#dm me so i can link it

[daydreamerwonderkid]

consider: dick in this outfit but blue

I did my best adslfjs;alkj;aga

[ibahibut]

💀: Fewer wounds, more kisses from me.

🐦‍⬛: Contract's accepted, mi amor.

Music inspiration: A Little Death by The Neighbourhood

[idolomantises]

Just a random question to my artist followers: does anyone enjoy posting their stuff on tiktok? I can't tell if its just a me thing or if that app and its userbase are the most obnoxious compared to other social media

[kaeya-senpai]

Akito and his fuckass blueberry that keeps following him

[b4rk1ng-l0t]

Couples Picrews with Skin Color Options ft. My OTP

Them if vol 333 never happened:

1 | 2 | 3 | 4 | 5 | 6 | 7 | 8 | 9

1 | 2 | 3 | 4 | 5 | 6 | 7 | 8 | 9

1 | 2 | 3 | 4 | 5 | 6 | 7 | 8 | 9

[poetrysmackdown]

hi hiii i wanted to say that your account is so refreshing to see, esp with the passion you have for the arts. as someone who's been meaning to read (and write) more poetry, do you have any recommendations? some classics that everyone and their mothers know? perhaps some underrated pieces that changed you? or even just authors you like, I'm very open to suggestions :]]

Hi! Thank you so much for this kind ask :) So exciting that you’re looking to delve deeper into reading and writing! I had to take a little time to answer this because my thoughts were all over the place lol.

For a review of notable/classic poems/poets, I honestly just recommend looking at lists online or, hell, just binging Wikipedia pages for different countries’ poetry if that’s something you’re into, just to get a sense of the chronology. I read one of those little Oxford Very Short Introductions on American Poetry and thought it was pretty good, but online is quicker if you’re just searching for poets or movements to hone in on. Poetry Foundation also has lots of resources, in addition to all the poems in their database. I guess my one big classic recommendation would have to be Emily Dickinson (<3), but really the best move is just to find a poet you already enjoy and then look around to see who their peers were/are, who they were inspired by, who they’ve maybe translated here and there, etc. and follow it down the line as far as you can.

For some personal recs, here are some collections I’ve really enjoyed over the past two years or so. Bolded favorites, and linking where select poems from the book have been published online. But also, if you want a preview of a couple poems from another of the books to see if they interest you, DM me and I can send them over! You can also feel free to pilfer through my poetry tag for more stuff lol

Autobiography of Death by Kim Hyesoon trans. Don Mee Choi

Conflict Resolution for Holy Beings by Joy Harjo

DMZ Colony by Don Mee Choi

Hardly War by Don Mee Choi

Whereas by Layli Long Soldier

Geography III by Elizabeth Bishop

Dictee by Theresa Hak Kyung Cha

Don’t Let Me Be Lonely: An American Lyric by Claudia Rankine

Mouth: Eats Color—Sagawa Chika Translations, Anti-Translations, & Originals by Sawako Nakayasu

The Selected Poems of Osip Mandelstam trans. W.S. Merwin and Clarence Brown

The Branch Will Not Break by James Wright

This Journey by James Wright

God’s Silence by Franz Wright

Duino Elegies by Rainer Maria Rilke (the translation I read was by Alfred Corn—I thought it was great, but idk if there are better ones out there!)

DMZ Colony, Hardly War, Dictee, Don’t Let Me Be Lonely, and partially Whereas are all book-length poems with some prose poetry and varying levels of weirdness/denseness/multilingualism—if you were to pick one to start with, I’d say do Don’t Let Me Be Lonely or Whereas. Mouth: Eats Color is some experimental translations of Japanese modernist poet Chika Sagawa, with other translations and some of Nakayasu’s original stuff mixed in—it's definitely a bit disorienting but ultimately I remember having such fun with it, as much fun as Nakayasu probably had making it. It’s a book that emphasizes co-creation and a spirit of play, and completely changed my attitude towards translation.

If you’re less interested in that kind of formal fuckery stuff though (I get it), can’t go wrong with the other books! Conflict Resolution for Holy Beings is the one I read most recently, and it’s great—Harjo also featured in Round 1! Franz Wright also featured, and God's Silence is the collection which "Night Walk" comes from. James Wright (father of Franz) is one of my favorite poets of all time, though his poetry isn’t perfect. Even so, I’m honestly surprised he’s not doing numbers on Tumblr—Mary Oliver was a big fan of his, even wrote her "Three Poems for James Wright" after his death.

I mentioned in another post that one of my favorite poets is Paul Celan, so I’ll also recommend him here. I read Memory Rose into Threshold Speech which is a translated collection of his earlier poems, but it’s quite long if you’re just getting to know him as a poet—fortunately, both Poetry Foundation and Poets.org have a ton of his poems in their collections. There’s also an article by Ilya Kaminsky about him titled “Of Strangeness That Wakes Us” (!!!!!) that’s a great place to start, and is honestly kind of my whole mission statement when I’m reading and writing poetry. Looking at the books I’ve recommended above, a lot of them share feelings of separateness or alienation—from others, from oneself, from one’s country, from language—that breed strange, private modes of expression. That tends to be what I’m drawn to personally, and that’s some of what Kaminsky talks about.

Sorry of the length of this—I hope it's useful as a jumping-off point! And if you or anyone ends up exploring any of these poets, let me know what you think! If folks wanna reply with recommendations themselves too that'd be great :)

[littlelightfish]

I will scream at every non-romantic post I see about these guys. Writers be not afraid. I will love their non-romance fics. I'll blow up your coment section all alone if I have to. I will find you. Artists be not afraid. I will reach tag limit on your artpiece. If I see it at least. And if I don't, I will eventually. Or I'll try. Or @me so I won't fail you.

[akq96618]

brakecircuit doodle based from a fic i found on pixiv

[social---moth]

i am once again on my hands and knees pleading for you (transfem) to read the sisters of dorley, it’s a story i found one day that has rapidly become my favorite book.

it’s so good and i can explain why but also just please read it it’s free on scribblehub or you can buy a physical version of the first chapters on amazon *please i care about this book*

and once you’ve read it? dm me about it, tell me what you think will happen, tell me about your favorite moment, please i need to talk about this story it makes me feel emotions i forgot i was able to feel

[astro-nautics]

witcher media masterpost:

The Hexer: 2001 movie (aka The Witcher; polish movie) 2 hours long, contains english subtitles, audio cuts out for a brief period towards the end. The Hexer: TV series (2002) (aka The Witcher; polish tv show)13 episodes long, contains english subtitles

Wiedźmin audiobooks (aka The Witcher audiobooks; polish) a bit harder to navigate for non-polish speakers, fragments of them can also be found on youtube.

The Witcher books Multiple translations exist. You can buy both physical copies or the e-books. There are PDFs of them floating around online also.

The Witcher comics (english translation) You can find these at various sources online in a variety of languages, or in bookstores!

The Witcher games (The Witcher, The Witcher 2: Assassins of Kings, The Witcher 3: The Wild Hunt + DLCs) You can buy them yourself on Steam (or elsewhere), they're frequently on sale (as a bundle) on Steam for dirt-cheap. There are also playthroughs of all of the games available on youtube.

additionally there's Online Gwent (or stand-alone Gwent), which is free, though you can buy in-game items and things. The mechanics are different from TW3 Gwent. There's also Thronebreaker: The Witcher Tales (available on steam; playthrough available on youtube), which makes use of the Online Gwent mechanics.

[royalarchivist]

Etoiles said some really kind things about Technoblade and how he made him laugh. If nobody else clipped it and plans to translate it, would any French speakers be available to help me translate the clip?

[actual-changeling]

Look, I love a good discussion about a topic, it can be fun, it makes you think and reconsider your opinions, it's a good mental exercise in general, and I enjoy it.

But sometimes everyone has their point of view and that's fine. Unless it is a moral issue, triggering to me, or squicking me out too much, I don't mind seeing it! I can agree to disagree. and I will gladly do so.

You have your hill to die on, I have mine, and we can both meet on other hills that we both like or just wave at each other from afar. I genuinely do not care.

I follow people that talk about fandoms I didn't even know existed (I still have not figured out what exactly taskmaster is but it looks like y'all are having a fun time) or that hold opposing opinions, and I still like seeing them on my dash. If someone would rather block/soft block me or otherwise prevent themselves from seeing me, that's fine, protect your peace, curate your blog.

What I DON'T like, however, is people being assholes or starting discussions on posts that are headcanons, ficlets, or anything that isn't meta/speculation/theories.

What I don't like is getting anons pressuring me to 'prove' something; you're not my inorganic chemistry prof, I don't need to show you proof for shit.

What I don't like is passive aggressive vague-posting or openly bashing people, keep that in private circles and DMs.

If I ever come across as angry/upset/too intense, 90% of the time it's simply me being autistic, shit at tone, and passionate about a topic—and you're always welcome to tell me if I am making you uncomfortable/you don't want me adding to your posts/to asks how I meant something/etc.

Thanks.

[aggravatedanarchy]

Hello Kind Soul 💕

I am trying to evacuate my family from Gaza to safe area to save our lives ASAP 🙏

I Ask if you could support us by share my blog and boost my campaign?

https://www.gofundme.com/f/Stand-With-AlBalawi-Family

If you are generous enough, you can donate any small contribution, it really helps ❤

Of course!

Anyone who can donate, please consider doing so! It looks like they're currently at just under halfway to their goal.

If you're unable to donate, please consider reblogging this so that it might reach someone who can! (And hey, maybe consider reblogging it even if you did!)

Wishing you the best; I don't generally pray, but I will keep you in mine moving forward.

Here's a photo of my cat to hopefully get this more traction (and so I can put this in more tags)

[ashe-hallows]

HELLO WTNV ENJOYERS.

for those also wanting a space with people to talk about wtnv with, boy do i have a server for you!!

introducing Welcome to Night Vale Fans and Enthusiasts! this server is for fans of wtnv to talk about our beloved podcast, make friends and rotate our blorbos! invite is in the reblogs <3

[electricfied-wolf]

So... you've been reblogging a lot of Starlight Express onto my dash and I feel like it's about time I ask what it's about? What I'm picking up is that it's... humanoid trains?

Whatever it is I must admit it's piqued my curiosity

OHHHH BOY YOU'VE ACTIVATED MY AUTISM CARD I LOVE TO TALK ABOUT STARLIGHT EXPRESS. Ooookay, there's a lot to talk about, especially because a new non-replica production like JUST opened in London. I feel like I'm gonna ramble a lot so we're gonna put it under the cut and I'm just gonna blab until I feel I've explained it well enough. First of all I should note that I am explaining just off the top of my head, if you'd like more info the Starlight Express wiki is run by some very committed folks and as far as I know every word on that wiki is true. Also if you'd like more photos you're gonna have to go there bc GUESS WHO LEARNED THE LIMIT FOR PHOTOS IN A SINGLE TUMBLT POST IS 30? ANYWAY ONTO MY RAMBLE!!!! And be warned, it WILL BE VERY LONG. CLICK AT YOUR OWN RISK.

What is Starlight Express?

Starlight Express (often abbreviated to Stex by the fans) is a musical produced by Andrew Lloyd Webber (yes the CATS guy) that revolves around a child's toy trains "coming to life" and having a big ol' dramatic race. They've got an underdog, a couple bad guys, train god and romance. Pretty much everything. Most productions are more song filled than dialogue filled. It has its roots in Thomas & Friends and some of the earliest stuff had a Cinderella type of thing going on (not surprising I'm sure), the plot is actually pretty easy to follow once you get used to it. Starlight Express is performed SOLELY on roller skates (not counting lndn24's scooters for the Trax and Control) for the entire duration! And in such heavy costumes too! The show has been performed since 1984 and has absolutely ZERO signs of stopping as the Bochum, Germany production is still being performed and as I stated above, there is now a non-replica production running at the Troubadour Wembley Park Theatre in London. And if you don't know what that term (non replica) means, it essentially means they are not using the traditional costumes for the show that John Napier designed and are taking quite a few liberties with a newer plot and characters to make the show something much more unique as compared to its replica counterparts.

An older version of Rusty and Pearl in the John Napier style (left) VS. Rusty in the style of the London 2024 production standing with ALW (right) _ I specify 2024 London as the show was originally produced in London but also got revised so there's like three London Stex productions I could be talking abt lol, though the costumes have gone through some pretty drastic changes even in the replica productions.

Electra's more recognizable costume (aka the more compact mohawk version of red/blue Electra) used up until the rehaul in 2018, and the one currently used in Bochum's performance of the show (aka used from 2018-now). The same character and both replica, but still different! Over the course of the many years these trains have shared our earth, I'd say that Greaseball and Rusty are amongst the few that haven't changed that massively over the course of the show (again, NOT counting the current non-rep). This show has indeed graced the US and was even performed on Broadway! Unfortunately, us Americans are really really boring apparently because the show (while still wildly successful) did not stick around here in the states. It is still however beloved by many and that is the sole reason why it has stood to be seen for 40 years: people can say the show was made on drugs and that its "weird" all they want, but Starlight Express has a bigger community than you'd think, and it is incredibly well loved by those in the community. We are VERY devoted to our trains. Despite everything though, it has never gotten a pro-shot and the only fully versions available for streaming (...in terms of official audio for official streaming) on places like youtube and spotify are the original 1984 London Cast Recording and "The New Starlight Express", aka the revised London production's album released in 1993. There is also the english and german version's of Bochum Starlight Express' "Ich Bin Ich" otherwise know as "I Am Me", but no other parts of that production have been released for streaming. You can technically stop here and just go on to the wiki and stuff but if you wanna spend like an hour listening to my infodump I AM going to keep going.

The Characters

Before I touch on the story (a much shorter section I assume) I feel it is important to explain the characters, as there are a LOT and they change depending on each production and long story short yes I am nowhere dear done with this post. The characters can be broken up into groups of which I'll introduce them by. I also cannot really do London 24's characters which I wish I could bc I'm dead obsessed w/ it but it literally just opened a little while ago so the only sharable photos of other characters I got are fuzzy and from the megamixes or backstage pics. So unfortunately no cameos from those guys in this post but trust me THE WEMBLEY PARK PRODUCTION IS SO GOOD. Uhm anyways. First I'll mention the Trax/Racing Marshals, no speaking roles and very simple costumes compared to the other trains. They're simply there to wave the flags for the races and perform other tiny tasks to move the show along, as well as doing some very cool stunts that the other performers cannot do due to the absurd weight of the main costumes. They're just as important as everyone else!

The Marshals (Bochum 2016) *note, I'm mainly going to use Bochum photos to show off the costumes because they're just usually better quality The Humans: Usually disembodied voices (with exception from two productions) our only humans are a little kid named Control, and their mom who is simply known as Mom/Control's Mom and also has an even smaller role than her child as she only comes in at the introduction to put Control to bed. Control is OBSESSED with trains which grants us the plot of this musical, over the course of the show they order the trains around and narrate the races, but (up until recently) typically don't play an active role in terms of properly interacting with the trains. They are, as their name suggests, the Control for the trains. In Bochum's performance 2018 and onward Control mentions having a grandmother who is hard of hearing, but to my knowledge said grandma is only brought up in that specific production. The National/Competing Engines: For pretty much every production excluding WP's, the non-main character racing competitors have been international trains from across the world. However their names and some of their designs have been changed over time, and the French engine even switched genders in the 2018 Bochum rehaul. I am excluding the doubles from the tours because this'll take all day if I don't. _______ The French engine- Essentially from the beginning up to 2018, Bobo the TGV. In/after 2018 in Bochum, Coco the Eurostar. Arguably the most changed of the nationals, originally a male character (Bobo) she was changed to be a female and even given a blue color scheme which Bobo usually never had as he was typically seen with orange colors in Bochum.

(Bobo (Bochum) and Coco) _______ The Japanese Engine: Originally Hashamoto (misspelling of Hashimoto but technically that's his official name), later changed to Nintendo in 1992 for all english language productions but still Hashamoto in Germany, and from 2018 onward in Bochum known as Manga. All three are labeled as Shinkansen bullet trains.

(Hashamoto (Bochum), Nintendo, and Manga) _______ The Russian Engine: Turnov the trans siberian express has literally just been Turnov this whole time and really he's hardly changed aside from his costume having to have its chest symbol changed due to obvious reasons. This poor guy has suffered greatly due to political stuff even all the way back in 1987, though I will avoid getting into that here.

Turnov (Bochum 1991), Turnov (Bochum 2018, ft. Manga) _______ The German Engine: Weltschaft originally, later named Ruhrgold, the german engine is the InterCity Express (ICE). Like Turnov he hasn't really gone through many major changes other than the original switch from Weltschaft to Ruhrgold, though the two are presented with very contrasting personalities.

Weltschaft (Bochum 1991, ft. C.B.), Rurhgold (Bochum 2018, ft. Espresso) _______ The Italian Engine: ESPRESSO! He's a fun one, very similar to Bobo in that they're both pretty flamboyant european engines. Not really similar to Coco though. Espresso's a silly fella, flirts with the audience sometimes. His design has also been pretty consistent.

Espresso (Bochum 1988), Espresso (Bochum 2021) _______ The British Engine: Our pathetic failure king <3, aka the engine that literally never races as he usually breaks down before he's meant to race. Like every time it's got to be one of the most consistent plot points across 40 years of showtime. Even through three different transformations this british loco cannot escape it. Originally named City of Milton Keynes, later Prince of Wales upon the opening of the broadway production, and in 2018 hit the stage as Brexit. Yes, you heard me. They named the British national engine Brexit, and no none of us are particularly proud of that but it is how it is. At least he's got some charm!

No images of Milton are available atm, Prince of Wales (Las Vegas, 1993), Brexit (Bochum, 2018) _______ OKAY WE'RE DONE WITH NATIONALS. We can talk about the important ones now.

So next I'll move onto our main trio of engines. Rusty, Greaseball, Electra. Lots of design altercations over the years but no name changes and basically no role changes. However, the most recent production involves a female and wlw Greaseball as well as a canon they/them Electra! We'll go engine by engine, talk about our trademark "old steamer", and then I'll move onto the cars. _______ Greaseball, the world racing champion of Union Pacific: Heavily greaser based with muscles that make coaches and freight cars alike swoon, Greaseball is a black and yellow diesel and one of the antagonists of our plot. He's the world racing champion at the start of the show. Dating Dinah (both at the beginning and by the end despite some issues) the dining car, VERY proud of himself and pretty damn self absorbent in pretty much every production. He is also NOT that nice. He was pretty terrible in the very original plot back in the day BUT DON'T FEAR! They very quickly edited those plot points and made him less terrible and more of just a really pompous jerk. Bochum GB is actually such a goofy guy by the end. His female counterpart in the new production doesn't lack her meanness either! She's just as big of a jerk but also just as big of a softie by the end of the show. Truly, the same in every universe. Being a girl and a lesbian does not destroy her asshole tendencies and I am glad for that. Let gay girls be jerks too!!!

Greaseball (London 1984, ft. Pearl, Dinah, and Ashley), Greaseball (Bochum, 2021, ft. Caboose)

_______ Electra, the engine of the future: QUEEREST PRE-2024 STEX CHARACTER WHOOOO? Despite never having been fully confirmed (at least up until recent) to be any specific non-cishet identity, Electra the electric engine has been an icon for the girls and the gays since day one. With he/him pronouns but a slightly feminine name and physical demeanor, it's clear he was made to represent a less traditional form of gender presentation as he has been played by actresses in the past too, though primarily has been portrayed by male actors. Andrew Lloyd Webber even once referred to Electra's main song, AC/DC, as "transgender electro-pop". Not to mention the casting notice for the 2019 Bochum cast having described Electra as 'gender fluid / androgynous'. Electra has a pack of "components" aka his freight car entourage who follow him around and sing his praises. He is also one of the antagonists, though antagonist is a bit of a strong word as he isn't as hardcore as Greaseball or our villainous railcar. He has more beef with the diesel than our main character as well, stealing his girl and the show at every opportunity. And also aggressively zapping him as often as possible. The only thing they have in common is that they're full of themselves, they want Rusty out of the race, and they want to win. No photos for Electra I gave him his spotlight earlier in this post. Though do remember that the newest version of Electra (got a little sleek helmet instead of hair, super pointy costume, blue and silver colors) is NOT he/him, they are they/them and so is their current main actor! Electra is accompanied by an entourage of "components", aka shiny and fancy freight cars that bend to the engine's every whim. Pre-2018 the components are Wrench the repair truck, Joule the Dynamite Truck, Volta the freezer truck, Krupp the armaments truck, and Purse the money truck. Post-2018 the components are Wrench, Volta, Joule, and Killerwatt the security truck, Krupp and Purse are no longer present. It is also important to note that pre-2018 Volta is portrayed as very feminine meanwhile post-2018 Volta is meant to be much more masculine. No photos for Electra they got photos earlier in this post and I'm trying to save myself from hitting the photo limit. Same for Rusty. _______ Rusty, the steam train: WOOO WOOO! WOOO WOO! Say hello to the titular bitchular that everyone loves. Seriously I've never seen a Rusty hater. Our main character and a timeless gem of the show, he's a pathetic wet cat, he's rusted and falling apart, and he meets god. The perfect man! Rusty obviously has the greatest arc over the entire story, he's our underdog and incredibly charming in all his forms. Overtime some actors have played him up as sassier while others amped up the wet cat energy (Looking at you, Javeen), but no matter how he's played you will feel sorry for him and likely fall in love with him. He's so overconfident at the start but is very quickly brought down by the other engines, fear not though, because he's the main guy!! I'll yap more about his whole thing in the story section. _______ The old steam engine: Had to make the title gender neutral w/ these guys bc GUESS WHO ELSE GOT GIRL'D IN 2018! Poppa, or in terms of Bochum 2018 and onward, Momma, is Rusty's mentor and the only other steam engine in the show. Quite stubborn, preachy in more ways than one, but ultimately good at heart. They're the engine that pushes Rusty to race and encourages Rusty to seek faith in the Starlight Express (Eyyyy title drop!). Most of this engine's role is story related too so I'll save that for then.

Poppa (Bochum, 1997, ft. Rusty), Momma (Bochum, 2018, ft. Dustin) _______ The freight: For the convience of I'm afraid to hit the word count, we're gonna lump the cars into whole sections. Minus one specific member of the freight due to plot significance. Anyway the freight!! Lots of people are big fans of them and I can't blame them. Though they went through a few changes here and there, they're usually a pretty consistent group (once again, minus 2024). From 1984 to 2003 they contained the boxcars aka the Rockies, then productions between 2003 and 2018 included the Hip Hoppers, with the 2018 rehaul marking the return of the Rockies to the show. All productions included Flat-Top the brick truck and Dustin the big hopper, and while Dustin does play a significant role in the show...there's a certain sixth member that plays the greatest role of all the freight. _______ The Red Caboose: Though his Bochum rehaul design spells out "brake van" on his shoulders (even though brake vans aren't cabooses, rant for another day) and he's gone by the Red Caboose for far longer, most know this beloved boy as CB...buuut the version that is widely marked as CB isn't technically CB! That was his original name in regards to the radio codes he used throughout the show- "10-4, smokey bear!" -C.B., 1984 "10-7, gone to heaven!" -Included in the segment after the first run of the final race -but his original name was dropped upon the entry to Broadway, from then on he was just the caboose, and he continues to be so to this day! No matter the production...or at least the ones he's in, he sticks out from the start as one of the guys to keep your eye on. And I'm sure you caught that, that's right, he's not even in every production! Though he is in most of them! His role is another plot heavy one so I'm sure you get the deal by now.

CB (London, 1984), Caboose (Bochum, 2006) _______ The Coaches: The girls, the lasses, the women, etc etc!!! Full of lovely ladies (again, not mentioning 2024's changes) and honestly the true stars of the show in my eyes. In this group is where you'll find our other main character! But would you believe they've also undergone swaps? Originally it was Pearl the observation car/first class carriage, Dinah the dining car, Ashley the smoking car, and Buffy the buffet car, and it remained that way for a long time...but there was an odd period in which Ashley was replaced with a sleeping car named Duvay, though Duvay didn't last very long in the grand scheme of things. Upon the 2018 rehaul, Buffy and Ashley were replaced with Carrie the luggage van and Belle the bar car. Belle actually shares her name with a coach that was present all the way up into the broadway production, though not really used afterwards. Belle the sleeping car was a companion to Poppa and while not part of the main quartet of coaches would usually appear with the other girls for Girls Rolling Stock! Broadway did OG Belle dirty but that's another rant for another day. Again, for simplicity's sake, we'll only individually cover the gals you absolutely gotta know about. _______ Pearl the observation car/first class carriage: Pearl girl!!! Very near and dear to me, our secondary main character and Rusty's love interest. The label for what type of coach she is varies from production to production, all you need to know for certain is she's a super shiny new coach and Rusty is absolutely INFATUED with her...but she's her own coach too, and she's not as quick to settle as he is. She makes it very clear that she wants her choices to be her own and she's not going to let someone else make those choices for her no matter what. She has her own little arc too. While in older productions Pearl is painted as being new but still having an established bond with Rusty, newer ones (aka bochum and london's current shows) paint Pearl as a completely new coach who doesn't know anyone and literally just got here, making her and Rusty's relationship a bit more fleshed out...but we'll discuss that more later!

Pearl (Bochum, 2011), Pearl (Bochum, 2019) _______ Dinah the dining car: HARD to not just ramble about how much I adore her. I am her she is me we are the same person, ESPECIALLY her 2024 variant same taste in women fr. A southern accented (usually) dining car, Dinah is Greaseball's partner with honestly a very inspiring little arc of her own, she's emotional and devoted to her partner but is not to be mistaken as someone who can't stick up for herself, because she makes it crystal clear that she's not someone to be pushed around. She was given even more of a powerful and independent personality in the 2018 rehaul/london revival, but she's always had fight in her from the very beginning!

Dinah (Bochum, 1993), Dinah (Bochum, 2018) AND WHOOPS TOO LONG OF A POST FOR TUMBLR. I'M GONNA HAVE TO PUT THE PLOT IN THE REBLOGS HOLD ON TIGHT. EDIT: I AM GOING TO HAVE TO MAKE A SEPARATE POST NOT A REBLOG BECAUSE TUMBLR WON'T SAVE THE REBLOG AS A DRAFT.

[sea-buns]

not really, but I suppose that’s just a difference of opinion. I do think that gorgug’s nightmare sequence was one of the weakest, especially with how it shifted topics (being dead, small spaces, not being able to escape a stereotype, because if any of these had been expanded on that would’ve been great), but I do think a lot of gorgug’s character revolves around feeling in-between, or too much one thing and not another and trying to close that gap. The best one for me was deffo the sphinx tho, I interpreted it as not *just* about him being dumb, but rather like. You’re big and dumb and strong and your main job is getting angry and hitting shit with an axe. You went to a community of gnomes and they gave you a better axe, and you loved it. You are uniquely dumb, unlike those who have come before you, because you cannot solve a specific kind of puzzle while a sphinx talks at you. You are the reason your parents cut contact, and from the beginning you were unsuited for their home. Your extended family predicted that you would grow to know only rage, and here you are, a barbarian. You, from this perspective, are not proving them wrong.

I do think that that whole sequence does reveal that he’s afraid of like. Being that stereotype? And then going yeah sure I’m stupid eat me, then moving forward and clawing your way into understanding anyways

Ahhh I see. Yeah I think I did misunderstand your first ask a bit lol

I did really love a lot of the topics his sequence brought up. Like I've read some incredibly well-written fanfics that covered the ways that claustrophobia, and imposter syndrome, and being dead have affected him. But like you said, if they had just honed in on at least one, rather than hopping back and forth, it could have done so much for that section. Cuz, personally, I don't feel like we saw Gorgug be significantly affected by any of those. At least not in a way that felt complete and satisfying.

I really like what you said about his character being "in-between". I totally agree. Kinda circles back to how his parents trying to help him calm his rage was actually stifling him.

Your family needs you to calm down; you've broken another bedchairdoorappliance. Your teacher wants you to rage; he says anger is good but you don't understand. You sing to try and calm yourself, you're always trying to be kind to others; they only use it to hurt you more and all you can do is get angry back. Your friends need you to rage. You don't have the power to protect them socially, but this you can do. You try not to rage outside of a fight, but.... they don't seem to be that bothered when you do. In fact, you watch them provoke physical confrontation when they're mad on many occasions.

(Oops dipped a biiiit into the pot of how important friendship is to his character. Did not mean to lol it's just one of my fav things about him so it's kinda subconscious I guess)

But yeah! He's also in such a limbo this season as well! You can't do this you're too angry, you're not smart enough for that, you don't rage right.

Also realllyy like your interpretation of his trial. The angle you described it at was really interesting.

I don't think stereotype is the right word, though. I would say... he's afraid of becoming a self-fulfilling prophecy? I'm assuming based on your own "stereotype?" that you weren't sure about the word either.

I don't think Gorgug is, or would ever be, afraid of being a "stereotype". Like I don't think he gives a shit about the stereotype that orcs/half-orcs/barbarians only know anger and destruction. I think he's afraid of being a self-fulfilling prophecy of all the things people say that he is. Stupid, mindless, destructive, etc. To pull from what you said here (which it wont let me copy paste on mobile god fucking damnit)

"Your extended family predicted that you would grow to know only rage, and here you are, a barbarian. You, from this perspective, are not proving them wrong."

"Stereotype" for sure applies to his racist extended family. They fucking breathe stereotypes like oxygen. But the bit where his afraid of becoming what everyone says he is, I think "self-fulfilling prophecy" suits that much better. He believes he can be more than that, he knows he can, but it doesn't change the fact that they are technically right.

Okay and the giving in but then "clawing your way into understanding anyways" actually goes so hard lol. Anon, you are so right. From that pov, it's not so much a give up as it is an acknowledgment before he essentially puts the subject on ice.

Rings back a bit to the start of fhjy to me. That dread of seeing the email of school starting back up again, and the terrible sinking pit in your stomach of avoidance, because the time has come to really unpack all that. There was something specific Zac said in his little Gorgug recap before the season started that was about, like, the dread of having to figure out who the fuck you're gonna be when everyone around you seems to have their shit together. That. That hit hard lmao but the experience that he's covered is very true to Gorgug, I think.

I totally misunderstood your first ask! Though I'm happy you sent another cuz I understand a lot better, I think. And tbh I've never had the opportunity to discuss that section of fantasy high with anyone? I wasn't on tumblr or watching d20 when it first aired so I missed these specific topics. Always been v interested in what others thought of his part. Maybe I should put the vods on in the bg next time I'm play sdv. Give em a relisten. And man. The fact that I'm out here quoting your message brings me back to english class so hard. Shocked I don't hate it. Actually having a topic you give half a shit about does wonders huh lmao

Thanks for the ask! You have altered my perspective and I appreciate it. It's like how sometimes you gotta read something out loud to understand it. If all I have is the walls of my own skull, I can only get so far.