GCs claim to campaign for the “safety” of women and children. I’ve long suspected this was confined to the “right kind” of women and children. Kathleen Stock, a former trustee of the “LGB Alliance” (public statements of which include “adding the + to LGB gives the green light to paraphilias like bestiality…”) appeared (to me) to suggest that it would be “more honest” for high-profile trans allies to publicly “declare” if they have trans children. Her post made no mention of obtaining the children’s consent. It seems reasonable to interpret this as a call for the public outing of certain trans children. Given “out” trans children have been murdered and 64% are subjected to bullying, it strikes me as, at the very least, callous. Joey Barton, one of the movement’s most high profile (and oft platformed) voices, will shortly stand trial accused of assaulting his wife. Donald Trump, who was found by a jury to have sexually assaulted E. Jean Carroll, has increasingly made attacks on trans people a campaign talking point.
The GC movement has claimed a degree of legitimacy based on previous legal successes, notably the case of Forstater v CGD Europe, in which GC beliefs were declared “worthy of respect in a democratic society”. Some seem to have interpreted this as a licence to persecute trans people. This summer three separate courts gave clear statements to the contrary. The Employment Tribunal upheld the sacking of teacher Kevin Lister after he equated being transgender (as one of his students was) with having a mental illness. The High Court upheld an order banning Joshua Sutcliffe from teaching children after he repeatedly misgendered a child in his care. In Australia, the Federal Court prohibited a dating app from discriminating against trans women. The message from the courts is clear: GC beliefs are worthy of respect, but GCs must also respect trans people.
The summer of court losses also undermines the movement’s claims to expertise. High profile GC activists often hold themselves out as experts. The courts made clear that many are no such thing. Maya Forstater gave “expert” evidence in the Sutcliffe case. The judge was “not persuaded that she is properly described as an expert”, noting:
“Ms Forstater explained that the use of non-preferred pronouns in this case might be due to cognitive dissonance. Mr Phillips was not, however, able to identify any medical expertise that she might have to opine on that issue.”
Helen Joyce, Director of Advocacy at the GC group “Sex Matters”, purported to give “expert” evidence in the Australian case. The judge said she:
“…does not have any formal education or qualifications even in biology, let alone in gender, sex or law… she is not an expert at all. She has no recognised expertise in any of the areas in which she expresses an opinion.”
In April the Cass Report gave a veneer of scientific legitimacy to the GC movement’s various claims. Both Labour and the Conservatives used the report as justification to prevent trans children from accessing puberty blockers (which, contrary to popular myth, do not prevent puberty but, rather, delay its onset). Cis children are still given access. The report was swiftly rejected by medical bodies around the world. The American Academy of Pediatrics and the Endocrine Society said, in a joint statement, “Medical evidence, not politics, should inform treatment decisions”. The Royal Australian and New Zealand College of Psychiatrists followed suit. The British Medical Association called Cass’ claims “unsubstantiated”. I’d argue the report was largely debunked by a Yale School of Medicine review.
Night of the Demons will be released on 4K Ultra HD + Blu-ray and Night of the Demons 2 and Night of the Demons 3 will be released on Blu-ray on October 3 via Scream Factory.
Shout Factory is offering an exclusive set with all three films with exclusive slipcovers by Joel Robinson, six posters, a prism sticker, a set of five enamel pins by Matthew Skiff (limited to 600), and a set of five lobby cards by Beyond Horror Design (limited to 500). Pictured below, it costs $199.99.
1988's Night of the Demons is directed by Kevin S. Tenney (Witchboard) and written by Joe Augustyn. Cathy Podewell, Amelia Kinkade, Linnea Quigley, Hal Havins, William Gallo, and Alvin Alexis star.
1994's Night of the Demons 2 is directed by Brian Trenchard-Smith (Leprechaun 3, Leprechaun 4: In Space) and written by Joe Augustyn. Amelia Kinkade, Merle Kennedy, Cristi Harris, Rick Peters, Jennifer Rhodes, and Christine Taylor star.
1997's Night of the Demons 3 is directed by Jim Kaufman and written by Kevin Tenney. Amelia Kinkade, Larry Day, Kristen Holden-Ried, Tara Slone, Gregory Calpakis, Patricia Rodriguez, and Stephanie Bauder star.
Night of the Demons has been newly restored from an earlier 4K scan of the unrated camera negative, presented with Dolby Vision HDR. Night of the Demons 2 has been newly transferred from the interpositive.
Workprints/alternate cuts of all three films are included. Special features are detailed below.
Night of the Demons 4K UHD special features:
Audio commentary by director Kevin S. Tenney, executive producer Walter Josten, and producer Jeff Geoffray
Audio commentary with director Kevin S. Tenney, actors Cathy Podewell, Billy Gallo, and Hal Havins, and special makeup effects creator Steve Johnson
Audio Commentary with director Kevin Tenney, actors Linnea Quigley and Phillip Tanzini and casting director Tedra Gabriel
Interview with writer/producer Joe Augustyn (new)
Interview with actress Jill Terashita (new)
Interview with special effects artist Nick Benson (new)
International cut (standard definition)
Night of the Demons Blu-ray special features:
Audio commentary by director Kevin S. Tenney, executive producer Walter Josten, and producer Jeff Geoffray
Audio commentary with director Kevin S. Tenney, actors Cathy Podewell, Billy Gallo, and Hal Havins, and special makeup effects creator Steve Johnson
Audio Commentary with director Kevin Tenney, actors Linnea Quigley and Phillip Tanzini and casting director Tedra Gabriel
Night of the Demons workprint (under the title The Halloween Party)
The Halloween Party alternate title card
You’re Invited: The Making of Night of the Demons - 2014 documentary with cast and crew
Interview with actress Amelia Kinkade
Interview with actress Allison Barron
Interview with actress Linnea Quigley
Alternate R-rated scenes
A Short Night of the Demons - 6-minute version of the film shown to potential distributors
Theatrical trailer
Video trailer
TV spots
Still galleries
Promo reel
Still galleries - Behind-the-scenes, special effects and makeup, stills, posters and storyboards
It’s Halloween night and Angela is throwing a party… but this is no ordinary Halloween party. Everybody’s headed to Hull House, a deserted funeral home, formerly the home of a mass murderer. But when the partygoers decide to have a séance, they awaken something evil - and these party crashers have a thirst for blood. Now it’s a battle to survive the night in Hull House.
Pre-order Night of the Demons.
Night of the Demons 2 special features:
Audio commentary by actors Cristi Harris, Jennifer Rose, Darin Heames, and Johnny Moran (new)
Audio commentary by director Brian Trenchard-Smith and director of photography David Lewis
Interview with directors Kevin S. Tenney and Brian Trenchard-Smith (new)
Interview with actor Amelia Kinkade (new)
Interview with actress Cristi Harris (new)
Interview with special effects artist Steve Johnson (new)
Interview with producer Jeff Geoffray (new)
Night of the Demons 2 workprint
Dailies
Trailer
Behind-the-scenes gallery
It’s Halloween and the teenagers from St. Rita’s High School want to party at the neighborhood’s haunted house. For years, the Hull House has sat in eerie silence – tales of its haunted past have turned into gory jokes and no one really believes anything ever happened there. However, Angela (Amelia Kinkade), the hostess from hell, is summoning her army of teen demons to the blood-curdling contest between the school’s priests and herself, the princess of darkness.
Pre-order Night of the Demons 2.
Night of the Demons 3 special features:
Audio commentary by director Jimmy Kaufman
Audio commentary by writer Kevin S. Tenney and special effects artist Roy Knyrim (new)
Interview with director Jimmy Kaufman (new)
Interview with writer Kevin S. Tenney (new)
Interview with actress Amelia Kinkade (new)
Interview with producer Jeff Geoffray (new)
Night Of The Demons 3 director’s cut (workprint)
Night Of The Demons 3 TV cut
Behind-the-scenes footage
Alternate title sequence
Dailies
Trailers
It’s Halloween! The gates of Hull House have creaked open once again and Angela (Amelia Kinkade) is waiting for her treats. When a group of rambunctious teens take refuge in the foreboding funeral home to escape the law, they soon realize their grave error.
Voice Directors:
Lucía Lobosvilla
Anthony Rodriguez
Composers:
James A Reilly
Aneesh Kashalikar
Cyrus 'Moustronaut' Whitt
Head Audio Engineer:
Sam Gabriel
Mixing Engineers:
Ryoma Ishizuka
John Kelly Parrott
Line Placement:
Grant Corvin
Sam Gabriel
Xuan Vinh Huynh
Valravn
Mastering:
Kim Morton
Video Editors:
TheRealizer367 (Walter Vitola)
Darkmax204
PhantomSavage
CurtisCreatesGames
Astrid Evv
Mr Amazing VA
Ryoma Ishizuka
Special Thanks:
Book 4 Restoration Project Team
Dark Horse Comics
Nickelodeon
Gene Luen Yang
Gurihiru
Avatar Wiki
Dave Roman
Kevin Coppa
Baby Lion Turtle
Aaron Ehasz
Bryan Konietzko
Michael Dante DiMartino
And You!
Patrons:
Day
Pokejedservo
Madgod
Mikosun
Victoria McMullen
Nichelle Phillips
Prodogg
Akiizayoi4869
Daniel Lacey
Len Hagaren
Tarryn Campbell
Melissa Palacios
Minnichi
Akiizayoi4869
Can You Feel It Now (CYFIN) Mr. Krabs
James Rath
Shay B
Lillie Ferland
Voice Cast
Aang - Ryoma Ishizuka
Katara - Stephanie Pines
Toph - Kauthar Harrak-Sharif
Sokka - Grant Corvin
Zuko - Cade Watts
Appa/Momo - Josh Lee
Sneers - Omar Martinez Jr
Kori Morishita - Krystal Martinez
Xing Ying - Mel Valentine
Smellerbee - Shakyra Dunn
Suki - Victoria McMullen
General How - Ryan Hoyle
Ozai - Jakob Dillon
Penga - Heidi Tabing
The Dark One - Jazzy Oliver
Ho-Tun - Adam New
King Kuei - Andre Faris
Iroh - D. Tyler Fultz
Azula - Lucía Lobosvilla
Ursa - Chara Lin
Kenji - JJ Williams
Kota - James A. Reilly
General Jee - Patrick Mealey
Go Go Go Guy - Anthony Rodriguez
Yudao Resident 1 - Anthony Rodriguez
Yudao Resident 2 - Taylor Sameyah
Yudao Resident 3 - Adam New
Yudao Resident 4 (Mochi Guy) - Anthony Rodriguez
Roku - Josh Lee
Kyoshi - Jialing Pan
Kuruk - Ryan Seale
Yangchen - Su Ling Chan
Extras (Walla)
Anthony Rodriguez
John Archer II
Lucía Lobosvilla
Nichelle Phillips
Maia Harlap
Iris V
Jazzy Oliver
D. Tyler Fultz
Alison Turjancik
Cade Watts
Adam New
Jakob Dillon
Carey Mulligan and Bradley Cooper in Maestro (Bradley Cooper, 2023)
Cast: Bradley Cooper, Carey Mulligan, Matt Bomer, Gideon Glick, Maya Hawke, Sarah Silverman, Vincenzo Amato, Michael Urie, Greg Hildreth, Brian Klugman, Nick Blaemire, Mallory Portnoy, Yasen Peyakov, Zachary Booth, Miriam Shor, Alexa Swinton. Screenplay: Bradley Cooper, Josh Singer. Cinematography: Matthew Libatique. Production design: Kevin Thompson. Film editing: Michelle Tesoro. Music: Leonard Bernstein.
The Aussies call it "tall poppy syndrome." It's that tendency to try to undermine or underestimate the achievement of anyone who excels. And I think we saw it directed at Bradley Cooper when the first big wave of negative publicity came out from a critic from the Hollywood Reporter who saw the trailer for Maestro and called the prosthetic nose Cooper wore to play Leonard Bernstein "ethnic cosplay." The word "Jewface," analogous to blackface and "yellowface," labels for white performers pretending to be Black or Asian, was tossed about, as if Cooper were somehow guilty of antisemitism, or even depriving a Jewish actor of the role. Defenders came to the fray, including Bernstein's family, who indicated their approval of Cooper's choice, and others who pointed out that Cooper wasn't playing a negative stereotype, or even a character like Shylock or Fagin, but an authentic musical genius. But the damage was done, and the controversy continues to be a kind of scrim through which we watch and assess the film. I think much of it stems from the fact that Cooper is one of the most exceptional talents of our time, recognized for excellence as an actor, director, and screenwriter -- a tall poppy indeed. He has a total of nine Academy Award nominations in all three of those fields plus producing -- for Todd Phillips's Joker (2019) and Guillermo del Toro's Nightmare Alley (2022). He won a BAFTA for the music of A Star Is Born (2018), for which he wrote and sang several songs, and for which he also won two Grammys. He was nominated for a Tony in 2015 for his performance on Broadway in The Elephant Man. (One of the critics of the prosthetic nose observed that he wore no disfiguring makeup for the role of John Merrick, suggesting that if he's that good an actor, he should have played the role of Bernstein without the help of makeup.) All of this is preface to saying that Maestro is an exceptional film that only adds luster to an already distinguished career. It has been labeled a biopic, which is inadequate. Biographical films are usually distanced from their subjects, dramatizations of events in a career. Maestro is more intimate than that, a portrait of a man and a marriage. Cooper goes beyond mimicry of Bernstein in a serious effort to suggest the social and sexual and artistic tensions seething within the man. If I have to voice a criticism it's that he doesn't quite bring it off -- it's a little too much for any actor or screenwriter to achieve. But Cooper shows us the depths even if he doesn't plumb them. He wisely lets us have our own thoughts about something even Bernstein probably couldn't define about his sexuality: whether he was gay or bisexual, or whether that question is stupid and irrelevant. Carey Mulligan's performance as his wife, Felicia, brittle and burning, is a perfect match for Cooper's. If they don't have the chemistry that Cooper had with Jennifer Lawrence in Silver Linings Playbook (2012) or Lady Gaga in A Star Is Born, that's partly the point: The marriage of Lenny and Felicia was one of unresolved tension. Hence the epigraph for the film: "A work of art does not answer questions, if provokes them; and its essential meaning is in the tension between the contradictory answers." I have the feeling that Maestro will be remembered and studied for years to come.
Zane Phillips, renowned for his performances in “Glamorous,” boldly exhibits his finely sculpted body in the cover story of MMSCENE Magazine. This attractive actor, who made headlines earlier this summer with his romance with Froy Gutierrez, engaged in a sequence of photoshoots overseen by photographer Kevin Sikorski, who also took on the role of creative director for the session.
In the…
A NIGHTMARE ON ELM STREET 3: DREAM WARRIORS (1987) – Episode 224 – Decades Of Horror 1980s
“Welcome to prime time, bitch!” Not words I’d use in front of my mother, but they are iconic just the same. Join your faithful Grue-Crew – Chad Hunt, Bill Mulligan, Crystal Cleveland, and Jeff Mohr, along with guest host Ralph Miller – as they enter another Wes Craven nightmare, A Nightmare on Elm Street 3: Dream Warriors (1987). Expect a lot of FX talk with Ralph in the house!
Decades of Horror 1980s
Episode 224 – A Nightmare on Elm Street 3: Dream Warriors (1987)
Join the Crew on the Gruesome Magazine YouTube channel!
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https://youtube.com/gruesomemagazine
A psychiatrist familiar with knife-wielding dream demon Freddy Krueger helps teens at a mental hospital battle the killer who is invading their dreams.
[NOTE: Effects crew credits are listed as they appear in the film credits.]
Director: Chuck Russell
Writers: Wes Craven (story) (screenplay) (characters); Bruce Wagner (story) (screenplay); Frank Darabont (screenplay); Chuck Russell (screenplay)
Music: Angelo Badalamenti
Storyboard Artist / Visual Consultant: Peter von Sholly
Stop-Motion Skeleton and Marionette Effects: Doug Beswick Productions, Inc.
Stop-Motion Animation: Doug Beswick
Effects Photography Supervisor: Jim Aupperle
Stop-Motion Puppet Construction: Yancy Calzada
Marionette Construction: Mark Bryan Wilson (as Mark Wilson)
Miniatures: James Belohovek
Illustrator: Larry Nikolai
Makeup effects Sequences: Greg Cannom
Assistants to Greg Cannom: Larry Odien, Earl Ellis, John Vulich, Keith Edmier, Brent Baker
Krueger Makeup effects: Kevin Yagher
Assistants to Kevin Yagher: Jim Kagel, Mitch DeVane, Gino Crognale, Brian Penikas, David Kindlon, Steve James, Everett Burrell
Makeup Effects Sequences: Mark Shostrom
Assistants to Mr. Shostrum: Robert Kurtzman, Bryant Tausek, John Blake Dutro, James McLoughlin (as Jim McLoughlin), Cathy Carpenter
Additional Makeup Effects: Matthew W. Mungle (as Mathew Mungel)
Assistant to Mathew Mungel: Russell Seifert
Mechanical Effects: Image Engineering
Special Effects Coordinator: Peter Chesney
Lead Technician: Lenny Dalrymple
Mechanical Designers: Bruce D. Hayes (as Bruce Hayes), Joe Starr, Anton Tremblay (as Tony Tremblay)
Effects Technicians: Bernardo F. Munoz (as Bernard Munoz), Rod Schumacher, Bob Ahmanson
Effects Crew: Scott Nesselrode, Tom Chesney, Kelly Mann, Phillip Hartmann (as Phillip Hartman), Ralph Miller III (as Ralph Miller), Joel Fletcher, Brian Mcfadden, Sandra Stewart (as Sandy Stewart), Terry Mack (as Troy Mack), Blaine Converse, Ron MacInnes, Brendan C. Quigley
Selected Cast:
Heather Langenkamp as Nancy Thompson
Craig Wasson as Dr. Neil Gordon
Patricia Arquette as Kristen Parker
Ken Sagoes as Roland Kincaid
Ira Heiden as Will Stanton
Rodney Eastman as Joey Crusel
Jennifer Rubin as Taryn White
Penelope Sudrow as Jennifer Caulfield
Bradley Gregg as Phillip Anderson
Laurence Fishburne as Max Daniels (credited as Larry Fishburne)
John Saxon as Donald Thompson
Priscilla Pointer as Dr. Elizabeth Simms
Clayton Landey as Lorenzo
Brooke Bundy as Elaine Parker
Nan Martin as Sister Mary Helena
Stacey Alden as Nurse Marcie
Dick Cavett as Himself
Zsa Zsa Gabor as Herself
Paul Kent as Dr. Carver
Guest host Ralph Miller III, who worked behind the scenes on Dream Warriors provides insights and many effects development photos that are shown in the YouTube version of the podcast. Post-recording, the crew wants to clarify that Kevin Yagher was responsible for the Freddy Snake, and Mark Shostrom was in charge of the Penelope Sudrow dummy that smashes into the Freddyvision TV.
With the success of A Nightmare on Elm Street 3: Dream Warriors (1987), following the critical failure of A Nightmare on Elm Street 2: Freddy’s Revenge (1985), New line Cinema firmly cemented Freddy Krueger and A Nightmare on Elm Street as one of the most iconic horror franchises of its time. Not only does Dream Warriors feature Robert Englund continuing to breathe both humor and fear into Freddy Krueger but also the return of both Heather Langenkamp and John Saxon from the original. The film also features Craig Wasson (Ghost Story) as the male lead and early film roles for Patricia Arquette and Larry Fishburne. Frank Darabont (The Mist) and Bruce Wagner join Wes Craven on scripting chores and Chuck Russell (The Blob, The Mask) directs while Angelo Badalamenti (Twin Peaks, Blue Velvet) provides the score – a winning combination of talent. Surely a Grue-Crew highly recommended selection with special effects by Greg Cannom, Doug Beswick, Mark Shostrom, Kevin Yagher, and more!
Be sure to check out the first time the 80s Grue-Crew took a dive into this film in February 2017, featuring Doc Rotten, Christopher G. Moore, and Thomas Mariani as the Grue-Crew. You can find it here: A NIGHTMARE ON ELMS STREET 3: DREAM WARRIORS (1987) — Episode 102
Every two weeks, Gruesome Magazine’s Decades of Horror 1980s podcast will cover another horror film from the 1980s. The next episode’s film, chosen by Jeff, will be The Changeling (1980), starring George C. Scott, Trish Van Devere, Melvyn Douglas, . . . and a bouncing, red, rubber ball.
Please let them know how they’re doing! They want to hear from you – the coolest, grooviest fans – so leave them a message or comment on the gruesome Magazine Youtube channel, on the website, or email the Decades of Horror 1980s podcast hosts at [email protected].
Hey all,
Please find my review on War Dogs, starring Jonah Hill
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Director Todd PhillipsWritten by Stephen Chin, Todd Phillips, Jason Smilovic
Jonah Hill, Miles Teller, Ana de Armas, Kevin Pollak, Bradley Cooper
David (Teller) is a hard working husband to Iz (de Armas), trying a multitude of different jobs to earn an honest dollar. When he reconnects with his old school friend Efraim (Hill), he is offered a job assisting his business in bidding on US military…
A trio of female soul singers cross over to the pop charts in the early 1960s, facing their own personal struggles along the way.
Credits: TheMovieDb.
Film Cast:
Curtis Taylor Jr.: Jamie Foxx
Deena Jones: Beyoncé
James “Thunder” Early: Eddie Murphy
Marty Madison: Danny Glover
Effie White: Jennifer Hudson
Lorrell Robinson: Anika Noni Rose
C.C. White: Keith D. Robinson
Michelle Morris: Sharon Leal
Wayne: Hinton Battle
Magic: Mariah Iman Wilson
May: Yvette Cason
Max Washington: Ken Page
M.C.: Ralph Louis Harris
Tiny Joe Dixon: Michael-Leon Wooley
Jazz Singer: Loretta Devine
Jerry Harris: John Lithgow
Sam Walsh: John Krasinski
Ronald White: Alexander Folk
Aunt Ethel: Esther Scott
Miami Comic: Bobby Slayton
Teddy Campbell: Jordan Wright
Melba Early: Dawnn Lewis
Talent Booker: Jaleel White
Joann: JoNell Kennedy
Charlene: Sybyl Walker
Stepp Sister: Lesley Nicole Lewis
Stepp Sister: Eboni Nichols
Stepp Sister: Arike Rice
Stepp Sister: Fatima Robinson
Little Albert: Aakomon Jones
Tru-Tone: Bernard Fowler
Tru-Tone: Anwar Burton
Tru-Tone: Tyrell Washington
Dave: Rory O’Malley
Sweetheart: Laura Bell Bundy
Sweetheart: Anne Elizabeth Warren
David Bennett: Ivar Brogger
Jimmy’s Piano Player: Daren A. Herbert
Elvis Kelly: Jocko Sims
Rhonda: Pam Trotter
Janice: Cleo King
Club Manager: Eddie Mekka
Case Worker: Alejandro Furth
TV Reporter: Dilva Henry
American Bandstand Producer: Vince Grant
Nicky Cassaro: Robert Cicchini
TV Director: Thomas Crawford
Carl: Charles Jones
Technical Director: Robert Curtis Brown
Tania Williams: Stephanie Owens
Man with Gun: Gilbert Glenn Brown
Stagehand: Marty Ryan
Detroit Reporter: Michael Villani
Chicago Deejay: Gregg Berger
L.A. Deejay: Daniel Riordan
Photographer: David James
Promo Film Narrator (voice): Paul Kirby
Security Guard: Derick Alexander
Curtis’ Secretary: Yvette Nicole Brown
Go-Go Dancer: Nancy Anderson
Go-Go Dancer: Joelle Cosentino
Go-Go Dancer: Lisa Eaton
Go-Go Dancer: Clare Kutsko
Go-Go Dancer: Tracy Phillips
Go-Go Dancer: Kelleia Sheerin
Campbell Connection Dancer: Mykel Brooks
Campbell Connection Dancer: Johnny Erasme
Campbell Connection Dancer: Cory Graves
Campbell Connection Dancer: J.R. Taylor
Bad Side Dancer: Corinthea Henderson
Bad Side Dancer: Craig Hollamon
Bad Side Dancer: Reginald Jackson
Bad Side Dancer: Chuck Maldonado
Bad Side Dancer: Anthony Rue II
Bad Side Dancer: John Silver
Bad Side Dancer: Larry Sims
Bad Side Dancer: Black Thomas
Bad Side Dancer: Kevin Wilson
Bad Side Dancer: Adrian Wiltshire
Bad Side Dancer: Earl Wright
Bad Side Dancer: Russell “Goofy” Wright
Disco Dancer: Dominic Chaiduang
Disco Dancer: Jose Cueva
Disco Dancer: Omhmar Griffin
Disco Dancer: Sky Hoffmann
Disco Dancer: Trevor Lopez-Daggett
Disco Dancer: Leo Moctezuma
Disco Dancer: Gabriel Paige
Disco Dancer: Terrance Spencer
Disco Dancer: Tony Testa
Disco Dancer: Quinton Weathers
Disco Dancer: Jull Weber
Disco Dancer: Marcel Wilson
Jimmy’s Band: Stevie Ray Anthony
Jimmy’s Band: Matthew Dickens
Jimmy’s Band: Jerohn Garnett
Jimmy’s Band: Mario Mosley
Jimmy’s Band: Jimmy R.O. Smith
Film Crew:
Casting: Debra Zane
Set Decoration: Nancy Haigh
Executive Producer: Patricia Whitcher
Producer: David Geffen
Foley Artist: Catherine Harper
Foley Artist: Christopher Moriana
Producer: Laurence Mark
Director: Bill Condon
Musical: Tom Eyen
Director of Photography: Tobias A. Schliessler
Editor: Virginia Katz
Original Music Composer: Henry Krieger
Production Design: John Myhre
Costume Design: Sharen Davis
Digital Intermediate: Stefan Sonnenfeld
Dialogue Editor: Kimberly Lowe Voigt
Sound Effects Editor: George Simpson
Stunts: Dick Ziker
Makeup Artist: Judy Murdock
Stunts: John Cenatiempo
Second Unit Director of Photography: Dino Parks
Assistant Costume Designer: Lizz Wolf
First Assistant Editor: Ian Slater
Casting Associate: Jeremy Rich
Casting Associate: Tannis Vallely
Music Arranger: Harvey Mason
Gaffer: Newton TerMeer
Assistant Art Director: Jann K. Engel
Costume Supervisor: Elaine Ramires
Sound Effects Editor: Donald Flick
Script Supervisor: Carolyn Tolley
Choreographer: Aakomon Jones
Camer...
Original Release (on WrBlPro): September 22nd, 2022
The Avatar is back!
A year after the events of “Avatar: The Last Airbender”, the world is at peace. But an ominous promise made on the night of celebration haunts the young Avatar.
Should Zuko ever turn into his father and abuse his new position as Fire Lord, Aang must take his life for the good of the world.
Page Cleanup:
Jazzy Oliver
Iris V
TheRealizer367 (Walter Vitola)
Ryoma Ishizuka
PhantomSavage
Art Team:
Rick Orange
Melp*
Vago
Alison Turjancik
Depre
Voice Cast
Aang - Ryoma Ishizuka
Young Aang - Matt Sinclaire
Katara - Stephanie Pines
Zuko - Cade Watts
Toph - Kauthar Harrak-Sharif
Young Toph - Lucía Lobosvilla
Sokka - Grant Corvin
King Kuei - Adam Lazar
Suki - Victoria McMullen
Appa/Momo - Josh Lee
Ozai - Jakob Dillon
Kori Morishita - Krystal Martinez
Mayor Morishita - D. Tyler Fultz
Mrs. Morishita - Michelle Renee
Iroh - D. Tyler Fultz
Penga - Heidi Tabing
The Dark One - Jazzy Oliver
Ho-Tun - Adam New
Mai - Ari Thrash
Ty Lee - Kelsey Poppen
Smellerbee - Shakyra Dunn
Sneers - Omar Martinez
Roku - Josh Lee
Kyoshi - Jialing Pan
Kuruk - Ryan Seale
Yangchen - Su Ling Chan
Fire Nation Captain - John Archer II
Mayor Nishi - Alison Turjancik
Fire Nation Enforcer - John Archer II
Soldier 1 - JJ Williams
Soldier 2 - Midnight Overdriver
Extras (Walla)
Jazzy Oliver
Adam New
John Archer II
D. Tyler Fultz
Lucía Lobosvilla
Alison Turjancik
Iris V
Nichelle Phillips
Cade Watts
Christopher Lee Johnson
Jakob Dillon
Special Thanks:
Book 4: Air Restoration Project Team
Dark Horse Comics
Nickelodeon
Gene Luen Yang
Gurihiru
Aaron Ehasz
Bryan Konietzko
Michael Dante Dimartino
Dave Roman
Kevin Coppa
Baby Lion Turtle
Dave
Pokejedservo
Subscriber
And YOU! ______________________________________________________________________________________________________________________________________________________________________________________________
Hi, we are the official community of the "Book 4: Air (Restoration Project)." It is a community-made show bringing together pro VAs (from anime and video games), composers, writers (one who wrote promo materials for Avatar: The Last Airbender), sound engineers, comic artists, and more to create a pseudo-Book 4.
Using the official comics as well as original materials to flesh out the story, completely reorchestrated versions of the original soundtrack as well as new music, the project is creating a fully-dubbed and scored motion comic!
We’ve even recreated the Tsungi horn, a fictional instrument created for ATLA using a complicated audio process called “convolution” to combine the sound of a duduk and a trombone. That’s the haunting instrument you hear in the Blue Spirit theme.
Help us make the rest of Book 4, including original content!
Jane Hobson
2023: Following such a desperate year for so many in the world this quotation by Nietzsche seems pertinent. "We have art in order not to die of the truth." So, in an effort to uplift whoever might read this, here's a somewhat curtailed list of a few of our favourite things we've seen this year. It wasn't the hottest time for live shows; we walked out of five! One every few years, maybe, but five! Disappointing. However we still managed to find some wonderful things, not all of them new. Let's begin with…
MOST SPECTACULAR: Phelim McDermott's Akhnaten at the London Coliseum. We'd been asked so many times: "Have you seen Akhnaten?" No, we hadn't but now we have and, OK, it's a Philip Glass opera (pictured above and below) but really, with a set by Tom Pye and costumes by Kevin Pollard it's a full-on feast for the senses, with the ever-inventive Gandini Juggling, choreographed by Sean Gandini, doing what they do best.
Jane Hobson
BEST CIRCUS SHOW: Cirque Le Roux's thrilling and ambitious Entre Chiens et Louves – staged at Le Bon Marché department store in Paris (take note Selfridges) – took our breath away even without the sublime Lolita Costet in the cast; and Circa's Humans II at the Queen Elizabeth Hall at London's Southbank Centre.
COMPANY TO WATCH: Hoops Désolé! A “crazy” six-strong troupe of artists drawn from the circus school in Quebec, Cirque du Soleil and Cirque Éloize.
Emma Kauldhar
BEST DANCE: Wayne McGregor’s Woolf Works at London’s Royal Opera House, with the mesmerising Alessandra Ferri, who at 59 was the same age as Virginia Woolf when she died. Another dancer with astonishing longevity is the Spanish Lucía Lacarra, now 48, who appeared in the Ballet Icons Gala at the London Coliseum.
BEST SHOWBIZ MEMOIR: Walking Through Walls by performance artist Marina Abramović; Do It For Your Mum by Roy Wilkinson, then manager of his brothers' band British Sea Power.
MOST TERRIFYING: He's done some daring things in his time and on World Circus Day Hungarian high-wire artist Laci Simet performed a sensational walk across the River Danube – 40 metres up in the wind – with only a balance pole to keep him safe.
BEST FILM: German film Afire or Roter Himmel by Christian Petzold (he’ll never let you down); Babak Jalali’s Fremont, set in a fortune cookie factory; and the Mexican film The Empty Hours directed by Aarón Fernández.
BEST ARCHIVE PIC: Josephine Baker and Dalida at L’Olympia music hall in Paris in 1968. A legendary pair!
LONGEST-SERVING FEMALE DJ: Texan Mary McCoy, who at 85 has been on the air for almost 72 years, and entered the Guinness Book of Records.
BEST DESERT ISLAND DISCS CASTAWAY: Actor/comedian/writer and so on, Adrian Edmondson; snooker star Ronnie O’Sullivan.
MOST INSPIRING: The Maricarmen dance school in Chorrillos, south of Lima, in Peru, run by retired dancer Maria del Carmen Silva, offers free classes to girls of all abilities from low-income areas.
BEST DOCUMENTARY: Never Be a Punching Bag for Nobody by indie rock musician Naomi Yang; My Indiana Muse, in which artist Robert Townsend discovers his Kodachrome muse, Helen.
FOND FAREWELL: Actor David McCallum, who, as The Man from U.N.C.L.E.’s Illya Kuryakin was an enduring heartthrob for a certain generation of girls and women. Closer to home the UK lost its leading circus director, Phillip Gandey (above), at 67, whose shows – including Cirque Surreal, The Chinese State Circus and The Lady Boys of Bangkok – were always far and away the most creative and exciting; and The Circus of Horrors – a show I reviewed more times than any other, except perhaps Cirque du Soleil – lost its co-creator and frontman, Doktor Haze (below) at 66. Along with Gerry Cottle, they were notable as two of the nicest circus men I met during my reviewing years, and are greatly missed.
LAST WORD: It wouldn't be a Widow Stanton 'Best of' without some showgirls. This picture was taken by the Argentinian photographer Luisita Escarria, who with her sister Chela, documented all the artists appearing in revues in Buenos Aires from 1958 to 2009. Their story and wondrous archive might have been lost had it not been rescued by filmmakers Sol Miraglia and Hugo Manso. Their documentary Foto Estudio Luisita will warm your heart… and fortunately both the sisters lived long enough to see it.