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aestheticvoyage2020 · 4 years

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240: Thursday August 27, 2020 - “Chair Desk”

As my office space quickly becomes the first place in the house that is “just right” I set out to complete one important DIY piece. I appreciate my new desk chair - giving up the long-sitting tall-seat that had served as my Symp-saddle since 2013 when I started, for a nice comfy normal sitting chair; pretty turquoise. What I trade in comfort, I sit down and away from my mouse and keyboard. But almost immediately, I knew the solution. I ordered a bluetooth combo and prepared myself to settle back into my comfy desk chair, with a homemade chair-desk.

Went earlier in the week and got a nice sturdy piece of Red Mahogany from my big orange storage depot, and drew up a simple plan for a pull over desk for my chair. Fastened a foot of oak to anchor it on the left and added some button plugs to cover up my screws. Busted out my new Dewalt hand sander to soften up all the edges. Covered it in a nice stain to give it a nice finishing touch and was incredibly happy with the finished product. Today I sat in my new desk chair, with my equipment splayed out, leaned back and relaxed, delivering a webinar. Loving my work space and the joy of having comfort at my desk.

Best part of this little simple project? As the first woodworking task since moving in, it was the first time using my circular saw and sander. It took some dusting off some math and measuring and planning skills, of course - been a long time since those younger summers with 4H projects. But it brings me joy to build something myself, and its a symple way to start.

Song: Lainey Wilson - Straight Up Sideways

Quote: “Bad, or good, as it happens to be, that is what it is to exist! . . . It is as though I have been silent and fuddled with sleep all my life. In spite of all, I know now that at least it is better to go always towards the summer, towards those burning seas of light; to sit at night in the forecastle lost in an unfamiliar dream, when the spirit becomes filled with stars, instead of wounds, and good and compassionate and tender. To sail into an unknown spring, or receive one's baptism on storm's promontory, where the solitary albatross heels over in the gale, and at last come to land. To know the earth under one's foot and go, in wild delight, ways where there is water.” ― Malcolm Lowry

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digimedial · 6 years

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Who's driving now? - DigiMediaL wrap up & consultation tips / 13th of December 2018

As the DigiMediaL_musik project is coming to an end by new years eve after nearly more than 10 years, this last Berliner Musiker*innen Treff offered a ceremonial project completion as well as a place for further consultation tips regarding the Berlin music scene.

We invited alumni, lecturers and cooperative partners from the past three years and also all interested people who would like to find their way around the consulting jungle in Berlin to come together.

Sandra Flachmann was guiding through a well organized variety of consulting opportunities in Berlin, (digital) networks and platforms, funding opportunities in music, information on workshops and lectures on music-related issues. So this time there was almost a two-hours program to be enjoyed.

First the OMA’s café was presented as it is still one of the last uncommercial spaces so close to Mitte and hosted us very friendly for the last couple of months. Also they are open to alternative uses of the space itself. The presentation and wrap up of the DigiMediaL-musik project and a brief introduction of cooperation partners and guests followed.

The talk opened up when alumni of the OnStage certificate course were joining the round, Lisa-Miriam Übel (OnStage IV) and Chrissy Möllers (OnStage II) sat down next to Sandra. For Chrissy it was most important, that OnStage opened the door to a variety of networks like Ramschakl or Tal der Verwirrung. As a result of these connections she created her own regular event series and doing bookings at the venue Klunkerkranich. She really liked the group work itself and the group dynamics and even though it was exhausting sometimes, it showed her how much potential a group can develope. Most problems she remembered of the processcame from dealing with their main event location as at that time the owners of the location were in the process of just forming their own group also. Reflecting the self inside a group was the biggest learning for her. Lisa told that she found it very interesting how the development was from the first meeting until the main event, as many creative heads ‘have strong personalities’ and they all didn’t know each other before. To manage this and combining very different tastes while fulfilling the tasks that needed to be done to get the event going was a challenge and at the same time showed her how much is possible in such a short time. Also for her own it was a push to really finally prepare a live set. Developing new friendships and collaborations, she said she took a lot of values from the OnStage course with her.

The first pitch was made by Maureen Noé of Musicboard Berlin. This is one of the biggest or maybe the central funding organization for pop music in Berlin. It covers nearly any genre, just no straightforward jazz or classical music. The Music Board tries to be very approachable and do consultings in English and German. They distribute financial support towards artists directly and to projects, organizers and festivals (in Berlin). ‘Karrieresprungbrett’ for example is a program to establish newcomers and ‘Pop im Kiez’ is raising awareness for the acceptance of live music in neighbourhoods. Most deadlines to apply for scholarships are around February (only for newcomers registered in Berlin, roughly 5000-10000 €). Above all you apply with music, next to a small project plan, CV of your artistic career and a small finance overview for the jury to decide. They are active in supporting more female*, non binary and trans artists.

Giuditta Panzieri of Music Pool Berlin followed. The non-profit organization exists since 2014 and offers a mix of think tank, consulting, education and networking. The aim is helping musicians to take a step forward and to be able to navigate inside the Berlin music industry. They offer 4h-workshops once a week (15€) on topics like e.g. marketing, branding, music licencing, DIY booking and similar to support independent artists. There are two types of consultation (all available in German and English): One for free and one that that offers you a ‘personal expertise’ (20€=1h). Once a month there is an event called ‘Community evening’, an easy going conference offering different topics and experts with changing locations every time. The other event of the Music Pool is the artist meetup, where artists are free to sign up for a slot and then do a pitch to show what they are doing at the moment as well as to ask for feedback and ressources.

The Berlin Music Commission was represented by Tim Joppien who first stated that this network and cooperative consists of 120 members with a background in labelwork, management, radio stations and booking agencies. They also do consultations but workshops and thinktank formats as well. Tim called the Music Commission a ‘music industry network’ which targets companies, but also more and more ‘individuals’. They were part of the ‘Most wanted: Music convention Berlin’ and do a monthly event called ‘Backstage’ which for example tries to bring together people who create music and other industries like the film industry. Their ‘Sprechstunde Musikwirtschaft’ is a consultation for basic music industry knowledge and there is a program for internationalisation called ‘Music Ambassador’. Via their platform ‘listen to berlin’ they are including compilations of newcomers and the applications usually open up around April.

After a short break Mona Katawi of the transnational counseling center ‘Landesmusikrat Berlin’ explained her offer, which she does in four different languages (German, Arabic, English, Turkish). She manages the program ‘Information about the music market’, making information available for people who just came to Berlin, especially for musicians in exile who just fled their country. It is mostly a very general consultation, like for example regarding “what is the KSK and how to I get in”. They also work together with Kulturförderpunkt and ver.di, accompanying people who mostly need translations and emotional support with bureaucratic appointments in Germany. Also they made a map visible on landesmusikrat-berlin.de/projekte/musikarbeitsmarkt which shows various institutions and locations regarding music. The program is funded by the ‘Senatsverwaltung für Kultur und Europa’.

Sebastian Hoffmann who is working inside the ‘touring artists’-advisory package of SMartDe Netzwerk für Kreative e.V. explained that they are open to all sectors of music and the music industry. They give advices regarding VISA, residential questions, transports, taxes, insurances and similar issues. Except German and English they offer some information in Polish, French, Dutch and some Italian. As they are funded from the federal government they offer free consultation via phone, in universities and through workshops. Mainly they focus on two ways of consultation: for people who just arrived to Germany and for people who want to travel outside Germany. The next workshop will be on January 15th in the afternoon from 2-6pm at Music Pool; an overall crashcourse on all topics shown on the website. Costs 15€.

Following this, Matthias Krebs of DigiMediaL_musik introduced the free online platform SKILLFRIED which is focussing on music projects and is all about connecting professional musicians as well as freelancers and creative heads. This is especially interesting for people who are already experienced in music-related projects and are searching for new partners or collaborateurs.

Last but not least the current initiative savemauerpark.de was given the space to make the situation visible by a delegate of busking.co; musician and (street) artists Laura Hoo. Not only being linked to other busking projects all over Europe, she is involved into founding the Verein related to streetmusicberlin.de, trying to help out street musicians in a time when more and more places are getting problematic and finally shut down. As the rules for busking are not really clear and visible in Berlin, buskers are threatened about losing their instrument through confiscation. Since summer weekly demonstrations in Mauerpark took place, as the situation got out of hand during summer with a lot of neighbour -and police troubles. To support the cause and buskers in their work, it’s about getting involved and spreading the word and awareness or simply get in contact to join the weekly meetings. At the moment, the initiative tries to do lobby work in Pankow/for Mauerpark but probably has to go for a berlinwide movement. Everybody signing the petition to create pressure on the authorities helps the cause!

Closing wrap up, Sandra mentioned some more institutions to find consultation and networks: -female:pressure -culture container -ALEX Offener Kanal Berlin -musicBwoman.de

Like always there was time for questions and networking and the evening was rounded off by a cosy talkative session from an audience that clearly appreciated the Berliner Musiker*innen Treff. Thanks & Good-bye! :-)

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