#dead city 1x01

[whateverthedragonswant]

And that's how the enemies to lovers arc began for this show...

[captsharonstark]

Just husband and wife things. Negan and Maggie being a badass team in Dead City.

[vvalliu]

[rcsitastark]

LAUREN COHAN as Maggie Rhee The Walking Dead: Dead City - S01E01

[rodpower78]

What you did, you don't ever put something like that to bed.

Maggie Rhee

[mepuppy]

Let It Ride - Supernatural rewrite

So, apparently I have nothing to do (ignore all my responsabilities) and I decided to write a Dean X Reader rewrite of supernatural to go with my rewatching of supernatural. 😊

I do not own the characters, nor the storylines. I'm simply adding a twist to the episodes. Please feel free to help me out with constructive criticism on the story or the writing. Sorry for the mistakes, not proofread and english is not my first language.

Hope y'all enjoy it.

Word Count: 7k

1x01 - Pilot

KINDE, MICHIGAN - April 10, 1988

John Winchester and Martin Creaser were finishing setting up to go into a vampire’s nest. Martin received a tip on the nest around the area and called John for backup, so the man left the two boys in the motel a city over and met with his friend there. 

After Martin spread the ashes of the scent-blocking mixture on himself, he handed John for him to do the same. 

“How many did you say?” He asked in a whisper to his friend, even though he knew whispering wouldn’t do shit if a vampire was close enough to hear them.

“If I’m not mistaken, 10 or 12.” He said, grabbing his knife, “Ready?” he asked as he closed the trunk of the car.

As they entered the warehouse where the nest was located, as quiet as they could be, they started to hear some voices. The vampires were all anxious, the newest ones had brought a family for dinner, including a child, which was already unusual, but the child had gotten away.

“Kevin will actually kill us when we don’t find the human child.” one of them said.

“So get off up and go find her. He and the others gave us 30 minutes” the other replied.

As the 2 hunters got to a corner, where they could see the glow of a fire already, they looked at each other, asking, silently, if the other was ready. John made a mental note to see if the girl had actually survived when they were done. They nodded to each other and started with the two that were already there arguing.

Twenty minutes later, 11 vampires dead, 7 nasty scratches on the hunters and one broken rib for Martin, they had cleared the nest. John was looking for the human child for less than 10 minutes, and after a promise to not hurt her and explaining what he did for a job and what had happened she came out of a pile of something very stinky, the reason they weren’t caughting her scent easily.

John, very impressed by the 7 year old ability of running and hiding from a nest of vampires, without even knowing such things existed before this experience, took her to the motel with him, to decide later, what to do with her.

17 Years Later

Y/N was at Bobby’s house, the hunter who was as much of a father figure to her as John was, since she spent many days at his house growing up with Dean and Sam, when she received the text from Dean saying he was going after Sam. She knew John hadn’t checked in with Dean in a few days now, and the son was getting more anxious by the hour. She asked him to let her know when he decided to go after the older man.

She was going with him to find his father. She owned John as much. After her parents were killed by a nest of vampires, by the age of seven, and she ‘escaped from something some trained hunters wouldn’t’, as John liked to put it, he cared for her, along with his boys. The three of them grew up together after that. She became a daughter for him, and he, a father to her. So she was very worried for him.

As she finished loading her saddlebags on her Harley, the one Dean had fixed for her one summer, Bobby came out of the house and handed her the last of her pocket knives. 

“Do I have to tell you to be careful out there?” the older hunter asked.

“Always am.” She smiled warmly and closed the bags. Circling the bike and hugging him. “I’ll check in as soon as I meet the boys.”

“Don’t know if Sam will join you. He has always been a hardhead, and you know it.” he kissed the top of her head before letting her go.

“It’s his dad, I’d like to think he will take this into consideration.” she answered, throwing one leg over her bike, but her voice lacked conviction.

“Say hi to them for me.” Bobby said as she started the engine on and began driving.

“I will! Bye”

Meanwhile Dean was trying to convince Sam to go find their dad, on the outside of his apartment.

“Come on. It wasn't easy, but it wasn't that bad.” Dean says as he started going downstairs again while Sam follows him.

“Yeah? When I told Dad I was scared of the thing in my closet, he gave me a .45.” Dean stops at the door.

“Well, what was he supposed to do?

“I was nine years old! He was supposed to say, don't be afraid of the dark.” Sam says exasperated, not believing he is having this conversation.

“Don't be afraid of the dark? Are you kidding me? Of course you should be afraid of the dark. You know what's out there.” Dean answers scolding his little brother.

“Yeah, I know, but still. The way we grew up, after Mom was killed, and Dad's obsession to find the thing that killed her.” the youngest says and Dean glances outside. “But we still haven't found the damn thing. So we kill everything we can find.”

“We save a lot of people doing it, too.” he looks at his little brother.

“You think Mom would have wanted this for us?” Dean rolls his eyes and slams the door open heading outside. There's a short flight of stairs from the door to the parking lot. Dean and Sam start climbing it. “The weapon training, and melting the silver into bullets? Man, Dean, we were raised like warriors.”

“So what are you gonna do? You're just gonna live some normal, apple pie life? Is that it?” Dean says as they cross the parking lot and head to Baby, Dean’s Impala.

“No. Not normal. Safe.”

“And that's why you ran away.” Dean looks away after finishing.

“I was just going to college. It was Dad who said if I was gonna go I should stay gone. And that's what I'm doing.” 

“Yeah, well, Dad's in real trouble right now. If he's not dead already. I can feel it.” after a pause, Dean says “I can't do this alone.”

“Yes you can.” Sam says as Dean looks down.

“Yeah, well, I don't want to.” Sam sighs and looks down, thinking. He meets his brother’s eyes again.

“What was he hunting?” Dean opens the trunk of the Impala, feeling a bit more hopeful, then the spare-tire compartment. 

“All right, let's see, where the hell did I put that thing?” Dean says as he props the compartment open with a shotgun and digs through the clutter.

“So when Dad left, why didn't you go with him?”

“I was working my own gig. This, uh, voodoo thing, down in New Orleans.” Sam looks incredulous to his brother.

“Dad let you go on a hunting trip by yourself?” Dean looks over at Sam.

“I'm twenty-six, dude.” it’s his time to look incredulous to his brother as he pulls some papers out of a folder.”All right, here we go. So Dad was checking out this two-lane blacktop just outside of Jericho, California. About a month ago, this guy.” he hands one of the papers to Sam. “They found his car, but he vanished. Completely MIA.”

The paper is a printout of an article from the Jericho Herald, headlined ‘Centennial Highway Disappearance’ and dated Sept. 19th 2005; it has a man's picture, captioned ‘Andrew Carey MISSING’. Sam reads it and glances up.

“So maybe he was kidnapped.”

“Yeah. Well, here's another one in April.” Dean tosses down another Jericho Herald article. “Another one in December 'oh-four,” another article “'Oh-three,” another one “'Ninety-eight,” another “'Ninety-two,” one more “ten of them over the past twenty years.” he throws a pile of the lats articles. Dean takes the article back from Sam and picks up the rest of the stack, putting them back in the folder. “All men, all the same five-mile stretch of road.”

Dean pulls a bag out of another part of the arsenal.”It started happening more and more, so Dad went to go dig around. That was about three weeks ago. I hadn't heard from him since, which is bad enough.” Dean grabs a handheld tape recorder. “Then I get this voicemail yesterday.”

He presses play. The recording is staticky and the signal was clearly breaking up.

“Dean...something big is starting to happen...I need to try and figure out what's going on. It may... Be very careful, Dean. We're all in danger.” John's voice comes and goes and then Dean presses stop.

“You know there's EVP on that?” Sam asked.

“Not bad, Sammy. Kinda like riding a bike, isn't it?” Dean grins at his brother and Sam shakes his head. “All right. I slowed the message down, I ran it through a gold wave, took out the hiss, and this is what I got.” He presses play again.

“I can never go home…” a woman’s voice comes up this time and Dean presses stop.

“Never go home.” Sam repeats more to himself than his brother.

Dean drops the recorder, puts down the shotgun, stands straight, and shuts the trunk, then leans on it. “You know, in almost two years I've never bothered you, never asked you for a thing.” he tilts his head “Besides, even Y/n/n is coming to help. This is serious, I can feel it.”

Sam looks away and sighs, then looks back. “All right. I'll go. I'll help you find him.” Dean nods. “But I have to get back first thing Monday. Just wait here.” Sam turns to go back to the apartment. He turns back when Dean speaks.

“What's first thing Monday?”

“I have this...I have an interview.” he answers.

“What, a job interview? Skip it.” the older brother says.

“It's a law school interview, and it's my whole future on a plate.” Sam tells him.

“Law school?” Dean smirks.

“So we got a deal or not?” Dean says nothing.

Jericho, California

After driving the whole night and stopping to grab some breakfast, Y/N passes by a bridge full of police officers and spots Baby by the road. She gets off the bike and leaves her helmet on the seat.

“You did have another one just like this, correct?” Dean’s voice is the first one she hears.

“Yeah, that's right. About a mile up the road. There've been others before that.” the officer closer to them says.

“So, this victim, you knew him?” Sam asks and the officer nods.

.

“Town like this, everybody knows everybody.” he says as Dean circles the car, looking around.

“Any connection between the victims, besides that they're all men?” Dean asks.

“No. Not so far as we can tell.”

“So what's the theory?” She asks when she reaches the three man.

“And you are?” the deputy turns around and asks when they all spot her.

“Oh, she’s with us.” Sam covers for her going over to Dean.

“I see. Honestly, we don't know. Serial murder? Kidnapping ring?”

“Well, that is exactly the kind of crack police work I'd expect out of you guys.” Dean says, receiving a stomp on foot from Sam.

“Thank you for your time.” Y/N says and starts walking away, being followed by Sam and Dean, shaking her head.

“Gentlemen.” Sam dips his head passing by the police officers. The deputy Jaffe watches them go. Dean smacks Sam on the head.

“Ow! What was that for?” Sam gets startled and cradles his head.

“Why'd you have to step on my foot?” The older asks.

“Why do you have to talk to the police like that?” y/n asks over her shoulder once they are out of earshot from all the officers.

“Come on. They don't really know what's going on. We're all alone on this. I mean, if we're going to find Dad we've got to get to the bottom of this thing ourselves.” Dean says before Sam clears his throat and looks over at y/n.

“Hey, y/n/n. I missed you” he smiles.

“Well, you wouldn’t have had to if you kept in touch.” She turns crossing her arms “Or at least if you answered your messages.” she scolds him.

“I know, I’m sorry. But I thought you’d be mad at me for leaving.” he looks down. 

But before y/n could answer she looks to her side and sees the Sheriff FBI agents.

“Can I help you kids?” the sheriff asks.

“No, sir, we were just leaving.” Dean answers and as the FBI agents walk past him, he nods at each of them. “Agent Mulder. Agent Scully.”

The three of them head back to Baby and the Harley and head out.

“Hey Chip, how’ve you been?” Dean asks you and pulls you into a hug when you get close enough

“I missed you too, Cherry Pie” you hug him back, retorting the stupid nicknames you have called each other since childhood. “You too.” she says to Sam after her and Dean let go, opening her arms to him.

“It’s been a while.” he says, hugging her.

“Ugh, I hate how tall you’ve gotten…” she says rolling her eyes when they let go. The boys chuckle “So, what are you guys thinkins?”

“The deputy’s daughter was dating the victim, so we thought about starting to asking her some questions” Dean says “And I'll bet you that's her.” he says pointing to the girl hanging posters.

“Yeah.” Sam agrees when they start walking up to the young girl.

“You must be Amy.” Dean says as they reach her.

“Yeah.” She answers

“Yeah, Troy told us about you. We're his uncles. Ans aunt. I'm Dean, this is Sammy and that’s y/n.” he points to the two of you as he speaks and the two smile at her.

“He never mentioned you to me.” Amy starts to walk away. The three of them start walking with her.

“Well, that's Troy, I guess. We're not around much, we're up in Modesto.” Dean chuckles. ‘Nice save’ y/n thinks.

“So, we're looking for him too, and we're kinda asking around.” As Sam tells her another young woman comes up to Amy and puts a hand on her arm.

“Hey, are you okay?” she asks Amy and the girl nods.

“You mind if we ask you a couple questions?” y/n asks the girl who looks at her and nods again.

They all head to a dinner and seat in a booth, Amy and her friend seat on one side, and Dean, y/n and Sam seat opposite to them.

“I was on the phone with Troy. He was driving home. He said he would call me right back, and...he never did.” Amy is telling them after y/n asked about the last time she spoke to him.

“He didn't say anything strange, or out of the ordinary?” Dean asks and Amy shakes her head before saying.

“No. Nothing I can remember.”

“I like your necklace.” Sam says pointing to her neck.

Amy holds the pendant she's wearing, a pentagram in a circle, and looks down at it. “Troy gave it to me. Mostly to scare my parents—” the girl laughs “—with all that devil stuff.”

Sam laughs a little and looks down, then up. Dean looks over while y/n assess the girls.

“Actually, it means just the opposite. A pentagram is protection against evil. Really powerful. I mean, if you believe in that kind of thing.” Sam says.

“Okay. Thank you, Unsolved Mysteries.” Deansays taking his arm off the back of y/n seat and leans forward. “Here's the deal, ladies. The way Troy disappeared, something's not right. So if you've heard anything…”

The two girls look at each other. They were hiding something and the trio could see it.

“What is it?” Dean asks frowning.

“Well, it's just... I mean, with all these guys going missing, people talk.” Amy’s friend speaks for the first time since they got into the dinner.

“What do they talk about?” Dean and Sam speak in unison.

“It's kind of this local legend. This one girl? She got murdered out on Centennial, like decades ago.” Dean and y/n look at each other while Sam looks at the girl attentively, nodding. ”Well, supposedly she's still out there. She hitchhikes, and whoever picks her up? Well, they disappear forever.”

The trio thanked the girls and leave the dinner, deciding to go to the library.

A web browser is open to the archive search page for the Jericho Herald. The words "Female Murder Hitchhiking" are typed into the search box. Dean clicks GO; the screen tells him there are "(0) Result". Dean replaces "Hitchhiking" with "Centennial Highway" with the same response. Samis sitting next to him, watching. 

“Let me try.” Sam says and tries to type but Dean smacks his hand.

“I got it.” he says and y/n rolls her eyes, standing behind their chairs. Sam shoves Dean's chair out of the way and takes over. “Dude!” hitting Sam in the shoulder. “You're such a control freak.”

“So angry spirits are born out of violent death, right?” Sam asks looking at the screen.

“Yeah.” y/n answers looking down at the boy.

“Well, maybe it's not murder.” Sam replaces "Murder" with "Suicide" and finds an article entitled "Suicide on Centennial". Dean glances at Sam and y/n glances at Dean grinning. Sam opens the article, dated April 25, 1981.

“This was 1981. Constance Welch, twenty-four years old, jumps off Sylvania Bridge, drowns in the river.” Sam says while skimming through the article and y/n leans over his shoulder to read it as well.

“Does it say why she did it?” Dean asks trying to see it too.

“Yeah.” Sam answers.

“What?” he asks looking at his brother.

“An hour before they found her, she calls 911. Apparently her two little kids are in the bathtub. She leaves them alone for a minute, and when she comes back, they aren't breathing. Both die.” y/n reads through the article ans Dean raises his eyebrows.

Dean murmurs. "'Our babies were gone, and Constance just couldn't bear it,' said husband Joseph Welch." Sam read a passage while Dean pointed at a picture of the bridge they were earlier talking with the police officers on the corner.

“The bridge look familiar to you?” he looks over at the two.

They all headed to the bridge and are walking along it, they stop to lean on the railing and look down at the river. The smell of the river gets to them and they lean back.

“So this is where Constance took the swan dive.” Dean says raising his eyebrows.

“So you think Dad would have been here?” Sam looks over at Dean and y/n.

“Well, he's chasing the same story and we're chasing him.” y/n answers and continue walkin, with the boys following her.

“Okay, so now what?” he aks.

“Now we keep digging until we find him. Might take a while.” Dean says.

Sam stops. “Dean, I told you, I've gotta get back by Monday—”

Dean turns around.”Monday. Right. The interview.” he finishes in unison with the youngest. Y/n stops and look at both of them.

“Yeah.” Sam nods.

“Yeah, I forgot. You're really serious about this, aren't you? You think you're just going to become some lawyer? Marry your girl?” Dean asks sarcastically.

“Maybe. Why not?” he asks.

“Does Jessica know the truth about you? I mean, does she know about the things you've done?” y/n knows Sam’s girlfriend is called Jessica and that he has an interview on monday because Dean told her on the phone when Sam agreed to come.

Sam steps closer and so does y/n, knowing they can start fighting at any time. “No, and she's not ever going to know.” Sam says frowning.

“Well, that's healthy.” Dean retorts “You can pretend all you want, Sammy. But sooner or later you're going to have to face up to who you really are.”

“And who's that?” Sam asks growing annoyed.

“You're one of us.” Dean poits at him and y/n.

Sam steps closer to Dean again “No. I'm not like you. This is not going to be my life.”

“You have a responsibility to—” Dean starts, but Sam interrupts.

“To Dad? And his crusade? If it weren't for pictures I wouldn't even know what Mom looks like.” he says throwing his arms up. “And what difference would it make? Even if we do find the thing that killed her, Mom's gone.” Ouch, even y/n felt that blow. “And she isn't coming back.” Dean sidesteps y/n who was between them to try and stop their fight and grabs Sam by the collar and shoves him up against the railing of the bridge looking in his eyes. 

“Don't talk about her like that.” Dean releases Sam and walks away. Y/n turns to go after him and sees Constance standing at the edge of the bridge at the same time he does.

“Guys.” he says. They go to stand him. Constance looks over at them, then steps forward off the edge.They all run to the railing and look over.

“Where'd she go?” y/n asks.

“I don't know.” Sam says. Behind them, the Impala's engine starts and its headlights come on. Dean and Sam turn to look.

“What the—” Dean starts and cuts himself off.

“Who's driving your car?” y/n asks looking over at Dean who pulls the keys out of his pocket and jingles them. Sam glances at them. The car jerks into motion, heading straight for them. They turn and start to run.

The car is moving faster than they are; when it gets too close, they dive over the railing. The car comes to a halt.

Sam has caught himself on the edge of the bridge and is hanging on. He pulls himself up onto the bridge and looks around.

“Dean? Y/n?” Sam yells after halting himself up the bridge. Below, a filthy and annoyed Dean crawls out of the water, panting, falling beside y/n, who’s already trying to catch her breath on the mud. “Hey! Are you all right?”

Dean holds up one hand in an A-OK sign. “We’re super.” he answers as y/n hold a thumbs up. Sam laughs, relieved, and scoots away from the edge.

Dean shuts the hood of his car and leans on it.

“Your car all right?” y/n asks

“Yeah, whatever she did to it, seems all right now.” he says and looks over to the bridge “That Constance chick, what a bitch!” He yells into the night.

“Well, she doesn't want us digging around, that's for sure.” Y/n sighs.

“So where's the job go from here, geniuses?” Sam ask looking at both of them settling on the hood next to y/n. Dean throws up his arms in frustration, then flicks mud off his hands facing the other two. Sam sniffs, then looks at y/n. “You two smell like a toilet.”

They look down.

They got to a motel and Dean hands the front desk A VersaBank MasterCard in the name of Hector Aframian. “One room, please.” he says smiling, still filthy, with Sam and y/n right behind him. The clerk picks up the card and looks at it.

“You guys having a reunion or something?” he asks looking up. Y/n frowns and Sam asks.

“What do you mean?”

“I had another guy, Burt Aframian. He came and bought out a room for the whole month.” Dean looks back at Sam.

Sam is trying to pick the lock in the motel room that belonged to John while Dean and y/n keep watch. The motel door swings open, but neither notice. Sam hides the picks and stands up. Sam reaches out of the room to grab Dean’s shoulder and y/n’s wrist yank them inside. Sam closes the door behind them. The trio look around—every vertical surface has papers pinned to it: maps, newspaper clippings, pictures, notes. There are books on the desk and assorted junk on the floor and bed, including something with a hazardous-materials symbol.

“Whoa.” y/n says walking to the closest wall.

Dean turns on a light by the bed and picks up a half-eaten hamburger sitting there sniffing  it and recoils. Sam steps over a line of salt on the floor and crunches to check it out. 

“I don't think he's been here for a couple days at least.” Dean says dropping the burger back in the bedside table and heading to look over the wall y/n is looking.

Sam fingers the salt on the floor and looks up. “Salt, cats-eye shells...he was worried. Trying to keep something from coming in.” He gets up and walks to the wall opposite to his brother and sister-like. Dean looks at the papers covering one wall. 

“Centennial Highway victims.” y/n says to Dean and head to the wall Sam is looking. Dean nods. The victims seen on the wall include Mark somebody, William Durrell, Scott Nifong who disappeared in 1987 at age 25, and somebody Parks. Mark, Durrell, and Nifong are all white males, judging by the photos.

“I don't get it. I mean, different men, different jobs—” Dean says trying to make sense of it “—ages, ethnicities. There's always a connection, right? What do these guys have in common?” While Dean talks, Sam looks at the papers taped to the other wall. He finds something about the Bell Witch, two people being burned alive, a skeletal person blowing a horn at several scared people with the note "MORTIS DANSE", a column about "Devils + Demons", another about "Sirens, Witches, the possessed", a wooden pentacle, and a note that says "Woman in White" above a printout of the Jericho Herald article on Constance’s suicide.

Y/n turns on another lamp. “Dad figured it out.” Sam says looking at the girl that is at his side. Dean turns to look.

“He found the same article we did. Constance Welch. She's a woman in white.” y/n says looking back at him. Dean looks at the photos of Constance's victims.

“You sly dogs.” He turns back to the other two. “All right, so if we're dealing with a woman in white, Dad would have found the corpse and destroyed it.”

“She might have another weakness.” Sam replies looking back at the wall.

“Well, Dad would want to make sure.” Dean crosses to them. “He'd dig her up. Does it say where she's buried?”

“No, not that I can tell. If I were John, though, I'd go ask her husband.” y/n says tapping the picture of Joseph Welch. “If he's still alive.” Sam goes to look at something else.

“All right. Why don't you, uh, see if you can find an address, while we go and get cleaned up.” Dean starts to walk away and y/n follows, grabbing her bag from the floor. Sam turns.

“Hey, Dean?” Dean stops and turns back while y/n passes him. “What I said earlier, about Mom and Dad, I'm sorry.”

Dean holds up a hand. “No chick-flick moments.” Sam laughs and nods.

“All right. Jerk.” he looks down.

“Bitch.” dean retorts smiling.

“I call dibs on the shower!” y/n yells and run to the bathroom, closing the door before Dean can catch up.

“Now she’s the jerk.” He says and you and Sam laugh.

You take a quick shower and leave the bathroom so Dean can get cleaned too. You grab your phone and sit on the chair texting Bobby, saying you’re okay, with the boys and already knees deep in the case John was working on. Sam notices something, and crosses over for a closer look. A rosary hangs in front of a large mirror, and stuck into the mirror frame is a photo of John sitting on the hood of the Impala, next to a young Dean in a baseball cap, a young y/n on his back and with an even younger Sam, on John’s lap. Sam takes the photo off the mirror and holds it, smiling sadly.

A while later, Sam paces, holding his phone, and sits down on the bed, he’s listening to a voicemail Jess left for him. Dean, clean again, comes out of the bathroom and grabs his jacket. He shrugs it on one shoulder as he crosses the room.

“Hey, guys. I'm starving, I'm gonna grab a little something to eat in that diner down the street. You want anything?” he asks looking back at the two.

“No.” sam says listening to the message.

“Aframian's buying.” Dean smiles and waves the credit card to them both.

“I accept some fries, please.” y/n says smiling widely looking up from the article about Constance she was rereading. Sam shakes his head again.

A couple of minutes pass by and y/n’s phone rings, when she picks up is Dean.

“Man, five-oh, take off.” y/n stands up.

“What about you?” she asks worried.

“Uh, they kinda spotted me. Go find Dad.” Dean hangs up the phone. She looks through the corner of the window.

“They got Dean, we have to leave” she says to Sam that goes to the window to.

“What?” Sam asks. They see the deputy approaching and dart away from the window.

Sam and y/n, knock on the door at Joseph Welch house. An old man opens it: Joseph Welch.

“Hi. Are you Joseph Welch?” Sam asks when the man looks them over.

“Yeah.” he answers.

The three of them are walking down the junk-filled driveway, Joseph is holding the photo Sam found on John's motel room mirror. “Yeah, he was older, but that's him.” the older man hands the photo back to Sam “He came by three or four days ago. Said he was a reporter.”

“That's right. We're working on a story together.” y/n says smiling warmly and Joseph looks her up and down again.

“Well, I don't know what the hell kinda story you're working on. The questions he asked me?” the man frowns.

“About your wife Constance?” the girl asks.

“He asked me where she was buried.” He says never taking his eyes from her.

“And where is that again?” Sam jumps in the conversation.

“What, I gotta go through this twice?” He looks over at Sam.

“It's fact-checking. If you don't mind.” he explains trying to keep their cover.

“In a plot. Behind my old place over on Breckenridge.” Joseph looks down.

“And why did you move?” y/n asks.

“I'm not gonna live in the house where my children died.” He answers not looking up. Sam stops walking, y/n and Joseph do too.

“Mr. Welch, did you ever marry again?” Sam asks.

“No way.” He darts up to Sam, “Constance, she was the love of my life. Prettiest woman I ever known.”

“So you had a happy marriage?” y/n continues. But Joseph doesn’t answer right away.

“Definitely.” He says after a while.

“Well, that should do it. Thanks for your time.” Sam turns toward the Impala. But y/n hesitates. Joseph walks away, she waits a moment, then speaks again to Joseph.

“Mr. Welch, did you ever hear of a woman in white?

Joseph turns around. “A what?”

“A woman in white. Or sometimes weeping woman?” she explains further and Sam goes back to her side.

Joseph just stares at them. “It's a ghost story. Well, it's more of a phenomenon, really.” Sam starts back “Um, they're spirits. They've been sighted for hundreds of years, dozens of places, in Hawaii, Mexico, lately in Arizona, Indiana” 

“All these are different women.You understand. But all share the same story.” y/n continues.

“Kids, I don't care much for nonsense.” Joseph walks away. Sam looks back at y/n and follows the old man.

“See, when they were alive, their husbands were unfaithful to them.” Joseph stops.

“And these women, basically suffering from temporary insanity, murdered their children.” y/n follows Sam and Joseph turns around. “Then once they realized what they had done, they took their own lives. So now their spirits are cursed, walking back roads, waterways. And if they find an unfaithful man, they kill him. And that man is never seen again.”

“You think...you think that has something to do with...Constance? You smartasses!” Joseph looks incredulously between them.

“You tell us.” Sam tells him.

“I mean, maybe...maybe I made some mistakes. But no matter what I did, Constance, she never would have killed her own children. Now, you get the hell out of here! And you don't come back!” The man says, telling everything the duo needed to hear. Joseph's face shakes, whether from anger or grief it's impossible to tell. After a long moment, he turns away. Sam sighs.

When Dean leaves the station, after escaping because the cops had to investigate some gunshots from a 911 call, he spots y/n leaning against her bike at the corner of the street. He heads towards her.

“Fake 911 phone call? Chip, I don't know, that's pretty illegal.” He says smirking when he gets close enough.

“You're welcome.” She grins back and uncrosses her arms.

“Listen, we gotta talk.” Dean’s expression changes.

“Tell me about it. So the husband was unfaithful. We are dealing with a woman in white. And she's buried behind her old house, so Sam is already heading there and it should have been John’s next stop.

“Chip, would you shut up for a second?” Dean tries to talk but the girl doesn’t stop.

“We just can't figure out why John hasn't destroyed the corpse yet.” she keeps going, looking over Dean’s shoulder.

“Well, that's what I'm trying to tell you. He's gone. Dad left Jericho.”

“What? How do you know?” she asks, confused. Dean simply holds John’s journal up in his hands.

“ What? He doesn't go anywhere without that thing.” the girl looks at the old journal.

“Yeah, well, he did this time.” The man says and flips through, stopping at one page that says ‘DEAN 35-111’ “And he left a message, the same old ex-Marine crap, when he wants to let us know where he's going.”

“Coordinates. Where to?” she asks, reaching and grabbing the journal.

“I'm not sure yet.” he says handing her it.

“I don't understand. I mean, what could be so important that John would just skip out in the middle of a job?” She looks up to the man in front of her “Dean, what the hell is going on?”

He shrugs and grabs her cellphone, that was sitting in the bike’s display, calling Sam.

“Hey y/n. I’m almost at the house, is Dean out yet?” Sam says after picking up, but then gasps and a tire squeal is heard before the line going dead.

“Sammy? Sam!” Dean asks before looking at y/n wide eyed.

“Let’s go!” She says hopping on the bike.

The car pulls up in front of Constance’s house and stops. The engine shuts off and so do the lights.

“Don't do this.” Sam says looking through the rearview mirror to Constance, who’s on the backseat. She flickers. 

“I can never go home.” Her voice is sad.

“You're scared to go home.” Sam realizes, looking back but Constance isn't there. He glances around and back and sees her in the shotgun seat. She climbs into his lap, shoving him back against the seat hard enough to recline the seat. Sam struggles.

“Hold me. I'm so cold.” She says with her hands roaming through his torso.

“You can't kill me. I'm not unfaithful. I've never been!” Sam says determined.

“You will be. Just hold me.” Constance kisses Sam as he continues to struggle, reaching for the keys. She pulls back and disappears, a flash of something horrible behind her face as she vanishes. Sam looks around for a moment, then yells in pain feeling his chest on fire. There are five new holes burned through the fabric of his shirt, matching to Constance's fingers: she flickers in front of him, her hand reaching into his chest. A gunshot goes off, shattering the window and startling the ghost. Dean approaches, still firing at her while y/n went to the backseat, trying to open the door. Constance glares at Dean and vanishes, then reappears, and he keeps firing until she disappears again. Sam manages to sit up and start the car.

“I'm taking you home.” Sam says and drives forward. Dean and y/n stare after the car as it smashes through the side of the house. They hurry through the wreckage to the passenger side of the car.

“Sam! Sam! You okay?” Dean yells after his brother.

“I think…” Sam starts from inside the car.

“Can you move?” y/n asks opening the passenger side door.

“Yeah. Help me?” he answers, reaching his hand Dean leans through to give Sam a hand.

Constance picks up a large framed photograph: the woman is Constance and the children are presumably hers. Dean helps Sam out of the car.

“There you go.” he says onde his little brother is on his foot. Y/n closes the car door. They look around and see Constance; she looks up. She glares at them and throws the picture down. A bureau scoots towards them, pinning them against the car. The lights flicker; Constance looks around, scared. Water begins to pour down the staircase. She goes over. At the top are the children from the photograph. They hold hands and speak in chorus.

“You've come home to us, Mommy.” two ethereal voices sound in unison. Constance looks at them, distraught. Suddenly they are behind her; they embrace her tightly and she screams, her image flickering. In a surge of energy, still screaming, Constance and the two children disappear. Sam and Dean shove the bureau over and the trio go look at the spot where ghosts vanished.

“So this is where she drowned her kids.” Dean says looking up. Sam nods.

“That's why she could never go home. She was too scared to face them.” He looks at the photograph

“You found her weak spot. Nice work, Sammy.” Y/n smiles at him and Dean slaps Sam on the chest where he's been injured and walks away. Sam laughs through the pain.

“Yeah, I wish I could say the same for Dean. What were you thinking shooting Casper in the face, you freak?” He ask laughing incredulously.

“Hey. Saved your ass.” Dean says, leaning over to look at his car “I'll tell you another thing. If you screwed up my car?” he twists around to look at Sam “I'll kill you.” Sam and y/n laugh.

The Impala tears down the road; the right headlight is out; with the Harley following.

Sam has the journal open to "DEAN 35-111" and a map open on his lap and is finding coordinates with a ruler, a flashlight tucked between chin and shoulder. His phone on speaker to y/n. She has the phone inside her helmet.

“Okay, here's where Dad went.” Sam says to both dean and the phone “It's called Blackwater Ridge, Colorado.”

“Sounds charming. How far?” y/n asks through the call.

“About six hundred miles.” he answers her.

“Hey, if we shag ass we could make it by morning.” Dean says, then looking at the phone “Can you make it, Chip?”

“Yeah.” she says at the same time Sam starts.

“Dean, I, um…” he hesitates

“You're not going.” y/n says.

“The interview's in like, ten hours. I gotta be there.” he looks at the phone then at the bike that lined to his window. Dean nods, disappointed, and returns his attention to the road.

“Yeah. Yeah, whatever.” Dean says glancing at Sam.

“We'll take you home.” Sam turns the flashlight off.

“You can hang up now. We’ll talk at Stanford.” Sam does as he’s told and they drive on.

They pull up in front of the apartment, Dean still frowning. Sam gets out and y/n takes her helmet off. “Call me if you find him?” Sam asks Dean who nods.”And maybe I can meet up with you later, huh?” he tells y/n, that smiles at him, but before she can say anything Dean says:

“Yeah, all right.” Sam pats the car door twice, side hugs y/n and turns away. Dean gets out of the car and heads to y/n side.

“Sam?” Sam turns back. “You know, we made a hell of a team back there. The three of us”

“Yeah.” he smiles. Dean turns to y/n and they start talking between them. Deciding their plan. Sam watches them talk for a couple of seconds and sighs, turning and heading inside.

After Sam gets inside the building y/n comments. “You know, he might be making the right choice. If he can have a normal life, who are we to deprive him of that?” she says getting off the bike to look into Dean’s eyes.

“I know. And I really hope he can do it, but I don’t think it is possible.” he sighs and rests his forehead on her chest “Besides, I’m really gonna miss him.”

“Yeah, so am I.” She puts her hands on the back of Dean’s head. She knows the moment is not about that, but she can’t help feeling some butterflies on her stomach by his action. Doesn’t matter how many times they share those moments she always feels them, even though she knows he only sees her as an annoying little girl who was raised like his sister. Sighting, she looks to Sam’s building to try and clear her head. When she sees the explosion of flames on one of the windows.

They both gasp and run inside. Getting to the floor of the flames, which happens to also be Sam’s apartment. Dean kicks the front door open.

“Sam!” Dean yells entering the apartment. They follow the flames and find Sam on the bed with one arm shielding his face.

“Jess!” He says looking at the ceiling, where the girl is on flames.

“Sam! Sam!” They both scream at him, grabbing him by the arm.

“No! No!” Sam keeps shouting as the two shove him out the door, he struggles all the way down. “Jess! Jess! No!” Flames engulf the apartment.

A fire truck is parked outside the building, firemen and police keeping back gawkers. Y/n looks on, then turns and walks back to Dean’s car. Sam is standing behind the open trunk, by Dean’s side loading a shotgun. Dean looks at the trunk, then at Sam, whose face pure rage. Sam looks up, then sighs, nods, and tosses the shotgun into the trunk.

“We got work to do.” He shuts the trunk and heads to the shotgun, leaving the other two staring at each other, not knowing how to comfort the youngest.

Author's Note: I know I'm not a good writer, but since most things are already written and I'm just addapting I think I won't hate as much as I normally do. Anyways sorry again for any mistakes.

[greenconverses]

PJO 1x01 and 1x02 thoughts

The first chapter monologue in the perfect way to open the show and establish Percy's voice from the beginning. Walker immediately nailed both Percy's sarcasm, impertinence, and anger, which is so so so critical for anchoring the show.

how dare you waste megan mullally like this (she's coming back later according to previews BUT STILL)

direction in the first episode, especially with the action scenes, was a little lacking. percy killing mrs. dodds was weirdly anti-climatic. the car chase could've been a bit more exciting and the minotaur was okay

I LOVE YOU SALLY JACKSON, BEST MOM ON THE PLANET.

I have seen some posts about Gabe being defanged but he's clearly still an abusive waste of space. The dude is answering her phone, unemployed, gambling away her money, it's red flag city up in here. Curious how they're going to show him in later episodes and what they'll do with the Medusa plotline.

Grover is one of those characters that I have very little emotional attachment to. He's just sort of... there in the books for me. But Aryan's a little cutie and he does a great job of acting like he's just a little bit older/mature than Percy. Loved his little back and forth with Sally in the cabin. Deeply underutilized in the second episode, but obvs he'll get more time later on.

is the dryad his mom???

I adore the set design for camp, especially the Big House and all the stained glass motifs. But WTF is up with all the skeletons in Cabin 3? get a better interior designer poseidon you fucking weirdo

Jason Mantzoukas' energy for Mr. D was perfect, no notes. Did love his interactions with Percy and Grover.

Chiron is... there?

Clarisse is perfectly cast. Luke is underwhelming so far, but he really hasn't gotten to do anything real meaty yet.

I'm ready to see more of Annabeth in future episodes because she really didn't do much more than lurk and be cryptic since they gave her role as guide to camp to Luke. (I am not a fan of this decision, but whatever, gotta set Luke up for ~ultimate betrayal)

Her exasperated shove of Percy into the lake was A+ but why was the trident so damn big lmao

Loved loved loved Percy's burning anger at his dad and wanting to make him show up. Excellent characterization

"I am Sally Jackson's son!" dead dead dead tell 'em perce

curious as to why the episodes are limited to 45 minutes because i think another 5-10 minutes on the runtime would've helped with some of the pacing issues. but the show's clearly cut with commercial breaks in mind so i'm guessing this is eventually going to air on the Disney Channel or ABC.

[dracox-serdriel]

OMitB Season 4 Theories

Spoilers for all episods of Only Murders in the Building Season 4 up to episode 6. (If you want to skip it, please strike the 'J' key to jump past this post.)

Sazz knew about another murder in the building (likely the "sensitive topic" she meant to discuss with Charles at the end of Season 3) and possibly also knew about the cameras hidden in Oliver's and Charle's apartments.

Obviously, someone else knew Sazz knew about the murder and that she planned to spill the beans to "the podcasters"

The spy cameras must've been placed sometime before the start of Season 4 (how else would the killer know that it was safe to enter Charles' apartment to get Sazz's body?)

My theory is that the cameras were somehow placed by Marshall Pope or someone helping him spy. (Mostly because of his stage direction -- he describes Oliver as "flitting around" -- not something that would be obvious actions given the OmitB trio are podcasters who rely way too much on hidden cameras -- so more sound than video.)

When did Dudenoff die?

In theory, he could've died before Tim Kono.

The Brother/Sisters said that Dudenoff cut off all contact with them three years ago. (To the best of my knowledge, they are the only ones who gave a firm time about when they last spoke to Dudenoff.)

The "old incinerator" is banned because it causees a very noticable power surger in the entire building whenever it's used. Andn, according to Oliver & Charles, that kind of power surge hasn't happened in a while (since the old incinerator was banned).

It's possible Dudenoff died three years ago. His body could've been stored in any number of secret corners of the Arconia - though my guess is that he was hidden in the bricked up walls that cut the West Tower off from the rest of the Arconia.

Dudenoff's death predating Tim Kono's has a number of thematic components/call backs:

In episode 1x01, Charles' opening monologue: "Here's a thing I don't get. People who worry about living in a big city because of all the crime. As any true crime aficionado will tell you, it's the boondocks you need to worry about. I mean, let's face it. Nobody ever discovered 19 bodies buried in the backyard of a 14-story apartment building."

In episode 2x03, Oliver says: "Bunny and I, we're lifers. She's probably gonna be buried in the Arconia. And on hot days, the whole building will be able to smell you."

It makes sense that the killer would want to burn the body after someone cotton onto Dudenoff being dead.

My theory right now is that Dudenoff wasn't murdered. The illegal sublets are all under his name; his death would nix the rent control entirely - so all of the Westies with illegal sublets have cause to cover up his death. So his death could've been accidental or natural, and plenty of people still had tons of reason to cover it up. Not to mention there's someone is cashing Dudenoff's checks on 125th street - that could be part of the cover up or it's just another reason to keep his death a secret.

It would be easy for Sazz or literally any outsider to see evidence of the coverup (and maybe even the body itself) and conclude - well of course this was a murder! Especially if they didn't know about the illegal sublet thing going on.

Missing Pieces

The student film, "The Desecration of Alice", almost certainly had another actor from Dudenoff's classes -- a woman, the person who played Alice. I'm guessing that this is Rudy's ex-girlfriend, Helga -- the one who abandoned Hammy Faye Baker (the pig) in the Dudenoff's studio apartment.

What's with the Ham Radios? Seems like a way someone keeps in contact while staying off the grid.

Who is cashing Dudenoff's social security checks? I have zero reason behind it, but I truly think it's Lester the Doorman. He's been doing it as a favor, cashing the checks, then dropping the cash off to someone, per Dudenoff's request. Again, zero reason for me to suspect this. Just thinking.

Or... is Dedenoff actually dead?

Dudenoff has allowed people to illegally sublet from him for decades. Would it be so wild for him to have allowed someone he cared about to use his health insurance coverage to replace a shoulder? That could easily explain how the serial number traced back to him -- without him actually being dead.

This would also explain the Ham Radios.

Who is the killer?

Not enough information about who is the killer/shooter of Sazz, but people I'm keeping an eye on:

Bev Melon - the producer

Marshal Pope - the writer

Helga

Ana - Inez and Alfonso's daughter

Rudy aka Christmas-all-the-time-guy - easily the most atheltic of the Westies, could almost certainly handle the ubertight window of he shooter + the cleaner

Scott Bakula - ok, not really, but why not? Super sus how he turned up in 4x01 and was like, "Ho-hum, TOTALLY not like Sazz, right?!"

Sazz's Agent - unnamed character, see next section

Why Sazz?

Sazz has a ton of connections - she's the reason Charles had friends when he worked on Brazzos. Most people at the stunt bar seemed to know her fairly well. She is clearly far more competent at keeping interpersonal connections (especially those critical for her job) than most of the other characters in OMit-B.

The relationship Sazz was keen on quitting (she gave more than she got) -- I know Charles thinks it was himself -- but I don't think so. I think the person Sazz was keen on quitting was actually her agent. This is a character we've only heard about in passing, with Sazz talking to them on the phone -- but it makes a lot more sense than it being Charles.

The Theory of Season 4

While there's no real limits to the question "Who has access to Charles and Oliver's apartments?" Because of all the secret passage ways and stuff... but my theory is that Sazz's agent is in complete cahoots with Bev Melon (the producer) and leverage Sazz to plan cameras in Oliver's and Charles' apartments, among other things, to help Marshal (the film writer) and Bev get a full jump on the OMit-B.

Oliver is 100% right to be surprised at how far along the project is when they go out ot California in 4x01. That didn't happen by accident. This production had a crapton of inside sources to draw from to get it to where it is.

If Sazz's agent used blackmail or even just basic power pressure to get Sazz to participate in this kind of spycraft, then I could easily see how Sazz would want to get out from under that thumb.

At least, that would explain why Sazz is suddenly pushing to retire, even though there was a recent reboot of Brazzos giving her plenty of work (even if the show is on hiatus ATM).

[liberteqm]

Lauren Cohan as Maggie in TWD DEAD CITY (1X01)

[goodwhump-temp]

Batman Whump (tv shows & movies)

Justice League (2001) - Kevin Conroy 1x01 Secret Origins Part 1 - Knocked out 1x02 Secret Origins Part 2 - Presumed dead 1x08-09 Injustice For All Part 1 and 2 - Almost falls to death in burning building, poisoned by Copperhead, unconscious, half-dead, angry at Superman, knocked out by the Joker, taken prisoner, has to listen to Lex talk (absolute torture) 1x16 Fury Part 1 and 2 - Knocked unconscious, poisoned, weak, collapses into WonderWomans arms 1x24 The Savage Time - Real Batman is missing (scares the rest of the League, worry) 2x06 Only A Dream - Almost crashes car, slowly passing out, exhausted, worry for friends, almost injected/stabbed, gets deserved beauty sleep 2x26 Starcrossed Part 3 - Sacrifice, passes out from heat

Justice League Unlimited - Kevin Conroy 1x02 For The Man Who Has Everything - Reliving trauma 1x05 This Little Piggy - Sacrifices his dignity 2x03 The Doomsday Sanction - Sacrifices himself, hit in missile blast radius, 'plane' crash, probably drowning, horribly injured, ominous anger towards Superman

Justice League Action - Kevin Conroy 1x03 Night of the bat - Possessed for a long time 1x09 Time Share - Epic moments of becoming the bat 1x11 Play Date - Mocked for lack of powers, briefly knocked out, movements controlled (quite a fun episode) 1x27 Time Out - Angry, pain of fazing out of the 'present', 'bond' with Booster Gold 1x29 Mxy's Mix Up - Mocked, briefly happy 1x32 Booray for Bizarro - Painfully squeezed, imprisoned, 1x36 Superman Red vs Superman Blue - Knocked out, shot with blaster 1x38 Forget Me Not - Batman identity is forgotten, confused, mocks himself 1x39 The Brain Buster - Forced to play in a dangerous game 1x40 E. Nigma - Consulting Detective , captured by the Joker, missing, tied up and unconscious, almost sliced in half 1x42 Phased and Confused 1x43 Itll Take a Miracle 1x44 System Error 1x46 Party Animal

Superman: The Animated Series- Kevin Conroy 3x02 Knight Time- Missing, mind controlled, collapses

The Batman (2004) - Rino Romano 1x02 Traction - Crushed and beaten by Bane, unconscious, dazed, pain, carried, surgery, trauma flashback, bandaged, weak 1x11 Bird Of Prey - Knocked down, punched unconscious, restrained, mask almost removed 2x01 The Cat, the Bat & The Very Ugly - Thrown unconscious, restrained 2x03 Fire & Ice 2x04 The Laughing Bat 2x09 Ragdolls to Riches 2x10 The Butler Did It 2x13 Night & The City 3x03 Dark Knight to Remember 3x06 Brawn 4x05 The Breakoutjla 4x06 Strange New World 4x07 Artifacts 4x09 Seconds 4x11 Rumors 5x02 Batman/Superman Story 5x03 Vertigo 5x05 Mirror Darkly 5x12 Lost Heroes

///// MOVIES /////

Batman: Hush - Jason O'Mara Shot in the sky, falls, horribly injured/broken bones

Batman: Bad Blood - Jason O'Mara Captured, thought dead, tortured, mind controlled, emotional scars/trauma from shooting a gun with malicious intent

Justice League: Doom - Kevin Conroy Sliced up, ache/exhausted, almost buried alive, trauma, beat-up by bane, badass moment facing the league

Batman: Mask of the Phantasm - Kevin Conroy Depressed, trauma, caught in explosion, falls from a great height, beat up by the Joker

Batman: Soul of the Dragon - Mark Dacascos Bloody fists, horribly beaten by Ben Turner, badass (aka batass)

Justice League Dark - Jason O'Mara Angry, possessed, depressed

[whateverthedragonswant]

Negan: "I could kill you right now."

Me:

Do you know who you're talking to?

Maggie: "You could try. But then I'd have to kill you first."

There we go.

[twdmusicboxmystery]

Dead City 1x01: Old Acquaintances and 1x02: Who's There?

So, I didn't do a post about the first episode of Dead City last week. (Can I just point out that the abbreviation for Dead City is D.C.? As in, Beth's D.C. spoon?)

The pilot episode was fine, but it was setting up the story, and we didn't see a ton of symbolism or Beth callbacks in it. Episode 2 this week was a different story.

Here is just a little bit of discussion about ep 1:

@wdway:

I finished that Dead City a little while ago. It's the pilot episode, some interesting things but they're just laying the groundwork, trying to get the story started which is very much expected. I just want to mention two things .

One is about Herschel. We knew that this is supposed to be a few years after the take down of CW. I'm just questioning tptb thinking in choosing their young actors for whatever age they're supposed to be, they change so rapidly that it would make more sense to me to have kept the original Herschel because the new replacement is obviously a few years older and yet, I swear by the end of the sixth episode he'll look like he's ready to be married with children, haha.

Okay, maybe not quite that bad but I'm just looking at this young man thinking he is going to age up real quick. They've already basically said that they'll be other seasons, that this is just the first, so obviously Herschel will be aging rapidly and I don't know if it will match the timeline going forward.

First there was the all the empty chairs in s11 then we had the green empty chair in Fear. In dead City near the start of it we see Negan with a motorcycle on one side of him and this empty chair on the other. Coincidence I'm sure. That empty chair nor that motorcycle doesn't has anything to do with the plot of the episode, so I'm not giving anything away, but it's a visual that I suspect Gimple had something to do with it.

@galadrieljones

A character named Ginny?

They called Virginia “Ginny” in Fear, I think!

@wdway

Morgan, I believe called his wife Jenny, with a J, but still.

@galadrieljones

Yeah I always thought that Virginia/Ginny/Jenny was meant for Morgan. Like he was being haunted.

I am looking at the caption under Negan though in that picture. Who’s he talking to? Is there someone named Ginny in DC?

Also idk why they keep casting weirdly old characters in TWDU. It’s not typical for them and I’m wondering if maybe there was some new rule or by-law passed by SAG or something to do with child actors and they can’t cast anyone under the age of like 13, or they can but it’s a major pain so they’re just asking us to suspend our disbelief.

@wdway

You'll find out who Ginny is pretty quickly. I won't go into it, not that it would spoil anything, but I think we'll see more of her going forward. She doesn't appeared to have a big purpose, which tells me that her character must have a purpose going forward.

Discussion on Episode 2: Who's There?

@wdway

I enjoyed the episode. There are things they're holding back to lead us along, I hope this isn't too big of a spoiler, but we don't find out about Annie or the baby. I think we probably won't for a while.

@twdmusicboxmystery

Just finished watching DC. I actually really liked this episode (minus all the intestine-spillage). I thought there were quite a few Beth callbacks in it. My favorite line? Maggie spun some yarn about "Canada and a shipwreck." 😱

@wdway

When Maggie mentioned Canada, I immediately thought of Tales. That he was headed to Canada. Of course, the shipwrecked parts stood out because well you know...

You guys know how bad I am with names so just excuse me. The girl that was originally with Negan who is being watched over by the group (I guess Maggie's group) while Maggie and Negan are away, they brought her to what is the kids’ school and was introduced by saying that she was from Oceanside. I'm wondering where this group of people, this community that Maggie and Herschel have been with is located.

@twdmusicboxmystery

Yeah, I don't know. Obviously, she isn't gonna just stay put and wait for Negan, so it will be interesting to see what her storyline is. When she left in the night, she went over to a bike. That's all we saw, but still. Bicycle symbolism.

Negan told a story about a girl "holed up in a car." He said she was "just a kid." Sounds like she was tortured and killed by the Croat eventually, but still. Negan then talked about having "one shot" and "missing." He was talking about the bad guy, rather than the girl, but they were all related, and it felt like a Beth parallel to me.

Then there was the part when the Marshal went into that apartment. I got such heavy WHAWGO vibes. There was the picture of the two brothers.

They weren't twins, but they were situated spatially in the photo the same way Noah's twin brothers were, and the way Robert Patrick's character and his twin brother were. Finding the dead guy, one of the brothers, in there felt similar to finding Noah's brothers.

And then there was the rosary he laid over him. We did see one of those with Carol at the end of S6, but Beth wore the original around her wrist at Grady. Oh, and the Marshal covered him with a blanket, much like Bethyl did to the Rich Bitch walker, and like Daryl almost did for Len, before changing his mind.

Even Maggie and Negan being imprisoned in the bathroom jumped out at me. I've harped on bathrooms since S4 when Rick escaped the Claimer house through the bathroom, and the walker that came after Carl in the pudding house (the one he shot in the forehead in the EXACT place Beth was shot) came out of the bathroom.

I also thought of The Same Boat. That wasn't a bathroom per se, but it was filmed on the same set as Saw, which featured a gross bathroom, toilet and all, and had a man who was presumed dead suddenly stand up and reveal himself to be alive at the end.

That may be all I have for now. I didn't really take notes, so I'm doing this from memory.

Negan had some funny lines. I loved his "how about everyone just untwist their undies." They featured it on the after-the-episode part, so I heard it twice, and laughed both times.

I also thought the flashback between Maggie and Hershel was super interesting. Not sure where they're going with that, but I look forward to learning more.

What do you think the purpose was of Maggie not making it all the way across the chasm? That seemed too purposeful to not foreshadow something, but nothing really came of it here. Just had me wondering.

@wdway

It's hard to tell right now because they're just lying and foundation for the series, I did appreciate the description of the three (3) separate groups. I didn't take notes either, but I was so glad the showrunner/writer explained what was going on.

When Negan was talking about the girl in the car, I immediately thought of Beth. Not that I thought he was talking about Beth, but I felt that that was purposely put in to give a nod to us. I don't know that there will be any clues that would lead to anything about Beth in this spinoff, but I do think that they will sprinkle reminders throughout.

I have the same feelings as you did when I saw the bathroom, that it was a reminder of Same Boat.

That scene where Maggie was somewhat freezing up as the Walkers were coming at her and she was so hesitant to use the zip line, then got hung up. It did seem kind of purposeful and I was trying to wreck my brain to whether or not we had known she has a fear of heights, kind of like Carol in the caves in s10 with it being a reminder that Carol was claustrophobic, but I couldn't remember anything from Maggie's past. It might be something in recent years (in the show) that we will find out later about.

@twdmusicboxmystery:

I was getting some screenshots for it. That always reveals new things to me because I'm watching more closely, instead of casually. It's nothing super groundbreaking, but I saw some interesting things, and a few insights on what we've already discussed.

First, the thing where Maggie didn't make it across on the zip line. Rewatching that part, I realized that the physics reason for why that happened is because she hesitated. She was clearly frightened of the distance down, and didn't want to just go for it. Her foot literally slips off the box, so she doesn't get the same momentum Negan and the first lady did. That's why she didn't make it to the other side. I still think that's a foreshadow, tho. Maggie being hesitant rather than going for it, and something goes wrong or something bad happens because of it.

The scene with the marshal we compared to WHAWGO? Watching it a second time, I realized it doesn't explain why he went there or how he knew to go there. He went looking for a gun, but it was gone. All he found was the box the gun used to be in. But how would he know it was there?

I think it's obvious he had been there before and knew the man who's body he found. That's probably why he covered him up: because he knew him. I'm wondering now if he, the marshal, is the second brother in the pictures. If so, that means he left his brother behind at some point. Between that, covering him up, and laying the rosary over him, it's an even more potent parallel to Beth.

Also, in that scene, he sees the corpse of his brother first in a mirror. I didn't catch that at first. So, it's a mirror image and then he turns and goes into the brother's room. Just kind of interesting.

And then about the girl--Ginny right?--who was with Negan? Something is bothering her about the water barrel. It's at Maggie's community, and like 3 different times she stops and stares at it, including at the end just before she steals the bike to leave. No idea what it means, but the fact that it's a water thing caught my attention. That's all. ;D

What did everyone else think about DC ep 2?

[vvalliu]

[igaffuri]

Assistindo The Walking Dead: Dead City 1x01 "Old Acquaintances"

[zelroy]

I just watched The Walking Dead: Dead City 1x01 "Old Acquaintances"

[pirathotten]

I just watched The Walking Dead: Dead City 1x01 "Old Acquaintances"