#dj earworm

[does-the-mashup-slap]

United State of Pop 2009 (Blame It on the Pop) by DJ Earworm

[ztremx]

DJ Earworm Mashup - United State of Pop 2023 (Cut The Flowers)

[ghettophatbolousblingringtones]

2000s Decade Mashup by Dj Earworm

[someawesomeamvs]

Warning: Flashing lights, sexual imagery, violence, spoilers

Title: Anime Go Boom

Editor: StarGazerx777

Song: World Go Boom

Artist: DJ Earworm

Anime: Angel Beats!, Ao no Exorcist, Baccano!, Durarara!!, Eden of the East, FLCL, Fullmetal Alchemist: Brotherhood, Hellsing Ultimate, Howl's Moving Castle (film), The Melancholy of Haruhi Suzumiya, Mirai Nikki, Ouran High School Host Club, Princess Tutu, Puella Magi Madoka Magica, Samurai 7, Sekirei, Steins;Gate, Sword Art Online, Tengen Toppa Gurren Lagann, Tiger and Bunny, Witchblade

Category: For fun

Award: Anime Iowa 2015 - Winner of Category X

[onenettvchannel]

#OneNETnewsEXCLUSIVE: Californian Veteran Mash-uper 'DJ Earworm' drops newly-creative music video 'Blame It on the Whiskey'

(Written by Hailey Alohilani Banks / News Director of Disney XD News)

SAN FRANCISCO, CALIFORNIA -- In a long-awaited musical release, California veteran mash-up artist 'DJ Earworm' unveiling his new annual mash-up "Blame It on the Whiskey" last Tuesday morning (December 10th, 2024 -- Pacific local time). As per the exclusive report from a Canadian magazine news outlet 'Exclaim!', this track goes on to blend the biggest hits of the year into a cohesive musical experience.

DJ Earworm, real name as 'Jordan Roseman' originally came from Iowa, now currently resides in his home state of California. He began his mash-up journey in late-2003 and has been releasing his "United State of Pop" mash-ups annually since the 1st of January in 2008. These mash-ups sparked international attention, which feature the top 25 songs of the year, according to Billboard's Year-End Hot 100 chart. It have become a beloved tradition for music lovers, celebrating nearly 2 decades of musical creativity.

"Blame It on the Whiskey" is probably a mash-up sequel to "Blame It on the Pop" that came out late in December 2009. This year's mash-up in 2024 tells the story about love, hurtfulness and escapism tale of alcohol. The track talks about frustration with relationships, self-deception and the cycle of emotional battles, such as mental illness and addiction issues. The video depicts escapism through the motif of alcohol by using whiskey as a way of dealing with life and all the emotional turmoil associated.

This new piece of mash-up song is also a social commentary to our American culture, because drinking represents both celebration and avoidance of certain issues, and this would only perpetuate dependency with temporary happiness. In all the lyrics, but not in the video editing, there's a repeated acknowledgement of accountability in relationships wherein both people blame each other and blame themselves, and this represents the complexity of love.

The annual mash-up of DJ Earworm have evolved consistently from pop classics to today's hits, creating a nostalgic, yet contemporary musical journey that resonates with listeners across generations. "Blame It on the Whiskey" is no exception, seamlessly blending the biggest year-end hits into a cohesive and emotionally charged track. You can listen the full mash-up music video, only on YouTube.

ALBUM COVER ART COURTESY: DJ Earworm via Soundcloud PHOTO BACKGROUND PROVIDED BY: Tegna

SOURCE: *https://en.wikipedia.org/wiki/DJ_Earworm *https://schedule.sxsw.com/2013/events/event_MS24146 and *https://exclaim.ca/music/article/dj-earworm-s-blame-it-on-the-whiskey-has-no-excuse-for-2024-pop-radio

-- OneNETnews Online Publication Team

[dignitywhatdignity]

This mix sparked so many sense memories that I'm confident I can say that this is what the '90s felt like. Any other Elder Millenials/Infant Xers can confirm?

[measuringbliss]

Current song that I can't get enough of

[joshpeck]

DJ Earworm's United State of Pop 2009 (Blame It on the Pop) was the closest thing we ever got to world peace

[mostlysignssomeportents]

This day in history

#20yrsago WIPO notes from day three: democracy == ignoring dissent https://web.archive.org/web/20041124024604/https://www.eff.org/deeplinks/archives/002130.php#002130

#15yrsago Britain’s new Internet law — as bad as everyone’s been saying, and worse. Much, much worse. https://memex.craphound.com/2009/11/19/britains-new-internet-law-as-bad-as-everyones-been-saying-and-worse-much-much-worse/

#5yrsago DJ Earworm: 100 songs from the past decade in one mashup https://music.youtube.com/watch?v=UhIte8t6BEg

#5yrsago Leaks reveal how the “Pitbull of PR” helped Purdue Pharma and the Sacklers ignite the opioid crisis https://www.propublica.org/article/inside-purdue-pharma-media-playbook-how-it-planted-the-opioid-anti-story#171238

#5yrsago Beyond the gig economy: “platform co-ops” that run their own apps https://www.vice.com/en/article/worker-owned-apps-are-trying-to-fix-the-gig-economys-exploitation/

#5yrsago Elizabeth Warren’s plan to denazify America https://medium.com/@teamwarren/fighting-back-against-white-nationalist-violence-87b0c550f51f

#5yrsago Youtube told them to use this “royalty-free” music; now rightsholders are forcing ads on their videos and claiming most of the revenue https://torrentfreak.com/royalty-free-music-supplied-by-youtube-results-in-mass-video-demonetization-191118/

#5yrsago The State of South Dakota wants you to know that it’s on meth https://www.washingtonpost.com/health/2019/11/18/meth-were-it-says-south-dakota-new-ad-campaign/

#5yrsago Sand thieves believed to be behind epidemic of Chinese GPS jamming https://www.technologyreview.com/2019/11/15/131940/ghost-ships-crop-circles-and-soft-gold-a-gps-mystery-in-shanghai/

#5yrsago Quiet Rooms: Illinois schools lead the nation in imprisoning very young, disabled children in isolation chambers https://features.propublica.org/illinois-seclusion-rooms/school-students-put-in-isolated-timeouts/#170648

#5yrsago Terabytes of data leaked from an oligarch-friendly offshore bank https://web.archive.org/web/20191117042726/https://data.ddosecrets.com/file/Sherwood/

#5yrsago Naomi Kritzer’s “Catfishing on the CatNet”: an AI caper about the true nature of online friendship https://memex.craphound.com/2019/11/19/naomi-kritzers-catfishing-on-the-catnet-an-ai-caper-about-the-true-nature-of-online-friendship/

#5yrsago Girl on Film: a graphic novel memoir of a life in the arts and the biological basis for memory-formation https://memex.craphound.com/2019/11/19/girl-on-film-a-graphic-novel-memoir-of-a-life-in-the-arts-and-the-biological-basis-for-memory-formation/

[does-the-mashup-slap]

United State of Pop 2019 (Run Away) by DJ Earworm

[cleoselene]

CNN just showed the clip of Democrats at the 1996 DNC dancing embarrassingly to the Macarena and I feel like you should all know that in 1996, I was a junior in high school and went to Prom and naturally they played the Macarena, it was expected, obviously, it was 1996, that song was everywhere, much as My Heart Will Go On would be a year later

but what you would not expect and what was also COMPLETELY unnecessary was that they played the Macarena FIVE times throughout the night. Scattered about. Like a cable news network recycling their bloc of programming from earlier instead of bothering to report more actual news happening to the world. Like the DJ's choices were created by some terrible 2024 AI prompt for 1996 party playlist. Like I was not at a school dance but trapped in some sort of episode of Buffy the Vampire Slayer and we learn that a demon is responsible for the years biggest earworm, and the demon literally produced worms that crawl in my ears to make me forget shit and collect roadkill bears

[quirkwizard]

Is it alright if you could expand on Pump Up if possible? I can imagine the users hero name being something called Earworm or DJ *insert comical name*

You could always go with DJ Earworm.

"Pump Up" doesn't need a lot of equipment. All the user needs is some speakers or headphones to play music for them. Maybe they could have a special set with where they can adjust the levels of noise cancellation to act like an adjuster to their ability. Maybe get a bat or something to hit people with, of course calling it the Beat Stick, and a costume that looks like it came out of a rave, and you are good to go. Training the Quirk would be pretty simple as well. It would be the user working with the music playing, trying to get more in tune with the songs and to try and fight while the music blares around them. Maybe they could do some dancing-inspired marital arts for style points. The user would start becoming more in tune with the music. proficiently dodging and attacking as long as the music played. Maybe they could expand it to different songs to try and cover non-combat tasks and certain music helping them out even more, like listening to classical music while trying to focus on more of a mental task or a rock song during a fight. I could even see it so that the user becomes more in tune with the beats as they use the Quirk, the bonus becoming more pronounced when doing it in time with the music, almost like a beat'em up rhythm game.

[ztremx]

i know what u did last summer

mashup w

Lizzo - About Damn Time

Kate Bush - Running Up That Hill

Jack Harlow - First Class

Harry Styles - As It Was

Joji - Glimpse of Us

Nicky Youre & Dazy - Sunroof H

arry Styles - Late Night Talking

Bad Bunny - Me Porto Bonito

Calvin Harris with Dua Lipa & Young Thug - Potion

KAROL G - PROVENZA

Camila Cabello (feat. Ed Sheeran) - Bam Bam

Doja Cat - Vegas

[thesinglesjukebox]

JADE - "ANGEL OF MY DREAMS"

And single of ours...

[7.45]

Julian Axelrod: You never know when you'll hear the song that changes your life. It could come from a DJ, or an algorithm, or a girl group lifer who you could have sworn was the third most famous member of Fifth Harmony but was actually the first or second most notable member of Little Mix, depending on who you ask. I had no idea what Jade Thirlwall's debut single would sound like before I first pressed play, but even if you gave me 1000 guesses, I never would have landed on "Rina Sawayama doing Uffie over a Eurovision sample that curdles into the nastiest dubstep drop since the Obama administration." This isn't the first time an X Factor alum has stuffed a solo single with a million disparate elements to keep things interesting; it's not even the first time it's happened this year. But the magic of "Angel of My Dreams" is the way it extends that first-listen feeling to listens 2-500. Even though I know the song by heart, each individual section is so strong that I never expect the drop, or the rap verse, or the intro melody reprise at the end. (I didn't even notice the camera flash sound effects at the 2:07 mark until my third listen!) This could be the start of an all-time pop run, or it could be a fleeting moment of glory. I couldn't care less: When I'm listening to "Angel of My Dreams," I just want to live in each moment until it ends, then immediately live them all again. [10]

Harlan Talib Ockey: Girls Aloud doing nightcore “Bohemian Rhapsody”, except also emotionally brutal. We will watch your solo career with great interest. [7]

Dave Moore: How do you even write a pop melody like this these days? Nothing borrowed yet nothing new -- dozens of refreshes of WhoSampled yields nothing to alleviate my nagging sense that surely I've heard it before; my brain refuses to play a rousing game of earworm hunt like with Chappell Roan. It's a bit of a shame that the whole thing devolves into a K-pop-ish party-by-numbers muddle, but in the end she wins, is not in the bin, etc. [8]

Kat Stevens: If I don't win, I'm in the bin. Specifically, the bin on Deptford High Street opposite Perfect Fried Chicken. [8]

Iain Mew: Some of the joy "Angel of My Dreams" has brought is that it's 80% of the way to being a maximalist Rina Sawayama song, and yet is also a persistent enough UK hit to have re-entered the top ten in its fourth week. The range of possibilities looks newly widened. Jade brings some specific things to make it her own triumph too. It's not just leading off with something so ambitious and inventive, but that she is able to wear it so lightly and naturally, Harry Styles-style. It's even more impressive to do so with a song that appears to dig into bitter personal experience, centred around repetitions of IT'S NOT FAIR so resonant as to move from sulk to deep truth.  [9]

Nortey Dowuona: Jade Thirlwall apparently sees the chance to etch her name into stone, rather than make a safe, easy pitch that might simply be forgotten or regarded as nice. But there are many songs about the cruel and unusual punishment of daring to use one's talent and love to make random weirdos who wear unflattering V-necks a lot of money. Thus Mike Sabath, creator of the world-conquering "Escapism" (and, in a fun little twist, another Jade and Mike Joint as well as the second best Liam Payne song) starts us off with a wilting cry of desperation that has to be walloped by the heavy swing of the chorus, glittery synths sitting atop. The song zips into raspy bass and flimsy and flimsier kick/snare patterns from then on, slowly flattening you until you are nearly crushed. The heavy-handed swing of the first chorus sweeps back in to save you and bind you to it as it disappears, Jade's firm, fluttery soprano left hanging out on the ledge. It's almost as if JADE, unlike RAYE, is not begging to be set free -- she's begging to be let in. [6]

Jonathan Bradley: Cycling through three different song concepts in the first 35 seconds suggests not so much a desire to "do something crazy" as a struggle to hit on anything melodically memorable. It turns out that the slowed-down bass-heavy breakdown works, as does the twinkling fairy dance augmenting the chorus, but a lot of this mistakes attitude for tune -- the sort of B-grade effort that made Little Mix only intermittently worthwhile. See, for instance, Jade stretching out  "feels li-yi-yi-yi-yi-ke" and "spoli-yi-yi-yi-yi-ight" for no real purpose beyond filling time before the next switch up. [4]

Taylor Alatorre: The lack of concern for the cleanliness of the transitions make this feel like a promising storyboard in search of a director, or least someone to step in and say that a desire to be seen as daring and boundary-pushing does not equate to such, and can in fact expose the whole gambit. Most listeners should walk away with a favored segment to return to -- mine is the chrome-polished, push-to-start recitation of the title phrase -- but a quarterlife retrospective like this should feel more internally cohesive than a sitcom clip show. [5]

Ian Mathers: The classic "pick your battles. pick… pick fewer battles than that. put some battles back. that’s too many" tumblr post, now in song form! [7]

Mark Sinker: The idea was like a will o’the wisp or Capt.Fawcett’s Lost City of Z, a gleam, a flicker, a dangerous promise glimpsed across a clearing and through the trees -- and it was something like this (it was always hard to explain clearly). A manufactured alt-pop girlie gang, perfectly designed to win reality TV competitions because also able to fashion the drama of their rise -- and their internal ebbs and flows -- into quilted chart-prog rap-adjacent concept EPs and singles-length mini-musicals, like the Hamilton of the Sugababes. It’s there, always beckoning, just out of reach -- and the acts that pass through the glamour of it are always great, of course, very great, but they also always dissipate too fast, before they really land on the absolute thing itself. Perhaps that's the point; perhaps that's my doom.  [9]

Katherine St. Asaph: I am banned from time machines now because I abused my time-travel privileges to do frivolous shit, like posting this song to the Popjustice forums in 2007 and measuring the blast radius of Xenomaniac rapture. [9]

[Read, comment and vote on The Singles Jukebox]

[st-just]

In a car with people waxing nostalgic for late 2000s pop and had the privilege of introducing them to the 2009 DJ earworm Mashup everyone loves. Life is good.