#do you see the theme yet?

[whywasthissohardtomake]

Davekat week day 3: quadrants

[royalarmyofoz]

are there any other scenes i could put with “scary wolf bitch” and sadie sleeping at the foot of katherine’s bed?

[benevolenterrancy]

("Always. Continuously. With increasing apprehension, and decreasing hope. I will love you if I never see you again, and I will love you if I see you every Tuesday. I will love you as a corpse loves the beak of the vulture. I will love you no matter what happens to you, and no matter how I discover what happens to you, and no matter what happens to me as I discover this." -- paraphrased from The Beatrice Letters, Lemony Snicket)

[arsenicflame]

It's a time-honoured tradition- every time Sam comes across Izzy (and Ed) in their travels, he asks Izzy to marry him. And every time, Izzy turns him down.

At this point, Sam is asking more for the sake of it than any belief Izzy will ever say yes, a remnant of childhood dedication touched with 30 years of heartbreak and regret- though even now, a small part of him still holds out hope. Sam's promises have only got more extravagant over the years, from a job as his first mate, to a captaincy, a fleet at his command, a whole fucking island if that's what Izzy wants- but he knows it isn't though, not really. If Izzy was ever going to agree to marry him, to leave his life and go with Sam, it wouldn't be for anything Sam could offer him. Izzy never did care for flashy shows of wealth, for a ship or to be captain. The only thing that ever mattered to him was loyalty given, and loyalty shown in return. 

It all comes to a head after Stede left and came back, after Izzy lost a toe, lost his leg. Sam hasn't seen him since before things with Ed started to really slide off the rails, before stress permanently set into the lines of Izzy’s face. So, when he sees a dishevelled man with a hoof for a leg in a no-name port, he doesn't even consider the idea that he might know him. It's only when he turns towards him, and Sam catches a glance at those oh too familiar tattoos, he realises this is Izzy, his Izzy, that stands before him.

Knowing Izzy's discomfort with pity, he doesn't treat him any differently than he would in years gone by, positioning himself in Izzy's line of sight before approaching and sweeping him up into a bone crushing hug. 

“Israel-goddamn-Hands!” he exclaims, as Izzy grumbles back a begrudging “Samuel-fucking-Bellamy”, a tradition almost as old as their friendship itself. Izzy might not hug him back, but he can’t keep the corner of his mouth from twitching, just for a second.

(If Sam holds Izzy a little tighter and a little longer than usual, well. That's his business)

By the time Sam lets go, most of the crew has appeared in the town square, drawn in by the commotion. They may have given Izzy his leg and welcomed him as one of them, but still there’s an underlying tension, with nobody quite ready to set aside everything that happened before the Kraken. Seeing him cosying up to an unknown man sets everyone on edge, unsure whether to come to their first mate’s aid, or to assume that they've been betrayed once again.

When Ed sees that the yelling was Sam, his hand goes tense where it's held in Stede's. He knows the routine, has seen it more times than he can count, but as he watches them part he realises that this is the first time in a long time he's unsure of what Izzy's response will be.

Knowing that something’s different, knowing that Izzy's feeling vulnerable already, Sam doesn't go for the same flashy proposal he’s been giving for years. He doesn't promise Izzy the world, he doesn't cause a scene (or, any more of a scene than he already has, anyway). He looks at the fractured man in front of him, takes his face in his hands, and says the exact same thing to him he said when they were little more than boys. “Israel, I have to ask you. I know what you'll say, but I have to try. Come with me. Marry me and sail away with me. I'll keep you safe”

And Izzy… hesitates. He glances over at Ed, at Stede, and says to Sam “...We’re staying in port for a week. Ask me again then”

That's the moment Sam knows there is something deeply, horribly, wrong. He's not just looking at an Izzy who got seriously injured in a fight and is struggling to cope, this is something so much bigger than that- and that Ed has something to do with it. Izzy wouldn't even be considering leaving if he didn't. Whether it was negligence or something more sinister, Sam doesn't yet know, but he intends to find out.

[little-mouse-adventures]

@orangerosebush's post here, with my comment and @fowlblue's tags today got me thinking.

Artemis Senior has been teaching his son matters of business from a young age. Not only was Artemis, at 11 years old, discussing stocks with his father, but Fowl Senior had been imparting his wisdom onto his son for years by that point, discussing the ever-increasing value of gold with him before tucking him into bed. Even outside of pure monetary value, Sr. had tried to go legitimate with his business dealings, leading Artemis to have a few legal ventures of his own.

We also see very early on in the books that Artemis has been regularly using Butler as a resource for his plots: bouncing ideas off him was apparently a fairly common tactic when he was scheming.

Both Artemis Senior and Butler are interested in (or at least, not opposed to) educating Artemis on the ways of their lifestyle(s). It would be Artemis Senior who would have taught his son the value of banks and safety deposit boxes and hidden safes but it was Butler who was actively working with Artemis to rob those safety deposit boxes.

In the same vein of breaking-and-entering, TLC also gives us the fun little moment where Butler hands Artemis his own lockpicks, to get into the workings of the bomb.

With one line we learn that Artemis knows how to pick locks, but does not have his own set of lockpicks. Butler, on the other hand, has both the tools and knowledge how to use them. Partnered with a brief mention in TTP of some the specific trades of those previously employed by Artemis Senior (including such things as crime lords, insider traders, and cat burglars), we can extrapolate that Artemis Senior would generally hire someone to pick a lock for him, rather than do so himself.

It's pretty logical to conclude then that Artemis learned big-picture management from his father, and day-to-day skillsets from his bodyguard.

Essentially, Artemis Senior taught Artemis how to run a criminal empire. Butler taught Artemis how to be a criminal.

[themyscirah]

What runs/stories do you recommend for someone starting WW? Could you please be specific (/nicely)

Yeah ofc!

My Wonder Woman Starter Recs (specific style 😎)

First stops: for an initial introduction to Wonder Woman, I'd generally recommend going to at least one of three places first. These three are:

Wonder Woman: Historia: The Amazons by Kelly Sue DeConnick

Wonder Woman: Year One by Greg Rucka

Wonder Woman: the Hiketeia by Greg Rucka

Of these I generally recommend reading Historia first, as it's a retelling of the origin of the Amazons as a race and how Diana came to be (so it essentially starts from the beginning) and is also the most recent of the them (if that means anything). Something to note about Historia though is that it's a DC Black Label book, so it's events aren't strictly canon in the main DCU and there are some changes and new elements present. I don't think this is something that should discourage anyone from reading it though, it's the best WW origin story out there, and even in strict main canon over the years her origin is one that has had many fluctuations and small (& sometimes big) changes. WW:Historia is three prestige format (longer) issues.

You'll notice the third book there is WW: The Hiketeia. Hiketeia is a great book if you're looking for a view into Diana as a professional and experienced hero. It's a graphic novel so standalone and not too long, and has a great Diana and really interesting plot (Diana vows to protect a young woman and finds herself pressed against the wheels of Greek Tragedy). This is also the first work with Diana done by Greg Rucka, one of her most prolific and loved writers. A sampling of this work (and also Historia) I think gives a good guide to where to go next in terms of runs on her main title.

Wonder Woman: Year One is the second book on the list up there, but I'm mentioning it last here as it's a bit more complicated in terms of format. Unlike other year one books, WW: Year One is actually a series of issues on her main title, showcasing Diana's arrival to man's world in Rebirth (and also current p sure) continuity. The issue numbering for this one is strange (only the even issues 2-14 on WW (2016)) so I recommend looking for this in trade form if possible.

These 3 books I think give a taste of some of the best standalone stuff in the Wonder Woman mythos, and give the reader a good idea of where they may want to go next in terms of longer runs on the title. So I'll break that down here as a Step 2.

STEP 2: WHERE NEXT?

Here I break down some highly recommended runs based on what they have in common with the standalone books from step 1. As a rule, these runs are going to be much longer than the above and generally more connected to the wider DCU and other books. Look for the italics to see the introduction to each new work. Explanation paragraphs follow after each italic/bold rec.

Curious about Greek mythology in WW and the Amazons' origins after reading Historia? Liked the prescence of a supporting cast and Diana learning about Man's World from Year One? Willing to read a longer run? I recommend: Wonder Woman by George Pérez

George Pérez's time on Wonder Woman totally reinvented the character after Crisis on Infinite Earths, and is fundamental in establishing many core concepts of her lore. At 62 issues, 2 annuals, and a 4-issue crossover event at the end (War of the Gods), it's definitely a commitment to read, but it's the most enduring and well-loved run on Wonder Woman for a reason--it's just that damn good. Lots of focus on mythology (although with a lighter tone than Historia) alongside Diana learning her role in relation to Man's World & establishing herself as a hero and ambassador. Pérez's run also has almost-certainly the most expansive and developed supporting cast in WW comics, something that really drives the emotional core of the series, especially in later issues. Obligatory note that this series was written between 1987 and 1992 and contains some very occasional aspects that I thought were in some way dated/uncomfortable etc. while reading (details of Cheetah's origin, depiction of the Bana-Mighdall, Hercules) but despite that I still highly, highly recommend this run. The word fundamental cannot begin to describe it.

Liked the experienced Diana of the Hiketeia? Interested to see her attempt to balance the high stakes responsibilities of an ambassador and superhero? Looking for some really badass moments and fights? Haven't read enough terrible tragedy? I suggest: Wonder Woman by Greg Rucka 2003 EDITION.

Some of Diana's coolest moments of all time are collected here. Also one of her most controversial. The 1st Rucka run is very much the story for anyone who liked the Diana of the Hiketeia and the tragedy of that and Historia. 2003 Rucka Diana is a Diana tested, forced to make decisions that are anything but easy, and live with the consequences. She's extraordinarily capable, but her enemies know that and are prepared to that end. This run, along with the Pérez run, rank among my favorite Wondy comics of all time (those and Historia are my top 3). This run is such peak Diana, especially in terms of sheer badassery. Her final confrontation with Medusa is in my opinion perhaps the greatest Wonder Woman fight scene of all time. Her encounter with Athena in the second-to-last issue breaks me every time. Cannot recommend this book more.

*a note abt this run is that it is more context-dependent than the other ones listed here, as it's the run that finishes out the Wonder Woman vol. 2 book and so has some guest appearances from characters introduced in other prior runs (Artemis of Bana-Mighdall, Cassie Sandsmark, and Vanessa Kapatelis, to name a few). I read this run before knowing much (if anything) about any of them, and still enjoyed it a lot, so I wouldn't be worried about this really but just thought I'd mention it.

Rucka's 2003 run is published from Wonder Woman (1987) #195-226. You can also find it in trade and I believe(?) omnibus. Sometimes the Hiketeia is included in collections of this series, as the 03 run is thematically similar in many places, just with a much deeper look at Diana and the world & with higher stakes.

Liked the specific characters and plot threads of Wonder Woman: Year One? Want to see what happens with Diana's exile, or learn more about Barbara Ann? Want a Diana in between the extremes of young and highly experienced? Wonder Woman by Greg Rucka 2016 EDITION may be for you.

...yes I'm putting ANOTHER Rucka book on here. He writes a great Diana, what can I say. This run is the same one that Year One came out of, just the follow ups to that story and versions of the characters. I have this run listed as separate from Year One though, as there's some really big time skips since the events of that first volume. A lot of time has passed since then, and there's more history between the characters, not all of it without drama. This run continues to be weird with the numbering, as well as some artist changes, so I definitely recommend looking into reading this in trade format (physical or digital) if at all possible. My recommended reading order is WW 2016 by Rucka vol. 2 "The Lies" (Wonder Woman: Rebirth Special #1, followed by 2016 main title odd numbered issues 1-11), then Rucka 16 vol. 3 "The Truth" (odds 13-23) then Godwatch (evens 16 through 24) followed by 25? But The Truth and Godwatch combine near the end so that doesn't really work either. This run is so good but recommending it is such a pain because the numbering is so all over the place. On God I never know which order to read this in. Going to revoke my previous statement and say read it as Rebirth Special 1, then only odds 1 through 11, then from 13 through 25 normally. That may lead to some weirdness as you read because the two stories take place at different times and have different art styles, but they come together at the end pretty dramatically so I think it's less confusing to read it this way? Maybe? So strange bc this is one of the go to good starter runs and yet it's set up so unintuitively. If someone has a better way to read this then let me know and ill edit, ik this explanation is super confusing bc neither way to read it is totally ideal imo and I feel I definitely read it in a weird order.

Going to call that a good rundown of some of my greatest recommendations in terms of Wonder Woman comics. If anything wasn't fully clear here or anyone (not just anon) has questions or wants to talk abt WW comics/my choices feel free to send as many asks or dms as you want. Have a good day everybody, & as Diana says, may the glory of Gaea be with you <3

[stardestroyer81]

✨ YOU WILL LOOK AT HER!!! ✨

[sincericida]

Andrew Garfield when he reads a script for a religious role or biopic:

Now, I’m here thinking things about Andrew and Miles in the same movie...

[transgenderprototype]

Ill go onto someone's profile and their pinned post will have like "DNI IF YOU SUPPORT [insert artist] ILL BLOCK YOUR ASS IF YOU REBLOG THEIR ART anyway u can dm me if you want more info on why i have a vitriolic hatred for this person, i pwomise it wont be biased and full of bullshit :3"

Ill be like "okay thats fucking stupid, im not dm'ing them for what'll clearly be a biased response. I should probably look more into it.

I find out why.

"Oh these are lies. These are lies being spread because someone leaked a queer person's nsfw alt and found something they could twist into being "morally wrong" and theyre still continuing as the artist clarifies that what they drew isnt [whatever theyre trying to twist it into]."

[angeart]

Boatem Circus.... Thoughts cycling through my head about your Wonderful au. These thoughts might not make sense but. You're cool!

I think what breaks me the most (at this moment) /pos is that Scar, when he built up the circus with his own two hands, after coming from wherever he had come from, had to teach himself how to bring salvation to others. How to show others safety and warmth and show them that things would be okay. He had to teach himself first how to take care of others. And then after elegy he realizes that everything he taught himself can be like- applied to him, too, because he's not alone anymore and the others are gonna show him and teach him and save him and it's so 🥹 love. Found family. Yummy.

(Also while I'm here 👉👈, am I allowed to ask who the very first person to join Scar's circus was or is that like spoilers-?) hope you have a lovely night and day

boatem circus!! 💕

you are so very right about scar. he didn't have other people show him kindness, but he still decided to extend it to others. he had to learn, and by doing so, he wasn't even aware he's teaching the others too!

and gosh when they turn it around on him 🥺 my heart.

found family!!! i love boatem circus crew found family so so so much.

you are allowed to ask! it's not a secret or a spoiler or anything! it just genuinely wasn't something i had figured out, but your question prompted me to go bug stiff and i think we got it now :3c ...

the order in which people joined the circus*:

scar > impulse > gem > jimmy > ren > pearl > cleo & doc (separately but at around the same time) > mumbo > joel > grian > [events of elegy] > skizz > tango > ???

... so. impulse. our beloved impulse was first.

he was running away from some people and he hid at where scar was building stuff. and scar came across him, with his typical "well hello there :J"

and impulse was scared! and he could've lashed out with fire in his fear. but— he didn't. (he is a teddy bear and genuinely doesn't want to hurt anyone, ever.) (there might be a backstory buried there that makes elegy so much worse :3c just saying)

he wasn't used to people regarding him without fear. he wasn't used to being just... accepted. or to be allowed to stay anywhere. he actually fully expected that's what the rest of his life will be: endless wandering, being chased off, forever running away. and yet.

and yet.

scar offers him a place to stay. so easily. as if it didn't cost him anything.

[jasontoddenthusiastt]

Imo Jason is “irredeemable” by default because I don’t see what he needs redemption from.

[titaniumions]

(some) r1999 charas but i assign them entities from the magnus archives

[i-dreamed-i-had-a-son]

I'm sorry I can't take your call right now, I'm becoming unhinged about Transformers again,,,

[theskullkid]

HEY, BITCHES, LISTEN TO ME IF YOU’RE IN THE FUCKING MARKET FOR MAKING NSFW ASMR OR CONTENT ON YOUTUBE.

EITHER A), DON’T, AND MAKE A PATREON OR ONLYFANS AND DO IT THERE

OR B), AGE RESTRICT YOUR FUCKING SHIT.

I KNOW DOING THIS IN ALL CAPS MAKES ME SEEM EXTRAORDINARILY UNPROFESSIONAL BUT THIS IS A TOPIC IM VERY PASSIONATE ABOUT SO SIT YOUR FAT ASSES DOWN AND LISTEN FOR ONE FUCKING MINUTE YOU FREAKY BUFFOONS

YOU UNDERSTAND THAT THERE ARE MINORITIES ON YOUTUBE, RIGHT? YOU MAY THINK, “THEY CAN KNOW NOT TO CLICK ON THE VIDEO!” WELL, MAYBE SO, BUT CONSIDER THAT IF YOU HAVE AN ELEVEN OR TEN YEAR OLD THAT DOESN’T UNDERSTAND WHAT THE FUCK THE TITLE MEANS AND CLICKS ON IT OUT OF CURIOSITY, THEN WHATRE YOU GOING TO HAVE?

ITS THE FACT OF THE MATTER THAT YOU SHOULD WANT TO AGE RESTRICT YOUR SHIT. YOU WANT TO ENSURE THAT YOU REACH YOUR TARGET AUDIENCE AND NOT MINORITIES. EVEN IF YOU SAY 18+ IN THE TITLE, THATS NOT GOING TO CUT IT, ‘CAUSE THEY CAN STILL WATCH IT.

AGE RESTRICT YOUR SHIT. PLEASE. THIS IS COMING FROM A MINOR THAT DOESNT WANT TO SEE IT. WHETHER THE VIDEOS ARE LONG FORM OR SHORTS. BUT IF YOURE INTRIGUED IN MAKING THOSE KINDS OF CONTENT, YOU SHOULD REALLY GO IN THE WAY OF A PATREON. PLEASE. I BEG.

[rafyki]

No solid foundation for their relationship..... The themes of the show forgotten....... what the hell are you even talking about, what the fuck

[bestworstcase]

something something "your mother said those words to me" being the cruelest retort salem can think of when ruby upsets her

ruby shatters trying to be who summer was and now she's trying to put herself back together with "i'll be who you were and i'll be even more"

salem's father punishes her for her mother's death in childbirth by imprisoning her literally in her mother's "favorite place" and treating salem herself as a proxy, an inadequate replacement for her mother with no personhood of her own.

(the way ruby's self-identity is so distorted by the reflection of summer is in itself a fractal repetition of salem's story; of course salem is both the one who "took [her] mother" and the one who cracks the mirror)