#do I know what the worm is? no

[worm-on-a-blog]

woahh 2024! cheers!

happy new year. worms are rooting for you to have your best year yet.

[stariiberry]

doomed yuri crossover

[greenglowinspooks]

(DCxDP) The obligations of a rogue versus those of a parent (Pt. 3)

—

Tw: Vivisection mention, torture mention (GiW agent receiving), me not actually knowing how telegram works

Will be crossposted to AO3 eventually.

(Pt. 1 here) (Pt. 2 here) - (Pt. 4 here)

(Masterlist/subscription post)

—

It’s an average, ordinary afternoon in Gotham, and Jason is in hell.

Specifically, Jason is in hell because he’s been researching the GiW for the last week or so, ever since a cryptic message from Scarecrow of all people.

He still hasn’t gotten anything substantial out of it that Scarecrow hadn’t already provided. Most location data had been previously scrubbed from the database, weaponry details were apparently all stored physically, and the experiment logs seemed to be only accessible from within one of the bases, whose locations Jason did not have.

Apparently Babs and Tim were having similar issues with gathering information. He had sent a copy of the files over to them in a moment of weakness, but they were having the exact same results as him.

To make things worse, the GiW was more active than they had been previously, combing through Crime Alley and the rest of Gotham tirelessly. At least they weren’t harassing him anymore, he thought, but now he had even less of a clue what they wanted.

And to top it all off, the Joker had escaped Arkham a few days prior to Jason receiving Scarecrow’s note, and he still hadn’t done anything. That could only mean that he was planning something big, which meant more grief for Jason, because the clown was obsessed with him.

So yes, Jason wasn’t having the best week.

He got up from his computer, stretched, and walked over to the window.

The sky was Gotham’s usual grey, clouded with a toxic miasma made up of traditional pollutants and the aftermath of gas attacks both, which could generously be called ‘smog.’

The streets seemed busier than usual, or maybe that was just because Jason was having a hard time keeping his eyes focused.

With blurry vision and a dull ache in the back of his head, Jason paced through his apartment, going through everything he knew.

The GiW, or Ghost Investigation Ward, were part of a secret government project having to do with ‘ecto-entities,’ which were mostly made up of ghosts.

The GiW was able to kidnap and steal away anyone who was ‘ecto-contaminated’ to be dissected, and it was completely legal.

According to the non-censored patrol reports he was given, Jason himself was considered ecto-contaminated. So were Bruce, Damian, Steph, and Cass.

There were also several rogues that were in the same boat, but their names had been redacted, presumably by Scarecrow. He wasn’t entirely sure why, but he guessed it was either for leverage or privacy. Knowing Crane, it could be both.

Anything useful about the GiW seemed to be stored physically within their compounds, or on an operating system that couldn’t be accessed outside of certain areas.

Anything useful about ghosts was conveniently removed by Scarecrow.

And, lastly, he knew from capture logs that they had numerous captive ghosts which were definitely being experimented on. One of these ghosts was named Daniel, last name redacted, and had been turned over by his parents in return for allowing them to run their own experiments on the boy.

From what he could tell, it had been around fifty two days since he had been turned in.

Fifty two days of experimentation and dissection.

Jason had to find him.

But first, he had to find the locations of the GiW bases, and plan his entrance carefully. He couldn’t let them get away because of a simple mistake.

The only location data he had been able to find was on a picture of the boy, Daniel, a picture of a vigilante in a red suit, and a quick note left about Daniel which hadn’t been transferred into the main database.

The note was…

Jason had been around crime for a very, very long time. He understood it intimately, in a way most people would never hope to achieve.

He understood hatred, too.

And yet, the words in that note were almost incomprehensible to him.

They were mockery of a child in pain. A child that was not seen as human. A child that was seen as a threat, a monster.

The man had detailed the security surrounding the child being cut back. Apparently, the kid had some sort of sonic scream. They were removing the muzzle that inhibited it because he had screamed himself hoarse, and he couldn’t make a sound anymore.

He also mentioned that the kid was cut open at least once a day, sometimes multiple times. He was opened up, played with, and sewn back shut.

The man joked that they should just put a zipper on him, so they wouldn’t keep wasting their stitches.

Jason really, really wanted to kill that guy.

The metadata on the note traced back to a newly-bought building in Gotham’s financial district, while the photos both came from Amity Park, Illinois.

Amity Park, Illinois did not exist in any official capacity.

Tim, who had taken the Batplane to check the precise location listed in the metadata, had reported that there was a town there after all, and it was on complete media lockdown from the rest of the world. He hadn’t even been able to use Bat, Justice League, or Young Justice channels to message anyone outside of the city until he left.

Jason had checked the building in the financial district firsthand, and found that the man who had submitted the note had done so while resting on a patrol of the city. He seemed to go there often to avoid his superiors, and Jason found it easy enough to get the drop on him the third time around.

His advanced interrogation techniques hadn’t been enough to get the man to name any locations. Worse, the man definitely recognized Red Hood, and would definitely tell the rest of the GiW about what had happened as soon as he left.

So, Jason did something about that. He couldn’t kill him, unfortunately, so he did the next best thing.

The GiW sent him to a public hospital within a few hours of finding him with shattered hand bones, broken arms, and a throat with near-permanent damage. The man wouldn’t be able to speak for a month at least.

He might never write again.

Jason, having read the note over and over until the words stained the backs of his eyes, thought it was the least he deserved.

Jason sighed, stopping his pacing. He wasn’t getting anywhere with this. If anything, working himself up was only going to lower the chances of him magically coming to a realization about where the kid was or what in the hell was going on.

He walked into the kitchen, popped some leftovers into the microwave, and started them up.

Once they were done, he brought them out to his desk, intending to eat as he continued to work on the GiW case.

When he saw his screen, he froze.

Telegram had been opened to a new chat with someone he had never messaged before.

TooFine: who are you?

TooFine: why are you looking into the giw?

The messages were a couple of minutes old, probably sent while Jason was spiraling pacing. He just stared at the screen, dumbstruck.

Shakily, he responded.

RedDead: How the hell did you get my contact info

Whoever was on the other side of the screen paused for a second. Jason considered sending a quick text to Babs to tell her what was going on, but he decided that he could handle this by himself.

TooFine: got it from the backdoor I put into the giw system.

RedDead: Shit

TooFine: ok your turn

TooFine: why r u looking into the giw? seriously man

RedDead: I don’t have a single reason to tell you. Give me one and I might answer your questions

TooFine paused again. Clearly they both had issues trusting someone over the internet, and rightfully so. What they had both admitted to doing was incredibly illegal, and if someone turned them in, they would be in deep shit.

TooFine: ive been trying to take down the giw since it was created. I can help u if ur honest with me

RedDead: Oh yeah, because no one has ever lied to another person on the internet before

RedDead: But fine

RedDead: I’m looking into them because they’ve been shadowing me for over a month at this point, among other reasons

TooFine: other reasons?

Jason sighed. He shouldn’t have added that. He knew that the other guy would ask, but he said something anyways.

RedDead: They’ve got a kid. I don’t like it when people hurt kids

TooFine: Danny? he’s alive?

RedDead: From what I can tell

So he knew the kid. Or, at least, he was pretending to. It would make sense for him to be cagey about his intentions, and for him to be desperate enough to reach out.

TooFine: oh my god

TooFine: do you know what city? fuck

TooFine: fuck fuck fuck

TooFine: I need to find him man please

RedDead: He’s somewhere in Gotham

RedDead: I’ve been trying to find him for a week now but no dice. They keep everything important on separate servers

TooFine: listen man you’re a good hacker but you’re not as good as me. you need my help if we’re gonna find Danny

RedDead: Okay, what are you trying to get me to agree to?

TooFine: i’m coming to gotham and we’re going to meet up

RedDead: Hell no

RedDead: Stranger danger

TooFine: if I tell u who I am will you say yes

RedDead: ?? How am I supposed to verify if you’re telling the truth

TooFine then sent him what seemed to be a selfie. Jason’s jaw dropped at the kid’s sheer audacity.

RedDead: There’s something seriously wrong with you

TooFine: my name is Tucker Foley. i live in amity park. i’m in 10th grade

RedDead: ???????? WHAT THE HELL

TooFine: i can send u my address too

RedDead: PLEASE DON’T??

RedDead: WHAT’S YOUR FUCKING DAMAGE? DON’T DOXX YOURSELF TO ME

RedDead: WHAT IF I WANTED TO KILL YOU OR SOMETHING? WHAT IF I WAS A FED

TooFine: i have to take that chance.

TooFine: Danny is my best friend. they’ve had him for over a month and no one’s doing anything to help. mr. Lancer was the only one who cared and he gave up after they blackmailed him

TooFine: they’ve had him for OVER A MONTH. I THOUGHT HE WAS DEAD.

TooFine: Sam and Jazz and I are coming to gotham and we’re going to find him no matter what it takes

TooFine: you have to help us

Jason considered, for a second, the choices he’d made in his life that had led up to this moment. He also considered, if he was in this kid’s position at his age, if he would be doing the same.

He decided to throw the kid a bone.

RedDead: [4735.jpg]

TooFine: HUH

RedDead: I’m guessing you know me

TooFine: RED HOOD??????

RedDead: No I’m just a very dedicated LARPer

TooFine: am i gonna die for Danny right now

RedDead: If I were literally anyone else, probably

RedDead: But no, you’re not. I’m gonna help you find your friend

TooFine: your username is red dead and you’re. yeah ok

RedDead: Oh come on, it’s funny

TooFine: Danny would love you

RedDead: So Danny clearly has great taste in jokes

TooFine: nope. literally loves puns and wordplay

RedDead: Nevermind

They both paused for a second. Then, Jason had a thought.

RedDead: Wait you’re in the 10th grade and you’re hacking into government databases?

TooFine: please don’t tell my parents.

RedDead: And how are you supposed to explain a sudden vacation to Gotham to your parents?

TooFine: wait so you’ll help me?

RedDead: I really hate to say it but I’m not the best at hacking, and my usual help is busy trying to track down the Joker. So, yep, we’re teaming up

TooFine: LET’S GOOOOOO

RedDead: God. I’m asking a 16 year old to help me take down a government agency and save another 16 year old

RedDead: I feel like the bat

TooFine: oh my god this is awesome. Danny is gonna flip when the actual real-life Red Hood comes to save him.

RedDead: I already regret this

TooFine: too late.

TooFine: btw do u have any place for 2 teenagers and 1 adult teenager to stay in gotham? preferably without dying but yknow.

Jason groaned. He was really, really gonna regret this, and he knew it.

Still, the alternative was some overeager kid dragging two other idiots to Gotham to find their friend and getting themselves killed. At least this way he’d have help, and damn good help at that.

He really was turning into the Bat, wasn’t he?

—

[factory-of-bullshit]

a mockery.

[genericpuff]

say sike right now, she's actually going back to The Doctor Pepper Show-

Like, this is just "What if The Doctor Pepper Show and LO had a baby?" Because at this point it's very clear Rachel only knows how to write from inside her own head, which is full of unresolved salt towards her childhood and medical fetish shit. The imagery in the first panel is very LO, and the imagery in the second is literally The Doctor Foxglove Show-

Evidently she's been reskinning the same shit for years-

Listen, I've been, for the most part, keeping my lips sealed on a lot of Rachel's old projects and what I've dug up on her previous works, for a few reasons:

1.) We were all cringe on the Internet at some point in time and a lot of these older works, such as Freak Scene Surgery and The Doctor Pepper Show, would have been from when she was in her late teens / early 20's. I'm not here to judge Rachel's personal preferences or whatever kind of fetishes she's into. It's totally normal, expected even, for a lot of creators to have older works they're trying to bury or disconnect themselves from because it's simply not them anymore.

2.) Ultimately I've been focused on discussion around Lore Olympus and Rachel as she currently operates as a creator, so I don't want to go digging up her old skeletons as any sort of "gotcha" towards LO today. Ultimately a lot of these works don't have anything to really 'do' with LO as it exists today.

That said, the reason I'm bringing it up now is because these new series... are bridging that gap that I've been avoiding for ages now. The gap that's filled with skeletons of Rachel's past that she's trying to both disconnect herself from but now fall back on with LO come and gone. It almost goes to show that her being a one-note pony goes back since far before LO - these are literally the only ideas she's able to come up with at this point, and it's painfully obvious in how both these new "graphic novel pitches" are pretty much the exact same and could apply to the same character, and that character may as well just be Persephone, i.e. Rachel, all over again.

Like, I'm calling it now, Patients in the Dark is just gonna be more "moms are bad" rhetoric, and Eleanor's Deathbed is gonna be Hades and Persephone, but replace Hades with some death god and Persephone with a training mortician, which is basically also still just Foxglove training to be a doctor, and Icy Shaw bragging about fondling corpses.

If anything, now that Webtoons is no longer carrying her around on their shoulders, this is gonna be Rachel's moment of "put up or shut up". She can either actually put in an active effort to write something that's decent, or she can flounder under the weight of her own tired mediocrity that's been knocking at her door for years now. As much as she's using her labels that were bought for her to sell these books which aren't even in real development yet-

-Webtoons isn't gonna be there to buy her Eisners forever. This is entirely on her and the imprint that Webtoons shoved her into. Her process is still the same, she's learned nothing from the experience of making LO, she's just got the money and awards now and is trying to run with it, but all she has are the same tired pitch lines that she's been using for decades now and just so happened to work with LO because LO had both Webtoons and the appeal of it being a Greek myth "retelling" to carry it into fame.

I'm gonna go into a bit of a tangent here, but it's been weighing on my mind since I found out this news and have been discussing it with pals within the ULO circle. Rachel once said in an interview that she wanted to use her platform to raise awareness of issues regarding sexual assault, mental health, and "the patriarchy":

"Who do you know that hasn’t been sexually assaulted? The number is depressingly low, right? Why is that? There is no short answer or an easy fix. I have a platform. I can tell a story that will hopefully educate and help others feel acknowledged and vindicated." - Rachel Smythe, Interview with Gossamer Rainbow

"...obviously I'm very feminist, and that sort of stuff really matters to me, um, the best way to approach this question is… I began, the pilot was written in sort of mid-2017, and I think what I wanted, what I wanted to achieve, and I don't even know… probably in 5 years time I don't know how I'm going to feel about this but I'm taking the risk, I really wanted to write a story where, uh…this female character goes through these things and I think what I wanted to do, what I wanted to achieve, was like a really common, I can't speak for like, men, but I can definitely speak for like, you know, if you're sitting in a group of your female friends and you're like "Hey! Who's been sexually assaulted?" … The response is going to be really depressing… Most female people that you know have probably experienced sexual assault to, on one level or another, and I'm like, for me I'm like "Why is that? Why?" And is it because there is a lack of information, lack of education, like what is it? And I'm lucky enough to have a platform and I'm like, if I could just provide some information in story format, would that help? Is this what I can contribute? So I feel like, especially, when writing sexual assault in media often it's… it's a way for the main male character to be, like, uplifted to hero-ness by, usually like, violence is the way to fix the problem, and that's not the approach that I want to take… um, I think [sighs], oh god, sorry I've lost my train of thought, [sighs], yeah, I think a lot of the time in movies when they, like, show rapists or something it's generally someone who's jumped out from behind the tree at a lady in a park and it's not really how it is like 90% of the time [laughs], so I just wanted to make something realistic where people could at it and be, like, "hey, nagging someone into sex isn't cool" or like removing all of their opportunities to say no isn't cool, or for someone to look at it, and just like feel validation, this is me trying, trying my best to make a difference with the platform that I have, and yeah, this is my roundabout answer for it" - Rachel Smythe, Interview with The Comic Source

And yet not once has Rachel actually used her platform for good outside of herself. She just asks the question, "Sexual assault?" and then writes off the answer "yes, it's bad!" and it especially shows in LO where the resolution to the one plotline she kept around to draw in readers was "assaulters are sent to the timeout corner!" Sure, it works for the readers who are simply seeking validation that their experiences aren't unique to themselves, but is it actually doing any real work to talk about the systems in place that leads to people like Apollo being created? Is it doing anything to address purity culture as it exists and the double standards that exist for women who are navigating sexual relationships? Is it doing anything to take the discussion outside of the narrative and put it into action through support of women's shelters, charities, mental health support for men, etc.? Not really. Like many of Rachel's ideas throughout LO, she simply goes, "Men, amirite?" and the answer is "yeah men suck!" and nothing more. The answer to the entire SA plotline is "rape is bad, don't do it" when anyone who could even relate to that conclusion in the first place already knows that.

Ultimately the activism she claims she's trying to do doesn't actually service the issue at hand - it just services herself and her own insecurities, her own unresolved trauma, her own need for validation through Eisners and merch sales. She asks the question, "Who hasn't been assaulted?" so that when she responds to the women who come forward and relate to Persephone, it's with the intent of getting them to read LO and buy her merchandise. She winds up making herself the center of other people's experiences, even ones that she cannot relate to. At BEST her attempts to "use her platform" as a means of starting discussion around ongoing societal issues like the patriarchy and sexual assault towards women is about as effective as Bell #LetsTalk, it's purely performative, self-profiting, and offers nothing of real tangibility.

If she just wants to write her own self-empowering personal works, that would be fine. Plenty of creators do it. Art is, at its core, self-expression. But it's extremely telling that she's built a platform off her self-expression, and twisted it into what she believes to be "activism" and "feminism", so that she can continue to profit off it in her future works such as this, which, again, are just reskins of her previous projects which were largely centered around the fetishizing of abuse towards women.

I don't want to claim that this is what it is, but... how much of the "feminism" in LO is done purely through the lens of victimizing women? Why is there more effort put into torturing female characters like Hera, and Demeter, and Minthe, and even Persephone to a certain degree, than there is into actually addressing the larger issue that she's claiming she wants to shed light on and resolving her questions with actionable answers?

That is the only question I will leave you all with. I am absolutely 100% not planning on touching these works with a ten foot pole, even if they should come to fruition. With the recent realization that she was into artists like Trevor Brown, alongside the fact that we've known for a long time she's into Lolita and there are very clear parallels to draw between it and LO, I think it's safe to say at this point that Rachel's work is not something I want to continue to support even when it's "hate reading". Again, I'm not going to outright accuse her of anything, but I feel like the writing is clearly on the wall here and I'm taking that writing as my warning to steer clear.

I didn't want to discuss the elephant in the room - her older works as they exist in the distant past of the early 2000's - but she's now riding the elephant.

[dailyloopdeloop]

DAY 71: shy

[arttsuka]

have Jedidiah and Octavius watch brokeback mountain on Larry’s phone

Sorry anon, but my headcanon is that Jedediah watches it alone for some reason (maybe Octavius was busy that night with something else) and he starts questioning his whole existence.

Internalized homophobia am I right? (Also Jed is definitely the kind of person who thinks like 'this isn't all that bad except from when I'm doing it, then it's the worst thing ever). Anyway, I think it's way more difficult to actually think about your feelings than just have them. It can be scary too, putting a proper name on a situation.

Then he just kinda dissappears for a few weeks, no one knows where he is. He doesn't say anything to anyone but even when he gets back he kinda avoids everyone.

He vents to Larry without giving him any context.

Octavius just blames Larry. It was something on the phone that made Jedediah upset, so naturally it must be Larry's fault.

They make up in the end but I don't know if they talk about what actually happened. Maybe Octavius watches brokeback mountain too and he understands idk

A little sequel to this here

[manglw]

guh just finished playing dsaf 3 i am. mentally unwell

[junebugtwin]

this too is yuri

[mediumgayitalian]

y’all i cannot stop fucking thinking about it. will with his big blue eyes, youngest of them all, completely musically untalented and rhythmically challenged but by the gods does he understand the human body. following lee around holding his quiver and rattling off whatever he just learned from watching michael in the infirmary. doted on by his big siblings. talking for hours about a galaxy far far away with heroes who choose to save the world, aren’t forced to, hey, they’re heroes, just like you, lee! and his siblings have dreams, they know the prophecies, they look at their little brother and they know he will be alone. they don’t know why or how yet but they can feel in their very soul that he will be out in the stupid world with all its hatred and violence and he will have to defend himself. and he can’t shoot straight and he cries when he hurts someone in training, and all he wants to do is help, and he doesn’t understand that people can be cruel and they will take his kindness and bleed him dry. and a war is coming. they can feel it. do you think they would be desperate? for themselves as much as will? i don’t know how long i will live. i don’t know how long i have left. but you will be there, son of phoebus. i know you will. remember me, okay? remember how i loved you. remember how we loved each other, remember how we healed and fought and cared. please. please, will, remember us. and remember how we loved you.

[greekceltic]

tingly

[mumblesplash]

my favorite thing about comics specifically is how much it checks your ego if you think you know how to draw characters. like i’m pretty sure people who don’t do comics assume the hard part would be how *many* drawings are involved in making a comic, and sure that’s part of it, but i think the real challenge is having to accept you’re not as good at drawing characters as you think you are. being able to depict a convincing character, a dynamic pose, or even an expressive face out of context as opposed to within a narrative is such a different skill set in ways i don’t think a lot of people realize

[astrmastr]

NNNNNYYYOOOOOOMMMMMMMMMMM

(she is an active hitbox when running this fast)

ALSO HELLOOOOO HI PEOPLE HIIIIII i have been makin STUFF 4 this game

here look at the wormheads they r a species of sentient sausages who evolved to look like worms to hide from birds

their disguises work about none of the time

you can eat em too

long terraces backstory is a mystery. he is a Level 13 Gunslinger Cowboy

okiedokie i wish u all a goodnight heres ur plushie to tuck u in

[boynextdoorcoverpoison]

myung jaehyun is absolutely, hands down, the best leader for boynextdoor.

I always stand by the leader of groups being the best leaders for their groups, but it’s definitely a role that they have to grow into and improve constantly on. just like any other position in the group. just like any other thing you do.

that said, until the fanmeeting, I didn’t quite have the words to truly express why I feel so strongly about jaehyun’s role as the boynextdoor leader—especially as I think to a lot of non-onedoor, it can seem a bit confusing or not apparent at first. which mostly comes from jaehyun sitting outside the norm for a leader (particularly in hybe bgs) at least in personality.

jaehyun is loud. that’s like… something well known about him. he’s talkative and playful and despite being shy, he’s definitely the kind of person to enter the room knowing no one and leave with at least 5 new friends. his approach to people is one that feels very open and bright.

for this reason, I do think many people might not first associate him with the leader role. with most groups, the most energetic member is probably not the first considered as “oh yeah that’s the leader”. jaehyun is all the playful and energy-filled that usually comes with the member who the leader needs to keep an eye on the most and eventually has a bunch of youtube compilation videos.

that said, these qualities are exactly why I think he makes such a great leader for boynextdoor. as mentioned in the fanmeeting day 2 ending ments, the members of bonedo are the type of people to put up a straight face and keep their struggles to themselves. as woonhak and they have expressed, an example being woonhak putting on a smile and performing, despite dealing with grief. they’re very much the people to not make their problems someone else’s and to maintain a collected image in front of others.

while I also think jaehyun does this, as most people who are leaders may tend to for the sake of their groups, he’s also very very very unapologetically himself. he feels so much. his tendency to cry being a prime example of that, though not the only. the point is that jaehyun is expressive and open and in this, jaehyun contrasts with his members.

as woonhak has stated before, jaehyun has expressed that it’s okay for him to cry, to need to take a break, to sit this one out. jaehyun in general approaches his members with a lot of care. but overall, the stand out is that I believe jaehyun navigates along the lines of… feelings are meant to be felt. he has no qualms with any emotion being felt the way it occurs to us. yes there are ways to handle them, but ultimately, the feeling—whatever it may be—is there to be felt and expressed.

this is also seen in how he interacts with his members. in his very tactile approach to express the love and care he has for the rest of bonedo. the pride he feels for them. whatever words I’m not able to formulate to describe the whole yeppi exchange between him and sungho in the 3rd comeback show special.

it’s also in his loudness and energy. it’s all about expression. he’s so much, but it only feels that way, in my opinion, because he’s overwhelmingly unafraid and unapologetic of being himself, in a way that the industry might otherwise discourage. he’s not against expressing how he feels and while it likely won’t be the most apparent until later in their careers, I do think he’s the type to speak his mind.

all that said, the point is that these qualities do exist in contrast to his members and thus… encourage them to do the same. maybe not to be speeding around all over the place, but rather to allow themselves the space and time to feel as they do. that they don’t have to keep it all inside to avoid making it other peoples problems. they’re a team, if nothing else. and it’s in jaehyun being so so so much himself, being exactly the person he is, not something specially crafted to fit a particular image, he encourages the other members to be the same.

jaehyun helps to curate a safe space within their group by exhibiting that there’s nothing wrong with being the person they are. to feel whatever they feel. to express when things are going good or bad or somewhere in between. to approach things as they come and take them in stride, even if it’s without prior planning. that if a leader is meant to push a group forward and help them grow, then jaehyun steps up to the plate in that art cannot be made without emotion and so to become better artists, to continue being artists, it’s so important to find the safe spaces of being able to express and feel everything as they should be felt.

this is why I think jaehyun has some of the strongest lyricism currently in the group. it’s why I think he was a powerful force coming into KOZ and bonedo, and sort of the missing piece. he feels so much and he allows himself to feel all of it. in turn, as the leader, it’s something he encourages in the members. it’s leading by example. jaehyun builds a safe space for them to express, by being open himself.

but beyond that, jaehyun being unapologetically himself becomes an unstoppable sort of barrier between the group and outside the group. while not as apparent now, I do think it’ll grow into him being a strong adovcate for each of the members and the group as a whole. the group matters to him. his members matter to him. jaehyun’s never going to act as if they don’t, so long as they do. as such, he’ll put them first. he’ll encourage them and their best interest. he provides space and works to create and maintain that space for them to express themselves and be themselves. it’s what makes jaehyun the best leader for bonedo now, and it’s what will allow him to continue to do so.

[buwheal]

i hope they die (i love them with my whole heart)

[platter-o-teeth]

yeahh hey sorry your boyfriend got turned into a worm. yeah an evil witch found him and turned him into a worm. yeah, do u still love him though? he's asking if u still love him now that he's a worm. also he got put in a wikipedia article of fictional worms :( yeah under the "ledgends and myths" heading, im so sorry.