#don’t worry this does have plot relevance

[the-astromeners-bakery]

New video game gaining popularity across Gotham?

I’m Viki Vale, reporting to you about the newest video game sensation that’s taking over Gotham.

The game, which is titled ‘New hero’s of tomorrow’, brings a whole new meaning to gaming with its emotional cinematic story mode combined with game mechanics that are easy to learn, but always have new surprises to keep you on your toes.

In this game, you play as a fully customizable character (the cositumizability is insanely detailed) that is a young teen in Gotham city who after a near death experience unlocks powers and mutations. Throughout the game you must battle and defeat super villains and criminals by putting together your own super hero team (think like the titans or the outlaws).

The game is honestly amazing and we here at Gotham Gazette hope you find the time to invest into it. For the low price of 30$, it’s all yours! I have been lucky to get an interview with the creator of the game, Ms. Carol Grelitia, in a few days, so stick around for that my loyal viewers!! This is Viki Vale, signing out.

[most-unhinged-les-mis-moment]

Round One: A1: Poll Four

Wacky Coffin Heist can be found in the Brick, at: Several chapters of 2.8 (Starts at 2.8.4)

Myriel getting his position by saying something smart to Napoleon can be found in the brick, at: 1.1.1

PROPAGANDA:

Wacky Coffin Heist: (Fun fact! This was BY FAR the most submitted moment!! :D)

Not only does Jean Valjean pull this wacky coffin heist escape, he’s EXCITED to do it. Like his buddy Fauchelevent keeps going “I don’t know sounds dangerous” while Jean Valjean keeps smiling and going “it will be fine! :D it will be wonderful! :D”. It’s one of the few times in the book we see the unbearably sad beast get genuinely happy about something that isn’t Cosette . It’s an unhinged heist but even more unhinged because it brings him this unexpected joy

He comes up with the plan himself, then almost dies because of it. King shit.

( @pontmercysamis (no propoganda, just wanted to be credited for being one of the people who submitted this one :) )

(Submitted by @blatherby ) Most relevant quotes, IMO 2.8.4: You can pick whichever translation you like best for the quotes. Here’s my favorite specific line: Jean Valjean eut un de ces rares sourires qui lui venaient comme une lueur dans un ciel d’hiver. (Hugo) Jean Valjean gave way to one of those rare smiles which lighted up his face like a flash from heaven in the winter. (Hapgood) This Unbearably Sad Beast who basically never smiles (especially not without it being described a sad smile) is now having his smile compared to: - the aurora in a winter sky (Wilbour) - a sunbeam in a wintry sky (Wraxall) - a flash from heaven in the winter (Hapgood) - sunshine breaking through a winter’s sky (Denny) - a sunrise in winter (FMA) - a ray of sunshine in a winter sky (Rose) - a gleam of sunlight in a winter sky (Donougher) … because he’s so ecstatic *over getting buried alive!* Something is Wrong with him (affectionate). Okay, to be fair, he doesn’t *actually* want to be buried alive (… at this point in the book), based on his reaction to the plan going awry later. But he’s having a blast with every aspect of this except for the actual suffocating to death part. His joy over this is so unhinged that—well, here’s Fauchelevent at the end of that chapter: “Agreed, father Fauchelevent. It will all be all right.” “Provided nothing goes wrong,” thought Fauchelevent. ���What if it all goes horribly wrong?!” (Rose translation) And here’s Fauchelevent the next day, in the next chapter: Fauchelevent limped along behind the hearse, happy as can be. His two mysteries, his two twin plots, one in league with the nuns, the other with Monsieur Madeleine, one for the convent, the other against, had succeeded together, one after the other. Jean Valjean’s calmness was one of those powerful tranquilizers that are contagious. Fauchelevent was no longer worried about whether they would bring it off. […] Fauchelevent felt completely secure. As the convoy entered the avenue leading to the cemetery, Fauchelevent looked at the hearse, happy, and rubbed his big hands together, muttering to himself: “Not a bad joke!” (Rose) JVJ is so happy and calm over pretending to be dead that he’s literally acting as an anxiety medication. (I propose that we send JVJ on coffin heists and bottle his powerful calmness. Everyone wins!)

the entire coffin heist is so wacky but that bit specifically made me cackle. I dunno I like the juxtaposition

Myriel getting his position by saying something smart to Napoleon:

I don't remember which translation it was that had him say something like "You sir, are looking at a good man, but I am looking at a great man", but Myriel is such a fun character, I love him

[betweenlands]

so, about that teaser we promised...

Hello, friends. It’s been a while, hasn’t it?

Let’s get the administrative stuff out of the way; rest assured, we are still hard at work on the upcoming chapters of black sheep, come home. There have been many extenuating factors that have caused the long delay (sickness and illness, part-time jobs, the back-to-school sprint, et cetera), but we still remain dedicated to seeing this story through to its ending. More is coming once it is ready.

Now, all that aside, it’s good to speak to you again. That semifinals poll was fun, wasn’t it? A breakneck race to the end of the line to see the triumph of the Ghost’s Vault, twist after turn and unlikely ally after unforeseen boon. We appreciate your eyes and eyespots alike, your buffer against a rival tide. We thank you for helping us win in the end – we couldn’t have done it without you! Of course, this does not mean the Vault’s inhabitant will be freed (heavens forbid we allow the Book to fall into the wrong hands), but it does mean that more people will be watching, and more ghosts means more potentially helpful observers here to bear witness to what comes next.

Ah – although, I’m not trapped in the Vault. You’ve surely gathered that by now.

By that being said, you’ve surely gathered something else as well.

Let’s not ramble on. You were only promised a teaser for what’s yet to come, not full story spoilers – and trust me, you don’t really want spoilers anyway, because some things can only be discovered once (undisturbed tombs, birthday gifts, conspiracies, visual novel plot twists) and we’d really like you to have the option of going in blind to the next part of this story. Besides, isn’t theorizing part of the fun of reading stories like this one? It should be, if we’re doing our job right.

That said, this likely isn’t what you expected when you heard there would be a mini-update, but we promise you that this is very, very story-relevant; you just don’t know how it is yet. And, more obviously, this note is quite the exclusive update, having been written just for this very situation.

Anyways, don’t worry about how canon this is – it’ll sort itself out. I’ll see you soon.

Valete.

[sweet-little-tank-top-number]

Ok so, logically I know that Stargate SG-1 is episodic television that has to return to some semblance of status quo at the end of each episode. Therefore, physical injuries are always resolved before the top of the next episode, with no lasting ramifications unless they are relevant to the plot. Hand waved because the show format demands it.

So… I’ve got a little personal headcanon about it: I think Sam regularly uses the goa’uld healing device.

The healing device belonged to Kendra on Cimmeria and SG-1 obtains it after her death (and after Sam’s possession by Jolinar) in early season 2. Furthermore, we don’t see Sam actively use it onscreen until she heals Cronus in early season 3. So my little theory doesn’t account for earlier injuries, like Jack’s busted leg in Antarctica.

In any case, it seems silly for them not to use a resource like this.

So I’ve got a few points to this headcanon:

They prioritize study of the hand device first, trying to figure out how it works and if they can replicate it or create a version anyone can use. They can’t. It’s the only one they have unless they find more later.

They might be worried that repeated use might cause a milder form of the madness induced by a sarcophagus.

They’re not sure about the power supply and how much juice the thing has in it, so they don’t know how long it will last.

Due to the Naquadah in her blood after Jolinar, Sam is the only one at the SGC who can use it for quite a while… until Vala comes along, I think.

Sam takes a while to learn how to use it, just like there was a learning curve with her using a kara kesh in season 2. The thing requires Sam to tap into strong emotion/desire to use it and she is someone who keeps a tight lock on her emotions.

According to the tie-in novel, Roswell, it takes quite a lot out of the user, so I imagine Janet would try to restrict usage so that Sam doesn’t do any harm to herself. A goa’uld using one can easily repair their host, but Sam doesn’t have that luxury.

The same novel also mentions that the device can create a mental link, much like the kara kesh did between Sha’re and Daniel in Forever in a Day. I can see Sam being uncomfortable with that aspect of it and reluctant to use it except in the most dire circumstances.

The device can only heal, not bring back the dead.

There also seems to be a limit to the extent of injury it can heal, as evidenced by the failure to heal Daniel after he got irradiated. Or maybe Sam just isn’t skilled enough to handle the catastrophic failure happening in Daniel’s body at the time compared to a bullet wound or staff blast.

All this to say that I think they keep the healing device around and Sam is brought into the infirmary to help from time to time. But they don’t rely on it, and only have her step in to help with injuries that are life-threatening or may result long-term, crippling damage. They just use good old Tau’ri medicine for everything else.

So while Sam does truly enjoy her scientific work in her lab, this headcanon adds another level to her workaholic tendencies. She has an incredible sense of personal responsibility and self-sacrifice, so I think she would feel compelled to stick around the SGC in case they need her. I don’t think she’d forgive herself if someone died in the infirmary when she could have made a difference.

No wonder Jack can never get her to go fishing…

(Wrote up this whole longpost just to justify the shippy scene in my head where Sam uses the healing device to fix the staff wound on Jack’s leg after Netu. Because of her rattled emotional state due to the deep dive into Jolinar’s memories, she sorta fumbles when trying to heal him and inadvertently creates a strong mental link. Both Sam and Jack get a deep look into each others’ vulnerable mental state.)

[fwitolei]

The Dragon Prince Thoughts 6x05 - Moonless Night

Previous Episode // Masterlist // Next Episode

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Spoilers under the cut

“Oh, don’t worry about Viren, everything will be fine.”

Did you notice the way Soren hesitated when addressing Viren by his name? gahhh this poor man deserves happiness why can’t he get a breakkkk—

I wonder if they’re gonna pull some “Father-Lord” shit like Zuko and reference atla

THE WAY HIS FACE FALLS THE MOMENT HE LEAVES THE ROOM 😭😭😭😭

*crying noises*

“Oh, Soren, my son. Is that you?”

Woah Viren’s been in that cell for a while

There’s gonna be so much to unpack here watch

The way Soren absolutely refuses to look at Viren speaks volumes he’s so done taking Viren’s shit

And it’s the one time Viren isn’t giving Soren shit but he’s burned their bridge so badly Soren’s lost all faith and respect

Not to mention Viren took Claudia away from him too in a way

Lmao why was stella trying to steal callum’s book—

I wonder if Rayla learned that lullaby she’s singing from her parents

OOH or even runaan or Ethari—

Nah my bet is her parents

“Maybe I just want to see you suffering.”

Okay the repetition of the scene is totally intentional what are they trying to convey

Why does Soren keep going down there to see Viren when he knows all Viren has done is hurt him? What does he want?

“But with my eyes open, I also see… you.”

NO CUZ it’s the way Soren IMMEDIATELY starts crying when Viren says “you”

Like all he ever wanted was some form of acknowledgement from Viren his WHOLE LIFE but now that he’s got it it’s too late

Soren desperately wants to believe Viren but he’s been hurt so many times he doesn’t allow himself to

“Everything you’re telling me is… is some kind of lie!”

SEE THIS IS WHAT I MEAN

Viren has given Soren some serious trauma and self-worth issues, and even after two years of virtual peace, he’s still keeping it in

Everyone he trusted either didn’t care or isn’t even present in his life (lissa), so he always kept it in, using his “class clown himbo” facade as a coping mechanism

But now that his entire childhood trauma is literally sitting there staring at him he can’t take the idea of working through it all and that’s why he blew up

SEE NOW HE DOESN’T WANNA TALK ANYMORE

I wanna say he’s just not ready to face Viren but at the same time I don’t think he’s ever gonna be ready he just has to take the plunge

Wait is that Fen—

I thought he was with amaya in xadia

Did he get demoted lmao—

Wait does the standing battalion outrank the crownguard or the other way around

“On moonless nights you miss her the most.”

That is so sad omg—

Luna Tenebris disappeared centuries ago too so Esmeray’s been hurting for a really long time

Imagine that i could never 😭

“It’s the Corona of the Heavens.”

WAIT I THOUGHT VIREN’S STAFF HAD A QUASAR DIAMOND—

If all 3 are in the crown wtf is the stone in his staff

OH THE BLINDFOLD DESIGNS ARE LITTLE EYES I SEE IT NOW

OH WOW KOSMO’S CONNECTING TO THE STARS

Just like that huh

WOAH KOSMO PREDICTING FUTURES HERE

“But your path is… darkness.”

Does that mean callum is still on the dark path aaravos was talking about in s4? Or is kosmo just reflecting callum’s soul from his past usage of dark magic like how sol regem sensed it

Oh? Soren’s back

I wonder why he went back

“If you do not accept my words now, Soren, I want you to have them in the future… when you might need them.”

Okay nah this has got to be foreshadowing or something wtf is going to happen to soren—

Omg this was essentially a soren character study sorry lmaooo. I’m not too learned in trauma and all that stuff this is just my take on what’s going on with him I’m just really invested cuz he’s my bbg princess and i need him to be okay 💀

ANYWAYS considering that Rayla really connected with Esmeray in this season i wonder if she’s gonna have some plot relevance later on (i hope so esmeray is fuckin cool) especially cuz even kosmo commented on it and he can see the future. Soren BETTER BE OKAY by the end of this season i can’t take his pain 😭. And also i am SO EXCITED for rayla to see her parents again and for runaan to FINALLY go back to ethari like he DESERVES GAHH— 

But yeah good episode good episode 👍

[michi-hawkeye]

*chin hands* Tell me about the stickynote

Ooh you’re gonna love this it’s a alternate first meeting and it takes place 2 years pre canon, where Tommy and Buck meet at a book signing of their favorite author. Also the sticky note mentioned in the title is plot relevant I just don’t wanna spoil why

Here’s a snippet (unfortunately I haven’t written Buck and Tommy actually talking to eachother yet 😂) (cause you know why I have too many plot bunnies)

Tommy had been reading Chasing Starlight by Savino C. Zambrano in the bunkroom for a good chunk of his shift after getting his usual tasks done, to make up for the fact he couldn’t go to the signing event for the latest installment that was being held today. Sure he could have asked for the day off weeks ago but he’s pretty sure Captain Gerrad would have laughed in his face and deny the time off if he had, he’s pretty sure the only books his captain had read were the textbooks at his time in academy if the old man’s ability to be obtuse and a asshole were anything to go by.

The novel was the first book in the series and if he had his way he would have had the 4th book today, but for now he’ll be content to reread the book that got him into Sci-Fi in the first place, with the cracked spine and age worn, tea and coffee stained pages that are threatening to fall out. He had finally gotten to his favorite scene where the sweet but jaded bounty hunter turned hermit finally admits to the optimistic hero of the series that he sees him as a friend, when the alarm bell started to blare throughout the firehouse. He tries not to groan but he can’t help it he hates getting interrupted even though its work. He goes to hide his copy underneath the mattress of the bottom bunk that he had unintentionally claimed as his during A shift, so long ago.

Its not like he’s ashamed of his favorite series or his love for reading but he would rather not have to deal with the less than kind ribbing the team tends to do being aimed at him if they find out that he likes reading what could be seen as softer but dramatic character driven books, but its also not like he’s any better than them if him not stepping in to help Hen or Chim when they had been the targets was a sign, he’s gotten used to laying low at best and humoring the team at worst. There’s a reason Eli would rather keep to himself or take Chim under his wing when he had worked at the firehouse.

——-

He tries not to look too interested when he hears Captain Gerrad rattle out the address for Lavender Sprig Bookstore where the signing event was taking place, he would think the universe was trying to mock him or something if it hadn’t been for the fact that Gerrad had stated that the emergency was that a bookshelf had collapsed on top of a group of civilians, hopefully it wasn’t as bad as it sounded.

When they arrive they’re greeted by a bookseller who’s hiding her worry surprisingly well for someone’s shop dealing with a pretty sizable event telling by the line at the signing table they passed that he tried not to eye to long, regular flow of customers, on top of possible several medical emergencies. “A Good Samaritan seemed to have the bookshelf handled, he’s been holding it up and when others tired to move the injured from under the shelf he told them not to and to wait until the proper medical professionals have it handled” the bookseller, Mara said as they weaved through bookshelves and people which explained why she was more calm than frantic which isn’t a reaction that’s seen very often on the job.

“Sounds like a dumb kid trying to play firefighter who’s just going to be more of a hindrance” Captain Gerrad grumbled out as they finally got to the collapsed shelves.

“More like he’s just trying to help and he clearly has look around you” he hears hen snip back as she and Chim brush past the crew. Tommy does give a quick courtesy glance at that and notices that despite how close this area of the bookstore is to the signing, the front of the store and registers it’s clearly deserted instead of being filled with the typical nosy bystanders.

He hears captain Gerrad angrily retort “Kinard, De Luca secure the shelves and make sure that kid is out of the way” he gives Gerard a nod in response as he says to Sal “you take the left side I’ll take the right” Sal gives him a thumbs up as he hands Sal the other cord to secure the shelf. As they follow Hen and chim, Tommy taps on the stranger’s shoulder to get his attention since he was clearly crouched in a way that was easier to bare the weight of the bookcase as one person instead of what should be two at minimum which was made harder since the stranger was also being careful to not be in the way of the injured civilians

[cecilysass]

Saw your Three Words tags! :DDD

I always read that scene as a sort of joke between them (which I covered in this post, but it's not necessary to read over.)

The play-by-play, according to my theory:

Langly makes his statement.

Mulder hears Langly and becomes suspicious of Scully's involvement, wondering if she'd "set him up" in a One Son do-over.

Scully keeps her face relaxed and neutral, seeking eye contact rather than breaking it-- a sign of her innocence. (Scully can't maintain eye contact if she has something to hide... which she proves, later, after Mulder calls her out for "campaigning.")

We see Mulder's face a second before he registers her uninvolvement (a little bit of panic, a little bit of betrayal)--

--but when he does, his eyes become twinkly as he tilts his head and mockingly squints at her (an unspoken tease over the baby's paternity-- the same as his expression in Empedocles.)

Scully teases him back-- raising her eyebrows and lightly quipping, "So much for playing a hunch, Mulder"-- before transitioning them to TLG's research.

I'm quite passionate about this subject; but, then again, my speculations rest on the fact Mulder already knew the baby was his but wasn't ready to face impending fatherhood. Not a rejection of the baby so much as a protective measure for them... and himself (wracked, as he was, with hidden PTSD.)

I’m with you that Mulder knew he was the father. I mean, I admit I like fanfic where he’s so out of it and confused that it takes him a moment to put it together, and I can go with some “he becomes jealous and suspicious” fanfic if he is characterized as traumatized enough to not be thinking straight.

But in my actual interpretation of the show, he knows and is just in too much numb trauma to act like we think he would right away. I have read your takes on this before, and I think you and I agree.

Now my beef with this little moment (and a few others in this arc) is that it seems written just to string along audiences, to keep them wondering if Mulder is the father, not for coherent storytelling in its own right, to stand on its own and make sense. Everything season 8 until the last possible minute had to be able to be interpreted as either (a) Mulder isn’t the father, and Scully doesn’t think he is; or (b) Mulder is the father, and Scully does think he is.

(I think this was a goofy writing decision because it meant they couldn’t fully push the plot or character implications of either interpretation. Like: If Mulder isn’t the father and Scully doesn’t think so, who tf is the father? We have no info on that. Shouldn’t Scully be worried about that all season long if she doesn’t know? Wouldn’t that be a major plot point? I would sure be worried. Or… if Scully believes Mulder IS the father and starts to have alien baby doubts, did she have an amnio and run DNA or no? Seems like she sure as fuck would have. And it turns out that was relevant. But this is all a side quibble.)

I’m trying to understand what you mean by Mulder could be suspecting Scully has discussed this with the Gunmen in advance, One Son style. You mean that he’s worried she’s trying to pin him down about his role with the baby? Like he’s a little anxious about this? It’s hard for me to get that in DD’s expression there, but maybe?

I can definitely see that maybe he is checking with her because he doesn’t know what she’s told people, or because he’s specifically surprised she hasn’t told the Gunmen. That makes sense, but I don’t know if I think that reads very clearly here. It would have more if Scully had given him a more intentional look back—she almost seems to just cast her eyes his direction—but of course they couldn’t do that, because that would confirm too much.

It sure looks like he’s confused about what Langly means, or even that he’s like, “heavens, why would I be involved in my co-worker’s pregnancy!” And of course I think they wanted it to look like that, so that they could continue the frustrating season 8 plan of making sure people could also possibly interpret this scene as Mulder not being the father. And I think this is why this scene sends people in all kinds of directions on what Mulder’s thinking is.

I do like your take, though. I can headcanon that. I probably would have written him more obviously spacey and traumatized in all of these scenes. I think you have written about wanting to see more of him dealing with this, and I agree. (I wrote a fic about this actually lol.) If Mulder had been having a more visibly difficult time, they could have had him absent-mindedly change the subject or look off in the distance or something. But I know they also wanted him to get to have the jokey, playful dynamic with the Gunmen and that the show hadn’t had that for a long time. And it is fun to see. So I get it.

If I haven’t said it before, though, I looooove these photo by photo interpretations of scenes.

[charcubed]

Look, I personally lose nothing if Lokius doesn’t become explicit canon. And if that were to become the case, I’d also have no regrets for saying for years that that would happen in the show by the end ¯_(ツ)_/¯

I’ve said it before, but by now it would be Disney/Marvel’s loss, NOT mine. Whoever wasted or limited the potential would be the idiot, not me.

I’m simply never gonna feel crazy for noticing what’s happening in a story or silly for daring to hope it’ll be brought to fully satisfying narrative completion. That's just a me thing. Maybe this is because at heart I’m stubborn! But I’d like to think I’m not unreasonable. I can’t control whether writing stays consistent or censorship is overcome... But I just do my best to construct solid arguments, and as long as those arguments remain solid, I stand by them :)

I know not everyone would say the same, or they consider this to be "hope" or "optimism," but I see it as logic based in noticing what the text of a show/story is doing. And personally I also consider blatantly evident subtext to be "canon enough," so if we get my personal minimum, my happiness may still outweigh any potential disappointment for me.

However. Here's what I've come here to say today, in reaction to things I've seen floating around in the fandom:

While I do understand on some level why people worry that Lokius won’t be more explicitly canonically romantic because it could be censored by Disney.... At this point, I don’t understand how people can think Loki/Sylvie will still happen.

As of right now, there’s no way to argue for that in my opinion. (I'd like to see someone try.)

The show has set up a fun but very simple situation from basically the start:

They made romantic love a point of relevance in the show’s story. More specifically, they pointed out Loki's desire for a "real" romantic love, and had him learn the lesson that he doesn't deserve to be alone. They didn't HAVE to do all of those things and tie them together. They CHOSE to make romantic love relevant – and they have actively continued to choose to do that, to the point of including a mirrored dark love triangle in s2 ep3. That narrative thread simply has to be fulfilled.

So if they deliberately established that Loki wants and needs a “real” love, and his relationship with Sylvie was referred to as "fiction" so she cannot be a real love for him.... Who does it have to be?

Obviously it has to be Mobius. And of course, the whole show points to Lokius also, for countless more reasons than just this simple breakdown. But pointing this element out is the simplest argument one can make.

So either...

1. They take Lokius to full narrative completion with explicit canon, as they should and as I expect them to,

or

2. Loki's desire for a real love is left unfulfilled, open-ended, and/or made clear through subtext that it's Mobius.

Those are the options, if you ask me!

This is aside from how Lokius’ love story is now even at the core of the show’s themes and plot, which is an insanely strong vote in favor for their future canonicity.

But for the purposes of this post, I’m talking about whether we'll get explicit romance specifically, like a love confession or a kiss – and I do actually genuinely think we'll get both of those things. I'm not trying to force you to agree with me, but just to be clear, that's where I'm at with it and have been since 2021 lol.

So in regards to worrying about Loki/Sylvie...

They were never really a romance (yes, even in season 1) and they sure as hell aren't now. I can’t imagine they'll become one even IF Lokius is left subtextual.

So what actually remains to be seen is if the writers got to go all the way with Lokius, or if that central queer love story was censored on some level in the end.

My hot take is no one should be ~worrying~ about Sylki at this stage of the game. Free yourselves, people.

If the story starts abruptly going in a Sylki direction, even with only 3 episodes left, I will certainly be the first to say so lol. But I simply sincerely, truly doubt that'll happen.

(Hot take in the footer: this is not the post to get into this at length, but in case this comes up… In this house we do not use the word "queerbaiting." It is a useless, nearly-meaningless, insufferable term that devalues the legitimacy of subtext and queercoding more often than not; it's rooted in the idea that media must hit arbitrary and inconsistent checklists often set with cishet approval in mind; and it perpetuates a focus on the false and harmful myth that many creators are "cowards" instead of leaving room for nuance and the fact that industry censorship still exists.)

[paladinbaby]

i feel like it’s potentially relevant i keep track of these all in a discord channel called nettle spiralling. family portrait of nettle nolastname

@july-19th-club / my nieces is probably the reincarnation of shirley jackson, cj hauser with notes / all about love, bell hooks / where angels fear to tread, e m forster / antichrist, the 1975 / elisabeth hewer / haunted epistemologies, laura westengard / letters to a young poet, rainer maria rilke / sam sifton / the anthropocene reviewed, john green

[Image Description: Ten pictures of text.

1: “simply cannot resist what i call the little mermaid or the tin man or the pinocchio plot, the one about a character who is either inhuman or human but outside in some way, constantly searching for whatever it is that they consider to be the quintessential proof of humanity, preoccupied by it so deeply that they fail to realise the proof is in the act and fact of the search itself”

2: “”What does it mean for the structure of your life to feel menacing? To be imprisoned within it? To feel like it might kill you?”

Haunting is an act of care, care is an act of haunting. Haunting is formed between the trauma, mothers inflict on their daughters.”

3: “We can never go back. I know that now. We can go for-ward. We can find the love our hearts long for, but not until we let go grief about the love we lost long ago, when we were little and had no voice to speak the heart’s longing.” The first three sentences are highlighted in red.”

4: “I seem fated to pass through the world without colliding with it or moving it - and I’m sure I can’t tell you whether the fate’s good or evil. I don’t die - I don’t fall in love. And if other people die or fall in love they always do it when I’m just not there.”

5: “And I swear there's a ghost on this island / And his hands, all covered in blood / And my wife inquired of understanding / But of course, my dear, you can't

She said, How can I relate to somebody who doesn't speak?/ I feel like I'm just treading water

Is it the same for you? / Is it the same for you?”

6: “I want to be eaten alive. I want / to feel wanted.”

7: “cultural anxieties and desires, allowing”for a whole range of specific monstrosities to coalesce in the same form.” The excesses of monstrosity and the hybridity of the living dead help visualize naturalized oppressive structures, making those structures uncanny and therefore intervening in the architecture of oppression. Both haunting and sadomasochism appear in queer thought as expressions of queer temporality that expose a particular type of traumatic temporality. Haunting manifests the swirl-ing, fractured, intersecting temporality of ongoing low-level trauma, not just a single event popping through into the present but a disorienting and overwhelming storm of traumatic intrusion.

The traumatic gothic shadow cast on queer theory is not always made explicit however.” The initial sentence fragment and queer temporality are highlighted in blue. The penultimate sentence is highlighted in purple.

8: “You must realise that something is happening to you, that life has not forgotten you, that it holds you in its hands and will not let you fall.”

9: “Above all, cook for someone else. Take a moment to prepare food not simply because you’re hungry, but because cooking is an act that makes others feel better. And making the lives of others better is why we are here.”

10: A photo of a page of a book, some lines are highlighted in yellow throughout. “would like that, to show it your belly. There’s something deep within me, something intensely fragile, that is terrified of turning itself to the world.

I’m scared to even write this down, because I worry that having confessed this fragility, you now know where to punch. I know that if I’m hit where I am earnest, I will never recover.

It can sometimes feel like loving the beauty that surrounds us is somehow disrespectful to the many horrors that also surround us. But mostly, I think I’m just scared that if I show the world my belly it will devour me. And so I wear the armor of cynicism, and hide behind the great walls of irony, and only glimpse beauty with my back turned to it, through the Claude glass.

But I want to be earnest, even if it’s embarrassing.”

End ID.]

[loombox]

Hey everyone! So I decided to do a post going over the roles of my wick au and the au in general!

To clarify this is the au I mentioned in the scene Lillian art. Also I do plan to write some oneshots and art relating to this au so this post won’t be delving to much into the plot as whole.

So this is a Lillian centric au! I wouldn’t be living up to my name much if it wasn’t and I literally haven’t seen one ever. On that note I haven’t seen a wick au that doesn’t have the twins as the main characters, but that’s a discussion for a another day.

So here’s everyone’s ages!

Benny: 23

Caleb: 18

Lillian: 14

Tim and Tom: 2 (yeah they are babies I will not elaborate)

Mary: late 40s early 50s

John: dead ( I will also not elaborate )

Pastor mcbitch: mid 50s

As you can probably see I shifted around a good amount of things but don’t worry it’s all plot relevant!

So what does the scene Lillian design have to do with this? To simplify she’s being rebellious.

And what is this au about exactly? Lillian’s toxic relationship with her mother and brothers yay! This au is basically an exploration of Lillian’s perspective if she yknow didn’t kick the bucket (pun intended). In a new setting of course!

———————————————————————

This is the most I can think of to tell without giving to many spoilers. If you have any questions feel free to ask! Thank you for reading my brain dump lol.

[23sanguinity]

As my friends know, I am both a long time lover of Moana and currently obsessed with the transformers. So when I wanted to make transformers art but had no ideas I looked at my tiny Moana doll and was like what. What if she turned into her boat

Info on design +refs used bellow cut (I ramble a lot, be warned)

I basically traced a picture of my tiny Moana doll and an image of her boat to design the initial concept and because my friends thought it was cool I wanted to color it, so I sort of traced the vague shapes of the sitting lady reference and made the second pictured sketch from that. I colored over the second sketch, and decided that while I usually don’t do line art it would look better with it, so i did that but after finishing up I didn’t like how little color it had without a background so I spent a little time doing that. Procreate tracked 3hrs36 but I was sketching some random bullshit before I had an actual idea so it’s probably about 2-3 hours? I think? I am completely time blind even on my meds.

Another note is that I didn’t consider how an actual transformation would work at all, just that the parts had to go somewhere. I imagine the head folds under between the two storage compartments

I actually have a lot to say.

The hair was tricky, I wanted to still evoke her hair texture as she wears it in the movie but couldn’t really do that so on the final drawing I ended up just implying that shape of the hair. The idea was that any little sticks and bits would be segmented with some rope running down the middle so they could move, but it looked a lot like braids, which while cool, isn’t really what I wanted.

I thought several times about how it would be cool to know about the actual wood types used in this type of boat and how the colors I was using likely would not match up with this, but did not end up doing any research to incorporate into the final piece. I think the tones I used get the job done but aren’t really true to the movie or any sort of real world boat. If I draw this design again I’ll definitely keep fiddling but for now I’m happy that the sail at least looks right.

Back to the hair (lol) I thought a bit about replicating her bun instead, but couldn’t quite figure out what to make it with. I might try a redesign that doesn’t have any hair, maybe with some segmented sticks going down her head but stopping at the neck, but idk

If I draw her again I also want to focus on more of the little details- sail texture, wood grain, the little pattern on the hull/legs, I’m just impatient af and rush everything I do (also probably why the hair didn’t quite work out, I can’t slow down enough to do it properly)

I also need to look at more references, the ones I included are literally the only ones I used, and there are a few things that would look better if I did

I didn’t incorporate her oar into the design, thought I wanted to, I both worried about messing up the scale (honestly the rushed background kinda did anyway, whatever tho) and unsure how to incorporate yet another long stick. Most of the design I got around the stick issue by segmenting them but I don’t want to do that with the oar, because while breaking it doesn’t compromise structural integrity it does have a more visible role in the plot. Also, I’m not entirely sure where to put it, because again, it’s more plot relevant than other individual boat components and I’d want it to be clearly visible.

You know I think this is what art teachers wanted from me. And I’m just doing it for fun now

[crispyjenkins]

dha kar'ta edits and retcons

hey y'all! no excuse for not making this post earlier except that i'm a flake when not on my laptop, but i did some massive edits on dha kar'ta on July 23rd, which was after my last update on July 15th, which was a little silly of me because then tons of people went and reread from the beginning and didn't get to read it with all the edits.

most were just formatting and adjusting sentence flow, fixing bits that have always bothered me, fixing some formatting issues, removing the bolding on the old retcons, adding chapter titles (Mando’a numerals), changing the formatting of the Mando'a glossaries, and all links are now fixed!

Unfortunately, these edits DID include some new retcons/clarifications, but here’s a quick rundown of them so you don't have to go looking for them:

clarified why Obi-Wan killed Rret So instead of capturing him on Dagobah (Dha/the Force assured him they wouldn’t be able to get information out of him, nor would he allow himself to be brought back to the light);

changed how Obi-Wan addresses a few people, last name vs first name (this will be a minor plot point later on, but i needed to backdate it so to speak. also Ki-Adi-Mundi is now one name and does not have a first and last name);

removed “Maker” as an oath/swear (I’ve never liked how it sounded, but only recently actually liked “Force” and “Stars” and “Manda” in place of “God” or “Jesus” as like. an invective? is that the word? there’s a word but i don’t know what it is. expletive isn't quite right);

the inclusion of the term ba’ji/ba’ju’alor, as created (to my knowledge) by cjwritesfanficnow and discussed here (there’s only like three spots i’ve added it to, i just like it a lot and it helped those scenes flow better);

some clarification about Qui-Gon discouraging Obi-Wan’s visions in chapter 4 (just clarifying that the council thought Qui-Gon had worked with Obi-Wan to balance his Unifying Force with the Living Force, not stifled his visions);

changed Dha from being made of durasteel to coruscanthium (this will be plot-relevant at some point);

Obi-Wan is given a bodyglove/kute for under his armour (instead of his Jedi undertunics; it’s a dark blue almost black, but only because he couldn’t find a black one);

one line clarifies all Haat’ade helmets have some level of beskar, for cultural and protective reasons;

added a line from Dooku while discussing Lom in chapter 9 to fix a plothole later (basically just acknowledging they would have immediately suspected the second darksider as the one to have been hired to take the holo of Obi and Dha);

added a few lines mostly in chapter 3 about how Qui-Gon’s fear of Obi-Wan Falling in their early padawanship would influence/exacerbate Obi-Wan’s own feelings regarding killing Maul and Rret So (I’d already set this idea up, just made it a little more explicit that Qui-Gon has absolutely given Obi-Wan a complex(?) about always being worried of Falling);

i think that's all the big ones! a version of this note will be included in the next chapter update, and most of these changes will be expanded on as we go on! am especially eager to talk about why dha's hilt material is important and why i didn't choose beskar 👀

[violivs]

NMTDaily: Football Antics Part One

- I’m just cracking up at how nervous Beatrice is! The nervous babbling! And it is definitely because, since she hasn’t started school yet, this football game is the first time she’s seen Benedick since moving to Auckland- since they were 14, really. (I don’t think she was there when Ursula filmed his part of Vox Pops, or at least she was better able to avoid him then. No avoiding being seen here though!)

- Bea may be in denial, but her “holy shit my crush-that-got-away is Right Over There In Person” energy is radiating! Which is perfect adaptation work for Miss Starts The Play By Oh-So-Casually Asking About Benedick And Playing It Off With Insults.

- “We’re here to support Leo, we’re here to Support The Boys, we’re here to see Pedro, and Definitely No One Else, At All, Promise” 👀 I see you Beatrice

- “I’m sure he’ll be wonderful, and so will-“ *Extremely Long, Pointed Pause* “-everyone, really.” Hero knows what’s up!!! And Bea just assumes she’s talking about Claudio, which, yeah, but the way Hero looks really intently at Bea on this line and says it with such intention- she is teasing Bea about Ben here for sure.

- Bea and Hero are having a sass-off complete with impressions of each other and Ursula is all “just keep taking pictures, they’ll get tired eventually”. Ursula is a treasure.

- The sass-off is also great! I love that Hero, as nice as she is, can still hold her own against Beatrice here. It’s a good thing, because making fun of people is kind of a love language for Beatrice.

- Starting in on Meg again (poor Meg), as a way to seed some backstory that will matter later! (Robbie got kicked off the team, hmmmm.)

- And Bea immediately pivots to bring up Claudio. The fast forward through Hero’s gushing is so funny and cute. She was definitely trying to say Robert Pattinson reminds her of Claudio, which, I can see it. 2014 is calling again though, right at the end of the Twilight era. If this series were set much earlier we would definitely have heard Bea hating on Twilight, lol.

- “He’s nice!” being the only thing she can say, says a lot. And Ursula being the one who gets Hero to admit she thinks he’s cute, awww. The hiding behind the hair! The oohing over Hero’s crush is majorly bringing me back to what it was like to be a teenager, it’s adorable. Poor Hero lol

- Ah yes, “Leo says we can’t film the match” AKA the in-world explanation for not being able to make an actual football scene realistic. I say that with zero judgement. The workaround of Leo saying no is cleverly done, and makes sense since the only plot-relevant stuff goes on on the sidelines anyway.

- The little moment of Hero narrating the game! I love that. She’s so into it that she forgets she’s not supposed to mention Ben in front of Bea, and then she starts worrying about Claudio which is also very cute.

- (My brain instinctively: Ooh! Ben mention! First Ben mention by name in a Hero and Bea vlog!!!! Milestone!)

- Enter Meg! (and Robbie). “I’m going to be the real star, you just don’t know it yet!” An icon.

- Robbie throwing out a Game of Thrones reference, it’s like a signal that he’s sort of part of the group for now, but his energy is Off. Dark colors, never really looking at anyone but Meg. Bad vibes.

- And Meg and Robbie as a visual sign of Bea’s discomfort with relationships, her idea that they’re all PDA and no boundaries. That in Bea’s and to some degree Hero’s eyes, Meg chooses Robbie over their friendships, over homework, almost over her own self, and Bea does not want that imbalance for herself at all. But she doesn’t know how to express her discomfort and concern in any other way but scorn for Meg. So much character work for so many different characters in one episode at once, I love it.

- I love Ursula sticking up for Meg, even if it’s never particularly fun watching other people make out. This is an Ursula Appreciation Liveblog, and I’m also still loving her tumblr, btw.

- Part Two next and it’s time for the I Know You Of Old scene! Ahhh!

- BUT FIRST: another video I didn’t know was posted so early, and get ready, because I’m about to be insufferable in this next one. I will not be able to help myself. My boy is about to enter the scene! My beautiful cringe-y boy! How I’ve missed him!!! Next liveblog post coming soon, I hope. 😊

💖🦩🥭

[nerdieforpedro]

WIP Thursday

I’m unsure which WIPs to post snippets of. I’m always writing new stuff and working things that I’m planning to continuing and editing. The writing feels like a compulsion but is also therapeutic for me. It’s a curious conundrum 🤔

I was tagged by @avastrasposts and @frenchiereading I love you two ❤️

Anywho, this week, I’m just going to name ongoing or pending fics I have. It’s a long ass list but if you follow me, you should have an idea that I am a master of none and will write whatever idea sticks in my noggin. Behold!

Current ongoing fics (on Tumblr):

Nights in Coruscant - Din Djarin

Coasting through the Rainbow - Javier Peña

A Safe Place for Us - Dieter Bravo

Our Journey through the Star Ocean - Din Djarin

Weddings 101 with Dieter - Dieter Bravo

Fire and Fury - Pero Tovar (DDDE)

Security Logs - Frankie Morales

Therapy for the Well-Adjusted - Marcus Pike

Uncomplicated Mi Amor - Javier Peña

Come live with me Angel - Benny Miller

Current fics on AO3 (might be on Tumblr one day, you’ll also need to be a registered user to read them):

Front Office Adjunct - Dave York (Dark)

Foul Play - Javier Peña (kinda Dark)

Caught in the Magic of You - Marc Spector

Fifty-Six Wildflower Lane - Frankie Morales (Dark)

WIPs that are in Nerdie’s notes floating around:

Viridesicant Seduction - Ezra

The Green Shop of Memories - Marcus Moreno AU with magic (maybe Nerdie looked at her Harry Potter books too long, thought she was in the coven with the witches from “The Acolyte” and chose to pull a modern day fantasy out of thin air) 👀 Also @secretelephanttattoo ‘s glorious fic Afterword is to blame.

Common Tongue (Moment’s Silence) - Din Djarin

Drinks after Work - Tim Rockford (He’s gotten most of my horny vibes as of late, what’s a few more? Also coworkers to lovers? Also they’re in their mid-forties. The vibes say so, so it shall be written.)

Honey and Sugarplum - Jack Daniels (Him and that damn Stetson. The brim is wide like him.)

No title - Oberyn Martell as a sex worker? (All vibes. Could stay as is, could have an older virgin reader or just an older reader who wanted to explore some stuff)

No title - Poe Dameron talking you through giving yourself an orgasm. (Vibes and also Zoom?)

No title - Marcus Acacius fic (The plot? convoluted and doesn’t have Marcus in the orgy because he wasn’t invited. Frankly he doesn’t want to be there and it’s not hot without him. But is still plot relevant, sneaky stuff, plans and an assassination or two. It’s Rome baby, just a Tuesday evening before we hit up the bath house.)

No title - trying to rework an m/m fic I’ve been trying to write since January. Why did I need a time skip in there? Also don’t worry about feelings. It’s buns out. But also feelings because, we care kinda. Well about seeing tears and knowing we did that. This is why it needs to be reworked, maybe with different characters. Theme will stay the same though.

So you know, a few things. Just a couple. 🤭

Does anyone believe when I say it might be a problem? Who does all this at the same time? Ugh…😭

Peeps who might be interested: @inept-the-magnificent @megamindsecretlair @soft-persephone @soft-girl-musings @angelofsmalldeath-codeine

@maggiemayhemnj @magpiepills @morallyinept @lotusbxtch @bitchwitch1981

@mysterious-moonstruck-musings @for-a-longlongtime @lady-bess @westside-rot @fhatbhabiee

@sin-djarin @syd-djarin @julesonrecord @perotovar @djarinmuse

@alltheglitterandtheroar @rosecentaur1916 @pedroshotwifey

[bookishfeylin]

Racebending vs Whitewashing 101

In this essay we’re going to be answering two questions: Why is it ok, from a race perspective, to make white characters POC but not the other way around? And why don’t you make original characters that are POC instead?

There are quite a few reasons, and I’ll be discussing them all below the cut for anyone who's genuinely curious about this and wants to educate themselves :)

⭕️ Firstly: most white characters have no plot relevant reason to be white. White people are considered the default human being, so their race or culture *usually* does not affect or contribute to the plot or story or game in any way. Like, pick your average piece of media with white characters in it and see if they actually *have* to be white for the story to work/make sense. Unless being WHITE plays some important role in the story, then in most cases, characters do not need to be white. This is especially true for non human characters depicted as white (mermaids, faeries, aliens, etc.). Unless being a *white* non human is important to the story for a specific reason and then they can be almost ANY race. For example: In Gremlins do Billy and his family have to be white for the story to still work? Does making the Skywalker family POC impact the plot in any way, shape or form in Star Wars? Is being white relevant to Iron Man's, Batman's, or Superman's stories at all? Why do the main characters of Jaws have to be white? Do Alan Grant and Ellie Sattler, and Claire Dearing and Owen Grady, from Jurassic Park and Jurassic World, respectively, need to be white in order for the movies to make sense? Does being white play an important role in Indiana Jones' character, or would the movies still work if he was another race? Does it impact the story if I were to change the Russels (Maddie, Emma, and Mark) in Godzilla: King of the Monsters, from white to black?

⭕️ Conversely, people aren’t as used to seeing POC in media, so often their existence is “justified” with some form of racism. It would not make sense to make a character facing racism (say, antiblackness) white (for example, in Disney's The Princess and the Frog, Tiana lives in a segregated Black community that is decidedly poorer than the wealthy white community Lottie lives in, and is denied the ability to buy the mill to make into a restaurant because it would’ve been too hard for a woman of her “background” to run a business)

⭕️ Another way POC are “justified” in western media is making something specifically about their culture. Unlike most white people in media, we cannot simply *exist* and, say, survive an alien invasion, or steal the Declaration of Independence, or get sucked into portal to a magical land, or survive a natural disaster, or have a very very very bad day, or solve a mystery about a haunted house, or worry about prom. No, our culture almost always has to play some SIGNIFICANT role to “explain” to the audience why that character is not white. Not that that’s a bad thing. For example, Mulan is about a Chinese woman overcoming the deeply ingrained sexism in China and becoming a soldier. The movie is all about China and Chinese culture, so it makes no sense to make her white.

⭕️ Making a POC white plays into whitewashing and colorism (the basic idea that paler skin is better/more beautiful/less “savage”). For example, in slavery lighter skinned ppl were “better,” and were allowed to serve in the house because, being lighter, they were viewed as closer to white and as being “more human.” Changing or “improving” a POC by making them white is just feeding into that nasty idea that people with darker skin tones are “less than” or aren’t real humans. Conversely, there is no relevant history of white people being considered “less-than”, or, you know, NOT HUMAN for having lighter skin, in fact lighter skin tones have been promoted as desirable for centuries. White people by and large aren't harmed psychologically from seeing a character being redesigned with darker skin/being racebent, because society has never told them that their lighter skin makes them nonhuman or undesirable, unlike I, a Black woman, who’s been told all my life that darker skin is masculine and ugly on a girl and that I would be pretty if I only had lighter skin :)

⭕️ All those reasons are important, but there is one MAIN reason why racebending works but whitewashing does not: representation. Representation is very important and very powerful, impacting our own self esteem as well as impacting how we perceive groups of people who are different than us (x, x, x, x, x). Representation can help you develop empathy for a certain group, or it can perpetuate harmful stereotypes about them. White people are represented literally everywhere in Western media--books, movies, TV shows. Even most toys. It’s not taking representation away from them if we make a white character a POC--they have tons of other characters to make up for it! Even if we NEVER had a white main character in any movie or TV show ever again, white people still have the past century's worth of media with themselves as the main characters for them to watch. Conversely, we have comparatively few prominent characters that are POC in Western media, and even fewer that aren't just side characters or walking stereotypes. Making them white takes away the limited representation POC have in the west. Racebending (either in fan art or in reboots of a series/movie) is typically done by people who lack representation and want more.

Why don’t you make original characters that are POC?

⭕️ Most of us would prefer original characters. I WANT original characters of color. But when we do make new characters that are POC, or new stories with POC leads (especially if they are dark skinned POC) they are usually ignored or overlooked by consumers in favor of white characters or white-led stories (Finn and Rose vs Kylo Ren and Hux from Star Wars; and Black Lightning being wayyyyyy less popular than white-led DC shows; Still Star Crossed being, like, forgotten?). This often happens on movies and on television shows, and usually the end result is that the new characters of color are written off or are minimized in the show/following movies because they are not profitable (once again, what happened to Finn and Rose in Star Wars) or the shows are canceled (Black Lightning, Still Star Crossed). Or the story is labeled “woke” and “political” and is boycotted by the same people who said we should make original characters in the first place.

——————————————————————

I'm not saying you have to *like* racebending white characters. I am merely EXPLAINING why one way is racist and the other way around is not. But the sad thing is, all these reasons are common sense. Most people know we have a racist history, they know it’s wrong to make Tiana or Black Panther white even if they have problems articulating *exactly* why: because the point of these characters existing in the first place is to show that we’re human too. That we can be heroes and princesses and role models too, despite centuries of being told we were nothing. We still live in a world where being white is considered the default human, and nonwhite people have to be *justified* in their existence, because most of us weren't viewed as human for centuries. If it truly bothers you that much, then support original characters of color and diverse franchises instead of white characters and predominately white franchises. That way you will send a message—we all will—that we want more original characters of color. In the meantime? I, a Black woman living in a white-centric world, am going to enjoy all the characters of color I can get.

[thecatsaesthetics]

Feysand stans are one step away from being the worst. Why be so threatened with Rhysta?

If we saw the potential of the ship, why would we stoop lower with Feysand?

You Feysand girlies like to rant how we “hate” Feyre for shipping Rhys with Nesta when we’re complaining that if these characters are paired off differently, it would justify SJM’s writing considering how Feysand aren’t supposed to be original endgame in the series. It would even solve certain plot holes.

If you can’t handle that maybe all of you are just threatened that Rhysta is getting more popular now and you worry for Feyre losing relevancy because her character cannot stand on its own and is always attached with Rhysand. Sorry that your ship sinking. Advise for Feysand stans, don’t be an ass just because you don’t like or feel threatened over a ship.

Point by Point I will deconstruct this. First, nobody is "threatened" by R*ysta, we MOCK it. If you like crack ships whatever, but the seriousness of it? Rhys and Nesta would never happen. They aren't remotely interested in one another and they are incredibly different characters.

The reason why people say you hate Feyre is simply by how you make her behave in your fics (this goes for T*msand too) as the wife who's cluelessly getting cheated on or having Nesta flat out steal Feyre's character arc (becoming High Lady, mating bonds etc). Feyre does stand on her own, people love Feyre because she's an actual strong FMC.

Feysand was always end game, SJM has confirmed this several times. Even the newsletter people point to (where she says rewrote ACOMAF) says this:

The romantic arcs of ACOMAF were the same in the original draft and in the final version. That means Feysand was always intended, and you can see this in ACOTAR where she has Feyre draw stars on her draw, seeing a pool of starlight in The Spring Court, and the scene where Rhys felt the mating bond click into place.

Even in her live the other night SJM was saying she knew the romantic plot points of ACOTAR. You can dislike it, but it's a fact. Feysand was the intended endgame and F*ylin was the bait and switch.

Also Feyre and Rhys are overwhelmingly popular among the fanbase. Don't confuse people shouting loudly on tumblr to true popularity. Most people who read and enjoy the books like Feysand. Most people don't keep reading a book series where they hate the main characters.

Feysands aren't bitter over anything, because at the end of the day it's the canon ship. SJM talks them up all the time because she loves them and has written them a happy ending. Feysand and Pro Feyre accounts are MOCKING antis simply because you are wasting your time and energy. Nobody is forcing you to read ACOTAR or interact with the fandom.

If you don't like Feysand, Rhysand or Feyre these books are not for you. SJM is never going to go down "evil Rhys" path or make it so Feysand isn't canon. Feysand is always going to be canon and likely they will end up High King and Queen at the end of the series.

I suggest touching grass and finding a book series you enjoy.