#disco shell singers
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🦞Disco Shell Singers🐙
Es el nombre oficial de este ship. Gracias a una amiga mía en Twitter, ahora tengo un HC de que Clancy ama cantar y junto con Gerald Octopard, y nadie los va a detener~ 💖
#purplehanktenent#brawlstars#brawl stars#brawlstarsart#brawl stars art#brawlstarsfanart#brawl stars fanart#brawlstarsclancy#brawl stars clancy#clancybrawlstars#clancy brawl stars#brawlstarsoc#brawl stars oc#oc x canon#canon x oc#discoshellsingers#disco shell singers
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Keep Me Anchored Part 1
An Ankor x selkie reader because I feel like this is a fun way to explain why he collects selkie coats and how he goes about it. There will be a little bit of x Barnaby as well, but mostly Ankor.
TW: Implied deaths, implied past kidnappings, violence, slight blood.
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Ankor never took himself as the kind to act this way, but could it be helped? Anyone would have done the same thing if it were them, right? Maybe he was just making excuses to satisfy his own bloodlust.
A loud thud echoed in the abandoned factory, blood and stuffing mixed as a large figure stepped over the pile of mangled bodies, bodies of what were once ordinary puppets.
Crates were knocked over and shipping boxes torn open by massive claws. He still couldn't find it.
Taking in a deep breath, the shark-dog sniffed, and sniffed, until he finally caught onto the scent he thought he'd lost. There, tucked away under various items was what Ankor came for. He reached in carefully handling the soft item, a selkie's coat...a fresh one. The poor thing.
He nuzzled his snout into it, giving a deep inhale. Male, around his early 20s, probably from the Pacific area judging by the smell. "A shame really...looks like they've been targeting victims more younger now. They must really be running out of supply at this rate." Ankor bit onto his nail in thought.
If he's lucky, the selkie can be easily tracked down since not many of them exist anymore, very unique scents, if not...hopefully one of his fin friends can help with that, they were always better at tracking than him. Besides, he had a concert in about a week or two.
A groan caught his attention.
His tongue lolled outside of the mouth, showing off the many sharp teeth underneath. Looks like he had some cleaning up to do.
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Letting your overly excited friend drag you to a concert to listen to a singer you didn't even know seemed like a good idea at first. But now? You have many regrets.
Gripping onto your jacket tightly, you looked to the left, then right, searching for any spot that had at least a tad bit more room.
The entire place was packed full of screaming fangirls and whooping fanboys, all mixes of different puppets, creatures, and beings. The crowd was lively and everything was just too much all at once. Short remora dogs were seen around the stage in front of the crowded guardrails passing out souvenirs. They were kinda cute, you watched as one walked over to your area offering up a shark tooth necklace and a shell necklace, both of which you declined. Your friend eagerly took both. "My sister is going to be so jealous when I get back." she giggled to herself.
"You do you I guess..." you gave a small smile, happy to just be there and make your friend happy. You were pretty curious to see what all the fuss was about, having seen all kinds of products and artwork made by this Ankor Awespire guy.
The lights suddenly dimmed to hot pinks and cyan blues, the crowd got louder.
The crackle of a mic turning on gathered everyone's attention as a smooth and deep voice echoed out "So I heard you came for me... well I'll be sure not to disappoint!" A bright burst of light appeared on the stage and a tall Shark-dog dressed to the 70s stepped out into the sparkling lights and light fog. Talk about making an entrance. You guessed this was another future funk/disco artist based on the attire. Not a bad choice really.
Your thoughts were interrupted as the rowdy crowd grew louder than ever, you were considering on just leaving at this point. Strangers kept touching your coat or brushing past the soft fur, it was uncomfortable to say the least. Maybe you should have left it at home and just hid it somewhere...
Suddenly your friend started screaming, startling you.
"He's coming over here!" She started waving her hands wildly to grab his attention amongst the ever growing crowd. You looked up to the stage to see the man sniffing the air seemingly, before his head turned towards your general direction.
"He's looking at me!" "Over here!" "Ankooor!"
Fans screamed behind you and in front of you making you wince and curl in at the sudden loudness. Your friend stopped yelling upon noticing your shrinking form. "Hey, you alright?"
You nodded "It's so loud..."Hugging you closely, she made sure to tuck most of the fur inside your hoodie and patted your back. "It's alright."
You peeked up looking at your friend's face before your attention was drawn to the stage again.
He was staring straight at you.
Your eyes locked with each other's until the star suddenly made a move to bend down and give something to a nearby remora dog, saying something that could not be heard over the loudness of the crowd. He pointed at you in the sea of people and said something else, everyone was growing quiet wondering what was going on.
The remora dog pushed their way through the crowd until they were at your side, handing you a card. "Please visit Mr.Awespire after the show. It's urgent." The small remora dog swiftly retreated back behind the guardrails. Everyone around you was staring now.
"Ladies and gents, I believe we have our winner for the back stage tour!" Back on the stage was Ankor, who was now pointing at you, a big smile on his face. "As for the next show, please make sure to enter again for another chance at an all exclusive tour." The crowd was back to cheering and yelling,
He twirled his finger, pivoting around to face the back of the stage. "Now for the show you've all come for!"
#How the hell can I spell Souvenirs just fine but when I try spelling remora I mess it up?#welcome home#welcome home finfolk au#welcome home oc#welcome home x reader#oc x reader#selkie reader#finfolk#selkie#barnaby b beagle#welcome home barnaby b beagle#barnaby x reader
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feeling inspired to do hyper-specific school trip headcanons. Let's go!
Aru:
The person who stays up late just to piss off the teachers,
regrets this decision the next morning,
actively listens and stores gossip,
makes up inappropriate renditions of usually appropriate songs.
Brynne:
Snacks.
Snacks.
Pigs out on said snacks at 12 A.M.
Still manages to eat breakfast the next morning
Calls dibs on the first shower, relinquishes the post when she realizes that you need to Get Up Early to go shower first.
Steals all the food.
Mini:
Responsible™️
"Guys we're supposed to be asleep"
Doesn't actually sleep, just rolls around in bed contemplating her existence.
"We're just specks of dust floating around in the cosmos—"
"IT IS 3 AM"
Resident First Aid expert, when people want to hide injuries they got (by, say, burning so much hot water they punch it into a shelf), they go to her.
Doesn't ask questions, mainly files away the info in case it's needed for further use (blackmail)
Aiden:
Also Responsible™️
Driven to tears when he sees what his roommates do to their room (Spoiler: it's not good)
Makes coffee for himself in the hotel room
Also makes ramen with the tea kettle in the hotel room
Noise-cancelling headphones
Wants to call Aru, but phones aren't allowed :(((
Rudy:
Aiden's roommate (regrettably, in Aiden's words)
One of the reasons Aiden has noise-canceling headphones
Steals said noise cancelling headphones
Was confused when a girl asked him to "sneak into her room": "But I'm not a thief?"
Is missing Mini ("Why are human field trips so hard? Mini would understand. She wouldn't force me to 'hang out'," "SHUT UP ABOUT YOUR GIRLFRIEND. AIDEN, TELL YOUR COUSIN TO SHUT UP ABOUT HIS GIRLFRIEND")
Nikita:
Overpacks
Wears fabulous outfits for every meal
Takes the longest time in the shower
First one to fall asleep
Loudest singer of songs on the bus
Sheela:
Scams people by selling them the snack packages Brynne made her
Also sings songs on the bus
Last one to fall asleep
Unanimously voted as the person in charge of the room key
Once stole an entire package of chips as petty revenge (Brynne and Aru were proud)
Kara:
Quiet, reads books when she's bored
Once she comes out of her shell she's an AMAZING source of tea
Spills said tea while drinking actual tea at 12 A.M.
Gives interesting facts at the historical places they go to
Writes nonsensical poetry on her roommates
Recites said nonsensical poetry on her bus
Hira:
Shares almost all her makeup with the other girls
Very nice
Best dancer at disco nights
Remodeled their entire hotel room upon coming into it
Very trustworthy and beloved by the teachers, leaving space for shenanigans.
Watches soap operas on the hotel TV (they are peak cinema)
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so much (for) stardust
thought vomit
Love From The Other Side
I loved this when it came out and I love it now.
lyrics: this city always hangs a little bit lonely on me, loose, like a kid playing pretend in his father's suit. I'll never go, I just want to be invited, oh. you feel like an impostor. You need to be here, but you don't want to be. You just need that invite.
you were the sunshine of my lifetime, what would you trade the pain for? I'm not sure. and every lover's got a little dagger in their hand. Love fucking hurts. and what would you train the pain for? nothing. because it's what comes with love. give up what you love, before it does you in. But you can't!
Heartbreak Feels So Good
Is there a word for bad miracles? You get what you want, sometimes, but at what cost?
It was an uphill battle, but they didn't know, but they didn't know, we were gonna use the roads as a ramp to take off. that's the classic Pete Wentz lyricism I live for!
We'll cry later or cry now...we can dance the tears away, emancipate ourselves! Look, everyone's gonna be sad at some point, you just have to decide how and when to feel it.
Hold Me Like A Grudge
the BASS GROOVE OK PETE I hear you. I didn't know we were getting a disco record but go off kings
also Patrick was totally channeling his inner Michael Jackson for that one I just know it
favorite lyrics: I'm just a cherub riding comets through the night sky, screaming at the stars like night lights, and I love my life, love my life. and Hold me, hold me like a grudge, this world is always spinning and I can't keep up. we are so much better at holding on to pain and anger than we are to joy. in a world that moves this fast, that hits. I guess somehow we made it back with a few dreams of ours still intact, I am a diamond on the inside, just add the pressure. Know it's inside me, but I got no map, to my own treasure. I feel personally attacked by this one. I figured by now, I would have got it together. no fuckin shit pete.
Fake Out
That feeling of "if I acknowledge, touch it, or speak it into existence, that will give it the ability to be broken. so I just won't."
Favorite lyrics: do you laugh about me whenever I leave? or do just need more therapy?
It's that feeling of knowing exactly what you want, and knowing how to get it, but being so terrified of having something to lose. I don't know how, but sometimes I feel like Pete knows my entire life story when he writes shit like this. I've never met this man, he has no idea I exist, and yet the stuff he writes is the best possible articulation of everything I've ever felt. It's magical.
PATRICK'S VOCALS. TOP FUCKING NOTCH.
Heaven, Iowa
"I can't let go of this thing, because I'll lose it, but if I don't let go, I'll choke it to death. So I'm just not gonna grab it in the first place, but wait, I did, and it's a shit show, but that's...ok?"
Lyrics: save your breath, half your life you've been hooked on death. Like, yes, I am crushed under the fear of dying without making an impact on the world. thank you for asking. I will never ask you for anything except to dream sweet of me. that's just beautiful.
So Good Right Now
"I love you, so fuck it"
Patrick has really reached his full form as a vocalist and it's fucking awesome. He has poppy fills, roaring choruses, the softer side...it's a treat for the ears. When he cries, In all of my wildest dreams they just end up with you and me! UGH PATRICK YES
It's giving Walking On Sunshine in the best way.
Favorite lyrics: I've got love in my heart, so let's sneak in from the cheap seats, honey!
The Pink Seashell
uh, ok, fuck. um. let's unpack this.
The shell's empty, there's no meaning to any of this...so I take pleasure in the details.
It's a reminder we all need right now and it made me cry.
KEY FUCKIN CHANGE
I Am My Own Muse
the POWER OF PATRICK holY VOICE
he's such an underrated singer ffs the RANGE
Lyrics: So let's twist the knife again like we did last summer...i'm just trying to keep it together but it gets a little harder when it never gets better.
Like, why would I bother continuing to work forward if it only causes me more pain than what I'm trying to escape? It's so easy to forget what you're working for when it inches further and further away. You just wanna throw it all away, like a bad luck charm, and start over.
Flu Game
This feels like a Disney villain's "I want" song and it fucks severely
Lyrics: I've got all this love i've got to keep to myself, all this effort to make it look effortless. Like, you can't ever be too emotional! You can't let anyone see! YOU HAVE TO MAKE IT! I carved out place in this world for two, but it's empty without you. Like you work so hard to make a life with the one you love that you lose them in the process and UGH HOW does PETE READ MY MIND. One day every candle's gotta run out of wax, one day no one will remember me when they look back. I can't stop, can't stop, till we catch all your ears though, somewhere between Mike Tyson and Van Gogh god that's such a clever way to phrase the crippling fear of being insignificant. "somewhere between Mike Tyson and Van Gogh" that's such a fucking Pete line good god
Baby Annihilation
THE RETURN OF PETE'S MONOLOGUING I AM LIVING
Time is luck and I wish ours overlapped more or for longer god that made me fucking sob. But you know what they say, if you want a job done right, you gotta do it yourself. You can't stay, BECAUSE YOU HAVE TO MAKE IT. but fuck that! nothing matters! be happy!
Like I said, this man reaches right into the most aching parts of me and gives them a voice and I don't know how he does it.
The Kintsugi Kid (Ten Years)
"where did the time go and when the fuck did everything get real?"
lyrics: I miss the way that I felt nothing, nothing, na-na-na-na-na, na-na-na-na or whatever the fuck
Those na-na-na's tickle my brain just right man holy shit
Suddenly I grew up and I don't know when but goddamit everything is real now and it hurts so i just wanna scream NA NA NA NA
What A Time To Be Alive
This is the one about how Constant Access to Everything has completely fucked our brains
everything is lit, except my serotonin. Because you get all this shit slung at you in the news and it winds you up emotionally in every way except the good one! So now you're cracking up!
lyrics: they say I should try meditation but I don't want to be alone with my own thoughts, it never felt that much like medication, I just want to be your cherry on top. the neurodivergent in me feels very seen by this lyric so thank you. like i just want to be good but I cannot!!!
When, when, when I said 'leave me alone' this isn't quite what I meant, I got the quarantine blues, bad news, what's left? so it seems the vulture's getting too full to fly. Like I just wanted a moment of peace not a full scale meltdown of society!
So Much (For) Stardust
I feel like something that's been stretched out over and over again, until I'm creased and I'm about to break down the middle, split me right down the middle, right, right, right, down the middle.
So much for stardust, we thought we had it all, thought we had it all. only to realize that none of it really matters. So we have to decide what does, and that's fucking hard.
Ache it till you make it...BUT WHEN DO YOU MAKE IT???
Like a sledgehammer to a disco ball...we were a hammer to the statue of David
Ok ok but the contrast there: when a disco ball shatters, it's pretty. When you shatter the statue of David, you're destroying something legendary, a standard of perfection. We only want to allow the forms of destruction that are harmless and beautiful. Not the ones we need.
Shit, man. Thought we had it all. But it turns out that we have to decide what it is. and that's fucking hard.
also, HORNS!
I've loved this band for going on a decade, and I don't know how they manage to keep writing albums that are perfectly in line with where I'm at in life when I need them most. It's incredible and I'll never get tired of it. god bless them.
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Hello it is SRS once again wahoo baby!❄️☃️ sorry in advance for long ask just so many thoughts! Feel free to just answer one or two questions if u want :)
Armadillos in the backyard! That’s wild idk if I’ve ever seen one in person. Do they really curl up in balls inside their shell or is that a myth from childhood?
AHHH I am SO happy to hear you enjoyed some of the Beatles songs! That genuinely made my day :) I would also love some song recs!!! What have you listened to in the past year that you’d recommend? And yea I’m pretty much just a rock listener lmao but for sure d looking to expand my taste!!
Thank you! Yes my Hanukkah has been excellent. It’s one of my very favorite holidays! Ok mini explanation of Hanukkah: the story is basically, “The Greeks tried to kill us but we beat them instead yay!! However they totally also trashed our temple and only left one jar of oil :( BUT WAIT the menorah we lit magically stayed lit for 8 days on barely any oil omg!” There are a ton of traditions incorporated into the holiday, like lighting candles for 8 days (one more each night) and eating foods fried in oil. Much fun!
Ooh that sounds fun! What Christmas traditions do you have? my friend who celebrates Christmas recently asked me as a Jew to try and explain what I thought the Christmas story was and the results were so amusing.
Wait that’s so cool that you’ve started crocheting! I feel like everyone I know has just taken that up. I don’t have a specific project in mind but I’d love to make some kind of shirt or sweater for myself? My roommate is an excellent knitter so I’ll be drawing on her advice frequently lol. What are you crocheting??
Ok I like cannot make myself read nonfiction (unless it’s about classic rock lmao, but even then just barely). I really love mysteries and magical realism! My favorite author is Haruki Murakami (basic I’m sorry). ALSO favorite animal is dogs and favorite Beatle is John (I could rant about his genius for hours). OK FAREWELL MUCH LOVE -SRS
hiya babe!
and YES ARMADILLOS CAN CURL UP! just not the ones where i live😭 there’s only two species that can curl into a ball the brazilian three banded and southern three banded armadillo the former is a lazarus species! (wrongly thought to be extinct) sorry i will take any and every excuse to info dump about animals😁
let’s see i think the three top bands that i’ve listened to most of this year are måneskin, foo fighters and the bee gees! here are a few of my favorites please do not feel any pressure to listen to them!
måneskin:
TIMEZONE
THE LONELIEST
Coraline
they’re semi new a band from Italy and good portion of their songs are in Italian and they have a really good rock sound!
foo fighters:
the sky is a neighborhood
run
waiting on a war
i know they’re pretty popular but i’ll give you a little information because a lot of people don’t seem to actually know much more than just their hits :( their lead singer Dave Grohl was nirvana‘s drummer! I highly recommend his book ‘the storyteller’ especially the audio version of him narrating it on youtube! Plus Dave and Taylor Hawkins’ (former friend drummer until his untimely death last year) had such a wonderful friendship! i love watching videos of them together♥️🥺
bee gees:
how deep is your love (easily my most played 45!)
how can you mend a broken heart
tragedy
honestly how they still continue making music after the death of disco is such an amazing an interesting story! in short a DJ named Steve Dahl started a riot after destroying a dumpster of disco records in the middle of a baseball game in ‘79 which kick started the death of disco after that no one would play Bee Gees music because they were “too disco” so instead they wrote songs for and with other singers so they could continue doing what they loved!
sooooo sorry for the info dump😅
aaaaaaaa! so glad you had a great holiday! i am semi familiar with that story but seeing as i learned it from tv i wasn’t sure how accurate it was😅 thank you so much for telling my about it!!!
well my family puts up a real christmas tree, decorate gingerbread houses and we put lights on the house! among other things like christmas breakfast and exchanging gifts on the 25th + opening christmas pajamas on the 24th!
oh my😂 i’m sure christmas could be quite confusing for someone who didn’t grow up with it especially since the way most people celebrate christmas is a combination of celebrations many cultures!
a shirt and/or sweater would be so cool! and having someone who already knows how to work with fiber projects i’m sure would help greatly! i wish you all the luck and i’d love you hear about your progress when you start! i’m *trying* to make a possum :)
omg i completely understand about the nonfiction thing glad i’m not the only one!😅 magical mystery realism sounds so cool! actually i’m not sure that i heard of that author i’ll have to look them up!
oooooh dogs!!!! do you have a favorite breed? and feel free to rant about john or music in general anytime!!!!
do you watch movies much if so do you have a favorite one? or tv show? and do you collect anything?
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‘We were gagging to experience life’: Foals on booze, becoming a trio and their love for Kyiv
Dave Simpson | photos by Linda Nylind/The Guardian
Now one of the UK’s biggest bands, the trio talk about the impact of losing two founder members, fighting pandemic gloom with a euphoric seventh album, and why the climate crisis won’t stop them touring
Shortly before Christmas, when Foals were discussing potential places to shoot a new video, Ukraine topped the list. Frontman Yannis Philippakis had gone travelling there alone when he was 18 and still has a “kind of map of what it was like then permanently in my head”. In more recent years, when Foals had played some shows there, Kyiv had been just as he remembered it: a beautiful, peace-loving city that loved a party. The band were keen to work with Tanu Muiño, an acclaimed Ukranian-Cuban director who has worked with Lil Nas X, Cardi B, the Weeknd and Harry Styles – she turned out to be a Foals fan, and so an old industrial courtyard workspace was scouted for the shoot. At that point, Russian tanks had just started gathering on the border but, as Philippakis remembers, “the idea of it turning into a full-scale war seemed pretty remote”.
They shot the joyously choreographed video for 2am in January, after which they watched some ice skating, visited bars, hung out with the crew and talked politics. A perfect day ended with hugs and group photos. “The optimism that day was captured in the video,” says the singer, wistfully. “It’s strange to think how quickly that’s been brutalised.”
Since the Russian invasion – after which Foals cancelled upcoming shows in Moscow and St Petersburg – the band have found it difficult to contact the Ukrainians they spent time with. “There are people in our video who are now having to shelter for their lives or pick up rifles to defend their city,” Philippakis says. “The choreographer left a message saying that she and her husband were having to hide from shelling.”
I meet Foals in March at their small rented studio, rehearsal room and writing space in Peckham, London, cradling coffees. “It certainly feels weird to be doing promo,” admits guitarist Jimmy Smith, his newly dyed blond hair reflecting his current status as an Englishman who lives in Los Angeles. Nor is it lost on them that the album we’re here to talk about – the seventh and best of their career – is a euphoric party record, worthy of a band whose last album reached No 1 and are billed high in this summer’s Glastonbury and Latitude lineups, warming up with four sold-out nights in London’s Olympia this weekend.
Life Is Yours – full of sunny, motorik disco/house-influenced dancefloor fillers such as Wake Me Up and the sublime upcoming single 2001 – is being compared to Talking Heads, LCD Soundsystem and 80s Duran Duran. With more keyboards and fewer guitars, its ecstatic, air-punching vibe couldn’t be further from the horrors of Ukraine, the pandemic, climate change or economic crisis.
Philippakis expains that when they made 2019’s brace of socially conscious albums, Everything Not Saved Will Be Lost (Parts 1 and 2), “the climate crisis suddenly seemed upon us and there were books coming out about the sixth mass extinction. It felt right to engage with the threat on the horizon.” However, while Life Is Yours is also a response to the post-Covid world in which there’s what he describes as “an everyday jeopardy or darkness now that’s impossible to ignore”, this time the mood is uplifting.
“It was written in the midst of lockdowns,” the quietly wellspoken singer explains, sporting a DH Lawrence beard and wearing the same sort of loosely fitting shirt he wears on stage. “Winter, grey, no life on the streets. So we’d come here and shelter from all that by writing music that felt escapist and joyful, but also hopeful for the future to come back.”
When the pandemic struck, Foals managed to do one date of an Asian tour in February 2020 before concerts suddenly started being cancelled. “We didn’t know what the fuck was going on,” says Philippakis. “You think: ‘Oh, this will soon blow over’, but it didn’t.” After making it back to the UK it was nice to spend unexpected time at home – the band had kept them from seeing partners – but the singer remembers the “surreal strangeness” of the first lockdown. “We’ve all grown up on apocalypse movies like Contagion, World War Z or whatever. So there was that aspect of engaging with something we’ve all been worried about.”
The very core of being a musician isn’t sitting around in a studio. It’s performing and connecting with people
Yannis Philippakis
Jack Bevan, the band’s well-groomed, amiable, gently self-effacing drummer, was one of the very first in the UK with Covid. On returning from Asia, he came down with “basically the worst flu I ever had. After about 10 days I started to feel a bit better, but then had pneumonia symptoms for a week and then this sort of extreme fatigue for about a month. This was well before lockdown, when Covid was a mystery to people here. I was just watching the news, with all these horrifying statistics and cases from abroad. So there was no reassurance of how this thing would go.”
Smith, meanwhile, escaped to LA to see his girlfriend, got stuck there during lockdown (hence his now full-time US residence) and contracted Covid too. “It was in my lungs for a month,” he says. “It was certainly enough of a shock to make me quit smoking.” When the band eventually regrouped in Peckham, playing for hours every day became a way of blocking out what was going on outside.
Foals made Life Is Yours as a trio. In 2018, co-founding bassist Walter Gervers, the band’s most stable “father figure” and counsel in times of strife, left suddenly to start a family. Last year’s exit of another founder, keyboard player Edwin Congreave, was less unexpected but equally significant. He had been doing an Open University degree with a view to studying at Cambridge and, as Philippakis explains, was finding it hard to reconcile the boozing and adrenaline of a touring lifestyle with academia.
“Poor Edwin,” Smith says, chuckling. “We’d come tumbling on to the bus at 3am and he’d be in the back lounge with his papers, trying to study for a 9am exam.” The remaining members insist the departures have strengthened their own bonds, but such lineup changes can play havoc with a group’s dynamic, especially losing people they’ve played with for 15 years.
“It can be destabilising,” Philippakis admits as we’re on a second round of coffees. “And you miss them as a social presence. Getting to spend your life with your friends is a beautiful way to spend your time, so when anyone goes you think: we’re never going to spend that much time with that person again.”
This partly explains why Life Is Yours occasionally has a more wistful undercurrent. All Foals albums are different – whether the “career gamble” of 2010’s ambitious Total Life Forever or the heavier terrain of 2015’s What Went Down. In a way, Life Is Yours recalls the giddy energy of their 2008 debut Antidotes, but viewed through a rear-view mirror.
“We were thinking back to when we started,” Philippakis, who is now 35, reflects, referring to their days (after originally meeting in Oxford) as a math-rock band living in a Peckham squat dubbed Squallyoaks, sharing takeaways and playing “feral parties” in the squat scene. “There was optimism that isn’t really around any more. It was a golden era of nightlife: great clubs, house music, pre-social media and smartphones, all the cross-pollinations in music, art, dance. I think on songs such as [Life Is Yours track] Looking High there is a wistfulness, now that clubs are closing down. When we were making the album we were gagging to experience life, so you find yourself thinking about old parties and times when you could lose yourself in a moment.”
You’d see Yannis hanging off a balcony with security holding him by his belt buckle and think: ‘What’s he doing now?’
Jack Bevan
Foals re-emerge into a very different climate from the one that they started out in in 2004, one of the print NME, CD singles and a thriving circuit of live bands and smaller venues. “There’s loads of positives to social media and the internet,” says Philippakis, idly strumming a Spanish guitar, “but one thing that has been destructive has been the ravaging of the geographical architecture around music: local venues, record stores, affordable rehearsal spaces and studios. It’s affected the way people make music communally, or the idea of making friends and making music together. Everything has migrated online, but if you walk around our cities, there’s no record shop, nowhere to make a racket. It’s all a bit bereft. When I was still at school I’d go to [club night] Trash in London every week and the Horrors or Arctic Monkeys or the Klaxons would be there, and it felt like everyone was part of something.”
The idea of music as a communal experience is central to Foals and, ironically, partly why Congreave left. Having started touring in an old Royal Mail van, the keen environmentalist had become uncomfortable with the band’s carbon footprint. Foals do offset their carbon, but Smith argues that if a band wants to sustain a life and income – even one who unfurled a banner reading No Music on a Dead Planet at the 2019 Mercury prize – it’s impossible to avoid some environmental impact. “It’s not just income, though,” Philippakis says. “For me, the very core of being a musician isn’t sitting around in a studio. It’s performing and connecting with people.”
He remembers a particular discussion with Congreave on the tour bus prior to their cancelled Asia tour. “He was saying: ‘We shouldn’t do these shows’ – not because of Covid, but because of the impact of a band flying thousands of miles. “We had a very frank and reasonable discussion, but in the end we said: ‘We want to be musicians.’ I’m more than happy to offset, but I wouldn’t want to be in this band if we weren’t playing shows.”
The singer has become one of modern pop’s great livewire frontpersons – known to leap from high balconies into crowds or battle with security men trying to prevent him. “I actually stopped drumming at one gig because of what Yannis was up to,” Bevan chuckles. “You’d see him hanging off a balcony with security holding him by his belt buckle and think: ‘What’s he doing now?’” For the singer, who grew up on “provocative, high-wire” hardcore bands such as the Jesus Lizard, performing is a way of escaping his “everyday self. It’s really charged, and on stage the energy from the crowd and the physical volume and the booze becomes like a cyclone.”
Foals read a recent Guardian article about how “hard-partying” bands have become outliers, but for them alcohol remains a part of touring. Philippakis has never done a show sober – Smith did, once – but has certainly seen peers fall by the wayside owing to the lifestyle. However, he points out that people who find making music cathartic or therapeutic might also have “certain psychological issues that make them more attracted to getting fucked up”.
Bevan explains that the industry’s “high-pressure environment” can cause social drinking to become a “coping mechanism. If you were hungover at home, you’d spend the whole day under a duvet, but on tour you might have to play to 40,000 people. You have to power on and maybe have a few drinks to get through.” The drummer always performed sober until a panic attack on stage at the Faversham in Leeds in 2006 led him to reconsider, so now he allows himself “a couple of beers before a show”. Philippakis is upfront about enjoying drinking, but explains that it’s also a creative tool, especially with lyrics. “I tend to become quite unhealthy in the later stage of writing,” he admits, “and that usually continues until the end of tour. I couldn’t do a show without drinking.”
Foals’s ideal is to keep the party going without risking the band. In 17 years, none of them has had a drug problem, and while they certainly enjoy a tipple, or several, Smith counsels: “It’s fundamentally a bad idea to drink your band into ruin.”
So much has changed around them. When Antidotes came out, the UK had a Labour government and was in the EU. Philippakis – who has a Jewish South African mother and a Greek father – explains that Greece sees the EU as “an oppressor, something that was very punitive to the Greek people, but I understand that Brexit has been disastrous for the UK”. He despairs of the “rampant corruption” in parliament and argues that people are “waking up to the fact that we have a rightwing government” and expects a “bigger fury”. On Life Is Yours, Foals perhaps represent a generation – or several generations – who remember the good times, are bewildered and angered by the world today, and just want to be able to look forward with optimism once again.
The idea was that Life Is Yours would coincide with the beginnings of a post-pandemic, brighter world, which – with war raging and prices soaring – seems further away than ever. “The spirit of an emerging new future isn’t here yet,” admits the singer, “which does add a weird extra poignancy to the album. But if it just never arrives, then hopefully we’ve made a great record that people can hide in and take solace in.”
The Guardian | 29th April 2022
#foals#interviews#the guardian#liy era#yannis philippakis#jimmy smith#jack bevan#edwin congreave#walter gervers
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Now one of the UK’s biggest bands, the trio talk about the impact of losing two founder members, fighting pandemic gloom with a euphoric seventh album, and why the climate crisis won’t stop them touring
Fri 29 Apr 2022
Shortly before Christmas, when Foals were discussing potential places to shoot a new video, Ukraine topped the list. Frontman Yannis Philippakis had gone travelling there alone when he was 18 and still has a “kind of map of what it was like then permanently in my head”. In more recent years, when Foals had played some shows there, Kyiv had been just as he remembered it: a beautiful, peace-loving city that loved a party. The band were keen to work with Tanu Muiño, an acclaimed Ukranian-Cuban director who has worked with Lil Nas X, Cardi B, the Weeknd and Harry Styles – she turned out to be a Foals fan, and so an old industrial courtyard workspace was scouted for the shoot. At that point, Russian tanks had just started gathering on the border but, as Philippakis remembers, “the idea of it turning into a full-scale war seemed pretty remote”.
They shot the joyously choreographed video for 2am in January, after which they watched some ice skating, visited bars, hung out with the crew and talked politics. A perfect day ended with hugs and group photos. “The optimism that day was captured in the video,” says the singer, wistfully. “It’s strange to think how quickly that’s been brutalised.”
Since the Russian invasion – after which Foals cancelled upcoming shows in Moscow and St Petersburg – the band have found it difficult to contact the Ukrainians they spent time with. “There are people in our video who are now having to shelter for their lives or pick up rifles to defend their city,” Philippakis says. “The choreographer left a message saying that she and her husband were having to hide from shelling.”
I meet Foals in March at their small rented studio, rehearsal room and writing space in Peckham, London, cradling coffees. “It certainly feels weird to be doing promo,” admits guitarist Jimmy Smith, his newly dyed blond hair reflecting his current status as an Englishman who lives in Los Angeles. Nor is it lost on them that the album we’re here to talk about – the seventh and best of their career – is a euphoric party record, worthy of a band whose last album reached No 1 and are billed high in this summer’s Glastonbury and Latitude lineups, warming up with four sold-out nights in London’s Olympia this weekend.
Life Is Yours – full of sunny, motorik disco/house-influenced dancefloor fillers such as Wake Me Up and the sublime upcoming single 2001 – is being compared to Talking Heads, LCD Soundsystem and 80s Duran Duran. With more keyboards and fewer guitars, its ecstatic, air-punching vibe couldn’t be further from the horrors of Ukraine, the pandemic, climate change or economic crisis.
Foals live at Usher Hall, Edinburgh, April 2022. Photograph: Roberto Ricciuti/Redferns
Philippakis expains that when they made 2019’s brace of socially conscious albums, Everything Not Saved Will Be Lost (Parts 1 and 2), “the climate crisis suddenly seemed upon us and there were books coming out about the sixth mass extinction. It felt right to engage with the threat on the horizon.” However, while Life Is Yours is also a response to the post-Covid world in which there’s what he describes as “an everyday jeopardy or darkness now that’s impossible to ignore”, this time the mood is uplifting.
“It was written in the midst of lockdowns,” the quietly wellspoken singer explains, sporting a DH Lawrence beard and wearing the same sort of loosely fitting shirt he wears on stage. “Winter, grey, no life on the streets. So we’d come here and shelter from all that by writing music that felt escapist and joyful, but also hopeful for the future to come back.”
When the pandemic struck, Foals managed to do one date of an Asian tour in February 2020 before concerts suddenly started being cancelled. “We didn’t know what the fuck was going on,” says Philippakis. “You think: ‘Oh, this will soon blow over’, but it didn’t.” After making it back to the UK it was nice to spend unexpected time at home – the band had kept them from seeing partners – but the singer remembers the “surreal strangeness” of the first lockdown. “We’ve all grown up on apocalypse movies like Contagion, World War Z or whatever. So there was that aspect of engaging with something we’ve all been worried about.”
The very core of being a musician isn’t sitting around in a studio. It’s performing and connecting with people - YP
Jack Bevan, the band’s well-groomed, amiable, gently self-effacing drummer, was one of the very first in the UK with Covid. On returning from Asia, he came down with “basically the worst flu I ever had. After about 10 days I started to feel a bit better, but then had pneumonia symptoms for a week and then this sort of extreme fatigue for about a month. This was well before lockdown, when Covid was a mystery to people here. I was just watching the news, with all these horrifying statistics and cases from abroad. So there was no reassurance of how this thing would go.”
Smith, meanwhile, escaped to LA to see his girlfriend, got stuck there during lockdown (hence his now full-time US residence) and contracted Covid too. “It was in my lungs for a month,” he says. “It was certainly enough of a shock to make me quit smoking.” When the band eventually regrouped in Peckham, playing for hours every day became a way of blocking out what was going on outside.
Foals made Life Is Yours as a trio. In 2018, co-founding bassist Walter Gervers, the band’s most stable “father figure” and counsel in times of strife, left suddenly to start a family. Last year’s exit of another founder, keyboard player Edwin Congreave, was less unexpected but equally significant. He had been doing an Open University degree with a view to studying at Cambridge and, as Philippakis explains, was finding it hard to reconcile the boozing and adrenaline of a touring lifestyle with academia.
Foals in 2010. Edwin Congreave (far right) and Walter Gervers (bottom left) have since left the band. Photograph: Andy Willsher/Redferns
“Poor Edwin,” Smith says, chuckling. “We’d come tumbling on to the bus at 3am and he’d be in the back lounge with his papers, trying to study for a 9am exam.” The remaining members insist the departures have strengthened their own bonds, but such lineup changes can play havoc with a group’s dynamic, especially losing people they’ve played with for 15 years.
“It can be destabilising,” Philippakis admits as we’re on a second round of coffees. “And you miss them as a social presence. Getting to spend your life with your friends is a beautiful way to spend your time, so when anyone goes you think: we’re never going to spend that much time with that person again.”
This partly explains why Life Is Yours occasionally has a more wistful undercurrent. All Foals albums are different – whether the “career gamble” of 2010’s ambitious Total Life Forever or the heavier terrain of 2015’s What Went Down. In a way, Life Is Yours recalls the giddy energy of their 2008 debut Antidotes, but viewed through a rear-view mirror.
“We were thinking back to when we started,” Philippakis, who is now 35, reflects, referring to their days (after originally meeting in Oxford) as a math-rock band living in a Peckham squat dubbed Squallyoaks, sharing takeaways and playing “feral parties” in the squat scene. “There was optimism that isn’t really around any more. It was a golden era of nightlife: great clubs, house music, pre-social media and smartphones, all the cross-pollinations in music, art, dance. I think on songs such as [Life Is Yours track] Looking High there is a wistfulness, now that clubs are closing down. When we were making the album we were gagging to experience life, so you find yourself thinking about old parties and times when you could lose yourself in a moment.”
You’d see Yannis hanging off a balcony with security holding him by his belt buckle and think: ‘What’s he doing now?’ JB
Foals re-emerge into a very different climate from the one that they started out in in 2004, one of the print NME, CD singles and a thriving circuit of live bands and smaller venues. “There’s loads of positives to social media and the internet,” says Philippakis, idly strumming a Spanish guitar, “but one thing that has been destructive has been the ravaging of the geographical architecture around music: local venues, record stores, affordable rehearsal spaces and studios. It’s affected the way people make music communally, or the idea of making friends and making music together. Everything has migrated online, but if you walk around our cities, there’s no record shop, nowhere to make a racket. It’s all a bit bereft. When I was still at school I’d go to [club night] Trash in London every week and the Horrors or Arctic Monkeys or the Klaxons would be there, and it felt like everyone was part of something.”
The idea of music as a communal experience is central to Foals and, ironically, partly why Congreave left. Having started touring in an old Royal Mail van, the keen environmentalist had become uncomfortable with the band’s carbon footprint. Foals do offset their carbon, but Smith argues that if a band wants to sustain a life and income – even one who unfurled a banner reading No Music on a Dead Planet at the 2019 Mercury prize – it’s impossible to avoid some environmental impact. “It’s not just income, though,” Philippakis says. “For me, the very core of being a musician isn’t sitting around in a studio. It’s performing and connecting with people.”
He remembers a particular discussion with Congreave on the tour bus prior to their cancelled Asia tour. “He was saying: ‘We shouldn’t do these shows’ – not because of Covid, but because of the impact of a band flying thousands of miles. “We had a very frank and reasonable discussion, but in the end we said: ‘We want to be musicians.’ I’m more than happy to offset, but I wouldn’t want to be in this band if we weren’t playing shows.”
The singer has become one of modern pop’s great livewire frontpersons – known to leap from high balconies into crowds or battle with security men trying to prevent him. “I actually stopped drumming at one gig because of what Yannis was up to,” Bevan chuckles. “You’d see him hanging off a balcony with security holding him by his belt buckle and think: ‘What’s he doing now?’” For the singer, who grew up on “provocative, high-wire” hardcore bands such as the Jesus Lizard, performing is a way of escaping his “everyday self. It’s really charged, and on stage the energy from the crowd and the physical volume and the booze becomes like a cyclone.”
Foals: ‘Hopefully we’ve made a great record that people can hide in and take solace in,’ says Yannis Philippakis (far right). Photograph: Linda Nylind/The Guardian
Foals read a recent Guardian article about how “hard-partying” bands have become outliers, but for them alcohol remains a part of touring. Philippakis has never done a show sober – Smith did, once – but has certainly seen peers fall by the wayside owing to the lifestyle. However, he points out that people who find making music cathartic or therapeutic might also have “certain psychological issues that make them more attracted to getting fucked up”.
Bevan explains that the industry’s “high-pressure environment” can cause social drinking to become a “coping mechanism. If you were hungover at home, you’d spend the whole day under a duvet, but on tour you might have to play to 40,000 people. You have to power on and maybe have a few drinks to get through.” The drummer always performed sober until a panic attack on stage at the Faversham in Leeds in 2006 led him to reconsider, so now he allows himself “a couple of beers before a show”. Philippakis is upfront about enjoying drinking, but explains that it’s also a creative tool, especially with lyrics. “I tend to become quite unhealthy in the later stage of writing,” he admits, “and that usually continues until the end of tour. I couldn’t do a show without drinking.”
Foals’s ideal is to keep the party going without risking the band. In 17 years, none of them has had a drug problem, and while they certainly enjoy a tipple, or several, Smith counsels: “It’s fundamentally a bad idea to drink your band into ruin.”
So much has changed around them. When Antidotes came out, the UK had a Labour government and was in the EU. Philippakis – who has a Jewish South African mother and a Greek father – explains that Greece sees the EU as “an oppressor, something that was very punitive to the Greek people, but I understand that Brexit has been disastrous for the UK”. He despairs of the “rampant corruption” in parliament and argues that people are “waking up to the fact that we have a rightwing government” and expects a “bigger fury”. On Life Is Yours, Foals perhaps represent a generation – or several generations – who remember the good times, are bewildered and angered by the world today, and just want to be able to look forward with optimism once again.
The idea was that Life Is Yours would coincide with the beginnings of a post-pandemic, brighter world, which – with war raging and prices soaring – seems further away than ever. “The spirit of an emerging new future isn’t here yet,” admits the singer, “which does add a weird extra poignancy to the album. But if it just never arrives, then hopefully we’ve made a great record that people can hide in and take solace in.”
Life Is Yours is released on 17 June on Warners. Foals tour the UK to 8 May.
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More mUSIC TIME
Hold on by Cody Fry. This gives me Saimota vibes. Like shuichi waiting for kaito to come home from space.
Feel again by OneRepublic. Yknow this gives me oumota vibes!! Like kaito helping Kokichi to figure out his own emotions!
How far we’ve come by Matchbox Twenty. Yknow I don’t really have a ship for this. Just kaito vibes!!
The final countdown by Europe. Kaito. Come on. We can all tell it’s Kaitos song. It has an old sci fi to it!
Footloose by Kenny Loggins. Gives me saimota vibes. Idk what it is about it, but it does!
House of memories by panic at the disco. Pregame oumota vibes.
Hold us together by WILD. Saimota. :)
Run away by Fareoh, this just gives me saimota vibes. Could also be oumota
Beating heart by Ellie Goulding. this gives me saimota vibes in a way that corresponds with them making up after chapter four. :(
Turbulent by Waterparks. This gives me saimota vibes too. Kinda like shuichi trying to ignore his feelings for kaito because he feels like he doesn’t like him back, and he doesn’t want to ruin the friendship.
I’m making too many of these-
*incoherent screech* PANIC AT THE DISCO YESSSSSSSS- IDK IF YOU REMEMBER THAT ONE ASK WHERE I SAID THE DAY YOU SENT MUSIC AND THERE WAS A BAND/ARTIST I LISTENED TO I'D FLIP MY SHIT??? WELL THAT DAY IS TODAY, I LOVE P!ATD AND THAT SONG IS SO GOOD 😭😭😭😭😭💜 Andddd i know the final countdown solely bc I've danced it in just dance 😂 LESS GO
The hold on song is def saimota!! It gave me feels thinking of it in Shuichi's perspective and him missing Kaito while he's in space 😭😭😭 Or y'know, after he dIES :,))))))) 💔 Either way it hurts 😔✋🏽
Oooh yes I got oumota vibes off feel again!! I saw it as Kaito just coming into Kokichi's life and teaching him what love is like and it's just them in love ty 😩💜
I rlly liked the how far we've come song, its super catchy!! I def got the Kaito vibes, it made me think of his progress and how far he's come with his friends/the love of his love by his side 🌚👌🏼
I honestly forgot final countdown existed so i had to listen to it again 😂 Now that I have, I agree, it has Kaito vibes all over it, even in the melody and beat and everything??? I never noticed the space-y elements to this song like leaving earth and going to Venus so this has been a treat 👁👄👁
Footloose is so dang funky, I love it 😂😂 I know I've heard it before but idk from where! I got saimota vibes too, particularly when it says the stuff about the person playing it cool and obeying every rule but the singer digs a way into their heart, it made me think of Kaito getting Shuichi to come out of his shell and live a little y'know! Then the stuff about life passing by and how you gotta cut loose, it just makes me think of that again, of Kaito brightening up Shuichi's life by showing him new things and expanding his horizons and just yES, it makes sense 🌚
I already knew house of memories but I'll never skip a chance to listen to p!atd, this song is amazing 🌚✋🏽 I DIDN'T SEE THE OUMOTA BEFORE BUT I DAMN WELL DO NOW, DAMN 😭😭😭 GOD I SEE IT AS OUMOTA LITERALLY BEFORE THEY ENTER THE KILLING GAME??? ASDFGHJKL 😭✋🏽
As soon as hold us together I got hit with saimota :,))) I literally see it from either of their perspective and its like, they're falling for each other and its a scary new feeling but it's also amazing and despite how rocky it may be at the start its okay cause they'll get through it 😭💜
Run away gave me both saimota and oumota feels 😭😭 Though saimota gave me many more feels, cause it made me think of it in Shuichi's perspective @ Kaito and him missing Kaito after he goes to space oR, YOU GUESSED IT, AFTER HE D I E S 🥲
Oof, I def got them make-up vibes with beating heart 😭 God, when it said "wanna hear your beating heart tonight before the bleeding sun comes alive" and "i want to make the best of what is left" I automatically thought of the night those two made up through the window and how that was the last time they talked before it all went to hell with the hangar plan, sOB 🥲💔
Man I really liked turbulent!! I def see it from that perspective of Shuichi trying to make his feelings for Kaito disappear and he's just mad that he fell in love with him :,) Also ngl, I got oumota vibes from Kokichi's perspective but that's solely bc of the cussing and attitude 😂
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Classical love story; John Deacon x reader
*Author’s note*
Okay so in honor of our beloved goofball Joseph Francis Mazzello III’s birthday I have made a John deacon story that was requested to me on my wattpad. Now you can either read this as the real Disco deacy but in honor of Joey’s bday why don’t we all read it as a Joe mazzello!John deacon story. Sound good everyone? Great.
Now not really much warning except swearing, INSANE AMOUNTS OF FLUFF, a pinch of angst and above all JOHN DEACON CAUSE COME ON HE'S ADORABLE :) Also.....HAPPY BIRTHDAY TO JOE MAZZELLO THE ACTOR WHO BROUGHT DEACY TO LIFE ON SCREEN. I bet he was proud of your performance my dino boy :)
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________________________________________________________
*1971*
I close my eyes and I just let the music take me away. That’s how I’ve always done it. As I gracefully played one of my favorite compositions by Beethoven “Bagatelle No. 25” in A Minor. For as long as I can remember I’ve always just loved classical music, I guess you could say my first introduction to it was when my aunt took me out to see “The Nutcracker” ballet when they were performing at the London theatre.
And when I first heard that opening number and saw just how much music can tell a story without having any dialogue, I dove into all the classical artists. Got my first piano lessons at the age of seven and got my first scholarship at the Royal Academy of Music.
The headmistress said that with my skills, I had reminded her of another bright young student that she taught long before me, who unfortunately quit the program and the school to pursue a dream of rock and roll. I graduated with the highest grade in my class and even got Valedictorian after graduating the school.
Now after having graduated back in the Winter three months ago, I’ve been searching for jobs until I could hear back from the most elite orchestra in all of England, The Royal Philharmonic Orchestra.
By the end of the song, I opened my eyes and that’s when I heard the phone ring. I walked over and picked it up and said.
“Hello?”
‘Hope I was disturbing your concentration my darling.’ I smiled and said.
“Freddie, long time no speak.”
‘I know right, we have so much to catch up on. In fact why not we do it tonight?’
“Tonight?”
‘Yes, come down to the pub right by London University.��
“Freddie you know I—don’t do so well in pubs. With the crowds and all.”
‘For someone who wants to be a concert pianist and doesn’t like crowds…..’
“Not like that Fred I mean—the drunkards that associate with pubs. The inappropriate ones.”
‘Well no worries darling, I’ll make sure Mary stands with you the whole time. C’mon please, for all the times I’ve told you about my new band, you have yet to come watch us perform. And I thought you were my Ohana?’
I smiled softly and said.
“I hate it when you use that word against me.”
‘That’s cause I know it works. And wear something cute, but not too slutty. I’ve got a special friend that I know you’ll like. He’s our recent bassist.’
“Wait I thought you already had one?”
‘Had to let him go, he was too much of an arsehole to keep around. But I’ve got a good feeling about the one we just found last week.’
“What time do I have to be ready by?”
‘I’ll have Mary pick you up at around 6. Our performance starts at 8pm.’ I looked at my clock at saw that it was almost 4pm.
“If that works for her.”
‘It totally does darling, ohh I can’t wait to see you. We need to hang out more. You’re always so busy lately.’
“Well what about you Mr. Lead singer. When can I expect that first album you promised me?”
‘Once we are sure the four misfits that we are can connect with the audience fully and eternally throughout the entire show.’
“See you later Freddie.”
‘See you soon darling, mwah.’
“Ciao Freddie.” I hung up the phone. God that Freddie Bulsara.
Ever since Freddie and his family moved across from me and my family, the two of us have stuck together like glue. We both had a love for the piano and he’s even kinda helped me come out of my shell a bit.
He’s always there with his arms open for a warm hug, a kiss on the cheek and a shoulder to cry on should the occasion arise. When life got stressful for me, I knew I could count on Freddie no matter what, day or night.
I got showered and dressed as cute as I could according to Freddie. I went with a basic skirt and blouse along with some boots. As I was putting on the last touches of my makeup the doorbell rang and I said.
“It’s open!” It opened and soon Mary’s voice called out.
“(Y/n)?”
“In the bathroom Mary I’m just putting the last few touches of my makeup on, fill free to take a seat I’ll be out in just a second.” After applying my lip gloss, I looked myself over before turning off the lights and went over to Mary who was sitting in my living room.
“Wow look at you.”
“Freddie helped picked it out when we went to Biba shortly after meeting you. He said this outfit was made for me.”
“Well he definitely has a sense of style. That’s one of the many things I love about him.”
“Yeah, well we best get going before we’re late. And trust me Freddie will never let us live it down if we’re late for a performance.” She nodded and we both left my flat. I locked it up and we piled into Mary’s car and soon we drove off towards the pub.
After just being here for an hour, I was already starting to feel a little overwhelmed with how many people had come. Not to say I didn’t deny Freddie and his band weren’t good, but this pub looked practically packed, it was like the maximum capacity had already been filled.
“You doing alright?” Mary asked me.
“I don’t think this pub could be anymore packed than it is.”
“If you want, I can have us go backstage and we can watch the show from there. I’m sure Freddie and the boys won’t mind.”
“No I—I’ll try and toughen it out.” She rubbed my back and soon Freddie along with three other boys came up onto the stage. One that went behind the drums had long blonde hair and he was pretty handsome and easy on the eyes but he wasn’t really my type.
The one with curly hair holding a red guitar seemed like a nice guy, I especially intrigued at the SAVE THE BADGERS wristband that he wore. But the person that caught my eye as well as make my heart go BOOM was the other guitar player.
He had long brown hair that went down past his shoulders. He looked to be about my age or maybe a bit younger I don’t know. But oh was he sure handsome, and—cute at the same time. Is that even possible to be both adorable yet incredibly hot?
“Hello all you beautiful people. Seems I’ve seen a lot of you before, but I do see some new faces which is lovely, thank you all for coming to our show tonight. We’d first like to start off by introducing our new bass player; John Deacon.” John Deacon, it suits him. “So all of those who have been with us since the beginning treat him well, if not then I’ll fuck you all over and not in the good way.” Typical Freddie, that was always his go too saying, especially when I first started dating awhile back.
“I think they get the idea Fred, right so we’d like to begin with our first number. It’s called Keep yourself alive, thank you.” The curly haired guitarist said before striking his strings and when I heard that first strum, it was unlike anything I had heard come out of a guitar.
Wow, why didn’t I ever come and see Freddie and his band before? They each had a wonderful sound that I had never heard from a rock band before, not even from the Beatles or even Elton John.
Freddie owned the stage like it was his, and he made sure that everyone in the pub felt included, the guitarist skillfully fingered his guitar with every note, the drummer kept in tempo with the song and I could definitely tell that he was passionate about drumming.
And John…..god why must he be so cute when he bops his head along to the beat of each song that played, or do a little dance step on stage. And I know this sounds crazy, but I swore I thought John was looking right at me every now and then as he played his bass. I couldn’t help but blush and look down shyly.
By the end of the show, everyone was clapping and whistling loudly. I couldn’t wipe the smile off my face and Freddie said in the mic.
“Thank you my lovely darlings, we are Queen. Thank you, goodnight!” The boys then walked off the stage. Mary grabbed my arm and gestured me to follow her. We walked out of the pub and into the university corridors before heading out to the back.
“Freddie!” she greeted.
“Hello my love.” Freddie turned and said as he smiled widely at his girlfriend. The two of them kissed and he picked her up and spun her around making Mary giggle.
“Freddie, Freddie put me down!” she laughed which caused Freddie to chuckle.
“And you, my lovely darling.” Freddie said to me. I smiled and the two of us embraced each other. He picked me up and swung me side to side.
“You guys were amazing!” I praised. “And you were incredible.”
“Well I had to give my bestest friend a show she’d never forget.”
“So this is the (y/n) you were telling us about?” the curly haired guitarist said. We turned towards them and Freddie said.
“Yes, my darlings this is my most dearest and closest friend since childhood, (y/n) (l/n).”
“Wait a minute, didn’t you once perform at the London opera house last year?” asked the guitarist.
“Yeah. I was chosen to be the pianist for the live orchestra performance of Figaro.”
“So you—like classical music?” asked the drummer. I nodded. “So—why come here to a rock concert?”
“Rog don’t be a bastard!” hissed the guitarist lowly. He turned to me and he said, “What Roger was trying to say is that….we thought a classical musician like yourself wouldn’t like Rock and roll.”
“Well while most of the people I perform with always talk bad about rock and roll. I actually find it quite enjoyable. In fact Freddie here got me into David Bowie and I’ve just found rock and roll enjoyable ever since. I just love to hear the sounds of a guitar and if struck the right way, it almost sounds like it’s singing.”
“Wow, so you did notice? Oh where are my manners, I’m Brian May.” He said as he held out his hand and I shook it. “You know Roger of course.”
“I hope you really didn’t take it offensive love.” Roger said to me.
“None taken. I’ve dealt with Freddie for years and I’ve heard worse taunts and teases from him. You’ve got quite an ear for the drums and—was I going crazy or did I see you tighten your drums after a few of your songs?”
“You actually caught that?”
“Yeah. I—never knew you could do that to a drum.”
“I would be happy to show you sometime if you’d like.”
“Watch it Taylor. Just because you and I are roommates, doesn’t mean you get dibs on my bestie.” Freddie warned as he held me protectively. “And last but not least, the man I wanted you to meet, our new bassist. Deacy.” Wait I thought his name was John?
“I—actually prefer John.” He muttered.
“No John just sounds so boring, especially after what I saw out of you on stage. So from now on I dub thee Deacy.”
“Well I…..”
“Freddie I think it’s a little early for nicknames.”
“Oh come off it, you know I love giving people new names, right bunny?” I blushed heavily and sneered lowly.
“Why must you call me that in front of people?!”
“Because it’s adorable. Just like you.” He bopped my nose as he said ‘you’. “Right now this calls for a celebration, drinks all around. Roger’s buying tonight my darlings!”
“Oi hold on a second Fred!” As everyone walked off, John and I stayed behind and I shyly looked at him.
God he was even more handsomer up close. He had a great profile, but the thing that caught my attention were his eyes. I cant pinpoint what color they were exactly but—they were beautiful.
“Freddie can always be a bit eccentric, I hope he hasn’t scared you away already.”
“Not really. I—I think I’ll stick around. He definitely has a vision for this band.”
“I know already he likes you already. Your bass playing was definitely what they needed. And he’s told me about all the other bass players before who were either so egotistical it made them arseholes, or they just sucked once they got on stage.” John looked at me and the two of us just stared at each other before we smiled shyly.
Wow this was so awkward, why am I like this? Why is my heart beating so fast, I just met John.
“Then I’m glad I went with the audition.” We both smiled at each other then before we could say anything else, Freddie came up and said.
“Oi you two done snogging each other or what?” the two of us heavily blushed and I squeaked out towards him.
“Get your mind out of the gutter you rotter!”
“Then either get your little bums in here or hop in the back of the van, because you two are immediately radiating sexual tension!” I chased after Freddie and he ran off screaming.
*John’s POV*
Is it wrong for me to say that I’m turned on by her strength? I mean Freddie’s told us so much about this friend of his but when I saw her it—it was like everything else in the world vanished except for her. The second I saw her from up on stage, I almost forgot how to play on stage, but I didn’t want the boys to get pissed at me.
But every now and then throughout the performance, I would look right at her just to admire her beauty. Now getting to talk to her, she was just so adorable, and the fact that Freddie calls her bunny I could see why he called her that.
Much like a bunny she was adorable with those beautiful (e/c) eyes of hers that just glowed.
I followed behind her and tried to think of a better conversation, god I can’t believe I made a complete ass of myself in front of her.
*My POV*
Throughout the rest of the night, I got to know Freddie’s bandmates better. Like I was told that Brian is studying astrophysics and that he and his dad both built his guitar from scratch.
“You know Roger’s a dentist.” John told me.
“A dentist?”
“I was never a dentist.” Roger pointed out.
“He’s a dentist.” John teased towards Brian.
“He’s a dentist.” Brian agreed. I giggled softly as I sipped my strawberry margarita.
“So John, what do you study?” I asked.
“I’m still in school over at Chelsey studying electrical engineering.”
“Really?” I asked bewildered. He nodded. “Wow I mean I may be smart but not that smart. Is it hard?”
“Some things are difficult. It’s just a whole bunch of words meshed together as you read them, it’s once you get down to the real hard work that it becomes easier. I’m—actually currently in the process of making my own amp for my bass.”
“Really? That’s incredible.” I said in awe.
“Thank you (y/n).” we both smiled at each other and the two of us had our own private conversation while the others kept talking amongst each other.
I got to really know John extremely well that night. I learned about his family, how long he had been playing bass, and what type of music he likes to listen to. I also told him some facts about me, like when I got into classical music, what kind of Rock and roll artists and bands I liked, a bit about my family and my big dream of being in the Philharmonics.
By the end of the night as Freddie offered to drive me home, John piped in and said.
“Actually Freddie, if I could—I could take her home.” Freddie looked at him skeptically but there was a hint of mischief in his eyes.
“Are you sure it isn’t for another reason Deacy darling?” he teased.
“No I-I-I was just…..”
“Lay off Freddie! Besides Mary looks like she’s about to pass out. You should get her home before someone else offers.” I said to him gesturing to a drowsy Mary who was leaning against Freddie’s shoulder.
“Alright, but if you guys do the deed tonight just be sure to use protection.”
“Okay we’re going now!” I exclaimed as I stood up and John followed behind me.
We went in John’s car and I told him where to turn in order to get to my flat.
“Again I apologize for Freddie’s bluntness. He just says what he wants and doesn’t think about it.”
“Guess that’s another thing I’ll have to get used to huh?”
“Yeah.”
“Well I admire him for that. To be honest, I’m kinda jealous that he can speak so freely. All my life I’ve just stayed quiet and let people speak for me.”
“But I have noticed you do have some hidden sass in you. If you don’t mind me pointing that out.”
“I don’t mind.” Sadly we reached my flat and as I turned to get out, he got out of the car as well and came over to open my door. “I hope you also don’t mind if I walk you to your door. Just, to make sure you get there safely in case you’re still a little woozy.”
“Thank you.” I said. As we walked towards my door, I guess I must’ve been more wasted than I thought because next thing I knew, the tip of my sandal got caught along the curb and I went flying forward but it wasn’t until John caught me in his arms.
I placed my hands on his biceps and—goddamn they were…..something.
“You okay?” he asked me.
“Sorry.”
“For what? Tripping? You had no control of that. But aren’t you glad I came to walk you to your door instead of waiting in the car?” I hummed a nod. We soon arrived at my door and I unlocked it.
“Thank you again John. And it was wonderful to meet you. I—hope we can hang out again soon?”
“I’d like that.” He said with such a warm smile, it sent shivers up my spine and made my stress fade away. He then surprised me by taking a strand of my hair and tucked it behind my ear.
I felt my heart stop as his finger softly grazed across my temple and the tip of my ear. I could feel the slight calloused feel of his fingertips, and the two of us stared into each other’s eyes.
“Deacy.” I whispered. It took a second for me to process that I had called him by the nickname Freddie had given him and I said embarrassedly, “I—I’m sorry John I didn’t mean it, it-it just slipped out. I won’t call you that if you…..”
“Actually it—it has a nice ring when you say it.” I looked up at him surprised.
“Really?”
“Yeah I—I wouldn’t mind if you called me that.” I softly smiled and said.
“Well, thanks again for—for walking me to my door. And it was great to finally meet you.” He took my hand and did another surprising thing. He lifted my hand and kissed the back of it and he said.
“It was great getting to know you too, bunny.” I blushed at the nickname but it gave me this warm feeling when he said it. I fiddled with my door handle before finally opening it and bid him one final goodnight before slowly closing the door behind me.
I leaned against my door and sighed blissfully as my heart almost felt like it wanted to explode. He actually kissed my hand! Oh my god he kissed my hand! God I can still feel the tingles from that kiss. His lips were so soft.
Well I guess there’s no doubting it even though I want to, especially since we just met tonight. I am infatuated with my best friend’s bass player John Deacon.
Months passed and I began to get really close with John. In fact the two of us have become practically best friends with each other even though I’m a few years older than him, it didn’t bother us. But sometimes I do wish we could be more than that, but my damn shyness and introverted attitude just stands in the way.
We’ve already established a good friendship, what if I screw it up by admitting that I love him? I’d lose him. So I kept my feelings for him buried as deep as I could. And I did find a perfect distraction for that.
You see just three weeks ago the auditions for the Philharmonics finally happened and I had been practicing for so long for years to hope for the chance to perform with them. They said they would contact me soon with a letter and so every day since the audition I have been pacing with worry.
“If you keep pacing around like that, you’ll create a rut in your home.” Deacy teased. I stuck my tongue at him and sat down on my couch.
“It’s been three weeks Deacy and there hasn’t been a single letter from them. Why haven’t they reached out to me?” He set down some tools (my refrigerator has been a bit of the fritz and when I told him about it, he offered to take a look at it and offered to do it for free. So who can say no to that).
“I know you’re stressed (y/n), believe me I know how hard you’ve worked for that audition. I’ve caught you using some of our studio time to practice. You’re incredibly talented, I’ve never seen anyone strike the piano keys that way when it comes to classical music.” I smiled and leaned my head against his shoulder and that’s when I saw some mail fall through my mall slot.
We looked to each other and I walked over and gathered up everything. Gas bill, cable bill, water bill, my monthly magazine prescription, oh my god—From the London Philharmonics. I tossed the mail aside save for that one letter.
“Is it from them?” he asked. I spoke not a word but quickly ripped the envelope up and unfolded the letter inside. I read it over as quick as I could trying to get to the bolded part of whether I got in or not.
My heart at that moment became lead.
“(Y/n)?” I vaguely heard John say. I collapsed to my knees and John knelt down in front of me. I saw him take the letter that had fallen to the floor and as soon as he read it, he looked at me with sad empathy. “Oh love I’m so sorry. Come here.” He wrapped his arms around me but I just felt numb.
Tears formed in my eyes and I let them out one by one. At first it was just a trickle, then it formed into a soft whimper, until finally I just broke down. I gripped onto Deacy like he was my lifeline and he not once released me or forced me to separate from him. Instead he held on tighter and rubbed my back in soothing circles.
I don’t know how long I cried for, must’ve felt like hours till I finally stopped crying and just sniffled against Deacy’s shoulder. As he rubbed my back, he gently rocked me from side to side in a gentle manner like I was a baby again.
“I’m sorry.” I choked out silently.
“No, you have no reason to be sorry. They are nothing but upper class arseholes. They wouldn’t know a good pianist if it bit them in the balls.” I sobbed out a laugh and sniffled.
“Oh god now I’ve gone and stained your shirt.”
“Oh this old thing don’t worry about it. That’ll wash off. I’m more concerned about you right now.” At hearing that I’ll admit it did make my lead heart feel a bit lighter than it did reading my rejection letter.
“It’s just—I hate you seeing me like this. I don’t like it when people see me cry.” He leaned his forehead against mine and rubbed my arms soothingly.
“Well…..if you don’t want me to see you cry, then maybe I should make you laugh instead.” At hearing him say that, I acted fast. I stood up as fast as I could and tried to run but he came right up on me and playfully tackled me onto my loveseat and began tickling me along my ribs and sides.
I immediately was taken over by shrieks and laughs. God why was he such a skilled tickler? Was it because of his years of bass playing? Whatever the case he was a sadistic tickler and he knew it. Ever since I one night worked myself to complete stress that my back was killing me.
Deacy offered to give me a massage to help put me at ease. Of course he was shy about the sudden offer he had said but I told him I accepted. As he began with my shoulders, he lightly stroked across my shoulder blades which kinda tickled and ever since then he’s secretly exploited my weakness whenever it’s just us two together.
“Nohahaha…..Deacy stohahahap!”
“I don’t think I want to. Not until I know for sure you’re happy and forget about that letter.” I kept trying to push him off but he had me pinned right between him and the loveseat.
“Okahahay…..okahahahay! I’m Hahahahahappy! I’m haphahahahppphehehee!!” he then stopped at my request leaving me breathless. We both looked at each other and he stroked a wild strand away from my face. My heart was fluttering as he just stared down at me.
“(Y/n)…..”
“(Y/n) my darling! Have you……oh well.” We were both horrified to see not only Freddie standing at my doorway, but also Brian and Roger too. “If you want we can come back later dearies.”
“No! It—it’s not like that at all!” Deacy said as he quickly got off of me and I adjusted myself.
“We—we were just…..” I tried to explain but Roger interrupted.
“No, no, no you don’t need to explain. We’ve had a feeling this was going to happen. Now Bri and Fred owe me 10 quid.”
“Oh my god nothing happened here!” Deacy snapped.
“So what exactly was going on here?” quirked Brian. At that point I grew solemn again. Deacy turned to me and asked me through his eyes if it was okay.
“I’d gotten a response from the Philharmonics…..”
“You did? Oh darling that’s fantastic!! When do you start performing with them. My darlings this cause for a celebration. Brian get the wine that’s in the car. Rog, her wine glasses are kept on the second top shelf over her oven.” Freddie suddenly jumped to conclusions.
“Freddie stop!” Deacy hissed. At hearing his tone, all three boys were stunned. I sighed heavily and I told them.
“I didn’t make it.” At hearing that, Freddie’s eyes widened with horror.
“What the fuck!?”
“(Y/n) we’re—we’re so sorry love.” Brian said as he came over and wrapped an arm around me in a comforting one armed hug.
“How could they not pick you!? You were the only reason why I give classical music a chance. Why would they not pick you!?” shouted Roger.
“Right that’s it. Rog get in the car we’re gonna throw some stones right through the windows of the Philharmonics hall.”
“I’ll drive Fred.”
“Nobody’s going anywhere.” Brian emphasized towards my two hysterical queens.
“Please guys I—I don’t want to even think about this anymore.”
“And we’ll respect that love. Won’t we Fred? Rog?” the two of them whined out exasperated but agreed.
“My darling forget about them. Clearly you were so good, they were threatened by you. You deserve better than them.” Freddie said as he came up and embraced me and rubbed my back.
“Thanks for trying Fred. But—what am I gonna do now? I’ve done all this work for nothing. I mean I knew there would be a slim chance, but after achieving so many scholarships and graduating Valedictorian of my class, it—feels like I’ve done countless of hours of practicing for nothing.”
“You’ll find something (n/n). Until then we’re here for you. Aren’t we darlings?” Freddie said to the boys.
“Absolutely.” Said Brian with a comforting pat.
“Without a doubt. And if you need me to bury some bodies, I’ll happily oblige.” Said Roger.
“Rog.” Lectured Brian. It was then I felt Deacy’s hand take mine and he gave me a soft smile, telling me his answer.
“You guys are the best group of friends a girl could ask for.” They all huddled around me trapping me in a loving and tender group hug.
*John’s POV*
As I leaned my head against hers, Freddie and Rog weren’t the only ones who wanted to go up to the Philharmonics and raise hell on them. (Y/n) is so gifted and incredibly talented, that I can’t understand why they wouldn’t take her.
But I knew that’s not what she needed right now, what she needed was us, but I hope she’ll want just me to hold her and assure her of her incredible talent every day for the rest of her life.
That she’ll make it big one day and she can rub it in the Philharmonics faces that she got famous without them, and that they will forever be known as the group who lost (Y/n) (l/n).
We stayed in her flat and just had a small, casual hangout filled with junk food, take outs, booze, and desserts by the mile. By around nightfall she had passed out on the couch from all the wine she had drank. Still slightly sober, I stroked the hair out of her face and slowly picked her up without trying to wake her up.
I took her down the hall toward her room and set her down on the bed. I figured it’d be inappropriate for me to remove her clothing without her consent, so I chose not to do it. But I tucked her in and prepared her a glass of water as well as found some medicine for her to take come morning for her hangover.
“You have got it bad Deacy dear.” I looked up to see Freddie leaning against her doorway.
“You’re drunk Fred.”
“I may be drunk…..but at least I’m not in denial. Unlike you two.”
“What are you talking about?”
“In all my years of knowing the darling, never have I seen her so invested with you. She’s told me you know. How much she loved you.” Part of me wanted to just think it was Fred messing with me like he always does, that the beer and wine was making him say this. But then again—there was some hope in me that wanted to think that (y/n) loved me the way I loved her.
I looked down at her and brushed some strands of hair out of her face and couldn’t help but stroke her soft cheek with my thumb. She stirred tiredly but leaned against my hand and even clung onto my arm.
“Just tell her how you feel and put us all out of our misery. Cause honestly Rog and I are sick and tired of the fucking pining.”
“Why can’t you just keep your busy-body nose out of this?” I said annoyed.
“Fine, but I’m not giving up till you both grow a pair and finally admit your feelings for each other. You’re simply meant to be. You’re her lobster.”
“Go to sleep Fred you’re talking rubbish.”
“Again I may be rubbish, but I’m not in denial.”
“Goodnight Freddie.” I said as I walked up to him and gently shoved him aside so that I could quietly close (y/n)’s bedroom door. I walked back over to her and couldn’t help but stroke her cheek again.
God what I wouldn’t give to fall asleep with her every night, and to wake up to her every morning. Seeing her first and last part of the day, that would be the perfect heaven for me. I lay down beside her but I didn’t get under the covers, just so she wouldn’t be freaked out come morning.
I stroked her cheek and she moaned tiredly and what she did next stunned me. She scooted closer to me till her head was resting over my chest. I almost wanted to move her but the second her arms wrapped around me, I knew I didn’t want to. I stroked down her head and whispered to her.
“You’re talented love. And—so beautiful. Goodnight (y/n). I—I love you (y/n).” with a kiss to the crown of her head, I fell asleep holding her in my arms.
*My POV*
It had been about three months since my rejection letter. Of course I’ll mention the next morning after my ‘cheer up party’ when I woke up to see me sleeping on Deacy, I won’t deny that I was shocked that I had actually forced him to stay with me. But he assured me that it was alright and that he was happy to provide some comfort to me in my sleep drunk stage.
And I don’t know how he knew about it, but Freddie’s constantly teased me about it. He says he’s determined to let us see the light and finally admit our feelings to each other, but I think he’s just full with a bunch of bullshit.
No matter how much I want to admit my feelings, I just have this feeling Deacy won’t reciprocate my feelings.
That was until I received a message from Freddie telling me that he’d like to meet up for lunch as compensation for being a pain these past few months. Figuring I’d get a free meal out of this, especially since Queen’s first album has been doing good on the charts and they are currently in negotiations with a record label.
I met with Freddie his place only to find that answering the door was Deacy.
“(Y/n) what….what are you….I-I mean not that I’m not happy to see you but…..”
“It’s okay Deacy. Freddie told me that he was willing to make up for his constant harassing of our ‘ordeal’ and buy me lunch. What about you? What brings you here to Fred’s”
“Actually he invited me here for the very same reason.” Oh that son of a bitch! “Think this could be another scheme of his?”
“Quite possibly, you know Freddie.”
“Ahh (y/n) darling you made it! Come on we have a special lunch cooking in the kitchen.” Freddie said as he pulled me into his flat and directed me and Deacy towards a table that was set up like what you would see in a fancy restaurant.
However instead of a white tablecloth it was a white bedsheet, instead of a grand candle set, it was two scented candles from the Yankee candle shop, with a bottle of wine set up.
“Have a seat my darlings.”
“But the table’s set for two.” I said.
“I know.” He grinned. Deacy and I looked at each other nervously and turned away blushing. Since we were trapped, I took the first step and scooted one of the chairs out. But before I could scoot my chair back in, Deacy came up and ever the gentleman that he is, scooted my chair in.
“Thanks Deacy.” He smiled bashfully and nodded before taking his seat opposite of me.
“Good afternoon madam and monsieur. I am Roger Taylor and I shall be your sommelier today. No wise cracks please.” He spoke the last part towards Deacy who merely held his hands up in surrender.
“And in the kitchen is chief Brian May preparing a delightful Italian dish for you both.” Freddie said as he set down the wine glasses in front of Deacy and I.
Roger poured us a thing of Sangria wine and they walked towards the kitchen. I fiddled around with my hands that sat in my lap and Deacy said.
“I can’t believe they would resort to this.” I’ll admit that kinda stung a little. Was he—offended that he had to do this with me? “I—I don’t mean to offend you (y/n), I hope you don’t think that. I’m only referring to this bizarre delusion Freddie is under.”
“Oh yeah it—I mean he can live in his own fantasy world most of the time. Mad as a hatter I used to call him.” Soon Fred came in with a plate of pasta.
“Here we are my darlings.” He set the plate down along with a basket of bread.
“Uhh Fred, there’s only one plate.” Deacy said.
“Oh is there? Silly me. Sorry my dears that was the only clean plate we had. Someone forgot to do the dishes this week.” Freddie said speaking towards Roger. Roger cut his finger along his throat telling him to shut it. “But I hope you enjoy it either way my lovelies.”
The two of them turned away but that wasn’t until Fred stopped and said.
“Oh silly me, Rog. Mood music please.” Roger grinned and went over to the vinyl record player and turned it on and soon Elton John’s voice began playing. I blushed heavily and I saw Deacy look at Roger with a deadly look and I think he even flipped them off, but of course Fred and Rog didn’t take it seriously and just walked away.
“I mean…..it’d—be a shame if we just let this pasta go to waste.” He did nod in agreement and we both shyly scooted towards each other and we each took a bite of the pasta. Oh my god this was soo good! I never knew Bri was such a good cook.
We continued to eat the pasta and occasionally look at each other as the beautiful voice of Elton John continued to echo through the room. I took a few strands of pasta and put it in my mouth. However I felt my head slowly drifting right and in a split second I found myself kissing the corner of Deacy’s lips.
My heart sped up and I quickly turned away from him feeling my face burning up like it was on fire. I was probably redder than a tomato or even an apple at this point.
“I-I-I-I-I’m so sorry Deacy I….I-I didn’t mean to it just sorta….” But I was stopped when I felt Deacy gently cup the side of my face and press his lips to mine. I was frozen in shock as I felt his soft lips against mine. He separated but then realized what he had done.
“Oh shit I’m sorry. I’m sorry I shouldn’t have done that! (Y/n) I-I’d never…..” but I stopped him by kissing him again.
The two of us soon fell under the spell of the kiss as I ran my fingers through his long auburn brown hair and I felt him wrap his arm around my waist pulling me closer toward him. My brain went fuzzy and all I could focus on was Deacy’s kiss.
It was then Elton’s song Tiny Dancer came through the vinyl and as we separated from each other he asked me.
“Would you care to dance?”
“I—I don’t know how. I’ve got two left feet.”
“I can teach you, better yet I’ll let you stand on my feet.” He stood up and held his hand out to me and he said, “Do you trust me?” I looked up at him and softly whispered as I took his hand.
“Yes.” He helped me stand up and we found an open space in Freddie’s flat. He slowly wrapped his arm around my waist and kept hold of my hand with the other. And just as he promised, he allowed me to stand up on his feet. “You sure I’m not too heavy?”
“You couldn’t be any lighter if you tried. Just keep your eyes locked with mine okay?” I nodded and soon the two of us began swaying. “(Y/n)….”
“Deacy I—” we both spoke in unison. I chuckled awkwardly and said. “You go first.”
“You sure?”
“Yeah you spoke up first.”
“(Y/n) I—I haven’t been completely honest with you.” I looked at him confused. “I—I don’t want us to be friends anymore. Because….ever since Freddie brought you to see us on my first night with the band I’ve…..I’ve felt more around you. I—get this weird feeling in the pit of my stomach, my heart just—escalates to almost wanting to jump out of my chest.”
“Deacy I…..is it—sad to say that I feel the same way?”
“No not at all.” He said as he tucked a strand of hair away from my face. I shyly smiled and lowered my head. He softly chuckled and said. “Now I see why Freddie calls you bunny.”
“Why?”
“I’ve noticed that whenever you turn away all shy, especially when I tuck your hair behind your ear. You nose slightly twitches much like a bunny’s nose.” I groaned embarrassedly and hid into his shoulder.
I heard him chuckle as he wrapped his arms around me and I felt one of his hands stroke down my hair. I felt him kiss the top of my head and he whispered in my ear.
“Don’t be embarrassed love, it’s cute. Just like you.” I nuzzled further into his embrace and wrapped my arms around him as the two of us continued to sway. We looked at each other before finally leaning close to each other, our noses softly grazing against one another making me smile before finally our lips touched each other’s.
*Freddie’s POV*
FINALLY!!! About fucking time they admitted it to each other. I wish I had a camera right now because this was like a scene out of a movie. The two lovebirds finally admitted their feelings for each other, and sharing that magical long awaited kiss.
I know Deacy will take such good care of my darling (y/n). The two of them were destined to be together, as I said. They’re each other’s lobsters and they’ll always be that way.
I also look forward to the day they have children so that I can be named godfather and rub it in Roger’s face for the rest of eternity.
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Heyy, so, idk if you ever watched "Rio", but I was rewatching it, and there's the blue and jewel dance. So I was wondering, do you think there's any RWBY ship that fit in the context of that scene ? I mean, maybe there aren't but I cant help, I love that movie, and I love that scene XDXDXD anyway, what do u think ? have a nice day !!! =D ♡
HiyaLethie!I know I still have to answer your last question from before about your suggestionfor Oscar’s theme. I currently have a bit of a backlog of messages to sift through and answer so that plus my generalbusy schedule during the week with school has left me with not getting much of achance to answer your question as yet. Sorry about that but I’ll get to iteventually XD
Anyways,let’s answer this recent question at least, shall we? I’ve seen Rio 2but have admittedly never seen its first movie believe it or not. However Ilooked up the scene you mentioned. It’s the ‘I Wanna Party’ sceneright? Because that’s the scene that comes up when I look it up on YouTube. Letme know if otherwise.
“So I waswondering, do you think there's any RWBY ship that fit in the context of thatscene?”
Aww Lethie,you should know very well which RWBY ship I’m going to relate this to, right?Like the Nae-Nae song, you already know what it is. Or rather who itis.
Obviously the ship that comes to mind is RoseGarden of course. The scenefrom Rio is making me think back to that RWBY SquiggleScript I wrote before about Team FNKIinviting RWBY and JNPR out to party with them. The two birdssinging; the red and yellow birds (sorry not familiar with their names)definitely make me think of Flynn and Neon.
LikeI’m picturing a scene where Flynn and Neon perform for a crowd at a local rave joint inlower Atlas. Perhaps outside of Atlas Academy, Team FNKI are actually a band with Neon Katt as the lead singer.Now I’m imagining Flynn and Neon inviting the heroes out to one of theirconcerts and during the performance, the heroes really get into the groove asFNKI’s show really gets the crowd excited and dancing.
Ofcourse everyone starts to dance, including Ruby who is pulled onto the dance floorby Oscar. Perhaps for the Atlas Arc, the heroes can have two occasions to hang out and explore the citywith FNKI. One being the roller disco idea I brought up before and the second being an actualconcert where their FNKI friends perform.
NowI’m picturing Neon actually performing her classic theme from V2. Picture Neon singing Neon.Up until this point, Weiss Schnee hasbeen the only RWBY character confirmed to have singing talent in the canon withCasey Lee Williams providing her singing voice. It’d be nice if we could haveanother female character besides Weiss who can sing. Maybe Weiss and Neon could even perform a littleduet together.
Likeimagine a moment were Neon rolls up to Weiss and asks her if she could sing.And when Weiss says yes, Neon gets all excited and informs Weiss about how sheand FNKI sometimes perform little concerts from time to time to as a side job. Neon even invitesWeiss to sing with her the next timeshe performs and surprisingly, Weiss agrees. I would actually really like tosee something like this done for the Atlas Arc.
The only times we’veseen Weiss perform is during concerts hosted by the Schnee Dust Company. Weisshas only ever sung to fuel the agendas of her father.
Soto have Weiss perform outside of her family affairs while actually having fun with her performance this rounds; instead of itbeing in compliance or defiance with herfather’s wishes could be great for her. I just want to see Weiss sing outside ofthe SDC. If FNKI is indeed a band in the canon, perhaps they can even set thatup for Weiss. Imagine…FNKI evenapproaching Weiss with the idea of singing a small concert for a crowd that wasn’t rich Atlesian elites thather father wished to rub elbows with. That could be pretty cool especially forthe her character upcoming story arc for V7.
Plus,apart from that…whatif…there’s karaoke. Picture FNKI inviting the gang out to karaoke andwe get some pretty hilarious performances from other characters like Jaune for example. Then again, Miles Luna actually has adecent singing voice. I’ll give him that. The man singlehandedly sung the Camp Camptheme song. Oh lord, now I’m imagining a pretty meta moment where Jaune sings theCamp Camp theme song in main RWBY aspart of karaoke. I know it made a cameo in Chibi but…imagine if the main seriesdecides to do this as a gag. Might not happen but…picture itfor a second.
Anywhozzits,getting back on track with my answer. Imagine FNKI’s concert is Ruby’s secondinstance out dancing with everyoneand at this point, Ruby has actually grown more comfortable dancing thanks toOscar helping her out of her shell on the dance floor.
Inreference to Rio, I’m actually torn between which Rosebud represents Blu and Jewel.The figurative response would be to have Oscar be Blue andRuby be Jewel.However going off my favourite Pinehead headcanon whichpaints Oscar as a good dancer, I feel like Oscar could be Jewel in thisinstance with Ruby being the one enamoured by Oscar’s moves on the dance floor.
Thenagain, since this concept reflects on Ruby’s second time dancing with Oscar…maybethis round, Oscaris pleasantly surprised that Ruby is the one eager to get up and dance with him as she practically pulls him into a groove with herand the two honest souls share a dance together for a second time.
NowI’m picturing Oscar definitely as Blu in this moment with he and Ruby moving incomplete sync with each other on the dance floor. All culminating in the momentwhere Oscar just stops, gazing in awe at Ruby’s jubilant form unable to containher content laughter as she enjoyed herself.
Inthat moment, Oscar couldn’t explain what it was---he didn’t know if it was themusic or the flashing colours but something about the moment just made Ruby gofrom being Oscar’s friend who he was happily enjoying dancing with to the mostbeautiful girl in the room. And as much Ruby couldn’t help but laugh as herswaying hips danced circles around Oscar, urging him to stop staring and dancewith her, Oscar couldn’t help but stare completely entranced.
SoI guess when I really think of this scene, Oscar is definitely Blu. Just as howthe red and yellow birds can be Flynn and Neon respectively performing togetherto bring on the FNK. I can even see Nora being the Toucan, encouraging Oscarwith dancing with Ruby.
Pictureif this is how Oscar comes to realize his true feelings for Ruby. In almostevery romance story, there is cupid moment. The moment where the characterrealizes that they are in love with their potential crushes/love interest.
Remember how I saidbefore that Oscar probably already has a crush on Ruby butis too much of a dum-dum to his own heart torealize it yet. Picture a moment like this being how Oscar realizes it.
Picturea moment like this, being Oscar’s spark of love wherehe finally comes to see that Ruby means more to him. Picture a moment like this when RubyRose goes from being the Silver Eyed girl who Oscar admires to Oscar’s bestfriend to Oscar’s crush. The girl he admires to the girl he likes and ultimately thegirl he loves. Looking forward toseeing this transgression but for now, it’s a theory.
Whaddayathink Lethie?Hope that answers your question m’friend. Have a good day too!
~LittleMissSquiggles (2019
#squiggles answers: rwby#oscar pine#ruby rose#oscar and ruby#rwby rosegarden#rwby theories#lethiepie
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The Economics of Taylor Swift's 'ME!' and Music Videos In the Digital Age
5/13/2019 by Steve Knopper
Sources estimate Swift's big comeback visual cost seven figures to make.
The hissing snake exploding into butterflies, the dozens of dancers in pastel-colored suits, Brendon Urie floating through the sky with an umbrella -- none of these effects in Taylor Swift's "ME!" video were cheap. Music-industry sources estimated its budget in the seven figures. figures. But thanks to the new music-video economy, Swift’s label, Republic, could make up that money over the next few months; the video has been streamed 162 million times so far on YouTube, which, according to one source, means $150,000 to $250,000 in label revenue.
"I don't think they were penny-pinching on that one," says Bob McLynn, manager of Urie's band Panic! At the Disco, adding that he has no knowledge of Swift's video costs.
Labels are shelling out as much as ever on certain videos, in part because they now generate advertising revenue on their own -- compared to MTV, which famously paid nothing. But whether the videos generate more money for artists and labels overall is a tricky calculation, since fans who view a certain video for free on YouTube may then be less likely to stream the song on a more lucrative paid service such as Spotify or Apple Music.
In the MTV era, big-budget videos were almost always worth the financial risk for major stars, since heavy rotation meant a smash hit and lucrative CD sales. Today, these kinds of videos come out 10 to 30 times per year, estimates JP Evangelista, senior vp of content, programming and marketing for Vevo. "ME!" has been streamed on Vevo more than 100 million times in its first week, generating roughly $90,000 to $150,000 in revenue for Universal-owned Republic, sources say.
YouTube pays out roughly $1.50 for every 1,000 views, according to data released by the RIAA in 2017 -- significantly less in royalties than either Apple Music or Spotify, which emphasize audio tracks, not videos. By those calculations, $190,000 would have gone to Swift for the 127 million views of "ME!" as of early May, and nearly $550,000 to Ariana Grande for her 365 million views of "thank u, next." (Lyor Cohen, YouTube’s global head of music and a former longtime label executive, estimated revenue at roughly twice that, but the revenue depends on many variables, like overseas income and whether an artist agrees to certain kinds of ads.)
For non-superstars, though, music videos are simply costly promotional tools. "The money you earn on visual content doesn't match up with the money you put into it, by and large," says John Fleckenstein, RCA Records' co-president. "There's a monetization aspect to it, but it isn't like, 'We should make five videos because we're going to make a boatload of money.'"
Music-video costs range from $2,500 (for an indie-label project) to $700,000 or more (for a pop superstar like Swift, Grande or Drake). Vince Staples' 2018 video for "FUN!" cost roughly $200,000, says his manager, Corey Smyth, although it has just 3.7 million YouTube views. "It's worth it," he says. "They're all calling cards. You don't know what's going to hit and what's going to go viral." Country stars spend $30,000 to $250,000 per video, according to Erica Rosa, royalties director for Nashville business-management firm Flood, Bumstead, McCready and McCarthy. "I saw one in the pop world that was around $850,000," she says. "I almost fell out of my chair."
Dave Meyers, who co-directed "ME!," once said his typical video budget in the late '90s, the end of the MTV era, was $1 million. (Neither he nor Swit's reps was available for comment.)
Labels generally front the money for videos, although artists are frequently charged for the expense until they make enough in royalties to recoup the costs. If artists believe in high-cost projects, they occasionally add their own funds beyond their labels' expense ceiling. "Videos are as important as they've ever been," says McLynn, who manages Sia and Fall Out Boy and has made videos from $10,000 to $200,000. "When you're rolling out a bigger artist, you want to double down -- you want to make sure you have everything you need, so you up the budget."
Music and video execs say the idea is the most important factor in determining whether to green-light a big-budget video. Beggars Group put up funding for FKA twigs' new "Cellophane," depicting the singer floating through the air with a winged dragon and has 3.3 million YouTube views. "That video has to exist in order to fully kick off the project," says Gabe Spierer, the indie label's vp of content and strategy. "It's an example that justifies big spending on a video."
"The artist's vision is usually paramount," Fleckenstein says. "Some artists have extremely specific views they want to get across that can be elaborate and difficult to produce and therefore can become expensive." Adds Lyor Cohen, a top label exec in the MTV era who is now YouTube's global head of music: "When you're void of great ideas, you try to blow up Rolls-Royces for production value. But when an artist and the label work hard to come up with a great concept and execute it, that's the real ingredient of video success."
Labels often calculate potential YouTube revenue when creating video budgets, then work backwards to figure out how much they can spend. "It does allow them to feel more comfortable commissioning higher-cost videos, knowing there'll be some return on their investment," says Vevo's Evangelista. But few videos are hits: "The cost-benefit analysis is about controlling for the likely reality that [the video] is a relative footnote -- unfortunately," Spierer says.
In the old days of MTV and CDs, just about every major artist had to make an expensive video to launch a new single. After Napster and file-sharing forced labels to slash their promotional budgets, according to Smyth, spending dropped to $15,000-20,000 per video; now that streaming has returned growth to the business, he says, "We're in a middle ground."
While MTV-era directors such as Hype Williams and Spike Jonze could focus exclusively on music videos, at least until they broke into feature films, today's directors have to supplement their income with non-music projects. New York duo BRTHR has directed videos for Travis Scott, the Weeknd, Charli XCX and Lil Pump, but, says the team's Kyle Wightman, "To even survive, we have to be doing commercials." Adds Alex Lee, his partner: "The money we make from music videos is honestly nothing. It's about 15 percent of what we make [from commercials]."
Although Specter Berlin recently directed Rammstein's over-the-top "Deutschland" video, which is packed with lasers, period costumes and elaborate, controversial scenes depicting the holocaust, he's frustrated labels won't spend more money in a time of big-budget Netflix and HBO projects. "It's a great time for music videos and there's no reason why the budgets are not going up," he says. "It's convenient for the music industry to say, 'Hey, this is a young artist shooting a music video and we only have $20,000.' If everybody does proper work, nobody's going to make anything." Adds Tony Yacenda, who directs videos for comedian-rapper Lil Dicky, including recent charity single "Earth" and 2017's "Pillow Talking," which reportedly cost $700,000: "Nobody views it as the endgame. [Videos] allow you to create something fun to watch that shows you have style and a voice -- but it's not going to be your payday."
Swift's "ME!" is one of the big-budget exceptions. "I don't think you should spend $500 grand on something you think is going to come and go -- that's for a certain type of artist," says Smyth, Staples' manager. "Taylor Swift was almost in Tron. Her glam is probably my budget."
Billboard
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Let me hear fear and loathing in las vegas mp3
This song belongs to the original artists: "Fear, and Loathing in Las Vegas", please support them and the official release. Listen to Cast Your Shell by Fear & And Loathing In Las Vegas, 2,315 Shazams, featuring on Fear, and Loathing in Las Vegas Essentials, and ’10s J-Rock Essentials Apple Music playlists. This song is not mine, and I don't claim it as mine. The band currently consists of So (vocals, unclean vocals, programming), Minami (unclean vocals, keyboards, programming), Taiki (guitar, backing vocals, vocals), Tomonori (drums), and Tetsuya (bass).Full Parasyte(anime)theme song.
ラスベガス) is a Japanese electronicore band from Kobe, Hyōgo Prefecture, formed in summer 2008.
Download Fear, and Loathing in Las Vegas - New Sunrise (Album).įear, and Loathing in Las Vegas (Japanese: フィアー 2017, And Loathing In Las Vegas, Fear.īand/Singer : Fear and Loathing in Las Vegas. A line drawing of the Internet Archive headquarters building façade. Fear, And Loathing In Las Vegas – New Sunrise (2017) Primal Fear – Angels Of Mercy: Live In Germany (2017) Primal Fear – Best Of Fear (2017) Farewell In Vegas – Serenades (2017) Sunrise And Memories – Beliefs of the Fallen (2017) Sunrise Avenue – Heartbreak Century (2017). Playlist: Fear, and Loathing in las vegas. Band Name Fear, And Loathing In Las Vegas. Band's List Post Hardcore Fear, And Loathing In Las Vegas New Sunrise. Post Hardcore Fear, And Loathing In Las Vegas. Fear, and Loathing in Las Vegas – Let Me Hear
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Genres: Electronic Metalcore, Trancecore. New Sunrise (2017) by Fear, and Loathing in Las Vegas. Fear, and Loathing in Las Vegas Let Me Hear( Kiseijuu: Sei no Kakuritsu OP). Fear, and Loathing in Las Vegas - Let Me Hear (Live IRF" 15. Fear, and Loathing in Las Vegas Burn the disco floor with your 2-step. Nghe bài hát Let Me Hear (Kiseijuu: Sei No Kakuritsu Opening) cht lng cao 320 kbps lossless min phí. Download Download Live Fear And Loathing In Las Vegas in 3GP MP4 FLV MP3 available in. Tìm loi bai hat let me hear (kiseijuu: sei no kakuritsu opening) - Fear And Loathing In Las Vegas ngay trên Nhaccuatui. See its BPM profile at the bottom of the page. Bài hát let me hear (kiseijuu: sei no kakuritsu opening) do ca s Fear And Loathing In Las Vegas thuc th loi Nhac Nhat. This album has an average beat per minute of 120 BPM (slowest/fastest tempos: 91/151 BPM). Get the Tempo of the tracks from New Sunrise (2017) by Fear, And Loathing In Las Vegas.
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Synesthesia
Rating: G
Warnings: Some existential shit in the beginning, no real warnings, pre-relationship usukus
Summary: The colors had left him, so what would it take to bring them back? Rockstar AU
A/N: I was reading an interview with the lead singer of Panic! At The Disco and his words really resonated with me and pushed this out of my brain shjbjdhsj it started as just me writing my feelings but turned into a fic. Hope you enjoy. A little piece of my soul is in this one.
Colors, words, shapes. Alfred could see them all, and it was beautiful. When a song ended and changed to the next track, new colors appeared, the shapes melted into other forms, and words twisted to become something entirely different. That was how he had always seen the world when he listened to his favorite bands, when he wrote songs on napkins at coffee shops, or when he rode on a bus with headphones in. The music always took him somewhere new, a burst of colors that followed him wherever he went. When he had tried to explain this to his friends, they had looked at him like he was crazy, and he had to laugh it off. Pretending it was a joke hurt him, his insides twisting uncomfortably. No one would be able to understand.
Those long years in high school had turned his colors gray, the shapes vanished, and words no longer came to him. He’d lost all interest in his music, choosing to focus on things that his friends would like better. His guitar sat in his closet, untouched. The drum set he used to bang on? In the garage, gathering dust. Every year, the colors faded even more, and had all but vanished by the time he was graduated. Life had become a chore, nothing brought that same feeling back to him, but at least his friends and family were satisfied. His parents were proud of him for giving up his dreams and going for the dreams they’d picked for him. His friends enjoyed the sports they played together, urging him to play professionally. Naturally, he did as he was told, but all the joy on his face had become fake. His smile was forced, the laughs were hollow, yet no one seemed to notice.
Laying in bed, watching the ceiling fan rotate slowly, Alfred reflected on his life. What was good about it? Others would say he had it all, but was that really true? Did he really have it all if it all felt so empty? The tears started small at first, but as the weeks turned to months, more came out, spilling forth in tidal waves of blue. He wrote the first song in years, a testament to the pain that stabbed at his heart, gut wrenching feelings that awoke within him after so many years of being crushed and put to the side. He tore that paper in half, leaving it in the bottom of his closet with the other remnants of his old joys. It was too painful to look at them anymore, to see that reminder of happier times, when his joy had been real.
TV flickering to life at his command, he numbly watched the news, wanting noise to drown out the words in his mind. Oh but it never worked, they would always be there to haunt him when he went to sleep, stealing the rest from his body and leaving him drained by the time he had to wake up in the morning. The weather rolled by in a blur before something caught his eye. A man in a torn up punk rock style shirt who was flipping off the cameras. Arthur Kirkland, the name scrolled along the bottom of the newscast. Then a miracle happened.
Music played on the TV, video of this man’s concert, and something caught in the corner of Alfred’s vision. There was another flash to the side, and he’d seen it for sure that time! It had been green, he was sure of it! The video clip ended and he desperately waited, hoping that the music would play again, or perhaps the name of the band would be shown. When he had no such luck, Alfred turned to the internet, the saviour of his ignorance. Typing in the name Arthur Kirkland had led to a plethora of interview pages, but one particular name stood out. “Black Rose Tea...”
The name echoed in Alfred’s mind as he typed it into a video site, praying for results to show up. Blessedly, the band did pop up, album after album showing under the search results. He chose a song at random, listening to it while he lay on his bed. The colors graced him with their presence, shapes and words joining in and nearly making him cry from the feelings they evoked. He’d found them again, after so many years, his words and colored shapes had returned to him. The feelings within him were overwhelming, but he just kept playing songs, listening to each and every album, desperate to get more of that beautiful imagery flowing before his eyes. At around four in the morning, he ran out of songs to listen to, but that didn’t matter anymore. He had what he needed, and he was ready to give up everything he had to keep a hold of it.
The weeks rolled by as normal, but he now saw the world in a different light. Everything seemed brighter, happier, or maybe that was just him? The colors radiated so strongly, music filling his very soul and making his smiles feel less and less empty. When the news was announced that Black Rose Tea was coming on tour in the USA, Alfred had stayed up for 48 hours straight just to buy VIP tickets for the venue closest to him. He spent all the days before the concert preparing, unable to hold back his excitement, no matter how many odd looks he got from teammates and friends alike.
The night of the show, he was eagerly bouncing on his heels backstage, ready to see the band walk by and to their dressing rooms. What he saw soon after nearly broke his heart. The drummer of the band had walked out, leaving a fuming Arthur and a shell shocked Kiku Honda behind. Did they have a backup? From the looks they were giving each other, and their hushed tones, he figured that it was a no. Biting his lip, Alfred glanced warily at the large bodyguards, before he inched closer to the rope that kept the fans back. When he figured he was close enough, he realized he had no way to get their attention. That was when he remembered what he had brought for Arthur to sign.
Hurriedly, he pulled out the sheet of paper, the one that had the song of his sorrows on it, then scribbled a message on the back and balled it up. With a quick prayer to any diety that would listen, he threw the paper, hitting the singer on the back of the head. Surprised by the sudden hit, Alfred could soon see the glare he received from the rocker. Thankfully, the band’s other member, Kiku, had chosen to pick the paper up and unfolded it carefully. In black ink, the note read: ‘If you need a temporary drummer, I know how to play all your songs.’
Arthur took the note and read it, then he eyed Alfred warily before calling for security to bring him forward, all while the other fans nearby whined. Clearly they had not seen that fight as Alfred had, because they chose instead to complain about the concert being late to start and cutting into their autograph time. Holding up the note, Arthur raised an eyebrow at Alfred skeptically.
“Do you really know them all? Even the most recent release? It’s only been out for a month--”
Alfred nodded his head quickly. “If you give me sticks, I can prove it. I just... I just wanna help. I saw what happened right here and I know all these guys will definitely be upset if you had to cancel just because Francis is being a drama queen.”
That comment earned a snort from Arthur, who was now smirking. “I like you already. Follow me, we’ll see if you have what it takes to handle this job for one night. Can you sing?”
“Uh, I mean, I’m nowhere near as awesome as you, but I think-”
“Flattery gets you nowhere kid, can you sing?”
Alfred felt his cheeks redden in embarrassment. “Dude, you’re only a year and a half older than me, I’m not a kid... and yeah, I can sing.”
As they stepped into a closed off rehearsal room, Kiku politely handed the paper back to Alfred. “You write well. Is this a song?”
“A songwriter, hm?” Arthur snatched the paper before Alfred could, and read it over.
That was it, Alfred’s life was complete, Arthur Kirkland was actually reading his song, oh sweet jeebus have mercy was it hot in here? Face as red as Kiku’s base, Alfred couldn’t help but fiddle with his jacket sleeves. What would Arthur think of his music? Surely it would look amateurish compared to any real singer, but Alfred figured that it at least had feelings to it.
When he was done reading, Arthur’s eyes met Alfred’s, a startling green staring at his own blue with surprise. The words that left his lips caught Alfred off guard.
“You see them too?”
That very same green that filled Alfred’s soul with every song of Arthur’s he’d listened to, it was in his eyes right now. The world had come to a stand still, and Alfred could only numbly nod his head in affirmation. Yes, he did see them, he had for the longest time. “Your music brought them back to me. My whole world had lost color, but when i heard you, I- I could see again.”
A small, genuine smile was the response, and Alfred swore his heart had stopped in that very moment. Those beautiful eyes stared into his own and he felt a whole new type of color flow through him. It was one of the most glorious feelings Alfred had ever been lucky enough to experience. It may have been only infatuation, but it was a start.
“Come on, lad, we have a concert to perform. What’s your name?”
“Ah-uh, Alfred Jones.”
“Alfred, hm? Welcome to the band.”
Arthur handed the paper back after writing something on the top. It was a single word, one that Alfred had never heard before, and yet he knew what it meant already. A word for the things he saw when he was in the music, feeling it, breathing it, living it. Loving it.
Synesthesia.
Synesthesia is a neurological condition in which a person experiences "crossed" responses to stimuli. It occurs when stimulation of one sensory or cognitive pathway (e.g., hearing) leads to automatic, involuntary experiences in a second sensory or cognitive pathway (e.g., vision).
#hetalia#usuk#ukus#pre-relationship usukus#band au#rockstar au#human au#ixiewroteathing#ixie wrote a piece of her soul and is still sho o k
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“Dead Giveaway” by Shalamar (1983)
Writer/producer Leon Sylvers III (yes, of the “Boogie Fever” Sylvers) took Black music into the post-disco era with a stream of killer records by Shalamar, Lakeside, Dynasty and The Whispers. Essentially, he created the sub-genre “boogie”, which was a catch-all brand name for danceable pop/soul that was a few steps removed from disco.
A couple years later, as Prince’s star began to ascend, Sylvers realized he had to switch things up at least a little bit, and began to add more new wave and rock elements into his sound. This is conjecture, but I imagine the fact that Leon’s younger brother Foster (who was helping Leon produce on the down low) was a rock “head” was a part of it. Shalamar’s success in the new wave-happy U.K. might have been a part of it, too. Anyway, Sylvers’ incorporation of heavier rock sounds into his soulful mix resulted in “Dead Giveaway”, a classic song and yet another reason why Shalamar might be one of the most underrated hit bands of the ‘80s.
Howard Hewett is a soul crooner in the Marvin Gaye mode, so it’s kind of a surprise that his vocal works so well on a song like “Dead Giveaway”. Marvin himself wouldn’t have been able to pull this off, although it’s interesting that other disciples of his-most notably Jermaine Jackson-had success in a more rock-oriented realm also. The synth textures are straight out of the Human League-by-way-of-Prince bag. The ripping guitar solo is straight out of the Van Halen-by-way-of-Prince bag. To add yet another purple element to the song’s legacy, that guitar solo was played by The Time’s Jesse Johnson. Jesse was uncredited on the original release-he didn’t want to incur the wrath of Mr. Nelson-but revealed his involvement years later.
Unfortunately, “Dead Giveaway” also marked the end of this iteration of Shalamar. After a couple years of mounting internal strife, probably compounded by the fact that the married Sylvers impregnated Shalamar singer Jody Watley, she and Jeffrey Daniel left the group in the middle of the U.K. video shoot for “Giveaway”, not returning even as “Giveaway” landed in the pop top 20 and became one of the first videos by a Black act to get played on MTV.
Hewett continued with the group for one more album before he peaced out, leaving Shalamar a shell of his former self. Although Watley and Hewett went on to solo success, I still feel like Shalamar left a lot on the table and were just about ready to blow up even bigger than they already were.
Four star songs between “Days Go By” and “Dead Giveaway”: “Days Like This” (Kenny Lattimore, 1998) | “Days Of Our Lives” (De La Soul feat. Common, 2004) | “Daytona” (Roosevelt, 2016) | “Daytona 500″ (Ghostface Killah feat. The Force M.D.’s, Raekwon & Cappadonna, 1996) | “Dazz” (Brick, 1976) | “Dazzey Duks” (Duice, 1993) | “Dazzling Blue” (Paul Simon, 2011) | “De Do Do Do, De Da Da Da” (The Police, 1980) | “De La Orgee” (De La Soul, 1989) | “Dead And Gone” (T.I. feat. Justin Timberlake, 2009) | “Dead Flowers” (The Rolling Stones, 1971)
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#shalamar#1983#Leon sylvers III#foster sylvers#jody watley#Jesse johnson#Howard hewett#Jeffrey daniel
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Name: Mystic (Pronounced like Miss-Tic) Nickname(s): Mr Crystal, Mysty (Nickname from Muffet and his adopted siblings), Sweetie (Taffy), Pudding (Muffet) Gender: Male Age: 25 years (backstory), Around 30 Years (current) Species/What Are They: Crystal Monster Just a head's up! The way I wrote the info about his breed is a little jumbled up. This is my first time making a new species, so 1) It's probably not the best, but I'll get better, and 2) I wasn't sure what order everything should be in, so sorry about that ^ Fan made creature. Crystal Monsters are humanoid monsters that are born from crystal caves near Waterfall. Their entire bodies are made of rock and crystal. They are actually hollow and don't require food or water to live, but they can consume foods and drink if they so choose. Those that chose to consume foods have drill a little hole in their foot to evacuate the food which they then have to plug in with a cork or something. They are also unaffected by the climat, as they do not feel the cold or warmth. So they can live virtually anywhere. The fact that they are mostly hollow makes them incredibly fragile, they can be compared to china teacups. If one were to fall from a high place (ex: On top of a wardrobe) their body would smash on impact. The only place were they are not hollow is inside their mouths. A crystal monster's maturity is measured by how many small crystals appear on their bodies. They appear on the face (typically cheeks and forehead but it can vary), ankles, back, neck, collar, legs and biceps. A mature adult Crystal monster has crystals on all these places. Crystals can appear in other places but it's less common. The crystals never stop growing so they have to either be cut off or shaved when they get too big. Cutting them and shaving them doesn't hurt, it's just like clipping your nails. However if ripped out, it would cause intense pain. This is actually the only time a Crystal monster would feel pain, as they are immune to it the rest of the time. Especially rare CMs have these crytals covering their heads (instead of their stone "hair"), this is the case for Mystic's sister Burma. All other CMs are born with a large rounded square stone on their heads, which is their "hair". Most wait until they are at a more mature age to style it or cut it off completely. Styling it is stone carving, which can be hard to do. Most prefer to cut the entire thing off and resort to wigs or plugging their heads with fake hair (the top of their heads is hollow after all). They live for about 80 years, and only reach full adulthood at around 30 years. However if a crystal monster proves that they are capable of taking care of themselves before that (which most are) they are legally adults. A crystal monster's body is whatever colour crystal they are born from, Mystic was born from a Rose Quartz, so his primary colour is pink. Crystal monsters are named after adjectives associated with gemstones (Ex: Smoky (Quartz), Paraiba (Tourmaline), Snowflake (Obsidian), Kurma (Sapphire), Mystic (Topaz) etc... When hit in combat they do not bleed, the impacted zones crumble away or crack, and if hit hard enough fall off. This is also an issue when they are looking for jobs. Because they are so vulnerable they can't do jobs that require hard manual labour or anything that could cause even small injuries. When in combat a CM will try and make as much distance as possible from their opponent and will use projectiles for weapons and attacks. They can create crystals and use them to fight, known as Crystal Magic. The crystals also start to grow around where a CM settles for a long time, essentially marking it's territory. While rare, it is possible for a baby to be born from them. The ability to use said crystals varies from person to person. It appears to be that rarer gemstones have more powerful Crystal Magic than more common gems. Mystic's brother Honey is one them, as he is able to create entires houses out crystals. He is subsequently an architect who charges very high prises for his Gemstone Homes. Music and dancing is very important to their race, it's a big part of their culture. Most of them go into the entertainment business as singers and dancers. They have the reputation of being fragile and while beautiful, they are actually meretricious. This is not actually the case. Their souls are white like all the other monsters, but they are all enclosed in a crystal that protects it. Mystic's soul is protected by a pink crystal, so it appears pink in combat. They are not born with gender defining body parts, they are like Barbie and Ken dolls under their clothes. They are genderless, but female CMs tend to have wider hips, while males have wider shoulders and torsos. They are all born with a large rock on their heads which could be considered hair. It always starts off looking like a rock afro, and they have to carve and shave them to have a better hairdo. However it doesn’t grow, so they have to be very careful with it. A lot of them cut them off entirely and resort to wearing wigs. (It has been brought to my attention the similarities between the CMs and the Gems from the Steven Universe. Despite agreeing that they are very similar, I have to stress it was purely coincidence I DO watch SU, but it never came to mind when making my species. The two have nothing to do with each other, and I didn't intentionally rip-off the gems. This is just a massive oops from me) Soul (Color): Pastel Pink, crystallised; White, vulnerable Sexuality: Homosexual ~BATTLE INFO~ -Honestly at the moment I'm really not 100% sure about his attack powers and levels and stuff, so this part is still a WIP. HP: 1000 (looses 500 hp when he looses the crystals around his SOUL, and 500 hp again when struck a final time) Atc: 36 Def: 0 (crumbles when hit) Exp: 400 LV: Unknown Powers/Attacks: Crystal Shard (single shard that pops out from either side of the box) (initial attack to see if the protagonist is serious about fighting him) Crystal Shard combo (series of crystals coming from either side of the box) (main attack) Rolling Crystal Screw (series of small spinning crystals that circle around the player's SOUL before being thrown at it one by one) Crystal Megaton Shower (Shower of fast moving small crystals falling from the top of the box followed by a giant one) Weapons: None, manipulates crystals (technically not a weapon, more like an element) Oh wait he throws tea, tea cups and tea pots at you as a last resort Fighting Style: Long distance, element user (Crystals), Crystal projectiles ~RELATIONSHIP INFO~ Friends With: Muffet, Nice Cream Guy, Asgore, Frisk (Pacifist and Neutral Route), Grillby, Nyki and Chi , Taffy , Cypher , Betsy Bell , Hairy Popper , Jackie Lantern , Kasper Tanopl , Farren Mystic has a one sided friendship with Chi, a demon monster. She doesn't want anything to do with anyone, while Mystic wants to help her come out of her shell and enjoy life. It's not going well so far. Neutral With: Almost everyone, he sees everyone as either a potential friend or customer Enemies With: Flowey, Asriel Frisk (Genoside Route), Taffy (more rivals than enemies) (Reconciled) Family: None technically, but considers every other Crystal Monster he knows his family, as he grew up with them, they all see each other as siblings; Angel (Surrogate Mother), Honey (Adopted Brother), Sky (Adopted Brother)(sta.sh/0qbb9zf92wu) , Snowflake (Adopted Sister), Burma (Adopted Sister), Unnamed number of older and younger adopted siblings Crush(es): Asgore (Small crush but that ain't going nowhere), Taffy (But it'll be a cold day in hell when he admits it) Single, Taken, Or Talking (If the last two, with who): Married (Taffy) ~PERSONALITY~ In his youth, Mystic was headstrong and ambitious. He had a habit of biting off more than he can chew, and as a result often ended up failing at what he set out to do. He used to be very proud and could be considered pig headed. He’s an optimist however, and he’ll always try again when he fails. He took himself way to seriously, which resulted in him often getting laughed at by other for his behaviour. He’s pretty sensitive, so that didn’t sit well with him. He was, and still is, very patient and dedicated. But something he concentrates too hard on a task and can become unpleasant to deal with. He had a lot of growing up to do, but now he has changed for the better. His uptight and proud attitude has mellowed out, he’s a very “chill” guy now. He's kind and patient to everyone he meets, and loves a good chat with a cup of tea. He now fully embraces his other side. His passionate, imaginative and wonderfully ambitious side. He’ll forever be a workaholic, but he loves his life and isn’t unpleasant about it anymore. He’s unrivalled in rampant enthusiasm and passion for his business, proudly calling it his pride and joy. He holds his heritage very close to his heart. He's a very talented singer and dancer. His personal favourite being swing dancing (he can't resist a little jazz music), but he's knows quite a few more. He learned a lot from working with his siblings on stage shows, so he knows mambo (Honey), Jive (Sky), Disco (Sky), Tango (Burma, though she never let him lead) among others. He is very enthusiastic about tea, musicals and singing. He installed a TV in his shop and has a large collection of musicals on VHS which he plays while working, often singing along and dancing a little behind the counter. He can get very pushy and won't let go of a task until he succeeds (but will stop eventually if another person convinces him to). He inherited Angel's stubbornness, that's for sure! He's a bit of a hoarder, he hates throwing away stuff, so his house is very cluttered and full of old stuff he doesn't need. He's sassy and a fast talker, and listens to little too much gossip. And he's a total diva. Like the worst kind. Strengths: Good projectile attacks, makes a great cup of tea Weaknesses: Abysmally physically weak, literally falls apart if struck in battle Flaws: Dorky, takes himself too seriously, quick to judge, Clumsy, clingy, pushy, loud and proud (previously), Stubborn, Sensitive, Can be short tempered (previously), Impatient (previously) Likes: Tea (WOW who saw that coming?), Pudding, Cakes, Donuts, Being a Gentleman, Pink, Muffet's food, Happy Customers, Yogurt, Musicals (namely Hello, Dolly!), Singing, Dancing, Everything Pink, 1920s aesthetic Dislikes: Coffee, Awkward Customers, Embarrassing himself, Failure, Mess, Unrequited crushes, being bested at things by Taffy, being seen as a joke, being laughed at, socks and sandals Fears: His Business Failing, Cockroaches, Water (Rocks can't swim they plummet) Pacifist Route/Neutral Route: Mystic's tea parlour can be found by the player in Snowdin. When you first enter the shop/parlour Mystic will get scared and will hide behind the counter. To lure him out, the place must select the dialogue option to "say a heartfelt compliment about tea/the colour pink". Mystic will stop hiding and say "Oh my! Well maybe humans can be civil after all! How may I help you, teacup?" You have to buy some tea from Mystic and say yes to him offering a chat with you to become his friend. During the conversation you learn of his backstory and likes. After this you can buy and sell items to him like any other shop keeper (however he only sells tea) and he has an optional mini game for you to grind money. It's a very simple give the right order to the right person mini game and your timing and accuracy determines your final paycheque. This mini game is always available, and depending on what point of the game you're at, characters you've met will appear as customers (Ex: Papyrus, Undyne etc...). You can also have a Chat with Mystic any time you want to replenish your health completely, and you learn more stuff about him in the chat. He calls the player "Teacup". You only fight him in the Genoside Route. In the Pacifist and Neutral Route he is either stand behind the counter of his parlour, or walking around the tables. In the G Route, he is standing in front of the counter. Genoside Route: Unlike the rest of the townsfolk, Mystic refuses to go into hiding. He keeps his shop open, despite no longer getting customers, because he believes he's worked too hard and too long to just abandon it (He's not a very smart rock). The player does end up meeting him and to get the true genoside route you have to kill him. Mystic's attacks are projectiles that the player has to avoid. While he attacks the player will spot a hand or a foot (indicating which body part Mystic used to make the attack). The player simply has to touch each one twice (two for left hand, two for left foot etc...) with their SOUL to break them. When done correctly, Mystic becomes his most vulnerable (having no limbs as they were broken off) and is left defenceless. One hit at this stage does a substantial amount of damage to him and the crystal around his soul is destroyed. After the one hit he regenerates his lost limbs and the player has to repeat the previous step. After that, Mystic is dead. From the fight the player collects the small crystals on his body and can sell them. ~APPEARANCE~ Eye Color: Pink Height: 5'6 Weight: (I'm not too sure what to write for this. Mystic is made of rock, which is heavy, but he's also mostly hollow, which would make him lighter.) Clothes: His work clothes consist of a white shirt and dark grey trousers. He wears red shiny shoes. He sometimes wears a black fedora with it, but not often (because it's rude to wear hats inside). When making his hand made tea he wears a mostly clean white apron over his clothes. On special events he wears a dark grey dress suit vest over his shirt. His style is inspired from the 1920s When he was younger he wore an oversized shirt (it was blue with different coloured stripes), grey-pink trousers and orange plastic sandals. Hair: Used to have a block of stone that was his natural "hair", it looked like a solid afro. As a young adult he cut it off and had his head replugged with pale pink wool which he now styles short and curly. Skin: Pale Pink Other: The moron's fashion sense makes it so that he often wears high heels, but he's too clumsy to actually walk in high heels so he typically doesn't move around a lot when at work. He has a crack on his left cheek that he got from a punch. He airbrushes it in the morning with pink paint to make it less obvious. He has small crystals on his cheeks, neck, back, and left thigh. While he does like them, and they show his maturity, they tend to get in the way of his work and would require him making holes in all his clothing. If he was in show-business, he would have let them grow out. ~OTHER INFO~ Alignment: Good Goals/Purpose: Run a successful business, getting enough money to buy his shop to beat Taffy (succeeded) Job: Tea shop owner teaandpixels.deviantart.com/ar… Various odd jobs (previously) Entertainment (Theatre and part time singer) (previously) Items: Infinite number of tea brews and tea boxes to sell Voice: Nick Pitera www.youtube.com/watch?v=XZ0Km_… Theme song: Don't Rain On My Parade, Barbara Streisand www.youtube.com/watch?v=aO3Gb5… OR Mad Tea Party www.youtube.com/watch?v=SdVoZC… ~BACKSTORY~ (Note: This is a pretty long backstory, and I still need to iron out details and stuff. I worked really hard on it, and I know I can still improve it. The backstory might be a little too long for an Undertale oc thought. I don't know. And finally, I've structured the story to follow the movie format (three act structure with an overarching character arc) and in my mind, if it would be told with musical intervals. Think movies like Greatest Showman and Hello Dolly!.) Backstory: Mystic was born in a cave hidden deep in Waterfall. It’s the birthplace of all Crystal monsters and it is said to be exceptionally beautiful but very difficult to find. A glamorous diamond monster named Angel, who had tasked herself with caring for all newly born Crystal Monsters, found him while doing her monthly trip to the cave to find/"harvest" newly borns. Upon finding him, she notices how the crystals on the walls were glowing this time of year and that it looked truly mystical to her. This reminded her of a baby she'd found the month prior, who had taken a fall and shattered before she could save him. That baby was born from a Mystic Topaz, so she named the newfound baby Mystic. Mystic was found with four other babies, Snowflake, Honey, Sky and Burma. He grew up with all the other CMs she’d adopted and new siblings were a common occurrence. Angel had made an absolute fortune for herself as a drag queen in her youth (she is still a drag queen to this day) (as well as many marriages to many wealthy men) and she’d bought herself a palace like house with an east and west wing to accommodate everyone. She often likes to boast that her home is actually a palace, which may or may not be true. But it is certainly a very nice place to live. Mystic was closest to the four he was found with, the five always being together. One day they were playing outside in the rain in Waterfall, when Mystic and Sky wandered off on their own to look at the castle. They are surprised by a monster they'd accidentally woken up, and in their fright they take a stumble and fall down a rocky ledge. Their fall is broken by a bush they fall into, but Sky's arm gets cracked on the impact, it was dangerously close to being broken off completely. Mystic landed on his face, cracking his cheek a little, but nothing too bad. It was too dark for them to see how to climb back up, and they were too scared to even try. They wonder through the stone and bush forest they'd landed in, calling out for help. They keep walking for a long time, well into the night, Mystic eventually carrying his now crying brother. They reach a lake were they stop to rest. By this point they were both crying, and had no idea what to do. They are approached by a tall figure, and in his terror Mystic accidentally creates a big pink crystal shard to shield him and Sky. The figure told them to not be scared, and that he meant no harm. It was King Asgore. They brings them in to the castle to rest, and he offers them tea to make them feel better. Sky, still scared and wary of him, refuses. But Mystic accepts, and it's love at first taste. He'd never had anything like it before. This began his tea addiction. Asgore brought the two back to Angel the following day, promising them they'd meet again one day. They were both grounded for a week. But Mystic didn't care, he knew he'd found his DESTINY. The crystal children all had relatively similar plans for their futures. Going into show business or marrying into money. They are naturally talented in singing and due to them being born from precious gems they are typically very lovely looking. But Mystic knew what he wanted, he wanted to open a tea shop of his very own. He grew up into a young man, a set off to accomplish his dream. Many many people tried to discourage him from pursuing his dream. They said he was too young and naïf, and if it wasn't for his afro like hair and mismatched clothing style, he could get by in show business with his looks alone. He worked at as many odd jobs as he could to get money (markets, waiter, cleaning jobs etc) and saved up every penny. He eventually sets his sights on a cute little place up for sale located in the Hotlands that had a big shed next door. For him it was perfect because it would be his parlour and a house at the same time. He talks with the owner of the place about buying it, only to find someone else also had their sights on it. The other person was a Spider monster named Taffy. The two debated with the owner over who should get it and got more and more passive aggressive with each other as the conversation went on. The owner finally decided that since neither of them actually had enough money to buy the place, they should race and whoever manages to get the right amount by the end of the year would win. And if both of them had enough it was however with more that would win. They agree, but the second Mystic and Taffy are alone together they verbally fight, vowing to take the other down. Taffy lays down the cold hard truth that Mystic had no idea what he was doing, to which Mystic squawked a lot of "WHAT?"s. The argument ends with Taffy calling Mystic “You're just a joke, sweetie”. Growing up, Mystic became very good friends with Muffet and at some point he met Grillby and they’ve been friends ever since. He went straight to them to complain about Taffy, and they lay the hard truth on them that he really didn’t know anything about running a business and that Taffy was already ahead of him by leaps and bounds. It turns out Muffet and Taffy were also old friends. So Muffet and Grillby agree to teach Mystic in the ways of owning a business. He takes their lessons and advice very seriously and eventually gets up to speed with them. Mystic and Taffy have a lot of run-ins from that point on, and they butt heads every time. They both get waiter jobs at a local restaurant and have to deal with each other on a daily basis. Taffy is popular within the restaurant and around town, which Mystic hates. Their rivalry goes beyond the place they both want and they fight over everything. And what infuriates Mystic more is how many people side with Taffy and see him as little more than a complete joke. Taffy just seemed to be good at everything, and was naturally very charming and could talk in the most infuriatingly condescending way to Mystic. It made Mystic's blood boil. Taffy was constantly discouraging Mystic from pursuing the place, he was way too young! Their co-workers teased him that they were actually flirting, but he wasn't having ANY of that and told them to jog on. His brother Honey tells Mystic that one way to be taken more seriously is to update his appearance. He’d been so dedicated on his work that he didn’t take any time to look presentable. He was meant to be 25 but he looked like a 15 year old. With Burma, Honey helps him buy new clothes (Mystic has a love for 1920s inspired suits) and they make the bold decision to cut off his hair. They replaced it by rerooting pale pink yarn into his head and styled it. Snowflake chips in and teaches him how to apply make-up. The make-over does him a world of good. The restaurant he was working at was hosting a staff party, Burma decided it would be the perfect chance for Mystic to show them he was serious. They go with him as moral support, and everyone is very impressed with his new look. He inevitably gets into an argument with Taffy, though it was much more flirtatious than normal. They challenge each other to a dance off. Taffy was a gifted dancer (“Oh of COURSE he is” Mystic muttered bitterly) but he was no match for Mytic’s natural talent. And the music was jazzy, perfect for swing dancing, Mystic's favourite style of dance. Neither of them could hide how much fun they were having. Eventually everyone forgets that this was a “fight” of sort and just left them to it. They danced for a while until they realised what they were doing. They quickly separated and went their different ways. Taffy actually ends up leaving, accidentally forgetting his coat. Mystic notices this, and decides to bring it to him (he'll later claim it was the punch he'd be guzzling that had scrambled his brain). He gets directions from Muffet, and he sets off. He expects to go to some high end place full of very well off snobby people, but ends up going downtown to the poorest parts of the Underground. This was odd, as Taffy was always well dressed and groomed, a proper gentleman. (Note that for this story, I am expanding how big the Underground is a little). As he begins to wonder if he's taken a wrong turn, he hears some faint singing. He follows the voice to a run down make-shift home. He peeks inside to see Taffy standing over a table making something while humming a little tune. This surprises Mystic. With the way Taffy dresses and how he holds himself, one wouldn't assume he lived like this. He then feels pretty stupid, remembering that Muffet's whole spider family is poor, so Taffy wouldn't be any different. He joins in on Taffy's song, scaring the poor man half to death. Taffy is mortified that Mystic found out where he lived, and more importantly how he lived. He orders him to leave, but Mystic yells back, telling him he was only doing a favour by bringing his coat back. This calms Taffy down a little, taking said coat from Mystic. There's an awkward silence before the Crystal Monster asks him what he's making. Taffy explains he was making sweets. They end up talking about them, Taffy explaining that he wanted to open up his own sweet shop. Mystic then mentions that Taffy was pretty good at fooling everyone into thinking he wasn't poor. Taffy explains that your outward appearance is always going to be judged by others. If he looked and acted like everyone else, he was going to be respected. He hated living like that, he hated having to be someone else to appease others. But if he wanted to be taken seriously, he had to adapt. That was why he often criticised Mystic. Despite everything, he hates seeing someone get laughed at and pitied. It sickened him. Mystic promises he would never tell anyone about his secret. A Crystal Monster keeps their secrets til the grave. Everyone starts treating Mystic a little different from then on. People take him much more seriously. He also hangs out with Taffy a lot more often (that his time would allow) and they end up becoming ‘frenemies’ of sort. However things take a turn when Mystic meets Taffy’s friend Nyki, a demon monster. Taffy makes it very clear that he likes Nyki more than as a friend and that doesn’t sit well with Mystic. But he refuses to admit it, even to himself. Taffy also stops discouraging Mystic from buying the place, to his confusion. Mystic suddenly realises that the end of the year was fast approaching and yes he was steadily grinding away at the money he needed, he wasn’t even close to having enough. He needed to stop wasting time. The sudden stress of this and the whole Nyki business made Mystic a pain to deal with. He was frustrated at everything and just poured every fibre of his soul into getting that money. Taffy himself actually gets very confused and concerned by this, and they start fighting again like before. The year was up. Mystic ends up loosing to Taffy, and everything in his world crumbles. He shuts off from everyone, wallowing in self pity. He couldn’t believe he’d lost. But he was too proud and stubborn to admit he’s maybe bitten off more that he could chew. He’s a bitter loser, ending up drinking away his sorrow in a bar. He’s found, drunk, by a very concerned Taffy. In his drunken stupor, he starts another fight with him. At some point, Mystic angry shouts at him that’d only won because everyone took pity on him because he was poor. This sends Taffy over the edge, and attacks Mystic in his rage. They physically fight each other, but it comes to an abrupt end when Taffy lands a solid hit on Mystic’s cracked cheek, breaking it. His cheek cracks and crumbles to pieces. This breaks up the fight immediately, regret hitting Taffy like a truck. They gather all the pieces, including having to shake Mystic upside down to retrieve anything inside of him (which also removed all the alcohol in him at the same time). Taffy takes him home, where Mystic’s siblings help glue his face back together. All his siblings come to see if he was alright, and suddenly he understood. He’d been acting horribly and unfairly towards everyone since the start. He’d been to dead-set on his dream that he’d forgotten everyone who supported him and loved him. Even Taffy. He’d come to find him in that bar, concerned about his wellbeing. He’d been so selfish to everyone, and he’d hurt Taffy. He apologises to everyone, and promises that from now on, he wasn’t going to be blind. He was going to change. He was going to pursue his dream, but this time with new found passion. He works with his siblings, playing to his strengths (singing and dancing), in their stage shows. He’d play background characters, and occasionally got bigger roles. He eventually set his sights on a new place. It was still Snowdin, and he knew it was right. He worked very hard, and with his family and friend’s help, he finally bought the place. With help from his friends and family he turned the place into a charming tea parlour and handmade every sachet of tea for it. The grand opening was one of the happiest moments of Mystic’s life, and of course he requested that the dress code was Dapper. Asgore came too, much to everyone's surprise. He, Sky and Mystic have a little chat, catching up after all these years. The brothers finally thanking him for helping them all those years ago, to which the King told them to "not worry about it, all he wants in return is a mean cup of tea." Mystic obliges. Mystic's triumph actually had a very impactful impact on Crystal Monster culture in general. He had proved that they didn't have to be what everyone thought they should. Cousins, siblings and friend were coming to him announcing career plans and projects they were starting thanks to him. He has pushed them to go for what they really wanted. Even his brother Honey talked to him about a company he wanted to start, a house building business he's calling "Gemstone Homes". Mystic was over the moon about it. But things didn’t feel right. He wanted Taffy to be there, he needed Taffy to be there. And sure enough, Taffy came. He brought Mystic a bouquet of flowers as a congratulations gift and they asked each other for forgiveness. Mystic says that he’d only forgive Taffy if he let him eat as many sweets as he liked, and Taffy says he’d only forgive Mystic if they danced together tonight. And so they did. I don't own Undertale
#Undertale#Undertale oc#undertale original character#LGBT character#character design#pink#pink character#gem monster#crystal#rose quartz#original species#1920s fashion#Undertale fan character#Toby Fox
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JOHN LEGEND FT. BLOODPOP - A GOOD NIGHT [4.44] At least we like this more than Chrissy Teigen likes pocket Animal Crossing...
Katherine St Asaph: John Legend, ever career-minded, goes directly from playing Jesus to the wedding-maestro perch just vacated by Bruno Mars: "I think I just met my wife (yeah, I said it)." The job's done perfectly to spec: no come-ons so explicit as to make the dance with the bride's mom awkward, will receive royalties until and past the apocalypse. Bloodpop makes a fine wedding DJ, though he gets bored two-thirds through. [5]
William John: There's something altogether too calculated about "A Good Night." It seems to have been drawn up in a boardroom designed to infiltrate wedding Pinterest boards, and John Legend, a mostly unobjectionable R&B vocalist, isn't earnest enough to overcome the sterile saplessness. Shawn Mendes' recent single "Lost In Japan" uses similar ingredients, but while Mendes' song evokes giddiness through its insistence on understatement, Legend's hamfisted approach makes having a good night seem laborious. [4]
Alfred Soto: The proficient bloodless crooner gets an injection of Bloodpop and -- presto! His bass lines and kick drums improve. When he suggests he might flash a nipple, he evokes Jeffrey Osborne; when he pledges his troth he could be doing "I Gotta Feeling," politely, bloodlessly. [6]
Julian Axelrod: The way this abruptly pivots from sleek I Fuck Now disco to lovestruck Crying in the Greeting Card Aisle When "All of Me" Plays in CVS balladry almost feels like parody, like an SNL sketch John Legend would appear in if he had any self-awareness. Bloodpop supplies a rubbery approximation of human fun, while Legend's vocals are warm and rich as ever, especially on the bridge. But everything good about this song only throws its dweebiness into starker contrast. This is a prom anthem for guys who married their high school sweetheart because she kinda looks like their mom. [5]
Thomas Inskeep: Heaven knows John Legend can sing anything and make it sound lovely, but this Bloodpop track is such generic, danceable-R&B(E)DM that even Legend's vocals can't save it. Doesn't help that the lyrics are a bland collection of cliches, either. [2]
Katie Gill: A not-so-scientific way to judge a singer's celebrity status is to see which EDM artist they collaborate with. You'd think John Legend would be a bit closer to Calvin Harris levels of collaboration than Bloodpop levels. Still, considering that the video description gives the impression that the sole purpose of this song is to show off the capabilities of the Google Pixel 2, I don't think things like "artistic talent" or "making a bona fide radio hit" were the main motives here. Enjoy that Google money, Mr. Legend. [5]
Ryo Miyauchi: It's Bloodpop who lets John Legend down, not the other way around: Evolver has better synth-funk that takes the singer out of his adult-contemporary shell. "I think I found my wife" is where he bets it all, trying his best to cash in on his corny-uncle brand. If it had a beat also ready to go all in on cheesiness, maybe it would've been worth it. [5]
Stephen Eisermann: Turns out that not even John Legend's rich, warm voice and Bloodpop's slick production can make elevator music good -- it just goes from boring to danceable boring. [4]
Will Adams: Between Bloodpop's bloodless funk-pop and Legend sounding like he's yawning mid-take, "A Good Night" is the sound of a wedding band at the end of the reception, when they're petered out but still have a half hour left. The song perks up at the end, when the uncredited female harmonies take center stage, but I don't know, guys; my sister is getting married in two months, and I'm much more likely to suggest "Summer Nights" before this. [4]
[Read, comment and vote on The Singles Jukebox ]
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