#dominant7

[nerdpiggy]

going thru the harmony homework that took me 5 hours and realizing i got literally everything wrong🤪

[onedayescapemusic-blog]

Reviewing some basic 5th string root chords during practice...🎸🎶📒#guitar #guitars #guitarist #martin #martinguitar #acoustic #acousticguitar #music #musicians #musiclife #musicianlife #practice #practicemakesprogress #memorize #practicesession #musictheory #chords #guitarchords #notebook #practicepracticepractice #major7 #dominant7 #musicmonday #songwriting #songwriter #worktodo #acousticfolk #acousticrock (at Salisbury, New York)

[sonofabass]

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#365daysofbass #day28 #mixolydian mode. 1️⃣This mode starts at the 5th scale degree and the associated chord is the #dominant7 . 2️⃣The Dominant 7 scale, has a similar interval make up as the major scale with the exception that it has a FLAT seventh scale degree. 3️⃣ this chord functions the Five chord also called the DOMINANT. It's "typical function" in music is to bring the listener back to the tonic chord.

[udemy-gift-coupon-blog]

Spice-Up Your Guitar SONG-Playing; Develop YOUR Unique Style ##freetutorials ##UdemyReview #Develop #Guitar #SONGPlaying #SpiceUp #Style #Unique Spice-Up Your Guitar SONG-Playing; Develop YOUR Unique Style This course will change the way that you are playing songs. It's going to become a much more creative experience, open to your own interpretations and choices. People will be touched and impressed with what you'll do on the guitar - and they'll want to hear more. (for more details on the techniques and "spices" that you will learn - see the description below, and also the course curriculum content below) ***** Are you at a place where you can play songs that you love on the guitar, but you feel that most of them sound plain, and sort-of the same when you play them? Do you want to play songs in a more enjoyable, satisfying way - with a lot more creative choices and sound options at your fingertips? Do you want to be able to really express and transmit your emotions through your playing - and captivate your listeners? Do you want to get into a journey of improving and spicing-up your song-playing through studying the habits, ideas and techniques of some the world's most-loved guitarists? (The Beatles, John Mayer, Ed Sheeran, Jimi Hendrix, Jack Johnson and many others) If the answers are yes - so you are in the right place, and the only place on the internet which can give you those answers. I created this course as the dream course that I wish I had when I was at the position that you're at now. ***** I was at that exact same place shortly after I was finally able to play a lot of my favorite songs fluently, and this feeling stuck for several years of mostly plateauing. A feeling of "OK... What's next after I got those simple strums down?". I felt like my playing was stuck in a rut and there was nothing really special or ear-catching in my playing, neither to me - or to my friends who were listening. That's actually a spot most people get to - once they can strum some songs. They want to be more than a campfire player that's identical to the next guy/girl. And you can be at this spot whether if you've been playing for 6 months or 30 years. But with the right guidance and inspiration - you can move forward very quickly and fire up the guitar passion all over again. ***** Once I started getting on that road of discovering new song-playing techniques, the new possibilities and new spices I can add to my sound just kept showing up, my ears got better, and I found new inspirations in many songs that I listened to. Today - the last thing I feel when I play a song is the "boredom" or the "same-old-same-old" feeling that I used to feel. The other way around is true - I feel like there are just many different ways in which I can take a song and make it "my own". Because of that, each time I play a song - it's also a slightly different version of it - and that's what I like the most - the richness of possibilities and choices that I can make. ***** THE OFFICIAL COURSE E-BOOKS: (Also, look below for the 7 bonus E-Books that you're getting) Beautiful, printable SONGBOOK with 110+ of the most fun-to-play guitar songs of all time - so you'll have many songs to practice your new techniques on. I handpicked these songs for you - and they are all EPIC. You'll get hundreds of hours of fun out of this book. BONUS: A detailed 100 page fancy e-book that'll help you ingrain the knowledge from each lesson. Inluding how-to-practice guides, cheat-sheets, links to relevant examples in famous songs, lesson summaries, and more. ***** The 18 techniques that you will have up your sleeve after this course are:  (everything will be learned by using practical examples from at least 5 famous songs, and with detailed "how to put this into practice" guides) Arpeggio Picking: ("The #1 Way to Beautify Songs") where instead of strumming all strings at once - you pick every note individually. We will focus deeply on this technique and you will get all the tools you need to easily play songs that are originally played with arpeggios, or also to "convert" regular, strummed songs into gorgeous arpeggio covers. Notable examples: Green Day - Time of Your Life, Led Zeppelin - Stairway to Heaven, R.E.M - Everybody Hurts. Create "Stairways" Over Chord Transitions by Using Bass Walk-Ups & Walk-Downs: This is a technique to make your chord transitions more lively - where instead of for example switching directly from G to E minor, we will take the role of a bass player for a second, and add a "walk-down" on the F# note, on the way down from the G to the E minor. Examples: Jeff Buckley - Hallelujah, Ben E. King - Stand By Me, Radiohead - Karma Police. Changing the Vibe of a Song by Changing the GROOVE (rhythmic feeling): Take a song that you know and with (or without) the help of a virtual drummer app, "inject" a new groove (new "rhythmic feeling") into it. For example, turn a chill song into a funky song, or a rock song into a bossa-nova. This one's FUN, and you can see examples in The Fugees cover of No Woman No Cry (sort of a folk rhythm in the Bob Marley version, turned into R&B rhythm), in John Mayer's cover of Free Fallin' (The Tom Petty rock song - turned into folk), and in Jamiroquai cover of Sunny. (soul song turned into a super funky song) Give Your Songs a Lot More DEPTH by Building Them Up Gradually, Using DYNAMIC Playing: With the techniques and theory in this section, you'll be able to leave the "flat" song-playing behind you, and give songs deeper performances, with varying energy levels in each part, even when all you have is just one acoustic guitar and not a full band. Examples: the build-ups between the parts of the song in Green Day - Time of Your Life, Jeff Buckley - Hallelujah, Van Morrison - Into the Mystic. Add Some MELODIES to Your Song-Playing by Adding Riffs & Fills Between Chords: Spice up your song-playing by combining some lead-guitar playing in it - by adding cool melodies and riffs in between some of your chords. Examples: all the Jimi Hendrix songs, John Mayer - Gravity, Jack Johnson - F-Stop Blues, Van Morrison - Crazy Love (Athens 1989 version). Adding Some Acoustic Beach Vibes to Your Songs with "The Jack Johnson Slaps & Mutes": Learn how to play chill, acoustic, "beach-style" guitar - in the style of Jack Johnson. Examples: Jack Johnson - Better Together, I Got You, Banana Pancakes, Bubbly Toes. The Beautiful Girls - La Mar. Ben Harper - Forever. You'll be able to naturally substitute plain chords with some COLORFUL 7th chords in songs that you play. (like Dmaj7, F7, Em7, etc.) You'll know how to use them and you'll know when they fit in best. Examples of songs with a lot of 7th chords: Just the Two of Us, The Beatles - Something, Fly Me to the Moon. Also, most blues songs contain Dominant7 / minor7 chords. Beautifully decorating your chords by using hammer-ons and pull-offs in and out of them. Examples: Bob Dylan, Brett Dennen - Don't Think Twice It's Alright, The Doobie Brothers - Long Train Running, John Mayer - Queen of California. We'll work on adding the #1 ingredient into your songs - EMOTION. We'll see different examples from artists who evoke different emotions and do some exercises ourselves, so you can really start feeling the songs, and make sure that your listeners feel you as well. Learn how to play songs in the electric style of Jimi Hendrix and John Mayer, with their unique right-hand groove, and while adding riffs between the chords (and while playing "thumb-over chords"). You can use it to play their songs, or to "convert" any other song into their style. Examples: Jimi Hendrix - Bold As Love, The Wind Cries Mary, Castles Made of Sand. John Mayer - Slow Dancing In a Burning Room, Gravity, Daughters. Adding “The Funk Sauce” to Different Genres of Music: SLIDING Into Chords: This technique will enable you to make a more "pronounced" entry into chords that you want to emphasize. It can be done either in a "funky" style, "country" style, and more styles that you'll see in the lessons. Examples: Red Hot Chili Peppers - Under The Bridge, (sliding into some of the chords in the verse) Jimi Hendrix - Little Wing, Red House, (Sliding into some of the chords in the intro) John Mayer - Stop This Train. (Into the 2nd chord of the repeating progression of the verse) Sus 2 & Sus 4 Chords: Adding Interest with Tension & Release Elements. Examples: Brian Adams - Summer of '69 (intro of the MTV unplugged version), Elton John - Can You Feel The Love Tonight, (Just before the chorus) John Denver - Leaving on a Jet Plane. (Just before the chorus) How to use Palm-Muting to play around with the dynamics of a song - so you can make sure that the intro sounds smaller, and the chorus sounds BIGGER for example. Examples: Ed Sheeran - A Team, Green Day - Basket Case, Van Morrison & Bob Dylan in Athens - Crazy Love. Make Your Songs Butter-Smooth and Your Chords SPACIOUS: Slash Chords. This one's about Using slash chords (like D/F#, C/B, Em/G, etc.) to either create interesting bass line movements, or to get fuller-sounding chords. Examples: Elton John - Your Song, Can You Feel the Love Tonight, Tiny Dancer. Simon & Garfunkel - America. (Interesting bass line movements - either ascending or descending ) Pink Floyd - Wish You Were Here. (fuller sounding chords) "Wiping Down" The Strings – a Great BUILD-UP Technique to Capture Attention: build up quick tension before a new song part. A cool little touch that adds a lot of fun. Example: Stevie Ray Vaughan - Pride and Joy, (before the first solo) Jimi Hendrix - Little Wing, (right as the song starts) John Mayer - Ain't No Sunshine cover (right before the 2nd verse). Making Chords HUGE with the CHORDS VIBRATO Technique: Most of us know the vibrato from solos, and when it's used only on single notes. However, inside the course I'll show you 5 techniques to add a vibrato to whole chords. It sounds AWESOME. Usually you'll end a song with it, or emphasize certain chords with it. For an even more pronounced, similar effect, check out the tremolo in Stevie Ray Vaughan - Lenny, (intro) and Nancy Sinatra - Bang Bang. (intro) Spicing-Up Chord Transitions by Adding WHOLE CHORDS Walk-Ups or Walk-Downs: Examples: Radiohead - Just (into the chorus), Bill Withers - Ain't No Sunshine (a walk-down is often added in live performances, right at middle of the bridge - "and she's always gona too long") Jimi Hendrix - Little Wing (in the middle of each progression - it's a Bbm7-Am7-Abm7) Playing Alternative Chord Voicings All Over the Neck: Replacing open chords with more interesting, sparkling voicings up the neck. Three extra techniques - see The Middle Section in the course to find out more! SONGWRITERS - your future songs will be a lot more interesting and different from the rest of the pack. The new sounds out of your guitar will surely inspire you in more ways, and take your lyrics and melodies to new territories. ***** Bonus lessons: (available in the "Middle Section" of the course) How to (Practically) Start Discovering Your Own Unique Sound on the Guitar Adding the Often-Forgotten, #1 Ingredient to Your Songs: EMOTION A Quick-Start Guide to PRACTICAL Guitar & Music Theory How to Make Your Guitar 3X More Fun to Play (80-20 Maintenance Talk) My Bullet-Proof Method to Easily Find the Correct Strumming Pattern of Any Song The 2 Main Keys for Learning (and Remembering) ANY Song - Much Faster Than How You're Used to 7 Reasons to Start Spicing-Up Your Performances with a HARMONICA My 2 Cents About Singing - and Recommended Ways to Learn It My Favorite 5 Song-Playing Guitarists on YouTube – An Inspiration Source ***** 7 BONUS E-Books: On top of everything that's above, you'll get 7 more fancy Guitar Songs Masters E-Books that'll help you improve your guitar life. The 14 Best Guitar Apps That You'll Actually Use 11 Guitar Practice Tips for Speedy Improvement The Complete Guitar Chords Cheat-Book The 13 Best Guitar Accessories That You'll Need My Secret Songbooks Link-Bank: Get Access to 7 Songbooks with 5000+ Songs 9 Cool Ways to Customize Your Guitar Improve Your Sense of Rhythm Cheat-Sheet Tricks, hacks and techniques: (Partial list, see the curriculum for the rest, and new lessons added every 1-2 months) ***** Why should you listen to me? Hey friend! I'm Cooper, a music man based in beautiful Melbourne, Australia. (Originally from the lovely and lively Tel Aviv, Israel) I work with other artists mostly as a guitarist, pianist and harmonica player - and I specialize in (and LOVE!) blues, jazz, and 60s-70s rock n' roll. In 2014 I founded the blog Guitar Songs Masters-com -  (formerly named GuitarHippies) which grew over time and work to be one of the top five most-read guitar blogs worldwide with a monthly readership of 100K people, along with its accompanying video courses academy. Over the last several years, I spent many months traveling through four different continents with my guitar, and having a great time with many musicians. My primary focus since my early days of playing the guitar, was to play the songs that I love - while trying to give them my personal twist. That's what I'm an expert at - and that's why this course is the flagship course that I worked on for a year and there's nothing like it on the internet. To conclude - my expertise is in teaching you how to play the songs that you love - with your own unique sound that I can help you develop. ***** Looking forward to seeing you inside the course, and to hopefully hear from you as you're making the journey of developing your own sound. (I'm serious - I love hearing from students - so feel free to send me a message) - Cooper Who this course is for: Guitar players that feel like their song-playing is on the boring side - and who want a major refreshment. Guitar players who feel that they're stuck in a rut and want to add more personal style to their playing. 👉 Activate Udemy Coupon 👈 Free Tutorials Udemy Review Real Discount Udemy Free Courses Udemy Coupon Udemy Francais Coupon Udemy gratuit Coursera and Edx ELearningFree Course Free Online Training Udemy Udemy Free Coupons Udemy Free Discount Coupons Udemy Online Course Udemy Online Training 100% FREE Udemy Discount Coupons https://www.couponudemy.com/blog/spice-up-your-guitar-song-playing-develop-your-unique-style/

[guitardailynet-blog]

G7 şifresi ile gösterilen Sol dominant 7'li akoru, Sol majör dizisinin 1. derecesi olan Sol sesi üzerine, majör triad kurulduktan sonra, üzerine dizinin 7b. derecesinin de eklenmesi ile elde edilir. Dominant 7'li akorlar, Kök Ses + B3 + K3 + K3 formülü ile elde edilirler. Sol - Si - Re - Fa seslerinden oluşan akor, diğer dominant7'li akorlar gibi, duyumsal olarak kararlı, meraklı, net, baskın ve hafif gergin bir etkiye sahiptir. Yukarıdaki diyagramda, Sol dominant7'li akorunun 6 farklı pozisyonda basılışını görüyoruz. Bazı pozisyonlarda, akoru oluşturan seslerin sayısı artıyor olsada, bu durum G7 akorunun 4 farklı sesten oluşan, dominant 7'li akor olma özelliğini değiştirmez. Akor dağarcığının genişlemesi, bir yandan #gitar becerilerini arttırırken, bir yandan da armoni kurallarının işleyişlerini anlamanı kolaylaştıracaktır. Bu konu hakkında daha fazla bilgi sahibi olmak için sitemizi ziyaret etmeyi unutmayın http://www.guitardaily.net/blog/g7-sol-dominant-7li-akoru #guitardailynet #guitardaily #guitar #guitaristurkey #musictheory #solmajor #gmaj #akor #armoni #gitardersi #onlinegitar #guitarpractice #nota #talentedmusicians #talentedguitarist #instaguitar #amatormuzikpaylasim #amatörgitar #amatörgitarist (Guitardaily.net)

[slonopiano]

Wednesday - Friday practice

Because of high work load, I decided to practice “mechanical” aspects, and played through a lot of inversions and scales both left hand and right hand. Diatonic chords in every key, minor7 and dominant7 chords in every inversion in every key. It is starting to become easier, but every day it feels like I start anew.

Now, after this stretch of “finger” and keyboard knowledge practice, I decided to go back to where it hurts, and focus on ear-training and the ii-V-I chord progression. I started playing a bunch of patterns from the Jerry Cocker book over random ii-Vs, and doing some functional ear training and recognizing chord colors on the bus. It definitely is pretty hard, and not really that fun. I wonder if practicing ear training over discord with other musicians would be more fun.

[daddarioeducation]

Complex Chords Demystified

By Matt Smith

For many years I have taught students heading into Jazz Ensembles how to read Chord charts and the “shorthand” used in the Real Book and other jazz notation. For example, a small triangle signifies Major, a minus sign signifies minor, a “degree” signifies diminished and a plus sign signifies augmented. 

For example: C-7 = C minor7, C+7 = C augmented7, etc. 

Chords tell a student exactly what they contain. It's important to note that every chord contains information from the Major scale of the letter root of the chord.

Chord formulas are as follows: 

Major = 1, 3 and 5, referring to the first, third and fifth notes of the major scale of the root of the chord. 

Minor = 1, b3 and 5 

Diminished = 1, b3 and b5 

Augmented = 1, 3 and #5 

From there, 7th chords are 

Maj 7 = 1, 3, 5, 7 

Min7 = 1, b3, 5, b7 

Dominant7 = 1, 3, 5, b7 

Min7b5 = 1, b3, b5,b7.

Here we have an example of how a chord explains itself. It's simply a minor 7 chord as described above with the 5 th flatted. From here, a student should be informed that since 8 is the octave of 1, 9 is the octave of 2, 11 is the octave of 4 and 13 is the octave of 6. So, Amaj(triangle)7#11 would simply be Amaj7 (1,3,5,7) with an added #11 (an octave above #4) Using this logic, C7#9b5 would be described as C dominant 7 with a raised 9 (2) and a lowered 5 1,3 ,b5 ,b7, #9 

This is also important for bass line construction, as it tells the player the component notes of  the chord. It's all about understanding the Major scale, and then the chord name gives you all you need to know!

[fretpal-blog]

Getting Beyond Barre Chords - essential dominant7 guitar chords

Getting Beyond Barre Chords – essential dominant7 guitar chords

http://youtu.be/usmZ-03h0SQ

[daddarioeducation]

The What and How of Effective Practice for Guitar

By Matt Smith

One of the most common questions I'm asked at master classes is how and what to practice. The 8 most important skills needed to be a great musician are, in no particular order: Ear training, scale and chord knowledge, composition, reading and writing chord charts and notation, repertoire, technique, music theory and improvisation.  


1) Ear training – the skill of understanding what you're hearing, and how to play it on your instrument. This skill is probably the most important skill you'll need as you develop your abilities on your instrument. Start very simply with easy songs you've heard many times. Slowly build in complexity as you develop. A big hint: sing everything you play. Making the connection between your speech center and your instrument will help you immeasurably in this endeavor. 

2) Learn new scales and chord forms – these are the fundamental building blocks of your foundation as a player. Study chord forms by grouping the into categories. For example, learn as many positions as you can of the four triads, major, minor, diminished and augmented. Then move onto the 7th chord family: maj7, minor7, dominant7 and minor7b5,(sometimes called half diminished). Learn these forms with roots on the 6th, 5th and 4th strings, as these are the most common forms. There are a lot of scale forms to learn also: major and minor pentatonic scales, modes of the major scale, as well as modes of the melodic minor scale and altered scales.  A well rounded musician has a grasp of the forms and usage of these scales and various positions of each. A good place to start is to root each scale again on the 6th, 5th and 4th strings. 

3) Composition - any artist is represented by his or her body of work. Composing is a skill that musicians should place great importance in. It's what represents and immortalizes us. As a teacher, I've always stressed the importance of using newly learned skills as a springboard for writing. It gives focus to the practice routine, and makes learning new ideas fun. Everything you've learned or are learning should be brought into play when writing. Try and compose at least a song a week. Before you know it, you'll have enough songs to record an album! 

4) Reading and Writing notation and chord charts – this skill is absolutely necessary for musicians to master. It's how we communicate with one another. Being able to walk into a room of musicians with clear, well written music and/or charts is essential for communicating exactly how you want your music to be played. As a teacher, this skill is as easy as breathing. To a student, it can be intimidating. Try transcribing your original compositions, or very familiar songs. Chart out songs and try them out with your band mates. Syncopation is the toughest skill to write, so get your reading sharp. Getting music you're familiar with is the easiest way of developing your writing ability. 

5) Repertoire – To become competent in a particular style, one must study the greats of the genre. If you want to sit in at the good sessions in town, go check out what tunes are called. Every genre has its classics and master musicians. Learn the Best songs of the style. Another aspect of repertoire is what you choose to play in performance. You should strive to educate your audience as well as entertain them. Every genre has its overplayed tunes. Watching what other successful musicians are playing is a good way to learn what goes over. A well rounded musician is proficient in a number of genres. Learning new material keeps you and your audience sharp. 

6) Technique - it's pretty easy to reach a certain level of ability and feel comfortable there. Also ultimately unsatisfying. We all have a “default” ability that we rely on when performing. The key is to raise your default by regular practice. Also, learning proper hand position and posture can help alleviate a lot of playing related issues. Right and left hand exercises are a part of a good practice regimen. As guitarists, we tend to focus on the left hand, but your right hand is just as important. Find exercises you enjoy doing. Many exercises that require repetition to develop dexterity I find more enjoyable while catching up on that latest episode of a favorite show. Repetition is the mother of skill. 

7) Music Theory- If you're going to move to Italy, it's a really good idea to become fluent in the Italian language. As musicians, we communicate our thoughts to one another in very specific ways. Concerning music theory, everything is related to the major scale and chords derived from triads and extensions of the major scale we’re playing in. Everything relates to notes of a major scale, or chords of a key. If I'm on a gig, and the bandleader says: “It's a 1,6,2,5”, I know he's referring to the first, sixth, second and fifth chords of the major key we're playing in. If a musician asks me to resolve a phrase on the flat 3, I know he means the flatted third note of the major scale. The major scale isn't rocket science. Just remember whole, whole half, whole, whole, whole half. Every note in the musical alphabet is represented in every scale, and if you remember these two rules, it's super easy: 

- Never skip a letter 

- Never use the same letter twice 

Remember, all music theory is based on the major scale! Learn to read and write music. Learn to read and write chord charts and lead sheets. When working with great musicians, you’ll earn respect. Start writing chord charts to easy songs you know well, and work up to difficult pieces.  

8) Improvisation - Great improvisers play streams of melody, not “licks.” Unless you're a horn player, sing along with everything you improvise. We communicate by speech, and tying your instrument to your voice will help on so many levels. We all hear what we want to play in our heads, but it often doesn't come out when we play. We feel out of control of our instrument. Singing with your instrument gives you a great frame of reference for achieving what you're hearing others play, and developing your spontaneous composition ability. Some other great tools are: 

- Singing what you want to play before executing it on your instrument. 

- Imagine your playing in the style of another instrument (playing sax lines on the guitar, etc.) 

- Playing in the styles of various masters of your instrument (if you're a jazz trumpet player, how would Miles play over this? How would Louis Armstrong solo over this?). You get the idea. 

Remember to play with other musicians every chance you get. There are skills learned in live performance that can only be achieved this way. Also, please remember that it's “playing” music. Have fun. The joy is in the journey.