#die all right

[archi-pelago]

maybe never forgive. but things are different now. so we'll use maybe.

[rastronomicals]

10:52 AM EST February 15, 2024:

The Hives - "Die, All Right" From the album Veni Vidi Vicious (April 10, 2000)

Last song scrobbled from iTunes at Last.fm

A totally fictitious interview with Howlin' Pelle

File under: Swedish Garage Punk, if that doesn't make the whole thing sound ridiculous

--

[tariah23]

The manga industry, especially JUMP, needs to hurry up and do away with weekly scheduling for mangaka. There needs to better regulations put into place for their health and safety because this is pitiful. Two weeks - monthly updates should’ve already been the standard for the manga industry at this point. These money grabbers will only continue to put the lives of these artists at stake for the sake of capitalism unless some serious changes are implemented.

[stromblessed]

Mizu, femininity, and fallen sparrows

In my last post about Mizu and Akemi, I feel like I came across as overly critical of Mizu given that Mizu is a woman who - in her own words - has to live as a man in order to go down the path of revenge.

If she is ever discovered to be female by the wrong person, she will not only be unable to complete her quest, but there's a good chance that she'll be arrested or killed.

So it makes complete sense for Mizu to distance herself as much as possible from any behavior that she feels like would make someone question her sex.

I felt so indignant toward Mizu on my first couple watchthroughs for this moment. Why couldn't Mizu bribe the woman and her child's way into the city too? If Mizu is presenting as a man, couldn't she claim to be the woman's escort?

However, this moment makes things pretty clear. Mizu knows all too well the plight of women in her society. She knows it so well that she cannot risk ever finding herself back in their position again. She helps in what little way she can - without drawing attention to herself.

Mizu is not a hero and she is not one to make of herself a martyr - she will not set herself on fire to keep others warm. There's room to argue that Mizu shouldn't prioritize her quest over people's lives, but given the collateral damage Mizu can live with in almost every episode of season 1, Mizu is simply not operating under that kind of morality at this point. ("You don't know what I've done to reach you," Mizu tells Fowler.)

And while I still feel like Mizu has an obvious and established blind spot when it comes to Akemi because of their differences in station, such that Mizu's judgment of Akemi and actions in episode 5 are the result of prejudice rather than the result of Mizu's caution, I also want to establish that Mizu is just as caged as Akemi is, despite her technically having more freedom while living as a man.

Mizu can hide her mixed race identity some of the time, and she can hide her sex almost all of the time, but being able to operate outside of her society's strict rules for women does not mean she cannot see their plight.

It does not mean she doesn't hurt for them.

Back to Mizu and collateral damage, remember that sparrow?

While Mizu is breaking into Boss Hamata's manse, she gets startled by a bird and kills it on reflex. She then cradles it in her hands - much more tenderly than we've seen Mizu treat almost anything up to this point in the season:

She then puts it in its nest, with its unhatched eggs. Almost like she's trying to make the death look natural. Or like an accident.

You see where I'm going with this.

When Mizu kills Kinuyo, Mizu lingers in the moment, holding the body tenderly:

And btw a lot of stuff about this show hit me hard, but this remains the biggest gut punch of them all for me, Mizu holding that poor girl's body close, GOD

When Mizu arranges the "scene of the crime," Kinuyo's body is delicate, birdlike. And Mizu is so shaken afterward that she gets sloppy. She's horrified at this kill to the point that she can't bring herself to take another innocent life - the boy who rats her out.

MIZU'S ONE MOMENT OF SOFTNESS AND MERCY, COMING ON THE HEELS OF HER NEEDING TO KILL A GIRL TO SPARE HER THE WORST FATE THAT THIS RIGID SOCIETY HAS TO OFFER WOMEN, AND TO SPARE A BROTHEL FULL OF INNOCENT WOMEN WHO ARE THE CASTOFFS OF SOCIETY, NEARLY RESULTS IN ALL OF THEIR DEATHS

No wonder Mizu is as stoic and cold as she is.

And no wonder Mizu has no patience for Akemi whatsoever right before the terrible reveal and the fight breaks out:

Speaking of Akemi - guess who else is compared to a bird!

The plumage is more colorful, a bit flashier. But a bird is a bird.

And, uh

Yeah.

I like to think that Mizu killing the sparrow is not only foreshadowing for what she must do to Kinuyo, but is also a representation of the choice she makes on Akemi's behalf. She decides to cage the bird because she believes the bird is "better off." Better off caged than... dead.

But because Mizu doesn't know Akemi or her situation, she of course doesn't realize that the bird is fated to die if it is caged and sent back home.

Mizu is clearly not happy, or pleased, or satisfied by allowing Akemi to be dragged back to her father:

But softness and mercy haven't gotten Mizu anywhere good, recently.

There is so much tragedy layered into Mizu's character, and it includes the things she has to witness and the choices she makes - or believes she has to make - involving women, when she herself can skirt around a lot of what her society throws at women. Although, I do believe that it comes at the cost of a part of Mizu's soul.

After all, I'm gonna be haunted for the rest of this show by Mizu's very first prayer in episode 1:

"LET" her die. Because as Ringo points out, she doesn't "know how" to die.

Kind of like another bird in this show:

[solroskajan]

:D

[a-scary-lack-of-common-sense]

My Great Grandma who loved her babies very much

Reference that I used for the face!

[hinamie]

round 2 of prelim designs for @philosophiums n my lovechild of an au

first year trio

[deadpoets]

DEAD POETS SOCIETY (1989) dir. Peter Weir

[gray-thistleclan]

THE FIRST CURSE (Part 2)

[jestroer]

ah yes, my favourite team, the cockers

[generichoneydew]

nuclear winters over guys. I'm only accepting nuclear spring. Bite me.

34/52

[benevolenterrancy]

May your hardened heart be woken By the soft and distant song Of all you left here unspoken All the shards we keep stepping on - Take this body home Take this body home Call the wind, and let her know Take this life outgrown Take this broken soul Call the stars, call them all And take it high, take it far, take it home

[phoenixcatch7]

Okay but it's super interesting how

Din = Power = Ganondorf

Naryu = Wisdom = Zelda

Farore = Courage = Link.

Because Din, in the hylian creation myth, created the physical world. Naryu then created the laws - gravity, time, etc. And Farore finally created life - plants and people.

Din created the body, naryu the mind, Farore the soul.

And the triforce and its wielders so perfectly reflect that.

Ganon is physical power, he is big and intimidating and he breaks things. He is cunning and determined, but that's not what he focuses on. He is might makes right.

Zelda is wisdom and cleverness. She is stall tactics and information and team work. She is a powerful mage with a spine of steel, but that's not how she'll win. She is the pen being mightier than the sword.

Link is courage and persistence. He is the wild card sneaking behind enemy ranks, always moving, plunging into terrifying situations head first. He's a phenomenal fighter with a keen wit, but that's not what will get him through his challenges. He is bravery not being the absence of fear but the triumph over it.

They sit in perfect parallels to each other.

And ganon is reborn through his body - his resurrection is immortality. No matter how low he is cast, as long as he has a body he can claw his way back. He can cling to his power, build it ever higher.

Zelda is reborn through the magic of her bloodline. It's the accumulated knowledge handed down for generations, the unique power she must master, the skills she must develop to survive and get her kingdom out the other side intact. Even her name, the knowledge of herself, is handed down from all the way from the very first. Her ancestors knowledge of her future presence, her stability, is what gives her the edge.

Link is reborn in spirit. He is not bound by flesh or blood. Just like his wanderlust soul he can reappear in any time or place. His variation, his unpredictability, is exactly how he fights. It's what makes him so hard to pin down.

Ganons need to build strength means he can't chase after link. Links impulsiveness means zelda can outwit him. Zeldas stationary predictability means she's an easy target for ganon.

But the other direction?

Fire melts ice, ice redirects lightning, lightning burns fire.

And that's the very essence of the triforce.

[bet-on-me-13]

Danny is Cass's brother

So! Back when David Cain was making his "Perfect Weapon", he came across a complication.

Lady Shiva, the woman who was set to give him his Weapon, was pregnant with Twins.

He decided that the Spare was useless to him, and that he needed to devote all his time to the Weapon. He was about to give it up, or maybe just dispose of it, when he decided that it was fine to keep it. A Spare is still a Spare after all, if the Weapon ever failed or died, he could start from scratch.

So, Danny was raised for the first 8 years of his life as a Spare Weapon. He didn't get the same rigorous training that Cass did, as she was the main focus, but he was still trained in the basics. Even a Spare Weapon need maintenance after all.

Then, when he was 8, Cass broke into his Cell Room and ran from the Base with him. She knew that once she escaped, Danny would be the next one to suffer, so she took him as well.

Unfortunately, they got seperated somewhere in Illinois when they got caught by some of David's mercenaries.

Cass kept going, running all across the country before ending up in Gotham at 15 (1 year earlier than normal). There, she got adopted by Bruce Wayne and became the Vigilante, Orphan. She never stopped looking for her brother, but at the very least she knew that he must have escaped David Cain's men. They were focused specifically on her after all.

Cass had enlisted the help of her new Family to search for him. DNA tracking, Facial Recognition, even asking some of their Underworld Contacts for information.

Unfortunately, they had no leads. Until one day when one of their Facial Recognition Programs finally picks up on a Match.

The face of a Small Time Hero in Illinois.

...

When Danny and Cass got seperated, he ended up in Amity Park. After a few days of Wandering, he was found by Jazz, who then took him to her Parents and convinced them to Adopt him.

When Danny is 14, he is in a Lab Accident that turns him into a Halfa. Using his New Powers and Old Training, Danny manages to keep his new Family and Home safe from the Ghosts coming through the Fentons Portal. He becomes a Hero basically, even though he doesn't really want to attention.

He thanks the Ancients when he finds out about the Media Blackout Amity is Under. He guesses it's not great, but at least he is safe for now.

He continues like this until one day when he is 16, and there is a knock on the Door.

He opens it, and stands shocked when he sees his Sister. Not Jazz, the wonderful woman who took him in and taught him how to speak all those years ago. The one who has acted as his Older Sister for the past 5 years.

His Sister. His Twin. Cass.

After a moment of Shock, they simultaneously go in for a Hug and start to cry a little.

After a few minutes of calming down, Danny introduces his Sister to his bewildered Family. Cass likewise introduces her Adoptive Brother, Dick, who came along to make sure she was safe on the trip.

While Dick and the Fentons get acquainted, Danny takes Cass up to his room to talk.

She explains what happened after they got seperated, what she is doing there, and how she found him.

She tells him that she had originally come to Amity to bring him to her new Family, but she could see the love he held for the Fentons. Also the town needed its Hero.

Danny is shocked that she even found him through the Media Blackout, but not so much at the fact that she nailed his secret identity on sight. She was always observant after all.

After that, Cass and Dick stay in Amity for a few weeks so Danny and Cass can catch up. He introduces her to his friends, shows her around his parents Lab, and even let's her meet some of his kore friendly Rogues.

They are just having a great time.

...

Back in Gotham, Batman just got a very frantic call from Barry.

"Bruce, I just came back from the future!" Shouted Barry through the Comms.

"Explain." Demanded Batman. Barry knew better than to Time Travel without just cause. If he was forced to time travel, it was serious.

"A Villain shows up, an Apocalyptic Level Villain." Barry explains, "He destroys Everything. And I mean Everything. None of us can stop him, he has too many powers to combat. Flight, Invisibility, Intangiblity, Energy Beams, Energy Constructs, Ice Manipulation, Weather Manipulation, Electrokinesis, the list goes on."

"How do we stop him?" Asked Batman. This was dangerous, a Villain with even half of those powers was deadly already.

"It's complicated, but I think he followed me and another Hero back in Time. I think it may be a Closed Time Loop. He is the catalyst for his own creation."

"Is there any way to break the Loop? What is the main driving force to his Creation?" Asks Batman.

"Well, I know his name at least. He goes by Phantom, but his real name is Danny Fenton." Barry explains.

Bruce feels his heart grow cold. He knows both of those names.

Phantom, aka Danny Fenton, aka Daniel Cain.

Cassandra's Brother.

Barry seems to hesitate, before continuing, "...and as far as I know, the catalyst for his creation is the death of Orphan in Amity Park."

[iheartsteve0704]

Agathario | Modern Day - Separation AU

Nicholas is still alive but due to work, high stress, and misunderstanding Agatha and Rio feel like they’ve been drifting apart and somehow land on a separation

None of them want this but their communication has been so poor lately and in the midst of a heated fight, they gaslight themselves into thinking each other wants this

They don’t know if this is heading towards divorce, they hope not, but they give each other the space

They still live in the same house, for Nicholas’s sake, and act normal around him but tension is high and it feels like they are walking on egg shells

Rio sleeps in their bedroom and Agatha sleeps down the hall (the older woman doesn’t slip into that room until she’s certain Nicky has gone to sleep, but he knows because sometimes he sneaks into bed with Rio and cuddles up with her)

They also somehow land upon that it’s okay to see other people during this time (both don’t even explore this fact because it’s insane but one night Agatha has her friend JEN over during wine night and she tries to convince her to download Tinder and if Rio runs into her room and cries well she’d never admit that)

Around 2 months later, they have to attend a party they greed to go to months ago and get ready in the same house but separate rooms while Nicky goes to their neighbor Lila’s (shoutout Lilia!!!)

Agatha passes by their room and notices Rio struggling to zip up the back and Rio is able to sense Agatha watching her through the crack in the door so she asks her to come in and zip it (and maybe Agatha stares too long at her smooth skin and relishes in the way Rio shiver at the graze of her knuckles down her spin)

Agatha also relishes in the fact that Rio’s eyes cast over her body in their vanity mirror because she knows this is Rio’s favorite dress on her and maybe she wore it on purpose

They leave in separate cars, even though after the dress indecent Agatha offers her a ride and tries not to throw up at the fact that Rio is getting picked up by a friend who Agatha knew had a big crush on her wife

At the party, they keep their distance from each other but their eyes can’t help but land on one another

Agatha stares too hard when Rio’s friend clings to her side as the younger woman works the room (Agatha was never one to smooze but was happy to admire her wife while she does so, now she watches this other woman (younger and Agatha thinks prettier) fill her spot for her)

Rio has to take a cigarette break when she sneaks a peak at Agatha at the bar area, where she sees a guy trying to talk her up and even moves to tuck a piece of her tousled hair behind her ear (what Rio doesn’t see because she leaves is the way Agatha steps back in disgust and holds up her left hand up revealing her wedding band)

After this, Agatha ends up going outside too and bumps right into Rio making her cig fall onto the floor and burn out. Rio has a curse word for the offender on the tip of her tongue until she turns around and sees her wife

They stare at each other, tension so thick you can cut it with a knife after all that jealousy inside.

Then it’s Rio who puts her hand on the curve of Agatha’s waist and Agatha moves in closer to cup Rio’s soft cheek. They’re like magnets, pulling closer to each other, until a car pulls into the parking lot and the moment is gone and Agatha quickly is moving back inside

The rest of the party consists of the two longingly gazing at each other across the room and no one really exists around them

At the end of the night, Agatha is drunker than she should be (considering she has to drive) and is being borderline harassed by the man at the bar who insists he drive her home

Rio wanted to step in from the moment he looked at her wife earlier but doesn’t until she hears her wife say “Don’t touch me” and she springs into action and decks him in the jaw while saying some words in Spanish that aren’t very kind

The words “TOCUH MY FUCKING WIFE AGAIN AND YOULL BE SORRY BUDDY. ILL END YOU, I PROMISE” fall out of her mouth loudly and Rio means every word, eyes blazing with anger

The gross man laughs at her and makes a comment about Rio not being by Agatha’s side all night and Rio lunges at him to hit him again

It’s Agatha who pulls Rio back after they draw a crowd and walks them to Agatha’s car

When they arrive to the vehicle, away from prying eyes, Rio takes the key from the older woman and looks at her with concerned eyes. She scans the woman with worry. She asks “did he touch you? Hurt you? I swear to god I’ll go back there and k*ll him. If he even tried anything with you I will-“ but she can’t finish that sentence because Agatha kisses her with so much longing and passion tears slip from both their eyes

Rio drives them home, one hand on the steering steaming wheel and the old holding her wife’s hand (they are both absolutely beaming)

When they get home they silently agree to go into their shared bedroom, strip down and just hold each other in bed while they fall asleep in each others arms

In the morning, they have hard conversations but it’s real and they need it and they finally understand their problems and how to fix it and laugh at the fact that neither wanted a separation and maybe have incredible makeup sex

After they shower, and do unholy things in there, they end up in the kitchen and dance and laugh around the sun filled room while they cook and can’t keep their hands off each other

Nicky comes in through the back door and sees his moms happy again, running into their arms and they embrace him with equal enthusiasm because their family is whole again

[frog-in-a-cookiejar]

Sketch inspired by that one dress