#does this make sense? Am I saying anything??

[klinefelterrible]

sooo I’m doing it for @k-kizkhalifa :} Do you daydream a lot before you write, or go for it as soon as the ideas strike?

There are times when I daydream a lot about a certain idea, like for example about the one about pairing Ron with Blaise, but mostly it’s just a Boom! and if I don’t write it now, it’s dead and gone.

Where do you get your fic ideas?

I imagine my (as in “original but in my way” or headcanonly or au) characters during certain activities (mostly: fucking) and I add something or someone extra, or I set the scene right before or after - as it comes to me.

Do you share your fic ideas, or do you keep them to yourself?

I rarely have a big idea that is different than a shortie I am writing or wrote already, but in my head it’s like once I say it, it’s done and gone - so sharing is equal to abandoning it most likely forever

How do you choose which fics to write?

Since I don’t understand the question really I will try answering how I feel it: I choose just by how I feel about right now. When I think of Eomer, I write about Eomer. As simple as that.

How many wips do you have? What fandoms/pairings are they for?

GURL YOU NOT READY!

I have many wips, mostly of HP wizarding world, and probably sometime soon I will release another chapter of two halves of Draco’s broken wand and my favourite pairing there is Draco/Bill Weasley and Fred/George/Hermione and since it’s me, it’s going to be juicy as fuck. Literally.

What’s the last line you wrote?

“He’s a cuckoo”

Post a snippet from a wip.

Post an out-of-context spoiler from a wip.

Draco is being blackmailed and fucked by Bill Weasley

Does this word [chosen by asker] appear in your current wip?

Do you work on multiple wips or stick to one fic at a time?

M u l t i p l e

Do you write scenes in order, or do you jump around?

I truly have no idea what I’m doing

Do you outline your fics? If yes, how detailed are your outlines? How far do you stray from them?

It depends. For Lucy I invented a whole new interest and branch of magical creatures for Lucius to be interested in and for the moment I was even sad that I am doing all this work to finish it with some porn scene.

Do you listen to music while you write? If yes, what have you been listening to recently?

Rarely as I am bilingual and most of the music I listen to is English so I get distracted very easily

What is your favorite location and position to write in?

Any. Sometimes I park my car on my driveway and just START WRITING

What’s your favorite time to write?

Any. No particular favourite time. But I don’t like meal time to use on writing if I really must differentiate between this or that

Do you write by hand, on your phone, or on your laptop?

99% phone.

Do you have a writing routine?

I barely have any routines!

Do you enjoy research? Which fic of yours required the most research?

Research yes, sometimes a lot! But for a fic? They don’t require much researching… maybe just checking if I remember something correctly or not.

Do you enjoy creating OCs or do you prefer to stick solely to canon characters?

I like creating OCs based on characters from other fiction and I am not ashamed at all.

Do you prefer writing AUs or canon fics?

Asking that a guy who writes hardcore gay porn from Wizarding World…

Do you prefer writing chaptered fics or one-shots?

Why not both at once?

Do you title your fics before, during, or after the writing process? How do you come up with titles?

I hate titling!

Is writing the beginning, middle, or end of the story easiest? Hardest?

I never know how to end stuff. Ever. Anything. I have to force myself to shut the fuck up.

How do you choose whose POV to write in?

I don’t like POVs

What’s your favorite part of the writing process (worldbuilding, brainstorming/outlining, writing, editing, etc)?

The part when I am just a finger that clicks and my subconsciousness does everything else.

What’s your least favorite part of the writing process?

Making sure it all makes sense! Fuck. That!

What area of writing do you feel strongest in?

Area of writing? As in I AM A DIALOGUE MASTER and a little bitch for remembering what the fuck did I start with

What area of writing do you want to improve in?

I won’t improve in remembering so maybe I can start making sense more…?

What’s something about your writing that you’re proud of?

I can make literally anything about gay men crossdressing or women wearing high heels and sometimes I can even make them sassy. I am not proud of myself at all so whatever

How much do you edit your fics? Do you edit as you write or wait until you finish the first draft?

Wips are being edited hard, especially longshots. I write, I stop, I edit two weeks later, I write and so on and it all depends on my mood.

Do you use a beta reader/editor?

Only for bigger or more serious projects and even then extremely rarely because I don’t know anyone that committed to my writing or weird enough and with so much free time

Do you take fic requests? Why or why not?

I WOULD TAKE REQUESTS ANYTIME BUT BEAR IN MIND THAT I AM NOT VERY GOOD AND YOU WILL SUFFER A LOT OF GAYNESS AND WEIRD SEX IN THEM, hit me up only if you’re ready for some hardcore porn or smut or sass

Is there a specific word count that you hold yourself to/enjoy writing the most?

I never think of that

How much of your personal life/experience do you include in your fics?

Barely anything other than sass and heels and my own stupidity

What’s your favorite fic you’ve posted?

I am currently a fan of my short incorrect quotes, it’s my most recent and most read work on ao3.

What fic are you proudest of?

Two Halves of Draco’s broken wand maybe?

What fic has been the hardest for you to write?

WHAT IS WIP IS A WIP BECAUSE IT IS HARD FOR SOME REASON

What is your most self-indulgent posted story?

Everyone would want a friend like you

What’s your most self-indulgent wip?

all of them :>

What is your favorite world that you’ve created for a fic?

I honestly have no clue!

Who’s your favorite character you’ve written?

From a fic? I enjoy writing young Narcissa, but frankly speaking I loved writing young Lucius and adult Draco.

What’s your favorite title that you’ve come up with?

I hate titling! Next question!

Is there a trope or idea that you’d really like to write but haven’t yet?

Next question!

What is your favorite genre to write?

Genre… as in dialogue-based fantasy weirdness?

What genre/trope do you tend to write the most?

PORN

If you could only write one type of AU for the rest of your life, what would it be?

one type as in the one where guys that canonically don’t fuck all of the sudden do?

Is there a trope that you’ve written before but are now sick of?

naaah

Who is your favorite character to write for? Has this changed since you’ve started writing for that fandom?

my most favourite of all times character is Sam Vimes but I don’t want to write ff about him really that much

What fic of yours would you say is the best introduction to you as a writer?

oh geez if you really need to think of me as a writer, please don’t read my fanfics EVER, I am writing them for fun and for fun only

How would you describe your writing style?

Funny, weird and sometimes even full of meaningful connections between the characters

Does what you like to write differ from what you like to read?

I try to be as good as my favourite writers!

What’s the average word count of your fics?

as me if I care about the numbers again and I will start telling random things

What is the most-used tag on your ao3?

maybe… blow jobs? High heels?

What’s the fandom/pairing distribution of your posted fics?

Harry/Draco!

Have you noticed any patterns in your fics? Words/expressions that appear a lot, themes, common settings, etc?

well yeah, blowjobs, denial, high heels, netorare, crossdressing, getting convinced, girls knowing and getting what they want… stuff like that

Are there any fics that you would change or rewrite if given the chance?

If I had, they’d be done already

How conscious are you about including symbolism or foreshadowing in your fics?

I have no idea. Next!

Do you have a favorite piece of figurative language you’ve written?

No idea. Next!

Have you participated in any fic events/writing challenges? If yes, what were they and did you enjoy them?

not yet! I plan on getting at drarry in january 2025!

Arethere any fics that influenced you to write the way you do?

The only fics that ever influenced me to write anyhow were Guarding Dark and some other fic about Sphene/Zeiat from but it was about writing more, not how

What are your favorite fics at the moment?

previously mentioned Guarding Dark, about death of Sam Vimes and dwarvish mine sign that happened afterwards. A very good fic, really a small treasure.

Are you subscribed to any writers on AO3?

no… I am a terrible subscription reader, I never have time and I always postpone to the point I hate myself

Do you spend more time reading or writing?

lately writing, but it’s a wave

What’s your favorite writing compliment you’ve gotten?

that someone read my book/story/fic and loved it or that it resonated with them somehow

What do you tend to get complimented on the most about your writing?

that it is funny I guess

Do you have a fic you wish got a bit more love?

yeah all the shorties that got little to no hearts on tumblr, it’s always that longer one that someone didn’t read whole I presume… if it’s long I had an idea! Not always a good one, but long idea anyway

Is there a particular fic that readers gravitated towards that you didn’t expect?

yeah my collection of those shortest fics is currently my most read anything on ao3 like wtf

How do you deal with writing pressure, whether internal or external?

there is no external pressure but internally I am in a constant state of chaos so I really have no idea what I’m doing. Sometimes I feel pressure, sometimes I don’t.

Why do you enjoy writing fanfiction?

are you kidding me? It makes me happy, it makes other people happy and it’s an act of creation so naturally I enjoy that. Also that bitch jkr did nothing to make them more interesting so I had to make a stand for them

What motivates you during the writing process?

a thought that “this will be fun”

Do you have any writing advice you want to share?

just write anytime you feel like writing, if you don’t have an idea for a name or some other detail, simply put [name] or [detail] and continue and it will clarify later if the character is Clark Bones, an architect who likes tomatoes or a Roan Desmond Ruttington, a gardener who killed his mother’s lover when he was twelve and noone ever found out; never let yourself stumble on some minor details and change major things AFTER you write an entire chapters or bigger parts, really, you will thank me later. Also if you write sex, please please please remember that fucking is a machine-like activity and courting and talking about it must be witty, with a good taste and if not that, at least dont be gross and remember that there is nothing less fun than gross AND boring sex scenes.

Thank you, Kiz!

Fanfiction Writing Asks

Do you daydream a lot before you write, or go for it as soon as the ideas strike?

Where do you get your fic ideas?

Do you share your fic ideas, or do you keep them to yourself?

How do you choose which fics to write?

How many wips do you have?  What fandoms/pairings are they for?

What’s the last line you wrote?

Post a snippet from a wip.

Post an out-of-context spoiler from a wip.

Does this word [chosen by asker] appear in your current wip?

Do you work on multiple wips or stick to one fic at a time?

Do you write scenes in order, or do you jump around?

Do you outline your fics?  If yes, how detailed are your outlines?  How far do you stray from them?

Do you listen to music while you write?  If yes, what have you been listening to recently?

What is your favorite location and position to write in?

What’s your favorite time to write?

Do you write by hand, on your phone, or on your laptop?

Do you have a writing routine?

Do you enjoy research?  Which fic of yours required the most research?

Do you enjoy creating OCs or do you prefer to stick solely to canon characters?

Do you prefer writing AUs or canon fics?

Do you prefer writing chaptered fics or one-shots?

Do you title your fics before, during, or after the writing process?  How do you come up with titles?

Is writing the beginning, middle, or end of the story easiest? Hardest?

How do you choose whose POV to write in?

What’s your favorite part of the writing process (worldbuilding, brainstorming/outlining, writing, editing, etc)?

What’s your least favorite part of the writing process?

What area of writing do you feel strongest in?

What area of writing do you want to improve in?

What’s something about your writing that you’re proud of?

How much do you edit your fics?  Do you edit as you write or wait until you finish the first draft?

Do you use a beta reader/editor?

Do you take fic requests?  Why or why not?

Is there a specific word count that you hold yourself to/enjoy writing the most?

How much of your personal life/experience do you include in your fics?

What’s your favorite fic you’ve posted?

What fic are you proudest of?

What fic has been the hardest for you to write?

What is your most self-indulgent posted story?

What’s your most self-indulgent wip?

What is your favorite world that you’ve created for a fic?

Who’s your favorite character you’ve written?

What’s your favorite title that you’ve come up with?

Is there a trope or idea that you’d really like to write but haven’t yet?

What is your favorite genre to write?

What genre/trope do you tend to write the most?

If you could only write one type of AU for the rest of your life, what would it be?

Is there a trope that you’ve written before but are now sick of?

Who is your favorite character to write for?  Has this changed since you’ve started writing for that fandom?

What fic of yours would you say is the best introduction to you as a writer?

How would you describe your writing style?

Does what you like to write differ from what you like to read?

What’s the average word count of your fics?

What is the most-used tag on your ao3?

What’s the fandom/pairing distribution of your posted fics?

Have you noticed any patterns in your fics?  Words/expressions that appear a lot, themes, common settings, etc?

Are there any fics that you would change or rewrite if given the chance?

How conscious are you about including symbolism or foreshadowing in your fics?

Do you have a favorite piece of figurative language you’ve written?

Have you participated in any fic events/writing challenges?  If yes, what were they and did you enjoy them?

In [insert fic], what inspired the idea for the plot?

In [insert fic], what’s your favorite scene that you wrote?

In [insert fic], is there a deleted scene/idea you wish you could have included?  Why did it get cut?

What was the hardest part of writing [insert fic]?

If you rewrote [insert fic] now, would you change anything?

If you wrote a sequel to [insert fic], what would happen in it?

What’s a fun fact about [insert fic]?

If a fic was titled [insert made up title], what would this story be about/how would you write it?

Are there any fics that influenced you to write the way you do?

What are your favorite fics at the moment?

Are you subscribed to any writers on AO3?

Do you spend more time reading or writing?

What’s your favorite writing compliment you’ve gotten?

What do you tend to get complimented on the most about your writing?

Do you have a fic you wish got a bit more love?

Is there a particular fic that readers gravitated towards that you didn’t expect?

How do you deal with writing pressure, whether internal or external?

Why do you enjoy writing fanfiction?

What motivates you during the writing process?

Do you have any writing advice you want to share?

Free space - asker can come up with any writing or fic-related question they want!

[darkficsyouneveraskedfor]

Death Wish 10

Warnings: non/dubcon, mentions of crime, violence/abuse and other dark elements. My username actually says you never asked for any of this.

My warnings are not exhaustive but be aware this is a dark fic and may include potentially triggering topics. Please use your common sense when consuming content. I am not responsible for your decisions.

Character: mob!Bucky Barnes

Part of the mob drabbles au

Summary: you’re desperate for a way out of your life and you ask a powerful man for help (plus!reader)

As usual, I would appreciate any and all feedback. I’m happy to once more go on this adventure with all of you! Thank you in advance for your comments and for reblogging ❤️

Photo Inspo

“Come on, doll,” Barnes takes your hand and leads you across the room. You follow as you will for the rest of your life; obediently. 

His grip is like a vice as he guides you through the hall and down the stairs. Silence meets you at the bottom as your sisters no doubt hear the descent. Yet he doesn’t let you go nor make a move to leave. Instead, he brings you into the front room. 

He squeezes your hand, pressing the large ring into your finger, and releases you. He steps forward as Kitty turns away from the window and Adrienne stands from the sofa. He commands any room he enters and you don’t think you’ll ever be used to that. 

“Sisters,” he declares brightly, “that is what I will call you from now on.” 

He goes first to Kitty and places a kiss on her cheek, then does the same to Adrienne. Each watch him in confusion. You stare blankly. 

“And you can call me brother and ask for anything and everything you need,” he says. 

“Sir,” Kitty moves towards your younger sister. 

“I ask discretion for the time being as I tie up a few loose ends,” Barnes explains. “And we get you all settled where you need to be.” 

Your sisters blink at you then each other. You can’t say it out loud. That makes it real. 

Barnes turns on his heel, “speaking of loose ends, I should go.” 

He comes towards you and takes your hand again. He raises it, certain to show off the glaring diamond, and kisses it. The gesture makes your blood run cold. It is a statement. It isn’t the same as when you kiss his ring, it isn’t deference, no it is a show of ownership. 

“Have a good night,” you say at last. 

He pulls back and lowers your hand. He grins, “it’s already spectacular, doll.” 

He lets you go and steps past you. You stand, stuck in place, as he leaves. The door opens and closes, the hinges jarring you into motion. You go to lock it behind him and Kitty calls your name. 

“What’s going on?” She appears in the doorway. 

You take a breath before you face her. You shrug. Adrienne scrambles around her and snatches your hand. 

“Oh my god, it’s huge.” 

“Stop,” you try to tug your hand back. 

“You’re marrying him?” Kitty’s voice deflates by the last syllable. “Why?” 

You look between them. You can tell one sliver of the truth. “To keep us safe.” 

“Us? We’ll be fine. Barnes says we get an inheritance, we get houses, money--” 

“And then what? It’s not enough to last forever,” you argue. “Even if we can find work, we’ll never make enough to keep that. How long did you work at the yogurt shop before daddy threatened to burn it down? And I have about a week’s experience down at the diner.” 

“We can start now--” 

“We can start now and never reach the finish line,” you insist. “Kitty, you know who daddy was. You sat there and watched what they did to that man today. This isn’t a life you walk away from, even if he’s dead.” 

Adrienne sniffles. She’s on the edge of tears again. 

“So, you do it over? Marry another one? Go through it again?” Kitty challenges. 

“He can make sure that neither of you have to--” 

“We don’t need you to be our martyr,” Kitty argues. 

“I’m not--” you seal your lips and sigh. You wish you could tell her. You wish you could say I shot that fuck and he deserved it because you know she would have loved to do the same thing. Yet, saying it out loud means admitting that you’re all trapped for that moment of vengeance. “Kitty, how much choice do you think he gave me?” 

She stares at you. She knows exactly how it works. There is no asking with these men. 

“We could all go. Disappear.” 

“And they wouldn’t find us? How far could we get, really?” 

“Not far,” Adrienne pipes in. “Kitty, would you rather daddy still be here?” 

Your older sister is silent as her jaw squares. 

“I could marry instead. Maybe not Barnes but someone else. It shouldn’t be you. I’m the oldest--” 

“It is me,” you say, “and it could be any one of us but this is how it is. It’s... not the worst.” 

“It’s not?” Kitty says. “That man stood and ordered another beaten to death. He didn’t flinch.” 

“I know,” you say. 

“No, you don’t know,” Kitty insists, “you can’t be sure that he isn’t like daddy.” 

She’s right. Barnes might have helped vanquish the monster but it can’t erase his own misdeeds. Yet, you asked for all of this. You went there in the middle of the night and sold your soul. You could excuse yourself with naivete, but you deserve more to be branded by it. 

“If it keeps you two from men like daddy--” 

“Stop,” Kitty grabs you by the shoulders. “None of us deserve it.” 

“You stop,” you wrap your fingers calmly around her forearms and peel her hold off of you. “Should I go hand that man his ring back or do you want do it for me?” 

She untangles her wrists from your grasp and recoils. She shakes her head and rolls her eyes up against the threat of tears. She stamps her foot in frustration. 

“You tell me,” she points her finger at you. You’re almost stunned by the fire in her voice and face. Kitty is the sweet one, she’s gentle, but she has your mother’s quiet strength. “You tell me if he ever puts a bruise on you. You fucking tell me.” 

“Kitty,” you murmur. 

Adrienne covers her mouth and watches, swept up in the fraught emotion of it all. 

“No, because I spent a lifetime watching you two cry over that beast we called a father,” she snarls. “I will not waste the rest of my life doing the same. I thought—I thought we were free. I wanted us to be free.” She curls her lip and exhales heavily. “So, you will not lie to me again. And I will know. I will see right through him so you don’t even try to cover it up. One bruise...” she wags her finger then throw up both her hands with a frustrated growl. “I sound like him.” She turns and drags her feet to the stairs. She sits on one and hangs her head. “I sound like daddy. I’m just so... tired.” 

You look at Adrienne and reach for her. She gives you her hand. You bring her over to Kitty and touch your elder sister’s shoulder. She looks up through sparkling eyes. 

“You will know. We will all know. We are sisters and this doesn’t change that,” you say. “We stick together, no matter what.” 

“Oh, we will,” Kitty insists, “I will be at your damn house every day and I will look at that man and I will see all the cracks. Trust me you. He will not take you from us.” 

“Kitty, Ade,” you look from one to the other, “no one can take us from each other. If daddy did one thing, it was making sure of that.” 

[scribeofmorpheus]

Dragon Age Veilguard: Love, Wisdom and Pride

A very long Dragon Age post!

Warnings for: Veilguard Spoilers, Solavellan spoilers.

Okay, so I will preface this by saying that this ‘analysis’ primarily focuses on Solas’ arc; both romanced and unromanced. It isn’t intended to be a romanticised analysis, though it is very much enamoured with how a romanced Solas and his relationship with Lavellan foils (and informs my reading/reception of) that of Solas and Mythal’s relationship in Veilguard. There is a relationship I will address that I feel does parallel Solas and Mythal! Scroll down to “Reading Between the Lines” if you wanna skip my little intro below. Spoilers follow.

Truth be told, I wasn’t ever expecting much in terms of actually getting a sequel to Inquisition. The game dev market went through a tumultuous reshuffle before the remake madness breathed life back into many studios. Bioware game sequels (Mass Effect Andromeda) were underwhelming and not as fleshed out since the EA acquisition. I absolutely believe Bioware would have been shunted had Mass Effect Legendary Edition not been so successful. EA’s reputation was always lacklustre and underhanded, but laying off or losing several head writers attached to Bioware with almost two decades of work under their belts was the biggest red flag. Trevor Morris not being asked to return in exchange for a ‘bigger name’ was also a grave warning that returning to the atmosphere, ambience and world of Thedas that we knew was getting further and further away from a plausible reality. And on top of that, there’s the fact Solas was never intended as a romance interest during early development of Inquisition.

Solavellan seemed doomed!

Despite this, I still held out hope for a sequel, but I feared we’d always be in permanent Solavellan/developmental hell. Heck, I’m still waiting for a Beyond Good and Evil sequel—the game released in 2003! So, actually witnessing people play Veilguard, seeing reactions to it, seeing memes and gifs and essay pieces (like this one), it’s like my community has awoken again, and I never thought I’d see the day. Yet I am not blind to the fact we were robbed of so much potential. I knew thing’s wouldn’t live up to re-emerging expectations when Dragon Age: Dreadwolf was rebranded to Veilguard—the shift seemed to imply less of a primary focus on Solas (and apparently, according to the artbook, the early concept art proves this implication correct).

Things seemed even more dire when the devs revealed there was no tapestry mechanic. I had only one hope: that with the Inquisitor’s confirmed return, we’d get at least some form of catharsis for our Inquisitors (Lavellans and otherwise), if we couldn’t get the conclusions to so many storylines present in each of our worldstates. My main fear was that they’d go the clichéd Ultimate Sacrifice route (which happens anyway, but in a way that makes thematic sense given the stakes and heavily blighted worldstate).

Suffice it to say, there was a lot of evidence that Veilguard would disappoint me in the end. But it hasn’t. It hasn’t lived up to the many expectations and marks of excellence that the Dragon Age world built itself into with the first three entries, that’s for sure, but I am also just so deprived of conclusions, of endings (whether it be because TV doesn’t exist in a sustainable format anymore or that comicbook movies are made with a sequel in mind, never letting anything just “Exit Stage Left” gracefully; or the fact we live in a regurgitating content cycle with late-stage-capitalism where anything remotely profitable gets turned into a caricature of itself: Squid Game, Star Wars, etc.). The cycle is so exhaustive that I am actually at a point where I can say I am content with the ending we were given (on a Solas/Solavellan front), Veilguard gave me relief, and beautiful, achy pain to boot. Though I would absolutely be disappointed by both the "non-romanced Solas" endings, given that Solas winds up either "dying alone, forever" or turns to Tyranny.

Now onto the actual review of that Solavellan ending, Mythal and themes of Love!

Note: I have only gotten the ‘best’ ending in my first playthrough, but I also thought the consequences of not maxing factions would be more… dire? Another note, pls, if your romanced Inky swore to stop Solas, how does that ending differ, if at all? Let me know, I’m dying here!

Sidenote: I’m working on writing another review about my views on the ‘sanitised’ worldstate, the new companions (and why I think Varric was the wrong choice to have as an advisor in the game, given that the Inquisitor or Morrigan would have been more impactful; and not to mention that Cole or Briala should have been companions), removal of the tapestry and what it means for the future of stories in Thedas (The Story We Lost is such a poignant compilation of the sheer volumes of lost lore and depth that I honestly think I won’t go as in-depth on that review as this one), and why I think Veilguard is my final entry into Dragon Age.

Reading Between the Lines: What Pride Hath Wrought

One thing is for sure, Trick Weekes flourishes when writing within the ambiguities and complexities of meaning. This makes every word uttered by Solas so great to dissect, he's a god of lies not because he 'lies' but because he's so careful with how he phrases things, what he holds back, and what he reveals.

For instance, the famous Trespasser exchange where Solas mocks his own follies with sarcasm by saying:

“What is the old Dalish curse? May the Dread Wolf Take you.”

Then a softer, more saddened and beaten-down Lavellan replies:

“And so he did.”

This irks him. Because he then realises in that moment that he absolutely did take advantage, but for some reason he frames it around sex rather than power because that’s easier to address than the latter. And he rejects the notion, even though he brought up the expression he knows to mean nothing close to a sexual inuendo for being ‘taken’, and yet he has the gall to try and derail the conversation by pivoting and saying:

“I would not lay with you under false pretences.”

When I first had this dialogue exchange, I was baffled, because did this mean that there was another meaning to ‘Dread Wolf take you’ that Dalish clans lost through the years, or was it more of a self-deprecating joke Solas had with himself because he, the Dread Wolf, romanced (took) a Dalish Inquisitor (away from her people’s beliefs, histories, past), and he found irony in the saying?

On the surface, “wouldn’t lay with you under false pretences” could simply mean “we didn’t sleep together” or “we did sleep together, but I wasn’t taking advantage as the Dread Wolf, I was simply Solas in your presence”. But I have recently thought of a more… ambiguous reading.  Lay could have been used in a milder, more vulnerable way; to mean to be at peace, to be completely vulnerable, as if to sleep. In that sense, the phrasing becomes: “I could not be at peace with you because I was living a half-truth”.

I absolutely think the moment he feels he is truly beyond hope is when we see his expression of abject horror as Lavellan shouts: “I would have had you trust me!”. He realises then that he did fuck up, he did take the choice away from her because he thought he knew better, him and his pride led to a decision that hurt someone close to him, and he could finally see how wrong he was, how alike the entire situation became to Mythal’s treatment of him. Especially if Lavellan asks to go with him. Because he can see that despite the hurt, the lies and the betrayal on his part, Lavellan still wishing to join him draws too close to his first regret: following Mythal.

Whether he likes it or not, Solas’ love which could burn like a bonfire was directed at a powerful woman—a Herald, an Inquisitor—and inspite of her greatness of character, it still shaped her into someone willing to follow him on his dinanshiral out of love, much like he left the Fade and took physical form for Mythal. So now whenever I hear Lavellan shout “Var lath vir suledin”, Solas replying with “I wish it could, Vhenan,” changes drastically with the Mythal reveal, knowing he always walks away from the Inquisitor in Trespasser.

“I wish it could, Vhenan” sounds heavily like: “You would regret me, as I regret Mythal, and I cannot bear for that to happen us.” More poetically, it could read as: “I wish our love could overcome a duty that has lasted an incomprehensible amount of time, I wish I could change my nature, but then I’d be twisted into a demon, like the spirit of Wisdom in the Dales; and yet again, I would become your regret.” These two readings are very, very romantic. Realistically, given what we know of his kinship with Felassan, and how they were comrades and friends for centuries (“A story unfinished. His back turned!”), and given what we know of the complexity of Mythal’s will that presides over the creation of his very being, and yet he was still able to muster the strength to kill a fragment of her to fulfil his mission,  “I wish it could” was most probably a lament: “Do not ask me to hurt one of the two women I’ve loved on this journey, because if it ever came to it…” he would.

Knowing what I know of Solas, of how he was able to convince himself that Varric’s death (avoidable as it was) was just another necessary step, that it was just another sacrifice, another loss that would be worth something only if he completed his ritual, I have no doubt that Solas would also be able to rationalise hurting Lavellan (which is why in his mind, turning away from her, breaking her heart, leaving with no explanation and aiding her in Trespasser so she could live whatever few years remained in “relative peace” is actually an act of preserving that love). I partially think the reason he reveals the truth in Trespasser (especially for a romanced Lavellan) is in the hopes his ‘truths’ will push her away. But on a deeper note, I think he also thinks of it as some twisted form of repaying her for loving him to the point that he could have almost forgotten what it was to be the Dread Wolf, to just be with her as Solas, that night at Crestwood. Maybe his harsh truths would push her to the point where she’d give up her love for Solas, now that she knew he was the Dread Wolf, freeing her from the shackles of their love. He’s very self-flagellating, all about self-sacrifice for the ultimate goal, the ends always justify the means, he will endure any pain and punishment as long as Arlathan returns in the end.

What is his love of a mortal compared to the despair and loss of an entire empire? Solas views himself as selfish for falling for her, and that nearly broke him, if he was selfish enough to leave the dream of Arlathan behind for her, what would that do to his spirit then?

In his way of thinking, perhaps telling the Inquisitor the truth is a way out, a rationale they can use to justify stopping him or to make it easier to hate him as the Dread Wolf rather than love him as Solas (someone he hasn’t been in so long).

‘Masking’ as the Dread Wolf

During Trespasser, the Inquisitor has every right to despise Solas after all they’ve learned, and I think he half reveals the truth as a tactic so the Inquisitor can have an excuse to hate him, to be driven to anger and have less pull over his choices, once they learn the truth. Solas is particularly skilled at making other’s play the role that makes his own choices seem inevitable, he orchestrates a lot of events to play out in a manner where it's easier for him to talk himself into bringing down the veil.

He goads Elgar’nan to anger easily. He inspires the spirits to fight for him to the death as a necessary distraction during the war. He absolutely allows the Inquisitor to speak to him one last time so he can offer insight, yes, but also so he can easily frame his actions as just and inevitable. But, Oh boy does he get in for a shock if the Inquisitor shows empathy towards him, it scares him because he’s become accustomed to being seen only as the Dread Wolf. To be understood? That gives way to remorse. And remorse gives way to doubt. And he cannot doubt his purpose, twisted as it is, it is all he has left of his former self. Without it he would most likely change into something different. Someone he doesn’t recognise.

This fear intensifies more so if a romanced Lavellan asks to go with him, and in that case, he takes command and distances himself away (rejecting the help of someone close to him; the chance for a possible betrayal; the chance at another Felassan or Mythal [x]; the chance to twist Lavellan outside of her purpose, in this case, the purpose would be love/empathy) but not without showing remorse at having sacrificed yet another relationship for his crusade.

“Ir abelas.”

Sorrow for what cannot be is at the heart of why the Solavellan romance is so powerful, especially because even though both Solas and Lavellan love each other passionately, love alone cannot be enough when faced with regrets. Love would ultimately be stifled. Corrupted into something else over time. And so, for Solas, having loved and lost tragically is better than having loved and corrupted.

He will not do to Lavellan what was done to him, even if it is her choice, because she knows so little, her naivete cannot close the distance of a millenia’s old sea, and it would hurt him immensely to take advantage of her kind heart [x].

By leaving, he keeps her heart pure. And the yearning! Knowing the love is there, but on its own it cannot be invulnerable to corruption, so it is better to lose it than twist it. Ugh! Him leaving Lavellan is the ultimate show of love! IT IS A WISE DECISION. A rare glimpse into pure wisdom. Which is why he kneels beside Lavellan in Trespasser, he does not “Stand Tall” in the face of Wisdom’s heart. He kneels beside her. And when he stands tall again, he is Solas once more, filled with regret, and once through the eluvian, he returns to masking as the Dread Wolf.

Sidenote: It’s especially confounding that Veilguard allows Rook to push the Inquisitor to save or stop him after you’ve reached act 2 despite your world state choice (I think this was done in case they feared the Inquisitor wouldn’t stand by Solas after everything he was revealed to be responsible for in Veilguard, however it doesn’t work because the Inquisitor wasn’t an advisor, Rook never told them what they learned from the wolf statues, so having a stranger hold the ability to make Lavellan keep her promise or not rings hollow). Personally, I wish the Inquisitor’s presence had more weight in the non-Solavellan endings, too. I wish the Inquisitor could end up being the last friend/former love that Solas destroys (if you don’t collect the wolf statues) which then prompts Rook to fight him because Solas’ last tie to empathy failed to redeem him, that the Inquisitor falling is the last straw and Solas snaps, choosing to be a villain in the hopes of being stopped because he can’t stop himself, and not the ‘I am a God’ ending they gave us. Same for if your Inquisitor vows to stop him. I also wish the Inquisitor was the one to do the wolf statue missions. Would have been a nice secondary protagonist mission like the switching perspectives between Kratos and Atreus in GOW: Ragnarök (the old guard and the new; Inquisitor and Rook). I would have loved if they dedicated more dialogue to Inquisition days too, which is why I think Cole should have been a companion (if he wasn’t recruited, he could simply be a compassion spirit that ‘follows’ the greatest pain in the Fade that yearns to be healed, giving a compassionate viewpoint to Solas’ folly; recruited Spirit Cole could have a greater connection to Solas than even Varric, seeing as Cole was most likely a literal representation of Solas rewriting his own history by preventing a spirit from becoming too ‘real’; Human Cole would have a deeper connection to the world of Thedas, and could have been a great tool to prove how change was inevitable, not always a bad thing, and inevitably out of even Solas’ control. But alas, we live with what we are given! Even Imshael could have served in this role! Spirit/Demon of choice and it wasn’t incorporated into the game that supposedly asks you to make the greatest world-changing choice ever; redeem the Dread Wolf or end the age of the Evanuris entirely?!

Now onto the next segment: I want to talk about Solas’ regrets and how I read the ‘love story’ between Solas and Mythal, and why Lavellan (and what she represented) wasn’t enough to get through to him (and that’s a very believable thing, that’s what makes their love both tragic and epic!).

The High Price of Redemption

A romanced Lavellan has the most agency to see through his guises, if she resolves to save him, but even she cannot undo the shackles that still bind him to Mythal—the binds that twisted Wisdom so far from its purpose it became Pride, even when he burned (Mythal) from his face. (Likewise, A close friend Inquisitor who promises to save him is most likely a parallel to Felassan, again, they cannot undo the shackles of regret either.) I fully believe the vallaslin had a deeper magic than simply marking one as being committed/devoted to an Evanuris, I think it linked them magically, and since Solas was the first to burn the vallaslin away, he probably wasn’t as good at severing the link on himself as he was for other elvhen, so maybe a part of Mythal’s will still lingers in him, twisting him to Pride still.

In Veilguard’s final confrontation, I love the intention of showing how Lavellan approaches Solas slowly, as she doesn’t know who she’ll be faced with up those steps, Dread Wolf or Solas. But when she speaks to him, trying to get him to change his mind yet again, forgiving him for his wrongs, we are reassured that Wisdom hasn’t been completely consumed by Pride despite everything we’ve witnessed in the game because he bows his head at her in reverence as he apologises.

He shows humility towards her. He elevates her and her enduring love as worthy of his respect, but he does not consider himself worthy of hers. Thus, Lavellan pries open the door to acceptance but his heart is still not enough. Which is why love alone cannot turn the tide. He’s too broken to accept it. He doesn’t think he deserves it, so the only way out is through; to continue the ritual, to prove he was right. The shackles persist. Varric’s death weighs on his conscience now more than ever. Possibly members of Rook’s team too if they died on his crusade. But he is vulnerable enough for Morrigan to approach, and now Rook can use Mythal’s essence to make the final push. The only way he could be with Lavellan, the only way he could atone for the past and shed the weight of his armour (his crushing duty to the Elvhenan) is as Wisdom, fully restored, unbound by mistakes.

“Ar lasa mala revas.” He could only find absolution once Mythal (the angered and more brash essence of Mythal, the one unchanged by Flemeth and all the human women’s lives she’s been shaped by, but the closest iteration to that of Mythal in Arlathan, the version that he perceives as having every right to be angry at him for turning his back on her, for not going that last final stretch with her and subsequently, not being by her side when she died) severed the final connection: facing his regrets, showing humility and apologizing, while not taking away the blame but sharing it.

What is Benevolence without Wisdom if not Hubris?

We know Elgar’nan was twisted to Tyranny during the war, and I saw a post somewhere where someone wondered what led to his corruption, and what he was before (leadership/command). Likewise, Mythal was not above corruption.

So far, I’ve seen a lot of takes on Solas’ ties to Mythal, the power dynamic of being a student/disciple enamoured (could be romantic) with the benevolence of Mythal, but not how Mythal’s purpose was possibly also twisted towards hubris the moment she asked Wisdom to turn physical and build weapons from its knowledge, twisting it to Pride. Without Elgar’nan’s tyranny to rally against after the war with the Titans, Mythal would most likely turn a similar route, seeing her ruling as “necessary” for the people: “If not me then who?”. And that is a very short stop and quick drop to “I am your all-powerful ruler, I liberated you, and only I can guide the way”. Benevolence twisted by hubris can easily turn to Tyranny too, only one more subtle, a kind of cultish indoctrination compared to violent subjugation. If Solas had not turned his back on Mythal when she chose to be Evanuris (a god over her people) then they most likely would have made the worst (best) pair in the Evanuris. Pride is the Seventh Deadliest Sin. But imagine Pride next to Godhood?! That is frightening. So, when Solas burns the vallaslin, walks away and works against the Evanuris, I believe that he also inadvertently stops Mythal from becoming a corrupted version of herself. The sorrow at having lost her closest confidant and “love” grounds her, keeps her saintly in Solas’ mind, and in some ways, perhaps saves the Elvhen empire from a worse fate than him erecting the veil to begin with. But neither of them ever consider this. And I think that sort of self-blindness perfectly encapsulates how flawed both Mythal and Solas are. Now onto love.

Solas and Mythal – a Love too complex to simply classify as mortal ‘Love’.

There’s no doubt Mythal and Solas shared a deep bond, one that definitely had love in it, when we hear Mythal calling him ‘love’, without the possessive ‘my’ in front of it, it’s easy to misconstrue what type of love they share. A small nitpick, but like a thorn, it applies sometimes just enough pressure to change a perspective. Not calling Solas “My love” but instead choosing to simply use “love” works within those wonderful ambiguities/complexities that Weekes thrives in.

If one started out as a spirit, it’s safe to say concepts like familial bonds, romantic bonds, and blood ties mean little to nothing. There is no one type of love and there is every kind of love all at once. It is only once physical bodies are introduced, that physical touch, the ability to stab someone in the back, to kiss out of affection, to hug out of empathy, to strike out of anger, that love now becomes this twisted thing too. There are no spirits of love because spirits always possessed love, but there are demons of Desire (Gluttony) and of Rage (love denied).

I believe, from DGL’s acting skills, his soft whisper, his almost submissive smallness in the breadth of Mythal’s already soft voice, that Solas was in love with Mythal, devoted as a student, beguiled by her benevolence, content even in her shadow, and possibly star-struck. He was in love with someone who doesn’t have the possibility to love him back the same, it is not in her nature to love those beneath her in the same intensity that those who look up to her do. It’s like a priest being in love with God. The priest can devote themselves, sacrifice everything, but a God will always love their flock equally, but they can still play favourites.

Benevolence cannot be enamoured with Wisdom because to be truly benevolent they must possess Wisdom but there is also Pride to be had in walking beside benevolence, but they can never be on equal footing. Likewise, Solas’ love is not reciprocated entirely by Mythal, but she does love him back in her own way. While Mythal is definetly Solas’ first love, layered and complex, it is also strangled by regrets and twisted by uneven scales of power. It would never be a nurturing love, only a consuming kind.

When he speaks of Mythal during the Solavellan ending, he calls her his “oldest friend”, much like what Mythal says, (paraphrasing) “would you have me be angry at my oldest companion whose experienced so much with me”. Because friendship is perhaps the easiest way to describe their companionship. They went through many iterations, one certainly holding romantic tensions (specifically from younger Solas), but ultimately, with that much time shared, kinship/friendship becomes the easiest to surmise. You can love your friends, fall in love with them, fall out of love with them, only to love them again, be disappointed in them, etc.

Media today is flushed with romance as a linchpin for driving a hero to make dire choices, and that has warped our perception of how a platonic/non-romance-based relationship can be all-consuming, and sometimes more impassioned than strict romance. But, to make it easier for people to understand Solas’ motivations, it's easier to see their love in the light Taash sees it (an unreliable, somewhat “still juvenile” narrator, in that they are still growing into themselves and their culture and the world): “They were doing it”.

However, Bellara, a companion whose entire companion story is linked to her strong, deeply character-driving relationship with her brother (platonic love) refutes that reading by saying (paraphrasing here): “We don’t know if their ‘love’ is the same type of love we tend to think of in a masculine and feminine relationship.”

Felassan’s letter after the Mythal Dragon fight alludes to Solas having been in love with Mythal, but nothing about how she felt. This is why I consider the Solas/Mythal relationship to be more of a one-sided romantic love, but a requited ‘love’ relationship for them both.  

A parallel I find so compelling: Solas and Mythal vs Briala and Celene. Solas and Briala both hold deep emotions for people in great power with the ability to end a tyrannical cycle of subjugation, enslavement and classism, yet for both of these ruler’s charisma and well-meaning intent, they often are swayed to side with tyranny. For Mythal, that was Elgarnan, the Evanuris who made all the other’s worse tyrants; as well as her own hubris for believing her presence alone could dampen the ravenous hunger for power that the rest of the Evanuris held at the small prospect of leading the Elvhen in a time of confusion (being a North Star is hard when all the other lights around you aim to blind the flock into submission). For Celene, this is more about the nuances of retaining favour, pull and power over other noble families, their backing (be it financial, political or simply cut-throat), and their support so she can be the ‘lesser of two evils’ compared to Gaspard’s warmongering personality and Florianne simply being a puppet with no backbone. Both Briala and Solas are turned to pawns despite their immense strength and compassion for their respective elven plights; Briala is rendered a fangless lion (for lack of a better metaphor) if she is reunited with Celene, whereas if she is chosen to puppet Gaspard, there’s every likelihood her story could parallel a ‘power-mad’ Solas if he’d been tethered to Rage (at betrayal) and not Regret (at having not rejected Mythal when she asked him to take a physical body) throughout his tenure as the Dread Wolf.

Solas and Lavellan – a Heart that was never intended to be Given/Taken

Now I will compare the lack of possessives in front of Mythal’s “love” to Solas declaring Lavellan as ‘Vhenan’ and then ‘Ar lath, ma Vhenan’ vs ‘Ar lath ma vhenan'; again, the coma is the thorn, the pause that shapes the quiet unsaid things we can deduce. In the Trespasser cutscene DGL puts the pause after “Ar lath”, even though the subtitles construct the sentence with Vhenan as a proper noun since it’s a nickname often used by Solas: “Ar lath ma, Vhenan”. But I believe Solas actually says “Ar lath, ma Vhenan”.

With “Ar lath, ma Vhenan” the stressor is after the pause, so the line reads: “I love [you], my heart.” And with “Ar lath ma, Vhenan” it makes even less structural sense but can be inferred to mean: “I love you, Heart”.  

The possessiveness of “My” is what definitively differentiates the love Solas feels for Lavellan as one more of the romantic side, it is a love of yearning and desire and a wish to have one last good thing that is pure and incorruptible. The one thing he had left to give. His heart. But that does not mean his heart is enough! The rest of him is still bound to the love of Mythal that was twisted through the ages. That changed him. And given how Pride often comes before a fall, I absolutely understand why Solas is actually very brash and ill-considering when he’s romancing Lavellan (“The kiss was ill-considered”/”It would be kinder in the long run”/”I wanted to show you what you mean to me”). He's on a precarious cliff during Inquisition. His first plan failed. He's allowed ancient elvhen magic to fall into a blighted Tevinter magister's hands. Literally everything the Inquisition did could have been for nought if the Mark had fallen to the wrong person. Things could have easily fallen apart for Solas too, so why not indulge in something trifling and fleeting? Execpt it wasn't trifling. Nor was it fleeting. And when he saw that the fall could potentially not happen, that the Inquisitor could do it, save Thedas and retrieve the orb, he was struck by the gravity of his brashness, of letting impulses control him instead of acting according to a plan. But it was too late. They'd both fallen for each other.

Solas didn’t expect to form entanglements within the Inquisition. He was committed. He was angry at the world, “walking through a sea of tranquil”, called flat-ear by the Dalish that later chased him from their village when he proved he was the Dread Wolf. He was despised by people who looked like him. Spirits were constantly being abused and turned into demons. People erected monuments to heroes who slew demons. Mages were caged. Elves were subjugated. The empire fell. Humans razed the lands with their wars and petty squabbles of succession. The darkspawn tainted the land. The dwarves would never dream. Solas awoke to the worst possible fate; in his eyes, it was all his fault.

So when he kisses Lavellan in the Fade, impulsively, he isn’t kissing her there because it is less ‘real’ than if they kissed while she was awake, it makes it so much more real. He’s kissing her in the space where he is most himself. Where he can shed the body he was forced to build and trap himself within, the body of Pride. He is acting on the impulses of an enlivened Wisdom spirit that does not consider tomorrow, for the first time in a long time. It isn’t a long game with Lavellan, like so much of his life has been about always thinking to the future, always considering the outcome, machinating, scheming, the wiles and woes of every trickster god in mythology. It’s being in the moment with her that is all-consuming. It lowers his guard, leaves him vulnerable, and when she enquires about the Fade or spirits or histories, he gets to be useful as pure Wisdom again.

Lavellan challenging him when he first shows animosity or irritation towards the Dalish (a prideful act), and then him being taken aback when she explains that maybe the Dalish could be shown another way (making him consider her words, being given a morsel of wisdom back, reminding him of his old self), these are all small moments where Solas can begin to see springs of hope in the broken world. And that’s terrifying. It means he’s destroying not just himself, but the memory of Mythal and Arlathan too, all for the love of a woman who fell for an apostate.

The best, most genuine unmasking of Solas for me is during Wicked Hearts, when he’s tipsy on wine, has no inhibitions, and revels in the intrigue, the gossip, the dancing, the music (something we now know is important enough to have an entire music room in the Lighthouse), the sex! He is at his most relaxed, and then he asks Lavellan to dance, not caring about how it would look for the “Inquisitor’s serving man, Solas” to be intimate in a fucking Orlesian palace with the Herald of Andraste, right after stopping an assassination attempt! He finds comfort in the world of Thedas at that moment. Something he rarely shows so outright.

When he takes Lavellan to Crestwood to confess, I believe removing her vallaslin wasn’t entirely just for her, it wasn’t just to free her from slave markings or to simply reveal a form of a truth he wanted to tell her, it was to resolve himself of what his first purpose was supposed to be, what she distracted him from. Removing the vallaslin had been something he’d done for the slaves of Arlathan, it was what earned him the mantle of Dread Wolf. When he removes Lavellan’s vallaslin, he resets.

Thedas cannot allow Wisdom to truly exist without fear of corruption to Pride, Thedas the world he was responsible for shaping, literally the Maker of the Veil, and he falls for a woman Heralded as Andraste’s Chosen One, Mythal’s incarnation in the South. The irony. The cruel, cruel irony. The Inquisition is tied to his past, every Andrastian he meets, every Dalish person with vallaslin on their face, every slave or city elf. Tevinter worshiping the dragons that still have the essences of the Old Gods. His heart alone cannot withstand all of the punishing, gruelling, oppressive weight that is Thedas. Even for Lavellan. So he frames their romance as this tragic, short-lived tale that was beautiful but ultimately destined to end. He expects it to pass for her, she’s mortal after all. But he also leaves his heart with her, literally giving her power over the last uncorrupted part of himself. Think Will Turner and Elizabeth Swann at the end of World’s End, but metaphorically. He gives her his heart to safe keep as he goes on a journey that could corrupt a heart, turn it cold and bitter, destroy it.   

Ar lasa mala revas. You are free.

He frees his heart.

Lets it go.

Twice!

So only once he is relinquished of his regrets, once Mythal does the same for him, only then is there “Nothing left except their love”. Because Lavellan still held his heart there was still something left after. Something beyond despair and regret and loss. He had given his heart to her to safekeep. And she did. Lavellan returns his heart to him when he is freed. What Mythal had to break so Solas could heal right again (like a bone), Lavellan casts a splint around so it can be set and heal properly. This is the difference between Mythal’s love and Lavellan’s. Both Mythal’s love and forgiveness broke him, but Lavellan’s love gives him the strength to Stand Tall one last time.

Solas, before Pride alone, as Wisdom (perhaps Solas always meant both Standing Tall and Wisdom, for Wisdom can grant one pride to stand tall for what they believe in), finds contentment with the rare and marvellous spirit that endured (his Vhenan). Wisdom endured because of humanity, something benevolence is beyond.

Bellanaris

When Lavellan offers to go with him, to continue on the dinanshiral that she already considers herself a part of, Solas is legitimately taken aback. His expression is soft yet full of disbelief and awe. He actually stops walking a few frames before Lavellan says this, as if hoping Lavellan would say something to him!

And then she basically proposes to him! “Bellanaris!” I absolutely adore the fact that Lavellan promises them eternity. A vow as sacred as a death right, as protected as an ancient, elvhen, undisturbed burial ground in the face of Orlesian colonialisation. They endured and now they will have an eternity. For once, we have an elvish tale that is not a curse, it is a love story with reunion at its core, where both elves reclaim something precious that was denied them.

Lastly, i am absolutely frothing at the mouth that Solas and Lavellan primarily speak in elvish! And even more feral at the fact Solas does not try to talk her out of joining him (because this sweet talker very well could!). He simply tells her where he is going is terrible. And she shuts that shit down immediately. No repeat of Trespasser. She's standing beside him, the South has all but fallen, whatever ties yet survive are strained, and she has fought the good fight for 8 years. I think the Inquisitor was about ready to leave Thedas behind.

The last decisions Solas makes are of his own volition. Entering the Fade for atonement. Stepping into the Fade with Lavellan (It was confirmed by Weekes that Lavellan’s presence in the Fade prison would fundamentally change it in a way we haven’t seen!). Thanking Rook for giving him one last shot at getting happiness. All his own!

This is the look of a man finally reunited with his wife! So much emotion in ONE frame. God! There’s never been a character like him. A love story like theirs! I’m so happy I got to see this ending. Full circle!

P.S. If you read this far, woah nelly! That’s crayyzeee, so here are some more great pieces: Why it was important for Lavellan to kneel for Solas as he knelt for her in Trespasser in the Solavellan ending [x], and here’s a great deep-dive on Solas as a spirit of Wisdom [x].

[redtoondevils]

Here it is. My evaluation, of Sun that I am defending from FNAF Security Breach, and the other games he appeared in.

I feel like these points are being overlooked. What I think about how there's characters, along with different forms.

Are so easily perceived as, in one thing or another. I also defend Eclipse too, it's just because they hold both of the personalities into them. I think, it would not make sense for Eclipse to turn against Cassie, after being thankful.

Eclipse has a soft side for kids, and is honestly looking forward into meeting them. Even though sadly, they don't know in an unclear way.

However, he isn't the animatronic to harm kids. He'd never EVER hurt Cassie! That is not his goal. I do think, they'd want to find answers, in their story line. For now, that can wait.

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I have my key points, as to appose to why I don't view him, as a 'Villain.' the same can apply to Eclipse. Despite being a flaw character.

So, it is already known, that for all 3 forms. The first 2 of the ones sharing this, are very complex characters.

Their history is complicated, along with that with their attributes. With what they decide to do. That impacts, them and can often at times be very challenging for them. When they try to survive.

Even more for what they are seen, they do have some sympathic moments seen, that are part of their development.

It is confirmed, that their personalities more connected other than sharing one body.

One personality can seemingly communicate with the other. They can share their thoughts, feelings, and pain.

That is a very deep character concept, and it has been at times been emotional.

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Sun, in my opinion, is the one who is protecting the other personalities. From harm, and exposure from anything.

This is shown a few times. With that in return, he finds stressful.

Because of that, there is a lot, an awful lot with what he has to endure at times. It came to that point, where he had to 'sacrifice' himself.

When, he wanted to become Eclipse he did that in order to fix Moon, and save him from destruction.

There are other times, where his actions were selfless, and having kindness to protect the main character from harms way.

He doesn't do that, a lot. Whenever he does, that makes me hopeful, in future games that he can be trusted. And he can be your friend.

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In the main game, he kind of appears as a 'Mild antagonist' towards Gregory.

He could not keep the kid in the spot he placed him in, when he didn't listen to him, he felt disrespected. And kicked him out.

His priorities, are very strict. Another reason, for what is speculated, is that the hour was nearly up.

He has the tendency of not allowing the main player to return, or go through to the next location. That is no answer as of yet, why he does this.

I think my theory, is that he keeps you from going there, because there is a ride over at the kids cove, that is broken. And he felt like he had to take those matters, by his own hands.

------------------------------------

There is a section, in the news papers, that has history behind the animatronics. And say's that the daycare attendant has been scaring kids.

The news reports, do not fully reveal the full truth to the stories.

It say's what happened, yet it is still unclear with what really happened. I'm going to say my version of this.

And start off by saying, because there is a lot of people that uses this to materialize the animatronics.

When Monty was reported to have used a bowling bowl to smash Bonnie in his skull, and shutting him down. Assuming that he did that because, he was jealous? It sounds way too extreme.

Monty, in game, appeared as a rogue crocodile that has an explosive temper. Yet, then on the walls, his cartoon self looks much more calmer. And a friendly guy.

Then the attendants report, it say's that a young child was crying, because he was traumatized by both of the forms.

And was given overwhelming anxiety that gave him night terrors.

In my personal take, is that Sun has a harsh interior, I don't want to believe that he deliberately tormented the kid.

I think, that when Sun first appeared towards Gregory, that he would step into his space, and circle around him, to get his attention.

For a young kid, some of them may even find his behaviors intimidating, and intense.

It could be at some point, that he gotten a bit too rough with him.

That seems like from the kids perspective, that he found Sun too energetic. I think he isn't a cruel animatronic. He is harsh, I don't think he's cruel.

However, when he turned into Moon. It is apparent that, he found him too scary.

Then after that incident, and when the attendant heard the reports, is when he felt guilty for doing that.

--------------------------------------

In Ruin, and with a small sequence in HW2. Ruin Sun, meets Cassie once again, and greets her with "New Friend!"

That line makes me believe that he knows Cassie. Because, he said that in a chirpy welcoming, yet relieved greeting. Towards kids.

When that part in the Jumpscare, where Moon attacks her there is a brief moment, where Sun actually did try to refrain himself from attacking her, but sadly couldn't.

The animation where he was afraid, and hiding under the desk having a panic attack being exposed to trauma. DID is associated with experience to trauma, since they were in such physical pain.

He purposely pulls himself away from inflicting harm, or other abuse onto an employee.

That is very considerate, and kindly of him to do that. That is why, I don't think he should be considered as a villain.

Because of how complex he is, his characteristics goes around in many grey coatings that doesn't go too dark.

[fluentmoviequoter]

S.O.S.

TO!Tim Bradford x fem!TO!reader, fluff, 0.8k+ words. You and Tim are in grave danger, and it's up to your rookies, Lucy and Jackson, to save you.

Lucy Chen SOS!!!!!!!!!!🆘 

Nolan and Jackson look at one another, wondering why Lucy is texting them an SOS from the bathroom. She rushes back before they can stand from the table to see if she really needs help. 

“Code red, worst case scenario, this should be the standard for defcon 1,” she rambles as she leans against the table. 

“Uh… there was no toilet paper?” Nolan guesses. 

“Do you know what SOS means?” Lucy questions. 

“Save our ship,” Jackson says. His eyes widen suddenly, and he adds, “No.”

“What am I missing here?” Nolan implores. “Is this about your TOs or something?”

“Yes!” Lucy and Jackson answer. 

“She’s on a date. Here. It doesn’t look like it’s going well, but I think Tim knows,” Lucy tells Jackson. 

“Why does your TO being on a date have anything to do with Tim?” Nolan asks Jackson. 

“Because they… they’re great for each other and dancing around it. They’re the perfect ship.”

“My head hurts,” Nolan complains as he lowers his forehead into his hands. 

“What do we do?” Lucy poses. 

“You said the date wasn’t going well?” Jackson repeats. “We can use that.”

“What?” Tim says when the call connects. 

“Tim, uh, there’s this guy at the restaurant we’re at that is not being nice to his date. At all,” Lucy explains. 

“And? Do something about it,” Tim replies. 

“He’s with my TO,” Jackson adds. 

“Which restaurant?” Something shuffles on Tim’s end of the call, and Lucy silently high-fives Jackson as she answers. 

“Tell her the truth, Tim,” she encourages before ending the call. 

You examine your fingernails under the table as your date tells you how terrible his last girlfriend was. One of your friends set you up on this date, but you’re seconds away from walking out. 

“One little slap - accidental! - and she stormed out,” the man concludes. 

You look up then, shocked as you repeat, “Slap? You hit a woman and you’re telling me about it?”

“I wouldn’t do it to you,” he promises. 

You exhale sharply in disbelief, then move your napkin from your lap onto the table. Before you can say anything, your date reaches across the table and takes your hand tightly. 

“Sir, you can’t be in this area without a table,” the hostess calls.

Tim runs into your table, sees the grip the man has on your hand, and demands, “Let her go.”

You pull your hand away when his fingers loosen, then stand and wrap your hand around Tim’s bicep. 

“Let’s go,” you whisper. “He’s not worth it.”

“I’d have to agree, sir,” the hostess says. “Please don’t disturb the other customers.”

Tim looks at you and stares into your eyes to ensure you’re okay. He turns toward you after you nod, catching your hand as it falls from his arm. He leads you out of the restaurant but stops beside his passenger door. 

“Thank you,” you tell him. “I don’t even know why I agreed to the date.”

“Did he hurt you?”

“No, no. He hurt his ex from what he told me, but-“

“I don’t care about her, or him,” Tim says, carefully holding your face toward his. “I care about you.”

“How did you even find me?”

Tim sighs, and you laugh once before shaking your head at his lack of an answer. Tim uses his hands on your jaws to pull you close, and when he kisses you, everything makes sense. All the longing, the fear of seeing each other in danger, the arguments, and the lack of interest in anyone because you compare them to Tim Bradford suddenly allow you to realize that you love him. You move your hands to hold his wrists as you move with him, kissing him like your life depends on it. 

“Thanks for coming,” you whisper as you move back. 

“I always will.”

“Are you going to tell me how you found me?”

“Lucy called,” Tim mumbles. 

“What was that?”

“Our rookies are nosy,” he speaks up. 

You smile, straightening Tim’s collar as you agree, “I should’ve known. How are we going to get back at them? Push-ups? Big staged break up?”

“Let’s figure it out later,” Tim replies as he opens the car door for you. “I think you’re owed a good date.”

Inside the restaurant, Lucy and Jackson cheer as you kiss Tim. 

“You know they’ll make you pay for this,” Nolan reminds them. 

“Unless they’re so happy they forget about us and the misery they think we deserve,” Jackson argues. 

“Your TO? Maybe. Tim Bradford? Not a chance.”

Lucy’s smile drops, and she falls into her seat. “I saved our ship, but endangered my soul.”

“You’ll be fine,” Jackson assures. “Just bring her up every time he’s mean and you’ll be fine.”

“Leverage,” Lucy muses. “It could work.”

“And if it doesn’t, just lie that she’s in danger. It’s worked before,” Nolan adds. 

Lucy and Jackson watch him eat a bite of their shared appetizer before asking, “Have you done that?”

“It’s not just your ship.”

[hannahssimblr]

Winter. 

When did this happen? Was I looking away for long enough for the season to change without my notice? I haven’t spent enough time here watching time, from this old velvet seat by the window that overlooks brutalist blocks, each building identical to the next. These utilitarian slabs might stand like this, grey cubes jutting from the asphalt, for five hundred years. I’m here for five months now. Thoroughly settled, used to this place, this apartment with the tarry flavour of cigarettes clinging to the furniture the landlady never took away. 

Jonas says she’s strange, this woman who has left all of her old things for us to live around. Her lamps, with sun-faded shades, her record collection, the chenille bedspreads stuffed into a closet, and the ancient television I replaced the day after I landed. I’ve never met her. Sometimes, I slip a dusty bottle from her wine rack in the cellar and serve it to my friends at dinner. Surely, by the time she ever notices, I’ll be long gone.

Through the vignette of condensation, the snow drifts, white flecks, across the beam of the streetlights. Kreuzberg is quiet. Sunday. 

I refocus my eyes to look into my face, a mirror reflection in the black window. I look older, perhaps, than in the photographs Jen posted to me in September, the ones from the summer, where the light is hazy and our noses are sun blushed, from that time that feels like another lifetime already, or like fiction. At Christmas, I returned to Ireland, and it rained for two weeks without stopping, and it felt something more like reality.

My grandmother told me that my hair was straggly, and she’s right. It’s been too long since I’ve cut it, but the ends of my hair spent the summer with me. Even though my skin cells have replaced themselves, the parts of my hair touching the collar of my coat and curling around my ears hold the memories that the rest of me is slowly losing. 

I haven’t stayed in touch with my friends from there as much as I would have liked. These days are busy, with friends, with college. I draw and paint more than I ever have, lashing out piece after piece, sketchbook after sketchbook, building a tower upon the desk in my cold little bedroom, though the women in my pieces don’t have green eyes anymore. Now, I choose blue.

The door buzzes, and I stand to answer it. 

My finger on the button, “Yeah?”

“Hurry! Open up, it’s fucking cold.”

I buzz her in, then stand waiting by the open door as she ascends the stairway. Three floors. I hear her the whole way, the snap of boot heels against tile. There’s an elevator in her building, and I feel acutely guilty about my building’s lack of one, despite being entirely powerless to do anything about it, as I am an art student, not an engineer, and was not yet actually born during its construction. 

She appears on the landing, shivering, with snowflakes clinging to her hair, and sitting on the structured shoulders of her trench coat. 

“Ugh, oh God, those stairs. I hate them.” She says. She unzips her boot and tosses onto the pile of shoes next to the door, and I notice immediately that she’s barefoot, toes balanced on the tiles like a ballerina. 

“You didn’t wear socks?”

She’s not wearing tights either. Her long, pale legs poke, completely exposed beneath the beige gabardine. 

“Did you take the U-Bahn like this? It must be five below zero.”

Her second boot hits the tile with a clatter, and she backs me into my apartment. As the door clicks shut, she pulls on the tie of her coat.

She’s wearing nothing but black lingerie. 

“Ah,” I am enlightened. This now makes perfect sense to me, in much the same way it does to her. Astrid has a way of bringing me around to her way of thinking. 

This was actually an excellent idea. 

“I was bored,” she says, which makes sense too. She is always bored. This is why she does what she’s seen people do in films. It’s a way to keep herself entertained. An unwelcome thought flashes into my mind, as I wonder if she has done this specific thing for previous boyfriends. I hop off that path. With Astrid, it is important to dwell only upon the present. Anything before this, now, me, us, is nothing worth worrying about. 

I slip my hands under her coat, onto the soft, downy velvet of her skin. 

“Nice and warm,” she murmurs. 

“Astrid, you shouldn’t have gone out like this.”

“It was only thirty minutes.”

“I know, but,” Her hands are freezing between mine as I heat them with my breath. “It’s too cold.” I’ll have to give her something of mine to wear when she goes home, but begin to worry that nothing is clean. I have been avoiding taking my dirty clothes to the basement since I flew back in ten days ago, too cowardly to face the seizing cold of the communal laundry room and that ever present leak in the ceiling surely turned to an icicle by now. 

These are not sexy thoughts. 

It’s like she can tell just by looking at me. “The point is, you will heat me up,” she says, a bit slowly, like I’m thick.

I don’t want to be the guy that lacks spontaneity. That would make me anxious. She pulls her hands from mine and pouts at me, as though at a little dog. “Look at you, you’re so nice.”

It’s not intended as a compliment, and I understand I should be doing something a bit wilder, like, I don’t know, taking my own clothes off already. Why on earth haven’t I started to do that?

Ah, because I am nice. 

“Okay, fuck your hands then. They can freeze.” Often, jokes are a mistake around Astrid. She rarely laughs at them. In fact, she rarely smiles at all, and only indulges us when she feels like doing it. It’s never to be polite. She knows her own mind. I’m obsessed with her. 

I’m obsessed to an ever greater extent now, because, once again, she’s not laughing. She’s not trying to please me. It’s me, always, trying to please her instead. I tug on her coat and it pools to the floor, then I kiss her. 

“God, I love you.” 

I murmur it, the truth. 

I knew it the third or fourth night we spent together, in November, as the last stubborn leaves clung to the branches. She wasn’t like anybody I had ever met before. She reminded me of nobody, and that was the point. 

I felt it, that weakness, my molten insides, and the deep fear of it in the early hours of one morning as she lay on the sheets with moonlight spilling across her back. She has a tattoo between her shoulder blades of a heart pierced by three daggers. She says it’s from a tarot card, and she was younger and stupider when she got it. That night, as she slept, I uncovered some kind of symbolism in it that moved me, but in the morning light I had forgotten all the profound thoughts I’d come up with except one: That I loved her. It surprised me. I ignored the tiny pang of sadness I felt, like mourning for a part of my life that was already long gone. It was useless to miss it.

I chose Astrid instead. 

I choose her now, love her in the same way I kiss her and touch her and fuck her, by doing what she wants me to do. It’s not a submissive situation. I’m not into that stuff. I am a man clocking in and doing as he's asked, thoroughly, diligently, excelling at his job. Eager to please. Employee of the month.

“Will you put your hand on my throat?” She breathes. Beneath me, her hands claw the bedsheets. 

Yes, I think. That would be nice. 

I am interested to discover that I like it too. I don’t think the other girls I’ve slept with would have let me try the things that Astrid does. They couldn’t picture themselves doing it, I’m sure, and neither could I. Back then I didn’t think about sex the way I do now, but Berlin has been bringing it out in me. 

She comes first. That’s mandatory. Then afterwards, when I have, and thoughts return to my brain, I’ll lay here, haunted by the years I didn’t know about this golden rule, and all the time that I thought I was good at sex but wasn’t. Dwelling on the disappointment I brought upon women and girls will make me spiral a bit, I’ll feel it rising, but I’ll feel better when I fuck Astrid again, in some new, fascinating position, and she’ll tell me I’m pretty good, in fact.

She’ll be loud enough about it that Klaus from downstairs may complain, and point out that such volume levels are forbidden on Sundays. He’ll threaten to raise it with the building management, so I’ll bring up the fact I know it was he who put cat food containers in the recycling bin. Neither of us will do anything, and the cycle will repeat until one of us moves or dies.

“Klaus is a miserable, jealous old fool,” Astrid says. “He probably doesn’t have sex, so he’s furious at people who do. I think it’s basic psychology.”

“He lives with his wife, you know.”

“Oh, that doesn’t mean he’s having sex. Married people don’t do it. Or at least hardly ever. That’s why I’ll never be tied down like that.”

“I don’t think that’s true.”

“You think Mr and Mrs Klaus are fucking like rabbits down there?”

I scrunch up my face. “I’ve never heard them. Maybe they do it very quietly while I’m out of the apartment.”

“They never do. I bet they hate one another. Surely they sleep in separate rooms and only speak when they have to.” Astrid invents this story with glee. She is describing what is to her an indisputable fact of life. Her parents, and her mother’s relationship with her stepfather, too. I think she believed these things about marriage before meeting me, but the confirmation that my parents are the same has solidified it. 

“I don’t like to think about things in such a black and white way,” I say, and hold my palm against hers. Her fingers are long and slender. “Just because a lot of marriages are bad, doesn’t mean they’re all doomed. I believe some people are happy.”

“Trapped,” she whispers. “Like canaries in a cage. Maybe they don’t know any better.”

“If I was married, it’d be because I loved that person completely. I wouldn’t do it unless I was sure, and if I loved someone that much, I think I’d still have sex all the time. I can’t really picture that changing. When would I ever not be doing it, you know?”

She hums gently. “So you would never join a monastery.”

“Ugh.”

“And if you married me, you’d want me like this forever?”

This isn’t a serious question about marriage. That would be ridiculous. This is a test for me to pass, and am about to, with flying colours.  

“Yeah, you’re so appealing in every way. I can’t imagine not being completely crazy about you forever.”

“You definitely wouldn’t get over me if I left you.”

“Nah, probably not. In my grief, I might even refuse to sign the divorce papers or some shit.”

She nods, satisfied, and rests her head on my chest. It slots nicely beneath my chin. “I want to go to sleep,” she says.

“Alright, me too.”

I switch off the light and listen to the pitter patter of the snow on the window, drifting slowly away with it.

Astrid shifts, restless. 

“Tomorrow, I have a lecture at eight.”

“Unlucky.”

“I don’t have any clothes.”

“Ah, yeah, probably because of the lingerie stunt.”

A pout. “It was a gift for you.”

“And I loved it. I can find you something to wear.”

“To my class? Your clothes? I’ll look ridiculous. Can you get me a taxi to my house so I can change?”

“Yeah, of course. If you wear my clothes in the taxi.”

“I won’t be naked under my coat in front of a strange man, Jude.”

“Okay. Good. I’ll arrange a taxi, then.”

“That’s sweet of you.” She adjusts her position again, and the subtle contact of our bodies sets off a chain of sensation. I rake my nails lightly over her back, and she shudders. 

“You’re so pretty,” I say. “Did you know that?” I know she does, but I like the smug way she always says yes. 

“It’s okay if I leave my underwear here?”

“If you want to, yeah. Why? Do you think I wanted to carry it around in my pocket or something?”

“So you can wash it for me.”

“Yeah,” I press my lips to the back of her hand. “I’ve been meaning to go to the laundry basement for too long now. I’ll just add them to the pile.”

“No, you need to hand-wash them. They’re made of lace.”

“Oh right. So like, in the sink, or something.”

“I thought you might have known that.”

“Nah, see, in Dublin, we had a cleaner who washed all of my lace underwear for me.”

“Mm…”

“... That was a joke about the lace underwear. We did actually have a cleaner, though.”

“You’ll take care of it? They were quite expensive. It’s not as though I have a lot of that kind, so if it got ruined…”

“I will.”

She slips a hand into my hair and seeks my lips in the dark. She kisses me with such affection that I melt into her. “I love you, Jude. Thank you.”

“I love you too.”

A low chuckle as I bite her earlobe. “You really would never be a monk, would you?”

“Oh, my God. The thought makes me sick.”

I roll over her, and we give Klaus one more thing to complain about.

Beginning // Prev // Next

[darth-jess]

What do you think was the breaking point for anakin?

Oooo another WONDERFUL question! Sorry, but this is about to be a long post, because this truly deserves a long answer.

I think Anakin's breaking point comes the moment he discovers that Palpatine is the Sith Lord. In the movies, this plays out rather quickly, but in the Revenge of the Sith novelization by Matthew Stover, Palpatine builds very slowly to his "big reveal" and it is absolutely horrifying and wonderful and terrible.

Anakin goes to the Chancellor, to tell him that Obi-Wan has engaged General Grievous and that the Clone Wars are almost over. However, Palpatine is very direct with Anakin, telling him that Grievous and the Clone Wars are merely "a distraction" at this point. He tells Anakin that the Jedi Council is "about to make its move" and take over the Republic.

Anakin thinks the Chancellor is being a bit dramatic, but Palpatine quickly reminds Anakin that the Council continues to hide things from him, that even Obi-Wan is hiding things from him. And poor, exhausted Anakin (who has not slept in days– weeks?– for fear of his nightmares) cannot come up with a good response in defense of the Jedi. He tries, he really does, but this man is exhausted.

Palpatine then admits he is aware of Anakin and Padmé's marriage, that he has only pretended not to know to "spare [him] discomfort."

And this is where Sidious feeds Anakin his poison, this is where he sinks his teeth in and Anakin is too exhausted to notice until it's far too late.

Palpatine asks Anakin to think about what he wants, and once more, Anakin has no idea how to answer.

Anakin plays along, choosing increasingly more expensive things, and each time Palpatine tells him he will grant it to him. Eventually, Anakin gets tired of this "game" and chooses something so ridiculous:

"All right," Anakin said softly. "Corellia. I'll take Corellia." "The planet, or the whole system?" Anakin stared. "Anakin?" "I just–" He shook his head blankly. "I can't figure out if you're kidding, or completely insane." "I am neither, Anakin. I am trying to impress upon you a fundamental truth of our relationship. A fundamental truth of yourself." "What if I really wanted the Corellian system? The whole Five Brothers– all of it?" "Then it would be yours. You can have the whole sector, if you like." The twin gleams within the shadow sharpened. "Do you understand, now? I will give you anything you want."

Anakin is not stupid.

Even exhausted and alone, he realizes that nobody would grant such things without getting something in return. Of course, Palpatine only answers by telling him that he only need do what he wants, what he feels is right. Palpatine says:

"You can have every one of your dreams. Turn aside from the lies of the Jedi, and follow the truth of yourself. Leave them. Join me on the path of true power. Be my friend, Anakin. Be my student. My apprentice."

Anakin is too tired and too afraid to really consider his wording, he is so confused and isolated. The scene continues:

"I know what you truly want," the shadow said. "I have only been waiting for you to admit it to yourself. A hand–a human hand, warm with compassion– settled onto his shoulder. "Listen to me: I can help you save her." "You–" Anakin blinked blindly. "How can you help?"

And this is where Darth Sidious reveals himself, this is where he admits that Darth Plagueis was real, that Plagueis was his master before he killed him.

"You," he said. Suddenly he was neither dizzy nor tired. Suddenly everything made sense. "It's you. It's been you all along!" In the clean blue light of his blade he stared into the face of a man whose features were as familiar to him as his own, but now seemed as alien as an extragalactic comet– because now he finally understood that those familiar features were only a mask. He had never seen this man's real face. "I should kill you," he said. "I will kill you!"

Anakin's first reaction is to kill him, because he realizes that this whole time, his friend, someone he looked up to like a mentor, like a father has been lying to him. And not only that, but he is the Sith Lord that the Jedi have been hunting, the Sith Lord that started this war.

As the scene continues, Anakin wishes Obi-Wan were here, he knows Obi-Wan would know what to do, what to say. But he is alone. And while Anakin doesn't know it yet, his isolation is deliberate. Because Palpatine knew, that if were surrounded by those who loved him– Padmé, Ahsoka, Obi-Wan– that Anakin might not fall.

And then, Palpatine delivers the final blow:

"Perhaps not. Perhaps it's simply a question of whether you love Obi-Wan Kenobi more than you love your wife."

This, I believe, is Anakin's breaking point.

Though I think there are also very good arguments to be made for other moments as his "breaking point" (when he sits in the Council chambers, staring out and thinking of Padmé as he cries for the choice he is about to make; when he makes the choice to return to the Chancellor's office; when he takes action against Mace Windu and cuts off his hand to stop him from assassinating the Chancellor) THIS is the moment the black poison of the Sith is injected into his mind.

And every moment after this is just a side effect of that poison burning through him.

What do you think? Is this Anakin's breaking point? Do you guys have a better one?

[mytearsbuckochet]

What's your most hated Bummy scene?? I'll tell you mine. It has to be the kiss in the hospital lobby and buck getting outed because of his soot covered mouth. Never hated a 911 episode more than that. I love Buck. They just made a mockery out of him by that scene.

Where do I even start.. Couldn't agree more about the soot scene, although I'm more angry at the writers about that one than I am at Tommy, given how important it was to Buck that he came out to Eddie and Maddie on his own terms and how much weight he gave those interactions I feel like even though that one was supposed to be a cute little "hehe look this is very Buck coded", it fell short in that I would've liked everyone else at the 118 to find out in a more heartfelt way ya know??

In terms of my least favourite(s), the whole arc with billy boils was a very interesting play by the writers in that it highlighted the differences between Eddie and Tommy in a meaningful way. On one hand, Eddie, who has presumably been with Buck in the hospital the whole time he was being treated for his boils, is used to Buck's hyperfixations and Wiki deep dives, and finds them wholesome and cute. I reblogged a post a little bit ago where Buck told Maddie about how her and Chim always finish each others sentences and that theyre basically already dating, and then contrasted with how Eddie was finishing Buck's sentences in that scene. Buddie fanatic aside (I will admit im obsessed with these two idiots), THIS is the kind of domesticity I've always wanted for Buck's partners, where they acknowledge and love those little moments that he has.

Now lets go ahead and look at Tommy's side of this whole thing: Tommy's reaction to seeing the boils + how he treated and viewed Buck's obsession as exactly that, an obsession + the graveyard scene??? You can break it down into "oh well Buddie have known eachother since s2, Bummy have been together 6 months", but from my perspective the fact that Buck didn't even realise Tommy didn't like women until their 6 month anniversary (???) just goes to show that they don't really know that much about one another. Tommy was completely right in the breakup scene; he was definitely not Buck's last, and the poor guy is definitely in need of some self exploration (#letbuckfuck) before I'd be happy to see Buddie honestly (and thats not even considering the work that needs to be done on Eddie, my guy is going through it rn with Chris). Anyway; I just read this amazing fic by playinginthundestorms (on ao3) and I think the way they described Tommy (slightly Tommy bashing), was overall how I imagine he sees Buck. It never really felt like Tommy was fond of these little things Buck does in the way that Eddie (and the rest of the 118) are, more seeing him as childish or juvenile as the fic described. And it makes sense, tommy is older than Buck. A whole other can of worms and probably the icing on the cake for me was the Abby debacle, the misogyny really showed??? like man you have not changed since Hen my lord. Calling Abby out for running off with some "himbo half her age" was wild considering thats what he is currently doing with Buck? Especially with all the shit she had to go through with her mum at the time? Like what on earth is your excuse Temu? Anyway, to cut a long rant short, I actually have given you like 50 reasons, but i definitely think that Tommy was a well placed plot device and it was obvious from the start. Also, ABC could've chosen ANYONE to be Buck's first experience with a man and they were like yep lets use the racist homophobe from Chim and Hen begins cos why not?! I probably would've had a far less negative opinion of him if he was a fresh character, and I think that's on purpose, I think it would be really interesting if they go down the road of hen and chim sharing their experiences with Tommy now that they've broken up, and that they didn't say anything cos they just wanted Buck to be happy. Definitely after that heartfelt scene with Hen especially, that I didn't get cos of that bloody soot scene.

[dreamwreaver]

Vox getting frustrated over the fact Alastor is getting too close to the princess.

Zestial hearing rumours of Alastor's involvement with Charlie's flight of fancy.

Lucifer thinking that Alastor was dating his daughter, only to be blatantly relieved to find out it was Vaggie she was dating.

Mimzy getting verbally booted out of the hotel by Alastor, who used to clean up after her and been her friend since they were alive, only because she brought danger to the hotel and before she leaves, says to have fun with "his little princess".

Angel half-jokingly remarks about Alastor and Charlie running away from their responsibilities which is a line often commonly used for a couple eloping.

Rosie, upon first meeting Charlie, says she's much too young for him, clearly kidding around about him finding a new date for her to formally meet.

So many hints, so many jokes, so many references to Charlie and Alastor's relationship... What does it all mean?? This is literally what foreshadowing a couple looks like, if this were any other show, of course.

Let's also add in the fact that he breaks his own rule of rather breaking his own bones to avoid being touched by people without prior consent for her specifically, is one of the go to people to make her laugh with a pun (the lowest form of humor depending on who you ask), made himself completely comfortable on her bed when she was at her lowest and CONTINUED to stay there even after she left thereby putting his scent all over the damn thing, refused to take her soul when we all know it was something Charlie would willingly give if it meant saving her friends and people from the exterminations, and quite possibly my favorite; the deer mating noises he makes around just her.

Or one of my favorite scenes in the entire show;

Take a moment and really look at this. Alastor's gaze remains directly locked on Charlie, who reciprocates. But as he leans an arm on the back of her chair, far less in her personal space than he normally is, she grows incredibly bashful. Now, nervousness is a fine reaction, but notice the body language. She sticks her hands between her thighs and and closes her knees around them. Now I don't know about you, but consider for a moment how deliberate every action in animation is. Are there not better ways to convey the emotion she's displaying that DONT look like she's been caught having naughty thoughts about the radio demon by said demon himself?

I would love to show this scene to a non hazbin fan and ask them how they interpret this. There's a new charlastor challenge for my fellow shippers. Show someone that gif and ask them how they interpret it.

And if we delve into the meta lore there's even more. Viv has gone on record with a doodle explaining that Alastor and Charlie's shared sense of humor is the lonely island song "Mona Lisa", and that there are precisely three named characters who like pineapple on their pizza: Charlie, Alastor, and Lilith. Far be it from me to tell Viv how to run her show, but let's also look at helluva boss; a love story between a royal of hell and a creature of lower status. One who has found a way to seize some measure of power and eke out their own path. A lower class being who had a terrible father and lost his mother whom he was the closest to. Someone who hates being in chains, and is so desperate to break free of them and yet finds only emptiness when he realizes he does give a shit about this royal he tried to convince himself he didn't care about.

Am I describing Blitz, or Alastor?

All I'm saying is, it wouldn't be out of her narrative style if it was endgame. And even if it isn't in a traditional sense, all current narrative beats indicate that Charlie is going to become Alastor's person, his exception to all of his rules, and the person who as someone so successfully dodged a straight answer about, "who he'd do absolutely anything for"

[ray935sworld]

Son of divorce Rosquez AU. David has already confirmed to us that Valentino actually sent him a DM congratulating him and thanking him for the celebration. If that happened in the AU how would David feel? Because it has been quite private and hidden while, for example, a few weeks before he republished Alex Albon's (f1) helmet that he made in his honor. I'm between whether he would take it as a step forward or badly. I mean, in the sense that a stranger deserves that he make public his thanks but his own son can only have an MD?? Although an MD is also more personal. Idk. I feel that Marc, upon finding out, would also be conflicted, because its another way of not publicly recognizing David as his son but at the same time he has recognized his son even if it is in private.

Oh my god, Calia, I am so sorry that it took me an eternity to answer. I swear I didn't mean.

Thank you so much. I think you nailed it pretty good. Honestly, I think David would be pretty happy because he just wants to be aknowledged by his dad so he spents a good 10 minutes just jumping around and being happy. Sure, I think he'd be disappointed about not getting a public review like so many other did already but he knows the situation is complicated so he takes everything he can get and digs his claws in. I also think he wouldn't answer right away. I think he would tell Marc and Alex, maybe his grandparents and ask them what they think he should reply because he doesn't want to seen eager and annoy Vale. (Seeing how nervous and excited he is, breaks Marcs heart a little bit cause he is once again reminded that he is not David's everything. David still wants more. He still wants his other father even after everything Vale put him/ them through)

I'd say Marc is more concerned because he doesn't get what it means. Does Vale want to start making amends? Is this a way to get back in touch? Like an olive branch? And what does the 2nd part with the 'hope see each other soon' mean? Does he want to invite him to the ranch? Or is it all just publicity? He doesn't trust this whole thing. But it makes David happy so maybe it isn't that bad... Right? And Luca is at the ranch too. Luca surely influenced Vale. (he send him a text - yes, Luca helped Vale phrase the message and Uccio has no idea which calms Marc A LOT) So... Maybe it isn't as bad as he expected.

Nonetheless he can't know what will happen. He doesn't want David to get his hopes up too high. What if Vale was just being polite but didn't mean anything if it? What if this is a one off and then they'll never hear anything (good) from him again? What if this whole thing just ends up hurting his baby?

Oh yes he is very conflicted about this message.

[genderchrisisspeaks]

Victor as The Machine Herald has changed in meaning significantly thanks to Arcane season 2 episode 2. He has gone from a character of desperation, anger, a want to get rid of all things human, to a savior, a liberator, and a healer. An almost messiah like figure.

This post will contain spoilers for Arcane you have been warned. I go in-depth about victors character below the cut <3

Since arcane season one I have wondered how we were going to go from this version of Viktor, an innocent inventor trying to do the best for humanity, best friends(👀) with Jayce, only wanting to improve and save lives. To The Machine Herald we know in LOL. Now it is clear they are truly recreating his character entirely. Evolving him some could say.

Viktor in game is a character who wants to bring in the evolution of machines and technology in the human race by force. He is unlikeable and brilliant. He gets along with almost no one and has gotten rid of his own emotions by operating on himself. I am very much paraphrasing all of this so forgive me if I miss some things.

"To solve this, he operated on himself to remove those parts of his flesh and psyche that relied upon or were inhibited by emotion."- LOL fandom wiki

"Currently, he is still dedicatedly working on bringing the Glorious Evolution to the people, and saving them from themselves." - LOL fandom wiki

“Viktor has shown little regard for free will and autonomy when dealing in matters of life and death.” -LOL fandom Wiki

In the game he augments himself purely with machines, technology, and his own wit. No arcane, no magic, no help from Jayce (to a degree he spurs on some of the change). But in the show oh in the show, he connects directly to the arcane!

Throughout season one we see Viktor struggling with his disability and chronic illness, his smallness and lack of, I don’t want say respect, maybe acknowledgement, compare to Jayce. He progressively gets sicker and sicker as time goes on causing him to look more and more into the hex core. Exploring its possibilities, pushing its limits, experimenting on himself. A trait they have kept the same between the version of the characters. Until it kills someone he cares about and he forbids himself from continuing his research, despite his declining health, and despite his very clear connecting to the hex core and by extension the arcane.

Going into season two it shows us who survives and who doesn’t. Viktor was not going to survive, but our boy Jayce, always a fire under him with no flame retardants, takes Viktor straight to the hex core. Jayce fuses Viktor and the hex core, irreversibly changing him forever. Viktor sits in this pool of wild runes(this is all information only with act one of arcane s2). Changing his body and healing and improving him. When he awakens he is different, disconnected, the air around him is different, a visible haze there, he has become one with the arcane. Jayce does not realize this, all he sees is his friend, who he would do anything for, alive, changed but alive and he just leaves him.

GIF credit to @ludinusdaleth

Viktor goes to the undercity in a very Jesus fashion, drawn by a pull and the voice of Sky, to the shimmer slums. He feels a purpose here. In the game lore he retreats after his credit for making Blitzcrank is stolen and he has been looked at with prejudice from those in piltover for his rather unethical ideas.

"Viktor devised a helmet that would allow an operator on the surface to bypass the wearer's fear-response and effectively control the diver... Jayce later reported the incident to the college masters, who then expelled Viktor for work that violated basic human dignity- work that, in Viktor's eyes, would have saved lives." -LOL Fandom Wiki

As the shimmer slum residents circle around him with intent to attack him and take his cane (now more of a staff) for its gold hardware to sell for my shimmer Viktor sees something, senses something. He doesn’t look at them with indignation or disgust, he looks at them with understanding, he sees their pain and their suffering and he walks close to the man who is holding a knife at him with no fear.

You can actually see him start to affect the man, in his eyes they change color from pale yellow to more blue, into dropping the knife. Only then when the knife is dropped does he take the final steps closure to him and heals him from the mutations of shimmer.

He has finally become what he set out to be in LOL. He is saving people, he is helping and healing humanity. Just now not through unethical(we will see how this part plays out) and more mechanical means, instead through the arcane and the abilities it has given him. Which I find very interesting seeing Viktor wield the arcane is something Jayce has always wanted and what began their friendship.

I am genuinely so excited to see where Arcane s2 takes his character. I can see why he wasn’t in any promotional material at all now, it would have given too much away. There is a scene in the trailer towards the end though that actually shows the people of the shimmer slums healed and floating when the trailer says "The Arcane is waking up" which i find super cool.

ngl does look a little questionable but I'm here for it.

I do want to say that I do not believe he is being “controlled” or “possessed” by the hex core. He was fused with and became one with the arcane and hex core. Throughout episode two/three we see parallels with the wild runes and magics to Viktor that Jayce Echo and Heimendinger discover in the hex cage(?).

I will not be surprised if this becomes very outdated by the end of season two but they are my current feelings/observations immediately after my watch of act one.

[mikeellee]

I always feel like Izuku deserved better during that whole forest camp training arc and the following kamino ward arc. He saved a child from a supervillain all by himself and received no acknowledgement (yeah kota started to respect him) followed by aizawa just crapping on him again. Izuku was the one who made up the plan to rescue bakugou and again received no acknowledgement for it except all might who punched him first.

Bakugo sort of acknowledges only kirishima and it's completely treated like he's the only one who rescued him, screw everyone else.

And let's not forget Iida punching his face right after he got out of the hospital.

Hi @izubun-33

Thanks for the ask, I love receiving ask and how we do have different opinions on certain characters.

I was mulling this ask for a bit (my fav word: mulling) so let me ask this back, if Izu was kidnapped you think anyone would try gaslight anyone to save Izu? Bc what Kiri did was gaslighting and emotional manipulation even if it wasn't intentional...Izu was in the hospital bed, fucked up after facing Muscular and help A1 ...what he gets? "Help save kaachan" and he doesn't look like the typical "my friend is in trouble"

Bk is treated as the main character (to this day, shocked kaachako didn't happen as hori HATES Izu but then again, no one is good enough for BK) and Izu is the gag character.

Its insane how disrespect this character is and how unfunny and unfair this is!

Momo makes a good analyses? She is so smart

Izu makes a good analyses? He is a loser.

Am got inspire by Izu....BC HE WANTED TO SAVE A POS and after that....never again. Saving his abuser impressed am to the point he had to make a heir ....(No, am didn't know bk is his long life abuser which PAINTS AM IN A BAD LIGHT. I THINK HE IS AN IDIOT) But think of the scene: Izu risk his life to save a PoS and is "reward" with ofa which is a shitty quirk ...and then...AM does nothing else for Izu nor says anything positive about him.

@bibibbon mentioned this before how it is more "forgiven" for Iida to punch Izu(I don't but I can see the logic) as he is a teen and bla bla, I get it. He was worried and lash out. I DONT FORGIVE Iida for that but I can understand the idea and if the text wasn't so anti Izu...they could have talk and Iida could have apologize. AM punching Izu? NO! and makes an seem a hypocrite.

"Gran trained me so ruthless, I'm scared of him" and then punches Izu without hesitation.

Mha is a very frustrating manga. That breed very insufferable people who mock Izu or think LoV is their happy go lucky Robin Hood and if you disagree you don't read the manga or think BK has the best redemption arc ever...which is a fucking joke. Bk didn't change, the world did.

A1 never was friends with Izu. Never.

Izu ends this shitty story friendless

He has a shitty mom. A shitty mentor, fake friends and a awful quirk. (Awful in the sense, it gives him pain, pain and pain and no one cares)

[zeondraws]

It is 4AM in the morning, I should hit the bed asap. But I needed some time on my own tonight, because I've been supressing feelings way too much the past months. (Thought post about random thoughts, no clue if they make sense it's 5AM when I post this)

I found it really hard to talk to friends about my emotions as of recent. One reason might be, that I still suffer some pain I endured from the old work enviroment.

Somehow I often just want to be left alone, I feel very drained most of the time. But that often leads to a loop effect and I isolate myself further.

Like, at the old workplace I was expected to do something constantly, if I wasn't working on anything for over 3min I'd get scolded or yelled at. Or my coworker would become an adult baby and behave strangely. The other coworkers never saw anything wrong with him, so I was extremely afraid that everyone else had something against me. My old boss would side with him from time to time. The constant demand to stay productive was so draining.

In the end I got replaced, I mean I thankfully found a new job by then. But a new person came in, another inexperienced young person who seemed nice and all. Not sure how she is doing in that place, either she fits right in, or my coworker is making her endure the same pain, or he just overworks himself as he usually does. A person who had my job before I came, became extremely demotivated there and simply left to another workplace.

I try to explain this a bit to highlight some difficulties I am experiencing atm... I don't talk to family about my feelings that much. I tried but, they get easily offended if I vent too much. I have no called my dad back in a while, I already know when I call him back he will only be offended. Or maybe I am spiraling rn. My head makes things appear worse than they actually are.

You guys see how much stuff I have been doing on tumblr the past months or so. I don't remember how long it's been, but... I am still in this mindset of constantly working and staying productive. I rest when I can but I always get the feeling "I have to stay productive" and work on stuff, even when I am sick. In a way it helps to not fall into thoughht spirals, tho then I don't give myself enough space to rest.

I don't know what my end goal with this endless productivity is supposed to be, I want to be helpful in some way and feel like I belong somewhere. But even right now I feel like something is missing... I can't grasp this thought, I don't know what my end goal is. Been messing with fmodel so much to get the game work on this for datamining, I posted a thread on the fmodel server and they said the game is fully working with it. Which suprised me, that I was able to achieve that. Was I the first one to do so? I always thought there is someone better than me already. I often just think I will be some replaceable object, where someone else just takes my place. And this thought... spirals in a way- where I think very less of me. Stuff like I will be forgotten anyways or hmm someone better comes.

My family treated me like an object at times, not letting me decide what to do. Old coworker did the same and I am expected to just agree to everything they say. I tried extremely hard to fight back at the old workplace but I was always met with a wall.

Sometimes I would struggle venting to friends, because when I felt the lowest I get very clingy. I think when I saw Muir in game I noticed some similarity in him in me for example. Even tho I hate to admit that thought, but I have gotten way better at being less clingy. Maybe it's because I grew up a bit more. I definitely ain't the same like 4 years ago. But not to sidetrack too much... sometimes I would vent to friends and they'd bombard me with advice or, maybe some advice felt off for me. One friend once said that we're replaceable (job related) and that didn't sit right with me. Some of this advice would put me off so much that I would stop talking about my feelings with anyone, or just one small friendgroup. But I don't mention a lot there. I think... I think what I can see with myself is, I distance myself so much from everyone, I don't dm people to have a normal chat (I think I get very confused when I hear people dm each other all the time, what do people dm each other for...?I wouldn't know what to talk about), maybe I hang out on servers. I don't want to look at my main phone because suddenly so much makes me nervous again. I want to be alone the entire time and the meds stop some emotions from popping up.

So I have random outbursts where I would cry. and I really need to sit down after sleep and find a new group therapy.. today

I put ridiculous standards on myself sometimes, not wanting to appear weak and appear "professional". But my imagination of being professional is basically be emotionless and work without problems. Tho this doesn't make sense, perhaps I worry too much since I noticed some people really like what I do here. And I don't want to let people down in that regard. but I don't know how.

Earlier I was debating on wether it is strong if I show my weakness or if it's better to hide it. Tho hiding doesn't bring much for me, it's rather bad.

Yknow an earlier post where I mentioned I really like Roper? I get the feeling one of the reasons I find him interesting is, because the way he appears. He doesn't seem to show emotions that much, rather monotone and seems to be a hard working individual. Who sadly needs to do way more because Rennick makes things more difficult. Tho like, even if you see him in Marine Control later... he just suffers in silence. Ain't like Trots who went full bananas, or Muir feeling extremely anxious and all. Or Addair wanting to call his kids and Rennick just flat maniac. Roper just, sits there and tries to avoid saying much. Only thing he says is to keep Rennick away. Maybe the deleted soundfile of the scene says otherwise, but in my view it feels like idk he just ain't somebody who would talk about his feelings. Maybe Roper is some visual imagination of what I think a professional is, but I think he probably has different problems that could be way worse. Suppressing feelings is not good, I still have a lot to work on, on myself.

I am sadly getting too tired to continue this string of thoughts...I always feel very awkward posting my feelings on the web. I wouldn't know where else to thow them.

I will post something silly after sleep. I made some dumb screenshots ingame that literally made me giggle for half an hour ioudhwioeu. Okay, goodnight

[liongoatsnake]

I concur. One of my theriotypes is a nudibranch, animals that are by their very nature hermaphrodites. This nature of one of my theriotypes has a very notable effect on my sex (the body I have within the system I am a part of) and even to an extent my gender. However trying to discuss my species identities when it comes to how I perceive myself often gets tripped up with the the knee-jerk reactions talked about above. When I am talking about myself/my theriotype, hermaphrodite is actually the proper term to use. Because the state of my genitalia is within the norm/common expectations for my species/body inworld. Hermaphrodite only relates to sex though, as I would label my gender under more conventional masculine-but-still-nonbinary terminology.

Conversely, if/when Leaps-Highest were to talk about being an antlered doe and what that means for her sex within our system, then it would make sense for her to say intersex. Because deer are gonochoric and for most species of deer does do not normally have antlers. (In case it isn't clear, Leaps-Highest doesn't 'identify as' intersex, her gender is female/feminine, but that doesn't change the fact her appearance in our system and regarding her shifting experiences (e.g. phantom limbs) would suggest an intersex condition.) (None of this says anything about the state of our system's actual physical body, but whether our system has a perisex or intersex body isn't relevant to this discussion.)

~ Ocean Watcher (he/they)

There is an issue in the community that comes from outside of it that we need to address.

Hermaphroditic =/= Intersex.

But, Daski, you say, we know that!

Except there's this nagging part of people's brains that involves itself with respectability politics to the point that they forget this fact.

People hear "hermaphrodite" and get their feathers in a ruffle on behalf of the intersex community due to it's historic use as a slur. But they also forget that hermaphrodite is a legitimate biological description of genital configurations.

We're a community that talks a lot about blurring that of being animal and being person. We're also a community that is on the cutting edge of understanding parts of human psyche that science hasnt caught up to studying on a large scale yet.

Thus, when someone in our community mentions they (as a kintype) had or currently wish to have hermaphroditic genitals they're not saying they want to be intersex. You cant become intersex, and intersex is a human diagnostic criteria. Conflating ANY USAGE of the words deriving from "hermaphrodite" to intersex is doing an enormous disservice to the intersex community by muddying the waters of their terms and definitions.

Humans have wonderful terms such as salmacian and bigenital to describe the current technology level of having more than one genital attached to a body. However, remember we're talking about being animal people. Not everyone's wants or goals or dysphoria can be described by these terms. So we turn to the correct word of Hermaphroditic: having two complete and fully functioning sets of genitals. (Which I must remind readers: intersex does not include this definition. This is not a possible genital configuration in humans by birth.)

Hermaphrodite and it's derivatives are not bad words worthy of knee-jerk reactions. Think critically before policing others' terminology usage, especially if you're not a part of the perceived aggrieved group.

[thegracefulwillow]

2am delirious here but the new chapter really solidifies (... to me) how vnc presents memories as kind of an opposing force to death, with Vanitas and Noé designed as opposites, and with one embodying death, i.e. finiteness and destruction, and the other memory, i.e. preservation and continuation

And the narrative has told us from the very beginning that Vanitas is doomed, dead at Noé's hands - but this is conveyed explicitly via a memoir written by Noé... Though Vanitas's death is inevitable, Noé retains his "story"... and though he is the one to kill Vanitas, he will not let his life be lost for good

[egophiliac]

LEON

LEON YOUR EYEBALLS