#doesn't have to be ship specific

[mofsblog]

"This is some gay shit" Good. Silly. Fair enough. Doesn't inherently invalidate other interpretations of the relationship. Honestly yeah, it is kind of gay regardless of their canonical relationship status

"There's literally no platonic explanation for th-" WRONG!! KILLING YOU WITH AMATANORMATIVITY KILLING LOBSTERS 🦞🦞🦞🦞🦞🦞🦞🦞🦞🦞🦞🦞🦞🦞🦞🦞🦞🦞🦞🦞🦞🦞🦞🦞🦞🦞🦞🦞🦞🦞🦞🦞🦞🦞🦞🦞🦞🦞🦞🦞🦞🦞🦞🦞🦞🦞🦞🦞🦞🦞🦞🦞🦞🦞🦞🦞🦞🦞🦞🦞🦞🦞🦞🦞🦞🦞🦞🦞🦞🦞🦞🦞🦞🦞🦞🦞🦞🦞🦞🦞🦞🦞🦞🦞🦞🦞🦞🦞🦞🦞🦞🦞🦞🦞🦞🦞🦞🦞🦞🦞🦞🦞🦞🦞🦞🦞🦞🦞🦞🦞🦞🦞🦞🦞🦞🦞🦞🦞🦞🦞🦞🦞🦞🦞🦞🦞🦞🦞🦞🦞🦞🦞🦞🦞🦞🦞🦞🦞🦞🦞🦞🦞🦞🦞🦞🦞🦞🦞🦞🦞🦞🦞🦞🦞🦞🦞🦞🦞🦞🦞🦞🦞🦞🦞🦞🦞🦞🦞🦞🦞🦞🦞🦞🦞🦞🦞🦞🦞🦞🦞🦞🦞🦞🦞🦞🦞

[peacockrulz]

An Well Made Excuse To Post My Specific Headcanons I've Had Since The Show Came Out

[royalarchivist]

Tallulah: tio pac and fit are so Perfecta by Miranda coded 🥹💕

Phil: This is Pac and Fit? [Dramatically zooms-in on the fanart and makes them "sing" along to the music]

Chat: he's LITERALLY making a ship amv right now

Tallulah: How things got weird 😞

Make sure to show love to the artist who drew this fanart!

[ Full clip ]

[cheshirecat-syndrome]

[drop-dead-dropout]

I've said it before but I really really really need everyone in the disco elysium fandom to like. look at themselves for a moment and make sure they're not being insanely ridiculously dehumanizing to addicts because I see it way too often. I'm not talking about saying that harry is a bad person, depending on your choices in your playthrough he could absolutely be described as a very shitty person, I'm talking about this weird insistence that harry as an addict/recovering addict/whatever doesn't deserve love or friendship or community because he's just That Bad and he will ALWAYS be That Bad and inflicting him on someone else would be cruel and unusual punishment. like... actually fuck each and every last one of you who says shit like that I'm not joking.

[ruporas]

cheers to the future of humanity (and the future of us)

[ID: Digital illustration in color of Vash and Wolfwood from Trigun. The illustration takes place during the ship/home arc, specifically chapter 21. At the center, Vash is grabbing Wolfwood by the collar and pulls him into a kiss in the middle of a celebration. The pair is colored in vibrant warm hues while their surroundings are colored in cooler colors like green and teals. Luida, Brad, Meryl, and Milly are shown amongst the crowd, occupied in the celebrations as Vash and Wolfwood share a moment by themselves at the center. END ID]

[cosmicredcadet]

"This fandom is so queer friendly!" This fandom literally hates, bisexual, trans, nonbinary, and aspec people but ok.

[thevoidstaredback]

Hey! So, it's been a while, but I finally remembered to come back to this! But, it's not gonna go the way you'd think.

If Danny had it his way, he'd be at his Aunt Alicia's house for the summer instead of New Jersey. This place is gloomy, grimy, and soaked through with so much crime that it's a Problem(TM). Like, seriously? New Jersey hasn't allowed the death penalty since he was seven, but can't they make, like, one exception? Get rid of The Joker and half of Gotham's problems are solved.

Unfortunately, he's only here as a guest, so he can't really do anything. Which, for the record, is a shit rule. Call a goose and goose, and that's exactly what Gotham City, New Jersey is.

It isn't all that bad, he supposes. Sure, the pollution blocks out the entire sky at all times, the buildings that aren't condemned are only feeding the rich while stealing from the poor, an entire twenty-four block are has been given up on by mostly everyone, the local vigilantes won't kill the recurring problems like the cockroaches they are- There was a good point to all this.

Oh! He has family here. That's it. That's the only silver lining, and it's bronze.

But, hey, it can't be that bad. From what he understands, his half-brother and company don't actually live in Gotham. Bristol, according to Talia is technically outside of Gotham City Limits, but is still considered as part of the city. Makes sense, aside from the fact that there's no bridge between Bristol and Gotham. Weird design, but he's not rich so he's not really inclined to care or understand.

Half brother, right.

Danny doesn't like Damian much, but that's because he's a clone...of Damian. Danny's a clone of Damian, not the other way around. Ra's makes that very clear

The only reason Talia wants him with Damian is because she's upset with Bruce Wayne. What is it with divorced parents and putting their kids on the middle of their fights? Or maybe that's just Talia?

Anyway.

Gotham, New Jersey is a dismal place. Danny's not germophobic by any means, he can't really afford to be, but even he's having a hard time being in the city.

It was so much easier hiding out with the Fentons.

Well, 'hiding' is a subjective term. Ra's and Talia knew where he was, so did Deathstroke, probably, but that was it.

Essentially, everyone he should be hiding from knows where he's been hiding, which means he's just been on some kind of twisted, extended vacation.

As far as Danny knew, Bruce Wayne had no idea he was coming. Damian knew because Talia had wanted him to pick Danny up from the airport. Weird because while Damian is technically older, Danny is still legally two years older.

Well, 'legally' is a stretch. He doesn't technically exist, outside of the LoA and Amity Park.

The point is that Damian is waiting for him at the end of the terminal, looking as much like an excited puppy as he can, with an older gentleman. Talia had given him nothing to work with, but Danny didn't really care who this guy was as long as he didn't try to make him do anything he didn't want to.

...living in the Midwest was doing wonders for his mental stability, but Ancients was it making him soft!

"'Danny', I presume?" the old man asked, his accent heavy.

Good, so Talia did give Damian his actual name. "Yep. You are?" He may not want to be here, but he still knows his manners. Even if he's only going to use the bare minimum of them. Malicious Compliance and all that.

"Alfred Pennyworth, the family butler." He didn't extend his hand to shake. Danny didn't mind. In fact, he actually preferred that.

Okay, so maybe he's a little bit haphephobic. Leave him alone!

"Danny," Damian greeted, a smile of excitement in his voice but not his face, "It's good to have you here. How did Mother convince you to come?"

"Bribery." Mostly.

Damian seemed to deflate a bit. "Father and the others don't know you're here."

"Do they even know about me at all?"

"No."

"Perfect! Then I can stay at a hotel-"

"For the entire summer?" Alfred raised his eyebrow, "I must insist that you stay at Wayne Manor while in Gotham. Master Bruce will most pleased to meet you."

"Why?" Danny scoffed, "I'm not his kid, nor do I want to be."

Damian slouched a little bit more. "Come, we must get back before the others send out a search party for us."

"Dramatic much?" Danny scoffed.

"Not at all," Alfred took both of Danny's bags before leading the way out to the car, "It' happened before in less time."

"I don't doubt it for a second. I'm calling Bruce a dramatic bitch."

Alfred smirked ever so slightly. "Quite right, Master Danny."

"Don't call me that."

"Alright then, what should I call you?"

"'Danny'. No honorifics, no add ons, no trying to fullname me, nothing else."

"And when you go out with the rest of the family?"

He scoffed again. "You really think they'd let me go out with them? I'm an assassin. In fact, the first thing I'll do the second I'm let out of the house is kill the clown bastard."

Damian rested his hand on Danny's arm. "They let me out with them and I tried to kill Drake. As long as you uphold a promise not to kill anyone, you'll be allowed to patrol with us."

They reached the car, Damian sat behind the driver while Danny sat behind the passenger. Alfred put the bags in the trunk. "So? What will you be called on patrol?"

Danny rolled his eyes, popping his headphones in and not looking away from the window. "Respawn."

Storyboard

[nadiajustbe]

I think the most beautiful thing about writing of Howl and Sophie's pair is that they are written as people before being written as a pair. Let me explain this very quick.

The thing about book Sophie and Howl is that they are not really fully fitting into any "classic" romantic trope. They are not exactly enemies to lovers, as their angry chats are definitely cannot be considered a life or death battle, they are not rivals to lovers because the only aspect of rivalry between them is the cleaningness of Howl's room. They are not friends to lovers, as their relationship just doesn't fit into "friendship" structure at the very start, nor they are roomates (yes, they live in the same house but that's not the core aspect of their relationships). Of course, you can go on and fit the name of the trope you found specifically for them, but that's the thing.

They simply cannot be processed through a pairings lenses only, in order to understand how they act in relationship you need to analyse them separately, as a characters first of all. Cause that's what the book itself does!

Sure, it doesn't have a whole lot of romance instead, but it gives us time to learn and observe the life of incredibly written, alive characters, understand them as personalities first of all, while slowly immersing the dynamic between two characters (in this case, Howl and Sophie) into work. They are written as personalities, both being fully separated and interviewing, changing eachother's point of view.

It's difficult to find a trope for them. They're are not a trope. They are Howl and Sophie, and that's probably the only way their dynamic can be properly described. Just as real people, they are not really fitting into the boxes of linial character progression, but go way deeper into being complex, filled with little differences and moments only people with their personality can have in romantic (or any different) kind of interaction. They're imperfect, and silly, and multidimensional and the reader knows them well enough to imagine them interacting way beyond of what the book says to them.

They are being people before being a ship, a pair of a trope — and that's why they work so perfectly charming in the end.

Howl and Sophie are unique in being themselves.

[storytellering]

Young Arthur, waiting on orders.

[kaiserouo]

(prev | next | first)

yay i gave him a name

[rainbowberriesandcookies]

"Orihime being afraid of Ichigo's hollow power shows she doesn't fully accept him."

I see this take and similar ones pop up from anti fans of Ichigo and Orihime and try to say that Orihime is bad, in the wrong, etc. for being afraid of his hollowfication powers when her first encounter with a hollow was her brother Sora.

I know the anime did a lot of damage to Orihime's character - especially by taking these scenes out and altering them compared to the manga - but when Ichigo begins to undergo the same process as Sora, it only makes sense that she's afraid.

Not because she's afraid of Ichigo but because what he can become.

And just like Sora said, "It would be [her] fault"

Also - this is to counter the whole "Ichigo and Orihime were never close/barely friends/just acquaintances" that I see floating around often too.

But all in all - Orihime was never afraid of Ichigo. She was afraid of what he could have become.

As Acidwire, Sora targeted Orihime because of her growing bonds with Tatsuki and Ichigo. He even says that he attacked them because they tried to tear him and Orihime apart and that she already knew why.

For clarity - what I'm about to say isn't me saying that Sora was abusive in life and I'm going to specifically try to use his name as a hollow "Acidwire" as much as possible to express the slight separation between Sora as he was while he was alive and Sora as he was when he became Acidwire.

Especially since early on, it established that hollows - while they were once former humans - often end up being twisted versions of the people they once were.

Now onto the point -

The "You already know why" isn't dissimilar from how abusers, manipulators, etc. often talk to their victims when they're angry or upset. It's similar to the silent treatment in a way where it implies that the victim intentionally made the abuser upset.

He references her prayers for him every day helped ease his own suffering before she became friends with Tatsuki and entered high school before she stopped praying for him altogether. He then says how it hurt him that when she got home, all she would talk about was Ichigo.

For one - the fact that Acidwire knows this proves that Ichigo and Orihime were at least already friends by the time the manga started. In contrast to the anime where Ichigo outright says to Rukia that they've "never had a real conversation"

Anyways - this here in and of itself proves Ichigo and Orihime at least knew each other beyond just acquaintances - because they were close enough for Acidwire to notice and be hurt by it.

She tries to defend herself but he cuts her off before attacking Ichigo again

Acidwire tells her to come with him back to when it was just the two of them. In the context of the story, this would basically be him killing her.

However, this is also a tactic abusers use known as isolation.

When she questions why she should go with him and why he'd hurt Ichigo and Tatsuki before saying that the brother she loved would have never done anything like this.

I feel like in the anime, it kinda breezed by these moments which are honestly heartbreaking in hindsight and key for the leadup to why Orihime was afraid when Ichigo would use his hollow mask.

but Acidwire's response to her refusal and saying that the brother she loved would never do this is to not just harm her, but blame her and say that he is going to kill her.

In the time that she's become friends with Ichigo and Tatsuki and slowly grew happier, Acidwire blamed her for his own despair and sadness.

The kind, loving older brother that she had always known became a monster that would kill her and everyone close to her, and it would be her fault that he did because she stopped praying for him.

Here, it shows how Acidwire views Orihime not as a person who should live her own fulfilling life, but as an object who should live for him because he gave up his entire life to raise and protect her.

Once again, not to say that Sora was an abuser or abusive person, but this line of logic is the same one that abusive and toxic parents often use when it comes to emotionally abusing their children. Saying how the sacrificed so much for their children to control how their children live their own lives when the child never asked to be born. Similarly, Orihime didn't ask to be born or ask for Sora to raise her.

Sora did because that's the kind of person that he is, but Acidwire turns these loving traits of Sora's into a manifestation of abuse.

And even though she has nothing to be sorry for... She apologizes to Acidwire because that's the kind of person she is.

It also shows how she puts on a smile so that way others don't have to worry about her. She didn't want Sora to think that she was sad and hurting, she didn't want him to worry about her so she buried and hid her own sadness.

She apologizes to Acidwire for making him sad and (in what she thinks are probably her last moments) says that she loves him and that she didn't mean to hurt him.

As he's slowly regaining himself, Sora admits that he already knew that Orihime was just trying to shield her sadness from him but still wanted her to pray for him because it was only in those moments that her heart was his.

Ichigo then tells him that it's the same, those who die and those who survive are just as sad as the other.

It's in this moment Sora had fully regained himself, enough to know that he couldn't stay in a form like this or else he'd come to hurt Orihime again. If he killed the little sister that he raised like a daughter over his own heartache, would he have been any better than their own abusive parents?

And finally, the two get to say goodbye properly.

Also - a side note - a lot of people criticize Orihime's passive nature and how she never seems to fight or argue with anyone but it's because the one time that she did have a fight with someone, they died and became a monster.

This entire sequence emphasizes why Orihime always tries to reach out to others in need and never argues or fights. She doesn't want her friends or even strangers, to become like how Sora became Acidwire.

Now, Rukia had changed/erased Orihime's memories following this event but it likely didn't work as intended since during the Rukia rescue arc, Orihime mentions that she's been able to see hollows and spirits ever since the encounter with Acidwire.

Now let's go ahead and jump ahead to VL Ichigo -

Going to Hueco Mundo - Ichigo already knew without having to be told or convinced by anyone that Orihime was in danger. Aizen did his best to make it look like Orihime was a traitor to the Soul Society and Ichigo never bought it

It's being put in plainer and plainer terms that Ichigo transformed as a response to Orihime's call for help.

Even if you want to argue that there was a mistranslation or that Ichigo doesn't directly reference Orihime, even if you remove all of the text the sequence of events goes

Orihime's cries

Ichigo began to move and get up - functionally coming back from being dead

Once again, even if you want to remove the text avoid arguing about whether or not it was properly translated - nevermind the fact that in Japanese pronouns are often omitted and there is a big assumption to just know who/what you are talking about -

Even without text, the images show Orihime crying, and Ichigo beginning to come back to life.

Both she and Ulquiorra question whether that is Ichigo

Now that said, I think that Ichigo vs Ulquiorra is one of the most brutal and best fights in the series. Both Uryu and Orihime know that this isn't Ichigo.

Yet remember how it is established that hollows often become twisted versions of the people they once were? This is a power that Ichigo can't control and yet uses it to protect the person who called out to him.

While I don't disagree with the notion that this is also White protecting Ichigo, it doesn't change the fact that Kubo intentionally drew Orihime and Ichigo rising side by side multiple times. Even without text, Kubo places emphasis on her and her cries for help against VL Ichigo - not White or Zangetsu.

And when Uryu tries to bring him back to his senses what does Ichigo do? Put a sword through him.

Once again, even if you want to remove any and all text, Kubo puts VL Ichigo paneled side by side with Orihime, and when Ichigo comes back to his senses

The first person that he sees is Orihime.

As much as I want, I'll save my yapping about Ulquiorra for a separate time.

But for a moment, even if only briefly, his desires to protect were twisted in a way that hurt those around him, and once again - Orihime was the catalyst.

Ichigo says that he didn't want to win like this - showing that he views fights as something more honorable than what White/VL Ichigo had done. His last memory being that he had a hole put in his chest, also shows that he more or less "blacked out" and had no control over his actions.

What is one of the things established when people become hollows?

That they lose control of themselves and their desires are twisted.

The difference between Ichigo and Acidwire is that Ichigo wants to protect Orihime while Acidwire wanted to own her - which is why Ichigo never directly harms Orihime even as he loses control of himself.

But - all of this yapping is to show how from Orihime's perspective, hollowfication and hollow powers aren't good. They turn people into monsters that hurt their friends and loved ones.

It's also established that Orihime is the type of person who will internalize her own thoughts and feelings (it isn't ""hubris"" as some people call it).

Whether or not you want to argue that it was an assumption that Ichigo became a VL because she cried for help, it doesn't change the fact that she still cried for help and that Ichigo became a hollow/VL.

From her own perspective, she blames herself regardless of whether or not you think that it is an assumption on her part that Ichigo became a VL to protect her.

And after all - why wouldn't she blame herself when her first encounter with a hollow - Acidwire - blamed her for the monster that he became?

I know I skipped over him using his mask in the fight with Grimmjow, but I already yap too much and wanted to try to keep an already long post short(er).

Anyway - all of this illustrates the trauma that Orihime has regarding hollows and hollowfication. It's not truly her fault - yet in both instances she blames herself.

And not just Kubo, but Ichigo himself is fully aware of this.

Which is why when he tells her not to worry and that he's still himself is so important - because it shows that Ichigo has learned to control that side of himself while at the same time, being aware that Orihime is someone who has been traumatized by hollows and hollowfication.

Ultimately - she doesn't want Ichigo to become a monster like Sora. For Ichigo, it's growth in his own ability while for Orihime it's comfort in knowing that Ichigo won't lose himself fighting to protect those he cares about.

In short, she isn't afraid of Ichigo - she was scared of him becoming a monster like Sora had.

[momentomori24]

This may just be me, but I think if you ship a canonically very abusive, manipulative and toxic relationship, you don't get to judge or call anyone degenerates for their own fucked up ships, actually.

[disastergenius]

maybe this is a hot take but i do wonder if the initial gnarlrock incident, following argument, and (imo) anticlimactic and almost complete brushing off of that conflict occurring between Imogen and Laudna had actually led to a real conversation about Delilah/her influence and Imogen and Laudna's relationship in general (pre-established romance) would have made discussing Delilah later in the campaign easier

[krysmcscience]

I will be the first to admit I'm not the best at drawing animal or furry characters, but I wanted to get something scribbled down in my Non-Goof style, anyway. Plus, I've been enjoying the many reference pages folks were posting of their own designs for the Lamb and Narinder, so, uh. Here's mine, I guess! ¯\_(ツ)_/¯

do not comment on how long narinder's tail is or i swear to the lamb i will make it even longer next time >:]

[doverstar]

actually I love Tentoo and he is the Doctor and it was the only ending for Rose that worked and it is a huge gift to be able to have the man she loves grow old with her, they were always heading for that, y'all be quiet. I 100% understand the angst but it's okay, they're okay, good ending-