#desired. — wanted dynamic.

[porrigens]

a thin-ice double suicide (x)

for @cryptidzero

[lukaskyle]

Baldur's Gate 3 (2023) dev. Larian Studios

[cruelplatonic]

my personal headcanon is the vees were unremarkable nobodies when they were alive. i just love it as a thematic throughline for them. they love to let the public of hell speculate on them being famed and acclaimed since before death, but the the truth is they were a d-list failed influencer that got by on cheap controversey and scamming, a broke junkie who burned every shaky bridge he ever had, and a worn-out broadcast production assistant with more rejected auditions and tossed out script pitches than he could count. nobody missed them when they were gone, nobody cared who they were until they were dead.

[arsenicflame]

It's a time-honoured tradition- every time Sam comes across Izzy (and Ed) in their travels, he asks Izzy to marry him. And every time, Izzy turns him down.

At this point, Sam is asking more for the sake of it than any belief Izzy will ever say yes, a remnant of childhood dedication touched with 30 years of heartbreak and regret- though even now, a small part of him still holds out hope. Sam's promises have only got more extravagant over the years, from a job as his first mate, to a captaincy, a fleet at his command, a whole fucking island if that's what Izzy wants- but he knows it isn't though, not really. If Izzy was ever going to agree to marry him, to leave his life and go with Sam, it wouldn't be for anything Sam could offer him. Izzy never did care for flashy shows of wealth, for a ship or to be captain. The only thing that ever mattered to him was loyalty given, and loyalty shown in return. 

It all comes to a head after Stede left and came back, after Izzy lost a toe, lost his leg. Sam hasn't seen him since before things with Ed started to really slide off the rails, before stress permanently set into the lines of Izzy’s face. So, when he sees a dishevelled man with a hoof for a leg in a no-name port, he doesn't even consider the idea that he might know him. It's only when he turns towards him, and Sam catches a glance at those oh too familiar tattoos, he realises this is Izzy, his Izzy, that stands before him.

Knowing Izzy's discomfort with pity, he doesn't treat him any differently than he would in years gone by, positioning himself in Izzy's line of sight before approaching and sweeping him up into a bone crushing hug. 

“Israel-goddamn-Hands!” he exclaims, as Izzy grumbles back a begrudging “Samuel-fucking-Bellamy”, a tradition almost as old as their friendship itself. Izzy might not hug him back, but he can’t keep the corner of his mouth from twitching, just for a second.

(If Sam holds Izzy a little tighter and a little longer than usual, well. That's his business)

By the time Sam lets go, most of the crew has appeared in the town square, drawn in by the commotion. They may have given Izzy his leg and welcomed him as one of them, but still there’s an underlying tension, with nobody quite ready to set aside everything that happened before the Kraken. Seeing him cosying up to an unknown man sets everyone on edge, unsure whether to come to their first mate’s aid, or to assume that they've been betrayed once again.

When Ed sees that the yelling was Sam, his hand goes tense where it's held in Stede's. He knows the routine, has seen it more times than he can count, but as he watches them part he realises that this is the first time in a long time he's unsure of what Izzy's response will be.

Knowing that something’s different, knowing that Izzy's feeling vulnerable already, Sam doesn't go for the same flashy proposal he’s been giving for years. He doesn't promise Izzy the world, he doesn't cause a scene (or, any more of a scene than he already has, anyway). He looks at the fractured man in front of him, takes his face in his hands, and says the exact same thing to him he said when they were little more than boys. “Israel, I have to ask you. I know what you'll say, but I have to try. Come with me. Marry me and sail away with me. I'll keep you safe”

And Izzy… hesitates. He glances over at Ed, at Stede, and says to Sam “...We’re staying in port for a week. Ask me again then”

That's the moment Sam knows there is something deeply, horribly, wrong. He's not just looking at an Izzy who got seriously injured in a fight and is struggling to cope, this is something so much bigger than that- and that Ed has something to do with it. Izzy wouldn't even be considering leaving if he didn't. Whether it was negligence or something more sinister, Sam doesn't yet know, but he intends to find out.

[hyolks]

7 divas are staring at each other

[lambmotifz]

even for hardcore wincest shippers it’s essential to remember that sam and dean didn’t fuck in canon. they are NOT lovers. the weirdness and sexual subtext come from the power imbalance in their relationship (dean raised sam + the theme of cycles of abuse, dean quite literally becoming a john to sam’s dean) and codependency which is rooted in dean’s unhealthy obsession with the ideal version of his little brother (as well as his need to own him) and sam’s guilt & unconditional devotion that don’t allow him to leave and that are also the main reason why he submits to dean and lets him do anything to him (especially physically)

[howlsofbloodhounds]

no more one sided ships on killers end. more one sided ships where they pine for this emotionally unavailable freak who is still somehow pretty.

[orangerosebush]

At once, Artemis has this all-consuming need for control and rejects being treated as a child, yet nonetheless, there's a longing for the protection (care?) of childhood that he sees as beyond his grasp (“It’s too late for me [..] am too old for tussles with Father" in TTP). During the months of recovery, post-resurrection, I would imagine Artemis feeling almost uncomfortable with the sustained gentleness of the life he’s been thrust back into.

[cowboysmp3]

ok not to be insane but the whole tom putting the bidding sticker on greg situ is SO indicative of their entire relationship bc its all about Tom’s desire for control and ownership over something (due to him feeling powerless and out of control in his relationship with shiv). Him putting that sticker on Greg wasnt just a hehe ill look after you way it was much more ‘I own you. You are reliant on me now and I OWN you’. Which is a sentiment that is the very FABRIC of their relationship, calling back to the ‘I will not let go of what is mine’ water bottle scene. Obsessed actually

[arashi-no-saxlphone]

as much as I would like to believe that Frederick and Asuka could be friends again, like, Freddy is building that rocket as fast as he can to kick his ass before the residual FoC and Gear power leaves his body. I'm sorry. I know I'm the Asuka apologist but dude. Nearly 2 centuries of the most unimaginable agony and festering sense of betrayal, compounded by Asuka goading him intentionally on multiple occassions (his reasoning behind all this goading aside) he is not just going to be able to let that go.

Asuka's crimes against humanity are one thing, you can argue til you're blue in the face about that and there's actual ground to cover there, but what he did to Frederick and Aria is like... damn dude. You, without their consent, turned them into gears. You lied about it to their faces too. Aria, someone who is cited as having her identity and who she is as a human being be one of the most important things to her, trusted you to put her into cryosleep because you said you'd find a way to save her so that she could be with Frederick. She didn't want that, she wanted to stay and spend the time she had left with Frederick instead, but she let you convince her cause she trusted you. And you took away her body, identity, and autonomy. You took Sol's humanity from him following that, lied to him about it, and then spent 200 years pissing him off so bad on purpose to make sure he'd always be there to help you fix everything. Oh, and then you made him kill his wife that you mutilated. Twice, essentially.

I love you Asuka, but shit, that's all kinds of levels of fucked my man. Frederick justifiably hates you really REALLY bad. I hope we get something in Dual Rulers settling this, cause Frederick just letting that go even following the events of Strive is just kinda unrealistic.

[skrunksthatwunk]

something he can't put into words.

[ilovemesomevincentprice]

Vincent Price as Waldo Trumbull and Peter Lorre as Felix Gillie

The Comedy of Terrors (1964) // dir. Jacques Tourneur

[cogcltrcorn]

I think snw should put main timeline kirk into the torment nexus á la tomorrow and tomorrow and tomorrow next. with some alternative timeline spock who is not going to remember anything when the wacky adventure is done. you know. that good old "he died in my arms and now I gotta pretend I am normal around him". I think that would be good. for me personally

[team7-headquarter]

The fact that it is a trope in Naruto that Kakashi saves Sakura before Sasuke can or when Sasuke is in a position to do so himself is so unhinged.

What was Kishimoto trying to do there?

The first time it happens (just outside of Konoha while traveling to the Land of the Waves), Sasuke very clearly thinks Kakashi is showing off. It's one of those funny moments where you can see how both Sasuke and Kakashi like being dramatic.

From that point, the story somehow establishes that it's Kakashi's job to protect Sakura as Sasuke and Naruto fight. At least Sasuke thinks that's the case...

It happens during the fight with Haku. I know that Sakura screams and Sasuke immediately wonders what Kakashi is doing when Sakura is in danger. I don't think he'd wonder the same if it was Naruto out there, since he'd probably criticize Naruto and not Kakashi for Naruto's own safety.

When Kakashi saves Sakura from both the chidori and the rasengan, they don't mention it at all, like it was natural for Kakashi to be there and for him to save / protect Sakura. At the time, Naruto was panicking because he couldn't stop, in the sense that he knew he didn't have the skill to do so, but Sasuke was more shocked that it was Sakura he'd hit. Once Sakura was safe and the thing was over, Sasuke went immediately back to thinking about how he was weak compared to Naruto.

He wasn't worried about Sakura not because he didn't care, but because that moment reassured him about Kakashi being there to protect her.

(It's worth mentioning Sasuke was upset over Naruto being the one who rescued her from Gaara because Sasuke was too used to having the role of second protector of the team, since it signaled he was the second strongest around).

Then, in Shippuden? Sasuke doesn't see Sakura as a real threat. He did mean to kill her during the Land of Iron, but the narrative again placed both Kakashi and Naruto there to protect her life. As soon as Kakashi and Naruto appeared, Sasuke forgot about her.

That encounter was the farthest Team 7 had been from the old days and the roles they had at those moments. Teamwork was absolutely gone.

During the Fourth Shinobi War, things went back a bit to what they were. Sasuke and Naruto tried to protect Sakura by telling her to stand behind or step back, except Sakura refused to be protected. They worked seamlessly for a few minutes, until it all went to hell and Kaguya appeared.

Kakashi spent almost the entire battle protecting Sakura. Understandable, since the first thing she did was run to get impaled like she didn't care at all about her own life. (Kakashi was scared shitless that something would happen to her).

TWO TIMES during the Kaguya fight Sakura was in danger and Naruto pointed out (commanded, really) that Sasuke could help her and Sasuke did move to do so, he did face her to act, before his mind could process what he was doing. In both cases, Kakashi was faster and had her safe and sound before Sasuke could even reconsider.

First in the lava world, where Kakashi had Sakura and Obito already secured, so Sasuke moved to protect Naruto. Second when Obito gave both his eyes to Kakashi and he decided to go all Susanno to pull Sakura out of danger, to Sasuke's surprise.

Time to mention that the narrative of the manga makes explicit the petty rivalry between Kakashi and Sasuke. Sasuke does hate him for having the sharingan, you know, and Kakashi would not stop when recriminating how Sasuke decided to use the things he taught him, like the chidori, to hurt his comrades.

Anyway, Naruto decides to use that moment to tell Sasuke that Kakashi's susanno was cooler and talk about how the Copy Nin was amazing and all of that. If I had to guess, Naruto was more than a bit irritated because Sasuke was rude to Kakashi and Sakura and called them useless. It is a good guess if I'm allowed to say so, since Naruto also made a point of telling Sasuke to thanks Sakura for helping Obito bring him back from another dimension.— After all, Naruto did also complain about Sasuke being the leader, since he thought Sakura and Kakashi were better at making plans.

It kinda reached its limits when Sasuke put her under a genjutsu (of getting hit with a chidori to the chest, of all things) and Kakashi lost his cool. He was so visibly frustrated with Sasuke and the feeling was mutual.

It was call back to sooo many moments between Sakura and Sasuke:

When Sakura cried and calmmed the cursed mark back at the Forest of Death, when Sakura tried to prevent Sasuke from competing with the cursed mark during the Chuning Exams preliminaries and Sasuke told her to shut up, or when she tried to stop him from leaving Konoha to find Orochimaru and Sasuke knocked her out. It was an echo of the way Sasuke did almost hit her with a chidori back when they were kids without meaning to and then years later when he did mean to kill her; it was the memory all the times she worried about him and rushed to put herself in danger for his wellbeing when he didn't want her to.

When Sasuke left to fight Naruto, Kakashi was the one who stayed with her. When Sasuke left on his journey for atonement, Kakashi was there to tell him to behave, but also he was there next to the girl he had been protecting for years now. I don't know what all of that was supposed to mean...

I guess that Sakura played a part in Sasuke and Naruto's rivalry as much as she played a part in Kakashi and Sasuke's animosity.

[emoreooo]

doomed valentines 🥀

aka what if kel and aubrey took over sweetheart’s castle ?

this is an au where if you interact with the keeper of sweethearts castle as anyone but omori, it unlocks a whole new optional level. you wake up in the picnic area with hero but no kel or aubrey. sweethearts castle is different and basil joins you for this level

the castle's main towers seem to have split into two, but the main building remains one, and smaller from the outside. but it turns out to be unnaturally spacious at times, as if the building was a psychological maze trying to separate... certain people apart

you find aubrey. she looks different, but happier. “it's like a princess' dream come true. it’s everything i could ever want and more.” she says, smiling at you. “now... all i need left is my lovely prince charming—”

“hey, guys !!”

enter kel.

“ugh.”

kel also looks different, if not for the fact hes wearing an obnoxious shade of pink, head to toe. he is happy to see you all. “everyone here LOVES me ! they respect me and trust me and all that kinda stuff. man, i feel so powerful ! im never leaving this place !”

that didnt seem to sit right, so hero intervened. “but.. if you stayed here, wouldn’t you miss everyone else ? omori, basil, me... mari ?”

“well, duh ! that’s why you guys will be staying with me too !”

that broke a new fight between kel and aubrey, but for the wrong reasons

it ends with aubrey dragging basil along with her, hero with kel, and you alone on the bridge connecting the two towers. you have a choice to follow one of them first. lets say, kel.

you head for kels tower and find hero talking with kel, trying to convince his brother.

“didja know ?? the sprout moles here love me so much they made me offerings, like, im a god or something ! pretty cool huh ?”

“..offerings ?”

“yeah ! oh man.. hero, youre not jealous, right ?”

“wh— no. its just.. a bit ridiculous.”

“...ridiculous ?” kels confused expression contorts into a smile, that of understanding. “i see whats going on. its okay, hero, i know its gotta be tough to be put to the side. and overlooked. bet its weird not being in the spotlight for once.”

you caught a quick flash of horror written on heros face. “kel.. are you saying this because—”

“but its ok ! as long as were here, neither of us will ever have to feel that way !”

remaining determined, hero put his foot down. “thats enough, kel. you cant stay here.”

“yea, thats a good one, bro.”

“im... serious. were leaving, kel.”

the younger boy stops laughing. ”...oh. youre— why ?”

“i dont think this place is anything like it seems. i think its a sham.”

kel barks with laughter.

“oh so when it benefits ME is it a sham. man, how selfish can you be ?”

“...what ?”

“you really cant stand it when its not all about you, huh ? but what about me ? what about kel ?”

“i-i think this place is affecting you. please, kel, listen to me.”

“no. if you wanna leave so bad, fine ! the sprout moles can send you out. but im not leaving. im happy here anyway, and you wont get it.”

with that, kel leaves you two in his tower. hero seems distracted, before suggesting you both go find basil

you head for aubreys tower, only to find a scared basil locked in a cell. upon freeing him, he stares over your shoulder.

“o-omori.” he whispers. “...behind you.”

“well, well.. well !”

enter aubrey.

“aubrey! why was basil locked in?” hero asks, perplexed.

“hm? well, he kept trying to leave! i couldnt let that happen, not when i was sharing my happiness with him.” aubrey frowns. “i thought he was my friend.”

basil looks terrified. “aubrey.. i am your friend.”

“hmhm, of course you are. friends dont leave each other behind, right omori?”

hero once again steps in. “aubrey, i think youre taking this too far. of course we want you to be happy, but kidnapping your friends isnt the way. this place is messing with your heads, so we should leave before it gets worse.”

but your path is blocked by kel in the doorway.

“that wont do.” aubrey hums behind you, brandishing her shiny pink bat. “no.. not at all. what do you think, kel ?”

“i think its rude to leave in the middle of a party. right, hero? you taught me that one!”

“kel..”

he then takes a bow as aubrey joins him. “so, friends, may we have this dance?”

“let us sweep the floor !”

boss battle mechanics !

you can not change aubrey or kels emotions even at the start of the battle. the only ones who can change their emotions are each other, so the best strategy is to adapt with your own party’s emotion play

there are 4 phases to this battle. a neutral state, tier one emotion, tier two, and lastly tier three, much like most emotion based bosses. between each phases, aubrey will make kel happier, while kel makes aubrey angrier. they are not made to have the sad emotion, however,

if you end third phase with an attack from hero, kel will start fourth phase with a depressed emotion instead of manic, giving your team good advantage on winning since he relies on speed. aubrey will still be furious, but its still one enemy disadvantaged

once you defeat them they will go snork mimi in your arms and you must carry them out of the castle and back to mari.

“aww, i guess its past their royal nap time !”

[lambmotifz]

am i the only one who doesn’t like normal/regular wincest au

because all the supernatural storylines are the main factor that makes their dynamic so special. wincest without horror elements just. isn’t wincest