#deltarune mayor holiday

[ejsuperstar]

So I've seen the names Carol and Comet thrown around for Mayor Holiday, but have we seen Cupid? I know it's typically associated with Valentine's and not Christmas, but it was also one of the names of Santa's reindeer (like comet).

I think a Mayor Holiday who's just as equally Valentine's themed as Christmas themed could be fun. Maybe she married into the whole Christmas thing.

[transesyourgranddukes]

please tell me someone has written knight!mayor holiday x toriel PLEASE

[huecycles]

holiday residence

[lynxgriffin]

Eldritchrune - Dreemurr of Sacrifice

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Story Setup Eldritchrune Masterpost

Back in the light world, Asgore is still dealing with the heartache of the sacrifice, even months later. Mayor Holiday is still set on moving ahead, though!

Yay, it's nice to finally get back to some light world characters here! More with the Dreemurr family will be coming along soon!

Alt text for these pages under the read more:

Page 1 Panel 1: a landscape shot of the Holiday house and surrounding garden, with Rudy and Asgore outside the fence and hollybush hedge. The Delta Rune is emblazoned over the door and spiky snowflakes decorate the roof and fence.  Asgore is walking by with a wheelbarrow. Rudy: “Asgore, you old goat! Been way too long!” 

Panel 2: A closer shot of the two men- Rudy is slim and dressed in a crisp tunic, Asgore larger and wearing slouchy overalls. Asgore: “Howdy Rudy. You’re looking well!” Rudy, hand on his knee, bends over to hack and cough. Rudy: “Oh y’know… well enough, I guess! How’s business?” 

Panel 3: Asgore looks down,ruefully scratching the back of his head. His wheelbarrow is full of droopy plants, ready for planting. “Could be better… Those soldiers hassle me almost daily. But, I’ve gotten used to it, so it’s all right.” 

Panel 4: Rudy puts a comforting hand on Asgore’s shoulder. “Aww hey, you can complain to me any time…” he says. Asgore doesn’t avoid the touch but he doesn’t seem comforted. 

Page 2 Panel 1: close up on Rudy, who jerks his head to look as far behind him the door of the Holiday house opens to show the silhouette of a woman in a long dress. 

Panel 2: Rudy: “But uhh, I’ll let Carol here say her piece first. See you, Asgore!” He waves and pushes the gate open to go back to the house. Asgore looks taken aback. 

Panel 3: A textless landscape shot of the front of the yard. Rudy, halfway back to the house, turns to look behind him as Carol comes out of the large Holiday gate to meet Asgore, who is hunched in a half-bow with his hand over his heart. 

Panel 4: Asgore: “Howdy, Mayor Holiday.” He doesn’t look up at her, and we see only the back of her head, not her face. Carol: “Good day, Asgore. I appreciate you stopping by, as I wanted to inform you personally.” 

Panel 5: Carol leans into Asgore’s space, and he leans away, cowed. Neither of their eyes are visible, but we see their mouths: hers stern, his distressed. Carol: “We will be conducting the Ritual again in three month’s time, at the harvest moon. You and Toriel’s presence is required.”

Panel 6: Bust shot of Asgore, dismayed. “A…Again? You’ve… found another one?” His hand is still protectively over his heart. 

Page 3:  Panel 1: We see Carol’s face for the first time: she is severe looking, with medium length hair, a stiff dress, and a choker necklace and ornate belt. Her hand is also over her heart, though more like a formal salute. “I have tasked QC with obtaining the child.” 

Panel 2: Carol’s speech bubble continues as narration. “She’s been quite diligent in her duties, and believes we now have one open to the concept of self sacrifice.” The scene shown is QC- a friendly, soft woman with wildly curly hair- appearing to be at a street market. She is speaking to a child with a bandana neck scarf (Clover, from UT Yellow), but there’s no dialogue. 

Panel 3: Another shot of Carol in profile, gaze fixed intensely ahead. “With the Ritual rites already perfected, this time we will be successful.” 

Panel 4: A wide shot of Asgore, hunched over his wheelbarrow of wilty plant starts and flowers. There’s no dialogue. His expression is despondent. 

Panel 5: Carol: “Is there something you’re withholding, Asgore?” Asgore: “No. We’ll be there.” We don’t see his expression. Her hands are folded sternly in front of her. 

Panel 6: She moves once again into his space, pushing past the wheelbarrow to lean in. “I know that you two have been avoiding us in public since the last Ritual.”  Asgore cringes away like a dog that’s been scolded. 

Page 4: Panel 1: Carol continues. “Toriel has hardly spoken a word to me since then. I trust there is an explanation?” 

Panel 2: Asgore wrings his hands in front of him. His speech bubble covers up his eyes, but his mouth is downturned. “Carol… Toriel avoids you so much because she respects you. She does not want a confrontation.”

Panel 3: Carol, her expression still severe, almost angry. “A confrontation?” 

Panel 4: Asgore, still cringing and looking down: “I don’t know.. if I can explain just how badly losing Kris hurt.” 

Panel 5: His narration continues from the previous panel. “She’d be so cross if I knew I said this, but…” We see the past, Toriel kneeling and clutching the blankets of an empty bed, crying hard. Asgore kneels beside her, holding her shoulders. He’s crying too, unable to comfort her. “The night of the sacrifice, when we got home… Toriel collapsed and wept so long and hard I was afraid her heart would simply stop.” 

Panel 6: Sill the past with present Asgore’s narration over the top. “And then, once Asriel left too… Both of our children were gone.” Left to right, in the interior of the Dreemur’s house, Asgore stands dismayed as an unhappy Toriel rushes after Asriel, who is walking out the door with a bag on his shoulder. He’s looking back but is clearly set on leaving. 

Page 5 Panel 1: Back in the present, Asgore is even more hunched in on himself, hugging his fists to his chest with his expression drawn tight and sad. “I know Toriel acts as though she is fine, but that’s simply because she is stronger than I am. The tension between us is so terrible that I’m afraid she’d leave me if she had somewhere to go!” 

Panel 2: Close on his distressed, panicky face, looking away from the confrontation. “And part of me can’t help wondering… w-what if we were…”

Panel 3: Carol jabs a finger in Asgore’s face. “We. WILL. Be rewarded for our sacrifices. Of this I am CERTAIN.” She’s stern, but her fists aren’t clenched- she’s controlled. Asgore shrinks under her words, looking up at her as he stammers “I-I know, but…”

Panel 4: Carol’s speech: “You talk of heartache. Kris was not even your child by blood.” Asgore looks down, ashamed. 

Panel 5: Carol continues, hand splayed over her chest. For the first time her expression is something other than stern, perhaps angry- still that, but pained. “Do you think your pain is greater than the one I feel, for December? Whom I gave away first?” 

Panel 6: Asgore plucks at his sleeve, looking away guiltily. “No, of course not-” 

Page 6 Panel 1: Carol’s brief moment of any other emotion is gone. She sweeps her arm to the side. “And yet I have put aside my grief for years, all for the sake of you, and everyone else, in this town. I will do whatever it takes to drive this invader from our doors, and restore this town to the peace it once had.” 

Panel 2: Carol’s face is almost a snarl. “All I require is that you, my oldest friends, trust me.” Asgore looks abashed. 

Panel 3: Close on Asgore’s downturned mouth, so none of the rest of his expression is visible. “Of course. Of course we do.” 

Panel 4: Carol draws away, her face returned to calm sternness. “That’s good to hear. Our children don’t need our tears.” 

Panel 5: Carol turns to go back into her gate, dismissing Asgore with a wave. “But our town does need our efforts.”  Asgore watches her go, putting his hands back to his wheelbarrow. 

Page 7 Panel 1: Another wide shot of the Holiday house and gardens, with Carol walking back to the house and Asgore outside the gate. Carol: “So I’ll see you both at the next gathering.” 

Panel 2: Asgore looks down at his wheelbarrow, despondently. His plants are all notably wilted. “Good day, Mayor.” The sky behind him darkens. 

[mothsshoes]

do not let them fool you they have many layers of trauma underneath the surface

the holiday family more like the big ass head family oh my god

[transesyourgranddukes]

SUPER LONG RAMBLING I WROTE DUE TO that link to the villains section of the hays code wikipedia article at the end and your point about Dess wanting to find ppl like her in the form of queer representation , which made me think back to the secret bosses and how they're characterized

so far they have been shown to be queer in some way + antagonistic to the main trio + linked to the figurative devil and have their own (fallen) angel/demon imagery . they and the rest of the darkners are “meant to serve lightners” , and with how lightners interacting with dark worlds represent people interacting with fiction , darkners are fictional characters meant to help/represent people

queerness in jevil being implied to have a relationship with seam (who is nonbinary) , and spamton trying to get himself a new body (trans coding) along with being confirmed mspec

not to mention their ties to the holiday family

particularly noelle , who is smiled at by the devilsknife and finds spamton's garbage dump place to be nostalgic

notably , Noelle , a queer character , finds comfort in those two (except for spamton during weird route , aside from the obvious influencing-the-killing-spree-by-you-and-your-childhood-friend-is-BAD , it is also a case of heteronormativity being imposed upon her by him through the thorn ring and his comments about her and kris . but that's another conversation)

jevil and spamton are people who have been outcast and failed by society in some way, left to rot in jail or abandoned to live in a garbage can , which could resonate with dess, who is ALSO alone somewhere horrible and cold and lonely (going off of her being in the code) , and whose disappearance could be read as her running from the town that she feels has failed her as a queer person and trying to make her own freedom (like jevil claiming he is free in his cell)

additionally the act of disappearing could be her rebelling(?) against and running from the expectations set upon her (like spamton trying to prove he can make it big without being puppeteered. although dess presumably had more positive expectations, expectations are still constricting to the ppl they affect)

tldr: dess , in a similar way to her sister but for a different reason , could possibly find comfort in the secret bosses through how they parallel her own issues with herself and her environment , akin to a queer person finding comfort in queer characters that reflect their own issues/situation

here’s a loosely speculative and rambly queer reading of dess that i sort of accidentally wrote just now. enjoy ?? ?

the more i think on it the more i think like. yeah noelle might very well be canonically a transgirl. as a lot of people have speculated, we might get the subtext when the mayor and dess are revealed to be does without antlers — we have the “horned girl and her sister” line, and it does seem a little odd that the story is so far withholding information on the mayor or dess’s appearances. and aside from the confirmation just being dope as hell on its own merits, i also think it might matter in relation to dess’s possible conflicts as a metaphorically queer person in a small town, maybe specifically with her mother

because the thing is, queerphobia literally doesn’t exist in utdr’s universes as far as we can tell. it doesn’t make sense for their mom to be angry with dess for being trans, gay, or GNC, because being those things isn’t considered rebellious or deviant in this world — it’s perfectly within the range of normal. it fits within her mother’s worldview. noelle is a trans lesbian and as far as we can tell it’s perfectly fine; their mom probably wouldn’t be upset either way if dess continued to be her daughter or came out as her son or as her nonbinary child. the mayor herself is gender-nonconforming — a tough, powerful woman in a position of high authority who can punch a man so hard that he blacks out.

but that doesn’t mean there can’t still be queer-flavored conflicts — perhaps a parent upset with her child for pursuing hobbies and passions that she thinks are inappropriate for her, that aren’t in line with what she understands or respects; for not dressing or behaving or growing up in the ways she thinks her children should. a parent angry with her child for not following rules that, in her mind, are in the child’s best interests to follow — rules that she thinks should protect dess from a world that just Wouldn’t Be Kind To Someone Like Her. a parent feeling personally attacked when her child chooses a new name for herself, rejecting the one she gave to her. a parent feeling hurt and abandoned when the person her child chooses to be in the world isn’t the person she expected or wanted.

to very briefly speculate on specifics: consider the possibility that, while rudy and noelle only ever refer to dess by her chosen name, the mayor may insist on calling her “december.” and, while it does make sense in-universe for someone to suspect the worst from dess’s vanishing, consider the imagery of a parent possibly considering her young adult child “dead” after that person made choices for herself that she found frightening and confusing.

noelle, while arguably just as “queer” as dess (see her quiet fascination with the weird and strange, and her desire to be closer with both susie and kris, both characters who, aside from being literally queer, are also very metaphorically queer in their own rights) might be avoiding this conflict by essentially “closeting” herself around her mom — minimizing herself as a form of self-preservation (for example, stifling her emotional outbursts while playing video games so her mom doesn’t know she’s playing them). this is of course oppressive to her, as well — it’s simply that noelle has traditionally prioritized her safety, while dess may have prioritized her liberty. dess, while perhaps not literally queer like noelle, is metaphorically “out,” and while being out has its own rewards, it may have cost her their mom’s sympathy and respect.

none of this is to preemptively demonize the mayor — we haven’t even met her yet — but to speculate on a possible character flaw that could reasonably have driven dess away, and may be redeemed over the course of the story. the mayor may need to redeem herself before dess can, or is willing to, return.

and i don’t think it’s just her mom. i think her mom, as the town’s mayor, might be in part representative of dess’s relationship to the town itself — a small, insular community that dess feels limits her choices and opportunities, especially as a young adult with big dreams. we know she dreamed of taking noelle to the big city someday.

…something i think about a lot is the line about dess wearing asriel’s jacket — how classically Straight and heteronormative that imagery is. to be clear, that’s not in any way meant as a knock on the legitimacy of dess and asriel’s relationship itself (i have some more nuanced thoughts on dessriel, and the value it has thematically or whatever, that i don’t really think are really relevant here. but i don’t think dessriel is in any way bad LOL), nor does it mean that i think asriel or their relationship is necessarily heteronormative in the literal sense (asriel himself is arguably GNC from the little bit we currently know about him).

it’s more that the framing here seems to emphasize how traditional and exceedingly “normal” the relationship was considered to be, something that may have been at odds with dess’s interests and ambitions as a young, “queer” person. asriel is quite literally the boy next door — sweet, nice, non-threatening. they grew up together; their parents and little siblings are close friends. they’re a boy and a girl in a perfect narrative position to date — hiro and mari — so of course they did. who else would she have dated? pizzapants? meangirl bratty? i could see her feeling boxed in to that option, among so many other options she felt she never had a real say in. asriel may be a great boyfriend, healthy and stable and exceedingly normal, but who’s to say she wanted “normal”? what if she wanted something queer?

if we think about why dess might have run away, why she would have wanted to escape, and why she might have found the fantasy of the dark worlds so captivating that she lost herself to them, i think this could be one way to read into it. dess is — at least metaphorically — a young, queer person, lonely and existentially bored in a small town that cares about her but, from her perspective, doesn’t seem to really understand her, doesn’t give her the option to really be who she wants to be. maybe she just wanted to find another queer person like her. and, who knows — maybe she did.

[kooki914]

Nobody asked and yet you're getting it anyway, my Dess interpretation! Tbf I love a lot of other people's Dess designs maybe more than my own based on complexity/symbology alone, but this is what my original take for her was so I'm sticking to it. Extremely long list of factoids for her under the cut!

Dess hasn't seen a hairbrush in 8 years.

Opening her first fountain was an accident, and so was entering the dark world, but it was something she desperately needed at that point. She was knighted by Spade King, before being dubbed the Roaring Knight by the general public after she opened the second fountain and people started (correctly) assuming she was trying to cause the apocalypse.

Dess is mtf trans! She was out since she was 9, and took puberty blockers for a while, but stopped after she disappeared because she, y'know, didn't have access to them anymore. Strangely, even though she's been off of them for so long, there's very few side effects. You can just see her Adam's apple sometimes and muscle mass started building for her easily, but that's it. She's silently grateful that her dad didn't pass down any beard-making genes.

The reason why it's been so mild is due in part because of the effect of being in the "void" for too long, aka the space so dark and isolated you can't even feel your own limbs. She was stuck in the code of the game, basically, and it's had adverse effects on her mentally and physically, the only positive effect being less testosterone production in her body.

The physical effects are odd. Though she's grown and her body's age is what it would've been if she never disappeared, she's still in the same clothes she was when she ran away, but they sized up with her. The black nail polish she had on is still there too, not even chipped. As previously mentioned, her hormones are out of whack but, somehow, she's still clearly a grown adult, as if she just went through a very, very mild puberty.

The mental effects of being stranded in the literal nothingness are as expected as they are odd. The standard effects of not having contact with another person for so long have, somehow, never taken hold. It's like the social part of her brain was just put on pause. However, part of the madness she DID get was her very much considering her memories might just be made up. As if she was always here and managed to, somehow, delude herself into thinking she had a life outside of this place, when she never did. Essentially, she stopped existing, but retained some level of consciousness.

The whole "not existing for a while" thing as well as the fact that she's pre-hrt trans means she absolutely hates mirrors. Give her a mirror and she'll give back about a hundred shards of it. When she was younger she usually just had dysphoria over looking too boyish (hence why she never cut her hair) but nowadays she has weird feelings about something as simple as Having Knees (the existential horror of having a body after being formless in the nothingness during your formative years).

Her journey as the Knight was mostly about rediscovering herself, trying to find purpose and trying to help the people around her. She spent her whole life feeling helpless, and wanted to destroy that feeling, for everyone. Her violent behavior was rewarded by the equally maladjusted Spade King, and they teamed up under the pretense of helping all of darkner kind.

Dess set out to cause the Roaring, per his instruction, without knowing what it even was. All she knew is that, apparently, she was the only one who could, and that gave her a sense of purpose. Once she learned it'd bring about the end of the world, she was so detached from the world that she carried on anyway, not concerned with the life that could be lost because, god, she spent so long outside it, how COULD she know what life was worth now?

Dess went by neutral pronouns (they/it) as the Knight because it was another mask she used to distance what she Knew of herself and what she Had to be (kind of like Asriel calling himself "Flowey" in Undertale, actually). Being called "her" was too familiarising and humanising, being called "he" made her break out into hives and start killing, so she stuck with the alternatives for utilitarian reasons. Somewhere along the way she got sick of it and started missing her feminine pronouns, but decided to just stick to the bit anyway. The world was gonna end soon anyhow, who cares?

Once she's out of the role of Knight and back in the light world, you bet your ass she's switching back to exclusively she/her. Fuck neutrality, this girl needs gender affirmative language.

Rediscovering music, and specifically playing and making music, was one of the things that helped Dess get back in touch with being a person again after the whole Knight debacle. She plays piano and harmonica of her own volition, and the violin because of her mom's insistence, but her true favourite will always be the guitar. She was a little small as a kid so playing it used to be difficult, but now that she's an adult having it in her lap is easy, and honestly it just makes her feel alive. One of those dreams she had as a kid that she forgot about along the way, y'know?

Her and Asriel were just family friends at first, but when they ended up going to the same class together too, they quickly became best friends. They were there for each other through everything, Dess got Asriel into games, he was there when she came out, and they were practically inseparable. Asriel was a hard worker and Dess was a super active sports kid, they balanced each other out well and were known as the highest achievers in their class, the golden kids.

Kris and Noelle got dragged into their adventures basically on accident, Noelle because Dess was the one babysitting her all the time, and Kris because they wanted to spend time with their brother. They often spent time outside together because Dess loved being anywhere but at home. She didn't mind Azzy's house, though. Kris was a lot to deal with sometimes and Dess scolded them in a lot of the same ways adults scolded her (minus the hitting them over the head with stuff, what was all her). She has no idea the impact she's had on their behavior.

She was always kind of violent, but when she was younger it wasn't really an issue, more like an excuse to get her into sports. She learned to act out because causing problems was the only context in which she'd get attention from her very busy parents. With Noelle specifically, Dess took on a semi-parental role and quickly developed a habit of taking on way more burdens than she could handle. Even with Asriel as a best friend and the Dreemurrs as a surrogate family, the control her mother Clarice commanded over her life was just too limiting. It all boiled over.

Dess started lashing out at other kids around when puberty hit, starting fights and genuinely hurting people. She never got expelled because her mother was the mayor, but Dess started getting grounded more and more often, which meant less and less time with her only real friend, and more with her very dysfunctional family. She loved Noelle, but her little sister became another responsibility, another liability that could get Dess in trouble, it was way too much for her to handle maturely when she was only 13.

Dess "disappeared" because she ran away from home. She hated living there, but neither of her parents could admit that, hence her disappearance being so "mysterious" to the other townsfolk, they genuinely thought she vanished from inside the house. It was only after Kris admitted they saw her in the woods near the bunker that night that the case got more complicated, and the legend only grew more terrifying.

Her original plan was to just catch a bus to out of town and hope for the best, but when she ran into the woods in pitch blackness, she couldn't find her way around. She was too reliant on light, and couldn't manage in darkness. She found the bunker in her aimless wandering and, hoping to sleep off the night and make up excuses in the morning, she went inside. She couldn't have known that nothing was in there.

The effects of her sudden disappearance rippled throughout the whole town. Most obviously, Asgore got fired for not being able to find her and Rudy quit his job to be a stay at home dad for Noelle's sake. Less tangibly, Asriel and Clarice both started burying themselves in work to avoid grief. Kris and Noelle socially shut down for a few years, it's why neither of them have any real friends other than the strained relationship they have with each other. Asriel took on Dess' habit of "be anywhere but home" when his parents started having marital problems, and Kris latched onto him even harder to avoid losing any more people in their life. Through all this, Dess was nowhere, silently wondering if anyone even noticed she's gone, if her life was even real to begin with.

One of the strange things that happened to her while stranded in nothingness was almost being able to hear someone mumbling to themselves. When she called out, the voice vanished, only to re-emerge an uncertain amount of time later and excuse himself for getting startled. He just doesn't get guests often, you see. And guests get him even more rarely. It was refreshing to hear a consciousness separate from her own, but his mind was even more broken than hers, unable to answer her questions about what was real and what was imagined as he seemed to think he himself was a product of unreality. Plus, he never really stayed for too long and he never wanted to talk about himself either, as if mentioning his own name could shatter him to pieces.

The reason Dess didn't lose her mind from to his influence like Jevil and Spamton did was because she's just fundamentally pragmatic. You can throw philosophy and existential questions at her all you want but as long as she talks and thinks, she exists, which means reality is Something, even if it's completely eluding her grasp. It might also have something to do with her being a (homestuck warning) Void player, meaning the idea of the innate meaninglessness of life and unanswerable questions about reality itself don't really sound earth-shattering to her.

She used her knife to open fountains at first, the one she brought with her from the light world, but along the way she picked up a rapier and decided it was way cooler than a knife so it's her go-to now. She's not actually that good with swords, though. She uses them like baseball bats. Despite this, Spade King still praises her as if she's the best warrior they've seen in generations. It might've gone to her head.

Her relationship with King is fundamentally a mentor and a student. He gave her flawed information, but taught her a lot about herself, the world she found herself in, and the role she could choose. And, that's the most important part, he let her CHOOSE, because he was genuinely under the impression that she was just a really powerful darkner and not a lightner. His strictness and high standards reminded her of her parents, mostly her mom, but his willingness to give HER control over her own destiny is what made her favour him over every other adult in her life. Discipline that treated her like a valued person rather than an asset was basically unheard of for her until then. Plus, reminding her of her parents gave Spade the bonus of every time he encouraged her on anything it'd activate the "parental approval" neurons in her brain that were terribly starved up to that point.

From Spade's point of view, the Knight (as a darkner) is everything he wants to be, but can't be. At first he mentored her mostly as an excuse to live vicariously through her, but in getting to know her better he discovered they have a lot more in common than he first thought. Unregulated emotions, unresolved pasts, the constant feeling that you need to do More and Louder in order to make any kind of impact... he started to genuinely care about her. If/when he's redeemed, finding out the Knight has been a lightner this whole time might not even be that much of a betrayal. Seeing her face and learning her name as she apologies for lying is like reconnecting with his own wounded, younger self. Letting it be water under the bridge means he doesn't lose connection to himself again, doesn't lose connection with his best student. Plus, December IS a nice name.

She met Lancer, but didn't pay him much mind. She was busy with overthrowing the other Kings and was too tired to be a babysitter again. Due to her rancid vibes as the Knight (and the fact that she quickly became the favoured child even though it wasn't her intention) Lancer doesn't like her that much. She left Card Kingdom pretty quickly, anyway (Spade's advice to seek another worthy kingdom to grant a fountain to), so she never got much of a chance to get to know him, even if she wanted to.

Her relationship with Queen is even more fraught. Due to Queen's tendency to mimic the "mother" personality for every lightner she meets individually, as well as her more Explicitly Controlling tendencies, Dess quickly became rebellious and then antagonistic towards her. Queen tried to choose FOR her, to get her to open fountains on HER terms, and Dess wasn't having it. Yes, following Queen's instructions would've caused the Roaring much, MUCH sooner, but, like. Not at ALL in a satisfying way.

She has no idea who Gaster is. When asked, she'll assume he's a Darkner. If asked about the man in the nothingness, she'll shrug it off. Now that she's out, she doesn't know if he's actually real or something she just made up in her head, though she laughs that off as well. "I sound a lot like him when saying that, huh?"

Learning Asriel goes to college is complete whiplash for her. Her sense of time is WRECKED. Like, yeah, she can wrap her head around Noelle and Kris being teens now, but ASRIEL??? What do you MEAN he's not still stressing over chemistry exams and cramming for spanish class, and is, like, actually studying something he's interested in???? Unheard of.

She makes fun of him SO much for his little beard stubble, dude. It's all in good fun, but like, you can only be called "mini Asgore" so many times by your childhood best friend before it starts to cut deeper. On the flipside he has literally nothing bad to say to her. She nearly caused the apocalypse, but like, he gets it. He would've done the same in her shoes (hooves??). He thinks her Dark World armour is so kickass and he could never pull it off like she can.

Unsurprisingly Asriel has a crush on Dess. He always kinda had one, even when they were kids, but reconnecting as adults just Fully bashed him over the head with the fact that he's had repressed feelings for her and he has NO idea what to do about it. He's anxiety incarnate and thinks Dess already KNOWS he has a crush on her and just isn't saying anything because she's playing it cool, or doesn't wanna hurt his feelings, or thinks he's too lame to date or something. He thinks she's the coolest person who ever lived and has no idea how to cope.

Meanwhile in reality, Dess is a clueless aro/ace. She doesn't really know what having a crush even means. She thinks being a couple is, like, flirting and fighting behind closed doors (you can tell the only couples she knew personally were her parents and Asriel's parents), so she thinks it's just exhausting and doesn't know why anyone bothers. When Noelle tells her she has a crush on Susie Dess is like "Hell yeah, love is love........ wait do you mean you like her or you want her to crush you with a boulder" and Noelle sweats for a while before replying with "b-both?"

Dess has never been to Castletown. Most likely will never go.

Her and Kris reconnecting is a bit awkward at first, mostly on account of the fact that Kris and their posse are the ones that had her bash her over the head as the Knight to get her to behave in the first place, but Dess doesn't really focus on that. Kris thinks they hurt her, she just thinks of them as a little hero. Susie kinda helps facilitate them talking like people again, at least at first, because she has no baggage with Dess other than hitting her with an ax over dark fountains and getting stabbed in return, but like... Out of all the people they fought Dess is the only one who actually said sorry for being a jackass, so it's all good in Susie's book. Kris is just happy to have Dess back, man, that bunker and their memory of it has been haunting them for entirely too long, now.

Like Kris and Asriel, Dess learned how to play piano in church. Unlike them, and unlike Noelle, Dess has actually become fully agnostic after her time in the void. If there IS an angel looking out for her, it certainly isn't one that could've helped her, so what's the point of worship? Plus, Asriel and Noelle are two angels looking out for her as is! Why add divinity to that? (I am extremely subtle, I know.)

To this day, she's still apologising to Asgore for getting him fired. He is still apologising for not being able to find her. It's a pity party.

No-one tell her parents but she smokes weed. Once she reformed from being the Knight, she had a lot on her mind, man, weed is the most harmless thing she could've taken to cope. Seam is a good dealer, they have the good stuff.

She's absolutely called King "dad" by accident before. He doesn't really mind. No-one tell Rudy though, he's gonna be pissed.

On that note, I feel the need to add that she was never as close to him as Noelle was, because he only really started being an active parent after Dess went missing. It's kinda tragic, and he feels REALLY guilty about it, but if he ever verbalises that guilt he's gonna actually crumble into dust. His confidence is all a mask as is, actually admitting that he was kind of garbage at being a dad with his first kid is just gonna make it so much worse. But, until Dess hears an apology, she's not really gonna be able to actually mend their relationship, so they're at an impasse.

Inversely, her time away from the light world kinda made Dess forget the way her mother acts. She sorta got a bit of "once away from the abuser you forget the abuse", especially knowing she herself was a kid when it all happened so she kinda started justifying her mother's actions to herself when away from her. After like 2 weeks of living with her again Dess fully remembers why she ran away and packs her bags to live literally anywhere else. Preferably with King if that's an option, though that might just make Lancer move out as well.

She doesn't know what minecraft is.

[punchingmoths]

[itsmebeff]

she hates him

[playmaybedraw]

THE KNIGHT BEFORE CHRISTMAS

[paraster]

If the Mayor is the Knight (as I believe at this point), I think her weapon will be a rapier (or some other blade) constantly dripping with what looks like black blood...because it's transformed from a very fancy pen. (Said pen is also what she uses to open fountains.)

[just-ornstein]

Comet Holiday my beloved... 💫

((Comet belongs to @huecycles and is part of our Andromedia Chapters AU!))

[mx24]

very merry

[huecycles]

[lynxgriffin]

Eldritchrune Character Info - Carol and Rudolph Holiday

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Text version under the read more:

Name: Mayor Holiday and Rudy Holiday Being: Human Info: Mayor Holiday is already very no-nonsense and strict, but after the self-inflicted loss of her daughter, December, she becomes even more hard and cold. She now feels even more desperate to summon a force that will drive away the empire, and make her losses seem worthwhile. Meanwhile, her husband Rudolph responded differently to the loss, and developed chronic health problems. Abilities: Mayor Holiday, if nothing else, is dedicated to her duties, and skilled at getting her residents to do what she asks…even if it’s sacrificing others in an attempt to summon a demon. She is surprisingly commanding and persuasive, and extremely defensive of the town’s old ways. Rudy is more soft-spoken, and prefers to have pleasant conversations with people while doing his woodcarving. 

[dessbian]

Just uploaded the first chapter of my multichapter fic Brink of Nowhere if you wanna check it out ^^