#dolby atmos recording studio

[soulasylum12]

S.A.S Atlanta 9.1.6 Mixing Suite | Soul Asylum Studios

Our new 9.1.6 Dolby Atmos system with all #sa25m series r way reference monitors allow listeners to feel like they’re inside their favorite music. With Dolby Atmos Music, our mix engineers now have the ability to place and move sounds in a 3D environment with more precision, allowing for even more creative possibilities.

[wubbywubwub]

Paul Williams recording vocals for Touch (isolated vocals taken from the center channel of the Dolby Atmos mix)

Conway Studios (March, 2011)

[denimbex1986]

'...‘George Orwell’s 1984’ adapted by Joe White

Cast: Andrew Garfield, Cynthia Erivo, Andrew Scott, Tom Hardy, Chukwudi Iwuji, Romesh Ranganathan, Natasia Demetriou, Francesca Mills, Alex Lawther, Katie Leung

About this play: Starring Andrew Garfield as Winston, Cynthia Erivo as Julia, Andrew Scott as the alluring, mysterious O’Brien, and featuring Tom Hardy as Big Brother, Audible presents a new dramatization of George Orwell’s classic tale. An immersive listening experience like none you’ve heard before, at a time when it has all never felt more chillingly relevant.

Featuring a haunting original score composed by Muse’s lead singer and songwriter Matthew Bellamy and Ilan Eshkeri, recorded by the London Metropolitan Orchestra at Abbey Road Studios, the production is directed by BAFTA Award winner Destiny Ekaragha, produced in Dolby Atmos by Granny Eats Wolf, and dramatised by Olivier Award nominated writer Joe White.

Listeners are saying: “I’ve read the book, I’ve seen the movie, I’ve listened to the Simon Prebble audiobook. Nothing comes close to this production. It was 3 1/2 hours of total immersion. I can’t count the times I sat here saying Oh. My. God, Andrews Garfield and Scott are amazing. I am blown away by this.”...'

[audio-luddite]

You cant fix a recording in your system.

It is obvious that once a recording is published it is fixed. Analog or digital makes no difference once it reaches your system it is what it is. If it is flawed there is little to do. Oh you can use a multiband equalizer (shudder) or a dynamic range expander (for some recordings) but that is a bandage on a broken thing. It will not fix the stereo image if it is not there.

I tripped over a nugget of information at the online TAS blog. My attention was snagged by yet another half million dollar speaker then diverted by this other thing.

I played the two tracks, A & B, as instructed and quickly chose B as preferred. It was recorded with a single stereo microphone. If you read all the blah blah on either side of the demo you get the idea.

I listened with cheap earbuds plugged into my computer. It was a very noticeable effect.

Single mike recordings are rare as it is easier to do multi mikes into huge mixing boards so things can be tracked and mixed. Faster, easier to fix mistakes and all that.

Audiophiles will spend big money and judge the quality of their system on its ability to produce a good image. This small nugget shows the basic image quality is not in the playing, but in the recording.

As an aside the funky speaker in the photo is a Linkwitz open baffle behemoth that sprays sound all over the room front and back to artificially create ambience and presumably image. I think the concept is deeply flawed.

So what does this mean? Two very good examples of single mike recordings are Trinity Sessions by Cowboy Junkies, and Jazz at the Pawn Shop (sort of). Pawnshop was recorded with several mikes but they were arrayed as ORTF pairs which are two close set angled outward and each pair is lets say a quasi-single mike. Trinity was recorded with an Ambisonic mike that has 4 cartridges arrayed in a tetrahedron. The example B was done with a Blumlein stereo mike with two cartridges at 90 degrees to each other in one case. The main thing is the actual space and phase information that captures the "image" are preserved with a singe mike. That is why they sound so good.

One is a legendary pure analog recording the other is pure digital.

The brilliant Mercury Living Presence recordings are not single mike, but otherwise minimalist with just three mikes, L, R, and Center.

It is possible in the mix and processing to fake image. Those Supertramp albums have cool effects like a saxophone moving from the back to front and left and right. But that is all studio magic.

Qsound and Dolby Atmos create effects to mimic a sound stage. There are other methods that in your system feed out of phase information through each stereo speaker to cancel out some sounds from the other side and create a virtual headphone effect. These are all fake and frankly work only for a limited listening position. Headphones work too.

This resolves down to getting recordings that are done certain ways to get a good honest image. You may like a given musical performance but the image can be real or fake. An example of a good fake recording is "Diana Krall in Paris." Listen to how the image is portrayed in the mix then look at the photo of the band on stage.

Oh another anti-example is Getz / Gilberto. Very Naive recording some studio ambiance, but Astrud's vocal is hard to one side. Weird, but that is the way it was made. Actually not stereo. I think the original release was monophonic and Stereo was so new.

Fool me once shame on me.

[pinkfloydhq]

November 2021, there was news that Roger Waters was back in the studio working on some new projects. In a recent interview, Roger confirmed that he has been working on a new re-recording of Pink Floyd’s 1973 classic album The Dark Side Of The Moon, which is celebrating its 50th anniversary this year with a brand new Dolby Atmos mix and box set release. 🎧

[melodiousmonk]

Peter Gabriel announces his first album of new material in over 20 years

i/o releases on 1 December, 2023

i/o is 12 tracks of grace, gravity and great beauty that provide welcome confirmation of not only Peter’s ongoing ability to write stop-you-in-your-tracks songs but also of that thrilling voice, still perfectly, delightfully intact. Throughout the album the intelligent and thoughtful – often thought-provoking – songs tackle life and the universe. Our connection to the world around us – ‘I’m just a part of everything’ Peter sings on title track i/o – is a recurring motif, but so too the passing of time, mortality and grief, alongside such themes as injustice, surveillance and the roots of terrorism. But this is not a solemn record. While reflective, the mood is never despondent; i/o is musically adventurous, often joyous and ultimately full of hope, topped off as it is, by the rousingly optimistic closing song, Live and Let Live.  

Recorded mostly at Real World Studios and Peter’s home studio, the lengthy gestation of i/o means it has a sizeable cast list. Peter has kept his trusty inner circle of musicians close to hand, which means guitarist David Rhodes, bassist Tony Levin and drummer Manu Katché are sterling presences throughout. Several songs bear the fingerprints of long-time associate Brian Eno, whilst there are notable contributions from Richard Russell, pianist Tom Cawley, trumpeters Josh Shpak and Paolo Fresu, cellist Linnea Olsson and keyboard player Don E. Peter’s daughter Melanie contributes warm backing vocals, as does Ríoghnach Connolly of The Breath, while Real World regulars Richard Chappell, Oli Jacobs, Katie May and Richard Evans collectively provide programming and play various instruments. Soweto Gospel Choir and Swedish all-male choir Oprhei Drängar lend their magnificent harmonies to a selection of tracks, and the mass strings of the New Blood Orchestra, led by John Metcalfe, both soothe and soar.

Renowned for being a boundary-pushing artist, i/o is not simply a collection of a dozen songs. All 12 tracks are subject to two stereo mixes: the Bright-Side Mix, handled by Mark ‘Spike’ Stent, and the Dark-Side Mix, as reshaped by Tchad Blake. “We have two of the greatest mixers in the world in Tchad and Spike and they definitely bring different characters to the songs. Tchad is very much a sculptor building a journey with sound and drama, Spike loves sound and assembling these pictures, so he’s more of a painter.” Both versions are included on the double-CD package, and are also available separately as double vinyl albums. And that’s not all. A third version – the In-Side Mix, in Dolby Atmos, comes courtesy of Hans-Martin Buff “doing a wonderful job generating these much more three-dimensional mixes” and is included in three-disc set, including Blu-ray.

Continuing the idea developed for Peter’s US and UP albums, he has again invited a range of visual artists to contribute a piece of art to accompany the music and each of i/o’s 12 songs were handed to a world-renowned artist to create an accompanying work, whether paint, photography, sculpture or even Plasticine. The dozen artists make an exceedingly impressive team of collaborators: Ai Weiwei, Nick Cave, Olafur Eliasson, Henry Hudson, Annette Messager, Antony Micallef, David Moreno, Cornelia Parker, Megan Rooney, Tim Shaw, David Spriggs and Barthélémy Toguo. 

Another visual link with Peter’s past work is the cover shot. Taken by photographer Nadav Kander, it echoes with the covers of his earlier albums, always present but, with the exception of So, intriguingly obscured or manipulated. 

These echoes of the past might resonate, but i/o is fundamentally an album of – and for – the here and now. Many of its themes may be timeless, but they’re also warnings that we’re living on borrowed time, both as a planet and as individuals. 

(Source: Peter Gabriel's mailing list)

[vintage1981]

Defenders of Earth! | The Collection: Season 9 Announcement Trailer | Doctor Who

Jo Jones - defender of ALL life on Earth! 🌍 #DoctorWho: The Collection returns with the Third Doctor's third season as the next instalment - find out more here ➡️ https://bbc.in/3HvHdsq

CREDITS 

Jo Jones - Katy Manning

Alex - Isabelle Palmer

Kat - Julia Haworth

Sea Devil - Hal Townsend

Junior - Mike Tucker

Filmed on location at Redcliffe Caves and Clevedon

Thanks To: Lee Binding | Peter Crocker | Julie Martin

Runner - Ellie Collins

Location Managers - Alex Moore, Andrew Stocker

Creature Costume - Philip Robinson

Make-up - Kate Lockwood Cowell

Title Sequence - Bernard Lodge, Rob Ritchie

CGI Artist - Chris Thompson

VFX Designer - Mike Tucker

DIT/Camera Assistant - James Dalby

Sound Recordist - Adam Tavner

Dubbing Mixer - Mark Ayres

Camera - Paul Vanezis

Director of Photography - Matt Patrick

Executive Producers - Pete McTighe, Russell Minton

BBC Studios 2023

The third season for Jon Pertwee's Third Doctor is the next release to come to Blu-ray with Season 9.

Pre-order DOCTOR WHO: THE COLLECTION - SEASON 9 from Amazon, Zavvi and Rarewaves in the UK, and Amazon in the US ahead of its release on the 20th March.

Across an action-packed twenty-six episodes, the Doctor and Jo (Katy Manning) face off against Daleks, Ogrons, Sea Devils, Ice Warriors, Mutants and their old enemy the Master (Roger Delgado). Joining them in their adventures are the UNIT team of Brigadier Lethbridge-Stewart (Nicholas Courtney), Captain Yates (Richard Franklin) and Sergeant Benton (John Levene).

All episodes have been newly remastered from the best available sources – these classic adventures have never looked or sounded so good on home media.

The Collection: Season 9 Blu-ray box set also includes extensive special features including:

MAKING THE TIME MONSTER Looking back on the Season 9 finale with Katy Manning, John Levene and more.

MICHAEL E BRIANT AT THE HELM A profile of director Michael E Briant.

LOCATION LOCATION LOCATION Katy Manning and friends revisit the filming locations of Season 9.

THE FELL GUY A profile of prolific stuntman Stuart Fell.

BEHIND THE SOFA Five new Behind the Sofa episodes featuring Katy Manning (Jo), Peter Davison (The Fifth Doctor), Wendy Padbury (Zoe), Sarah Sutton (Nyssa), Janet Fielding (Tegan), Sophie Aldred (Ace) and director Michael E Briant.

BLU-RAY TRAILER A brand new slice of classic Doctor Who.

MOVIE-LENGTH EDITIONS Special repeat screenings of DAY OF THE DALEKS and THE SEA DEVILS, previously unavailable.

CONVENTION FOOTAGE A chance to hear from UNIT’s Nicholas Courtney and Richard Franklin, recorded in 1986.

5.1 SURROUND & DOLBY ATMOS SOUND On THE SEA DEVILS (episodic and omnibus edition).

HD PHOTO GALLERIES Including many previously unseen images.

AUDIO ARCHIVE Featuring many unreleased gems.

INFO TEXT Behind-the-scenes information and trivia on every episode.

PDF ARCHIVE Including scripts, exclusive unseen BBC production files and other rarities.

And loads more!

This eight-disc box set also includes hours of special features previously released on DVD including Documentaries, Featurettes, Audio Commentaries, Day Of The Daleks Special Edition and more.

Doctor Who: The Collection – Season 9 includes the following stories from 1972:

DAY OF THE DALEKS

THE CURSE OF PELADON

THE SEA DEVILS

THE MUTANTS

THE TIME MONSTER

[rebeccakeytemsc]

Recording Assessment

Due: Friday, 12 January 2024, 3:00 PM

Taking into account the content and focus of the module:  

Submit audio/project files that exhibit your finished audio outcomes (totalling ~8 minutes) 

And 

Submit a video file with rigorous reflections upon the technical and creative aspects of your portfolio (~ 8-10 minutes).  

 

The Audio Outcome 

Your audio outcomes should comprise 2 fully recorded, edited, processed, mixed, audio projects. 

Audio Outcome 1:

A performance that should have taken place and been recorded in an interior non-studio environment, The potential outcomes here are deliberately broad, and we encourage you to check with the module tutor if in doubt about a project you have in mind.   

You may decide to take a neutral documentary approach – focussing on mixing and editing – an approach with what we might term an intent to pursue a high degree of fidelity or truth. At the other end of the spectrum, you may decide to augment the recordings with processed material or additional musical elements. Whatever you choose, the original recording of the performance should remain the focus of the final audio outcome, and any additional elements should act in service of the original performance. 

Submit lossless audio files at 48kHz 24-bit stereo interleaved or Dolby Atmos ADM BWF. 

Audio Outcome 2:

A non-linear soundscape composition project in Fmod (~4 minute linear flow)

OR

A linear soundscape composition project submitted in .wav/.aif/.adm (~4-6 minutes) @ 24-bit 48kHz or 44.1kHz.

 There is a high degree of flexibility in how you approach this project, and the content that can be included - speak to Philip Reeder if in any doubt about the suitability of your project.

However, a substantive part of the audio should derive from recordings you have made of exterior soundscapes. You may decide to take an approach that focusses on fidelity – with meticulous recording, mixing and editing.

 At the other end of the spectrum (and just as meticulous) you may decide to augment the recordings with original processed material or additional original musical elements, with a focus on e.g. game, live soundscape music, or multimedia applications.

 If you choose to use fmod, the fmod project should have a 3-4 minute linear flow of non-repeating material, but possess interactive or adaptive elements. 

Submit an fmod project with all associated assets for stereo, binaural, or a surround sound format agreed with the module tutor.

It is recommended to also submit an FMod walkthrough video, that demonstrates your project as if it were a performance of the project.

Research and Development Video 

Each student will be marked on individual professionalism as demonstrated throughout the preproduction, production, and postproduction process, as evidenced by regular attendance and participation in class sessions and meeting module checkpoints. Your R&D should spend ~1 minute detailing this aspect. 

Your video should give an account of the research and development undertaken in producing the audio outcomes. To illustrate your narration, you may find it helpful to document recording sessions through salient photographs/video and/or diagrams where appropriate, and give justifications for chosen microphones and techniques that refer to independent research and material learnt on the module of both a technical and artistic nature. Decisions made in post should be articulated and justified with reference to industry standards and artistic practice. Your R&D should spend ~7 minutes detailing these aspects. A bibliography should also be included at the end as a static image embedded in the video. 

Project checkpoints must be met in person in weeks: 

5 - Multi microphone technique evaluation (check week 1 slides page 4) 

TBC - Field recording project discussion (discussion slide) 

TBC - Presentation of progress and peer discussion (audio) 

Submission checklist: 

Audio:

1 x audio files

1 x fmod project with assets   OR 1 x soundscape audio file

Documentation:

1 x video file (~8-10 minutes)

How your assessment will be marked 

Audio Outcome:  Your audio outcome should employ appropriate production aesthetics, technical, and stylistic approaches. Ensure impeccable sonic outcomes, with appropriate dynamic range, spectral balance, fidelity, creative choices, and edits for the given material.  (70%)

Project Management: Each student will be marked on individual professionalism as demonstrated throughout the preproduction, production, and postproduction process, as evidenced by regular attendance and participation in class sessions and meeting module checkpoints.  You should detail briefly how you met the Project Management criteria in your R&D.  (15%)

Research and Development:  The R&D should give justifications for chosen microphones and techniques that refer to independent research and material learnt on the module, with relevant and useful photos/video. Decisions made in post should be articulated and justified with reference to industry standards and artistic practice. A bibliography should also be included at the end. This R&D aspect should be detailed in your reflection.  (15%)

A student passing this module should be able to:

1. Evidence ability to formulate analytical responses to the capture of sound.

2. Demonstrate an advanced level of ability in the capture of sound.

3. Sophisticated understanding of sound – microphone interactions under a variety of conditions.

4. Exemplify professionalism and best practice while following industry workflows and standards.

[aaryan-mwa-blogs]

The Future of Pro Audio: Trends to Watch

At this fast speed where technology is moving forward, the professional audio industry must be ready for a radical shift. For that reason, it's highly necessary for audio engineers, musicians, and content creators to see their current situation in order to move ahead and thrive within this ever-changing landscape. This blog will discuss many important trends that are shaping the future of pro audio-innovation in technology, consumer behavior shifts, and changes in industry practices.

1. The Rise of Immersive Audio

One of the more exciting audio innovations is the new wave of immersive sound experience that has taken over, with technologies like Dolby Atmos and Sony 360 Reality Audio shaping the new generation of listening. Immersive audio, unlike stereo audio, limits sound to just two channels; rather, it places or moves sound in a three-dimensional space to create a realistic environment.

The wide adoption of such formats by streaming services would catalyze many artists and producers to experiment with such formats, and so improve the listener's experience and open new creative areas in music production. The increasing use of virtual and augmented realities will also likely raise the demand for immersive audio and open a new path toward content creation.

2. Advancements in Audio Interfaces and DAWs

Indeed, one can never overstate the advancement of DAWs and audio interfaces. Recording and production quality are now easier to reach than ever before. Software and hardware innovations continue to offer a steadily decreasing bar of entry into the audio industry. Most DAWs offer cloud collaboration, where musicians and producers work from different parts of the world but still collaborate in real time.

Audio interfaces too have evolved in sophistication and features, including the likes of low-latency monitoring, built-in effects, and good-quality preamps. Bringing these tools within a more affordable and accessible price range will enable many more artists to produce high-quality audio from home studios, again leveling the playing field for the industry.

3. Artificial Intelligence and Machine Learning

It appears that Artificial Intelligence and Machine Learning are finally beginning to seriously take hold in the pro audio environment. Automatic mixing and mastering services, intelligent, smart audio plugins that can analyze and enhance the sound, AI makes relatively tedious tasks much easier, without needing extensive expertise.

Take, for instance LANDR and iZotope's Ozone. With the former, you get recommendations on audio processing which are ready to produce near-professional results with minimal effort. As these technologies continue to be enhanced, one would even be producing artistic results; and in the process, free the creative professional from too much labor-intensive work over mere creativity that defines the professional.

4. Sustainable Practices in Audio Production

The world has increasingly become more focused on sustainability, and the audio world hasn't been an exception. Eco-friendly raw materials used for manufacturing audio equipment, energy-efficient recording studios, and energy-conserving production are becoming increasingly important in attempts to make audio productions less environmentally taxing.

Companies are starting to embrace renewable sources of energy, recycle old gear, and much more. That would not only be in line with international efforts for the prevention of global warming but also chime well with conscious consumers who pay attention to what they're buying. Moreover, that's a trend that may make even more artists approach sustainability as a theme for their art in the light of this industry shift green.

5. Increased Demand for Live Streaming and Remote Collaboration

The pandemic has basically changed how we create and consume music. Colossal significance to livestream and collaborate remotely have been drawn, and this is now a trend. Artists went to platforms like Twitch and YouTube, where their audiences await their streams, and that trend is here to stay.

The better the technology, the finer will the audio and video quality be, which will add to the beauty of virtual performances. In addition, this will open up opportunities for artists to reach a global audience and combine music from people separated by great distances. More hybrid events that combine in-person and virtual experiences are to be expected and will increase levels of reach and engagement.

6. The Proliferation of Podcasts and Audiobooks

The podcasting and audiobooks explosion has opened up a booming market in professional audio production. As the listeners keep increasing usage both for entertainment and educational benefits, quality audio is in rising demand. It has opened new avenues for audio engineers, voice actors, and sound designers with this new trend.

This has also led to an upswing in branding and sound design. Unique audio signatures, professional soundscapes, and engaging editing are becoming more key in standing out in a crowded market. It will become crucial for content creators to invest in quality production if they are to build an audience and establish credibility.

7. Enhanced User Experience with Smart Devices

Audio technology, like most other products around us, is not an exception to the increasing smartness that they evolve with. The rapidly progressing innovation in its domain has made users expect better audio qualities while interacting with their smart speakers or savoring music through headphones called upon with voice assistants. As a result, audio manufacturers face pressure as they need to produce high-quality audio-integrated products as well that integrate seamlessly with smart home ecosystems.

As more people are using voice commands and AI-powered assistants in their audio devices, consumers require compatibility and interoperability among more platforms. The future of pro audio products will likely be designed for consumer's needs, making it possible for them to enjoy their favorite audio content easily.

8. Focus on Diversity and Inclusion in Audio

For a long time, the audio industry has been called out for being a homogeneous and unrepresentative field. Rising consciousness and dedication are changing this tide, and organizations and initiatives to support underrepresented voices in audio are taking off, bringing so many more diverse experiences in the industry.

With the embracing of diversity by the industry, it will see more creativity and innovation from a more complex tapestry. It enhances the artistic landscape but promotes a more inclusive community that allows all voices to be heard. Consequently, we can expect a more diverse audio content because it brings out assorted backgrounds and experiences.

Summary

The future is good and full of potential for pro audio. It remains an exciting time for immersive audio experiences and AI advancements, focus on sustainability as much as diversity, and many other developments happening within the industry. Keeping track of these trends is, therefore, very essential to navi-gating the still-changing landscape.

The future is about embracing innovation and sticking to the artistry that defines the audio world. From seasoned pros to newcomers, there's no end to what one can be creative with in terms of quality collaborations; this exciting audio world awaits you.

[vmonetechnologies]

Top 5 Alexa Devices in India in 2024

Alexa gadgets have established a stronghold in the Indian smart home tech domain. Whether you are looking for small smart speakers that will fill your space with music or all-in-one displays that can serve as entertainment centres, there is something for everybody among Alexa gadgets.

The Indian market will be filled with suitable smart devices, which will be noticeable in 2024. Each alternative promotes routine life’s convenience through voice commands and provides logical help. But what are 5 Alexa gadgets worth purchasing in India’s home sector by 2024? And do these Alexa devices warrant their costs? Let’s find out.

Top 5 Alexa Devices in India in 2024

Amazon Echo Dot (5th Gen) 

The Echo Dot, the most recent generation, produces higher-quality sounds than all earlier models. It may create deeper baselines and crisper leads, filling your living room or recording studio with harsh, shrill audio outputs.

On the Echo Dot, you can sleep alarms, end timers, and pause or resume music with a single tap. Bluetooth may also connect to your phone as a standalone speaker or for on-demand audio listening.

Amazon Brand - Smart Plug, 16A

From an Amazon Brand perspective, the Solimo Smart Plug is a game changer for home electrical equipment administration. Because of its capacity of up to 16A, one can plug it into high-power appliances such as washing machines, air conditioners, or even water heaters. In addition, its energy monitoring capability allows you to check the amount of power your connected devices consume; this way, you can identify those that may get more power or consume more energy than others and optimise their consumption patterns.

Amazon Echo Show 5 (2nd Gen)

The best Amazon Echo Show 5 (2nd Gen) is a compact yet versatile smart speaker designed to integrate seamlessly into your daily life. Its 5.5" screen offers a visual element to your interactions with Alexa, making everything from setting alarms to following recipes more engaging. 

Whether controlling automation, binge-watching a favourite show, or just keeping in touch, this is the suitable Alexa device to improve your daily routine and protect your privacy.

Amazon Fire TV Stick 4K 

One of the best smart home devices you can buy for your place in India in 2024 is the all-new Amazon Fire TV Stick 4K. Ultra-cinematic 4K comes with all the modern technologies, such as Wi-Fi 6, Dolby Vision, Dolby Atmos, and HDR10+, which are streamed together to get an experience that will never be beaten. The Fire TV Stick 4K is more than just a streaming device; it's the ultimate entertainment and smart home hub.

Amazon Basics True Wireless in-Ear Earbuds

The Amazon Basics True Wireless in-Ear Earbuds enable long-lasting music listening or gaming fun for up to 60 hours. This guarantees your all-time favourite songs. Fast charge enables 100 minutes of playback after a quick 10-minute charge. Double tap to skip tracks, and hold to adjust volume. These earbuds also support voice assistance, making them a convenient and versatile companion for daily activities.

Verdict: Alexa Devices List on Amazon

This was our carefully curated list of the top 5 Alexa Devices in India for 2024. Among these smart home devices, all the mentioned items are compatible with Alexa. The products listed above on Amazon have given a wonderful performance for versatility and innovation within the great world of intelligent technology. For a more detailed review, visit our main blog by clicking this link.

Read more: VM one Technologies

[chrisryanspeaks]

The Cure Returns: New Album ‘Songs of a Lost World’ Drops November 1st

The Cure is set to release their long-awaited 14th studio album, Songs of a Lost World, on November 1st, marking their first full-length release in 16 years. This highly anticipated record was teased throughout the band's expansive 90-date 'Shows of a Lost World' tour, which spanned 33 countries and captivated over 1.3 million fans. Early glimpses of the album's material were met with overwhelming praise from both fans and critics, generating excitement for what is sure to be a landmark moment in their storied career. The lead track, "Alone," set the tone for each night of the tour, opening every show and offering a haunting glimpse into the emotional depth of Songs of a Lost World. Now available to stream, "Alone" captures The Cure’s signature melancholy, and frontman Robert Smith revealed it to be the key that unlocked the entire album. Reflecting on the song, Smith shared that he had long been searching for the right opening line until a flash of inspiration hit after recalling a line from the poem Dregs by Ernest Dowson. This realization helped solidify not just the song but the album’s entire concept. Songs of a Lost World promises to be a defining chapter in The Cure’s legacy. Written and arranged by Robert Smith, the album was produced and mixed by Smith alongside longtime collaborator Paul Corkett. The lineup remains familiar, with Smith on vocals, guitar, and keyboards, Simon Gallup on bass, Jason Cooper on drums, Roger O'Donnell on keyboard, and Reeves Gabrels on guitar, ensuring that the band's iconic sound is preserved while continuing to evolve. The album’s visual identity, crafted by Smith and Cure collaborator Andy Vella, features the striking sculpture 'Bagatelle' by Janez Pirnat. Fans can look forward to the album in a variety of formats, including 1LP, a 2LP Abbey Road half-speed master, marble-colored vinyl, double cassette, CD, and a deluxe Blu-ray edition with an instrumental version and Dolby Atmos mix. With a career that spans over four decades, The Cure remains as influential as ever. From headlining Glastonbury four times to their 2019 induction into the Rock and Roll Hall of Fame, their music continues to resonate across generations. Songs of a Lost World is poised to further cement their legacy as one of the UK’s most enduring and impactful bands. https://open.spotify.com/track/7zHhP0CHO4cONkImJ0Oau6?si=2no9xQewTVq9TtSR3lhtgA Read the full article

[soulasylum12]

Music & Dolby Atmos – How Does 3D Mixing Work | Soul Asylum Studios

Dolby Atmos 3D mixing is nothing but a process that takes audio tracks from your song and places them in a 3D sound environment. Dolby Atmos Studio Georgia moves your stereo sound in a 3D environment so that you get the most immersive and realistic sound experience.

[govindhtech]

Samsung Galaxy A53 Review: Camera, Battery, And More

Samsung Galaxy A53

Fantastic camera, with OIS always steady and crisp

The Samsung Galaxy A53 5G’s multi-lens camera produces exceptionally high-quality images. Capture images with greater clarity and sharpness using the 64MP OIS Camera, increase your field of view with the Ultra Wide Camera, adjust focus with the Depth Camera, and enjoy a close-up experience with the Macro Camera.

Take steady video like an expert

Seize the planet while you’re moving. Even in low light, the Samsung Galaxy A53 5G records movies more fluidly and catches greater details thanks to OIS.

AI Image Enhancer for better photos

You may instantly improve your images using Photo Remaster’s potent AI, which automatically enhances your photos.

Having fun with Fun mode

With new Snapchat Lenses that are refreshed frequently in Fun mode, you can capture your funniest moments. Choose your favorites, try them on, take a picture of yourself looking your finest, and send it to your friends.

Record your awesomeness

You can capture the subtle characteristics that make each face unique with bokeh effects and two lenses for an AI-powered depth camera. Disregard the surrounding context and concentrate on the elements that make the image come to life.

Spill, splash, and spatter proof now

The Samsung Galaxy A53 5G can withstand 1.0 meter of freshwater for 30 minutes and has an IP67 water and dust classification. Your smartphone is more scratch-resistant with Gorilla Glass 5.

Total processing capacity

Now is the time to start working. Your Galaxy is designed to manage intensive multitasking thanks to its 5nm Octa-core processor. With the help of RAM Plus, which analyzes your usage habits, you can increase your virtual RAM capacity.

With RAM Plus, broaden your expectations

The smart gadget learns your usage pattern and provides up to 16GB RAM with RAM Plus, regardless of whether you’re gaming or multitasking with many apps.

A cinematic perspective on your reality

Enjoy vivid details thanks to the immersive 84.5% screen-to-body ratio and the FHD + Super AMOLED display. Take advantage of bright outdoor visibility up to 800 nits with the 6.5-inch Infinity-0 Display expansion, and lower blue light with the Eye Comfort Shield.

Fantastic display, incredibly fluid scrolling

The Samsung Galaxy A53 5G’s 120Hz Super AMOLED display makes everything look smooth. Enjoy a new scrolling experience when exploring social media or watching your favorite content.

Full-bodied audio in the palm of your hand

No longer is a studio necessary for a spatial experience.Enjoy your favorite movies, music, and videos with Dolby Atmos’ remarkable clarity and detail. Two built-in stereo speakers deliver cinematic sound.

Cling to your memories

There is a lot of it. You have space for all of your priceless moments with 128GB of internal storage and compatibility for a microSD card up to 1TB.

Swiftly, to the degree of originality

Your universe becomes a galaxy in 5G. Smooth streaming and sharing with friends and family is possible with a hyperfast connection.

Fantastic battery that lasts two days

A 5,000mAh (average)2 battery to extend the duration of gaming, streaming, and other activities. Use up to 25W Super Fast Charging to swiftly revitalize your Galaxy and turn on adaptive power saving to improve battery performance overall.

Game Booster

With Game Booster, you can maximize your device’s battery life, temperature, and memory by tracking your gaming habits. It also blocks alerts and background activities to help you stay focused.

Keep the things that are important to you safe

Samsung Knox protects your phone from the start with hardware and software protections. Multi-layered security safeguards your most sensitive data from viruses and other dangers.

Just touch to release

Enter straight away. You can quickly log in to your apps and websites without sacrificing security thanks to the integrated on-screen fingerprint sensor.

Your confidentiality is maintained

Using the defense-grade Samsung Knox security technology, which shields your data from hostile threats, keep your private images, movies, files, apps, and data safe inside Secure Folder. To ensure that only you can access your data, add a password or fingerprint.

Stay amazing and up to date for longer

For the most recent and secure Galaxy experience, there have been four generations of OS upgrades. With four years of one UI and Android OS upgrades, you may continue to enjoy the newest mobile experience.

With diligence and attention

Your ears are guided to the appropriate concentration by Buds Auto Switching. An incoming call to your phone will be smoothly transferred for you to answer while you’re enjoying a movie on your tablet. You’re back where you were when you hung up.

Content within the box

Samsung has made a commitment to conducting business and product lifecycle for its mobile devices in a more sustainable manner. This vision has led to the integration of more intelligent solutions into its working processes, such as upcycling outdated equipment, energy-saving technologies, sustainable packaging, and power-efficient semiconductor chips. The packing box’s components have been streamlined to only contain the necessities, such as the data wire, ejector pin, and quick start guide, lessening the planet’s electrical burden.

Read more on Govindhtech.com

[linuxgamenews]

Unleash the Thrills of Retrieval: A Cinematic Survival Horror Adventure 

Retrieval cinematic survival horror adventure shows hope for Linux and Steam Deck with Windows PC. Thanks to the brilliant minds at 333 Studios. Due to make its way onto Steam. Today, veteran developers at 333Studios revealed their latest project, Retrieval, a cinematic survival horror adventure that's due to release on Windows PC. There’s also hope for a Linux and Steam Deck version as well, more in a moment. If you’re into deep storytelling, gripping gameplay, and characters that really come to life, this is definitely something to keep an eye on.

Regarding Linux support, it's something we're currently exploring and it's on our agenda.... We understand it's a small community, but we believe it would greatly benefit players using other Linux distros, including Steam Deck

333 Studios knows what they're doing. They've explained their focus on compatibility since the game runs on a custom Unreal Engine 5 build. It's great to see that they’re not only focusing on Linux support for Retrieval but also Steam Deck. This is a smart move — we need more developers eager to step up to boost the platform. And yes, there is still more to come regarding support. Now, to kick off the excitement, the studio has a fresh trailer at the Future Game Show. It’s not just any trailer — this one gives us a first look at some real-time gameplay footage. And it’s all done using NVIDIA’s RTXDI tech. What does that mean? In short, the game’s ray-traced shadows and reflections look seriously impressive. Plus, the audio has full 3D sound thanks to Dolby Atmos, crafted by the sound wizards at Wild Cat Records.

Retrieval - Official 2024 Gamescom Reveal Trailer

In Retrieval, you step into the shoes of Hana Loshe, a brave commander leading a research team stuck on the distant planet Ryhalian. The setting? A mysterious, retro futuristic base that’s seen better days. As you explore this wrecked world, you’ll face ruthless challenges and some pretty terrifying enemies. All while trying to survive and uncover the truth. What really sets Retrieval apart is its deep story and strong character development. It’s not just about surviving — it’s about the bonds of friendship, love, loyalty, and the horrors you face along the way. The game is full of unexpected twists that’ll keep you on the edge of your seat. While the secrets of Ryhalian are just waiting to be uncovered. With atmospheric visuals powered by NVIDIA and eerie 3D sound design, Retrieval promises a deep experience. You’ll be right there with Hana Loshe, feeling the tension and drama as you navigate this survival horror adventure. It’s like playing through a movie, but with all the action and intensity that makes gaming so good. So, if you’re up for a wild ride, make sure to wishlist Retrieval on Steam and get ready to dive into a horror adventure. Since it blurs the line between cinema and gaming. The release date is still TBD. Are you ready?

[music-industry-updates]

Amazon Music HD vs. Competitors: Which High-Resolution Service Is Right for You?

In today’s digital age, the demand for high-quality audio streaming has never been higher. As music lovers increasingly seek out better sound experiences, streaming platforms have responded by offering higher-resolution audio options. Amazon Music HD is one of the leading contenders in this space, promising to deliver superior sound quality that rivals the clarity and richness of physical media like CDs and vinyl. But with so many options available, is upgrading to Amazon Music HD really worth it? This article delves into the features, benefits, and overall value of Amazon Music HD, helping you decide whether it’s the right choice for your listening needs.

Section 1: Overview of Amazon Music HD’s Features

Amazon Music HD is a premium tier of Amazon’s music streaming service that focuses on providing high-resolution audio. Unlike the standard Amazon Music service, which offers tracks in compressed formats such as MP3, Amazon Music HD streams music in lossless formats. This means the audio is delivered without the compression that typically reduces the quality of digital music files.

Amazon Music HD offers two levels of audio quality:

HD Audio: This format provides CD-quality sound at 16-bit/44.1 kHz. It’s a step up from typical streaming services, which often compress audio to save on data usage and storage space.

Ultra HD Audio: For those seeking an even more immersive experience, Ultra HD offers better-than-CD-quality sound, with a bit depth of 24-bit and sample rates ranging from 44.1 kHz to 192 kHz.

In addition to these high-quality audio formats, Amazon Music HD boasts a vast library of over 70 million songs available in HD and millions of tracks in Ultra HD. Users can also enjoy 3D Audio, a feature that provides an even more enveloping listening experience through Dolby Atmos and Sony 360 Reality Audio formats.

Section 2: Technical Breakdown of Amazon Music HD’s Sound Quality

To truly appreciate what Amazon Music HD offers, it’s essential to understand the technical aspects of sound quality. The terms “bit depth” and “sample rate” are key to grasping how much more detail and clarity you get from HD and Ultra HD tracks compared to standard streaming.

Bit Depth: Bit depth refers to the number of bits of information in each sample, which determines the dynamic range of the audio. A higher bit depth, like the 24-bit used in Ultra HD, captures more of the nuances in the music, resulting in clearer and more detailed sound.

Sample Rate: The sample rate is the number of times per second the audio is sampled. Higher sample rates allow for a broader frequency range, which means the audio can more accurately reproduce the original recording. While CD quality is at 44.1 kHz, Ultra HD can go up to 192 kHz, offering a richer soundscape.

By providing both HD and Ultra HD options, Amazon Music HD ensures that listeners can access music in a format that closely replicates the original studio recordings, offering an experience that’s far superior to what you’d get from most other streaming services.

Section 3: Comparison with Competitors

Amazon Music HD isn’t the only service offering high-resolution audio, but how does it stack up against the competition? Let’s compare it to some of the leading alternatives:

Spotify HiFi: Spotify announced plans to introduce its HiFi tier, but it has yet to be widely released. When it does launch, Spotify HiFi will likely offer CD-quality audio, similar to Amazon Music HD’s standard HD tier. However, without Ultra HD or 3D Audio options, it may fall short for audiophiles.

Tidal HiFi and Tidal Masters: Tidal has long been a favorite among audiophiles for its HiFi tier, which offers CD-quality sound, and its Masters tier, which provides even higher-resolution audio. Tidal also features MQA (Master Quality Authenticated) files, which claim to offer the original studio master quality. However, Amazon Music HD’s Ultra HD tracks are a strong competitor, especially with the inclusion of 3D Audio.

Apple Music Lossless: Apple Music recently introduced Lossless and Hi-Res Lossless tiers, offering audio quality similar to Amazon Music HD. However, Amazon Music HD’s integration with Alexa and availability across a wide range of devices gives it a slight edge in terms of accessibility and convenience.

When considering these competitors, Amazon Music HD stands out for its combination of HD and Ultra HD options, extensive library, and additional features like 3D Audio, all at a competitive price point.

Section 4: User Testimonials and Expert Opinions

Real-world experiences can be one of the most compelling reasons to try a service. Here are some testimonials from users and opinions from experts who have tried Amazon Music HD:

User Testimonial 1: “As someone who used to swear by vinyl, I was skeptical about digital music services. But after switching to Amazon Music HD, I’ve been blown away by the clarity and depth of the tracks. It’s like hearing my favorite songs for the first time again.”

User Testimonial 2: “The difference between standard streaming and Amazon Music HD is night and day. The Ultra HD tracks, in particular, bring out details I never noticed before. It’s worth every penny.”

Expert Opinion 1: “Amazon Music HD provides a solid value proposition for those looking to upgrade their listening experience. The combination of HD and Ultra HD tracks, along with 3D Audio, makes it a top choice for audiophiles.”

Expert Opinion 2: “While Tidal and Apple Music have their merits, Amazon Music HD’s seamless integration with Alexa and its competitive pricing make it an attractive option for high-resolution audio enthusiasts.”

These testimonials and expert opinions highlight the positive impact that Amazon Music HD can have on your music listening experience, particularly if you value high-quality sound.

Conclusion

Upgrading to Amazon Music HD offers a significant leap in audio quality for listeners who are passionate about music. The service provides a rich and immersive experience with its HD and Ultra HD tracks, extensive music library, and unique features like 3D Audio. While other high-resolution streaming services exist, Amazon Music HD’s combination of quality, convenience, and price makes it a compelling choice.

[audiotechacademy]

Top Sound Engineering Course in Guwahati

India, a country renowned for its rich cultural heritage and diverse artistic expressions, has always placed a significant emphasis on music and sound. In recent years, the field of sound engineering in India has seen a remarkable transformation, evolving from traditional practices to adopting cutting-edge technology and techniques. This blog delves into the burgeoning domain of Best sound engineering course in India, exploring its history, current trends, educational pathways, and future prospects.

Sound engineering in India has its roots in the early days of Indian cinema and music recording. The legendary Indian playback singers and musicians of the 1950s and 60s relied on rudimentary recording equipment and analog technology. Studios like HMV and AIR (All India Radio) were pioneers in sound recording, producing timeless classics that still resonate with audiences today.

The 1990s marked a significant shift with the advent of digital technology, transforming the landscape of sound engineering. The introduction of digital audio workstations (DAWs) and advanced recording equipment brought precision and flexibility, allowing sound engineers to experiment with new styles and techniques.

Current Trends

Today, Sound engineering in India is a dynamic and rapidly evolving field. Here are some of the key trends shaping the industry:

Digital Revolution: The widespread use of digital technology has revolutionized sound engineering. DAWs like Pro Tools, Logic Pro, and Ableton Live are now industry standards, providing sound engineers with powerful tools to create, edit, and mix audio.

Surround Sound and Immersive Audio: With the rise of OTT platforms and the increasing popularity of home theaters, there is a growing demand for immersive audio experiences. Sound engineers are now focusing on creating 5.1 and 7.1 surround sound mixes, as well as exploring new formats like Dolby Atmos.

Live Sound Engineering: The live music scene in India is booming, with concerts, festivals, and events happening year-round. This has led to a surge in demand for skilled live sound engineers who can handle the complexities of live audio mixing and ensure a seamless auditory experience for audiences.

Post-Production Excellence: In the film and television industry, sound design and post-production have become crucial elements of storytelling. Sound engineers work closely with directors and producers to create soundscapes that enhance the narrative and evoke emotions.

Educational Pathways

Aspiring sound engineers in India have access to a variety of educational pathways. Several institutes offer specialized courses and degrees in sound engineering and music production.

Career Opportunities

The field of sound engineering in India offers diverse career opportunities. Some of the key roles include:

Recording Engineer: Specializes in capturing audio during recording sessions for music, film, and television.

Mixing Engineer: Focuses on blending and balancing individual audio tracks to create a cohesive final mix.

Mastering Engineer: Polishes the final mix, ensuring it meets industry standards and is ready for distribution.

Live Sound Engineer: Manages audio at live events, ensuring optimal sound quality for the audience.

Sound Designer: Creates and manipulates audio elements to enhance the visual experience in films, games, and multimedia projects.

Audio Post-Production Engineer: Works on dialogue, sound effects, and music to create the final audio mix for films and TV shows.

Future Prospects

The future of sound engineering in India looks promising, driven by technological advancements and the growing entertainment industry. Virtual reality (VR) and augmented reality (AR) are emerging as new frontiers, requiring innovative sound design to create immersive experiences. Additionally, the rise of independent music and podcasts presents new opportunities for sound engineers to showcase their skills.

Conclusion

Sound engineering in India is a field that blends art and science, requiring a keen ear, technical expertise, and a passion for creativity. As the industry continues to grow and evolve, it offers exciting prospects for those willing to push the boundaries of audio innovation. Whether you’re an aspiring sound engineer or simply an enthusiast, the symphony of sound engineering in India promises a melodious journey worth exploring.