sundance, by making you look like a lying fool, again. I'm talking about Karon Maskill and Zero. You're losing and it's going very badly. Now, everyone knows that you were written out of Doomsday. Another check, gone! Scientology and WME only care about using you for publicity for their sinking ship. It may not look like it when you have a midget like Tom Cruise and that red-headed troll, Adam Ackland in your face and in your head, telling you everything is fine, but from out here, it looks like you are losing everything. At this point, you have very few options before Disney decides to try and profit from your death, again or reluctantly offer you a lump sum for your digital assets, after which time, you might as well be dead, because we all know your handlers will get most of it. So..:

End it, and face the fire.

Have all your business exposed when COS and WME finally decide to dump Hunter like they're doing to Blake Lively. Ryan Reynolds is not going to survive this.

Keep doing what you're doing and just fade away into the Wilderness.

It's up to you because we can't stop what these criminals are going to do to you. Delay, perhaps, but not stop it. Maybe in an exercise of honesty, you should sit and write down the names of every single person that has tried to warn you what would happen if you stayed with Maskill, Ackland and Zero. Do you really not see how the downfall of Hunter and her ilk was predictable?

[lymoon00]

the first time knowing les mis in my life was by shoujo cosette anime adaptation in 2014 , so even after i grew up , and even after i read the book im still so into anime adaptation , i knew the anime enjolras first so he is so precious to me , and i find it hard to get into any other adptations idk why but im soo obsessed with the anime adaptation , it has a special place in my heart

i just read the brick , watched the musical , and before them all watched shoujo cosette .. and i plan to buy arai manga to read it

and after all im still so obsessed with the anime adaptation and i wish it was more popular

[that-satireguy]

dont mind me just thinking about the fact that some of yall genuinely believe that the only trans people in 3rd world countries are trans women and have never considered the impact of forced pregnancy, child marriage, fgm and honor killings on trans men and when people like me talk about it you do an obligatory reblog then forget 40 seconds later and start talking about how transmasc invisibility is a good thing.

[lazylittledragon]

ok someone please correct me if i'm wrong but am i weird for thinking those 'audiobooks don't count as reading' posts are ableist as fuck????

[originalartblog]

Apparently much-needed reminder that reposting artists' art (by saving the images or screenshotting them and reuploading them yourself) on other platforms without the artists' expressed permission and without credit is theft and an insult to their passion and craft. You are profiting (in views, in attention, in feedback) from someone else's work and ideas, who do not get that feedback for sharing their creation.

If you are an art reposter, you are a thief and I have no respect for you.

[becausegoodheroesdeservekidneys]

God is anything funnier than people who try to send anonymous hate. It's like getting savaged by a small child that promptly shits itself and cries. Like oh, did you not like some of my words? Did you feel Bad after you read them? Did you want to throw a little tantrum but didn't quite feel brave enough to do it with your URL attached in case you experienced some Consequences?

Did you think I would do anything other than block and forget about you entirely?

Do you think maybe you should have saved your effort and told your therapist about it instead?

I cannot fathom what these people think they're achieving. Bestie, look at me. Listen carefully. All you will achieve is a moment's contempt, and then a block. Nothing more. Consider taking up knitting.

[beargregor]

wait i'm curious, what makes you say that gregor doesn't like everyone else (if i read that post right)? just curious since i've never seen anyone else say that

i don't necessarily think gregor dislikes everyone else at lcb but i do think that gregor is an incredibly petty person that isn't nearly as close to the rest of the sinners and even outright dislikes some of them cough cough rodya cough cough which a lot of people just Refuse to see because he's as much of a doormat as he is. there's several examples i could get into to try and prove my point however i'll just focus on what i personally think to be the biggest ones.

additionally, this is going to be kind of long, so i'm adding a read more. read more! read it. sorry for being so wordy. i have several diseases.

Pt1. gregor is the type to try and get along at least decently with everyone, especially if he gets a good first impression from them.

this is less a point in favor of gregor's distance w/ the rest of the sinners and more just a contributing factor to it. once again there's several examples i could point to here but i think the most in your face one happened in canto I with yuri, as several people have pointed out. even before gregor comes clean about growing attached to her as quickly as he did because she reminds him of his sister, we get this interaction.

i'll go ahead and make the disclaimer now that i don't necessarily think gregor is the most reliable of narrators, especially when it comes to his feelings and interactions with most people, but from the way he acts when the topic of yuri comes up (and the way we still see him act even all the way up to c7, nearly a whole year after yuri's death) i don't see reason to question his sentiment here. gregor immediately got that aya and yuri were close, potentially even taking note of their traded belts, and went out of his way to get something nice for yuri despite hardly knowing her.

i feel like a lot of people have forgotten as much, especially since it's been so long since c1, but gregor actually spent a good bit of season 1 doing the exact same thing with the other sinners! gregor reads a connection between him and ishmael pretty quickly despite getting off to a rocky start

mostly because gregor can tell that ishmael is pretty sardonic in a very similar way to him. there's been multiple instances where ishmael and gregor have essentially expressed the same sentiment at different moments, most notably gregor's little argument after ishmael got shot with a decay ampule in c4

and ishmael's response to pilot talking about self-sacrifice in c5

i could go ahead and pull up more examples, but in general pm has gone out of their way to show us that gregor and ishmael are pretty similar, so it makes sense for gregor to assume that they're friends, right?

this will be pushpin 1. keep note of this for Later.

ishmael's only the first sinner we see gregor trying to do this with in s1, we also see him try it out with heathcliff, sinclair, and ryoushuu

he's tried to get along with charon, being one of very few sinners that we've seen actually try to establish a connection with her at all

even rodya, despite my insistence that gregor doesn't like her nearly as much as the fandom thinks he does

all of these seem pretty fine and dandy, right? sure it frequently leans towards self-degradation, micromanaging, and commiseration, but gregor can at least be pretty chummy with most of the sinners, can't he?

Pt2. hell's chicken was more than just comic relief guys please

i'm fully aware that this is quite the hot take, but i think hell's chicken deserves a lot more credit for character writing than the fandom gives it. hell's chicken gave us foreshadowing for several events, such as the donqui bloodfiend reveal

heathcliff's distortion in c6 (as well as hong lu's highly speculated distortion at some point in the future)

and ryoushuu and sinclair's continued connection by making him the odd one out on her team

which, hey! that implies something about gregor's odd one out, don quixote, too, doesn't it? yes. yes it does. that's pushpin 2. keep note of that for later.

speaking of pushpins, hey! that's pushpin 1!

splitting into teams is one of the major events in hell's chicken, and most of the sinner's choices are either motivated by very little, backhanded, or motivated primarily by not wanting to be on the opposite leader's side. i didn't include all of the picks, just because i feel like including most of them already gets this across, but i think gregor took one major thing from this: most of the sinners, when push comes to shove, will only side with gregor when they refuse to or can't take his opponent's side.

now, don't get me wrong, i'm fully aware that this is primarily intended to be comedic relief, but when gregor is being described as having his trust broken by ishmael or nearly crying because no one on his team properly sided with him for him, i feel like it's pretty fair to read into this.

something that i think is pretty important to remember in conjunction with this is that we know that gregor is the type to hold a grudge, both from his general attitude towards the G corp soldiers in c1 as well as his continued distaste for vergilius

even beyond the splitting into teams of hell's chicken, the sinners have given gregor plenty of reasons to feel bitter. i feel like this is something people have noticed but haven't really put a finger on, but it's kind of wild just how often the rest of the sinners make gregor the butt of the joke

and sure, we could argue that a fair few of these aren't really made with any ill intent. quite a bit of it could have been meant as harmless teasing, but with gregor being more sensitive than most, it coming from nearly all sides, and as often as it does? yeah, i think he's prone to taking it a bit personally.

Pt3. yes i do still think gregor was the third most important character in canto VII you guys gotta hear me out okay

of course, all of this leads up to the bit of the story i highlighted, doesn't it? c7? i totally get why people haven't really picked up on all the gregor things i did in it, seeing as they were mostly not *directly* said about him or by him.

personally, i think that gregor's distaste for talking about himself on any serious level and thus leading to him getting sort of "sidelined" narratively (which i take issue with that claim, but still. it's effective for getting what i mean across atm) is supposed to lead players to take a deeper look at the times gregor gets held up to other characters and compare and contrast what's being said about them by the matchup. as i showed earlier with his immediate latching onto ishmael, i think this is something gregor himself is at least partially aware of too.

so, that begs the question, who was gregor compared to in canto VII that makes me think it's one of the most critical pieces in understanding his character?

really, i'd like to avoid getting too lost in the analysis of this canto specifically, since i'd like to do a proper post about this later, but i figure i can bury the lede a little before doing it properly.

c7 features several characters being made to perform in sansón's play, acting out the relevant backstory for this segment of the plot. a lot of these characters have rather direct, degrading reasons for playing the roles they do.

outis, a character with an inflated ego who wants her journey to have a purpose, is made to play an aimlessly wandering villager with a single line.

hong lu and ryoushuu, two characters for whom families and the expectations placed upon them are likely going to play a major role, are made to play bloodfiends.

rodya, a character who resents her lot in life and is constantly shown to be eager to leave her destitution behind her and become someone special, is made to play a helpless villager that's too poor to even offer any money to the hero that saves her.

heathcliff, a character that has spent most of his life getting dehumanized by comparing him to beastly animals, is made to play a literal bear whose sole purpose in the plot is to get beat up and then quickly left by the wayside.

sinclair, a character that has two opposed parties essentially treating him as a macguffin to procure for their side, is made to play the character who was arguably the catalyst for this entire canto, not to mention playing a decently major role in ruina.

our star don quixote is made to play her father, the first kindred, but there's someone by their side the entire time, isn't there? don quixote's dear, steadfastly loyal companion. a character which don quixote has tasked themself with getting to come out of their shell?

hello again, pushpin 2.

gregor has been made to play our unreachable star, sancho. someone had to, of course. you can't really tell a story without it's main character, now can you?

now, i should once again give a disclaimer. i am not trying to say that i think adapting what happens to donqui/sancho in c7 to gregor is the road pm is going to take here, not only would that toe a bit past the line of foreshadowing, but it'd also just amount to rehashing that plotline again, which i don't think would make for a particularly exciting story.

what i DO think is that we can take a lot of the things that are said to either directly be the case for sancho and use them to inform how we see gregor.

and god, does playing sancho have some fucking implications for our favorite ossan archetype.

starting off, the earliest moment we get to see of sancho is quite literally her just waiting for death to take her in a pile of ashes.

which, i should remind everyone, is actually pretty damn close to what happens to gregor's literary counterpart at the end of the metamorphosis. gregor samsa experiences one final breaking point that pushes him over the edge and makes him decide to just wait for starvation to take him.

gregor and sancho both consider themselves to no longer be human, something which sancho goes out of her way to highlight repeatedly throughout the canto and gregor is quick to get defensive on her behalf for when outis starts really tearing into her

sancho spends quite a lot of this story denying herself the joys of community and friendship, despite knowing that, even with the rest of the sinners frequently making jokes at her expense and outright insulting her, they were things that she desperately craved.

and, while this is getting into my "outis is a red herring meant to distract us from gregor's eventual betrayal" theorizing, i also think it's worth noting for this discussion that sancho's fellow kindreds, her family, all seem to be under the impression that she dislikes them and ultimately her departure was an act of betrayal

and that, despite gregor being one of LCB's resident mood makers and attempted conflict de-escalators, one of the sinners that's most prone to making appeals to the bonds they've all forged together, only him and faust remained silent during everyone's speech

so yeah, i think there's quite a lot of little details and hints building up to the reveal that gregor's not quite as fond of everyone as he presents himself to be. i do think a lot of this ultimately comes down to gregor getting in the way of his own happiness, similarly to donqui, particularly because he's been frequently portrayed as something of a self fulfilling prophecy, especially by giving him as many christ allegories as they have by way of priest and garden of thorns. gregor is convinced that the rest of the sinners don't like him because he's not convinced anyone could like him, so he convinces himself that he hates them because why should he care if someone that he hates hates him too?

a lot of this ultimately ties back to my personal interpretation of what happens in the metamorphosis as well as my own theories regarding all the times gregor has made weird callbacks and references to lobcorp and ruina, but yeah. i think about this guy and his deeper characterization a fairly normal amount, i think.

to end this off i'll highlight one of my favorite little "gregor is fucking seething and trying so hard to keep it cool" moments, in the credits CG for c7 we see rodya teasing him by drawing a little horse on his window and actively pointing and laughing at it, which gregor really doesn't seem all too pleased about.

i personally think this ties into the other cruel part of sansón forcing gregor to play rocinante, which is the more literal "he's actually just straight up playing rocinante" side of things. gregor was quite literally made to play something less than human, less than even animal really, as he was reduced to nothing more than the shoes don quixote wore as she got to play the leading role. sansón directly makes jokes about gregor being nothing more than shoes in the play twice, which adds to this reading, i think.

this, imo, really plays into the adaptation of the metamorphosis! i've seen a lot of readings for the book that posit that, despite being the protagonist, gregor samsa can't really be considered the main character due to nearly everything he experiences in it being used to further his family's character development at his expense, which i think fits nicely with limbus gregor seemingly having the most said about him through indirect means by holding him up to other characters. also it's rodya carelessly making fun of His Big Major Insecurities™ again like she did in c1 which i always find fun. rodya i love you but god you're the worst.

[fauchart]

S?? E?? - 'When Snakey Met Annie...'

An early season Bob-centric episode in which Ann finds Snake again after he's robbed her diner and, charmed and stupid, she tries to get him to date her - he's entirely uninterested until she mentions living across the penitentiary. The wheels start to turn and all of a sudden, he welcomes the idea... Meanwhile, Bob had been reading self-improvement books (anger management, how to let go of grudges, revenge isn't the answer etc) and was on his very best behaviour, planning on waiting out his sentence and come back to society a changed man, ready for a fresh start... But when the opportunity to escape is presented as readily as it is here, he shrugs off all of his good decisions, throws his book above his shoulder and switches back to crazed maniac in an instant - and back to hunting Bart he goes! Though the focus of the episode will be Bob and Bart, several times throughout the episode there will be appearances of Snake trying to drop the charade with Ann now that he got what he wanted - but each time he'll have to keep up the farce for one reason or another;

(Listen, Snake growing a conscience and suddenly refusing to violate carpool lane rules for a one-off joke is hilarious to me. Don't look at me like that)

While their B-Plot is going on and intermittently shows them fleeing the law by car in gradually stupider situations - Bob has managed to corner Bart against the big window pane of the Mall. As he lifts his knife, about to strike... Snake's car suddenly crashes through that window and flies out of the mall above Bart, before ramming straight into Bob and splattering him on the pavement. The end of a sequence parodying the Mall Car Chase scene from the Blues Brothers.

"Dude, that was not a shortcut." Cut to both Bob and Snake getting handcuffed. Snake looks a little more sincere when he says "I'll call you!" to Ann-Doreen as the cops make him sit in the car. Mirroring that, Bob says "I'll get you!" to Bart as the ambulance takes him away. Roll credits.

WELL THAT WAS A LONG ONE. LOL. I worked hard on this one, so for once I'll say; please reblog and give me your thoughts! I hope you liked it!!

BONUS INFOS:

This would be the second episode with Ann-Doreen (outside of like, crowd shots and other non-speaking appearances in the background) and the one to properly set up the relationship she has with Snake. Lots of fun for that poor bugger!

I've made all the panels rectangular because I wanted to try and work in a format that's similar to actually watching the show - it's not 16:9 (nor square like it should technically be for early seasons) but I think we get the feeling anyway :]

That one other guy in the prison is just this random unnamed prisoner from 12x10 'Pokey Mom'. His first appearance would thus be in that ep I made, since it predates season 12!

Also here's me knowing in advance I'm putting way too much effort into this post:

[welcometogrouchland]

Disgustingly messy and crusty sketch dump but I couldn't get my own terrible theory out of my head and ended up making a bunch of sketches about it. Also at the end a bonus dickbats and Damian doodle bc I was reading an issue of their Batman and Robin run (IDs in Alt)

[erinwantstowrite]

the duality of comments i get gives me whiplash sometimes. cause i'll get a really nice very sweet comment from people, then i'll get needless feedback that is like. if i wanted you to critique my work i would have asked for that. and then i'll get a comment like "you should kill yourself" and i'm just like. if i wasnt an adult and/or wasn't in a good headspace can you imagine the repercussions that would have. if i had gotten these types of comments when i was a teenager i don't think i would be writing right now. people get real brave when they think things are anonymous. anyways you don't know what people are going through and maybe, just maybe, think before you make a mean comment or critique without permission. if you're leaving any other kind of comment then you're already doing 10x better than that and making someone's day

[1004knightingale]

she's obsessed.

[i-dreamed-i-had-a-son]

jon val jon or something

[lymoon00]

after i finished the exam there was plenty of time til we hand over the test 'it was too easy' , so i was drawing on the white sheets on the table 'idk why but they cover all the tables with sheets'

the teacher saw me and she was staring at it my drawing .. i pretended not to notice her .. but at some time she suddenly told me that im so skilled and i didn't know what to do other than smiling widely like a dump

i was drawing dabi , and some other oc's ..

[recent-rose]

yknowwww there is something... deeply uncomfortable about the way mel never speaks directly to viktor in the 'build hextech weapons' scene. she really only speaks to jayce. plenty of people have pointed this out already but like the one scene they actually share a meaningful interaction and she treats him like he's beneath her. all this after jayce has emphasized how important viktor is, that hextech is theirs, together. she unequivocally ices him out, there's no other way to interpret this scene. the way it's shot too - from viktor's perspective, looking up at her, as though to reinforce the same belief in him. like he doesn't even bother expecting respect from her - or anyone from the upper echelon of piltover. he's fully accustomed to being dehumanized by everyone around him at this point. sometimes even by jayce, despite the trust they clearly have in each other.

then of course after this scene is viktor experimenting on himself. it's pretty clear that he has internalized his own dehumanization. crazy.

[rpmemegraveyard]

PSA: This RP Blog is firmly Anti-AI.

There's been somebody (or some people) using anonymous messages going around certain RPC's threatening people that if they don't become less selective and write with them, they'll use their writing to feed an AI so they can write with that instead.

Not only is this weird and blatantly creepy, as people are allowed to be as selective as they please and threatening someone only looks bad on your end. Even outside of the broad debates about AI, AI generated work has no place in the RPC, a collaborative hobby between artists and writers to engage with another human being.

This blog will not engage with people who openly use AI to generate writing, graphics, or whatever the machine coughs out with stolen work. AI's are well documented to scrape different places for data. You are using stolen work. AI generated content, writing especially, goes against what the RPC stands for. End of story.

[kirby-the-gorb]