#don't be childish

[sincericida]

Emma Stone spotting ANDREW GARFIELD in the audience at the UK special screening of "Poor Things".

(source)

[muggle-born-princess]

Reblog if you're LGBT and are against MAPS/Child Groomers

[crabsnpersimmons]

It has come to my attention that I haven't drawn sun and moon as chibis yet

I have rectified the situation:

all is right with the world

[nechto221b]

[crustyfloor]

My night was going so wonderfully.

The headshot of this cover is just PAINFUL. They're actually acknowledging each other, they're the only ones on a cover to do that. And it's the prominent detail that Mizi looks horrified staring at Sua, even though they're clutching each other so... like they can't let go, while Sua looks reverent in the lane of that gaze, even blushing, slightly, savoring the moment. This also looks like their kiss scene...

To me, she looks just the same as the day she died because I think this cover is Sua's haunting of Mizi, because Sua's singing is just that, haunting and distant the longer she sings, she's fading out, but so gently despite its gruesomeness. And Mizi is grieving.

She's as angelic as she is in Mizi's memories..

But there's a cruelty to this because Mizi will never forget what she saw in round 1, that's why seeing Sua over and over and over again terrifies her, hence why the tone of this song is SO dark, especially in the second half when they're coming to a close, they get desperate to keep each other close, and there is a certain, but familiar ignorance to Sua's presence as if she can't see Mizi's pain even though Mizi is crying right in front of her--childish egos, Sua becomes a more honest character after her death, and in more expressive formats like this, and I like how she takes on that position in this song, the taker. (Like Till, he wanted a security blanket out of Mizi; Sua is similar in that sense.) as she takes and wants from Mizi for her own sanity.

And this newest illustration, oh my god. EXPRESSES THIS IDEA PERFECTLY, Sua looks so utterly distant, ghostly, dead.

In contrast to Ivan and Till's cure, Mizi and Sua's cure is more of a duet, and they switch places often. Mizi starts the song, she ends the song (just like in my clematis), and Sua supports it. Whereas Ivan and Till take turns leading and harmonizing, Mizi and Sua both participate.

And I believe they're interacting? Ivan and Till's cure wasn't a message to each other, something a lot more complicated than that--but Mizi and Sua transition frequently and it feels like they're singing to each other, It's more intimate.

Mizi - Allow me, to the tips of your finger

Allow me, to the ends of your feet

Dissolve me in your gaze

I don't want to let you go.

Sua - Please, leave me scars

Please, hurt me so that not a singly drop of me remains

Let me drown in you.

(The backing vocals mean so much to me, it's like a choir(?))

Mizi - Until these falling stars

Are buried in the blur of time

On your icy lips

Read my soul, yes, my soul

It wasn't spontaneous for the sake of it either, because this is a call-and-response

Sua - Even if your cold words

Carve scars beneath my eyes

May they linger on your tongue

You can break me apart

Mizi - Notice my pain

And mend me right now

To quiet my fears

I'll drown in you

-

Mizi is directly asking Sua, or the version of her she can't forget, to stay with her, calm her like she used to, as she wishes to have remained in the dark, to drown in her, or to have just not been left alone and, because even now Sua's death is not something she can accept, the portrayal of her feelings as she expresses her pain and desire to keep Sua close, even the false presence of her "On your icy lips" and "notice my pain and mend me right now" even though It's terrifying her, she doesn't want to let go.

Sua acknowledges Mizi's pain, and their shared pains after she died for her, the blame and the betrayal. Interestingly, Sua takes on the metaphorically self-destructive lyrics, Sua lives in fear, anxiety, and utter gloominess, she didn't want to be hurt by Mizi in the literal sense, but she would've rather been warmed in Mizi's soft light, her false hope and optimism, to be destroyed and to destroy Mizi's hope, even dying as the penalty of their love was far better.

Then Sua goes on to sing through the perspective of Mizi and her loneliness and grief after losing her with perfect clarity, it takes me back to the comic where Ivan scolded Sua about her plan, saying that she'd be nothing more than a trauma to Mizi after everything is said and done, she got upset at Ivan because she knew that, was devastated by the fact that she would be a burden just as she always feared, but then, what's a life without Mizi by her side, her only safety net? Her every reason for living?

This song displays their deep love and devotion, they sound melancholic but even in these horrific circumstances, Mizi's pain and hesitance, they don't drown each other out, they move together in perfect harmony just like they always do, in this way, it also feels like an apology of sorts from both sides before the bitter end, and a final goodbye.

AND THEN AT THE END WITH THE PERFECT SYNCHRONIZING OF THEIR VOICES ARGHH

And a new Sua illustration for the occasion 😭💔 (I'm gonna catch you soon Vivinos just wait.)

[uncanny-tranny]

Hey, if you have speech impediments, you are so amazing.

If you stutter or have a lisp or misspeak easily or you have a flat affect or a limited verbal vocabulary or if your voice is AAC or if you just have a difference in your vocality, you are so incredibly important and amazing.

Just know that your voice is yours. Nobody will ever be able to truly take it away. Your voice is part of you, and you deserve to make it as true to you as you deem fit. I hope you have the space to grow with your voice and whatever about it makes it unique.

[poorly-drawn-mdzs]

The girls are plottinggggg

[First] Prev <–-> Next

[wispforever]

one of my fav fandom headcanons for them is hidan naming the masks and treating them like big puppies

[bumblingbabooshka]

I think Vulcans should have their own version of a goodbye kiss which isn't a one-to-one equivalent but like, parents cup one or both of their childs' cheeks before they leave the house and when they come home as a brief telepathic check up on their wellbeing. If the child is feeling out of sorts the parent can help calm/settle them quickly. It becomes embarrassing at different ages like "Father! I am more than capable of maintaining my own equilibrium without your assistance or supervision." It's something most parents stop doing regularly after their child reaches some maturity milestone which proves they're able to regulate their own emotions (there is no agreed-upon age this is true so it varies from child to child. Within sibling groups you might get made fun of if your younger sibling reaches this milestone before you!) However, even into adulthood some Vulcans will be subjected to the practice every so often by a parent. Depending on your temperament this can feel insulting, just unnecessary, or...pleasantly familiar.

[lbhslefttiddie]

the qiong ding peak disciples 100% have petty beef with lbh for stealing their favourite didi lmao

they're not gonna Actually beat him up (without Reason) but they're very emphatic about how thoroughly they WILL if lbh messes with sy. it's like a shovel talk that never ends

sy isn't actually completely oblivious to whats going on but he doesn't get why they're like this and he thinks theyre being fucking stupid (and he trusts them to not actually bully binghe) so he's elected to ignore their antics entirely

[somerandomdudelmao]

i was wondering (if your allowed to say/feel comfortable doing so) what type of animation work you do for you day job? nothing specific ofc, but is it like, a tv show/movie, or advertising?

I'm a storyboard artist on a little animated series for some kids tv channel (I won't tell you which one) :>

[sincericida]

Hello!

I wanna say first that I really really love your blog. I’ve been following you for a while now and it truly makes my days whenever you share a new pic of Andrew :))

Lately everyone’s loosing their minds over his attendance to Emma’s new movie premiere, which I’m really excited about because I love Yorgos Lanthimos sm. Anyways, fans went wild and I just… I know they’re both so beyond the time they were together, and obviously they know how to navigate the media content, but I cringe at all the narrative about them being the Roman Empire, or like the true La La Land story, like, everyone’s hung up on them still, even with her family and his own stuff going on. It’s just wild. Obviously it’s mostly just harmless comments, edits, and it’s also great they stayed in good terms, so they show their support for each other’s careers with full authenticity. People make it weird.

I’m sorry for rambling and the longest ask ever. I noticed you didn’t really shared posts about the event, and I was so relief honestly :P

Thank you for such amazing blog! <3 Have a wonderful day :D

Hello dear!

I’m glad you like this little space! 🫶🏼 I shared videos about the Andrew's presence in the premiere of "Poor Things" in London - because I think the friendship that lasts between him and Emma is very cute. But that’s it - friendship - and nothing more. He has his life now and she has her life, a happy marriage, her daughter. Some people are rude and crazy and weird have even weirder ideas about them and the nature of their relationship. People who ship "Stonefield" are very out of reality. They’ll need to stop with thinking they are ever gonna get back together. When they should just appreciate their friendship for what it is. They are still good friends. That's it.

I appreciate you sharing your thoughts with me 🫶🏼

[triglycercule]

nightmare viewing the murder time three as little toys but more in like a little spoiled kid kinda way. because it would be funny and if you take into the account that he was like 6 before getting corrupted and do some mental loopholes it would be even funnier. like these are his dolls (killer dust and horror) and this is their barbie dreamhouse (his castle). they all have to stay in one room because nightmare needs to keep his toys in a toy box. the toys only ever come out when he wants to play but oh damn it they keep on breaking out!! silly toys,,, and then he locks them into the room again.

nightmare serves them food with plastic tea cups and plastic plates and there is no food. there is no tea. they have to imagine the food because dolls can't literally eat. there are food containers and stuff in the house but its all just a bunch of empty boxes. horror starts tweaking out after he scavenges the kitchen and finds a cereal box and milk carton that have NOTHING in it (why keep empty boxes?????)

they have to go where he wants them to go. nightmare gets to dress them up in whatever he wants because theyre his dolls they can wear anything he wants. it gets incredibly embarrassing when the trio is forced to wear pink pretty dresses and fight like that. or they have to go around the castle doing stupid fucking roleplays and it gets weird because theyre being forced to reenact a bullying scene and nightmare's giving them the death stare if they don't get it right (is this projection. this must be some form of coping mechanism dust theorizes)

and then you know nightmare's not exactly the best toy owner so he loses a few of his dolls here and there. maybe they get destroyed when he was playing a bit too rough with them! (killer dies in battle for like the 29th time) but its okay because he can just go back on down to the store (something new) and buy. wait no. steal another doll and then put it back in his dreamhouse and BOOM he has a full set again!! so sweet so cute. his dolls don't have consciousness what are you talking about theyre begging to be let go?? that's all just your imagination. what do you mean you're asking about the several slowly dying bodies with removed arms or legs in his dungeon. oh that's just where the broken but not yet destroyed toys go dw theyre fine its humane

[laylakeating]

Guess I'm saying I don't not love you // Here I am, full heart, full stop...I love you

[kacievvbbbb]

I don't know which is more devasting. The idea that Mihawk and Shanks didn't see each other for a decade after thier breakuptm (which giving that they dueled almos daily for years someone had to have drastically changed their habits to avoid seeing the other)

or even despite all that and not for a lack of trying they just keep running into each other. That their fates are so horrribly enterwined, their yin and yang so bound to the other that despite their best efforts to the contrary it always brings them together again. On the same island in the same know nothing town pretending the other doesn't exist. Because Shanks is a captain on the come up he has a whole crew a burgeoning fleet and territories he can't just drop everything to chase after a petulant swordsman. And if Mihawk can't fight shanks then he can't see Shanks.

And god the tragedy of that of knowing that they are there on the other side of this island because you've known from the moment they arrived. But knowing better/refusing to do anything about it.

On the other hand I do also love the idea that whenever they do run into each other they get into these intense arguments and Mihawk and Shanks have always been prone to fighting but not like this. Because at the end of the day Mihawk and Shanks are both very immature people Shanks is prone to deflecting and distracting to avoid the problem while Mihawk is prone to just completely shutting down when any strong emotions are involved or when he feels like he is not being understood, until he just bursts out in a flurry of rage filled meanness and wrath with a body trail a mile long. And so they just go at each other and the situation is too delicate to thorn filled for Beckman to mediate and so he separates them at least to preserve the integrity of the island they are all presently on.

And then Mihawk goes off and takes his anger out on a marine base cause the pirates have all learned to steer clear of him.

I just think it brings new meaning to Shanks posturing when Mihawk first pulls up on him a decade later. That "you come here for a fight" is a real question and not just playful banter because obviously Shanks doesn't like fighting with Mihawk but why else would he be here? It's why mihawk's little comment doesn't diffuse the tension until he mentions luffy's poster. He is literally and figuratively extending an Olive branch and Shanks couldn't be happier to take it

[phoenixcatch7]

In love with the idea of captain marvel being Billy's imaginary friend. Like, it'd be so easy. Early depictions had them as almost fully separate people sometimes, like one soul with two minds, rather than just two filters like we mostly see now.

But imagine a Billy down on his luck, hurt and hiding from police and criminals alike, daydreaming the hours away as children do, taking inspiration from all the superheroes rising to fame, making little stories to play out his dreams of saving the world with a generic action doll he found while dumpster diving once. Most of the paint's rubbed off.

Red's his favourite colour, his comfiest jumper is a bright ruby even after all the grime and washes. Gold, too, it's shiny and warmer than silver! A hero cape is a must, big and eye catching! And he can fly, of course, like superman, and in his daydreams, when he's sore and frustrated after a long day's grind, his superhero is smart enough and knows all the right words to get the bullies to stop without resorting to fighting.

His superhero fantasy is one he spends a lot of time on, the first one he goes for when struggling to sleep at night, and he can picture it so clearly. Captain marvel is big and bright and kind, strong enough to lift the boxes for the old lady up the road who's moving all by himself, fast enough to catch Jamie who fell out of the tree on Saturday and broke his leg and couldn't come to class for weeks. He appears at the entrance to alleys when Billy is cornered, he steps up behind to cover for him when he gets caught shoplifting, he sits at the bus stop with him when it's pouring rain and the right bus doesn't seem to be coming.

And then the wizard comes, or rather whisks him away, and like a magician from a fairytale breathes life into his imaginary friend until Billy feels thrice his size and a million times more invincible.

From then on, captain marvel is a real hero, just like Billy is a real boy, and as one they save the whole city, and then the whole world, and get cats down from trees and help Mrs Victoria move the last of her boxes and she gives them a pinch in the cheek and cookies for the road and sometimes it hurts but it's so much better than he imagined.