#doesn't interest them

[ceph-the-ghost-writer]

For the Random WIP ask game: 💖‍🎨🔒🖋️❌

Thanks for sending these in!

💖 [Heart]: What is your favorite moment in this WIP?

A tough one. It's pretty close between the part where Isaac summons Kinslayer's shadow and gets his soul devoured (then kind of gets it spit out again of course), or the following part with Renato's fumbling attempts to comfort him.

I think it's the first one by a fraction. Staring the abyss in the face even if it destroys him is Isaac in a nutshell. He and Kinslayer have more in common than he realizes.

🎨 [Palette]: If your WIP was a color, which color would it be?

Dark purple, like a bruise. There's a lot of pain and brushes with death, but there's also survival and thus the chance for healing in the future.

🔒 [Lock] Would you let your family, friends, or other people you know in real life read your WIP?

Funnily enough, I'm not super shy about offering to let others read my writing, but almost nobody I know has expressed any real interest in doing so. 99% of the time, someone comes in as a reader first, then we become friends. Otherwise, writing is just a hobby some people know I have and rarely ask me about--even those who enjoy reading books.

🖋️ [Pen] Describe your WIP in a single, terrible sentence.

Human nerd forms a polycule with the monsters who tried to kill him.

❌ [Cross] What would your WIP get cancelled on Twitter for?

I only know of Twitter by reputation, but I'll make a few guesses:

Bad Queer Representation™

"Why does everything have to be political nowadays?"

Glorifying abuse (i.e. some characters have messy relationships and don't always cut another out of their lives because of it)

Daring to suggest that nobody is immune to propaganda, and maybe openness to constant growth and change is better than some impossible standard of moral purity

There's an eventual allusion to Elon Musk dying when the break happened, and everyone being glad because his cars were garbage

[ronanlynchbf]

tshirt that says NO LIVE ORGANISM CAN CONTINUE FOR LONG TO EXIST SANELY UNDER CONDITIONS OF ABSOLUTE REALITY

[casscainmainly]

Jason and Cass' opposing views on murder is so interesting. Their conflict is not purely moralistic - that is to say, it's not purely that Jason thinks murder is okay, and Cass doesn't. It's their identities, their original and most fundamental worldview. Jason is a murder victim and Cass is a murderer. Yes, Jason kills people as Red Hood, and yes, Cass dies multiple times, but this never truly erases how they see themselves. Jason will always have been murdered, and Cass will always be a murderer. They are unable to fully extricate themselves from those roles, and thus will never approach life or death the same way.

[lotus-pear]

free will is drawing ur two favorite characters together and making them gay

[heyfoxprince]

lucky protagonist

[raepliica]

priest guy sending mixed signals, what is he up to?🤨🕶🤏

~~~

[Image Description: A warm-toned comic featuring Trigun98 characters. It opens with Vash shouting "YOWCH!!" as a half-eaten donut flies through the air, a bruise on Vash's tongue. Meryl, editing papers, is annoyed as he complains: "Ow! Ow! I bi'e my 'ongue..." "What's the rush?" Meryl asks, "They're all yours." Vash, still hurt, tries to explain: "They're jus' sooo good!" Meryl argues back, "Well, savour it then!" Wolfwood has been watching the scene unfold as Meryl continues, "Satisfying your sweet tooth doesn't come cheap, unfortunately." Wolfwood clicks his lighter open and closed, again and again. Without a word, he leans closer, his thumb on Vash's lips. "Wolfwood...?" Vash trails off. Then, Wolfwood opens Vash's mouth and knicks his thumb on one of Vash's canines in one fell swoop. "Wah? Huh??" Vash says as Wolfwood pulls his bleeding thumb away. He licks the blood off the wound then snickers at Vash. Meryl looks disgusted, Vash has lit up in an embarrassed explosion, and Milly remarks, curious: "Those are surprisingly sharp, Mr. Vash!" Question marks float around Vash, and his donuts lay discarded on the table. Each panel is signed by raepliica. End ID]

[biggest-gaudiest-patronuses]

christ sometimes I just wanna. steal a time machine & go back & sit down next to my 9-year-old self and just like. let them pull out their pokemon card binder & gush about their holographic gyarados or whatever. I'd just smile & ask questions about motherfukcing bulbasaur & tell my kid self that I thought they were a neat person, & someday they'd find other people who thought so too.

like i'm a grown adult who honestly finds most kids stuff boring, but. damn if i could go back & hang out with my baby self & listen to them ramble...just so they knew someone was listening. i would in a heartbeat. thinking about u kid

[magpie-trinkets]

unexpected encounter at the movie premiere

Transcript of the conversation below:

Edgeworth: What are you doing here, Franziska?

Franziska: The same as you, you fool.

Edgeworth: I didn't know you liked the Steel Samurai.

Franziska: I don't. I have memorised the fan-wiki for this date.

Edgeworth: Oh? Going for the perfect date, I see.

Franziska: Of course. What about you and Phoenix Wright? Did you drag him here?

Edgeworth: He came willingly- and he has media literacy, although he tries to hide it.

Franziska: Hmph. Then, wanna test how prepared we both came for this movie? Did you do your homework, Miles Edgeworth?

Edgeworth: That's hilarious. Unlike yourself, I have actually watched every episode and have followed the series since its debut.

Franziska: You won't win against me, Miles Edgeworth. I checked my sources and discussed motifs in anonymous forums. My knowledge is perfect.

Edgeworth: Nothing beats first-hand experience, but I'll humor you. Prepare to lose, Franziska.

Both: Bring it.

[cup-o-stars]

Last part for old GF sketches

(Actually, most of these aren't old at all, but their average is brought down by the last picture, which I drew back in August and kept forgetting to post)

[divineandmajesticinone]

4 MINUTES (2024) I 1.03 "I didn't think you were like this. Like what? Like this..."

[claraoswalds]

#mrs flood who are you: time lord edition

[thesinglesock]

not to sound like an immortal but 1925 should NOT be 100 years ago next year. wtf. that's the year Buster Keaton's "Seven Chances" and "Go West", Charlie Chaplin's "Gold Rush", AND Harold Lloyd's "the Freshman" came out. When you say "100 year old film" I'm thinking about those "moving pictures" that were essentially postcard illustrations projected onto the silver screen. But you're trying to tell me Sherlock Jr., a movie with a solid plot, interesting cinematography, and PEAK comedic timing is a century old??? shut up stop lying to me.

[jazillia007]

I can't stop thinking about how Penelope praised Colin's writing. And it was actually smut, personal smut.

But I think what makes it beautiful. Despite of the content, Penelope really loved his writing in itself. The man barely gets praised by anyone but her.

And to be praised by Penelope who is not only a avid reader but also writer, is the biggest praise you can get.

[f1-stuff]

Did carlos also used the friend word? Do you know when?

Hi, so I actually compiled some links mostly for myself, but also for you and anyone else interested. See below the cut!

Times Charles has referred to Carlos as a "friend":

The most recent instance: 'He has obviously become a friend.'

‘We were already good friends before we joined Ferrari.'

'We have a very special relationship. I mean, we are obviously friends outside the track as well. We are sharing good moments. We spend so much time - I mean, I see Carlos more than my own family...'

Times Carlos has referred to Charles as a "friend":

'My teammate and I are friends off the track, we get along very well and we have a very good relationship. And we make a very good team. I think that if there is something that worked and works in Ferrari, it is the two drivers...' (translated from Spanish)

This is just what I could track down, but if anyone knows of others let me know!

Carlos has spoken about how he and charles get along very well, but that it's hard for him (and other drivers) to truly be friends with their teammates bc they're always so competitive with each other, and there's so much pressure to beat one another. ("Friend is a strong word that I don’t like using for anything or anyone.") And combine that with what we know about how, as a kid, he was surprised by other kids he thought were his friends running him off track and out of the race, we can see how much weight he applies to the 'friend' label.

To Carlos, I think a 'friend' is someone that a part of his brain would hesitate to race too hard against, and he can't let that happen with his teammate, who he wants and needs to beat more than anyone. He can afford to maybe leave Lando or Alonso a little more space on track bc he values his relationship with them as friends, and they're not currently his teammates. But he can't let himself have that relationship with Charles, or, for that matter, Alex next season.

Will he be able to say that he and Charles are friends more readily next year when they aren't teammates any longer? I think so. That was certainly the case with Lando. But I also think his relationship with Lando was a bit different - Lando was almost like a little brother to him. With Charles, he's more firmly a peer, and I think that hyper-competitiveness between them may always linger, right up until they aren't racing eo anymore, maybe especially bc their partnership was cut short before either could win a championship as teammates.

Time will tell, but it's clear that they already view their time together very fondly. They've spoken plainly about 'hating each other' inside the helmet when they've battled and disagreed, but that they always make up after two minutes. It's beautiful that they can always come back to the respect they have for one another. It's a unique relationship, and I look forward to seeing how it evolves in the years to come. ❤️

[nelkcats]

Family Trip

Danny loved her, like a sister, a daughter or something in between, but Ellie was happy as long as he was there to take care of her. She felt protected but couldn't stay forever.

She had already explored the whole world, and as interesting as the Infinite Realms seemed in reality they didn't interest her that much. Ellie was sure she needed to go further, but she didn't know how to let Danny know. So she simply told him straight out, that the universe they were in was no longer enough for her.

Danny accepted it, and told her that there were many other universes that she could explore, he told her that Clockwork had told him about some of them. Ellie was excited, she could travel more, but for the first time she hesitated, and realized that she didn't want to travel alone.

She asked Danny if he wanted to travel with her and he gave her the flattest look in existence.

"Obviously I'm going to travel with you" he said. And that was that. No discussion, no questions asked.

They both packed a couple of backpacks as if they were going hiking and asked Clockwork. He just tossed them Dan's thermos before offering them a method of travel. Danny frowned but opened the thermos anyway and dragged Dan with them as he yelled about injustices and upset families.

They ended up in Gotham, in front of a man with a helmet and a guy dressed as a stoplight. Danny waved and asked them for a chat (he probably wanted to ask for directions) while Dan sulked in the back. Ellie looked at the architecture curiously.

Unfortunately for Danny, the stoplight guy pulled out a sword and the helmet guy pulled out a gun. They both looked tense as they looked between the three of them. Danny frowned (his green eyes glinting with annoyance) before nodding towards Ellie and Dan and disappearing.

Thus began their vacation in a world where everyone wanted to shoot them; Danny felt at home, Dan wanted to steal an exotic candy called crypto-something and Ellie was happy to explore.

Their family trip had officially begun.

[starry-bi-sky]

i need to get this out of my head before i continue clone^2 but danny being the first batkid. Like, standard procedure stuff: his parents and sister die, danny ends up with Vlad Masters. He drags him along to stereotypical galas and stuff; Danny is not having a good time.

He ends up going to one of the Wayne Galas being hosted ever since elusive Bruce Wayne has returned to Gotham. Vlad is crowing about having this opportunity as he's been wanting to sink his claws into the company for a long while now. Danny is too busy grieving to care what he wants.

And like most Galas, once Vlad is done showing him off to the other socialites and the like, he disappears. Off to a dark corner, or to one of the many balconies; doesn't matter. There he runs into said star of the show, Bruce who is still young, has been Batman for at least a year at this point, but still getting used to all these damn people and socializing. He's stepped off to hide for a few minutes before stepping back into the shark tank.

And he runs into a kid with circles under his eyes and a dull gleam in them. Familiar, like looking into a mirror.

Danny tries to excuse himself, he hasn't stopped crying since his parents died and it's been months. He rubs his eyes and stands up, and stumbles over a half-hearted apology to Mister Wayne. Some of Vlad's etiquette lessons kicking in.

Bruce is awkward, but he softens. "That's alright, lad," he says, pulling up some of that Brucie Wayne confidence, "I was just coming out here to get some fresh air."

There's a little pressing; Bruce asks who he's here with, Danny says, voice quiet and grief-stricken, that he's with his godfather Vlad Masters. Bruce asks him if he knows where he is, and Danny tells him he does. Bruce offers to leave, Danny tells him to do whatever he wants.

It ends with Bruce staying, standing off to the side with Danny in silence. Neither of them say a word, and Danny eventually leaves first in that same silence.

Bruce looks into Vlad Masters after everything is over, his interest piqued. He finds news about him taking in Danny Fenton: he looks into Danny Fenton. He finds news articles about his parents' deaths, their occupations, everything he can get his hands on.

At the next gala, he sees Danny again. And he looks the same as ever: quiet like a ghost, just as pale, and full of grief. Bruce sits in silence with him again for nearly ten minutes before he strikes a conversation.

"Do you like to do anything?"

Nothing. Just silence.

Bruce isn't quite sure what to do: comfort is not his forte, and Danny doesn't know him. He's smart enough to know that. So he starts talking about other things; anything he can think of that Brucie Wayne might say, that also wasn't inappropriate for a kid to hear.

Danny says nothing the entire time, and is again the first to leave.

Bruce watches from a distance as he intercts with Vlad Masters; how Vlad Masters interacts with him. He doesn't like what he sees: Vlad Masters keeps a hand on Danny's shoulder like one would hold onto the collar of a dog. He parades him around like a trophy he won.

And there are moments, when someone gets too close or when someone tries to shake Danny's hand, of deep possessiveness that flints over Vlad Masters' eyes. Like a dragon guarding a horde.

He plays the act of doting godfather well: but Bruce knows a liar when he sees one. Like recognizes like.

Danny is dull-eyed and blank faced the entire time; he looks miserable.

So Bruce tries to host more parties; if only so that he can talk to Danny alone. Vlad seems all too happy to attend, toting Danny along like a ribbon, and on the dot every hour, Danny slips away to somewhere to hide. Bruce appears twenty minutes later.

"I was looking into your godfather's company," he says one night, trying to think of more things to say. Some nights all they do is sit in silence. "Some of my shareholders were thinking of partnering up--"

"Don't."

He stops. Danny hardly says a word to him, he doesn't even look at him -- he's sitting on the ground, his head in his knees. Like he's trying to hide from the world. But he's looking, blue eyes piercing up at Bruce.

Bruce tilts his head, practiced puppy-like. "Pardon?"

"Don't." Danny says, strongly. "Don't make any deals with Vlad."

It's the most words Danny's spoken to him, and there's a look in his eyes like a candle finding its spark. Something hard. Bruce presses further, "And why is that?"

The spark flutters, and flushes out. Danny blinks like he's coming out of a trance, and slumps back into himself. "Just don't."

Bruce stares at him, thoughtful, before looking away. "Alright. I won't."

And they fall back into silence.

Danny, when he leaves, turns to look at Bruce, "I mean it." He says; soft like he's telling a secret, "Don't make any deals with him. Don't be alone with him. Don't work with him."

He's scampered away before Bruce can question him further.

(He never planned on working with Vlad Masters and his company; he's done his research. He's seen the misfortune. But nothing ever leads back to him. There's no evidence of anything. But Danny knows something.)

At their next meeting, Danny starts the conversation. It's new, and it's welcomed. He says, cutting through their five minute quiet, that he likes stars. And he doesn't like that he can't see them in Gotham.

Bruce hums in interest, and Danny continues talking. It's as if floodgates had been opened, and as Bruce takes a sip of his wine, it tastes like victory.

("Tucker told me once--") ("Tucker?") ("Oh-- uh, one of my best friends. He's a tech geek. We haven't talked in a while.")

(Danny shut down in his grief -- his friends are worried, but can't reach him. When he goes back to the manor with Vlad, he fishes out his phone and sends them a message.)

(They are ecstatic to hear from him.)

It all culminates until one day, when Danny is leaving to go back inside, that Bruce speaks up. "You know," He says, leaning against the railing. "The manor has many rooms; plenty of space for a guest."

The implication there, hidden between the lines. And Danny is smart, he looks at Bruce with a sharp glean in his eyes, and he nods. "Good to know."

The next time they see each other, Danny has something in his hands. "Can you hold onto something for me?" He asks.

When Bruce agrees, Danny places a pearl into his palm. or, at least, it's something that looks like a pearl. Because it's cold to the touch; sinking into Bruce's white silk gloves with ease and shimmering like an opal. It moves a little as it settles into his hand, and the moves like its full of liquid.

Bruce has never seen anything like it before, but he does know this; it's not human. "What is it?" He asks, and Danny looks uncomfortable.

"I can't tell you that." He says, shifting on his foot like he's scared of someone seeing it. "But please be careful with it. Treat it like it's extremely fragile."

When Bruce gets home, he puts it in an empty ring box and hides the box in the cave. He tries researching into what it is. he can't find anything concrete.

Everything comes to a head one day when Danny appears at the manor's doorstep one evening, soaking wet in the rain, and bleeding from the side.