#deleting all my text in a post is not nice tumblr

[seaofreverie]

I listened to a new Sparks album and it was all I could think about for two weeks straight afterwards, a.k.a. My Hello Young Lovers Review

Okay, so here's my fabled review (I mentioned having written it once about three months ago, so I guess there's a chance that someone still remembers that). It's hecking long (seriously, it's long.) and consists mostly of me pointing out specific sections of the songs and raving about which specific elements of the songs I particularly like. And also attempting to make some sort of general statement on the style / atmosphere / themes etc. of the whole thing. I wrote this back in november, after 5 full listens of the album, over the course of about a week, and I didn't update it with any new opinions that I have formed since, to keep it true to that original form, besides some side notes where I thought they'd be useful to add. I hope you enjoy my yapping, however unprofessional and all over the place this whole thing probably is.

How to start album reviews? Well, I could sum up the general vibe / thing / feel / theme with the album but that seems much more fitting for the conclusion of the whole thing.

So let's kick this off with the first thing we see instead!! The album cover, the sleeve! (note: I got this album on vinyl for that first listening experience, the 2022? reissue) Ohh so pretty and cute, isn't it? Even inside, so much pink, even over-the-toply-so (for real though, I didn't even really think about what to expect from the inner cover, besides some photos that I knew would be there, but it was certainly not THIS. level of pink and cute), it looks so pleasant and sweet, doesn't it? And the band photos too, fun times all around!

Oh wow, ok, let's get back to reality here, I knew what I was in for (knowing just one track and excerpts of other two + reading misc comments on the album before already, as it is inevitable, you know. And frankly, that was actually the exact right amount of info from that commentary for a peak enjoyment here. Not going in totally blind but still encountering many surprises). This is a prime and, imo, very well executed example of mood dissonance. In a way where, idk, maybe it comes from me still having this even small amount of info beforehand, but it's the kind of situation that you can actually tell that something is off.

So yeah, the visual aspect of the album does fit it and I'd even say it does so VERY well, but as to how and why, maybe I should start exploring the atmosphere and themes and elements of individual songs first so we can make more general conclusions from that! So yes, I think it's time to dive in!

1) Dick Around ▪︎

Shortly put, amazing, showstopping and life changing song. And one of the earliest ones for me too! As a part of the extremely important and memorable playlist (note: my first time hearing a bunch of random popular sparks songs), it appeared somewhere in the latter half on the mix and oooh boy, was hearing this song for the first time, on the road in the dark evening too, an experience. I certainly found it intriguing to say the least, maybe I wasn't yet completely SOLD you know, and let's not forget that the second time I heard it (july) it actually kind of freaked me out in a way, but still, it certainly made an impression immediately. There's a reason this is one of the more well known / popular / important songs of theirs overall. This song is truly a journey and it messes with you in so many ways, oooohhh so many ways. I was super looking forward to hearing it again properly after being teased with some parts of it in the more recent weeks, so ok, maybe this is where I get to the individual parts I want to talk about.

Actually wait, first let's maybe say something about the placement. Of course it's the first song as I was pretty much certain it would be (and maybe already had kind of possibly spoiled..?), and it does work incredibly well as a mood-setter for the rest of the album, so it truly couldn't work any other way in my view. So yes, speaking of parts, there are so many different ones! Hearing this again was extra fun also because I would remember the main "point" / mantra of the song ("all I do now... is dick around") but not much else, then be reminded of another notable but very different part, then listen after this whole time properly on pretty much repeat now and be aware of those other little touches and bits that bring it all together...

So, let's start with the pleasant vocals & piano break near the beginning, it's, well... I just really like it (I hope I'll be able to say more specific things about other elements in these songs that I think need to be mentioned as I go on LOL), and right after that we have some very nice strings, then, suspenseful strings!! Idk why but I really really like it when those come in, they really set the unnerving classical tone that follows and returns throughout the album, then the same "calm" / bouncy vocal melody and a more "all over the place" piano returns (at least from what I remember, the notes are sort of more expansive in range in this part I think...). And soon enough... we reach the real moment of the song when it gets, well, real. And very intense. And this is almost jumpscare-like, ohhhh it's so good, even when you know you can expect it it still hits the spot amazingly.

So this is the rocking part that's honestly pure distilled joy and amazement to hear for me each time, the repeated echoey "hey hey"s for a second there are just the icing on the cake, so so so good. And, in fact, it doesn't get more rocking than this for the rest of the album. Dissappointing? Maybe it WOULD be, if there weren't other things still going on later, which were also in their own ways showstopping, so I think that yeah, those can make up for all that follows not really coming close to this level of unhinged. And this is the right word here I think, unhinged!! Damn, this freaking song. Like for a second there I remembered that in one of my early-ish hearings I just found it almost uhhh, unbearably raw? Idk if it's the right word but yeah, it gets... ugly for a second (I need to stop cringing at every more unusual / to the point word I use or I won't be able to write any genuine reviews in my life). Before going back to the main mantra of course! And then it goes on in a circle a bit more again, with more changes and some progression of the story and all that. And end on the mantra again. I don't know if I'm leaving out any super important bits here, I might be... Well, it comes back to full on rocking near the end too, with some variation too, so that's awesome! And very suspenseful and unnerving strings too for a moment!

So, should I talk about the lyrics / the story just a bit now? Ok, I won't go super deep into these or any of the following ones, I'll try to focus more on specific bits and the feelings that come with them and a general "theme" if anything. So, I think this song and its story is very engaging and I like it a lot and it certainly provokes further thoughts and ponderings, those 6 and a half minutes fly by super fast (guess that's just the power with sparks and their long songs, it's kind of incredible how maybe this goes ESPECIALLY for songs that rely a LOT on repetition, because those might work this trend the best), lots of variation, while still keeping some prominently repetitive / reoccurring parts balances it very well. You're really just thrown from one part to the next with this song. Ok, I wrote a lot about just one song and I feel like there's still more I could say if I thought about it hard, but let's move on now, we don't have all day (night)...

2) Perfume ▪︎

This is a favourite. An instant favourite. Right away this song grabbed me with its subdued, brooding and honestly pretty dark tone and sound. Low vocals, kind of ragged but driving guitar sound, and the DRUMS. They do SO much for this track, something about this specific drum pattern / style is very pleasant to me, very atmospheric. It's like a specific pattern that works to deliver some kind of effect (ok, I think through that, in a way, I just described the whole thing with repetition in sparks' music, especially in this era, nice, I guess that's how I view it and why it works so well) there's still a lot of interesting stuff going on there, plus it just sounds nice, idk. Once again, maybe "driving" is a good word for it. But now I need to mention that there is this one odd-one-out part that sounds much more cheerful, or maybe hopeful (and it returns again near the end). Because it has this specific thing, the different intonation of the SAME lyrics than the rest of the song ("and that's why...") feels strangely emotional. It certainly hit ME in the feels once I noticed it, so, yeah!!

So I think this is one of the darkest songs in mood and sound, while it also has something extremely COOL about its sound that I can't really categorize, I think I'm gonna feel like repeating this for every other song on the album but it just feels so CLASSIC, it's that typical song that always existed type of feel, yeah. But here it's less so due the melody necessarily, and more due to the whole picture. With some others it's also the song as a whole of course but they don't necessarily feel as much as a representation of a whole THING / genre / type of song / feeling in music of sorts (I'm really bad at articulating my exact views on these, am I not...) rather than those specific special moments that just bring it all to the next level. But OHHH I can't believe I almost forgot this, but the piano lines (I mean the post-chorus ones specifically) in this song, oh my goddddd!!!!!!! They're truly THE thing that sold me on this song completely, they're just so... something. So I guess this song also has that special "it" moment after all, doesn't it? Well, still possibly not quite as prominently as the next one, because...

3) The Very Next Fight ▪︎

Well, this is the kind of song that's completely made up of those specific parts making a very special whole. Starting with, of course, that melody line during the chorus "it's always the same. It's always the same". But maybe, just to be fair, I should actually start with where the song actually starts so, well, hmmm, the beginning. The very solemn piano and overall kind of heavy atmopshere here kind of slows down the momentum after the first two songs, and it delivers something quite different instead. So yeah, well, that chorus melody!! Oh wow!!! Isn't it so simple though? But it works so well!! It's simply beautiful honestly. It absolutely is! And later the electric guitar comes in for more effect and oh wow, it feels so incredible, yeah. And then some more solemnity with the... I think harpsichord?

This track feels very empty (as in the atmosphere, I'm not actually calling it empty as a bad thing or something like that, no no no!!) in some parts, then it has those emotionally charged bits, and let's not forget that it has some more really amazing guitarwork near the end. That kind of guitar "wailing" sounds beautiful in its own right too, it also kind of reminds me of some other rock-adjacent genre(s), I can't tell what exactly though...

4) (Baby, Baby) Can I Invade Your Country ▪︎

In all honesty, after my first listen I decided that this was probably the song I was the least impressed by? Kinda strange, yeah, because I no longer think that, and yeah, it was another one that I was only slightly familiar with already. Very slightly. It's a very interesting song once again, I think it's really unique after some thought actually (as are most all of the songs on this record tbh, obviously). It's unique, but it once again has this special classic quality to it that just feels like it represents a very specific type of sound.

I wanna say that the chord progression in the chorus might be some variation of one of the "usual" progressions although OF COURSE I might be very wrong here, it's just the feeling I get because maybe it's worth mentioning that 1) a while ago I started noticing this one type of progression in songs that made them sound very similar to Kiss Me, Son of God (They Might Be Giants song), so I figured it must mean that KMSOG is just in some kind of typical progression that is used a lot, especially in country-sounding songs from my experience 2) there was also an element of some classic rock / rock&roll (?) / punk (??) songs that also made them sound very alike after a while when I started listening to this one internet radio station recently, idk if it's the same progression or its variation or if all those songs use different variations mostly but are still based on a very similar thing at the end of the day, but yeah. I might still not understand chords or be able to catch them while listening, but there's now at least a little part of that whole section of music theory that I might be able to recognise in music just by myself, so that's some major music literacy development on my part I think... Anyway, maybe the progression in this song didn't even remind me of that usual pattern specifically, but it just made me think of that thing nevertheless, maybe it's similar, maybe it's not... So this was kind of an irrelevant tangent on my part, oops.

So ok, let's get to the jist of this... What exactly I like about this song and such, or just what I wanna mention. Well, I wanna mention that this is probably one of the more repetitive songs, also one of the longest I think, maybe the third longest, I wouldn't be surprised by that (the opener and closer are both pretty tough competition in the length department) but it doesn't feel monotonous, it flies by super fast, once again.

I think it's also possibly the brightest sounding song on the record, the word that immediately sprung to mind here is "triumphant". Certainly fitting with all those awesome horns!! They're truly what really sets this song apart. I'm especially a fan of the horns in the bridge part, I think it's the bridge. Sooo so cool sounding, kind of "descending". I also really like the layering of the different vocals and their melodies and such, the acoustic guitar also brings it all soooo nicely together, it's so pleasant sounding, especially in the quieter "baby, let's invade" part.

Idk what else to say, very awesome song though and I definitely don't mind listening to it twice (with the repeat as a bonus track, which I'll also get to briefly at the end) at all, in fact this might be the least "intrusive" song in a sense, so that makes the best choice for a repeat, if I had to choose, I could see myself going with this one, it's just very pleasant all around.

5) Rock, Rock, Rock ▪︎

So things get real once again, huh. This is one of the songs that I count in the category of kind of sick and twisted but in a way where I only respect them more for making it, so that puts it right next to, hmmmm, sherlock holmes for sure, maybe some others I can't think of right now. Big part of that factor is surely played by the repetition which just works, well, very well. Specifically the choruses.

One part of this song I was pleasantly reminded of on my first few listens were the short strings interludes, they really give it some of that pleasant classical feel (a separate thing from what i describe as classic feel here!) that I could say kind of contrast with the song and its atmosphere in general. Or maybe spruce it up, idk, we do have very dramatic strings during the verses too... The very deep drum sound is also pretty prominent in this track I think, pretty great.

As to some more notable parts in the vocals department... Let's just say that the way Russell says some words is very, uhhhhhh, effective (i think this sounds more cursed than it should, but i mean exactly that, the delivery just really hits you... and other times it's kind of silly instead). And also, with that repetition and it creating something great in mind, there's the repeated "and since you put-" part near the end that's also really great. The repeated "I"s in the bridge I think also need a mention. It's like they know exactly what word / phrase to repeat, what amount of times, and in which part of the song for it to work the best, like the perfect placement and number.

I think this song also has a bit of a fake ending, so that's also something of note, especially when it's supposed to sound as dramatic as possible (at least that's the idea I get from it). And actually, oh, so does the previous song! I forgot that part even though it's even more noticeable / memorable in that song than it is here imo.

6) Metaphor •

Second half of the album starts off with something that's very elegant and all the while very pleasant and melodic, all of which makes it a very nice track, even in a more usual pop song sense. Some very cool piano to start things off, and the electric guitar accompaniment, which also enters pretty early on. And then we have that slightly more strange part, kind of like an early bridge, that honestly has a bit of a comical effect imo (with no disrespect intended!!)? As in, I find it kind of funny and silly personally. Yeah, the "who's up for a metaphor" part, especially when we get the repeated "don't don't"s and "we we"s, and, well, what follows is what's definitely the greatest part(s) of the song, when Russell enters his falsetto mode and we get the "aaaaa-ªªªªª..." etc. backup vocals in choruses. Those are the moments of the song that are just, well, ONCE again that classic factor that makes the melody & everything else super special. But more specifically, I think those parts are just kind of beautiful. Yeah, I'd say this song is the prettiest in sound that this album gets overall. Truly wonderful and gets you excited for the remaining songs.

Meanwhile, the spellings of dig as d-i-g might feel kind of random I guess? But it works. Adds variety or whatever (note: it's also a very good moment of a rhythm change I believe, I think now that's what makes it sound as cool and satisfying as it does). So yeah, kind of a heavenly song I think, in a sense, also one of my top faves just for that factor (note: this song is now probably my favourite on HYL, and also among my top fav Sparks songs overall. It wasn't instant, but it grew on me quickly and oh man, I truly love this song so much now)

7) Waterproof •

I think this is kind of an odd-one-out actually? And why? I think it's probably the closest on the album to being sort of a fully, or at least MOSTLY, "normal" song. It doesn't have so many parts that are just downright weird and unexpected I'd say, it's just kind of friendly instead compared to the other ones (note: it took me perhaps too long to realize that this song just doesn't have quite as much repetition, which most other songs here rely on heavily, so that's definitely what makes it stand out the most). Not that it's an entirely bad thing! Sometimes you gotta slow down and relax a bit I guess...

I do appreciate the kind of sudden switch with the "the sky is starting to cloud up" part, and the little orchestral bit right after the first time the aforementioned switch happens (the second? or generally some later time it happens again there are also some very awesome horns! Really starts feeling like a quaint rainy street in some french town or something...) when, well, I was going to say that the vocals and the strings do the same melody, but they actually don't, at least not fully, still though, I did have that illusion before I made sure it wasn't the case with another relisten, either way, when it DOES happen, and Sparks do that a whole lot I feel like, it's always quite awesome, I mean, syncing the vocal melody with some other prominent intrument's melody...

The I think harpsichord also makes a return, yay! And then there's the guitar part, that does have some real surprise factor when it comes in, but this time for sort of the opposite reason - it sounds bright and nice this time around, and also it reminds me of Sparks' later style tbh, specifically in their following more rock-centric songs of course. And I think that's very nice, we see the always progressing evolution of their sound here I think. That guitar bit also has some album closer vibes, that kind of fake closer (or nearly-closer) situation kind of reminds me of a similar thing I experienced with Bon Voyage on Propaganda for example (note: I have since learned that Bon Voyage IS the closer on Propaganda, and the following two songs on streaming are just b-sides. So it makes sense that it would sound like an album closer because it IS one).

Annnddd the last thing that I just can't forget about here is Russell's another epic falsetto moment (waterwatereverywherebutnotadroponme!~) that part actually makes me smile. Yeah. Legit. I paid attention and I did smile on that part during my relisten today. ... Ok, let's go on.

8) Here Kitty •

When this song came on the first time during my vinyl listening I of course instantly knew exactly which song it was (bcs I've heard the title before, and a few words on it too) and had this little amused "oh no" moment. And, well, turns out this song is actually very awesome and veeeery interesting! It adds something really unique to the album. I saw someone call it quite impressive in the vocals / vocal lines layering department recently (in the last week, so already after hearing it myself I'm pretty sure) and I absolutely agree.

First off, let's settle that - this is a very strange song. But that's exactly what makes it so good of course. The strangeness keeps you so distracted from this fact, that when we reach the bridge of the song you suddenly realize that beneath all the "tatata"s, meows and unsettling rising piano notes we have the very much usual song structure with verses and choruses. Yeah, I think I actually sort of figured it out, what might be the verse, and what might be the chorus... Speaking of which, the parts that I identified as choruses have this, well, it's the same thing all over again (but each time the specialness comes from a different place and is totally different of course), but that very classic feel, indicative of maybe even some specific genre but idk what exactly...

Besides that, well, maybe let's go back to my oh no moment for a minute, and let me say that I either am very illiterate in that sense (and yeah I am tbh) or the lyrics aren't as overtly, let's say, innuendo-filled? as I expected. They actually have a semblance of a story you know... I mean, NO, not even a semblance, it IS a story! Let me also say that this is a very interesting song to have stuck in your head a lot over the course of pretty much an entire week. Yes, it got to the point where it could be annoying. One last bit of the song I really like is at the very end, when one vocal line starts to sound kind of echoey / distant, nice touch.

9) There's No Such Thing as Aliens •

The song that first cemented itself as being by far the shortest song on the album, sort of an interlude before the incoming epicness of the last one (that was quite literally my very first impression before I even heard either, looking at the vinyl this one was visibly much shorter than the last, and of course I expected the last one to be fittingly grand, and so it was obviously, but we'll get to that in a minute). The funny thing is, it's not even that short, as I figured even before eventually making sure how long it was in fact, and that's almost 3 minutes, which, well, of course that's still something around well over two times shorter than the last song.

But enough about its length, this song actually does kind of work as an interlude thematically too, which it is? it sort of even feels like it doesn't quite fit with the themes of the other ones, I mean, maybe not that it doesn't fit but just that it's defintely the furthest removed from the much more similar topics of the other ones (more about that also later!). Plus it's pretty sparse lyrically, once again, there's less you can fit in under 3 minutes anyway. Which supports the interlude argument also I believe.

Anyway, the music. First of all, waltz time!! Always a treat in sparksland to have that rare spooky 3/4 time track. The feeling I get from this track is: grand, very orchestral, anddd, hmmmm, elegant. But is it more elegant than the rest of the album... Idk, I wanted to use 3 different descriptors. I honestly don't think there's much more to say about this one, it's great, the melody is really great, the grandiosity of the choruses, the even more notable waltz time during verses. I think that yeah, I could pick this track as the most orchestral / classical inspired of the album. One cool moment I'll mention though would be the very ending, with the repeated "no"s going for longer than you'd expect them to maybe, and the deep drum accompanying all that. Very grand ending.

10) As I Sit Down to Play the Organ at the Notre Dame Cathedral •

Well, how do I even start on this one. I think I can say that with literally each single listen I become more and more in awe of this song. Could I even call it even more of a journey than the opener? In a sense, yeah. There's so much going on here. So much that I almost feel like breaking it down into individual parts and giving all of them their due because they all work for the amazingness of the whole. In fact, I might even already have this track roughly memorized (all... 7 minutes of this track) so it could be done. But ok, I'll just go with each part as I remember it, we'll see if I in fact do go over nearly all or all of them.

So. Echoey synth (?) intro, then the first melody part, with the individual words repeated, kind of "urgent" vocals part, very nice rhythm and something I just find very cool. As it progresses we get another part of just the synth / electric guitar-like synth / guitar or whatever this thing is, then a mix of both + this clicky instrument and / OR is it the harpsichord again? Giving it all more urgency and a nice constant rhythm. I also really like when the "byebyebye" vocal gets looped before the synth reenters. Overall, this part of the song has a very electronic, drony feel that I greatly enjoy and find very atmospheric and immersive already.

But, well, it doesn't end here. Because later, everything else stops and we hear a church organ. Even the melody it enters with is very much like something you'd hear in a cathedral, indeed! Good environmental storytelling, isn't it? But then... the organ transitions into this very very cool frantic melody (and by very very cool I mean that it's probably the #1 thing that stood out to me about this song right from the start) which returns consistently throughout the song and is just oh so very awesome.

So we enter the next part, what could probably be called the central part "as I sit down to play the organ...", tension is rising, the organ is doing its thing in the back, then some "hallelujah"s and BOOM! The chorus? The "I've got faith" part of course. And with it some epic strings, and I don't think I can really say what exactly it is about this part that makes it SO FREAKING GOOD & ABSOLUTELY SHOWSTOPPING but it's easily in my top 3 moments on the album at least. Then it's followed by the slightly considerably calmer "she's here..." section and we go mostly full circle for now, more variations on the same parts. Some grandiose "lalala"s & epic drum action too. And then, the "I believe" sections which I cannot let myself neglect, mostly just on the basis of them being kind of sickening to me. You know, in the "why did they do this (said respectfully)" way.

Ok, did I really just talk about all of the individual parts, I guess so. But before I move on I have to mention the moment when the very first major part, the "bye-bye-bye my baby" part, makes a sudden comeback. It's honestly just so good and satisfying, when completely different sections switch and make unexpected (or maybe you actually DO expect them on some subconscious level, and that's what makes them work so well??) returns like this, if a song has that it's very likely it will become a top top favourite or at least have a very big effect on me. Or even HUGE effect, like here.

So yeah, the song does eventually end (I mean technically unbelievable somewhat, since it's so long, but have I actually mentioned yet that this track goes by about just as fast as the first one, because it sure does, you do not notice the time passing WHATSOEVER) on some more "hallelujah"s. And the album's over. Wooo boy.

Bonus tracks

Well, it's not really over yet if it's not the vinyl but the streaming version. We still have just two more bonus tracks, technically just one? So I'll go over both quickly now for completion's sake.

First we have "We Are the Clash" which is a pleasant song for sure, can work as kind of a denouement after the crazy journey of the previous track, so you're left on a little less of a mood unresolution and can become a little less unsettled after all of this going down... Idk.

But yeah, I actually have this impression veering on pretty strong conviction that this song is a cover actually. It could even be a cover of the band whose name is mentioned in the song, which would put this version in a extremely funny area of how far stylistically it might be from the hypothetical original, if it exists (what's up with all these bands and their "we are the [band name]" songs, there's so many). Of course I could also be very wrong about this so all I just wrote could turn out to be absolutely hilariously off target, still, a fun little attempt at guessing things and connecting ideas on my part, whatever the truth turns out to be (I will learn the truth... in due time. My experience tells me that when I'm still fully in initial unwell mode over an album it's difficult for me to read and retain any outside information / commentary on it. So no need to rush it, heh) (note: yeah I was right for once. I meannnn I guess it was obvious anyway but still, let me have this, I've been fooled by assuming that a cover was someone's original song way too many times so I'm happy to not be fooled for once).

So ok, the last last track. Baby baby can i invade your country is baaaaaack, not much to say but it's pretty much the same other than the lyrics, since well, it is the "alternate lyrics" version, not "alternate" version. I do think that it might be slightly longer than the final version though but it's also likely I'm misremembering.

Anyway, lyrics, all I can or feel the need to say is that they seem to be definitely way more to the point on what this song's actual topic is (not... invading... countries . I don't need to explain it here do I) so subtlety win for the final one I guess. Just so it is known, I have not read these two songs' lyrics unlike all the main album tracks'. But I think I caught enough to get the main idea from both, you know. I do think also that the final version's lyrics just kind of sound better, idk if it's the rhythm of the words or what but they do just have a nicer flow. So, improvement, probably, still very nice to know this version anyway of course. (note: yeah i have learned since that most of the final lyrics are the US national anthem. Makes sense that if any song were to have alternate lyrics it would be this one)

To round it all up...

I think there's still a lot that can be said about this album as a whole but how do I go about that. Well, I did mention earlier that I'd come back to a) the overall feel / atmosphere here b) the themes / stories and how they connect. So those shall work as a guide to my conclusions part of this whole review.

First off, I could even say a bit about the main vibe / sound here in reference to Lil' Beethoven! Since it really does work as a sequel, at least in sound, by all means. I described LB with stuff like... cold, distant, cathedral-like, what else was there.... Ok, I have more, lifted directly from my LB write-up. (note: finally listening to LB a month prior to this was enough of a big deal for me that I wrote down my live reactions to hearing the songs) Impersonal / detached. Alien. Spacious.

Do those apply here too? I think so, yeah! Pretty much all of these words also feel like pretty good descriptors here. But honestly, the more I think about it.... Maybe it's just that the distance / the detachedness and alienated feeling is a bit lower here? Or at least in some songs more than the others. It's hard to explain honestly.... That similar atmosphere continues here but it's just..... not as pronounced maybe. Idk, maybe it will become clearer with this next point I wanna make which is that LB actually is less, uhhh friendly in sound. Less accessible! Yeah, I do think that this album could be seen as: LB started the experiment, HYL perfected it by taking it in a slightly more accessible direction. Or is perfected a wrong word here, who can say which was, or should be considered the better outcome here.... I think I actually have a problem putting concepts into the right words today. But maybe at least some of my feelings about this can still come across here...

So yeah, I don't think it's possible to tell if HYL is better or LB, it also depends on how you look at it! As it kind of always does when judging stuff per good / better. One thing that I can say sort of for sure though is that LB certainly started ideas / techniques that HYL expanded on and toyed with further, so in that sense, it could be considered an improvement. And so it is clear, I don't think I can say 100% that I like one more than the other. It's not that simple. I guess you could however say that HYL was more of an instant hitter and LB really just grows and grows more in power overtime....

So yeah, they kind of did take the LB concept and all of the avant-garde, experimentation factors that come with it, and made it more accessible, which is a form of art and an achievement and a testament of skill in itself. I think the somewhat friendlier, more palatable approach of this album also lifts off the coldness aspect a bit, but it's still there, especially on tracks 1, 3, 5, 10, off the top of my head.....

But maybe I should talk more about the album and its sound as it stands on its own before I move on though. Maybe we could jump from the words I already used: classic, orchestral, brooding, dramatic, dark, aggressive (yes, I somehow see it as friendlier than its predecessor despite also being much more aggresive in all senses. Raw even. How does that work? I can't tell you today. And idk if I'll ever figure it out. And also personal, YES, that's the word, this album feels soooo very personal and emotive. Not in the sense that I'm trying to say that it must be personal to them, more like it just shows some very personal feelings and struggles), triumphant (but that goes only for that one song really), driving, ELEGANT. I think the word elegant is the key here. In all of its subtler or less subtle tone shifts it keeps that very elegant, kind of graceful feel, all throughout. Even when it seems to be touching subjects that wouldn't necessarily bring that kind of atmosphere to mind, it kind of elevates them and gives them, idk, a new meaning?

So is this a good segue into the topic of themes? I guess the album name sits well with what I think is going on here, because my main impression of the whole thing was something like.... stories of fucked-up guys with self-image problems / feelings of inadequacy, which they try to go around fully convinced that they're right (and their messy love-lives too ofc). Or are they just, normal, regular guys actually. Who can tell. It certainly gives you an idea / a whole concept to work with and ponder here and to connect and visualize kinda.

I think that yeah, out of what I've heard so far this has to be the most thematically-consistent sparks album there is. It comes to a point where all the songs give this little impression of a whole universe where all of this takes place, and while I've had these kind of impressions from albums that are way more all-over-the-place conceptually with their lyrics (I mean like.... pretty much every They Might Be Giants album. You can create this sort of illusion with more than words, the music and its atmosphere and often also its stylistic consistency might be even more important actually), this comes, in my mind, almost close to concept album levels in that regard.

The definition of a concept album probably calls for something more specific than all the tracks being in sort of a similar theme but you know.... I don't think it really happens most of the time in music in general, that the whole album has this sort of a familiar idea / spirit throughout that makes a unique whole. (note: apparently wikipedia calls this album a concept album. Another win for me in that case, lol). You could probably try to connect different songs' themes and work with that in some way.... Which is something I already did in all honesty, but actually it's a between albums thing here, because I do believe that the dick around guy could be the same guy that the narrator from ugly guys with beautiful girls talks about. Similar ideas you can connect! That's what I'm talking about. I love it when songs tell overarching stories.... Make me think about characters from songs or little universes and vibes created by even the vaguest of lyrics and the ideas those create and the imaginings they bring, any day.

Ok, what else can I say. I think I mostly covered everything I could actually. Should I say something more about the cover with the added context now. I already said that it gives off a "something's wrong" feeling, but I think it's also compelling in how it conveys that elegant, non-threatening and polished image, sterile kinda. Well, I think only one of those four words I just chose doesn't really apply to most of this album's songs. I mean non-threatening ofc. Hmmm, maybe sterile doesn't really work here either, besides those prominent examples of the coldness of sound on this album, it would actually go more with LB, which also has a fittingly minimalist, all-white cover. Collected and orderly to a distressing degree. Just like here, it also gives off some.... distressing vibe. As I already said with the "this isn't right" feel.

What else can I say. In reviews you usually give your opinions, which I very much did throughout this thing here, everything like this is always somewhat subjective I think, but even then, a final verdict could also be said here. I think it's pretty damn clear by now what my opinion on this album is. I wouldn't spend several days writing a review and analysing every little detail if I didn't have a very strong (positive) opinion on this album (I guess I technically can imagine writing a very throughout review of something that just annoys you so much that you simply have to go through everything wrong with it and have some relief and closure through that. I can't see myself doing that kinda thing however, I'm not that kind of hater (or really a hater at all lol, i hope), I'd rather devote my time to things that I find actually cool and awesome and stand-outs in a positive sense, and worthy of attention and that dedication).

So this comment I fittingly found on tumblr over the last few days feels pretty relevant towards my opinion of writing "reviews" of stuff (this was more of a, very detailed analysis I know, but review just kind of fits, especially with how people call their recaps / commentary / writeups of concerts "reviews" a lot of the time):

(note: yeah I think I should come clean here that despite my very recent start of actual social media participation I've already been a serial lurker in various places for years now, lol, I mean, that's probably a normal thing to do though, I hope. I mean, probably lots of people do or did that at some point, but still. And I don't know whose post this is anymore sadly. But I thought I'd keep it here because it's a good summary)

And also, just for the record, this is my opinion on HYL pretty much. Yaaaayyy i loved it i had so much fun!! For real. i'm glad they're creating something!!!! Absolutely. One of a kind album that I will cherish as yet another great and unforgettable entry on the list of albums that changed me (TM) and brought me lots of fun and great memories / associations, even in such a short time. And the actual FIRST on the new list of albums that I'm happy to have brough the utmost attention to and dissected like that. It's out of love.

Thank you for reading this far! Here's a little bunny as a prize!

Whoa whoops this gif was supposed to be small! Have a huge bunny in that case, you deserve it! 🐇

[dravidious]

Typing Tips That I Stumbled Upon Randomly:

The Ctrl key lets you jump between words really quickly. If you hold Ctrl and press the left or right arrow keys, instead of moving your cursor 1 character you'll move it a whole word; if you want to edit that word that's 3 words back, you can just hold Ctrl and left-left-left, and you're there.

Even more useful in my opinion, if you hold Ctrl and press Backspace you'll delete the entire word you're on. That's just really nifty because a lot of the time when you're deleting you want to delete the whole word, so this is much faster.

Also, idk how well-known this is but holding Shift and moving your cursor will make you highlight any characters you move over. That's useful on its own, but combining that with Ctrl lets you quickly highlight whole words or sentences, so you can easily copy+paste them. You can also hold Shift to edit any selections you made with your mouse or something.

Also it took me too long to realize that the Home and End keys are actually really nice sometimes. Home takes you to the start of the line you're on, and End takes you to the end. Hold Shift while doing that and you can highlight the whole line. Very nice for programming. Also holding Ctrl and pressing Home or End takes you to the top or bottom of the page, but I barely use that.

A similarly useful key that I also overlooked is the Delete key. It's like the Backspace key, but it deletes the character in front of your cursor instead of behind it. Just like with Backspace Ctrl+Delete lets you delete a whole word in front of your cursor.

Also Ctrl+A lets you highlight the whole page.

Also even when you're not typing and instead just browsing a web page or something, you still technically have a cursor; if you click a piece of text, then hold Shift and press the arrow keys, you'll start highlighting text.

Practice Exercise: Click on the t in this word, then hold Shift and press left and right on the arrow keys! Now try holding Ctrl+Shift while you press the arrow keys! Hold Shift and press Home or End! Hold Shift and use your mouse to left-click on different spots in the paragraph and see how your selection changes!

[aussied]

What's up heckers, I'm in my Voltron: Legendary Defender era, and that comes with me being a Klance shipper, so if you don't want to see that stuff on your dash, block the tag now haha

(I don't actually have anything regarding it queued right now because I'm lazy, but it'll get queued eventually, so this is just your fair warning)

[luxraydyne]

pop quiz what breed of childhood trauma borne neuroticism is it called when being condescended to on just the most neutral, limpid, nothing thoughts you express like you’re a little silly child, or “out of your depth”, or woefully misinformed, or just speaking on something you shouldn’t cause fuckin hell you’re doing it *wrong*, and with the most plainly obvious remark too, makes you want to chew on your own arm until you reach bone marrow

[shirtshawaiian]

in my past slightly over a month of binging jrwi i love the noticeable

amount of times that bizly describes chip by mentioning theres a  spongebob grossup like. ok. gross man.

[celibibratty]

Hmph, even tumblr knows what is the right thing😒 (being a proshipper)

[deepmochi]

SYNASTRY: Venus in the houses (7th-12th) part 2

♡♡♡♡♡♡♡♡♡

Note: Honestly, I had a draft for the 2nd part, but probably I deleted by mistake, or tumblr did it (idk). Maybe, That's why I thought I already posted the 2nd part, but I was wrong.

Part 1 🩷

♡ Venus in the 7th house ♡

These couple usually views commitment as all or nothing, are you in or not? They have strong values about true love, and they will follow them. Love is viewed as a contract by their souls or hearts. If they break any aspect proposed, they know it's the end. They can be reflections of themselves either the good or the bad. When the contract is done, it's over. The Venusian sees the house person as a very stable being. They feel safe and prepared for them. These two may live together before the year of knowing each other romantically. The pair just feel ready when it's about commitment. The house natives perceive the Venusian as very "wife/husband" material for them. With this overlay, their personalities blend well and work together. It feels natural for both of you to be close and intimate together. For others is moving too fast, and for them is easy to become intimate with each other. The seventh house person fits well for the planet native. These two feel like it's a soulmate connection, very easy. You’re both drawn to please each other. It's a very strong connection for long-term relationships. It takes time for them to move on if they ever break up. If Venus has bad aspects, it can be a toxic relationship. The reason for this, it's that they prefer to stay together instead of being alone or start something new. Intimate gesture like hugs and someone hand guiding the other. Cooking dates and going out at night the most. "Here, I bought this?";morning texts: " how are you today? My day...." "Can I call you, I miss your voice"; " My mom ask if we can go to her party?" ; "we should go to that restaurant"; Formal clothes; "hey, look me, they don't know how worthy you are". They like to spend time with people they love. Balance. If Venus cooks today, the house will do it tomorrow. Wearing nice clothes and a good perfume to impress the other. Compliments and physical touches, especially kisses in the cheek. Cheesy things like love letters. Having "the song" or the place.

♡ Venus in the 8th house ♡

These two have a different kind of love. The Venusian feels like the house person bring something in them that they can explain. Sometimes, these people have taboos to share. Death has impact their lives. The house person may become obssess with the planet person. Sex isn't a way emerger together. Usually, they possess the same interest in taboo topics. In the beginning, Venus feels attracted to the house, but it's also scared of them. Their sexual energy is intense. The 8th house person wants to know the Venusian's secrets and fears. Both are possessive, but the house win the round. They detest when their partner don't respect them. Their relationship status will remain a secret for the public eye (in the beginning). They would share many things even traumas (if hardly aspected). The house native will protect the Planet from the world. Sex can be very intimate or aggressive (bsdm stuff). These people will not be the same they were when they met. For them, love is intense and transformational. The house feels that the Venus native is trustworthy, but they need to see their actions. Holding hands during intimate times. During sex they will talk and have intense stares. "I don't like that person, be aware of them", "Here, use this for yourself"; "if you need money, just let me know"; "don't lie to me, I know you are sad"; his/her hand on your thing while eyes are on the road; taking notes of your gestures. They have weird hobbies together and enjoy dark humor too. Moonlight sex and long sessions.

♡ Venus in the 9th house♡

These individuals perceive love as a new adventure and try to go with the flow. If they're mature, they prefer to maintain a very healthy relationship. Both prefer to travel and know about new places and cultures. Love is not as other say. They may prefer to do things their way. Venusian isn't instantly involve, but they see the house as interesting. For the house native, the planet is nice an attractive, but they will not force things. The house native could be older than the Venusian. The house person likes the planet manners and life vision the most. They see the commitment as an experience. Sometimes, marriage isn't obligatory requirement. They may enjoy walks, museum, and play board games. One could be from another country or have a different culture. Their relationship presents a new chapter in their lives and their families. Besides, they like to engage in intellectual debates, maybe they are into philosophy. If they broke up, they will try to be professional or move on. They can meet later in life after maturing. It's likely that you will work together or in the same environment. Having a child or more is possible, so use protection. "Look at here, we can travel here"; "aww, baby, you were right they declare that"; ["I really want to buy that book" / "baby, you have that book already"]; Saving for vacations; buying each other souvenirs or antique objects as gifts; reading books and doing small debates about it; *knowing each other during trips, universities, conferences, cultural events, and religious activities" Buying new book editions. They love to try new foods or learn about new places together. They could meet while traveling or in college.

♡ Venus in the 10th house♡

Coworkers to lover vibes. They are comfy with being mature. Similarly to the previous combo, the house partner is the older one or has more experience. This partner also has more dominant energy. They could meet in different levels. The negative aspect is that they could be very nitpicking and too logical when it comes to love. The planet individual sees the house person as straightforward and mature. Partnership is very important; it's like a contract. If one of the part broke a part of the deal, it's done. They can work together or met during college (last year), conference or work related things. They are straightforward and mature when approaching the other. If badly aspect it, they have an issue with power imbalance (not good at all). Big egos over emotions, this is the start of arguments. They plan their dates. The planet person accepts that the house individual cares for their image and professional life. The Venusian isn't afraid of being a home stayed wife. Here the Venusian knows and appreciates the house efforts to balance their stability. Nonetheless, the house person must value the venusian support. Doing plans after they leave the work; caring for the other in profesional settings; making food or leaving notes in the stuff *you can do it* in their computer. Making each other feel valuable "Here, i make you favorite food"; let's celebrate your new position"; *making time to luch together*; naming the other whenever they can "I'm grateful for my wife meals and support"; giving gifts and showing their s/o in public. Even thought people think they aren't super romantic, they will try to match things. It could be rings, watches or wearing the same brand. Looking good.

♡ Venus in the 11th house♡

Love depicts a friend to lover storyline where both care for dreams and humanity. It's very possible that they met when they were helping other people. The Venusian fits the house's ideal type. They seem more friendlier than other couples. You wouldn't think they were dating at first. They prefer to joke around, but they love each other. The Venusian share the dreams the house native have for life. It's also likely that they like each other in the future, even if they met since birth. They prefer to have experience with love before settling down. Its common to see them as "I thought they were only friends". The Venusian sees the house person as humanitarian, reliable and interesting. Stay protected because big family can be a thing. Moreover, the must clarify about what is a family. The house perceives the planet native as beautiful and too much to some people. Together, they will form a very unique pair and family. Regardless Venusian feel the planet as hopeful person. The eleventh house person sees a future with the venusian because they feel understood. Love for the house is independent, and the venusian can see this as as a relief. Making fun of the other in a non hurtful way. "I can't deal with you right now *kiss them*"; "Alexa plays titanic's song" *grabs the venusian and starts dancing*; *hugs their s/o when they're cooking*; being romantic when they're alone; sending spicy texts "come home, I'm ready"; talking about the future; matching devices or wallpapers; a lot of trust, they share passwords. Having the same or similar friends. They like to help other people. Donating for other people as a hobby or helping to people who need. Dates in the nature. Cleaning beaches, rivers or places.

♡ Venus in the 12th house♡

Love is simple but blurry. They can't get confused in how they love. The house sees the Venusian see them as the real deal. The planet perceive the house native as too good for them. There are some blurry aspects that they don't understand. When this synastry happens, it can feel too blurry for outsiders. Sometimes, they feel as friends and others as partners. At times, they hide their feelings without realizing or because they don't want to hurt the other. The house may hide their crush for the planet (too well). The Venus feel like the house person hides things for them. The house native don't want to bother the venusian. The house wants to give all they have to the venusian without having a concrete reason (maybe they are friends, but they are their #1 friend). This connection feel very special even divinely guided. The house is very observant with the Venusian Different backgrounds, it's possible that the house person has faith or not. One (usually the venusian) is more intuitive. Venus comes to open the house's eyes to other knowledge. The house will do all they can, so the venusian is happy. They can be soulmates (even non platonic). On the negative side, they don't have good communication because they avoid confronting each other. Both have experience paranormal activity, but only one believes more. The Venus person will try to invite the house to their home (pure opening of their soul). The Venusian can be quite delulu, but the house see it as funny or special. They met when something is ending for the Venusian. Romantic times, home dates, asking the other about things or traumas carefully, a special vibe around them. *Big smiles and shiny eyes*, "I buy you this; you tell me two months ago around 9pm" "aww thank you", "are you sleeping well?" - "yes" , *astrology or tarot talks* "can you give your birth time?" - "12:34 am" " it was bad?" "No, we match". Talk about paranormal activities like any other topic, special dates, random celebrations, secret spots, discreet dates, spirtual conection, they may understand the other, but can't explain it.

Take what resonates only. 💚

[uncleasad]

How to modify the “link preview” text

I told @evilpenguinrika how to do this in broad strokes a while ago, but I thought I’d take some screenshots tonight to illustrate things in more detail.

I will show how to perform two different types of edits, removing an element of the link preview altogether, and editing the text of an element of the preview.

First, I pasted in my link (and then added some text below it, “Chapter 2 is up!” for illustrative purposes).

2. Then I switched to from the Rich Text editor to the HTML editor (using the gear icon in the upper right corner of the post); this is tumblr’s HTML for the above:

3. In this step, I’ll remove an element of the preview altogether. Here I’m going to get rid of the “An Archive of Our Own, a project of the Organization for Transformative Works” line, which is the entire "description":"blah blah", block of code (technically, JSON embedded in HTML 🤯). I select it as shown, making sure to get all four double-quotes and the trailing comma, and then hit delete.

Poof, that line is gone!

4. In this step, I’m going to edit the text of an element of the preview. Here I’ll edit the text of the title to make it less verbose…in this case, I’m going to change what’s inside the double-quotes that follow the "title": part:

I got rid of everything after “Chapter 2” (I also got rid of the first \n and leading space because I’m particular, but that’s not necessary). Remember to confine your editing to what’s inside the pair of double-quotes that follows the "title": part.

Voilà!

A nice clean preview, without any “duplicated” info (e.g., this is my blog, so I don’t need my username in the link preview title, and I left the "site_name": bit to display archiveofourown.org, so I don’t need “[Archive of Our Own]” in the link preview title, and so on).

[olderthannetfic]

People going to you to say they didn't like a book instead of just posting that in their own blog and blocking the rabid fans is so fucking sad to me. Is this where we're at? Instead of blocking the sea of lost teens and 20-somethings in the dark academia tag who try to use "dark academia" as a substitute for having to develop their own interests and hobbies, we're now going to whisper on anon, "I don't like this one book"? That's how scared of negative interaction people are? It's the dark academia fandom. They're morons. They don't even argue with you that The Secret History is good, they reply with your post quoted and emojis inserted inbetween every sentence and think they're big smarty smart-smarts who showed you, or they say you didn't get it. "The fandom is absolutely insane" by what metric? Speaking as someone who's been sent suicide bait, death threats, rape threats, pictures of dead animals, Holocaust pics and actual CSEM by other fandoms, if you're too afraid of someone replying, "wow lmao ur not smart like us u no get it" or spamming your original post's text with emojis, maybe you're not old enough to be on tumblr or be reading a book aimed at adults.

The fact that people are now so afraid of pushback that they won't even say they dislike something off anon is honestly really pathetic. This is like people on Reddit who say, "I wouldn't say this if I weren't deleting my account later today, but I don't like MCU movies." It's the same vibe and I have the same question: you know you can just block people if they cry about shit you say, right? I got sent a dead rat once by a Yandere Simulator fan and the police + a restraining order is basically blocking but for RL, but most people in the fandom for The Secret History aren't going to actually interact with another person. They don't even usually bother to write fic or make art for it, they just repost quotes from it with some pics they swiped off of Pinterest for it.

Those are the people who you're so afraid of that you can't even say, "I don't like a book" lest they hurt you. You're afraid of Pinterest moodboard makers who ask things like, "what religion is the most dark academia? I want to convert to that" with a straight face who think wearing a white button-down shirt and brown pants makes them the embodiment of wealth and class and quiet luxury.

As someone who's actually had interactions with crazy fans IRL - especially Star Wars fans, as they're almost all frothing at the mouth to rant about how much they hate Star Wars - I am happy to report that this is a survivable thing and not one you need to be so afraid of that you don't dare mention it for fear of backlash.

Speak freely. Block people. Move on. Their tears are embarrassing for them, not you.

--

I spent some time in anon spaces, and it felt like a nice break at the time... but I have to say, I really notice the difference now that I'm findable again. For all the shit that comes my way, a hell of a lot of people have tried to befriend me over the last few years. I wouldn't have met any of them if I hadn't been visible.

[selfportrait27]

Ween fans of Tumblr. Come over to ween.wiki and help us build a new knowledge base for future fans.

I didn't start the wiki, I just got pissed off a couple of months ago and posted this on r/ween. To my surprise, people actually listened. We now have a few regular contributors, but it's time to start reaching out to the rest of the Ween web, and I'm starting here on Tumblr for a reason.

The fuck-you spirit of Ween and punk rock seems to have actually survived on this platform. Despite Tumblr's best efforts, this has mercifully not become a Nice Normal Place for Nice Normal People. There's a beautifully unhinged quality to all Ween fans that still circulates in the air supply here, that when you see it on reddit for example, you know that it's being allowed to happen.

Anyway, check out my original post on Reddit, or you can read the text below. Then saunter back to the Ween Wiki house and take a look around. If you see anything you think you can help with, go for it. You can find my user page here.

Full text of my post from r/ween:

If you didn't know, there is a Ween wiki just sitting there waiting for us to fill it in.

I know it isn’t very well maintained or reliable. That’s because we’re not using it. It’s a community database, not someone’s personal website. It’s supposed to be maintained by the fan base, that’s the point of a knowledge commons.

Let’s say, for example, if 50 of us make one quick, low-effort change to the wiki in the next month or so. That would already be a big improvement. If it’s the first and last time for you, you will have made a contribution.

Here are some little things you can do anonymously, without an account or a username: 

~Add lyrics to a song.~ 

Change lyrics that someone else added. (It updates instantly, this isn’t genius.com.)

Add a page that you think should be there - you can leave it blank for others to fill in if you don’t want to do it.

Delete something if you think it’s wrong -  you don’t need to have something to replace it with in order to do this. Removing something counts as a contribution. If it turns out to be right after all, it can be put back.

Ditto if you see a citation that you don’t trust - you can just remove the source. Now it’s a ‘citation needed’ situation, which gives others an opportunity to do something.

Correct a minor spelling error, it can literally be that small.

Don’t share private material without permission, but other than that, it can be just about anything at this point, as long as it keeps the ~recent changes page~ ~active.~ Even if you’re new and you don’t know much about Ween, you almost certainly know something that isn’t there yet. Remember you can edit anonymously, so nobody can give you shit if you get it wrong. What they can do is change it.

A few notes:

Why do we need this, when we can just ask someone more reliable? Because it’s too much pressure to expect any person to be reliable all of the time*.* It might sound counter-intuitive, but having a community database that “just anyone” can edit actually creates more accountability, because we’re all responsible for its content, rather than expecting a few people to do all the work and get everything right. This is an opportunity to make a contribution to the legacy of Ween and their fan base, one that’s at least a little better than the stew of info and misinfo that’s out there now. It’s also a chance to help ensure that the good work people are doing on projects like Ween Archived doesn’t just end up getting mixed in with all the bullshit~.~

You don’t need to know what you’re doing. I’m a tech-moron - seriously, my 80-year-old father probably knows how to use Media Wiki better than I do. Even I figured out how to make a few basic edits. We’re going for minimal effort here, so even if you think it won’t make a difference, it will only have cost you a minute of your life.  Do a sloppy, half-assed job. Make a tiny improvement to someone else’s sloppy, half-assed job. Do it now or later - a community database is a long term, ongoing project and there’s no deadline for anything.

But people will just use it to troll? Yeah, they might. They can already do that now. If that’s what you want to use it for, you’re going to anyway. Here’s a couple of things worth remembering:

Nobody needs to put in a ton of work only to risk having it spoiled. There’s enough of us that your individual contribution can be as tiny as you want, and it still counts.

Again, anybody can delete information, so dealing with troll entries doesn’t just fall to one person or a few people. It’s unlikely that we’re gonna have a troll problem that’s too big for the rest of us to handle.

Sorry to be cheesy, but if we’re too scared to do anything, then my friends, the trolls have already won.

One last thing. You can do this and still hate everybody and complain as much as you want, nobody can take that away from you. You can even feel better about complaining, knowing that at least you did something. And if you want to tell me to shut up, who the fuck do I think I am etc, then you’ll still have plenty of time to do that too.

Come on, people. Two children who couldn’t play their guitars yet started a band without a drummer, and we can’t build a better community wiki than this, with all the tools in front of us? Of course we fucking can.

[lollytea]

Up until a month back I liked a guy. And I really liked him. But I found out he didn't like me back. I was really upset, but I didn't want to hold it against him, but then I found out he had a reputation of being a player (which, at our age of 14 is flirtatiously texting girls and then just. Ghosting them).

And I felt really upset. I began to question if he even saw me as a friend, and whether the way he texted me was even friendly. What if he secretly loathed me and was just doing this to get a kick out of it? What if he knew about my feelings and they were just a joke to him?

I wanted to cry, but I told my friends and my sister I was okay. But I wanted to scream. Its not my fault I was born ugly. It's not my fault my face makes me unlovable. And even though I wanted to distance myself from him I felt some sort of perverse pleasure every time he did something embarrassing in front of every one.) And that's when I think it hit me.

That's why I'm unlovable. I am unlovable because I'm a terrible person. My friends tried to comfort me saying that he's a shitty person who can't see my beauty/cuteness, but friends are obligated to say that. I wanted to believe them because they're all so beautiful, and they would never lie to me because they love me. But they deserve a better friend than me.

I want to cry because I want to experience having a whirlwind romance, and falling in love. I also know I'll probably never have that.

And AGH I feel so upset. Because all my life I've known I was ugly. But when this guy showed me attention, was nice to me, it made me feel special. Made me feel like I was having my own romance.

I hate it I hate it I hate it. I hate that I can't be loved, I hate my face, I hate myself for feeling these things. Last year when I suspected I began liking him, I told myself not to fall too deep, and here I am, ranting to you on tumblr dot com.

Lollytea, I love your writing and I love your posts. I love how confident you are of yourself. I'm very sorry for ranting in your inbox about my shitty love life, if this makes you uncomfortable, please delete it. But if you don't, I genuinely would like some encouragement. That my time for my own romance will come. That I will learn to love this face.

You're not unlovable. You're just 14. It just happens that being 14 feels a lot like being chronically unlovable. But no, that is not actually the case.

Maybe you've heard this a lot. And I imagine that it must be frustrating to listen to. That being a teenager just means your emotions are bigger and more intense than they will ever be in your entire life, so they're irrational and silly.

That's not the case either. Your feelings matter. And they're worth being listened to. But I do need you to keep in mind that the age range you're in right now is one of the most difficult periods of time that a human being will ever go through. Being a teenager is very hard. Being an adult is hard too. But me and every adult I've ever met would not trade it for being 14 again. No way in hell.

It does severely influence how you see yourself and why your emotions feel so strong and messy and all over the place. But I assure you that you're doing a fantastic job for a person in your situation. It's rough and you're getting through it and I'm proud of you.

Firstly, I'm going to say this quite bluntly but dont take it as me insulting them. Most of the boys in your class probably aren't that smart. And they are the absolute worst people to be seeking validation from. I promise that their opinion of you is not worth worrying about because they are...stupid, frankly. They won't be stupid forever. Probably. But being 14 is a weird age for boys too and they're quite mean for a while before they mature and chill tf out. Please try not to let it get to you if one of them doesn't like you romantically. I promise you it is not remotely a big deal. None of them have any idea how to be good boyfriends yet anyway.

No, you're not unlovable for occasionally having spiteful little thoughts about somebody who was mean to you. Everybody has those every once in a while. As long as you maintain some self-awareness and don't let cruelty consume your whole brain, having a few mean thoughts doesn't make you a terrible person. What WOULD make you a terrible person is external terrible behaviour. It's your actions that matter. So just be kind, alright? Be kind to your friends. Ignore the people you don't like but be civil. Don't hurt anyone. If you stick to all of this, you're golden. Considering that you already seem so self-critical of being a bit bitchy inside your own head, I think that's a promising sign than you won't do anything worse than that. I hope so anyway. Be kind, that's all you can do. Your friends love you. If you put your all into loving them in return, then you can have something so special.

You're not ugly, you're 14. Sorry, I'm getting a bit repetitive but I think it's relevant information to this whole situation. At the age you're at, your face is probably in this weird transitional period between child and adult so maybe that's why it might look "uglier" than usual to you. It might last a few more years but it won't look like that forever. I assure you that your face is beautiful because it's doing exactly what it's supposed to do. It's alright if you've felt ugly your whole life. The way you look at your own face is way more personal than the way you look at other people's faces. We don't really notice the flaws on others the way we notice our own. We're wired weird like that.

All I can say is hang tight. If you don't like your face then please try not to let it upset you that much. Your face hasn't fully developed yet. For the time being, you look exactly the way you're supposed to look and you're perfect. Let's see how it looks in a few years before we make any rash decisions about it being as ugly as you think it is.

Don't be hasty in the belief that you'll never find love and romance. I assure you that the age you're at is the absolute worst time to get a boyfriend and its perfectly okay if you don't experience it for another while. It's normal. You're fine. It's okay.

I know you want it. I know it sounds nice. And I promise that if its important to you, once you're older and the people you're interested in are a little smarter, you will have it.

I'm serious when I say that for the time being, focus on being a good friend. Focus on school. Focus on your own physical and mental health. Focus on your hobbies. Being wanted by 14 year old boys won't mean shit in the long run.

Things will be okay. You talk so much about how you'll be alone for the rest of your life. But your life has only just begun and you hardly know who you are yet. It's impossible to tell what will happen in the coming years. I promise that you'll be okay.

I know you came for me for reassurance but from that last paragraphs, I'm sure you're already smart enough to know the things I've told you. But I imagine that you just needed a second opinion. Take care, love.

[cloudy-em]

fav writings

UPDATE: view cloudy's library for all of my favorite works (will not have mentions because of the limit, but will include usernames)

***if a link is incorrect, please let me know.

if a post is deleted, feel free to message me.

if you do not want your username or work on this list, please don't hesitate to reach out and ask to be removed.***

red text = smut

carmen berzatto

pretty by @superhoeva

taste test by @superhoeva

let the light in by @delicrieux

luca and carmen both being into you thoughts pt. 2 by @dropitpunk

who doesn't want carmy to go down on them? by @flavor-of-the-week-writing

breathless by @inpraizeof

dance - extended cut by @superhoeva

shy chef by @fanboygarcia

we should love, not fall in love by @thegreatestsandwich

carmy + headband by @thebearer

i can see you by @berzatoe

eating out by @stargirlfics

carmy being taken care of by @stargirlfics

reader on their period by @thebearer

(not) strong by @lskisms

spencer reid

the lanky guy in room 603 by @samuel-de-champagne-problems

in your shadow by @lvrslvt3

boyfriend headcanons by @academiareid

the nice guy by @ebullientheart

domestic blurb by @radiant-reid

access by @ebullientheart

name blurb by @radiant-reid

pretty hot by @strawberrysands

protective by @inreveriess

the statistical probability of falling in love by @reidscanehand

not shy of a spark by @spencersmagic

chef luca (the bear)

anything for you by @write-fromthe-start

sunshine x grumpy by @ay0nha

nsfw alphabet by @binzlovenicetingz

you're #1 to me by @pantherxrogers

idle hands by @ay0nha

luca and carmen both being into you thoughts pt. 2 by @dropitpunk

try again by @iridescentprose

late night luca thoughts by @pantherxrogers

better than wine by @superhoeva

right person by @words-4u

just a taste by @inklore

castiel

post by @supernaturalfreewill

crooked tie by @bored-writer101

sam winchester

post by @supernaturalfreewill

dean winchester

dating headcanons by @graceloveswolves

lip gallagher

cockwarming during a movie by @theapangea

soft lip by @randomoutsiders

clumsy reader by @randomoutsiders

lip + size kink by @randomoutsiders

lip + daddy kink by @theapangea

lip + oral fixation by @randomoutsiders

loki

injured reader by @undiscovered-horizon

betrothed by @undiscovered-horizon

thor

domestic by @soulofvibranium

as we all know, tumblr limits how many mentions we can do in a post, so i think what i'll do is just make a new post with all of my favorite works without mentions unless anyone protests to that.

[animaniacs-groove]

Introduction

((Helloooo Tumblr! This is @yakkolicious, but from this point forward, I'll refer to myself as the admin. Everything I say will be in white text with double parentheses. This is the ask blog for the Animaniacs Groove AU, my older Animaniacs AU. Here, you can ask questions to older versions of Yakko, Wakko, and Dot.))

About the AU

((This AU takes place in 2024, or whatever year it is in the present. However, the Warners will not age in real time. The Warners are two years older than they are in canon, so Yakko is 16, Wakko is 13, and Dot is 11, though I do have some fanfictions where they're only a year older. Yakko started a rock band with two of my OCs, Cleff and Winona. Yakko and Wakko also both have partners who are OCs. Here are some pictures to give you a bit more info on these versions of the Warners.))

((I'll also add my OCs to this later, since they're pretty essential to this AU.))

Canon

((What's canon and what is not canon to this AU? The events of the 1993 series all happened and were televised, but it wasn't a scripted show. The Warners genuinely got into those situations and they just got on TV somehow. These Warners hold no ill will towards anyone who works for Warner Bros. aside from Thaddeus Plotz, and the reasons they hate Plotz are unrelated to the show itself. Wakko's Wish did not happen and neither did the 2020 reboot. Norita does not exist, and Plotz is still the CEO of Warner Bros. with no plans of retirement. Hello Nurse, however, has taken a job with another company (not Doctors Without Borders) and the Warners haven't seen her in a while. Chicken Boo also did not try to kill everyone and is actually a friend of the Warners (though you won't see him around much). If a question based on reboot knowledge is asked to these Warners, they'll probably be confused, if I respond to the question at all.))

((This blog is not the only place you can find the Groove AU. There are also fanfictions on AO3 where you can read more about the things that go on in the Warners' lives. The series can be found here. If requested, I will also post the existing shorter fics to @yakkolicious-writing if you would prefer to read those on Tumblr. I can post the longer multichapters too, but the only real benefit of that is that I can give some more specific info.))

((In addition, you may have seen a character by the name of Hailyn Warner on this blog. She is not my OC, but rather she's the original character of my close friend @silly-lil-lee. Hailyn and her twin brother Rylan do have Groove AU forms where they are 10 years old, and they sometimes do appear on this blog. They are canon to the blog, but they will not appear in any fanfictions since they aren't my characters. They have a blog of their own, so if they catch your eye and you have a question for them, you can ask them here.))

Rules

Keep things SFW. The Warners are all still minors.

Please be nice. Don't send an ask to complain about my headcanons and do NOT harass askers, including anons.

No magic anons. All magic anon asks will be deleted.

((With that, feel free to send Yakko, Wakko, and Dot some questions!))

[my-name-is-markus-with-a-k]

prime numbers for the gif-maker asks? 👀

2. Least favourite set? Oh, I'm sorry but I don't want to answer that 😅 I've deleted any I really don't like, but I will say there's a set that keeps popping up in my notifs where I'm like 'really, that one again???' But that's all I will say. People like what they like.

3. The set with the most notes? This one with 1559 notes. I'm happy with that, it's a good set. The ones with Connor in them tend to do well.

5. Favourite movie/tv show to gif? dbh is my main fandom so yeah, dbh but more specifically, Markus. I just love giffing him, it's almost therapeutic at this stage.

7. Who are my top 3 gifmakers? @thirium @aghostinmyownmachine @mijchi for dbh gifs and also shout out to @babyjapril who is not a dbh giffer but her gifs are always incredible (sorry for the random tag ana).

11. One set I made that just won't die? I legitimately don't know what this means lol

13. Where and/or from whom did you learn to gif? I'm mostly self-taught but I have relied on a few tutorials here and there.

17. How many gifs do you prefer in a set? I guess 2? That's how many I usually make in a set, so that must be my preference. I do like a 4 set too though.

19. What I'd my giffing process like? Very on the fly, lol. I check to see if I have the footage I want, if I don't I screen record the scene I need. I upload that into ps, trim the clip to what I need, change the speed and crop. Then I brighten and colour them to whatever I'm feeling at the time. I always sharpen last. It's what takes the longest and I sometimes have to finick with the settings a bit until it looks nice on tumblr.

23. What's the thing you gif when you don't have anything else to gif? Take a wild guess. It's my boy ofc

29. Have you ever posted a set, realised you made a mistake later but realised it was too late? Oh yes many a time. Usually on sets with text and I made a typo. That's happens pretty often 😅 I usually go back and fix them anyway but then the old versions still get reblogged lol

31. Do you schedule/queue posts or do you post as soon as you're done? I usually post when I'm done. If I'm not really happy with a set, I'll save them to drafts and look at them later. If I decide they're actually OK, I'll post them, if not, I redo them. But I don't schedule posts, I'm too impatient.

37. What sets do you have planned to make in the future? There are a few sets I'm waiting to do when my skills catch up to my visions. But right now? There's a quote gifset I want to make with Markus but it will require time I just don't have right now.

41. Least favourite part of the gifmaking process? Oh my god, uploading to tumblr. I never really know what gifs are going to look good. Sometimes I'll spend ages on a set, upload to tumblr and it look like ass, so I have to redo the whole thing. It's infuriating.

43. Do you keep videos or delete them once you're done giffing? I keep them unless I need the space. I'm pretty lazy like that hahaha

47. Any advice for novice gif makers/people who want to start making gifs? Gif tutorials are your friend. I'm mostly self-taught but whenever I get really stuck, I search for gif tutorials. They are incredibly helpful.

That... was a lot of questions and I had to google prime numbers like a chump because I could only remember prime numbers up to 20 lmao

[gudsouplady]

Watching Sherlock (S1,E3) The Great Game (Spoilers) (Tw: This show has a lot of showing and mentioning of guns,Dead bodies,Drugs,War etc.If you don’t like that stuff then I advise you to not read this post)

• Minsk,Belarus in a jail

• Sherlock grammatically correcting him

• That wasn’t an accident

• Death penalty ????

• I Love the intro (as always)

• Why is Sherlock shooting a gun at the wall ????????????

• John arrived at the perfect time

• He’s that bored

• the head in the fridge

• Sherlock hates the blog

• The whole rant about the solar system is just so funny

• Sherlock would hate tumblr

• John just couldn’t take it and left

• Mrs Hudson !!!!!!!!!!!!!

• Sherlock watching John leave

• “What have you done to my Bl00DY wall ????? ”

• Baker Street exploded 💥

• John stayed at Sarah’s house 🏠

• John made it to Baker Street

• Sherlock and Mycroft

• Person found dead on train tracks

• Mycroft is kinda creepy

• Sherlock just played Mycroft the door 🎻

• Sherlock has been summoned

• “I’d be lost without my blogger”

• Who wrote the letter ✉️ ?????

• The pink phone has returned

• idk what the Greenwich pips are ?????

• A picture of an empty room

• They all blanked Mrs Hudson :(

• A pair of trainers in the middle of the room 👟👟

• Of course it’s a blocked number

• Is the woman ok

• A bomb vest on her body 💣 !!!!

• why does someone want her dead

• Investigating the trainers 👟

• The way John reached in the Sherlock’s coat whilst Sherlock is wearing it

• Text from Mycroft is obviously going be deleted

• The search was completed

• IT’S ANDREW SCOTT !!!!!!!!!!!!!!!!!!!!!!!!!!!!

• Molly has a boyfriend called Jim

• Jim is causing havoc

• No wonder Molly ran away after your deduction

• The tension between John and Sherlock Istg

• John only wants to help

• John is sherlock’s best man

• John has been notified about the Westie case

• Sherlock finally figured out Carl Powers

• Back at Scotland Yard

• 4 pips and a picture of a car

• Another mysterious phone call from a different person

• They found the car drenched in blood

• Talking to his wife went unsuccessful

• The car is from Janus cars

• The car Dealer was a liar

• The red Laser on the forehead

• Janus cars help Ian disappear to Columba

• Why are there so many running police officers

• A picture of a woman and 3 pips

• An elderly blind woman :(

• “Sudden death” of Connie prince

• John has been set to go to the Prince family

• I don’t like Connie’s brother

• John doesn’t like the cat

• Mrs Hudson has some wise words

• John is on to something !!!!

• Sherlock taking terrible photos

• They figured it out

• The old woman….Nooooooooooooo

• Someone got arrested

• A picture of the Thames

• A dead body on the Thames

• Why is the mouth bruised

• A missing portrait

• Link to a serial killer

• He used to be a security guard

• What did the note say and why did he give it to that woman ????

• John is at Alex’s flat

• The gallery managers necklace is ugly

• “Have a nice day”

• John is just interviewing everyone

• I don’t like Joe

• “Vauxhall Arches”

• Sherlock has a homeless network

• why is Alex there ??????

• Is that the professor from the voicemail

• JOHN ALMOST SAVED SHERLOCK

• Golem got away

• Another victim but it’s a child :(

• 10 seconds…

• He figured it out

• Is the gallery manager a part of the calls ???

• It’s been Moriatry all along

• The body was moved

• Joe killed westie

• Joe tried to hurt John but John was prepared

• Why did Westie not put the memory stick somewhere safe and off his person

• He shoved Westie down the stairs and killed him

• “Look at the turn ups on his jeans”

• Sherlock will get the food shopping 🛒

• Who’s going to meet Sherlock at the pool

• John has the vest on !!!!!!!

• Who wants to hurt John !!!!

• It’s Jim Moriarty !!!!!

• He’s a consulting criminal

• “Daddy’s had enough now”

• “THAT’S WHAT PEOPLE DO”

• John is trying to sacrifice himself for Sherlock

• Lasers on the forehead

• Is he really just going to walk out

• *Moriarty’s surprised face*

• “No you won’t”

• He came back

• is he going to shoot The vest ???????

I rate this episode 10/10 because it was surprising and I loved the reveal of Moriarty as he has been spoken about throughout the series and I’m excited to watch season two

[momo-no-tane]

Peach-Pit Artbook Scanning Project - Complete!

On August 1st, 2015 I made the first post of this artbook scanning project to provide high quality scans of Peach-Pit’s illustrations, because there was barely anything available online, or if there was the quality was absolute garbage. 7 artbooks and 648 illustrations later, the Peach-Pit Artbook Scanning Project is finally complete... really, really late.

I was supposed to finish this project in April 2018. I finally uploaded the last illustration yesterday - July 8th, 2023. Unfortunately I was never able to finish it back in 2018 like I wanted to. Life got really busy, I had gone back to school, my computer battery died, I started getting lazy... when I only had 5 illustrations left to post. I’m so sorry it took so long to finish. I really hated myself for not finishing it back then. I was constantly beating myself up over it. I really wanted to get it done this year though. Thank you so much for all the likes and reblogs over the course of this project. You can find each of the artbooks below.

Artbook 1 (Peach-Pit Artworks DearS)

Artbook 2 (Peach-Pit Artworks Sui Mitsu Kyo)

Artbook 3 (Peach-Pit Artworks Zombie-Loan)

Artbook 4 (Shugo Chara! Illustrations)

Artbook 5 (Peach-Pit Artworks Rozen Maiden)

Artbook 6 (Shugo Chara! Illustrations 2)

Artbook 7 (Rozen Maiden Illustrations: Rose Maiden)

Now for something really annoying... Tumblr’s recent bullshit is another reason why I finally forced myself to hurry up and post those final 5 illustrations.

Tumblr has decided to be completely and utterly stupid, getting rid of the legacy editor and replacing it with a garbage new post editor that makes posts look absolutely hideous on desktop. I initially made this post with the new post editor, but I was so disgusted at how ugly and awful it looked I deleted it. For some stupid reason, all posts automatically become text posts even if I specifically select the photo option. It makes no fucking sense. I realized that all the posts I had saved in my drafts still had the legacy editor, and thankfully I had a few photo posts still in there. So I was able to repost that news post.

The problem was that I only had less than 10 photo posts saved in drafts. If I had known Tumblr was going to be fucking stupid and get rid of the legacy editor, I would have saved dozens of posts to prepare. But I only had enough to make a few news posts and those last 5 illustrations. Now I have nothing but text posts left in drafts. I’m behind on some posts already (Nagi’s birthday post, new SC! Princess Cafe goods, new RM SOLWA goods), and I can’t make a post about them because Tumblr fucked everything up and I’m trying to figure out how to fix the posts on my theme so they don’t look like shit.

I don’t know what to do. I’ve been giving them grief almost daily on their change blog and support section. So many other people are also upset. I don’t want to get too backed up with news posts because there’s so much information that comes out monthly lately. Does anyone know how to fix this? Any code I could add to my theme to make my posts not look like shit because of the new post editor? It pisses me off that I have to waste time and energy focusing on this instead of the project I plan to do next - high quality manga caps. How can I even make nice looking manga cap posts when the new post editor will just destroy it? It’s so frustrating. I’m sorry this post turned so negative, I really needed to rant about this.