#deep impact 1998

[filmjunky-99]

d e e p i m p a c t, 1998 🎬 dir. mimi leder

'I talked to Civil Defense. They said if you and I got married, we'd be family, and I could get you in.' - leo

'What about my parents? They're not your family. I don't want to go without my parents.' - sarah

'You don't have to. I'm the famous Leo Biederman, and I haven't used my fame for anything, but I got them to let your family go, too. This is your only chance to survive.' - leo

[mostlygibberish]

I liked the part with the child marriage montage.

A movie with absolutely perplexing tonal and pacing issues. All the action was crammed into the first half of the runtime, then suddenly everything slowed way the hell down for emotional drama with people I didn't actually care about. The reporter (Téa Leoni) was the closest thing to a likeable character, and her story had a truly stupid conclusion.

Like Armageddon, the science made little sense and the whole thing was just kind of silly, but where Deep Impact differed is that it rarely felt like it was taking itself too seriously. I don't understand how they deployed drills on the asteroid when they weren't even professional drillers; It's a well known fact astronauts can't be taught to operate drills.

Probably the funniest part of the movie was when this astronomer guy calculates the asteroid is on course to hit Earth and rushes so desperately to warn people that he crashes his car and dies. It's later revealed that the predicted impact was over a year away, so he did that for no reason. 

I also really enjoyed the bit when the reporter did an internet search for "E.L.E." and found exactly one result, and the part where they just told us that the mass nuclear strike on the asteroid had failed off-screen. The scene on the beach was (presumably unintentional) comedy gold.

I found Deep Impact less egregious than Armageddon, but it was still undeniably bad.

[theflopwonder]

yknow on one hand i get it bats are natural leaders due to their tactical planning n neutral face setting being a scowl giving off an automatic air of authority blah blah blah HOWEVER SEMI COLON COMMA it is very interesting YJ assumed Tim would be mad at not being voted leader when even in his primary base of operations he's not 1st, or 2nd n arguably not even 3rd in command.

[spockvarietyhour]

For context both movies came out months apart and dealt with an asteroid heading to Earth.

[sun-ea-sports]

Hi solarballs fandom 🫶

[maeamian]

It's a shame Armageddon came out the same year, was about a similar thing and sucked ass, cause Deep Impact was a really really good movie about being human and especially the relationships between parents and children that made me genuinely cry at least thrice.

[bishopsbox]

source: bishopsbox

Deep Impact (1998). Movie poster.

[screenshothaven]

Deep Impact (1998)

[cleoenfaserum]

THE END IS NYE'S DEEP IMPACT (1998) of a METEORITE spells Armageddon (1998) WITHOUT WARNING (1994) 3 MINUTES TO IMPACT (1996) (1179)

Here is what Bill Nye has to say about, and I suggest you pay attention to it.

1179-1 LINK https://ok.ru/video/8154068552243

Based on Nye's program from which this blog bases on, I have brought you 4 films related to the subject. All excellent moves and describes well through a story of what may happen. And as Nye's says, it will happen, it is just a matter of when but we have the capacity in this case to prepare for a defense of it.

DEEP IMPACT (1998) Deep Impact (film) - Wikipedia IMdB 6'2

1179-2 LINK https://ok.ru/video/7726243121812

Wikipedia IMdB 6'7

1179-3 LINK https://ok.ru/video/7024334867013

WITHOUT WARNING (1994)

Without Warning (1994 film) - Wikipedia

IMdB 6'8

1179-4link https://ok.ru/video/2142336518783

3 MINUTES TO IMPACT (1996) a documentary

IMdB 7'7

1179-5 LINK https://youtu.be/x8H0k_UVpU8

THE END IS NYE'S DEEP IMPACT (1998) of a METEORITE spells Armageddon (1998) WITHOUT WARNING (1994) 3 MINUTES TO IMPACT (1996)

[yesterdanereviews]

Deep Impact (1998)

Film review #581

Director: Mimi Leder

SYNOPSIS: A reporter who is investigating the resignation of the Secretary of Defence stumbles on a much bigger story than she expected, and forces a public announcement from the President: A large comet is due to collide with the Earth and cause huge destruction. While a last-hope mission to the comet is being prepared, there are also plans to make sure humanity survives if the comet actually makes it to the planet...

THOUGHTS/ANALYSIS: Deep Impact is a 1988 sci-fi disaster film. It is perhaps most notable for being released in the same timeframe as Armageddon, a similar disaster film also about a comet heading for Earth. The two have slightly different angles and tone though as we shall see. The film opens up with journalist Jenny Lerner investigating the resignation of the Secretary of Defense. this leads to her discovering (inadvertently) that there is an Extinction Level Event threatening the planet, which forces the President to disclose to the world that a comet is on a collision course with Earth. It's a fairly typical disaster film after that, with the film focusing on a mission to try and destroy the comet, and also balancing that with the human stories of the characters caught up in it. This film, more so than Armageddon, focuses on the latter, with the different characters roles and responses to the impending catastrophe being the primary focus. The main issue with this, however, is that it focuses on human drama, and it chooses the most boring of said drama to show us. The main character is constantly awful: the way she treats her dad for no real reason is childish and nasty, and even when she does something good and heroic, the way she does it hardly redeems her. probably the most interesting thing about the film is the space mission that is sent to destroy the comet, which provides a decent amount of action, but their mission ends half way through, and then their whole story arc just becomes irrelevant until the finale. In fact, the film pretty much runs out of steam at the halfway point, and just gives up at the same time that the characters give up trying to stop the comet. The film mentions a lottery that will choose the people that will be allowed to survive the impact, but doesn't really explore the impact of this, and the usual riots and breakdown of society which usually occurs in these types of disaster films apparently just does not happen, or at least we never see on screen, which is odd to just gloss over, even if it's something we expect and have seen many times before.

Apart from the main character, the rest of the cast are similarly uninteresting. The weirdest ones are the teenage couple who constantly act like they're a middle aged couple. They get split up but then reunite later in a pointless diversion, and their whole characters just feel off. you could easily cut them out of the film and lose nothing. The crew aboard the "Messiah" spacecraft likewise don't have that much development or interesting things happens to them on a character development level. Another aspect of the film that I thought was odd is the focus on journalism and the media at a time of catastrophe. I get it in part, because the main character is a reporter, but nearly everything is done through the media and TV stations, and the film feels like it wants to "glorify" the role of the media and journalism in times of disaster and it being almost the centre of importance, which just feels a bit...wrong and dirty in some way. Maybe the film had to emphasise the significance of the media because it got the rights to use the MSNBC likeness for the backdrop, but either way, it made the film feel like it was focusing on the wrong things, and if the film wanted to focus on the "human" element of catastrophe, then doing it through the lens of the media just obfuscates that.

There are some moments in the film which are decent: the comet striking Earth and the destruction scenes are well done, and it gets some of the emotional scenes right, but these often have no impact on the characters themselves. The science is a bit more accurate than a film like Armageddon, but I'm not sure how much that would matter to the average film-watcher.

[filmjunky-99]

d e e p i m p a c t, 1998 🎬 dir. mimi leder

'Mr. President, why wasn't this announcement made sooner?' - lerner

'Well, until we knew we could build the rocket and the comet could be intercepted, we saw no reason to alarm the planet.' - beck

[tonichhyy]

[steviewashere]

Thinking about a fic idea right now where Steve comes out (maybe with a little Steddie...maybe; might be best to start them pre-relationship in this). Walk with me here.

Steve Harrington who has always been a huge Wham! fan. And then eventually a huge George Michael fan. He's got all their albums. Collects magazines with interviews in them (y'know, if there's a U.S. release). So, he's pretty much up to date with all news, music info; that kind of thing. He's always on the money about when interviews are.

George Michael who comes out publicly in 1998 after his arrest. Which, you can watch the clip from the interview here. He's thirty-four at the time, had been private about his sexuality and romantic life up until then.

Steve who's freshly in his thirties.

He's thirty-one. He's had some thoughts in regards to his sexuality for years now. Since Robin came out to him in 1985, he's thought about little things. The way certain guys walked that caught his attention, maybe the plushness of their lips, how they styled their hair. She's introduced him to queer culture at the time—pride parades & protests, some lingo, the handkerchief code, etc. So, he's well aware of a lot of things before the CNN interview airs. He hasn't made any hard connections between his sexuality and the thoughts in his head; maybe he's had a few, soft, questioning moments like: Am I gay? Am I bisexual? Is this what I really think or am I searching for something I don't actually want? Am I just being too observant?

(Okay, thinking about pre-Steddie now. And a lot of platonic soulmates Stobin. Also, I totally (accidentally) half-wrote a fic. Stay with me here.)

Eddie's been a part of Steve's life since 1986. Somehow he survives (don't ask me the fine details, I don't know). And Steve tries his hand at being Eddie's friend because he kind of—no, really—wants a guy friend who's around his age. Cue their shenanigans: the chaos they cause together, the pranks they pull on their other friends, the shit Eddie makes Steve get into (drag racing (cars), stealing scrap from the junkyard, throwing rocks over the quarry to guess the impact they made, other little town shit). Eddie who learns that Steve's a true ally to Robin, so he comes out to Steve, too. They all form a very great, deep bond of solidarity. Become roommates outside of Hawkins, somewhere a little more progressive. They protect each other. Listen to each other.

Cue the day in 1998 when the CNN interview is being aired live, unseen up until then. Steve's already ready to watch, having taken up the middle cushion on the couch. Robin's on his left, criss-cross and making a set of beaded bracelets for the three of them. Eddie's on Steve's right, uncapping a couple bottles of beer to pass over. And they're watching with Steve because Steve likes George Michael and, well, they like Steve and his interests. So they're all there when George Michael comes out. They're all there when the words are said live.

Robin and Eddie are wide-eyed, then laughing something a bit triumphant, high-fiving over Steve's head, maybe chanting something: "One of us! One of us!" Maybe becoming huge George Michael fans as they speak. But, Steve's silent. He's sitting on the edge of his cushion, palms down on his thighs, staring off into nothing. All the celebration stops as the interview continues, words being missed. And Robin and Eddie share an odd glance, a questioning one. Until, finally, Robin asks, "Steve-O? You OD over there?"

Steve blinks back into existence. Mutters, "Did George Michael just come out on live TV?" Eddie answers him truthfully, voice a bit soft and concerned. Steve licks his lips, doesn't move his eyes from his socked feet. "...He knew for a little while," he comments. "Right? He knew for a while."

"Sure, Steve," Eddie answers again. "He probably knew about himself for a long time. Probably...Honestly, probably while he was still in Wham."

Maybe Steve nods at that. Maybe he just stays kind of stoic, thinking too hard. "He's thirty-four," Steve points out.

"That he is," Robin answers this time. "Thirty-four and proudly out."

Steve hums some sort of acknowledgement and then goes back to watching the TV, moment drifting away. He sort of watches in a daze. Up until he turns in for the night. Well after Robin has slumped over on the couch and Eddie's gone to bed earlier—because he has work, or so Eddie's said. And Steve maybe sits in his bedroom, up at his headboard, looking down at his albums. At his Wham! and George Michael albums. Turning the tapes over in his hands, reading the track lists, maybe tracing the edges of the cases with his thumbs. Thinking about how George had said he was telling his life story, even through some of his earlier solo work. He's thinking about how successful George Michael has been. And then he thinks about how George Michael came out later in his life. In his thirties, not in his twenties, not in his teens. Sure, yes, it was definitely more negatively criticized to do so, but it means something to Steve. To be thirty-four and freshly out. And he thinks, too, about being thirty-one and things clicking into shiny clarity—he's into guys, too. He's into women, but he's into guys. That word, "bisexual" looking like the final jigsaw piece. To be thirty-one and proudly out, too.

And he's comforted in that thought, as he drifts off to sleep.

And when he wakes up in the morning, he bustles around Eddie and Robin in the kitchen. They make a shared breakfast of scrambled eggs and sausage and toast with jam. They sit at the dining table, forks against plates, shooting the shit back and forth.

Steve cuts a slice of sausage, puts it in his mouth, eats as usual. And just as the conversation is beginning to drift again, he finally speaks what's on his mind. "I'm bisexual," he's able to proudly state.

Maybe Eddie and Robin cheer, too for that. They ask him for his taste in guys. Maybe they tease him a little. Maybe Eddie realizes he fits the bill a little; maybe he waits a little bit before taking a shot, but he still does eventually.

And right before they head off for their respective, regular lives outside of the comfortable space of their apartment, Robin knocks their shoulders together. "Proud of you," she states. "Thirty-one and proudly out. How does it feel?"

They're in the kitchen, washing and drying the dishes because Eddie left for work already with a promise to bring home pizza for dinner. They're in the kitchen, the lights a little fluorescent like the Starcourt bathroom. They're in the kitchen, in each other's orbits, two friends who've seen it all and will continue to see the world together.

"It feels...I feel good. Excited."

Robin smiles at him, something soft and understanding. And as his focus goes back to the plate he's about to hand off, she snorts. "So, Eddie, huh?" And he scoffs, rolling his eyes. She just laughs to herself. Then, when she's calmed a little bit, she states, "He kind of looks like Rowlf. You and I have a thing for Muppets, Stevie. Muppets."

And after their laughter dies down and they live out the rest of the day, Steve thinks about how he can send a letter of thanks to George Michael. And maybe he cherishes those albums a little closer. And he is confident in himself for the first time in a while, all because the representation he didn't know he was seeking, is finally right in his face.

Sorry that got long. But I'm just thinking about Steve who comes out later in his life. Maybe he couldn't make those connections because he didn't have the safe atmosphere to do so; feared the worst if his parents ever realized he didn't care too much about women sometimes, if his eyes drifted to men a little too much, fearing that they'd catch his contemplation. Maybe he found his safe space through Robin and Eddie, but needed a little more of a push and he just didn't find it yet. Up until now.

[i-was-today-years-old-when]

i learned what are the most mysterious places in the world

Marree Man – The fact that there is not a single witness to the creation of the Marree Man speaks to the absolute isolation of central South Australia. Somehow in 1998, one person or a group of people were able to create a 2.6-mile long line drawing of an aboriginal hunter, without being seen. In the midst of barren, arid land in South Australia, the Marree Man is the largest geoglyph and work of art in the world. Cut into the harsh landscape with lines over 115 feet wide and one foot deep, the towering Marree Man is easily visible from space. Thirteen years after the Marree Man was discovered during a flyover, little is known about its origin. Although we may never know the true origin of the Marree Man, it is certainly one of most intriguing modern day mysteries.

Chocolate Hills – Bohol Island in the Philippines during the dry season, you might notice what looks like thousands of chocolate kisses protruding from the terrain. These mysterious conical mounds are known as the Chocolate Hills. There are approximately 1,268 individual hills, their heights ranging from 100 to 160 feet, though the highest is almost 400 feet high. The hills, which are almost all symmetrical, consist of grass-covered limestone and turn brown during the dry season. Despite the abundance of hills, it is unclear how they were formed. There are multiple geological explanations ranging from oceanic volcano activity to limestone weathering. Numerous legends and tales also exist to explain the Chocolate Hills.

Giants Nest – In 1949 a geologist named Vadim Kolpakov discovered a large mound of limestone in the north of the Irkutsk region in southeastern Siberia. The cone is curiously shaped with a crater at the top and a small mound in the center. The mound is about 40 meters high and 100 meters across at the base. The smaller mound at the top is about 12 meters high. The crater was named Patomskiy, after a nearby river, but local residents call it “the Fiery Eagle’s Nest”. Since the discovery of the crater, there have been many theories as to what could have created it. For a long time it was believed to be a meteorite impact structure. Some linked it to the Tunguska meteorite, whose remains have never been discovered. But the crater does not resemble any other known meteorite site. Even now, the origin of the crater is not discovered.

Richat Structure – In the midst of vast, vacant Sahara desert, just outside of Ouadane, Mauritania, lies a 30-mile wide geological oddity known the Richat Structure, sometimes called the “Eye of Africa.” From space, this natural curiosity forms a distinct and unmistakable bull’s-eye that once served as a geographical landmark for early astronauts as they passed over the Sahara. Once thought to be an impact crater due to its circularity, the unusual formation is now widely believed to have been caused by the erosion of a geological dome formed by pressure from a bulb of molten magma below.

Plain of Jars – The Plain of Jars is a collection of large stone jars interspersed throughout the Xieng Khouang plain in the Lao Highlands. The stone structures are mostly made of sedimentary rock and, ranging from 3 to 10 feet in height, each can weigh up to 14 tons. To date, the origin of the jars is unknown, though archaeologists believe that they were originally used between 1,500 and 2,000 years ago. Many researchers have theorized that the jars may have once served as funerals urns or food storage. As local Laotian legend would have it, the jars were created by Khun Cheung, an ancient king of giants who lived in the highlands. It is said that Cheung, after fighting a long and victorious battle, created the jars in order to brew huge amounts of celebratory lao lao rice wine.

Giant’s Grave of Coddu Vecchiu – Giant’s or Tomba Dei giganti, are megalithic gallery graves that were used as public tombs during the Bronze Age. The massive gravestones were built by the Nuragic civilization, which existed in Sardinia from the 2nd millennium BCE. to the 2nd century CE. Despite the imaginative name, the sites were not the burial site of any giant; they were giant community burial chambers. Though we know the tombs had a funerary purpose, more questions remain. Little is known about the rituals or traditional beliefs that motivated their construction. Were they mass graves? Were they built to facilitate the journey into the afterlife? Since their existence has yet to be justified by scientific research, they have been credited to the supernatural, which has only increased their mystery. Legend also claims that yes, indeed, these were the tombs of powerful giants.

Zone of Silence – Pilot Francisco Sarabia was flying over a patch of desert land in Mexico when his instruments started to act increasingly odd. The man had to make an emergency landing in the middle of nowhere. Little did he know that this "nowhere" would be later dubbed "The Zone of Silence.” Weird radio silence isn't the only oddity of the creepy Zone. Like, what’s that weird trio that locals keep meeting in the Zone? They’re two men and a woman. Every time people see them, they’re wearing bizarre clothing that isn't suitable for a journey in the desert whatsoever. On top of all that, the Zone of Silence is known as a 50 km patch of deserted land where meteorites come crashing down on an eerily regular basis. On July 11, 1970, the US launched an ATHENA rocket from the Air Force base in Green River, Utah. The rocket was supposed to land somewhere in the area of White Sands in New Mexico. Instead, it went off course and, as if being pulled by some external force, crashed right in the heart of the Zone of Silence.

Michigan Triangle – Stretching from Ludington to Benton Harbor, Michigan and to Manitowoc, Wisconsin, the Lake Michigan Triangle has inspired numerous accounts of activity that are difficult to explain by rational thought. The mystery began in 1891, when a schooner named the Thomas Hume set off across the Lake to pick up lumber. Almost overnight in a torrent of wind, the Thomas Hume disappeared along with its crew of seven sailors. The wooden boat was never found. After the turn of the century, strange events happened at steady intervals. Of the more mysterious is the case of the Rosa Belle. In 1921 eleven people inside the ship, who were all members of the Benton Harbor House of David, disappeared and their ship was found overturned and floating in Lake Michigan. While it appeared that the ship had been damaged in a collision, no other ship had reported an accident and no other remains had been found.

Alaska Triangle – The Alaska Triangle is a place in the untouched wilderness where mystery lingers and people go missing at a very high rate. The area began attracting public attention in October 1972, when a small, private plane carrying U.S. House Majority Leader Hale Boggs, Alaska Congressman Nick Begich seemingly vanished into thin air. For more than a month, 50 civilian planes and 40 military aircraft plus dozens of boats, covered a search area of 32,000 square miles, but no trace of the plane, the men, wreckage or debris were ever found. Afterward, more planes went down, hikers went missing, and Alaskan residents and tourists seemed to vanish into thin air. In fact, since 1988, more than 16,000 people have disappeared in the Alaska Triangle, with a missing person rate at more than twice the national average. These disappearances are blamed on everything from severe weather to aliens, to swirling energy vortexes, to an evil shape-shifting demon of Tlingit Indian lore called Kushtaka, with no scientific explanation to the disappearances till today.

The Initiation Well – The Initiation well is 88 feet deep well located on the land of Quinta da Regaleira. Actually, it was used for ceremonial purposes. There is another small well near this well. Both these wells are connected by tunnels. The larger well contains a 27-meter spiral staircase with several small landings and the smaller well contains straight stairs that connect a series of ring-shaped floors to one another. The smaller well is also called the 'Unfinished Well'. The depth of this larger well is equal to the four-storey building, which becomes narrower on going closer to the ground. It is believed that there is some kind of light comes out from the well inside the ground and comes outwards. Surprisingly, there is no system of light inside this well, then where from this light comes, it is the secret. Anyone who comes to visit here, always raises the question of where the light comes from inside the well? Till today this secret is unsolved.

(Image Source : Google)

Thanks for Reading.

[dreaminginthedeepsouth]

When you hear the opening chords of "Fire and Rain," you're immediately transported back to a time when music was raw, personal, and deeply reflective. James Taylor’s voice carries an unmistakable vulnerability, making "Fire and Rain" not just a song, but a haunting confession that has resonated with listeners for decades. Released in August 1970, this song became an anthem for those grappling with loss, addiction, and the overwhelming pressures of life.

James Taylor penned "Fire and Rain" during one of the most tumultuous periods of his life. The song's origins are deeply rooted in personal tragedy and emotional turmoil. The line "Suzanne, the plans they made put an end to you" is a poignant reference to Suzanne Schnerr, a close childhood friend who took her own life while Taylor was in London recording his first album. The news of her death was kept from him by friends, fearing it would derail his burgeoning career. When he finally learned of her passing six months later, the pain and sorrow found their way into the lyrics of "Fire and Rain."

But the song doesn't just dwell on loss; it also delves into Taylor's battles with drug addiction and the pressures of newfound fame. The second verse, which mentions "Sweet dreams and Flying Machines in pieces on the ground," reflects his struggles after his band, The Flying Machine, disbanded. This line has often been misinterpreted as a reference to a plane crash, but it's actually about the band’s dissolution, symbolizing the shattered dreams Taylor faced at the time.

The final verse of the song is perhaps the most introspective, as Taylor reflects on his journey to fame and the personal costs that came with it. The melancholy of the lyrics is beautifully underscored by Carole King’s piano, Russ Kunkel’s delicate brushwork on the drums, and Bobby West’s haunting double bass. Together, these elements create a sound that is as introspective as the lyrics themselves.

When "Fire and Rain" was released, it quickly became a sensation. The song struck a chord with a generation facing its own challenges and uncertainties, peaking at number three on the Billboard Hot 100 and reaching number two on RPM's Canada Top Singles chart. Its success was not just a reflection of its commercial appeal, but of its deep emotional resonance with listeners.

Over the years, "Fire and Rain" has been covered by numerous artists, but none have managed to capture the raw emotion of Taylor’s original. The song’s impact has been so profound that it has been ranked among the greatest songs of all time by Rolling Stone, and in 1998, the original recording was inducted into the Grammy Hall of Fame.

— Mera Desh