#dojo workhorse
Explore tagged Tumblr posts
Text
Witchy Shit!
An ask from @footninja that I posted as a post accidentally. 🫣
The ask is here
HAPPY ALMOST SAMHAIN MY WITCHES!!! I may have gone a little deeper than "hippie hillbilly witch"... I've been practicing for a WHILE, and magic is one of my autistic special interests, soooo.....
All the boys are FOR SURE Pagan even if that isn't what they call it (Splinter raised them Shinto), and *very* eclectic, but definitely have their own flavors that they gravitate to...
Leo
Did you say MEDITATING? When? Where? How long? He is ready to sit with you peacefully for hours.
Want to start mixing your own incense/tea? He'll help you research and grow the herbs you need.
BONSAI ZEN GARDEN
Night time dates to ALL the secret/private botanical gardens in the city.
The first time he sees you in a garden in the daylight, surrounded by butterflies, he looses the power of speech.
When you're having a tough time at work, expect tea and a full body massage with all natural oils in a candlelit room when you get home. If you are feeling up to it, that massage can and will escalate to the most transcendent, mild blowing tantric sex imaginable, leaving you fully relaxed mind, body, and spirit.
NOTE: Depending on exactly how "crunchy granola" you are, you may find yourself in conflict with his OCD, so be EXTRA respectful of his space.
Craft: Green Witch
Element: Earth
Archetype: The Hero
Major Arcana: Temperance
Raph
Need help with Ritual? My guy is a WORKHORSE. Where did you want that solid stone altar, again?
Bardic circle like a BOSS. My guy is always down for drinks, songs, and good stories, and the reverb of his voice from his shell means you can feel his singing in your feet like thunder.
Speaking of his voice: guided meditations.
Speaking of guided meditations: guided meditations that take a filthy turn halfway through. 😏
Firetender extraordinare. Want it to burn forever? This guy can drop in literal trees that'll keep the balefire lit until next Solstice.
By FAR the most in touch with his animal side.
He's a beast who not only has NO PROBLEM chasing you, naked, through the woods, but will 1000% instigate. LOVES sex outside (I may have a story about an amethyst cavern, but you didn't hear that because it's not written yet).
Craft: Primal Witch
Element: Fire
Archetype: The Knight
Major Arcana: Strength
Donnie
Oddly accepting of the witchy shit for a techy guy. He's smart enough to know that he doesn't know everything.
Writes a program that will help you track EVERYTHING. Moon, planets, planting, hurricane season, you name it.
Builds you a whole ass Orrery, because despite his program you *still* missed a celestial event and you were sad.
Expect after hours dates to the Hayden Planetarium during eclipses, meteor showers, comets, or any other excuse he can come up with to look at the stars with you.
SIGILS ON POINT. Fractals and sacred geometry, this guy is PRECISE. Made a Mercury Square once that you're pretty sure caused a blackout. He disagrees, but he doesn't make planetary squares anymore.
A night outside of the city looking at the stars? Expect my guy to be drawing star charts on your skin, before "exploring the heavens."
Craft: Celestial Witch
Element: Air
Archetype: The Magician
Tarot Card: The Magician
Mikey
Is straight up pagan.
Beaded bracelets? Hell yes. Macrame? On lock. Candle making? Crystal Wrapping? This boy is DOWN with the Witchy Crafts.
Vibes with his semiaquatic nature on a grand scale. The first time you caught him meditating underwater you nearly had a heart attack until you remembered.
If you introduce him to your people, he will fully write and lead rituals for literally anything. Leo may be master of the Dojo, but *no one* directs people's energy like Mike.
If you even suggest it *vaguely*, he is fully ON BOARD to start a coven/grove/whatever with you as your consort.
Oddly good at High Magic, but only practices VERY rarely. Won't Oracle for evocations because the idea of having someone else in his head weirds him out, but has a 100% success rate negotiating with Otherworldly Entities.
Sex magic in the ocean under a full moon? Uh, why aren't you in the water already?
Calls himself "Magic Mike."
Element: Water
Craft: Water Witch
Archetype: The Lover
Tarot Card: Wheel of Fortune
....
Tag list:
@thelaundrybitch @the-cauldron-witch @fyreball66 @ninnosaurus @tmntngl @thegirlwiththeninjaturtletattoos @zagreustomb @ramielll @silverwatergalaxy @gornackeaterofworlds @footninja @daedric-sorceress @sophiacloud28 @iridescentflamingo
(if you want to be tagged lmk)
#bayverse raphael#donatello x reader#leonardo x reader#raphael x reader#michaelangelo x reader#tmnt#teenage mutant ninja turtles imagine#teenage mutant ninja turtles
98 notes
·
View notes
Text
Recently Viewed: Ken (The Sword)
[The following review contains MAJOR SPOILERS; YOU HAVE BEEN WARNED!]
Kenji Misumi’s Ken (or The Sword, if you prefer translated titles) opens with an exquisitely crafted montage depicting excruciating physical exertion. The sun blazes blindingly overhead, shining more brilliantly than it did in Akira Kurosawa’s Rashomon. Cold, steely eyes narrow with unwavering resolve. Beads of sweat glisten on the subject’s forehead, soaking the furrowed brow. Muscles tense with effort, so firm and taut that they threaten to tear the skin. And through it all, a bamboo sword slices the air, as rhythmic and relentless as the labored beating of a heart.
Such imagery recurs throughout the film. A later training sequence, for example, frequently cuts to disorienting POV shots as the characters do dozens, then scores, then hundreds of push-ups; the ground repeatedly rushes up to meet the camera, grit and pebbles blurring in and out of focus as perspiration drip-drip-drips onto the soil. Between sets, the exhausted athletes collapse, panting and thoroughly drenched; when they reluctantly rise to resume their monotonous, Sisyphean task, damp silhouettes of their bodies remain imprinted on the wooden planks of the dojo’s floor.
While they appear straightforward self-explanatory on the surface, these scenes are pregnant with deeper significance, elegantly conveying pretty much every one of writer Yukio Mishima’s thematic preoccupations via movement and action alone: his admiration of the human (masculine) physique, especially when it’s meticulously sculpted and/or strained to the absolute limits of fitness; his reverence for such “traditional Japanese values” as discipline, honor, and loyalty; his glorification of what I’ll charitably refer to as “youthful simple-mindedness” (a topic that he discusses in almost uncomfortably candid detail in Confessions of a Mask); and his obsession with the perverse, paradoxical overlap between violence and sex. Indeed, Misumi even addresses the subtextual—and sometimes blatantly, brazenly textual—homoeroticism that permeates the author’s work, staging an audacious bathhouse brawl that anticipates David Cronenberg’s Eastern Promises (albeit sans the graphic full-frontal nudity).
Of course, considering this is Mishima that we’re talking about—for further context, see Paul Schrader’s Mishima: A Life in Four Chapters, a sublime biopic that revolves around the controversial novelist’s very public seppuku—it’s hardly a spoiler to reveal that the movie also (somewhat regrettably) unapologetically romanticizes suicide. After the protagonist (played by Raizo Ichikawa, who personifies Mishima’s core philosophy with a cool, aloof, enigmatic stoicism) is duped into believing that he’s utterly failed in his duties as captain of his university’s kendo club, he chooses to end his life on his own terms, preserving his “purity” and “dignity” by leaving behind a corpse so angelic and radiantly beautiful that it causes spurned lovers, stern mentors, bitter rivals, and envious subordinates alike to weep tears of remorse.
Misumi’s visual style perfectly complements the melodramatic narrative. The stark black-and-white cinematography, with its deep, moody shadows, mirrors our hero’s rigid, inflexible worldview. The compositions are equally evocative: the cramped, claustrophobic framing and oppressively symmetrical blocking (which mimic the surrounding architecture) trap the characters both figuratively and literally, lending the tragic conflict a palpable atmosphere of inevitability. This bleak, somber tone distinguishes Ken as a major departure from the director’s usual fare—particularly his numerous contributions to the chanbara genre, including most of the Lone Wolf and Cub series and some of the best installments in the Zatoichi franchise—and it’s more compelling for it. Misumi was, after all, a lifelong workhorse for Daiei (alongside such esteemed contemporaries as Kazuo Mori and Kazuo Ikehiro); how delightful, then, to learn that he occasionally helmed the studio’s “prestige” projects in addition to churning out countless B-pictures.
I first discovered the existence of Ken over a decade ago, when I encountered a brief summary of its plot in the pages of critic Patrick Galloway’s essential Warring Clans, Flashing Blades, and I’ve been desperately searching for a (legal) copy ever since. I’m glad that I was able to finally experience it on the big screen—in borderline pristine 4K to boot, thanks to Janus Films’ gorgeous restoration—courtesy of MoMA. Hopefully, a home video release will follow in the near future; despite its obvious flaws, it is a story that demands multiple viewings and reevaluations.
#Ken#The Sword#Ken (The Sword)#Kenji Misumi#Daiei#Raizo Ichikawa#MoMa#Museum of Modern Art#Janus Films#Japanese cinema#Japanese film#film#writing#movie review
2 notes
·
View notes
Text
0 notes
Text
Warriors | WMatsui - Chapter 28
A long, blissful sigh escaped Mayu’s lips as she enjoyed a rest under the shade of the large branches of a maple tree. From her position at the top of the hill, she had a privileged view over the main grounds of the Shinoda clan. The head of the clan’s main residence. The samurais’ private quarters. The stables held over two hundred of horses of every color and kind: black, white, grey, chestnut, roan and bay; packhorses, workhorses and riding horses. The Buddhist temples, central places of prayer. The cemetery, where people came to mourn their lost ones, often soldiers fallen during the last great war. But also, the small houses, taverns and trading centers, that stretched in the valley as far as the eye could see.
The movement, the hustle bustle, the energy. It reminded her of her childhood. Of how the Watanabe clan used to be when it stood proudly as one of the leading authorities of the country.
The remembrance of her lost heritage made Mayu a touch melancholy, but she pushed it firmly to the back of her mind. She was content living here. Every passing day, she was grateful Shinoda-san had accepted to let them stay. At last, they were off the roads, filled with disreputable individuals ready to rob them of their scarce resources. Mayu felt safe within these walls, and wasn’t afraid to call it her new home.
She had settled into what proved an idyllic life, with only one cloud on her horizon. Her sister, Jurina, who had difficulty adjusting to their new day-to-day routine. Maybe it was her optimistic side speaking, but Mayu wished to remain positive. Believe she would come to appreciate this second chance life gave them.
The maple forest had become a sea of reds, oranges and yellows. The grass swayed in the autumn breeze, the sun bathing the foliage and flowers in its golden rays. Gone was the scorching heat of Summer. Mayu found the current temperate, neither hot or cold, pleasant. She had heard that, in this northern region, Winter could prove to be ruthless. Some years, inhabitants had even witnessed lakes freeze. The sole idea made her shiver, and she hoped her thick kimono would be enough to keep her warm. She had spent all her childhood in the South of Japan, where the Watanabe clan used to be located. Only recently, she and her sister had begun to travel norther.
Never before had she had the chance to witness lands covered with the white substance people called snow. The prospect made her secretly excited.
Mayu’s eyes fluttered close. Relaxed, her body felt heavier. She wasn’t particularly tired, but the atmosphere was serene. She drifted away. Without warning, a certain kiss came back to the forefront of her mind, and she was wide awake. Her heart leaped. She raised her hand to her lips; they quivered slightly at the touch. A shy but happy smile broke out across her face. The memory of the soft and warm kiss she had shared with the kyudo instructor was vivid and sharp.
There were gaps in her memory concerning that particular evening, and she blamed it on the excessive use of alcohol. She had always been a light drinker, and she couldn’t explain why she had gotten carried away. Despite her mind fuzzy about the course of events, she didn’t imagine the kiss. She had a hard time believing it happened. For months, her attraction for Kashiwagi-san grew, but she hesitated to make the first move.
What if her protector was gentle and caring out of duty? Mayu had seen a couple of signs suggesting a mutual romantic interest. The personal attention, the lingering eye contact, the physical proximity. And what about the evening Jurina had left the bedroom in a haste after a violent nightmare, and Kashiwagi-san, witnessing Mayu’s disarray, had invited her to her room and provided her comfort?
As days transformed into weeks, and weeks became months, the protégée and her protector grew closer than ever. Their relationship didn’t progress as much as Mayu secretly hoped, but she didn’t want either to take the risk of overstepping boundaries. What if Kashiwagi-san held herself for the same reasons, and believed a romantic relationship between them was inappropriate? The kiss, reciprocated, had put an end to any remaining doubt, and filled Mayu’s heart with happiness.
At the crackling sound of leaves and twigs stepped upon, Mayu pulled out of her reverie. Her eyelids peeled open, finding Jurina standing in front of her. Mayu blinked, coming back to reality. Her sister’s delight caught her attention. “I see some habits don’t change.”
Mayu readjusted her seated position, flustered to have been so lost in her thoughts she didn’t hear someone approach. “What do you mean?”
“It reminds me of when we were little. How often would I find you napping under a cherry tree?”
“You mean…” Mayu continued, in a slight humorous tone. “You mean when you escaped your bodyguard’s attention and explored the lands of our clan, disappearing for hours, sometimes even until sundown?”
Jurina slumped down beside her, and rested her back against the tree. “It’s not my fault if they were too slow to catch up.”
Mayu let out a small chuckle. “I’ll always remember Father’s fury when the bodyguard confessed having lost you. How many times did he change your bodyguard? Four? Five?”
“I have no idea.” Jurina shrugged her shoulders, grinning. “It never made a difference anyway.”
Mayu laughed openly. A comfortable silence fell over them, during which both enjoyed the view and each other’s presence. Once in a while, Mayu would steal a peek at Jurina when she wasn’t paying attention. She felt so lucky to have her by her side. They had endured so many hardships. The murder of their father. The downfall of their clan. Years of restless wandering. Life at the Shinoda clan was a fresh start; an opportunity to put their painful past behind.
“Why don’t you join Rena-san’s lessons? You haven’t come to the dojo. You need to learn kenjutsu.”
Mayu shifted uneasily. “Thank you, but… I’m fine with kyudo. It suits me more.”
An awkward silence followed.
“You’re spending way too much time with Kashiwagi-san. You follow her everywhere. You barely leave her side all day.”
“What are you talking about?” Mayu asked, taken aback by her manifest disapproval.
“I’m not blind,” Jurina rolled her eyes at her. “You get that dreamy expression when you interact with her. You have a crush. I hope you’re not making yourself false illusions about your relationship.”
“W-We kissed,” Mayu blurted out.
Jurina’s mouth dropped open. “What? When?!”
Mayu hesitated. “The other day, after the dinner organized by Shinoda-dono. Kashiwagi-san offered to accompany back to my room, and we ki-”
“Did she take advantage of you?!”
“W-What? No… Kashiwagi-san is not like tha-”
“I knew I couldn’t trust her!” Jurina abruptly stood up. “I warned her to not play with your feelings but she seized the opportunity as soon as she saw one! She used you during a moment of weakness! What else did she do to you?! Tell me! You have to tell me everything!”
Her outburst rendered Mayu speechless.
“Do you even remember what happened that evening?!” Jurina asked, in a slightly mocking tone. “No, of course you don’t. Let me refresh your memory. Hasegawa-san harassed you the whole evening. He made you drink again and again, and you were too nice and polite to refuse. I had no choice but to intervene to make him stop! I wouldn’t be shocked if you were half drunk when Kashiwagi-san walked you back to your room. Your beloved protector didn’t lift a finger to help you!”
Mayu was baffled by Jurina’s fury. Processing the information revealed, she put the missing pieces of the puzzle back together. Little by little, her memory of that evening became much clearer. “Kashiwagi-san couldn’t say anything! It would have caused an incident!”
“Tss. What a silly excuse,” Jurina huffed, crossing her arms over her chest. “She was too much of a coward to act, and I was forced to step up.”
“Yes, and it could have gotten yourself killed! And what do you mean by you ‘warned her to not play’ with my feelings?”
“Exactly as I said,” Jurina spoke with confidence. “I had a clear conversation with her on the subject. I won’t let anyone toy with you.”
Mayu didn’t like arguing with her. Conflicts left her emotionally and mentally drained. But this was too much. She couldn’t accept nor condone what she had dared to do behind her back. “I can’t believe you did that!” Mayu sprang to her feet, anger bubbling within her. “How could you? You had no right!”
If Jurina was shocked by her raised tone, she didn’t let it show. “You’re my sister, and it’s my role to protect you. I don’t trust Kashiwagi-san. I never did. Even less after her behavior during dinner.”
“You don’t know her like I do. Kashiwagi-san is a good person!”
“You’re naïve.” Jurina wasn’t so easily deterred. “You always see the best in people. Kashiwagi-san is acting nice to get close to you. Once she gets what she wants, she’ll get rid of you without any remorse!”
“You always believe everyone has bad intentions. I know what my heart feels and that Kashiwagi-san feels the same. I don’t judge your relationship with Matsui-san!”
“I-It’s different.”
“How is it different?” Mayu countered. Her sister avoided her gaze, and Mayu guessed she had caught her off guard. “I won’t pretend I fully understand the nature of the relationship you two have. But look me in the eye and tell me you don’t have feelings for her. Or you want me to believe it’s a simple flirt? That it’s not serious?”
When the younger girl didn’t reply, Mayu added. “I think we’re both experimenting the same. We met someone who makes us feel something different; something new and strong. But at least, I’m honest about it, and not afraid of saying it.”
Mayu stood face to face with Jurina. She wanted her to realize she meant every single word, and nothing, no one, would make her change her mind. She half-expected her to come back at her with a clever retort. Against all odds, Jurina’s lips remained tightly sealed. Mayu took a step back, and slowly walked away. Their heated debate had left her shaken, and it would take her a while to recover from it, but she was also proud to have been brave enough to stand up to her convictions.
**********
“She’s totally infatuated with Kashiwagi-san,” Jurina mumbled, leaning her back against the stall. “It doesn’t make her think clearly.”
The whinny of her horse distracted her. “What?” She cocked an eyebrow at her black stallion, meeting his visible disapproval. The animal tilted his head to his left, pointing his nose towards the untouched saddle on the rack. “Yes, yes, we are leaving! You can be so impatient, sometimes!”
Jurina pushed away from the door stall and picked the saddle, throwing it on the horse. All morning, she couldn’t get out of her head her argument with Mayu. She had taken the direction of the stables, hoping a ride would help dissipate her bad mood. “Why won’t she listen to me!” She growled, putting on the bridle. “I know I’m right, right?!” She studied her horse’s reaction, hoping for support and understanding, but all she got in return was a silent stare.
Akihira-kun, the thirteen-year-old stable boy, who brushed the knotted beige mane of a horse, spoke up in a small, hesitant voice. “I-Is everything alright, Watanabe-san?”
Jurina spared him a quick glance. “Yes, yes.” She answered, attempting to sound as nonchalant as possible. A complete lie. She was anything but fine.
“And how can she compare it to my relationship with Rena-san! It’s ridiculous! It’s completely different!”
A chestnut head popped over the next-door stall. Her protector’s calm and gentle mare appeared, and twitched her ears at her in a friendly hello. The stallion disregarded Jurina’s presence and greeted the mare with a nicker, rubbing his nostrils against the head of the female horse.
“Great,” Jurina groaned, her frustration rising. “Remind me who defended you when Rena-san didn’t want you two to be together? Me! So, you could at least pretend you’re interested in my problems!”
The stallion turned his head partially towards his owner, and snorted in response.
The front door of the stables opened, and Jurina diverted her attention from the couple to the group of four men entering. Amongst them, Jurina recognized two kenjutsu apprentices, Tanaka-san and Matsuura-san. She failed to identify the two others, but by their dark blue outfits, concluded they were young shinobis at Kitahara-san’s service. Her own horse ride all forgotten, she observed the scene unfolding. The four horses saddled and prepared. The heavy, large packages. The weapons concealed beneath the kimonos or wrapped up in dark clothing.
This group of men spiked her interest.
Unable to contain her curiosity, Jurina approached them. “Going somewhere? You seem prepared for a long travel.”
“W-Watanabe-san.” Tanaka-san spun around. “Oh no, we’re only going to the village.”
“So heavily armed and food supply for what? A week? Has anyone told you before you’re a terrible liar?”
He swallowed nervously. “Matsui-dono told us not to disclose any information.”
“And if you’re not aware of it, it means Matsui-dono doesn’t trust you enough,” Matsuura-san chimed in, snickering.
Jurina glared at him. Her hand travelled toward the hilt of her katana, loosening it from its guard. Her protector had asked her to work on her temper, and to socialize with the other trainees. On that first point, Jurina had made efforts. Did she sometimes lose her calm? Yes, she did, but she had made great progress. Three months ago, she would already have pulled out her sword and challenged him to a duel.
Concerning her relationship with the other apprentices, it was a different story. At first, any opportunity was good to challenge them into spontaneous fights. She relished the adrenaline coursing through her veins when their swords clashed together. Eventually, her thirst depleted to a more reasonable level, and she was satisfied with the daily trainings and regular tournaments. Jurina had neutral feelings for the majority of her fellow companions. She hadn’t developed any friendship, but some had owed her respect, such as Tanaka-san, whom she considered as a valuable opponent. However, if there was one trainee she remained in permanent conflict with, it was the pretentious and self-assured Matsuura-san.
Jurina released her hold on the tsuka of her katana, calming down. Ignoring the provocation, she addressed Tanaka-san. “You’re going on a mission?”
“Yes, we are,” he confessed, a little reluctantly. “We were ordered to patrol the clan’s southern border with Ikeda-san and Abe-san.”
Jurina’s eyes widened at the revelation. The southern border. It was where she and Rena had been attacked. It couldn’t be a coincidence. Jurina thought of interrogating him further, but refrained. He probably had been told the strict minimum. The group mounted their horses, and trotted out of the stables. Why didn’t her protector warn her about this mission? And why wasn’t she part of it? As the four riders vanished in the distance, she decided to have an explanation.
**********
Jurina made a beeline to the samurais’ quarters, discovering Rena’s bedroom empty. She moved to the dojo, finding the kenjutsu instructor equally absent. For an instant, she wondered if she had briefly left the clan. No, it wasn’t possible. Her protector had to be within the grounds of the clan: her horse was still present in the stables. Jurina checked a few other locations, such as the courtyard and the garden, without any success. After half an hour of fruitless research, she came to the evidence: she needed to question a guard.
The first guard proved completely useless, having not a single clue about her location. The second one she interrogated provided her, at last, with the information she desperately sought: the kenjutsu instructor was in the council chambers. Jurina took its direction, feeling slightly foolish for omitting that place. Her protector had regular meetings with the head of the clan, and lately, her presence was requested on a daily basis.
Jurina arrived at destination, but was disappointed to find the doors shut. Jurina hesitated: come back later or wait? In the end, she chose the second option. Ignoring the two guards eyeing her suspiciously, she made herself comfortable in the waiting area, praying it wouldn’t take too long.
Time passed slowly, so slowly she found her patience strained. She never had been the most patient person in the world – Mayu would be the first to attest to it - but this meeting was unusually long. Nevermind. She would have to postpone this conversation to later. Jurina raised from her chair, decided to not wait another minute, when the doors opened. An advisor hurried out, his arms filled with scrolls, and Jurina used the opportunity to take a peek inside the room.
Astonishment touched her. The head of the clan was nowhere to be seen. Behind the office where she usually handled meetings and claims, was present the one and only master kenjutsu. Head bent down, she was focused on the table heaped with papers, listening to the male advisor who stood beside her and gave her instructions.
Jurina considered her next move. Should she make her presence known? Or leave her protector to her occupations? No, she had waited long enough to turn back. She approached the entrance, but was halted by a guard. “Do you have a meeting? Matsui-dono asked not to be disturbed.”
“No, I don’t. But I want to talk to her.”
“What is it?” Rena’s inquiry sounded from inside the room.
“It’s Watanabe-san,” the guard announced, turning in her direction. “She wants to speak to you. I told her you wished not to be disturbed.”
“It’s fine. Let her in.”
Jurina walked in and, as the doors closed behind her, didn’t wait to point out the oddity of the situation. “Shinoda-san is not here?”
“Momijimori no kami dono is unwell, and is resting in her quarters. In the meantime, I’m assuming her obligations.”
Jurina frowned. “Is she sick?”
“It’s a simple allergic reaction to the season.” Her protector’s tone was controlled, but Jurina detected a hint of concern in her tone.
“Well, for what it’s worth,” with a slight joking tone, Jurina went on. “If anything were to happen to the head of the clan, you would make an excellent replacement. You’re practically already doing the job for her.”
The advisor’s features contorted with shock and stupor. Rena pursed her lips in slight disapproval, yet a look of veiled amusement crossed her face. “Forgive my protégée’s erratic sense of humor. Obviously, she wishes no harm to Shinoda-dono. Am I wrong, Watanabe-san?”
“Of course not,” Jurina answered, suppressing a smile. “I hope Shinoda-dono will be on the road of recovery in no time.” She continued, not losing sight of her primary objective. “I wanted to talk to you.”
“Matsui-dono has a busy schedule. I’m sure this conversation can wait,” the advisor intervened firmly.
“Yes…” Rena’s voice trailed away, with embarrassment. “Suzuki-san is right. I have all this paperwork to finish by the end of the day.”
“It won’t be long,” Jurina tried to sound reassuring.
Rena could sense her advisor’s eyes boring into her, pressuring her, but she felt guilty for denying her protégée’s desire to speak. “Alright.” Rena relented, and lowered on the table the document she was reading. “What did you wish to talk about?”
Jurina’s gaze drifted from her to the advisor, and Rena deciphered the meaning of the message conveyed. “Suzuki-san. Would you mind leaving us?”
The advisor exchanged with her a glance of surprise, not making any secret of his discontent. His mouth opened as if to speak, and it took him all his self-restraint to not object, bowing slightly, and leaving the council chambers.
“I don’t have a lot of spare time…” Rena’s face creased; her stress palpable. “It’s not I don’t wish to speak to you, but this added workload was unexpected. The Autumnal season seems to affect Shinoda-san’s health… more than usual. She’s been unwell for the past few days.”
“Is it true you sent Tanaka-san and Matsuura-an on a mission?” Jurina didn’t intend to be so blunt, but the question had been nagging her all day. She couldn’t hold herself any longer; she was in desperate needs of answers.
“H-How do you…” Rena stared at her, astounded. “Yes, I did. A couple of days ago, Shinoda-san organized a meeting. She asked me and Kitahara-san to gather and send a group on a patrolling mission. She wants to make sure the frontiers of the clan are well secured. It’s simple routine.”
“We both know it’s more than that. She sent them in the South, where we were attacked.” Jurina confronted her with the truth. “Why didn’t you choose me? I’m your top trainee. I was the best fit.”
“Tanaka-san and Matsuura-san have proved their value. Choosing my protégée would send the wrong message. I didn’t want Shinoda-san or the other trainees to believe I was partial in my decision.”
Rena sounded extremely convincing, but Jurina didn’t buy it. “It’s not the real reason. You didn’t choose me because you don’t trust me. You don’t have enough faith in me to complete a mission without messing up.”
“Jurina-san… No, it’s not true.”
Jurina drew closer to the table, placed her hands flat on the surface and leaned down inches away from her. “You think I’m uncontrollable, don’t you? That I can’t follow orders?” She studied her, trying to read her response. “You know how much I hate being cooped up in this place! I told you… I opened myself to you. This mission, it was exactly what I needed! I needed the distraction!”
Jurina glanced away, overcome with embarrassment. This wasn’t right. She was doing it again. Losing control over her emotions. Precisely what she fought so hard against. She breathed in and out, calming her fast-beating heart. It wasn’t the image she wanted to project. Not to her protector. She wanted to prove she changed, and wasn’t anymore the impetuous child of their first encounter.
“I feared you would be unhappy if it came to your attention. It’s true, I didn’t want to send you. But it’s not for the reason you think. Of course, you have issues to work on. Your temper, your independent and stubborn personality. But you had all the physical and fighting skills required to fulfil this mission.”
“Then why?” Jurina said, allowing her frustration to leak into her tone. “Why didn’t you send me?”
Rena grew rigid and tense, and drew her attention back to the scroll in front of her. “I don’t think it’s the appropriate time for this conversation.”
Jurina felt a stirring of anger. “No, I want to know!”
“Jurina-san, please.” Rena cast her a pleading look. “We can talk about it later. But now is not the best moment.”
“Why?!” Jurina slapped her hand on the table. “It’s not fair, Rena-san! I deserved to go on that mission! You had no right to-”
“I don’t want to lose you!” Rena blurted out, her voice shaking angrily. “Two years ago, I lost someone. It was supposed to be an easy mission, but things didn’t turn out as planned. She never made it back alive to the clan! She died! I don’t want the same thing to happen to you! Can you understand that?!”
Shivers racked Jurina’s body; the confession destabilized her. She withdrew her hands from the table and pulled back. Her protector’s deep brown eyes glittered, and brimmed with unshed tears. What was she supposed to say? Or to act? When the silence stretched unbearably long, Jurina did the first thing that came to her mind. She reached out, touching Rena’s hand. As she held her palm, fingers tremble inside hers, and Jurina met her watering eyes.
“You’ve come to mean so much to me,” Rena’s voice crackled; a tear slid down her cheek. “I cannot accept to lose you too.”
Jurina was about to protest, before realizing the irony of the situation. Who was she to disagree with her protector’s desire to protect the ones she cared about, when she acted the same way with Mayu? “I understand you want to protect me.” Her voice was calmer and gentler when she spoke up. “But I can protect mys-”
They were interrupted by a knock on the door.
“Forgive me for the disturbance, Matsui-dono.” The advisor, Suzuki-san, stopped at the entrance, and bowed in respect. “The emissary of the Yokohama clan has arrived. Will you receive him now, or should I make him wait?”
“Oh, right.” At the reminder, Rena straightened up in her seat. Noticing her hand still linked with Jurina’s, she gently extracted her fingers from her hold. “Let the emissary know I will receive him immediately.”
The discussion was over. The thought of protesting didn’t cross Jurina’s mind. She couldn’t delay her protector from her obligations. Jurina slowly backed away from the table, not breaking eye contact with her. “Maybe…” she paused for a breath, hesitant. “Maybe later we’ll have the opportunity to continue this conversation?”
The master kenjutsu didn’t hide her surprise. She didn’t reply immediately, before giving her a small silent nod of consent.
Jurina’s face relaxed into a faint smile of relief.
She spun on her heel and retraced her steps back to the exit. At the doors, she marked a stop, and glanced over her shoulder. The male advisor, Suzuki-san, had already reached her protector’s side. Jurina was too far away to distinguish the content of their conversation, but imagined he was prepping her for the upcoming meeting. Jurina observed her protector attentively, amazed by her ability to regain her composure. In the blink of an eye, her demeanor had altered entirely, her serious, work-hardened expression not revealing an inch of what had transpired in this room.
**********
Every evening, Rena had a ritual.
Her daily chores done, she bid goodbye to Momijimori no kami, and took the direction of the samurais’ quarters. After a hard day’s work – the life of a master kenjutsu anything but restful - it was often sundown by the time she joined her bedroom. Her first action was to lit the candle on the small table, wait for the flame to grow and illuminate her surroundings, and move towards the weapons rack.
Detaching the katana and wakizashi from her belt, she disposed of them and proceeded in disrobing. She removed her hakama and kimono, swapping her daily clothes for her nightly yukata. Before laying down on the futon, she checked her tanto was secured under the pillow, before falling into a deep slumber, exhaustion gaining her.
This evening followed the same path, for one exception. As Rena removed her weapons and placed them onto the rack, she fixed the ninjato laying at the top. She tried not to dwell on it, but was unable to look away. The familiar sword brought her back to the conversation that occurred in the council chambers, one that triggered painful memories to reemerge.
Rena took if off the rack; her fingers slid along the surface of the 30 inches flat blade. That moment of her past was supposed to remain buried deep within her. Only two people, Shinoda-dono and Kitahara-san, had borne witness to the scene, and seen how devastated Airi’s death had left her. The monster who took control. Her delirium and destructive fury. It wasn’t a memory she was proud of, and wished she could erase it from her mind forever. Unfortunately, it still haunted her.
People praised her benevolence and good manners, her sound education and ability to never let her emotions cloud her judgement. Aside from her misconduct two years ago, she had kept them under control. Her encounter with the young Watanabe sister had disrupted the stability of her perfectly organized daily life. After the confession that left her mouth in the council chambers, she didn’t recognize herself. It wasn’t like her to disclose such personal information. The weakness she had displayed. It left her both disturbed and ashamed, and she was lucky only one person had been testimony of it.
“May I come in?”
The familiar feminine voice, hesitant behind her bedroom door, distracted her from her thoughts. Rena cleared her head, and carefully replaced the ninjato back in place. At the request, her mouth lifted into a smile. “Since when you do my protégée ask for my permission to enter?”
The fusuma panel slowly slid open. “Since I learned it’s not appropriate to barge into someone’s bedroom without their approval.” Jurina said, mischief flickering in her eyes. “So, is that a yes? You haven’t answered.”
Rena suppressed the urge to laugh. “Yes, Jurina-san. You may come in.”
Jurina stepped inside the room, closing the fusuma panel behind her, and locked her gaze with hers. They fell into silence and Rena turned around, busying herself with the untying of her hakama. She convinced herself she was simply following her nightly ritual, but revealing secrets of her past had left her vulnerable. She didn’t know how to confront the situation. Rena fumbled with the hakama, the knot resisting her. Her fingers, usually so clever and deft, seemed to have lost all dexterity.
“Do you need any help?” Jurina moved behind her and wrapped her arms around her waist, cradling her against her. Rena stiffened in surprise. “It’s funny. You always seem to have troubles with your hakama. Last time, you couldn’t tie it properly. Now, you have difficulty removing it. What would you do without me?”
It took her a few seconds to recall what she referred to. That day at the lake rushed back with vivid clarity, and her cheeks flushed with embarrassment. She turned around in the embrace, and frowned at her protégée’s wick grin. Jurina’s hands didn’t wait to work on the front himo of her hakama, untying it, then moved to the back. Rena watched as she followed the process, respecting the steps, impressed by her calm and diligence.
“I see I don’t have anything more to teach you.” Rena smiled at her warmly.
While a smile appeared at the corner of Jurina’s lips, she wore a pensive and serious expression. “You know… it’s alright. I’m not upset.”
There was a startled pause. “You’re not?” Rena bit her lip, attempting to keep her voice casual. “Then I guess I must have imagined your anger when you entered the council chambers and interrogated me about the mission.”
Jurina’s expression clouded with unease. “Yes, I was angry at you. Upset, disappointed, and angry. But I’m not anymore.”
Rena vacillated between disconcert and disbelief. “But you have all the right to be. You deserved to go on that mission.”
“You explained yourself. You told me about your past. After what you went through, I understand you would want to protect me.”
Rena stared wordlessly at her, uncomprehending.
“Nothing will happen to me. I’m too stubborn to die,” Jurina said casually. Her job done on the hakama, she took a few steps backward, and sat down on the edge of the futon. “Besides, I’m counting on you to teach me everything you know. I won’t be satisfied until I managed to beat you. So, you need to fulfil your part of the bargain.”
The teasing in Jurina’s tone made her relax, and she smiled in spite of her worry. “Didn’t you defeat me in the forest?”
Jurina waved a hand in dismissal. “No, that didn’t count. I want to beat you in fair fight, without any trick.”
“Please don’t be offended, but I’m afraid you’ll need a few more years for that,” Rena said softly and kindly, but truthfully. “It took me years to perfect my technique, and acquire enough experience to defeat my own instructor.”
“Years? That’s perfect. I’m not going anywhere.”
Rena sent her a small, doubtful look. “You have enough patience to wait for so long?”
“Ah yes, that’s one of the many things I need to work on,” Jurina chuckled, nodding in agreement.
Rena gave her a knowing smile. Dragging her eyes away from her, she stepped out of her hakama, collected it from the floor and neatly folded it on the chair. She reached for the belt of her kimono, aware of her protégée peering at her, but didn’t feel uneasy under her scrutiny. Halfway through the process, she gave her a sideways glance. The amusement had died from Jurina’s eyes, and Rena saw something new and deeply serious within them she couldn’t decipher.
Jurina rose from the futon and closed the distance between them, catching her off guard when she gently pulled her into her arms. “I know you’re troubled by what happened in the council chambers.” She whispered close to her ear, her breath warm against her cheek. “You don’t you like being vulnerable in front of others, and I understand the feeling. I don’t have the habit to confide in people. I’ve never been good at comforting people either,” Jurina confessed awkwardly, struggling to find the right words. “When I told you how much I felt lost and lonely here, you didn’t judge me.”
She pulled back enough to gaze into her eyes. “Today, Mayu told me something that made me think. There are many things I don’t understand. Things… that confuse me. But I know I’m a better person when I’m with you. You said you wanted to help me feel more at home, and I want to try. Not only for my sister’s sake, but because I think it’s worth it. I think you’re worth it, Rena-san.”
Rena’s heart accelerated.
Jurina reached for the front of her kimono and began to detach it. Rena reacted on instinct and seized her hand, interrupting her. She expected the younger girl to fight against her hold, but she didn’t resist. Rena was used to her protégée’s dominant personality and possessive moves. Tonight, she could sense the dynamic between them had changed. She felt her protégée’s desire for her, but she showed more patience, her gaze soft as a caress as it traveled over her face.
A shiver came over Rena, and a knot welled up in her stomach. Jurina leaned closer, her lips paused inches from hers, offering an invitation without taking any liberties. The decision would be all hers. Rena hesitated for the briefest of moments, as her self-preservation instincts warred with her heart’s desire. She knew where this was leading if she didn’t push her back. Her heart won out. She closed the gap separating them. Their lips brushed. She could feel her heart beat faster as Jurina’s mouth moved gently against hers. They had kissed before, but never like that. It made her go weak in the knees, and Rena responded to her kisses with equal tenderness.
Her grip on her protégée’s hand diminished, conveying her consent for her to keep on. Jurina broke the kiss and drew back slightly. Her face brightened with happiness, and Rena gave her a shy smile. The younger girl took her hand in hers, leading her towards the futon. Jurina sat down and gently pulled her down to sit on her lap, and she didn’t oppose any resistance. Without haste, Jurina untied her belt, and swept aside the fabric of her kimono. She feathered her lips along the valley between her breasts, and Rena felt her hands slide over her arms as she freed her from her kimono.
Rena felt the air caress her skin. Her touch claim her. Jurina’s kisses bathed her in delicious intoxication. Her senses roared. Rena’s hands plunged into her hair, fingers tangling, getting accustomed to the sensations of pleasure coursing through her veins. She tried to fight for a minimum of self-control, but found no desire to back out of her embrace, and allowed herself to give free rein to her feelings.
Jurina lifted her off her lap, and laid her gently down the futon. Rena settled back, enjoying the feel of her arms around her. Jurina swooped down, her lips brushed her neck, her cheek, and found her mouth, kissing her. The friction of the fabric of her protégée’s kimono against her skin reminded her that one of them remained fully clothed.
“Is there a reason why I’m the only one naked?” Rena murmured in between kisses, tugging at her protégée’s kimono.
The latter removed herself from her lips and looked at her, visibly entertained by the complaint received. She rose from the futon and undressed, keeping her eyes locked on her face, letting her clothes fall on the floor without ceremony. Rena found herself openly staring at her nude form, admiring her shapely body in the pale moonlight that came through the fusuma leading to the garden.
Jurina climbed back into the futon, reclaiming her position on top of her. “Better?”
Rena reached up, capturing her chin with her thumb and finger, tugging her down for another soft lip touch. “Yes, much better.”
Despite the dominant position, Jurina’s touch was not aggressive or demanding. It was remarkably gentle, coaxing. Jurina’s mouth wandered up the tingling cord of her neck. With a slow, leisurely touch, her fingers roamed over her curves, and she explored her body as if she had all the time in the world. When she touched her breasts and traced their roundness, her nipples surged at the intimacy.
Rena softly moaned with pleasure.
Their eyes met through the dim light, and Rena wondered if the other girl wasn’t holding herself. Taking things slowly for her sake. Rena studied her, trying to obtain a response, but didn’t detect any sign of frustration. On the contrary; all she witnessed was the similar raw pleasure etched on her features. It set her heart pounding. When Jurina dipped her head to recapture her mouth, she met her halfway.
Soon, they both were back in a passionate embrace, their naked bodies entwined, gently making love. While Rena’s hands glided over her back and shoulders, Jurina’s hands left her skin hot and tingling. Tonight, Rena was witnessing her protégée’s softer side. But if those last three months had taught her one thing, it was that Jurina was a complex, multifaceted person. And she was eager to discover all aspects of her personality.
#wmatsui#matsui jurina#matsui rena#wmatsui fanfic#Watanabe Mayu#Kashiwagi Yuki#SKE48#AKB48#Warriors#chapter 28
39 notes
·
View notes
Audio
Listen/purchase: Dirty Filthy Heart by Dojo Workhorse
0 notes
Text
I don’t understand why I don’t just kill myself.
I hate most things about my life anyway. My mom loves her hookups more than me, I’m not allowed to set foot outside the house without supervision, my stepmother wishes I didn’t exist and has threatened me multiple times, and my dad just sees me as a workhorse. I don’t even go to public school. I’m a hostage.
There’s a few good things, though. My martial arts dojo. The two friends who’ve somehow stuck around despite my fluctuations of mental illness, the strictness of my parents. And my grandparents.
So there is one thing holding me back, and it is the knowledge that if I do that then I’ll never live. I’ll never set foot back in that dojo again. I don’t want to picture their faces. I can’t. Because there are so few people who love me in this world, who choose to love me and stick around with me for some godforsaken reason that I don’t want anything bad to happen to them. I can’t prevent it elsewhere, because the world is a cruel, meaningless place where our only point of existence is to live in misery. But if I were the person to put that look on their faces I would hate myself even more. I don’t want to put them through that.
They deserve better than me. I don’t understand why they choose to care about me like I care about them, and perhaps it’s a cliched sentence but it’s true. But so help me god if I won’t protect them until they decide to move on.
0 notes
Text
It is said that Dallas hip-hop has always played in the shadows of Houston’s more popular hip-hop scene, but for Dallas rapper SHIIK, that couldn’t be further from the truth. Born Dominique Deshun Harris, the 26-year-old rapper recently released his latest project, “Kartoonz & Hood Movies” in April and as he prepares for the birth of his new son, he sat down with me and shared his musical influences, his plans for 2018 and why he feels the current music scene is “like Sheep as long as its ignorant“.
Who do you credit as the influence behind your music?
My influences in music have a very wide range. I was raised under 6 Brothers & Sisters so my music taste is wise beyond my years. Not in any specific order but, my Pops, He used to be a DJ when he got out the military and kept us on everything since birth from the 50’s to the early 2000’s. Because of my old man, I am never out of tune at any function no matter the age. I can vibe with anyone on anything cause of my dad.
My mother is a major influence on me, she’s from Louisiana and has an ear and voice for music. But beyond that, she is the real reason I started rapping. It may have been around my 18th birthday and was having trouble understanding a few things and controlling my frustrations; so she bought me a [writing] pad and told me started writing and from there she planted a seed that helped me grow into the artist I am today. My Brother Damien, who is also a rapper, showed me early on how to be a lyricist and paint pictures in my music. My wife Dionna I write the best music when we have our growing pains, and she keeps me motivated to stick to my music and never change up!
What hip-hop albums would you consider pivotal to your career?
Man, That is tough. I grew up on it all, but ones that really made an imprint on me as a kid had to be; Dr. Dre’s Chronic Album, Geto Boys’ My Mind Playing Tricks On Me, Chamillionaire’s Mix Tape Messiah, LL Cool J’s Bad Album, Lil Wayne’s Carter 1-3,
Kanye West’s Graduation, Wiz Khalifa’s Kush & Orange Juice, Kid Cudi’s Man On The Moon, Big Sean’s Finally Famous 3, and so many more. I could go all day, but this is just a few albums that really had a major impact on me coming up! But I like pretty much everything, I am from the south so like all of SUC ( Srewed Up Click) music I was raised on all the of the 3rd music. I’m going just say [Houston] as an album too, from the 90s to the early 2000s I kept them on repeat every day. When I was coming up I couldn’t you the name of some albums, people use to “bootlegs” of a lot of my fave artist albums and I could never go off what the seller marked it as I just knew one of my favorite artists has some new soul out and I need it!
When did you write your first song and what was it about?
Shoot, I started rapping at 9 years old and back then it was all just a lot of long verses, no context, hook or anything just a paper with “Babylon” type verses. (Laugh) So technically I started rapping in August of 2017 and It was after a real break up with my wife, Dionna. I had just moved back to Dallas from Alpine, Tx ( Shout out Alpine & Sul Ross State, Those my people) and we had a really bad break up. It seemed like there was no coming back from it. Everything around me stopped making sense, my basketball career had become stagnated and to be honest I was looking for love in all the wrong places. On top of that, I was also coming out of a group I was in called “2 Doms R Better Than 1”, but that’s another story. So it just seemed like nothing was working, and the entire time I kept trying to hide my love and ability in music. But as more situations hit me, the better the lyrics in my head were and then one day I couldn’t hide it anymore. I sat down threw on R.Kelly’s “When a Woman’s Fed Up,” rolled a few packs of Blue Optimos and came up with the track, “VICTIM”.
Who do you see yourself working with as an artist and producer?
Out the gate I have to say, Lyfe Jennings, Miguel, J. Cole, Kendrick Lamar, Kevin Gates, Erykah Badu, India Arie, Wiz [Khalifa], Curren$y, Mo3, Yella Beezy, & Post Malone are some of the artists would love to collab with. However, I can’t leave out Chris Brown, K Camp or Drake. As for producers, I would have to say The Dream, Metro Booming, Sledgron, Skee Beats, Zaytoven, T-Pain, No ID, and Kanye West. I would lose my absolute mind in the dojo with these guys. Just to hear some of the knowledge and stories of how this industry can make and break you is a privilege in itself.
Tell me about your latest project, “Kartoonz & Hood Movies”, and what inspired it?
My latest release project “Kartoonz & Hood Movies”, was released on April 20th. This tape is one for everyday things we see and have to deal with. I am a proper 90’s baby, I was raised on good classic movies about us like, “Colors”, “Menace II Society”, “Boyz N Da Hood”, “Juice,” etc., and by looking at this list and reading my title “Hood Movies” you can see a lot of these are blockbusters and far from “Hood or Low Budget” Movies. I was iterating to the subject and content of those movies about being from the “hood”. It also shows how your circumstance isn’t always forever, it can always be better and as “Man Of your Word” stand on what you believe in! The “Kartoonz” part is self-explanatory, unlike nowadays coming up our cartoons back then had a message every episode, showed you how you can be an everyday hero and believe in you. Little things like that, so that had a major impact on what raised me. “Kartoonz & Hood Movies” is just that giving you who I am in eighteen songs. Just taking you back to the good old days without all the “B**ches & H*es”. But real music! The producers for this one varied from B. Young, Kil’Lab Music, Fly Boi_DBone, RealNDaFields, Jia Beats and Mingo Gomez. I wanted to work with a solid foundation of producers that work just as hard in the craft like me.
Well, as of right now, I am currently in the works of releasing three tapes at the end of July. “Summer Of 65‘” produced By Lu.B Music, “91 Made Me” by produced By YB Beats and “Digital Dope” produced by Mingo Gomez. Each tape has its own producer. The three tapes are collaboration tapes between me and my producers with all original beats that they make themselves. I have no set release dates but they all will be available by the end of July 2018 on all digital platforms.
How important is the idea of connecting with other musicians to you? And how do you believe someone should utilize their connects?
Networking is the key to everything, cause, unfortunately, you can be GREAT at something and never get a chance. But to know someone that knows someone who can pull strings and make life for you a walk in the park or take you to the next level is great. Utilizing the connections is crucial and lucrative in becoming someone in the industry. You have to keep that connection alive. Most people will get a number and never use it or wait until they need something. NO NO NO! You hit them on the regular and see if you can help them or even just ask how things are going. Connections can take you around the world twice, without spending a dime. Just gotta know how to maneuver.
How would you describe your writing process?
I am a machine! I never stop writing and my process is unorthodox, spontaneous and just downright SMOKING FIRE! I am into writing as far as poems, plans or notes so writing isn’t the hard part, but what I found difficult was learning how to control my thoughts, how to make them tell a story and stay on beat.. can be absolutely BRUTAL! But I am a workhorse, and once my heart is made up, in my mind I am unstoppable. I BECAME A MONSTER. Now my process consists of creating the hook and making a song. I also use Instagram as an open gym for practice.
youtube
What is your thought about the current state of the Hip-hop game?
It’s absolute bullshit for those that would enjoy my kind of music. If you aren’t talking about guns, jewelry, women, drugs, and ignorant stuff, your music gets pushed away or skipped. I ain’t knocking any of those artists out there that rap about it, that’s them, it’s what they know and I support it. But I can’t cap that to catch a wave or make a fan. I was raised around real gangsters, and I was brought up as a gentleman. In my line of business, those lyrics are for the FEDS and people you don’t need knowing your business, and besides, I want to rap about me, life, love, memories and occasionally weed. But today’s music scene is like “Sheep,” as long as it’s ignorant and they see someone else liking it they will all run to it. But that’s all the way gravy, it’s a process and the longer the drive, the longer the run will be. I’m quiet, patient and supportive. Hating will get you nowhere.
What would you like for the readers to know about you?
I’m human, I can only give it to you how I see it and believe it. I’m old school and really laid back. I was raised a winner and I’ am a man before ANYTHING. My music is me standing in front of a mirror revealing me just as much as its reflecting.
What advice would you give to young musicians in the game?
Enjoy being unknown, because as soon as you become hot, they [record label execs] will be quick to label you with a style, or a sound without fully given you a chance to blossom and be versatile. BE YOURSELF IN YOUR MUSIC because as soon as you lose who you are, your music will become typical. Going unnoticed doesn’t necessarily mean you can’t or won’t make it. Timing is everything, just stay ready, keep working and believe that your days are coming. FUCK THE OPINIONS OF OTHERS. YOU ARE HARDER TO IGNORE WHEN YOU DONT ASK FOR PERMISSION.
What are your plans as a musician for 2018?
Since I am still a new artist I want to make that a strong point of my path to being signed. I plan on building a HUGE catalog of QUALITY MUSIC towards potential radio singles, visuals and eventually put a real album together before the end of 2018. I also plan on making the Freshman XXL list by the summer, having a 1000 youtube subscribers, and at least 2 Hit singles. I want a lot but I’ve learned pace & patience can take you far if you really want it! So I’m deep in the process and enjoying the ups and downs of the learning process to make it in this industry. My son will also be born Sept 12, 2018, so I am really enjoying that next step of my life. I’m excited! He’s gonna be a Jr! Our Little Baby Shiik, well his mom calls him Biscuit, make sure I add that or she liable to punch me. (Laughs) To sum it up really create a wave, and open doors for my family, my team, and I to exceed expectations in life while we can!
Make sure to follow SHIIK on his Instagram and Twitter and Soundcloud for more updates.
Datpiff (The Thooka Tape)
Datpiff: (KartoonzNHoodMovies)
Google Play: bit.ly/GooglePlayB-Rhye
Up-And-Coming Artist: SHIIK It is said that Dallas hip-hop has always played in the shadows of Houston’s more popular hip-hop scene, but for Dallas rapper SHIIK, that couldn't be further from the truth.
#big sean finally famous 3#chamillionaire messiah#curren$y#dallas#dallas texas#datpiff#Dominique deshun harris#dr. dre chronic#erykah badu#geto boys my mind is playing tricks on me#india arie#J. Cole#kanye west graduation#kartoonz and hood movies#kendrick lamar#kevin gates#kid cudi man on the moon#lil wayne carter mixtape#ll cool j bad#miguek#post malone#SHIIK#wiz khalifa kush and orange juice#yella beezy
0 notes
Quote
Eventually, its compromise He'll look for love, but in the meantime, I get to mess around Pollute myself, Watch it all come true
How to be Lonesome, <Dojo Workhorse>
0 notes
Audio
2 notes
·
View notes
Text
tonight I feel especially weak,
I’m going to dress warm in case I
fall asleep on the streets
3 notes
·
View notes
Audio
A little local band that makes the bad times feel good.
Dojo Workhorse - Misbehave
2 notes
·
View notes
Audio
Gold and Green - The Dojo Workhorse
I originally thought it was weird that a band from Calgary would write a song about the Edmonton Eskimos, but then I realized it was about the grass and wheat and dandelions that dominate the landscape of our prairie provinces. I don't plan to stay here for my whole life, but I wonder how much I'll miss the simple beauty of the prairies when I leave.
"and when you see the prairie's gold and green, then summer's turned for you, and I'm coming back soon"
0 notes
Audio
Listen to: New Years Eve by Dojo Workhorse
0 notes
Photo
concerts are just so much fun I want to cry about it, something about being at a concert makes everything feel awesome and like the future is going to be great
2 notes
·
View notes