#dennis lyall

[spacenoirdetective]

Dennis Lyall, "Benjamin Franklin: Scientist"

[ltwilliammowett]

Sail Ship - U.S.F. Constellation, by Dennis Lyall, 1988

[lickmystamp]

US postage stamp, 1988 “Antarctic Explorers” Scott #2386 - #2389

Issued: September 14, 1988 - Washington, DC Quantity: 40,535,625 Designer: Dennis Lyall Printed By: American Bank Note Company (Photogravure)

Stamps honor four explorers of the South Pole with the pictures of men, their vessels, and maps of their expeditions. Also coincided with the 100 anniversary of the National Geographic Society. Each stamp has a head-and-shoulders portrait with an illustration and map of their discovery route. The stamps in the block were arranged in chronological order with the earliest explorer in the top left and the most recent explorer in the bottom right.

[ulkaralakbarova]

The employees of an independent music store learn about each other as they try anything to stop the store being absorbed by a large chain. Credits: TheMovieDb. Film Cast: Joe Reaves: Anthony LaPaglia Rex Manning: Maxwell Caulfield Jane: Debi Mazar Lucas: Rory Cochrane A.J.: Johnny Whitworth Debra: Robin Tunney Gina: Renée Zellweger Marc: Ethan Embry Berko: Coyote Shivers Warren: Brendan Sexton III Corey Mason: Liv Tyler Eddie: James ‘Kimo’ Wills Mitchell Beck: Ben Bode Croupier: Gary Bolen Woman at Craps Table: Kimber Sissons High Roller: Tony Zaar Reporter: Patt Noday Kathy: Julia Deane Autograph Girl: Kessia Embry Cop #1: Michele Seidman Cop #2: Diana Taylor Cop #3: Bernard Granger Cop #4: Michael Harding Lead Singer: Dave Brockie Flower Delivery Guy: Kawan Rojanatavorn Roulette Table Man: Corey Joshua Taylor Ballet Dancer: Melissa Caulfield Veronica: Lara Travis Film Crew: Director: Allan Moyle Screenplay: Carol Heikkinen Editor: Michael Chandler Production Design: Peter Jamison Art Direction: John Huke Set Decoration: Linda Spheeris Costume Design: Susan Lyall Producer: Tony Ludwig Producer: Arnon Milchan Producer: Michael G. Nathanson Producer: Alan Riche Co-Producer: Paul Kurta First Assistant Director: Joel Segal Second Assistant Director: Philip A. Patterson Camera Operator: Mitchell Amundsen Steadicam Operator: Rick Raphael First Assistant Camera: John Verardi Second Assistant Camera: Ken Hudson “B” Camera Operator: Jeff Moore Still Photographer: Jim Bridges Second Unit Director of Photography: Carolyn Chen Director of Photography: Walt Lloyd Casting: Gail Levin Music Supervisor: Mitchell Leib Negative Cutter: Mo Henry Color Timer: Bob Putynkowski Music Consultant: Karen Glauber Music Editor: Sally Boldt Supervising Sound Editor: Randle Akerson Sound Effects Editor: Joe Earle Sound Effects Editor: Linda Keim Sound Effects Editor: David M. Horton Dialogue Editor: Adam Sawelson Dialogue Editor: Benjamin Beardwood Assistant Sound Editor: Jonathan Phillips Assistant Sound Editor: Bill Ward ADR Supervisor: Linda Folk ADR Editor: Sukey Fontelieu ADR Mixer: Dean Drabin ADR Mixer: Paul J. Zydel ADR Mixer: Christina Tucker ADR Voice Casting: Barbara Harris Foley Supervisor: David Horton Jr. Foley Mixer: Brian Ruberg Foley Artist: Sarah Monat Foley Artist: Robin Harlan Sound Re-Recording Mixer: Gary Alexander Sound Re-Recording Mixer: Don Digirolamo Sound Re-Recording Mixer: Scott Ganary Dolby Consultant: Douglas Greenfield Dialogue Coach: Naomi Joy Todd Craft Service: Theresa Honeycutt Transportation Coordinator: William “Bill” Pitts Transportation Captain: Jeff Long Construction Coordinator: Jeffrey Schlatter Construction Foreman: Ralph Woollaston Location Manager: Mary Weisgerber Meyer Location Manager: Molly Allen Casting Associate: Tricia Tomey Stunt Coordinator: Jery Hewitt Key Makeup Artist: Jeff Goodwin First Assistant Makeup Artist: Rick Pour Key Hair Stylist: Aaron F. Quarles First Assistant Hairstylist: Lizz Scalice Costume Supervisor: Carolyn Greco Costumer: Sevilla Granger Special Effects Coordinator: Greg Hull Sound Mixer: Douglas Axtell Boom Operator: Robert Maxfield Key Grip: Randy Tambling Best Boy Grip: Dennis Zoppe Dolly Grip: Rufus Granger Jr. Dolly Grip: Clarence Brown Gaffer: George Ball Rigging Gaffer: Scott Graves Production Coordinator: Cynthia Streit Assistant Production Coordinator: Amy Chance Script Supervisor: Annie Welles Second Second Assistant Director: Stefania Girolami Goodwin Unit Publicist: Alex L. Worman Production Accountant: Karen Eisenstadt Assistant Accountant: Rick Baer Property Master: Robert Beck Assistant Property Master: Beth Giles Assistant Art Director: John Frick Set Designer: Evelyne Barbier Set Designer: Tim Eckel Set Designer: Alan Hook Set Dresser: Colleen Broderick Art Department Coordinator: Susan Agnoff First Assistant “B” Camera: Joe D’Alessandro First Assistant Editor: Thomas J. Nordberg Assistant Editor: Pamela Jule Yuen Movie Reviews: Filipe Manuel Neto: **An animated film, full of rebellion and energy.** Remember the stores that sold...

[contemporaryartdaily]

Group Show at Tanya Bonakdar

[asktheboywholived]

(If I may make a joke) Lyall looks exactly like every Midwestern Dad in Dennys at 9pm trying to feed his ravenous children who he accidentally let stay up way too late and now they've already broken 3 plates and tipped over a plant and he's dreading when the waitress will next come over

(( OOC: This... is the most perfect description of Lyall I’ve ever seen. ))  

[stampuscollection]

US Lighthouse Stamps First Day Issue 1990 on Sailboat Print by Dennis Lyall https://ift.tt/3etPH1h

[atlanticcanada]

Dennis Oland acquitted of killing his father in second murder trial

A New Brunswick judge has acquitted Dennis Oland of murdering his father, Richard Oland.

More details to come.

NOT GUILTY. OLAND IS FREE TO GO.

— Mike Cameron (@MikeCameronCTV) July 19, 2019

'I have a reasonable doubt as to whether Richard Oland was killed prior to 6:44pm' 'I cannot accept outright the accused's denial of guilt' @CTVAtlantic

— Laura Lyall (@LauraLyallCTV) July 19, 2019

from CTV News - Atlantic https://ift.tt/2GkaEgZ

[ltwilliammowett]

Sail Ship - U.S.F. Constellation, by Dennis Lyall, 1988

[lickmystamp]

US postage stamp, 1988 “Mary Cassatt” Scott #2181

Issued: November 4, 1988 - Philadelphia, Pennsylvania Quantity: 48,780,000 Designer: Dennis Lyall Printed By: Bureau of Engraving and Printing (Engraved)

Mary Stevenson Cassatt was an American painter and printmaker. She was born in Allegheny, Pennsylvania, and lived much of her adult life in France, where she befriended Edgar Degas and exhibited with the Impressionists.

[kingofthebats40]

Funnily enough, there is a canon story for them where Ehectel, Lyall, Seth and Alexis go to a Denny's-like diner and they're all tired and kinda depressed from recent events, but they other three learn that Ehectel is so down that he hasn't eaten in a few days. Ergo, they make him get SOMETHING or else they will hide his autographed Michael Jackson cassettes. He decides to just get pancakes, and his depression quickly vanishes when he sees the sheer SIZE of the pancakes; big enough so that they almost reach his chest, and the pitcher of syrup is basically the same size as his coffee. But his friends make him eat ALL of it, and then promise to get off his back about eating.

@sinnersofafeather

[free-lib-us]

MRCPsych: Passing the CASC Exam Second Edition PDF Free Download [Direct Link]

MRCPsych: Passing the CASC Exam Second Edition PDF Free Download [Direct Link]

This is a fully-updated, comprehensive guide for trainees preparing for the MRCPsych CASC exam (Clinical Assessment of Skills and Competencies). Success in the CASC is the final step in being awarded the MRCPsych qualification, which signifies the physician has fulfilled the necessary training requirements and has passed the membership exams conducted by the Royal College of Psychiatrists. The book is presented in a clear layout and covers the full range of psychiatry subspecialties likely to be encountered on exam day. In this blog post, you will be able to download free PDF e-book copy of MRCPsych: Passing the CASC Exam Second Edition PDF.

Table of Contents

Below is the complete table of contents presented in MRCPsych: Passing the CASC Exam Second Edition PDF:

1 Old age psychiatry Oliver Bashford 2 Anxiety disorders Priyadarshini Natarajan 3 Child and adolescent psychiatry Matthew Fernando and Dennis Ougrin 4 Eating disorders Thomas Gilberthorpe 5 Addiction disorders Mark Parry 6 Forensic psychiatry Marc Lyall 7 Learning disability psychiatry Sharada Deepak 8 Liaison psychiatry Babu Mani 9 General adult psychiatry David Okai 10 Neuropsychiatry Derek Tracy 11 Personality disorder Pranathi Ramachandra 12 Perinatal psychiatry Ruaidhri McCormack 13 Psychotherapy Dinesh Sinha 14 Physical examinations Sangita Agarwal and Justin Sauer 16 Miscellaneous disorders James Main

Product Details

Below are the technical specifications of MRCPsych: Passing the CASC Exam Second Edition PDF.

Edition 2nd Edition

ISBN 1498722180

Format PDF

Page Count 530 Pages

Author Justin Sauer, Malarvizhi B Sandilyan

MRCPsych: Passing the CASC Exam Second Edition PDF Free Download

Here you will be able to download MRCPsych: Passing the CASC Exam Second Edition PDF by using our direct download links that have been mentioned at the end of this article. This is a genuine PDF e-book file. We hope that you find this book useful in your studies. Below is a screenshot of the cover image of this book:

FILE SIZE: 15 MB

Please use the link below to download MRCPsych: Passing the CASC Exam Second Edition PDF for free:

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source https://www.medical-2019.cf/2020/08/mrcpsych-passing-casc-exam-second.html

[micaramel]

Artists: Kelly Akashi, Uta Barth, Martin Boyce, Mary Corse, Olafur Eliasson, David Horvitz, Ann Veronica Janssens, Bill Jenkins, Paul Ramirez Jonas, Sam Lewitt, Scott Lyall, K.R.M. Mooney, Dennis Oppenheim, Lisa Oppenheim, Cauleen Smith, Robin Watkins, James Welling

Venue: Tanya Bonakdar, New York/Los Angeles

Exhibition Title: Living in a Lightbulb

Curated By: Jenny Jaskey, Mia Locks

Date: June 1 – August 30, 2019

Click here to view slideshow

Full gallery of images, press release, and link available after the jump.

Images:

Images courtesy of the artists and Tanya Bonakdar, New York/Los Angeles. Photos by Pierre Le Hors and Jeff Mclane.

Press Release:

It’s like living in a light bulb, with the leaves
 Like filaments and the sky a shell of thing, transparent glass
 Enclosing the late heaven of a summer day, a canopy
 Of incandescent blue above the dappled sunlight golden on the grass.

— Sally’s Hair by John Koethe (excerpt)

Tanya Bonakdar Gallery is pleased to present Living in a Lightbulb, curated by Jenny Jaskey and Mia Locks, a two-part exhibition in the gallery’s New York and Los Angeles locations. Artists in the exhibition make use of light and heat —the sensoria of summer — to emphasize the slow, dynamic process of our encounter with these phenomena. Some artists employ sunlight as raw material to make images. Others point to the way energy directs and regulates time and behavior. Orienting sight, even survival, within the vagaries of the cosmos, “living in a light bulb” is a precarious and fundamentally interdependent proposition.

Works in the New York exhibition include a site-specific installation by Bill Jenkins that redirects daylight from the gallery’s front window to a back room. This sculpture of light illuminates a picture of the Cosmos by Scott Lyall, an image animated by light reflecting off sub-visible information embedded in NanoFoil. Lisa Oppenheim’s heliograms capture the sea and sky at different times of day. Olafur Eliasson’s suspended rotating orb emits a hazy orange glow, the light of a single frequency.

Topological transformation, and the role of natural energy in the reproduction and maintenance of life, connect several works in the exhibition. A monotype by Sam Lewitt recreates a scene from a Cesariano etching that documents the discovery of fire in the household, and Cauleen Smith reimagines archival footage as a conversation between humanity and planet Earth about impending ecological collapse. Transformation and decay are recurring themes in the work of Kelly Akashi, too, whose handblown glass orb is held, tenuously, as it filters light.

In Los Angeles, several artists actualize the material properties of light and heat: a painting by pioneering Light and Space artist Mary Corse incorporates glass microspheres in its surface that refract light; Sam Lewitt etches in Pyralux, a copperclad plastic laminate with high thermal performance, used in ultra-thin circuit boards and electronics. Light seems to flicker and burst across James Welling’s large dégradé screen, a work the artist makes by filtering light onto photo paper. And in a dryly humorous conceptual work from 1970, Reading Position for a Second Degree Burn, Dennis Oppenheim uses UV rays to develop an image of a book on his skin.

Works by Uta Barth, Martin Boyce, and K.R.M. Mooney consider the interplay of light with the built environment — with airplane windows, sun shades, and the shape of a room. Mooney’s pair of steel sculptures echo the forms of light shields, like domestic blinds or awnings. A sculpture by Ann Veronica Janssens uses a modest sheet of corrugated aluminum to imagine moonlight within the gallery’s architecture.

In the summer, we say the days are longer, as sunlight stretches into evening. Paul Ramirez Jonas attempts to catch the light, extend the day further, by driving as fast as possible towards the setting sun. In the Arctic circle, where the sun never sets this time of year, Robin Watkins makes field recordings of solar wind, aurora borealis and other magnetic storms. In a poem made from neon lights, David Horvitz connects the gravitational pull of the moon with the rise and fall of the ocean tide. His work reminds us of the gradual change of summer, sunrise to sunset.

Jenny Jaskey is Distinguished Lecturer in the Department of Art & Art History at Hunter College and Director and Curator of the Artist’s Institute, New York, where she has made exhibitions with Hilton Als, Tauba Auerbach, Pierre Huyghe, Lucy McKenzie, Carolee Schneemann, and Haim Steinbach, among other artists. She is co-editor with Christoph Cox and Suhail Malik of Realism Materialism Art (CCS Bard/Sternberg, 2015) and recent catalog writing includes essays on the work of Nina Canell, Ian Cheng, and Laura Owens.

Mia Locks is Senior Curator and Head of New Initiatives at the Museum of Contemporary Art, Los Angeles (MOCA). Her exhibitions include the Whitney Biennial (2017); Greater New York (2015); Math Bass: Off the Clock (2015); IM Heung-soon: Reincarnation (2015); The Little Things Could Be Dearer (2014); Samara Golden: The Flat Side of the Knife (2014); and Cruising the Archive: Queer Art and Culture in Los Angeles, 1945-1980 (2011). She was a 2018 fellow at the Center for Curatorial Leadership, New York.

Link: Group Show at Tanya Bonakdar

Contemporary Art Daily is produced by Contemporary Art Group, a not-for-profit organization. We rely on our audience to help fund the publication of exhibitions that show up in this RSS feed. Please consider supporting us by making a donation today.

from Contemporary Art Daily http://bit.ly/2zAfJhB

[365footballorg-blog]

Croatia v England - what's it like to play in a 'ghost game'?

They are known as ‘ghost games’ for good reason – playing in a top-class competitive match without a crowd is an “eerie experience” according to some of those to have done it.

That is the test that awaits England on Friday and, when Gareth Southgate’s side line up at a virtually empty Stadion Rujevica for the Nations League tie against Croatia, it will also be a journey into the unknown.

No matter what happens on the pitch, the Three Lions will make history in Rijeka – because of Uefa sanctions against their hosts, England’s 988th senior international since 1872 will be their first to be held behind closed doors.

It is a rare experience for English clubs too – only three have done it in the history of European club competition – West Ham in 1980, Aston Villa in 1982 and Manchester City in 2014.

English clubs to play behind closed doors in Europe Season Competition Game Score 1980-81 European Cup Winners’ Cup West Ham v Real Madrid Castilla 5-1 aet 1982-83 European Cup Aston Villa v Besiktas 3-1 2014-15 Champions League CSKA Moscow v Man City 2-2

So, what will it be like? Hammers legends Trevor Brooking and Phil Parkes both played against Real Madrid Castilla – the Spanish giants’ B team – in what went down in folklore as one of the most famous matches to be played at their old Upton Park home, because there were no fans there to watch it.

“It was a very, very surreal game,” Parkes told BBC Sport. “Even now, I think: Did I dream that, or did it really happen?”

‘The players could hear the radio commentary’

Brooking played 643 games in all competitions across 18 seasons during his glittering career for the Hammers, but the unique and peculiar circumstances of Wednesday, 1 October 1980 mean it stands out in his memory.

West Ham trailed 3-1 after the first leg of their European Cup Winners’ Cup tie against Castilla – a game that had been marred by the trouble that led to the crowd ban – but back in east London they eventually prevailed 6-4 on aggregate after extra time.

The goals, including a hat-trick by David Cross, and the comeback are not what Brooking and Parkes remember most, however.

And, by the sound of things, John Murray and Ian Dennis, BBC Radio 5 live’s co-commentators in Rijeka, might have an unusual audience.

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“It was very odd from the moment we ran out to warm up,” Brooking explained.

“Normally you would have the noise of the crowd lifting you before the game and during it. There was always a fantastic atmosphere at Upton Park for the big games.

“But that night was very eerie. You could hear the radio commentary drifting across the pitch, and what the coaches were saying to themselves in the dugouts.

“In fact that was the only game in my whole career that I could hear everything that was said from the bench.

“One voice stood out above the others – Eddie Bailey, a World War Two veteran as well as a former England international. He was our chief scout, and a man who definitely liked to see commitment from his players.

“Let’s just say he was very vocal about it, and pretty volatile! Lots of his encouragement was related to the use of a bayonet.

“His voice could always be heard even when there was a crowd there and, that night, I am sure his cries of ‘get stuck in’ would have been heard from a long way away.”

Applauding policemen – but no players’ wives

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Parkes, who played 444 games in goal for the Hammers between 1979 and 1990, says the Castilla game was the only one in his career that his wife was not able to watch.

Players were not given any tickets for family or friends, and the official attendance of 262 consisted of the players, match officials, administrative staff and the media.

That figure did not include some West Ham supporting policemen, whom Brooking recalls clapping the home goals from otherwise deserted terraces.

Unlike Friday’s game, Uefa’s ban included preventing any live TV coverage – just three minutes of action were permitted to be shown on the news.

And because so few people were present, there are plenty of claims about what else went on – including that Parkes listened to commentary of the match on a ball boy’s radio behind his goal in the second half.

“That’s a myth, I’m afraid,” Parkes said. “Most of the time I was listening to what was going on in the other box, which never happens in a normal game.

“But I do remember talking to one of our apprentices, who was stood behind the goal, in a quiet moment.

“We actually had all of the youth players spaced around the ground, in every stand. We only had one ball and there was no-one else to get it back when it went in there.

“They were flying around, doing their best, but even so, if the ball went up to Row Z of the Chicken Run, it would still take two or three minutes to come back if there was nobody near it.”

How can England prepare for a unique occasion?

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The size of HNK Rijeka’s tiny temporary home, which will become their training facility once their own ground is rebuilt, means getting the ball back is unlikely to pose a problem on Friday, but how can England prepare for such a unique challenge?

“We were certainly not looking forward to it,” added Brooking. “But we did not want to lose in those circumstances.

“Our manager, John Lyall, organised a full-blooded practice game at Upton Park against our reserve side and asked them to treat it like a competitive game, to give us some idea of what it will be like to play there when it was so eerie, without any atmosphere.”

Even that did not help the players too much, according to Parkes. While England will not get to train at Stadion Rujevika before the game, it is unlikely to affect their preparations.

“We trained at Upton Park during the day in the build-up to the game,” says Parkes. “But the game was at night under floodlights, and that is what made it weird.

“During the day you can see everything around and outside the ground, but when you are playing and the floodlights are on you cannot actually see much beyond the edge of the pitch.

“So, when we scored it was almost as though you expected the crowd to cheer. There was no-one there of course, but you couldn’t see that there was no-one there.”

‘It will feel like England are being punished if we lose’

<!–

According to newspaper reports at the time, hundreds of Hammers supporters gathered outside the ground to celebrate at the final whistle – the journalists who were present heard the club anthem ‘We’re forever blowing bubbles’ being sung.

Something similar could happen on Friday night because several England fans are still travelling to Rijeka, but it is unclear how close they will be able to get to the action.

“I am sure there are plenty of England fans who will still go across,” added Brooking, who also played 44 times for England, including in front of crowds of more than 90,000 on eight occasions at Wembley, Hampden Park and in Eastern Europe.

“But it is a shame really – it will be an eerie night and another weird atmosphere and it just does not seem right for two of the top countries in the world to play in a little stadium like that, without a crowd.

“I would have thought Croatia switched it from Zagreb or Split to try to get some benefit but Gareth will not use it as an excuse whatever happens, and I am sure the players won’t either – but it is certainly not ideal for such a prestigious match.

“The total lack of atmosphere will not do any justice to the game and I know from our experience that not having fans there will not help either team, the managers – anyone.

“It is not something I would want our players to suffer but West Ham got through it, which was great and I would like to think England will get something from it too.

“This is supposedly happening to punish Croatia but it will feel like England have been punished if we lose.”

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BBC Sport – Football

Croatia v England – what's it like to play in a 'ghost game'? was originally published on 365 Football

[stampuscollection]

US Lighthouse Stamps First Day Issue 1990 on Sailboat Print by Dennis Lyall https://ift.tt/30Hd7gI

[autoaddiktt-blog]

New Post has been published on AutóAddikt

New Post has been published on http://www.autoaddikt.hu/elindult-az-audi-r8-lms-gt4-ertekesitese/

Elindult az Audi R8 LMS GT4 értékesítése

Audi Sport ügyfélsport programját egy harmadik modellsorozattal gazdagító új Audi R8 LMS GT4 már négy kontinensen rendelhető.

Audi R8 LMS GT4

Elindult a legújabb változat értékesítése: az Audi Sport ügyfélsport programján belül áprilisban mutatkozott be az Audi R8 LMS GT4, amely az ügyfélcsapatok számára elérhető harmadik modellsorozat. Az akár 364 kW (495 LE) teljesítményre képes GT4 versenyautó értékesítése most kezdődött meg, az autó ára pedig 198 000 euró (ÁFA nélkül). Az autókat tulajdonosaik várhatóan decembertől vehetik át. Az érdeklődők Európában az Audi Sport ügyfélsport részlegén keresztül adhatják le rendeléseiket, míg a többi három kontinensen az Audi Sport customer racing North-America, Audi Sport customer racing Asia, Audi Sport customer racing Japan és az Audi Sport customer racing Australia lesz a vevők segítségére. A potenciális vásárlók központi kapcsolattartója pedig Hendrik Többe (hendrik.toebbe@audi.de).

Audi R8 LMS GT3

Álomeredmény a Phillip Island-i hétvégén: Matthew Stoupas nyerte mindhárom futamot a Victorian State Circuit Racing Bajnokság fináléján Ausztráliában. Az ötödik versenyen az ausztrál pilóta és Audi R8 LMS ultra versenyautója nem csupán a Phillip Island-i hétvégén volt legyőzhetetlen, de a sportautók versenyében is veretlen maradt. Ennek eredményeként eldőlt, hogy Stoupas lesz az a pilóta, aki Steven McLaughlant követi majd. McLaughlan az ausztráliai Victoria államban rendezett versenysorozatban diadalmaskodott egy Audi R8 LMS volánja mögött a tavalyi évben. Ross Lilley második helye az első és a harmadik futamon tette teljessé az Audi Sport ügyfélcsapatok sikeres hétvégéjét.

Első és második hely a Déli-szigeten: az új-zélandi Déli-sziget megbízhatósági versenysorozatának második fordulójában a Team International Motorsport egy első és egy második helyet ünnepelhetett. Ruapunaban, a Mike Pero Motorsport Parkban rendezett versenyen Lyall Williamson csapata most először vetette be az Audi R8 LMS második generációját. A három órás versenyt Andrew Bagnall és Matt Halliday végül csapattársaik, az első generációs Audi R8 LMS ultra versenyautóval induló Neil Foster és Johnny Reid előtt az első helyen zárták.

Sikeres szezonzáró Barcelonában: a belga Audi Club Team WRT a Blancpain GT megbízhatósági versenysorozatának szezonzáró spanyolországi futamán egy második hellyel búcsúzott. A két brit pilóta, Stuart Leonard és Jake Dennis mellett az Audi Sport holland versenyzője, Robin Frijns vezette az Audi R8 LMS versenyautót. A hármas egészen az utolsó kanyarig versenyben volt a győzelemért, a három órás barcelonai verseny végén azonban 0,719 másodperc hátránnyal meg kellett elégedniük a második hellyel.

Izgalmas szezonzáró az Audi Sport TT Cup sorozatban:az Audi Sport TT Cup bajnoki címének sorsa október 14-én Hockenheimben dől majd el. Jelenleg Philip Ellis áll az élen, aki eddig négy győzelmet, három második és két harmadik helyet gyűjtött be. A brit versenyzőnek ezzel 24 pontos előnye van a spanyol Mikel Azconával szemben, aki öt futamot nyert eddig idén. A hátralévő két versenyen összesen 50 pont szerezhető. Az összesítésben harmadik helyen álló Tommaso Mosca a mezőny legjobb újonca. Az új pilóták versenyében a 17 éves olasz 44 ponttal, gyakorlatilag behozhatatlan előnnyel vezet a dél-afrikai Keagan Masters előtt. Mosca 39 pontos hátrányból várja az idényzáró hétvégét, így matematikailag még neki is esélye van az összetett bajnoki cím elhódítására.