#destiny drive

[magpiedove]

are you a man or a woman "i am saint 14"

what gender are you "whatever osiris wants"

what's in your pants "perfect paradox"

[mickules]

A half truth is a whole lie

---

I am not the first, and I won't be the last, to make this crossover comparison but there's something incredibly appealing about it.

Reigen would be a NIGHTMARE client Trying to wring a single honest word from his mouth would be like pulling teeth The man himself is a contradiction.

but he'd have the most entertaining sprite animations

what can I say? mob psycho 100 season 3 has got me tight in its grip

[kindaasrikal]

Guys I’m an old people defender i wholeheartedly believe Wu is a good teacher and person (teen wu and younger was a good character, older wu doesnt have the same effect tho and just falls under a decent character)

Like guys he didn’t mean for Morro to go insane over the green ninja thing, i dont think anyone would’ve expected that to happen with a damn baby. Not to mention that as much as people like to say he abused or neglected Morro or whatever, canonically speaking he hasn’t. In the end what happened to Morro was the effect of his own insecurities and Wu’s lack of understanding.

Wu was not at fault for the whole kai getting obsessed with the green ninja thing or any of the other ninja doing the same, that was all their own faults for being all nosy (as teenage boys with too much power do.)

Wu might’ve overreacted after finding out what Garm did with the letter business in season 4, but just cause he cussed out his BROTHER once (guys they’re siblings, this is the norm and Wu was fully justified to be irritated. Also there will always be a tension between them because they’ve had to fight against each other for either decades, hundreds of years, or thousands of years. They will never have the normal sibling relationship they once only somewhat had.) that was still his brother he just lost and definitely feels guilt at not getting to reconcile PROPERLY with him. Just because you are mad at an individual, genuinely mad at them, does not mean you hate them.

Wu was not at fault for the whole Garmadon getting sent to the under world his clothes literally starts glowing mf was not planning that. He was literally about to die because of Garmadon i think he was a tad preoccupied with that.

Wu is not at fault for Lloyd becoming the green ninja, its shown that he cannot control who gets chosen and was quite obviously hoping it would be the damn teenagers trained to deal with this, not the damn baby who would have to fight his DAD. The whole reason he trained Lloyd so hard after was because he is well aware of how being the green ninja is a curse, especially to Lloyd. He knew a target was on Lloyds back now and for the rest of time and he can do nothing to remove it, only help Lloyd in handling it.

Aspheera is a huge SOGGY BISCUIT I HATE HER I AHTE HEERYEYYE. She is so hypocritical and its all her fault and not Wu’s don’t even try it (i love her character thats why i hate her sm). Wu was literally a baby when the whole betrayal thing happened, and how could he have known his damn students would open up her prison cell and she’d take Kai’s power. Kai had a right to mad about getting dragged into it but even he admits he was reacting the way he was because his powers got stolen. Aspheera was completely at fault for what happened to her.

I wont deny that whatever was going on between Misako and Wu in the early seasons was super weird, but I’m also not going to call it betrayal or cheating for Garmadon because Garmadon had been gone for a good decade and tbh it was rlly bad writing of writers trying to shove romance everywhere.

He took in a bunch of teenagers, thats something i wont deny to also be bad. But don’t you find it convenient that Wu took them each in during separate times of need? Cole, deep in grief, needed to become a ninja because it completed him. Jay, desperate for a place and purpose in this world, needed to be a ninja to become confident and aware of his worth. Zane, confused and lost, needed to be a ninja to find his own place in the world, needed to be a ninja because he needed to have a purpose, a home. Kai, angry and traumatised, needed to become a ninja to become the best version of himself. Wu knew of each of them, and only took them in when he knew they needed an outside source to lead them.

Literally i dont understand why people paint him as a villain. He has never been one. It’s like how Mystake said, the only reason one becomes wise is through their own mistakes, their own life and experiences. Wu is an old, old man. He is right when he says he’s not like how he used to be.

I could keep going, but God guys. Stop mischaracterising characters! You can dislike them all you want, its your life, but don’t change what they have done and call them a bad person when that isn’t true.

You can call Wu a character with mistakes, a character heavily in the light grey area of good and evil.

WU IS NOT A BAD GUY GUYS STOP CALLING HIM ONE 😭

[lubraes-ruin]

I think I hauve covid

Concept art by Tobias Kwan on Artstation!

[science-lings]

So Edgeworth canonically went on his yearlong self improvement journey to decide to persue truth above all else, studies other countries legal systems, and was literally a von Karma (implied to be named after the sword ‘Karuma’) so it seems more than possible that he knew about a Japanese lawyer who was notable in both his home country and Europe, who inherited a katana named Karma and most interestingly of all, values truth above all else, even to the point of challenging the British government.

My point is Edgeworth sees and old photo of Ryunosuke and thinks he looks familiar and really vibes with his mindset as a lawyer. then ten years later finds a sword in Phoenix’s closet as they’re moving in together and has to confront the fact that the person in a law book he read multiple times reminded him of his partner and he has a crisis bc without the ideas originating from Phoenix’s bloodline, he might not have wanted to resume being a prosecutor.

[hotasfahrenheit]

Vamp the Series | Happy Ending

[pilot 18.6.24] | [pilot 15.6.24]

[hi-crawler]

what fucking ever

[ganondoodle]

i cant lie, im also beating myself up about not being able to get excited for the new game, or anything anymore it seems, while it can be fun to criticise things, some things you just dont like so badly that the frustration knowing it could be so much better but isnt and you not able to change it outweighs any fun- i dont like being a 'hater', i hate totk, but not bc i hate zelda but bc i LOVE it and want it to be better (though im starting to doubt my ability to do anything good with it too..)

and with the new game trailer (like, i still hope its better than im fearing rn) i feel similarly as when the next totk trailers dropped after the first one (which DID excite me), all of them gave me a sense of dread bc it seemed to go into a direction i wouldnt like, i tried to tone that voice down to enjoy the game, but then .. i was right

i dont want to be an annoying complainer about everything new, but maybe i am and i dont like that thought, i dont want to spoil anyones fun, i want to partake in it :(

[s-aint-elmo]

no thoughts head empty the oppressive stagnancy of legacy in ever after high dragging me round the block yet again

it's such a shame that we get so little explanation about the actual mechanics of destiny, which is the entire premise of the show, bc it's so juicy. like what power does destiny hold when you rip away milton's lies and centuries of assumptions and traditions. esp bc despite raven signing herself as the evil queen in the real storybook of legends, when the snow white fairytale actually happens in dragon games she's playing one of the seven dwarves and her mother has reprised her role. like how much of that was because of the characters' actions and how much was destiny pulling on old, familiar threads. keeps me up at night.

a lot of this is probably just like, plot holes and writer hot potato but i like making it that deep, that's half of the fun. my personal interpretation is that fate is a wild thing that desires repetition and they developed the system of fairytale legacy bloodlines to keep those repetitions predictable and contained, instead of wreaking havoc whenever and wherever they please. 

which lends itself to some really juicy exploration of how legacy is a duty as much as it is a privilege, and how to be a princess or a witch or a hero or a dragon is to be the same thing in the end: the lamb destiny slaughters on the altar to sate the ever-ravenous narrative. to keep the flock safe. keep the unknown that prowls beyond the beaten path at bay. because if a there is always a mother who will be cruel, or a maiden who will fall into a sleep like death, or a child who will become a bird, isn’t it better to know who, and how, and when? isn’t better if it’s you, who has known your whole life that you must be eaten, be poisoned, be stripped of your humanity, rather than anybody else, who wasn’t raised to see it as an honour instead of a great and terrible injustice?

[riddleboxez]

So is that what you call a getaway?

Tell me what you got away with

'Cause I've seen more spine in jellyfish

I've seen more guts in 11-year-old kids

[redladydeath]

Okay, so last night I decided I wanted to do something with Vox and body horror and this story concept ended up manifesting in my brain. Massive CW for psychosis that's not actually psychosis, as well as self-harm and body horror.

Vox and Alastor meet in the 1940s while they're both doing electrical engineering work for the war effort. Vox is only 22, so he falls fast and hard for Alastor, who decides to use the younger man's infatuation with him to his advantage. One night while they're out drinking, Alastor convinces Vox to make a blood oath with him. He tells him it's just symbolic, but in reality, there's magic involved; if Alastor kills him, he'll get all the years Vox was supposed to live added to his own lifespan, which is dwindling. He lures Vox into the woods and tries to murder him, but is shot by a hunter who happens upon the struggle. Vox nearly loses an eye, but survives the encounter and is able to go on with his life, albeit with some pretty intense trauma.

Twenty years later, it's the 1960s. Vox has been a successful television presenter for 10~15 years now. He's rich and is married with children, but is less than an ideal husband/father. When he's not at work, he's usually with Valentino, a young male prostitute who he's been having a secret affair with for the past year or two. The two of them are currently somewhere between a sugar daddy/baby arrangement and a legit relationship. Vox is overall pretty content with his life and hasn't thought about Alastor in years. That is, until he starts feeling everything change.

At first, it seems like it's just a bad cold; his joints are stiff and he has the chills constantly, but that's nothing too unusual and he continues going about his daily life. But then the delusions start. Vox begins hearing strange things whenever a radio is on– words and phrases that shouldn't be coming out of it, said in a familiar tone of voice. He starts seeing shadows moving just out of the corner of his eye, but when he turns to look at them, they're gone. When Vox looks in the mirror or watches clips from his show, there's something different– uncanny– about his own eyes that make him feel like he's looking at a stranger. It must be stress, he thinks; he's been working himself too hard.

But things only get worse. Vox's body is stiff and jerky and cold– suddenly very cold to the touch, although no one other than Vox can feel it. Food and drink and cigarettes lose their taste. His emotions feel muted– all except fear. He starts hearing this loud, irritating humming when he's in the studio and it makes it hard for him to work. People are starting to get worried. He's acting erratically, asking if they can hear or feel things that simply aren't there. His wife thinks he's building towards a nervous breakdown, but Vox knows that's not true. Something's happening to him, something no one can perceive but him.

Things continue to deteriorate. Vox thinks he can hear metal creaking when he moves. His face won't show up on camera anymore; the footage always ends up damaged somehow for reasons no one can explain. He smashes the family radio in front of his kids when he clearly hears Alastor's voice coming out of it, taunting him. He asks Valentino, who hasn't even been to church in the past decade, to connect him to his childhood priest because he thinks he's being possessed and wants an exorcism— if the Protestant God won’t help him, maybe the Catholic one will. It still doesn't work.

Things come to a head one night when Vox, desperate to prove to himself and everyone else that he's not crazy, takes a knife and cuts deep into the hand he used to make the pact with Alastor all those years ago. He cuts and cuts and cuts until finally– finally– he sees it: metal and wires and no blood. He was right. He tries to show his wife but only succeeds in scaring her out of her wits. He flees the house and takes the family car: he needs to go see Valentino, show him, ask him for help. He crashes the car into a lamppost while trying to drive with one hand. A cashier working late in a nearby television/radio store tries to help him, bringing him into the store to wait while he calls an ambulance.

When the cashier leaves him alone to go make the call in the backroom, Vox hears it again. He hears Alastor's voice coming out of the radio, telling him that his time is up; he's been living on borrowed (or rather, stolen) time for the past ten years and now it's time to come join him, down where they both belong. Vox can feel his "bones" cracking, his skin stretching and tearing; he can't hear anything except Alastor's voice alongside the blaring static emitting from all the TVs and radios in the store. He's dying he's dying he's dying– until he stumbles into a fusebox and the whole store is engulfed in an electrical fire.

When the firemen dig through the rubble, they never find a human body.

[makoredeyes]

Boops!!

Boop

[ahamkara-apologist]

Feeling emotional about Eramis again. Feeling emotional specifically about how she's arguably one of the best D2 antagonists we've gotten in terms of being morally grey- even Savathun, for how well-written she is, can fall a little flat sometimes simply bc we know we can never trust her due to her track record of being self-serving, even if our desires can align with hers and she's still very complex. But Eramis is one of the few antagonists we've gotten who have never really been against US specifically- her hatred for the Traveler and the path it took her into the Darkness were all the results of systematic faliures from those outside her control. She WAS right to be hateful to the Traveler- it leaving Riis WAS what caused the Whirlwind, and the total loss of her homeworld. And yes, she DID choose to seize the Darkness to try to eliminate it, but the thing was that she had no idea just what she was getting into at the time. The Witness manipulates and abuses the weak and vulnerable- she thought she'd finally gotten her hands on a means of keeping the Eliksni safe from the Guardians (which she's right about btw!!) and leveling the playing field so she could fight on par with literal godslayers, but she was tricked. It's extremely clear from Plunder onwards that she never desired what the Witness did, but she didn't have a choice bc she was reduced to being just as helpless as she was the day that she fled Riis

But for all her pain, and how much she believes it defines her, it still didn't fully destroy her! She hates what we represent, but she still begs for us to choose what she believes is the path of least suffering. She still asks for us to give her friends the dignity of last deaths, and she grieved with Osiris when he offered her the chance. In Plunder, she warned Eido that if she tampered with her mission that she would kill her, but she still put her own life in danger for the daughter of her enemy- defying the Witness in the process, btw- to save her. And then, in Defiance, she put herself in danger AGAIN by not only betraying the Witness's plans to trap + kill us, but by physically flying into enemy territory to save Misraaks- who nearly killed her just a few months before. She hates what he stands for, but she'll still risk her own life to save him because she always, ALWAYS put the lives of her people over her own- and she knew as soon as the Witness began to turn Salvation into Wrathborn and Scorn that she had lead them into a trap. She's proud, but not so proud as to not recognize when she's done wrong...inwardly, at least

Eramis's heart is fundamentally good and it kills me that she's either ignored or hated by the D2 fanbase (hated more by the widespread audience, really) bc she's outwardly hypocritical and bc of her role in Rasputin's sacrifice (which she didn't even have a choice in, either- she was outright being watched by the Witness). All of her poor decisions are the result of untold centuries of trauma, suffering, animalistic desperation, and then finally being broken down by loss after loss after loss. Nothing she did is something that couldn't have been avoided if she just had the support system to keep her from being driven to the brink, and nothing that she did is not any more terribly monsterous than what we ourselves have done

I sincerely hope that Athrys is somewhere out there for her, and that she and Eido will be that support system for her post-FS. I want to work alongside of her and earn her respect and help her heal so bad, even if she never really comes around to us. It would feel counterproductive to Destiny's theme about grief and healing and learning to move past the unforgivable if we couldn't- because it's not like we didn't do the exact same thing that she did when pressed into the same circumstances (accepting the powers of the Witness to slaughter Salvation en-masse when threatened by them). We just had enough people supporting us to let us know when the devil was whispering in our ear, which is support that she very much did not have when she followed it to Europa

[animnightmare]

Throwback to the time I made House and Wilson into ponies.

[strwbrryfire]

there is something so visceral about f1 to me like . its morphed into some poetically tragic epic about loss and empty promises and PUSHING YOU HAVE TO KEEP PUSHING!!! like. i have to drive this car before it kills me, i have to treat this metal coffin as a monster that i Must tame and conquer before i kill it myself . the car is my nightmare, my dream, my destiny and i apologize to it before it even has the chance to bite back . i say sorry to something that has no care for me!!! i conform myself to its wishes even though it does not care if those wishes are granted!! RAAHHH!!!!

[gothbard]

the previous reblog reminded me of an old screenshot i have from d1

it was during the dawning and there were glowing orbs that you could carry around to release in different parts of the tower, but if you positioned your character just right, you could make it look like you were hugging certain npcs