hq as my discovery weekly | part one
warnings: this is completely sfw, combo of fluff and angst
characters included: kenma, akaashi, oikawa, suna, koganegawa, ushijima, bokuto, kuroo, hinata, kita, terushima, iwaizumi, osamu, kageyama, sakusa
a/n: this was a random idea i thought of but i think it’ll be really cute haha. maybe you guys’ll find some new songs in the process! totally encourage anyone to use this idea if they want cus this was super fun to write!
playing... one through fifteen / sixteen through thirty
↪ “cotton candy lemonade" by blu detiger: kenma kozume
i've been up too long, something's wrong / watch the rising sun / turning all my nights to days
i've been on my own, come find me now / i'm lonely to the bone / but I don't feel so low when you're around / let's run away from home
you'll bе my kaleidoscope, my color in this life / watching thе world fade away
kenma is not the most extroverted and he’s in his head a lot, so he’s someone that might not always see the ‘color’ in things that exist around him. but when it comes to you, well, you’re someone that makes him look up from his screen a little longer than usual.
↪ “love affair” by umi: akaashi keiji
don't overthink this is love / maybe it's just a crush
i hope what I feel is enough / maybe this is just lies
i wanna know how to feel, what to feel, what's right / i never know / 'cause when it gets real, I just run away / and hide from you
akaashi gets anxiety. he used to be certain about a lot of things—his intelligence, his skill, his happiness, but most important to him was his feelings for you. he’s overthinking again, he knows it, but he’s getting an uncontrollable itch that maybe this is all in his head; he doesn’t love you, he just think he does. but when you’re in his arms, breathing even and eyes fluttered shut, he remembers what you always told him: it doesn’t matter what he knows, it matters what he feels. and he feels like the luckiest man alive.
↪ “coke” by iii addicts, danice: oikawa tooru
come closer, i been eyeing you from way over / so it's time i come for some closure
had to let her know that you could lick this / shake it up, it's gonna probably gon' bust
why, tell me why / why am i not satisfied / every time i cross that line / i feel it, i feel it
oikawa feels like tantalus: a man constantly reaching for a goal just out of reach, straining his muscles and screaming his voice hoarse just for a glimpse of an unattainable destiny. he’s desperate to get ahead, and while he may be running at top speed at all times, the finish line doesn’t seem to be getting any closer. his worst fear is that, some time he’ll slow his pace and look back and realize he hasn’t gotten very far at all.
↪ “baby powder” by jenevieve: suna rintaro
i'll put up with you babe / there's somethings I won't take / baby don't feel me false / yeah that turns me off
you're making me so high now / you're everything I'd ever want / you're keeping me so dry now / you're everything I'd never want uh
plastic on the floor but it ain't for me / ima go up to the place that i'd rather be
suna is straightforward. he won’t deal with your bullshit, and he learns that you won’t deal with his either, which makes you so appealing. when he starts letting more and more of you in, he feels you slipping through his fingers. you wanted to be friends, so you treat him as one. he doesn’t remember when he started wanting more.
↪ “chandelier (instrumental version)” by paquin: koganegawa kanji
instrumental so no lyrics lol
koganegawa is bubbly. he’s a bouncer: he bounces between social circles, bounces colors behind his eyes, and bounces back after adversity. he’s an amiable guy, and it’s landed him plenty of friends and opportunities, but best of all, it’s landed him you.
↪ “l-over” by u.s. girls: ushijima wakatoshi
my lover has no heart / magic moving blood around that body / he's cool to the touch / i don't see him much / but when I do, he does nothing for me
can you imagine trying to get / some satisfaction out of a stone?
spare me any talk of your future life / i don't know what I'll do without you
ushijima is stubborn. he’s deadset on achieving his goals for the future, and if you can’t work with them, you better work around them. you’re tired of how he grounds you; you thought it was a blessing at first, having a guy that knew what he wanted and would always act as a constant in your life, but you’ve started to see that he’s not a lighthouse anymore, he’s an anchor. he’s an anchor that’s chaining you to the ocean floor and will drown you if you, even for a second, stop kicking your legs to stay afloat.
↪ “magic!” by リアムMAZE1981: bokuto koutarou
and when you smile at me that way / well you can warm the coldest day / it's magic
and all i have to do is think of you / to make the music start to play / then i dance down the street / and the people I meet stop and say hey hey
and when you want me you just clap your hands / and I'll be with you right away / then we'll float on a breeze / while the leaves in the trees softly say hey hey / magic ways, my friend / you love the girl with magic ways and it's true / i might as well give in
bokuto is bright. he tramps around the world with the light of the sun illuminating his face. there is nothing in the universe that could ever drag him down, especially not with you around. you’ve cast some kind of spell on him, he’s sure of it, because your very presence makes him certain that he’s immortal. he must be, because when he’s with you, he’s withstanding the heat of a thousand suns that erases the darkness in every shadow, corner, and crevice of his life.
↪ “i hope that u think of me” by pity party (girls club): kuroo tetsuro
i hope that you dream of me baby / nightmares are what dreams are baby i-i-i / i think I'm fallin' out of love
you tell me that it's easy to be / you tell me that it's easy to be with me but you lie-i-i / why do you lie all the time?
kuroo is focused. he takes note of everything when he’s working on a task, down to dotting the ‘i’s and crossing the ‘t’s. he often finds himself with tunnel vision, unable to think of anything but the current responsibility at the top of his every-growing to-do list. somewhere along the way, he lost track of you—must’ve loosened his grip on your hand and your fingers fell through empty space. he’d look for you, back in the void, but he’s busy. he keeps moving, unaware that you’ve turned back, walking in the opposite direction as him to find the life before him that you barely remember.
↪ “the leanover” by life without buildings: hinata shoyo
kiss me, break my mind, close the door / black steel, break my mind, close the door
if i lose you in the street / i say, i say, i say, i say, i say, i say / wassup, wassup with you? / wassup with your friends?
hinata is unfazed. he knows that, when things go bad, there’ll always be something there to right them. so when your paths diverge—maybe your schedules don’t work out, your dates get canceled, your nights home become more and more sparse—he’s not worried. not one bit. because at the end of the night, he knows that you’ll always find your way back to one another, and you’ll always greet him with open arms. and he’ll always do the same.
↪ “ladyfingers - edit” by funding secured: kita shinsuke
instrumental so no lyrics lol
kita is polished. he works hard during the day to be with you at night, dancing in little circles in the small kitchen of your shared home. he looks at you with fondness and appreciation, thanking his stars a million times over for granting him with someone like you. he’s a tree, stable in the harshest of gales, but even trees like to sway with the wind sometimes.
↪ “black madonna” by cage the elephant: terushima yuuji
makes no difference here, so let's be real / black madonna, my black flower / nowhere left to run, nowhere left to hide / you're not havin' fun, i think that you should ride
climb so high, don't hear a sound / don't you forget what goes around, comes around / climb so high, tell me how to feel
call me when you're ready to be real / black madonna, my hallelujah
terushima is hedonistic. he’s never concerned himself with thoughts of the future, or of the past, or of anything, really. all he can think about is making each moment as willing to be lived as possible. you, on the other hand, are practical, too practical in his opinion, and he wants you to let loose, lighten up a little bit. maybe in the long run, it won’t be the best idea to let him take you by the hand and on a midnight adventure, but you haven’t thought that far ahead yet. guess he’s already rubbing off on you.
↪ “mother nature’s bitch” by okay kaya: iwaizumi hajime
everybody / please give a warm welcome to / to this current mood
here i am / easy to please / here i am / okay with it
here i am / desperate for attention / here i am / being mother nature's bitch
iwaizumi is hardworking. he does the best he can with everything he tries; sometimes that amounts to something and sometimes it doesn’t. most times it doesn’t fulfill his expectations, as high as they are. when you’re around, his borderline hatred for himself disappears. when you’re there to tell him how great he’s doing, the tension in his shoulders dissipates.
↪ “smithereens” by rasharn powell, ab001: miya osamu
found my power / and my brethren / in a tussle with the world itself
see if I’m david, you’re goliath / there’s some power in defiance / put my heart in a slingshot / we been cycling away for days
searching for freedom always / likeness of an orgasm been had / empty with a peace that just don’t last / petite mort, then born again
osamu is pioneering. he opened a small business and eventually branched out, managing chains of his restaurant across the nation. it may not be a flashy job, but it’s a solid one, and a draining one. there are days of back-to-back shifts, afternoons overwhelming catering orders, and nights spent sleeping over on a cot near the kitchen. when he dreams, curled up with the smell of onigri still lingering in the air, he can only think of ‘what if’ he’d chosen another path, a path with a more obvious end, a more obvious definition of glory. but he still wakes up at dawn, conquering his own corner of the sky, knowing that his life, while it may be small, is not insignificant.
↪ “must be” by lou phelps: kageyama tobio
must be the henny on the ice / must be the diamonds that I buy / might be the shit that I write / whatever a n**** do and say, that's what I like
i'm on the cloud as i walk the front door / that's a boost, that's true, that's loo
yeah, um, i'mma need my space / 'cause you's a bum-bum, can't be standing next to me, uh / forgive me for my sins / don't tell me this is wrong if it feels right
kageyama is cocky. he’s good at what he does, amazing, actually, and he sure as hell knows it. he’s surrounded by people that make him better, people that he makes better, and he can’t think of a place he’d rather be. he’s on his way to carve his way into the moon and he’s not going to tolerate anyone that wants to keep him on earth.
↪ “jealous” by eyedress: sakusa kiyoomi
you could have anyone you want / why would you want to be with me? / you know, I'm nothing special
don't tell me about your problems / if you're not trying to solve them / don't ask me for my help
sakusa is independent. he’s not one to see himself as part of someone else’s orbit, opting to act like a random rock, floating in space with no origin and no destination. he’s worried that, if he gets too close to you, he’ll end up getting drawn in by your gravity and either crash land or burn up. neither seems appealing, and the idea of a safe encounter hasn’t even crossed his mind, so he’s going to keep moving on an endless trek towards the stars.
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