#do the dots make a difference?

[epiphainie]

i've just finished my s7 rewatch and it's kinda so funny to me how much discourse people created over every bucktommy interaction when their whole arc boils down to tommy being patient and vulnerable with buck and showing up for him. like when you are not wearing shipper goggles under the name of "analysis" and don't try to reverse-engineer every word and look and shot with utmost bad faith, that's what it is. a simple and sweet story of a new exciting relationship with a guy who's understanding and willing to show up. literally the two things buck needs from a relationship but never had with his previous love interests. they are kinda sickeningly sweet and well-communicating actually lol

[dukeofthomas]

Rät by Penelope Scott is so Jason Todd & Bruce Wayne

[batsplat]

following on from this. not to always bring marc into everything (sorry marc) but if assen 2015 had happened against jorge, valentino would have very likely pulled something similar again imo. rather than what he actually did, which is approach marc almost immediately for a nice normal friendly handshake and backing off during the podium celebrations. should be noted that during laguna seca '08, valentino was very much committed to yapping at casey on the podium with the world's biggest smuggest grin on his face

partly that disparity is because jorge not marc was the direct title rival, partly it's because valentino was treating marc with kid gloves right until the second that he wasn't, which marc was seemingly entirely oblivious to. if anyone other than marc had said what he said in that presser, had then continued on with similar rhetoric during sachsenring, valentino would quite likely have gone nuclear. he's done it over less than that. his fondness for marc made him continue to exhibit uncharacteristic restraint... except that fondness unfortunately is what left valentino feeling so very betrayed when (to his eyes) marc could not leave well enough alone

[lilydvoratrelundar]

Hey did you guys know you can make music. With your friends. For free. Did you know this.

[honeydots]

a laslow as i practice w a new pen~

[sysig]

Skelefam

Unfortunately, as much as I love this mod - I mean, it’s beautiful! Just look at it! - it does have a game-crashing bug D: For some reason skeletons can’t get jobs, it crashes the game lol, so as much as I’d love to have Gaster in the Science career, he is a stay-at-home parent! That’s fine, nannies suck in TS2 lol. There’s also only a few clothing options but I’m gonna try some poking around to at least expand upon what’s there already :D

I ended up using the stretchSkeleton cheat - hehe, skeleton - to make Papyrus a bit taller and Sans a bit smaller. It’s only really noticeable in their ankles, and their animations are a bit misaligned, but other than that it’s very cute! :D Sans is also chubby but it’s kinda hard to tell :0

Sans, stop breaking the fourth wall!

Look how little he is compared to his brother hehe

Also, and I did not edit or plan this - they naturally started falling into their relationship dynamics! Gaster and Sans have a much lower Short Term Relationship here than Gaster and Papyrus haha

Would that I could! I was still testing at this point and yup, it crashed. Sadge

Well even if I can’t get the jobs, I can still cheat-unlock the Career Awards! Scientist behaviour lol

Look at their delicate little haaands

Did you know that Gaster sucks? He does!

Oh what are skeletons not your type? Don’t be rude

Sans even rejected him when Gaster offered to dance together! I love them

Gaster’s POV - he was listening to Sans tell a joke and next in the queue Papyrus wanted to show off to him. So accurate haha

Papyrus’ POV, of course he’s friends with both of them, sweet boy

And Sans’, look at how much more he thinks of his brother over Gaster! What more could I ask for honestly

Only concerned with Gaster seeing lol, Papyrus is way closer! He doesn’t count haha

Racecar bed babyyyy

Retextured the outfit for Papyrus, so now they’re much easier to tell apart! :D

Crossover babies ♪ One of the Todds walked by and I just now realized I also gave them a red/blue twin aesthetic haha

And that’s all he’ll want and care about from now on :)

Hehe. He gets it!

Papyrus is bad at making friends! Sans there in the background passively ++ing with Todd lol, he’s a natural

[hajihiko]

I don’t use the word kin, but I do say I relate to characters. I believe it’s technically the same thing but idk kin just… bothers me? Fine for other people but not my cup of tea

oh yeah idc if other people use that I just don't

[nemo-of-house-hamartia]

“Look again at that dot. That's here. That's home. That's us. On it everyone you love, everyone you know, everyone you ever heard of, every human being who ever was, lived out their lives. The aggregate of our joy and suffering, thousands of confident religions, ideologies, and economic doctrines, every hunter and forager, every hero and coward, every creator and destroyer of civilization, every king and peasant, every young couple in love, every mother and father, hopeful child, inventor and explorer, every teacher of morals, every corrupt politician, every "superstar," every "supreme leader," every saint and sinner in the history of our species lived there-on a mote of dust suspended in a sunbeam.

The Earth is a very small stage in a vast cosmic arena. Think of the endless cruelties visited by the inhabitants of one corner of this pixel on the scarcely distinguishable inhabitants of some other corner, how frequent their misunderstandings, how eager they are to kill one another, how fervent their hatreds. Think of the rivers of blood spilled by all those generals and emperors so that, in glory and triumph, they could become the momentary masters of a fraction of a dot.

Our posturings, our imagined self-importance, the delusion that we have some privileged position in the Universe, are challenged by this point of pale light. Our planet is a lonely speck in the great enveloping cosmic dark. In our obscurity, in all this vastness, there is no hint that help will come from elsewhere to save us from ourselves.

The Earth is the only world known so far to harbor life. There is nowhere else, at least in the near future, to which our species could migrate. Visit, yes. Settle, not yet. Like it or not, for the moment the Earth is where we make our stand.

It has been said that astronomy is a humbling and character-building experience. There is perhaps no better demonstration of the folly of human conceits than this distant image of our tiny world. To me, it underscores our responsibility to deal more kindly with one another, and to preserve and cherish the pale blue dot, the only home we've ever known.”

― Carl Sagan, Pale Blue Dot: A Vision of the Human Future in Space

[third-doctor]

I feel like I'm going insane. That episode read to me as a lot more tragic than other people are reading it. Yeah they were racist and rich and spoiled and awful but they were just kids. They were all just kids. Lindy was absolutely terrified throughout the whole thing and clinging desperately to what she knew, which was terrible. They could've had the chance to learn and become better but they chose to go die and it's infuriating and tragic because nobody deserves that. Nobody deserves to be eaten by slugs or die of exposure in the woods. Nobody deserves to suffer like that. But they chose it rather than let the Doctor help them because they'd rather stay in their rich white supremacist bubble and he just wants to help and there's nothing he can do.

Maybe it's because one of my core beliefs is that nobody deserves death and suffering. Nobody. Even the worst person on earth can learn from their mistakes and come back and change and everyone deserves that chance. There's no such thing as too late. But they're never going to get that chance because they actively rejected it and to me that's still very, very sad.

[cienie-isengardu]

Mortal Kombat 1 Behind the Scenes AU: Enlisting Lin Kuei brothers, p. 5

Author's note: Since Kuai Liang and Tomas failed to change Bi-Han's mind, Liu Kang had no other choice than to explain why he needed Sub-Zero on film set - to keep Shang Tsung(s) distracted from causing any problems. It would be easier if he just did that from the start, but Liu Kang hoped to not burden Sub-Zero with knowledge of how in the past timelines, his incarnation was always one way or another connected to Shang Tsung. Presenting "babysitting" the sorcerer as a mission is what finally made Sub-Zero agree to join Cage’s film crew (to Kuai Liang and Tomas' joy).

This mission to keep Shang Tsung distracted is part of the reason for the whole Fake Dating storyline, with special focus on "Multitasking" that explains why Bi-Han picked Shang Tsung from all possible cast to fake date for one day.

[Earlier posts, from #1 to #52] [Shao learns about Paid Leave (p. 2)] [Johnny’s complaint] [The problems with Smoke’s powers] [Dark Sub-Zero] [Say ‘cheese’!] [Haunted mansion] [Sektor & Cyrax - Scenography (4)] [Shang Tsung’s commentary] [Just one more take! + bonus] [Bi-Han, NO! - Cat on film set] [Bi-Han, NO! - Purrfected] [Bi-Han, Sektor & Cyrax - Scenography (5)] [Bi-Han, NO! - Madam Bo’s “help” during filming scene] [Dark Sub-Zero, p.2] [Saibot’s hug] [I SAID I’M SORRY!] [Shang Tsung and Kuai Liang for once agreeing on something] [Reassurance] [Ketchup & Mustard, p. 1] [The Dating Issues] [Ketchup & Mustard, p. 2] [Cyrax’s brother] [Gathering the actors] [“LIN KUEI”] [Bi-Han's complaint] [This is what we cryomancers call a fun!] [Lin Kuei Life - when duty calls, p. 1] [Lin Kuei Life - when duty calls, p. 2] [Lin Kuei Life - when duty calls, p. 3] [Lin Kuei Life - when duty calls, p. 4] [Lin Kuei Life - when duty calls, p. 5] [Lin Kuei Life - when duty calls, p. 6] [Lin Kuei Life - when duty calls, p. 7] [Lin Kuei Life - when duty calls, p. 8] [Lin Kuei Life - when duty calls, BONUS] [Seeking advice, p. 1] [Seeking advice, p. 2] [Seeking advice, p. 3] [Seeking advice, p. 4] [Seeking advice, p. 5] [Liu Kang's request] [Enlisting Lin Kuei brothers, p. 1] [Enlisting Lin Kuei brothers, p. 2] [Enlisting Lin Kuei brothers, p. 3] [Enlisting Lin Kuei brothers, p. 4]

[ariadnew]

CTJL MONACO

Today on risky entries:

(Dorothy Lawley & RDEC Gotica; 2015 KWPN m.)

[gigi-journaling]

Tell us your page style preferences and why!

Do you prefer blank and is it because you’re an artist, a free spirit, maybe a bit messy? Do you like graph grid and are you more of an analytical type, a bit of a neat freak, always working on your penmanship? Are you a writer and prefer lined?

I kinda have a theory that you can get a glimpse of a persons personality, so let us know!

[alatariel-galadriel]

Okay, I’m re-listening to the Murderous Mask and Peter’s “run away with me” monologue is recontextualized SO MUCH in light of recent events!

When Juno asks if Sasha/Dark Matters were in on the heist, Peter says no—“it pays to have powerful friends”. That struck me as odd up until recently, because we quickly learn that Peter…doesn’t have friends or allies or, well, anything, really. He works solo and burns through identities too quickly to make or maintain those kinds of connections. But now we know he’s in deep debt to a pharma corp, which are some of the most powerful forces in the solar system, even rivaling Dark Matters.

All well and good, except Peter also says “You can leave Hyperion City behind, I’ll leave my powerful friends behind. We’ll sell the mask and live a life of thrills and decadence across the galaxy, always running, never looking back.” And that…we know that’s wrong. We know Peter can’t leave Slip behind. So what gives?

I don’t think Peter ever actually thought Juno would leave Mars with him in the Murderous Mask. It’s why he left his name on a note in Juno’s couch (before he even makes the proposition) instead of just saying it. He knew Juno would say no. He was always planning on coming back, of course, but if Juno runs away with Peter, he could be used as more leverage against him. Another person for the corporation to balance Peter’s debts against. …but it’s a nice idea, right? Being able to finally leave behind the pressure of ever-growing debt and run off with the detective who he’s fallen for so quickly. Running away was a dream, and there’s no harm in keeping the fantasy alive because he knows Juno won’t leave Mars. I don’t think that ever really changed until the aftermath of Miasma—when he thought Juno had died and he lost everything again, only to miraculously recover it. Anything seems possible after that. But reality would’ve sunk in eventually, even if Juno hadn’t left that night. Let’s say they had run away together back then. It would be the same situation that made Peter leave in season 3: he’s still in ever-growing debt and Juno would be just new collateral for Peter’s creditors. It’s too dangerous, and Peter can’t bear to lose him again.

All this to say that I firmly believe that if Juno hadn’t left that night, Peter would’ve. Better to throw away something precious yourself than watch someone else shatter it because of you.

They were both always going to leave. Juno just reached his conclusion faster than Peter, is all.

[brown-little-robin]

jojo makes a fool of me in many ways, but prominent among them is that I enjoy connecting it to my real life knowledge, but it is fundamentally such a silly show that going into rabbit trails of "oh this is actually connected to a real thing and here is what I know about it!!!" messes up the conversational vibe when I'm texting people about jojo. I'm too earnest for this world. this Crazy Noisy JoJo's Bizarre Adventure World 😔

[edwinisms]

I’ve come to realize that “well in the comics (insert factoid)” can/should really only be taken as a vague idea of what Might be true in the show and nothing more than that. like more often than not, if a question unaddressed by the show is answered in the comics, it’s an interesting note to take into consideration, but by no means should it be considered to actually, canonically answer anything in the show. because boy howdy they are drastically different, and the show is much less of a tv adaptation of the comics and more like a tv show that’s premise and characters are loosely inspired by the comics. i only highlight all this because it feels like I see certain possibilities and theories and whatever else shot down by the “canon” contradicting them via the comics from time to time, when in reality the show’s canon and the comics’ canon are two wildly different, occasionally overlapping things and should be treated as such.

(note: this is not, however, discounting the sandman tv universe’s canon as being true dbd canon– the shows absolutely DO have the same canon, and facts of the sandman (tv show) must be facts of dbd. but I digress.)

[amelikos]

Really liking what they're doing so far with the basics and implementation tests with Liko and the others and how each test and Gym Leader they are facing pertains to their specific arcs as characters.

Liko's battles so far having her learn to enjoy the moment (VS Kaede, who is someone who holds back on some level just like Liko does) and allowing herself to go all out and using battles as a way to connect with her Pokemon's emotions which is her goal as a trainer (VS Chili). So her battles are more on the emotional side and deal with passion, which fits her development (especially since she is learning to find things she can be passionate about). Her test against Grusha will presumably deal with that too, since as far as I know, Grusha was passionate about snowboarding and eventually had to retire (in the games, at least), so we'll see how the anime chooses to use his character. He made a comment to Liko after seeing her battle against Chili in HZ056 ("if that's enough to raise your spirits, you must be pretty frigid"), which makes me think their battle could deal with "passion" in general.

Roy is learning to be more observant in general through his battles so far, and he is improving on the technical side of things. He realized that moves could be added to one another, and that battles could be made together with his opponent. Him facing artists of all kinds (Colza, Hassaku and eventually Ryme) also shows that he is learning to perfect his craft as a trainer and taking his time instead of rushing in. (Also, I like that it's specifically Roy who faces the trainers who are artists. You'd think that maybe since Liko likes drawing and has an affinity with art, she'd be more connected to these characters, but it's Roy who is involved with them and it fits really well with his arc.)

With Dot, I like that she is feeling frustration for different reasons during her battles so far. She was frustrated that she lost against Nanjamo in HZ050 but admits that she had fun. She was frustrated that she won against Poppy in HZ055 because she felt like her victory wasn't truly hers and that she couldn't have done anything by herself. And it looked like she was a bit frustrated after her battle against Aoki in HZ059 because she felt she was close to potentially defeating one of his Pokemon. I feel like she is starting to want to win too. Makes sense that she is going through these stages of frustration which will push her to want to improve as a trainer since she only came out of her room to travel outside in this chapter. Liko and Roy went through similar stages before too (Liko was frustrated at not being able to defeat Amethio in HZ007, and Roy felt something similar too when Rayquaza wouldn't look his way back in HZ033 for example, and both times it motivated them to grow stronger).

Also, I was kind of wondering why Dot was made to face Aoki for her implementation test at first, but I like the contrast with him and Nanjamo. Nanjamo is a streamer so she is someone who draws attention to herself and likes standing out, while Aoki is the complete opposite of that and takes pride in not standing out and being a regular person. So this kind of fits Dot in different ways.