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ナイトクローラー (Nightcrawler) /After the Rain (そらるxまふまふ)
(“Rondador nocturno”. Traducción de la letra.)
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「Huiré hacia la noche」
Portando una capucha holgada y de gran tamaño, con las suelas de mis zapatos que han sido aplastadas
, pero a pesar de que lo odio y los haga fulminar con la mirada, mi sensación de "equilibrio" ya no puede ser recuperado
De repente se me viene este pensamiento de, si no fuera por estos rayos de sol, no habría ni una sola sombra
Así que no creo que sea poca la diferencia entre uno y otro, ¿o si?
Clic, clic, clac; al escuchar esos sonidos no importa a dónde huya, vendrá por mi ¹
Digo adiós, adiós a las grietas de este apático mundo
, porque esto es como si me derritiera en la oscuridad total el cual se me permite ser yo mismo
[, así que] no hay forma de que puedas entender estos sentimientos cuando tú deslumbras intensamente
, por lo que huiré hacia una lejana noche
Texto del MV
-- No importa que tan lejos huya,
el amanecer estará desde mañana
Bajo el sol,
/// estará desde mañana
Para nosotros no hay un lugar donde podamos pertenecer --
Así como es que tú deseas por un mundo justo,
así es como en ese tipo de mundo no seríamos capaces de respirar
, por lo que estamos bien de la manera en que estamos ahora, ¿no?
No quiero morir. La ejecución está justo delante de mis ojos
Más bien, tener la "cordura" es una prueba incierta
[, aunque] mi condición médica es: locura; la muerte y la vida son dos caras de la misma moneda ²
[, porque] incluso aquí, desde hace mucho tiempo que no hay un lugar donde podamos pertenecer, ¿no?
Clic, clic, clac; al escuchar esos sonidos solo ya continuemos hacia el ayer ¹
Digo adiós, bye-bye a este mundo que deslumbra, bye-bye…
La original vista nocturna es donde naturalmente no puedes ver las cosas que están delante de nosotros
[, por lo que] si tengo que apartar la mirada de este triste futuro y vivir tanto como pueda,
huiré hacia la noche
Texto del MV
-- Seguramente no se ni quien es el
que me puede mantener como estoy
, solo estoy dentro de la oscuridad
Si no hubiera algo como “personas deslumbrantes”,
a nosotros no nos llamarian
algo así como “personas sombrías”, ¿no lo crees? --
Digo adiós, bye-bye a este mundo que deslumbra
Digo bye-bye a solo estos recuerdos tristes
Digo adiós, adiós a las grietas de este apático mundo
No puedo vivir aquí, esclavos gritan dentro de la oscuridad total
[, así que] no hay forma de que puedas entender estos sentimientos cuando tú deslumbras intensamente
, por lo que huiré hacia una lejana noche.
Texto del MV
-- Si es así, entonces
está bien incluso si no puedo ver nada --
youtube
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NOTAS.
Nightcrawler es básicamente “rondador nocturno”, que significa "algo que anda en cuatro patas entre la noche, algo que se arrastra por el suelo en la noche". Algo que actúa solo por las noches.
ガタンゴトン (Gatangoton) es la onomatopeya “clickety-clack”, que al español se relaciona con golpes (clic, clinc, clac) o con el sonido que produce algo al romperse (crac, cras, croc).
心神喪失 (Shinshinsoushitsu) es basicamente “locura”, pero en la definición japonesa se dice que, “la locura es un estado en el que una persona es completamente incapaz de juzgar el bien del mal o actuar de acuerdo con el juicio debido a un trastorno mental. La debilidad mental es un estado en el que la capacidad de una persona para juzgar el bien y el mal o para actuar de acuerdo con el juicio es extremadamente baja debido a un trastorno mental. Ambos se juzgan en función de factores biológicos, como la presencia o ausencia de trastornos mentales, y factores psicológicos, como la capacidad de juicio y la capacidad de control del comportamiento.”
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[En mi opinión]
Teniendo esa descripción, la canción podría hablar en sí sobre la “humanidad” de un nightcrawler, es decir, los sentimientos sobre personas que no encajan en la sociedad “brillante”.
Empecemos con la apariencia del personaje del MV, se ve que tiene una vestimenta que podría pasar desapercibido, ya que cuenta con la capucha y un cubrebocas, sin dejar de lado que no se colocó bien sus zapatos al tener la suela mal acomodada.
“La sensación de equilibrio” podría significar que es lo “bueno” y lo “malo” dentro de la misma sociedad, o el valor que le dan las personas por sobre otras, como las personas que son “ejemplares”, o también el hecho de las personas que son consideradas como “normies” (esta pequeña interpretación de la palabra me la compartió @augus.tty de instagram!! GRACIAS 💗)
0:38, se ve que en su espalda tiene un ojo que está un poco oculto por su ropa (también en su capucha tiene varios ojos).
0:40, su rostro refleja un poco de angustia o coraje, ya que la frase de “si no fuera por estos rayos de sol, no habría ni una sola sombra”, esto puede referirse a la sociedad como los “rayos de sol”, y a los nightcrawlers como la “sombra”, ya que si vemos sobre que dentro de la sociedad hay personas que sobresalen de otras; por lo que, si no existieran, las demás personas no se sentirían infravaloradas. Y aquí es donde tiene un poco de sentido sobre el “equilibrio”, mas a parte, de que en el segundo 0:41 se puede ver un circulo negro y luego se hacen dos circulos, pero aquí el otro es de color blanco, y al final el blanco se multiplica por tres, dejando de lado el negro. Esto cobra más sentido tras la frase “así que no creo que sea poca la diferencia entre uno y otro, ¿o si?”, ya que la sociedad terminará mirando a las demás “personas deslumbrantes”.
Desde mi punto de vista, en el segundo 0:44 se ve el circulo blanco y el personaje del MV recostado sobre el, pero y si lo vemos como si el círculo blanco estuviera de espaldas y detrás del círculo estuviera el personaje, es decir, como si las “personas deslumbrantes” de la sociedad, taparan a las demás personas y es por eso que la “oscuridad” lo está atrapando. (Esto cobra más sentido más adelante.)
“Digo adiós, adiós a las grietas de este apático mundo, porque esto es como si me derritiera en la oscuridad total el cual se me permite ser yo mismo”, se podría referir a que una parte del mundo tiene una indiferencia contra las personas que probablemente no encajen con los demás y eso creo a esa “oscuridad”, en donde los nightcrawlers pueden ser ellos mismos, en la oscuridad donde nadie los pueda notar. (ademas de que en esa parte se puede lograr ver al circulo negro y al blanco).“[, así que] no hay forma de que puedas entender estos sentimientos cuando tú deslumbras intensamente, por lo que huiré hacia una lejana noche”, creo que esa frase está un poco claro a lo que se quiere dar a entender, pues las personas que “deslumbran” en la sociedad no se pueden sentir de la manera en que las demás personas no pueden encajar entre ellas. (Esa frase sí que me dio un emotional damage jajkjskj). La pose que hace el personaje pareciera que se está apartando de algo o no quiere que se acerque algo, más bien parece una pose defensiva.
El texto del MV tiene mucho que ver, ya que dice no tener lugar para ellos (los nightcrawler) al siempre tener presente a alguien más “deslumbrante”, pues siempre los demás serán mirados mal, así que tal vez el amanecer se refiera a la sociedad. (Esto tiene más sentido adelante también)
1:13, “bajo el sol, /// estará desde mañana” “Para nosotros no hay un lugar donde podamos pertenecer”, se ve como un “sol” esta encima de los maniquies sin cabeza que, por cierto, no tengo muy en claro sí los maniquies representa también a los nightcrawlers o a la sociedad, ya que arriba de ellos esta el sol (que podría referirse a las personas deslumbrantes) y los maniquies son objetos, es como si no fueran tan relevantes, pero luego se ve al personaje en el mismo sol pero con un fondo negro, la diferencia de color no me hace comprender muy bien, asi que puede que me equivoque respecto a esto, por lo que si saben algo, dejenmelo saber en los comentarios!!
El párrafo del min 1:27, se podría referir sobre que la sociedad desea un “mundo justo”, pero ese mundo no sería capaz de respirar por los mismos actos que la sociedad actual hace (como estándares, etc.), así que dice que están bien de esa manera en la que ya están, ya que tal vez no habría una diferencia. Aquí también aparece el círculo blanco y sin el personaje (aunque se puede notar que la oscuridad sigue ahí), pero luego se transforma en un ojo, que esto posiblemente se refiera a que actualmente la sociedad mira todo y se ha transformado en un “juzgador” hacia casi todo.
Siempre se me ha hecho difícil poder interpretar el rap en sí, pero la frase de “la muerte y la vida son dos caras de la misma moneda”, Mafumafu tiene esa definición de “las dos caras de la misma moneda”, la sociedad a pesar de que tiene sus lados buenos, siempre habrá los malos y hay muchos ejemplos de eso.
1:55, aparece una cuenta regresiva de 3, 2, 1. “Digo adiós, bye-bye a este mundo que deslumbra, bye-bye…”, esto suena como que realmente le importa o no quiere “despedirse” del “mundo deslumbrante”, además de que en el min 1:57, al personaje se le puede ver que ya no tiene su capucha ni su cubrebocas puestos, al igual que muestra una expresión totalmente diferente, una de remordimiento o preocupación, y que a comparación de la otra pose, su mano parece que quiere alcanzar algo o impedir que se vaya, mientras que su otra mano está en su pecho, además de que en el min 2 se puede lograr ver la mano de la pose anterior, antes de que dijera el último “bye-bye”. Esa expresión que hace también se puede referir como la “humanidad” del nightcrawler, ya que demuestra ser también un humano que siente, al igual que la mayoría de la sociedad. “[, por lo que] si tengo que apartar la mirada de este triste futuro y vivir tanto como pueda, huiré hacia la noche”, el personaje se le puede ver que está sobre unas vías de tren, ya que se ven letreros y están las luces de tránsito, también de que el personaje se vuelve oscuro.
“Si no hubiera algo como “personas deslumbrantes”, a nosotros no nos llamarían algo así como “personas sombrías”, ¿no lo crees?”, esta parte del texto del MV se refiere a que, si no hubieran las personas que destacan en la sociedad, personas “ejemplares”, a las demás personas tal vez no los verían como seres inferiores.
2:38, se puede ver al personaje que está tirado debajo de un ojo, que se podría referir al “ojo de la sociedad”. Se le puede notar que al personaje tiene una máscara cubriendo sus propios ojos, tal vez esto se refiere a que pues la sociedad lo está hundiendo y toma un poco de sentido con las frases de “adiós, bye-bye a este mundo que deslumbra”, “digo bye-bye a solo estos recuerdos tristes”.
2:49, el personaje parece que se está ahogando entre su propia “oscuridad”, o más bien, teniendo en cuenta que en lo que lo está envolviendo se muestran las letras de la canción y en ese momento dice sobre el “apático mundo”, además de que se le puede ver nuevamente sin su capucha y cubrebocas puestos, aunque su rostro parece de angustia o como si estuviera a punto de decir tal vez sus últimas palabras antes de poder “huir hacia una lejana noche”, ya que después de la frase “no puedo vivir aquí, esclavos gritan dentro de la oscuridad total [, así que] no hay forma de que puedas entender estos sentimientos cuando tú deslumbras intensamente”, el personaje se vuelve completamente oscuro. Por “esclavos” se puede interpretar con los nightcrawlers, ya que se puede ver un ojo en el min 2:54, en donde anteriormente parecía ser un sol en anteriores escenas, representando ser la sociedad. Tal vez esas “personas deslumbrantes” de la sociedad, nunca podrán entender esos “sentimientos” que hacen también “humanos” a los que la misma sociedad considera como nightcrawlers.
El último texto del MV, se podría interpretar a que, como dijo sobre huir hacia una lejana noche, eso podría decir que permanecerá como un simple “nightcrawler”, ya que el texto menciona “si es así, entonces está bien incluso si no puedo ver nada”.
(O también un lado más oscuro que interprete, esa frase podría significar que atentaría contra su vida. En los últimos segundos del MV me pude dar cuenta que las luces de tránsito se estaban encendiendo y lo que pareciera unas vías, se estaban moviendo y el personaje está medio y completamente oscuro envuelto en la “oscuridad”. Realmente es una idea algo oscura pero fue lo que se me ocurrió al ver esa pequeña parte del MV JKAKSJKAJA pero muy probable es que no sea algo cierto)
Bueno, ¡aquí está mi interpretación! Ustedes saben que soy muy lenta para poder saber lo que las canciones quieren dar a representar, así que me he tomado el tiempo de hacerlo con esta canción, pero no estoy segura si seguire haciendolo, ya que es en verdad muy difícil JAJSKAJA pero lo pensare (depende si puedo o no lograrlo antes de que pase una semana de su estreno jsjs)
Posiblemente no me he dado cuenta de algunas cosas, así que, si tienen alguna idea o si tienen alguna idea de lo que representa la canción, pueden decirme en comentarios o en DM! Espero que les haya gustado la traducción y la interpretación, si logro encontrar algo sobre algunas cosas que no note, se los haré saber!
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En donde mas verlo.
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NTER NTIF NTIN NTIR NTLE NTRA NTRU NUGG NUMB NWRE NYLB NYMO NYON NYTH O4TH OACE OAST OBAB OBBL OBEL OBIL OBSE OCAL OCKE OCTO ODDA ODDL OESN OFFE OGIE OHAZ OING OISO OLDS OLIF OLIV OLKS OLLO OLOG OLOU OMEN OMEO OMET OMIS OMME OMPL OMPT ONAB ONAL ONCE ONDU ONEB ONED ONER ONFI ONIC ONIN ONLY ONTR ONYM OOMS OORS OOSE OOTS OPER OPHI OPLE OPPE OPTI OPUL ORAT ORCE ORCI ORDA ORDO OREA ORES OREW ORKI ORNA ORNE ORNI ORPO ORSE ORTO OSTS OTAT OTES OTHE OTHI OTJP OTTE OTTO OUGH OULD OULI OUND OUNT OURS OURT OV07 OVEL OVID OWIN OWLE OWLY OYBE OYED OYOU PAPE PARA PARE PARM PARS PEAR PECI PEED PEEL PENE PENG PENS PEOP PEPP PERA PERS PHAL PHIC PHON PICR PIEC PINC PING PLAI PLAN PLEA PLER PLET PLEX POIS POKE POLL POLO POON POPU PORA PORC PORT POST POTA POTT POUR PPEA PPED PPEN PPER PPRE PREP PRES PRET PREV PRIC PRIN PROB PROL PROM PROU PROV PTIO PUKI PULA PULL PUNI QUEE QUES QUIC QUIS RACT RACU RADI RAIN RALL RAMA RAMS RAND RAPH RASH RATE RATH RATI RAVE RAZA RCED RCIN RDAN RDER RDES RDLY RDON READ REAL REAM REAN REAS REBL RECI RECK RECO REDI REFE REFU REGU REME REMO REMY RENC REPA REQU RESE RESS REST RETT RETU RETY REWO RGIN RIAL RICE RICK RIFI RIME RINA RINC RING RINK RINT RISO RITC RITE RITI RIVE RIZZ RKIN RLIC RMAR RMED RMES RNAM RNAR RNAT RNER RNIN ROAC ROBA ROLI ROMI ROMP RONI ROOM ROPH ROTH ROUD ROVI ROWL ROWN RPOR RRAC RRAT RSES RSHO RSIO RSLE RSON RTLE RTOB RUCT RUFF RUTH RVES RVIN RZIP SACR SAFF SAGE SALT SAME SAUC SAUT SAV3 SAYS SBON SCAP SCHU SCUI SDOT SECO SEEN SEES SEGM SEND SENT SEPA SERN SERV SESS SETT SEUS SEVE SGUI SHAD SHAL SHAV SHEN SHES SHIN SHIT SHME SHOT SHOW SHRO SIGM SIMP SINE SING SION SIRE SITE SKED SLEY SLOW SMAL SMOB SO4T SOME SONA SONG SONI SOTT SPEC SPEE SPOK SPOO SPOT SPRI SSCH SSED SSES SSO4 SSON SSUE SSUR STAB STAG STAN STAR STDI STEA STEL STES STIC STIL STIR STOC STRA STRO STRU STYX SUIT SULK SUMM SURE SWEA SWIT TABL TAGE TAGG TAGS TAIL TALE TALK TAND TART TASK TAST TATI TATO TBOY TCHI TDIV TEAD TEAK TEAL TEAS TELL TELY TENC TEXT TFUL THAN THAT THEC THED THEL THEM THEN THER THES THEY THIN THIS THNX THOD THOS THRE THYM TIFU TIFY TILL TIME TING TION TIPL TIRE TISM TIVE TJPE TLAS TLEM TLEN TLEP TMET TOAS TOBE TOCK TOES TOPP TOTH TRAD TRAI TRAP TRIA TRIC TRON TROP TRUC TRUF TRUT TTED TTER TTIN TTLE TUMB TURA TURE TURN TURT TWIC TYX1 UARD UBRI UCEP UCHU UCKE UCKI UCKT UCTI UCTO UDA6 UEER UEST UFFL UGGT UGSD UICE UICK UIKU UILT UISE UISI UITS UKIC ULAR ULIK ULKY ULLS ULLY ULTI ULTU UMAN UMBE UMBL UMI1 UMMO UNIS UNIT UNKI UNLO UNNA UNNI UNPA UNRE UNTE URAL URAZ URDE URIN URNI URNS URSE URTL USER USHR USIN USIO UTHE UTIF UTIO UTIS UTLA UTTE UUYA UYAS V3YE VANK VANT VEGE VELY VEME VERA VERS VERY VIDE VING VINY VIRG VISE VOUR WANT WAST WATC WEAR WEEK WEIR WELL WHAT WHEN WHIC WICE WILD WILL WING WISE WITC WITH WLEY WORD WORK WOUL WREC WRIT X142 XECU XIST XPLA XPRE XQUI XTED XTRA YART YASB YAUT YBEE YEAR YING YLBI YMOU YONE YOUL YOUR YSTE YSTI YTHI YX14 ZARD ZAYT ZIPA ZIRA ZOV0 ZZLE 1402/1679616
5: 4THED AAAAA ABLIS ABLYA ABOUT ABOVE ACCID ACESI ACHIE ACKIN ACKST ACRIF ACTER ACUDA ADDIN ADICT ADVIS AFFRO AFOOT AGAIN AGGIN AGICA AILED AILUR AINWR ALKIN ALLEL ALLOT ALLOW ALREA AMAZO AMIOD AMSEY ANANA ANDAR ANDMA ANIAC ANIMA ANKAR ANNOT ANONY ANOTH ANTRU ANYON ANYTH APHAL APING APOLO APPEA APPEN ARACT ARALL ARAMA ARATE ARING ARLIC ARMES ARNAR ARNIN AROAC AROLI ARRAC ARSHO ARSLE ARZIP ASBON ASHES ASHIN ASKED ASONA ASPOO ASTDI ASTES ASTRO ATAST ATBOY ATCHI ATELY ATHER ATING ATION ATMET ATOES ATRON ATURA ATURE AUCEP AUIKU AUTIF AUTIS AV3YE AVING AVOUR AZARD AZAYT AZIRA AZOV0 BABLY BACKS BANAN BARRA BASIL BBLER BEAST BEATM BEAUT BECAU BEEBO BEFOR BELLO BERIN BERRY BESPO BIOHA BISCU BITCH BLACK BLINK BLISH BLRIN BLYAU BONER BOYBE BROTH BROWN BSESS BUGSD BUSIN BUTTE CALLY CANNO CAPIN CARNA CATAS CATBO CAUSE CCIDE CECON CEPAN CESIG CHAIN CHAIR CHANG CHAOS CHARA CHEES CHIEV CHING CHOKE CHOOS CHOPP CHOSE CHUCH CHUUY CIDEN CIFIC CKING CKSTA CKTAL COBBL COLOU COMME COMPL CONDU CONFI CONTR CORNE CORPO COULD COUNT COURS COURT CRASH CRIFI CRIME CROWL CTABL CTION CTIVE CTRIC CUDA6 CUITS CULTU CUTIO CUTLA DA677 DAILY DDAMN DDING DDLYA DEATH DEAVO DELEC DELIG DELOR DEMAN DEMON DENTA DENTI DEPPR DESIR DETAI DIATE DICTI DIENT DIOTS DISGU DISHE DIVAN DLYAR DOCTO DOESN DOORS DOTJP DOYOU DREAM DRITC DRIVE DRIZZ DSMOB DUCKT DUCTO DURIN DVISE EALLY EARIN EARNI EARSH EASON EASPO EATIN EATME EATUR EAUTI EAVES EAVOU EBEAT EBLOG EBUGS ECAUS ECHAO ECIAL ECIFI ECIPE ECOMM ECOND ECONF ECTAB ECTIV ECTRI ECUTI EDEPP EDIAT EDIEN EEBOP EERMA EFERE EFFEC EFORE EFUSE EGETA EGMEN EGULA EIRDE EIRDL ELDRI ELECT ELIGH ELITT ELORE EMAND EMBER EMEMB EMENT EMORS ENANI ENCED ENDEA ENDED ENECK ENGUM ENJOY ENOUG ENTAL ENTAT ENTED ENTEN ENTER ENTIF ENTIR ENTLE EONEB EOPLE EPARA EPARE EPPER EPPRE EPRIN EQUES ERATE ERENC ERING ERKIN ERMAR ERNAM ERSIO ERSON ERVES ERVIN ESCAP ESENT ESEUS ESIGM ESIRE ESPOK ESSED ESSO4 ESSUE ESSUR ESTAB ETABL ETAIL ETHIN ETHIS ETHOD ETIME ETOTH ETTIN ETURN EUSER EVEME EVERA EVERY EWORD EXECU EXIST EXPLA EXPRE EXQUI EXTED EXTRA FACES FAILE FAILU FANCY FEATU FECTI FERED FEREN FFECT FFERE FFRON FIBER FICIN FINAL FINES FIRME FIRST FOLKS FOLLO FORCE FORES FOREW FOUND FUCKE FUCKI FULLY FUNKI FUNNI FUSIO FYING GARLI GENTL GETAB GETTI GGING GHERK GHTFU GICAL GIMMI GIVEN GIVIN GMENT GODDA GOING GORDA GORDO GRAND GRATE GRAVE GREDI GSDOT GUARD GUEST GUILT GUISE GULAR GUMI1 HADOW HAIKU HALLO HANGE HANKS HAPPE HARAC HAUIK HAVIN HAZAR HECHA HEDEP HEESE HELIT HENAN HERKI HESEU HICAL HIEVE HIJAC HISSO HMENT HOOSE HOPPE HORSE HOWIN HREAD HROOM HTFUL HUBRI HUCHU HUMAN HUUYA IATEL ICALL ICING ICREW ICTIO IDENT IDIOT IENTS IEVEM IFICI IFYIN IGHTF IJACK IKETH ILGRA ILLIN ILLIO ILURE IMATR IMMED IMMIC IMPLE IMPLY INALL INCEC INCOR INESS INEST INFUS INGLE INGRE INGRN INKLE INKSA INNIE INSTE INSTR INTED INTIN INWRE INYLB IODDL IOHAZ IONAL IONER IRAPH IRDES IRDLY IRETY IRGIN IRMED IRRAT ISCUI ISGUI ISHES ISHME ISITE ISONI ISOTT ISSCH ISSES ISSON ITHIN ITING ITTLE IVANK IVANT IVING IZZLE JACKI JOYED JUICE KARAM KETHI KICHO KILGR KILLI KILLS KINGR KINNI KISSE KITTY KSAGE KSTAG KTALE KYSTE LANET LASTD LBIOH LDRIT LDSMO LEARN LEASE LEAVE LECTA LECTR LELED LEMEN LEMON LENEC LEPRI LGRAV LIFIC LIGHT LIKET LINKS LISHM LITTL LKING LKYST LLELE LLING LLION LLOTS LLOWI LOCAL LOCKE LOGIE LOOSE LOREA LOVEL LOWIN LOWLY LREAD LRINA LTIPL LTURE LYART LYAUT MAGIC MAKER MANDS MANIA MARZI MATRO MAZOV MBERI MBLRI MEANT MEDIA MEMBE MENDE MENTE MEONE MESAN MESSE METHI METHO METIM METOT MILLI MIODD MISSC MMEDI MMEND MMENT MMICK MMONE MMONI MOBIL MOMEN MONED MONIN MOOTS MORNI MORSE MPLER MPLET MPLEX MULTI MURDE MUSHR MYSTI NABLY NALLY NAMED NAMES NANID NAROL NATUR NCECO NCORP NDARD NDEAV NDUCT NEBEA NEVER NFIRM NFUSI NGRED NGUMI NIEST NIMAT NJOYE NKARA NKING NKSAG NLOCK NNAME NNIES NONYM NOTES NOTHE NOTHI NOUGH NPARA NREAS NSTEA NSTRU NTATI NTENC NTIFY NTING NTIRE NTLEM NTRAD NTRUT NUGGT NUMBE NWREC NYLBI NYMOU NYONE NYTHI O4THE OACES OBABL OBBLE OBELL OBILE OBSES OCKED OCTOR ODDAM ODDLY OFFER OGIES OHAZA OISON OLDSM OLIFI OLIVE OLLOW OLOGI OLOUR OMENT OMEON
OMETH OMETI OMISE OMMEN OMPLE ONABL ONDUC ONEBE ONFIR ONICS ONING ONTRA ONYMO OPERA OPHIC OPPED OPTIO OPULA ORATE ORCED ORCIN ORDAN ORDON OREAN OREST OREWO ORKIN ORNAT ORNER ORNIN ORPOR ORSES ORTOB OTATO OTHEC OTHER OTHES OTHIN OTJPE OTTED OULIK OUNTE OURSE OVELY OVIDE OWING OWLEY OYBEE OYOUL PAPER PARAL PARAT PARME PARSL PEARI PEARS PECIA PECIF PEEDY PENED PENGU PEOPL PEPPE PERAT PERSO PHALE PHICA PHONE PICRE PIECE PINCH PLAIN PLANE PLEAS PLETE POISO POLOG POPUL PORAT PORCI PORTO POSTS POTAT POTTE PPEAR PPENE PPENS PPRES PREPA PRESE PRESS PRETT PRICE PRINC PRINK PRINT PROBA PROLI PROMI PROMP PROUD PROVI PTION PUKIC PULAR PULLS PUNIS QUEER QUEST QUICK QUISI RACTE RACUD RADIC RAINS RAINW RALLE RALLY RAMAZ RAMSE RANDM RAPHA RASHE RASHI RATED RATHE RATIO RAZAY RCINI RDERS RDEST READY REALL REAMT REASO REBLO RECIP RECOM REDIE REFER REFUS REGUL REMEM REMOR RENCE REPAR REQUE RESEN RESSO RESSU RETTY RETUR REWOR RIFIC RINAS RINCE RINKL RINTE RINTI RISOT RITCH RITIN RIZZL RKING RMARZ RMESA RNAME RNARO RNATE RNING ROACE ROBAB ROLIF ROMIS ROMPT RONIC ROOMS ROPHI ROVID ROWLE RPORA RRACU RRATI RSHOT RSION RSLEY RTLEN RTOBE RUCTI RUFFL RUTHE RVING RZIPA SACRI SAFFR SAGER SAUCE SAUTE SAV3Y SBONE SCAPI SCHUC SCUIT SDOTJ SECON SEGME SENTA SENTE SEPAR SERNA SERVE SERVI SESSE SETTI SEUSE SEVER SGUIS SHADO SHALL SHAVE SHAVI SHENA SHING SHMEN SHOWI SHROO SIGMA SIMPL SINES SINGL SLOWL SMALL SMOBI SO4TH SOMEO SOMET SONAB SONIN SOTTO SPECI SPEED SPOKE SPOON SPOTT SPRIN SSCHU SSO4T SSONG SSURE STABL STAGE STAND START STDIV STEAD STEAK STEAL STELL STILL STOCK STRAP STROP STRUC STYX1 SUITS SULKY SUMMO SWEAR SWITC TABLE TABLI TABLY TAGGI TAILE TALES TALKI TANDA TANDS TASKE TASTE TASTR TATIO TATOE TBOYB TCHIN TDIVA TEALS TEASP TELLA TENCE TEXTE TFULL THANK THECH THEDE THELI THERE THESE THING THISS THOSE THREA THYME TIFUL TIFYI TIMES TIONA TIONE TIONS TIPLE TIRET TJPEG TLASS TLEME TLENE TLEPR TMETO TOAST TOBEL TOPPE TOTHE TRADI TRAIN TRIAL TRICK TRONI TROPH TRUCT TRUFF TRUTH TTING TTLEP TUMBL TURAL TURNI TURNS TURTL TWICE TYX14 UARDS UBRIS UCEPA UCHUW UCKED UCKIN UCKTA UCTIO UCTOR UDA67 UEERM UFFLE UGGTS UGSDO UILTY UISIT UKICH ULIKE ULKYS ULTIP ULTUR UMBER UMBLR UMI12 UMMON UNISH UNITS UNKIN UNLOC UNNAM UNNIE UNPAR UNREA UNTER URALL URAZA URDER URING URNIN URTLE USERN USHRO USINE USION UTHER UTIFU UTION UTISM UTLAS UTTER UUYAS UYASB V3YEE VANKA VANTR VEGET VEMEN VERAL VERSI VINGS VINYL VIRGI VISED WASTE WATCH WEIRD WHICH WITCH WITHI WORKI WOULD WRECK WRITE WRITI XECUT XISTS XPLAI XPRES XQUIS YASBO YAUTI YBEEB YEARS YLBIO YMOUS YOULI YSTEL YSTIC YTHIN YX142 ZIPAN ZIRAP ZOV07 1110/60466176
6: 4THEDE AAAAAA ABLISH ABLYAU ACCIDE ACESIG ACHIEV ACKING ACKSTA ACRIFI ACUDA6 ADDING ADICTI ADVISE AFFRON AGGING AGICAL AILURE AINWRE ALKING ALLELE ALLOTS ALREAD AMAZOV AMIODD ANDARD ANIMAT ANKARA ANONYM ANOTHE ANTRUT ANYONE ANYTHI APHALE APOLOG APPEAR APPENE APPENS ARACTE ARALLE ARAMAZ ARMESA ARNARO ARNING AROACE ARRACU ARSHOT ARSLEY ARZIPA ASBONE ASHING ASONAB ASPOON ASTDIV ASTROP ATASTR ATBOYB ATCHIN ATIONA ATMETO ATRONI ATURAL AUCEPA AUTIFU AUTISM AV3YEE AVINGS AZIRAP AZOV07 BABLYA BACKST BANANA BARRAC BEATME BEAUTI BECAUS BEEBOP BEFORE BERING BESPOK BIOHAZ BISCUI BLINKS BLISHM BLRINA BLYAUT BOYBEE BSESSE BUGSDO BUSINE BUTTER CANNOT CAPING CARNAR CATAST CATBOY CCIDEN CECONF CESIGM CHANGE CHARAC CHEESE CHIEVE CHOOSE CHOPPE CHUCHU CHUUYA CIDENT CKSTAG CKTALE COBBLE COLOUR COMMEN COMPLE CONDUC CONFIR CONTRA CORNER CORPOR COUNTE COURSE CRASHE CRASHI CRIFIC CROWLE CTABLY CTIONS CUDA67 CULTUR CUTION CUTLAS DDLYAR DEAVOU DELECT DELIGH DELORE DEMAND DENTAL DENTIF DEPPRE DESIRE DETAIL DIATEL DICTIO DIENTS DISGUI DISHES DIVANT DLYART DOCTOR DOTJPE DOYOUL DREAMT DRITCH DRIZZL DSMOBI DUCKTA DUCTOR DURING DVISED EARING EARNIN EARSHO EASONA EASPOO EATING EATMET EATURE EAUTIF EAVOUR EBEATM EBUGSD ECAUSE ECHAOS ECIFIC ECOMME ECONFI ECTABL ECTIVE ECTRIC ECUTIO EDEPPR EDIATE EDIENT EERMAR EFEREN EFFECT EGETAB EGMENT EGULAR EIRDES EIRDLY ELDRIT ELECTA ELECTR ELIGHT ELITTL ELOREA EMANDS EMBERI EMEMBE EMORSE ENANID ENDEAV ENGUMI ENJOYE ENOUGH ENTATI ENTENC ENTIFY ENTIRE ENTLEM EONEBE EPARAT EPPRES EPRINC EQUEST ERENCE ERMARZ ERNAME ERSION ERVING ESCAPI ESENTA ESENTE ESEUSE ESIGMA ESPOKE ESSO4T ESSURE ESTABL ETABLE ETAILE ETHING ETHISS ETIMES ETOTHE ETTING ETURNI EUSERN EVEMEN EVERAL EXECUT EXISTS EXPLAI EXPRES EXQUIS FAILED FAILUR FEATUR FECTIV FERENC FFECTI FFERED FICING FINALL FINEST FIRMED FOLLOW FORCED FOREST FOREWO FUCKED FUCKIN FUNKIN FUNNIE FUSION GARLIC GENTLE GETABL GETTIN GHERKI GHTFUL GICALL GIMMIC GIVING GMENTE GODDAM GORDAN GORDON GRANDM GRATED GREDIE GSDOTJ GUARDS GUILTY GUMI12 HALLOT HAPPEN HARACT HAUIKU HAVING HAZARD HECHAO HEDEPP HELITT HENANI HERKIN HESEUS HICALL HIEVEM HIJACK HISSON HOPPED HORSES HOWING HROOMS HTFULL HUBRIS HUCHUW HUUYAS IATELY ICALLY ICTION IDENTA IDENTI IDIOTS IEVEME IFICIN IFYING IGHTFU IJACKI IKETHI ILGRAV ILLING ILLION IMATRO IMMEDI IMMICK IMPLER INALLY INCECO INCORP INFUSI INGRED INKSAG INSTEA INSTRU INTING INWREC INYLBI IODDLY IOHAZA IRAPHA IRDEST IRRATI ISCUIT ISGUIS ISHMEN ISONIN ISOTTO ISSCHU ISSONG ITTLEP IVANKA IVANTR JACKIN KARAMA KETHIS KILGRA KILLIN KINGRN KINNIE KISSES KSAGER KSTAGE KTALES KYSTEL LASTDI LBIOHA LDRITC LDSMOB LEARNI LEAVES LECTAB LECTRI LENECK LEPRIN LGRAVE LIGHTF LIKETH LINKSA LISHME LITTLE LKYSTE LLELED LLOWIN LOCKED LOGIES LOREAN LOVELY LOWING LREADY LRINAS LTIPLE LYAUTI MAGICA MANIAC MARZIP MATRON MAZOV0 MBERIN MBLRIN MEDIAT MEMBER MENDED MENTED MEONEB MESSED METHIN METHOD METIME METOTH MILLIO MIODDL MISSCH MMEDIA MMENDE MMONED MMONIN MOBILE MOMENT MONING MORNIN MPLETE MULTIP MURDER MUSHRO MYSTIC NAROLI NATURA NATURE NCECON NCORPO NDEAVO NDUCTO NEBEAT NFIRME NFUSIO NGREDI NGUMI1 NIMATR NJOYED NKARAM NKINGR NKSAGE NLOCKE NNAMED NNIEST NONYMO NOTHER NOTHIN NPARAL NREASO NSTEAD NSTRUC NTATIO NTENCE NTIFYI NTIRET NTLEME NTRADI NTRUTH NUGGTS NUMBER NWRECK NYLBIO NYMOUS NYTHIN O4THED OACESI OBABLY OBBLER OBELLO OBSESS ODDAMN ODDLYA OFFERE OHAZAR OISONI OLDSMO OLIFIC OLLOWI OLOGIE OMEONE OMETHI OMETIM OMMEND OMMENT OMPLET OMPLEX ONABLY ONDUCT ONEBEA ONFIRM ONTRAD ONYMOU OPERAT OPHICA OPTION OPULAR ORATED ORCINI OREWOR ORKING ORNATE ORNING ORPORA ORTOBE OTATOE OTHECH OTHESE OTHING OTJPEG OULIKE OUNTER OYBEEB OYOULI PARALL PARATE PARMES PARSLE PEARIN PECIAL PECIFI PENGUM PEOPLE PEPPER PERATE PERSON PHICAL PICREW PLANET PLEASE POISON POLOGI POPULA PORATE PORCIN PORTOB POTATO POTTED PPEARI PPEARS PPENED PPRESS PREPAR PRESEN PRESSO PRESSU PRETTY PRINCE PRINKL PRINTE PRINTI PROBAB PROLIF PROMIS PROMPT PROVID PUKICH PUNISH QUEERM QUISIT RACTER RACUDA RADICT RAINWR RALLEL RAMAZO RAMSEY RANDMA RAPHAL RASHES RASHIN RATHER RATION RAZAYT REALLY REASON REBLOG
RECIPE RECOMM REDIEN REFERE REFUSE REGULA REMEMB REMORS REPARE REQUES RESENT RESSO4 RESSUE RESSUR RETURN REWORD RIFICI RINCEC RINKLE RINTED RINTIN RISOTT RITING RIZZLE RMARZI RMESAN RNAMES RNAROL ROACES ROBABL ROLIFI ROMISE RONICS ROPHIC ROVIDE ROWLEY RPORAT RRACUD RRATIO RTLENE RTOBEL RUCTIO RUFFLE RUTHER RZIPAN SACRIF SAFFRO SAUCEP SAV3YE SBONER SCAPIN SCHUCH SCUITS SDOTJP SECOND SEGMEN SENTAT SENTED SENTEN SEPARA SERNAM SERVES SERVIN SESSED SETTIN SEUSER SEVERA SGUISE SHADOW SHALLO SHAVIN SHENAN SHMENT SHOWIN SHROOM SIMPLE SIMPLY SINESS SINGLE SLOWLY SMOBIL SO4THE SOMEON SOMETH SOMETI SONABL SONING SPECIA SPECIF SPEEDY SPOTTE SPRINK SSCHUC SSO4TH STABLI STANDA STANDS STDIVA STEALS STELLA STROPH STRUCT STYX14 SULKYS SUMMON SWITCH TABLIS TAGGIN TAILED TALKIN TANDAR TASKED TASTRO TATION TATOES TBOYBE TCHING TDIVAN TEASPO TENCED TEXTED TFULLY THANKS THECHA THEDEP THELIT THESEU THISSO THREAD TIFYIN TIONAL TIONER TIRETY TLEMEN TLENEC TLEPRI TMETOT TOBELL TOPPED TOTHEC TOTHES TRADIC TRAINS TRAINW TRONIC TROPHI TRUCTI TRUFFL TRUTHE TTLEPR TUMBLR TURALL TURNIN TURTLE TYX142 UCEPAN UCKING UCKTAL UCTION UDA677 UEERMA UGSDOT UISITE UKICHO ULIKET ULKYST ULTIPL ULTURE UMBLRI UMMONE UMMONI UNKING UNLOCK UNNAME UNNIES UNPARA UNREAS URALLY URAZAY URDERS URNING URTLEN USERNA USHROO USINES UTIFUL UTIONE UTLASS UUYASB UYASBO VANKAR VANTRU VEGETA VEMENT VERSIO VINYLB VIRGIN WASTES WATCHI WEIRDE WEIRDL WITHIN WORKIN WRITIN XECUTI XPLAIN XPRESS XQUISI YASBON YAUTIS YBEEBO YLBIOH YOULIK YSTELL YTHING ZIRAPH 797/2176782336
7: 4THEDEP AAAAAAA ABLISHM ABLYAUT ACCIDEN ACESIGM ACHIEVE ACKSTAG ACRIFIC ACUDA67 ADICTIO ADVISED AGICALL AINWREC ALLELED ALREADY AMAZOV0 AMIODDL ANIMATR ANKARAM ANONYMO ANOTHER ANTRUTH ANYTHIN APOLOGI APPEARI APPEARS APPENED ARACTER ARALLEL ARAMAZO ARMESAN ARNAROL AROACES ARRACUD ARZIPAN ASBONER ASONABL ASTDIVA ASTROPH ATASTRO ATBOYBE ATCHING ATIONAL ATMETOT ATRONIC ATURALL AUCEPAN AUTIFUL AZIRAPH BABLYAU BACKSTA BARRACU BEATMET BEAUTIF BECAUSE BESPOKE BIOHAZA BISCUIT BLINKSA BLISHME BLRINAS BLYAUTI BOYBEEB BSESSED BUGSDOT BUSINES CARNARO CATASTR CATBOYB CCIDENT CECONFI CESIGMA CHARACT CHIEVEM CHOPPED CHUCHUW CHUUYAS CIDENTA CKSTAGE CKTALES COBBLER COMMEND COMMENT COMPLET COMPLEX CONDUCT CONFIRM CONTRAD CORPORA COUNTER CRASHES CRASHIN CRIFICI CROWLEY CUDA677 CULTURE CUTIONE CUTLASS DDLYART DEAVOUR DELECTA DELIGHT DELOREA DEMANDS DENTIFY DEPPRES DETAILE DIATELY DICTION DISGUIS DIVANTR DOTJPEG DOYOULI DRIZZLE DSMOBIL DUCKTAL EARNING EARSHOT EASONAB EASPOON EATMETO EAUTIFU EBEATME EBUGSDO ECOMMEN ECONFIR ECTABLY ECUTION EDEPPRE EDIATEL EDIENTS EERMARZ EFERENC EFFECTI EGETABL EGMENTE EIRDEST ELDRITC ELECTAB ELECTRI ELIGHTF ELITTLE ELOREAN EMBERIN EMEMBER ENDEAVO ENGUMI1 ENJOYED ENTATIO ENTENCE ENTIFYI ENTIRET ENTLEME EONEBEA EPARATE EPPRESS EPRINCE ERMARZI ERNAMES ESCAPIN ESENTAT ESENTED ESEUSER ESSO4TH ESTABLI ETAILED ETHISSO ETOTHES ETURNIN EUSERNA EVEMENT EXECUTI EXPLAIN EXPRESS EXQUISI FAILURE FEATURE FECTIVE FERENCE FFECTIV FINALLY FOLLOWI FOREWOR FUCKING FUNKING FUNNIES GENTLEM GETABLE GETTING GHERKIN GHTFULL GICALLY GIMMICK GMENTED GODDAMN GRANDMA GREDIEN GSDOTJP HALLOTS HAPPENE HAPPENS HARACTE HAVINGS HECHAOS HEDEPPR HELITTL HENANID HESEUSE HICALLY HIEVEME HIJACKI HISSONG HTFULLY HUUYASB ICTIONS IDENTAL IDENTIF IEVEMEN IFICING IGHTFUL IJACKIN IKETHIS ILGRAVE IMATRON IMMEDIA INCECON INCORPO INFUSIO INGREDI INKSAGE INSTEAD INSTRUC INWRECK INYLBIO IODDLYA IOHAZAR IRAPHAL IRRATIO ISCUITS ISGUISE ISHMENT ISONING ISSCHUC ITTLEPR IVANKAR IVANTRU JACKING KARAMAZ KETHISS KILGRAV KILLING KYSTELL LASTDIV LBIOHAZ LDRITCH LDSMOBI LEARNIN LECTABL LECTRIC LEPRINC LIGHTFU LIKETHI LINKSAG LISHMEN LITTLEP LKYSTEL LLOWING LYAUTIS MAGICAL MARZIPA MATRONI MAZOV07 MBERING MBLRINA MEDIATE MEMBERI MEONEBE METHING METIMES METOTHE MILLION MIODDLY MISSCHU MMEDIAT MMENDED MMONING MORNING MULTIPL MURDERS MUSHROO NATURAL NCECONF NCORPOR NDEAVOU NDUCTOR NEBEATM NFIRMED NFUSION NGREDIE NGUMI12 NIMATRO NKARAMA NKINGRN NKSAGER NLOCKED NONYMOU NOTHING NPARALL NREASON NSTRUCT NTATION NTENCED NTIFYIN NTIRETY NTLEMEN NTRADIC NTRUTHE NYLBIOH NYTHING O4THEDE OACESIG OBABLYA OBSESSE ODDLYAR OFFERED OHAZARD OISONIN OLDSMOB OLLOWIN OLOGIES OMEONEB OMETHIN OMETIME OMMENDE OMPLETE ONDUCTO ONEBEAT ONFIRME ONTRADI ONYMOUS OPERATE OPHICAL OREWORD ORPORAT ORTOBEL OTATOES OTHECHA OTHESEU OULIKET OYBEEBO OYOULIK PARALLE PARMESA PARSLEY PEARING PECIFIC PENGUMI PHICALL POISONI POLOGIE POPULAR PORATED PORCINI PORTOBE POTATOE PPEARIN PPRESSO PREPARE PRESENT PRESSO4 PRESSUE PRESSUR PRINCEC PRINKLE PRINTED PRINTIN PROBABL PROLIFI PROMISE PROVIDE PUKICHO QUEERMA QUISITE RACUDA6 RADICTI RAINWRE RALLELE RAMAZOV RAPHALE RASHING RATIONA REASONA RECOMME REDIENT REFEREN REGULAR REMEMBE REMORSE REQUEST RESENTA RESENTE RESSO4T RESSURE RETURNI RIFICIN RINCECO RINTING RISOTTO RMARZIP RNAROLI ROACESI ROBABLY ROLIFIC ROPHICA RPORATE RRACUDA RRATION RTLENEC RTOBELL RUCTION SACRIFI SAFFRON SAUCEPA SAV3YEE SCAPING SCHUCHU SDOTJPE SEGMENT SENTATI SENTENC SEPARAT SERNAME SERVING SETTING SEUSERN SEVERAL SHALLOT SHAVING SHENANI SHOWING SHROOMS SIMPLER SMOBILE SO4THED SOMEONE SOMETHI SOMETIM SONABLY SPECIAL SPECIFI SPOTTED SPRINKL SSCHUCH SSO4THE STABLIS STANDAR STDIVAN STROPHI STRUCTI STYX142 SULKYST SUMMONE SUMMONI TABLISH TAGGING TALKING TANDARD TASTROP TBOYBEE TDIVANT TEASPOO THECHAO THEDEPP THELITT THESEUS THISSON TIFYING TLENECK TLEPRIN TMETOTH TOBELLO TOTHECH TOTHESE TRADICT TRAINWR TRONICS TROPHIC TRUCTIO TRUFFLE TRUTHER TTLEPRI TUMBLRI TURALLY TURNING TURTLEN UCKTALE UCTIONS UEERMAR UGSDOTJ ULIKETH ULKYSTE ULTIPLE UMBLRIN UMMONED UMMONIN UNKINGR UNLOCKE
UNNAMED UNNIEST UNPARAL UNREASO URAZAYT URTLENE USERNAM USHROOM USINESS UTIONER UUYASBO UYASBON VANKARA VANTRUT VEGETAB VERSION VINYLBI WATCHIN WEIRDES WEIRDLY WORKING WRITING XECUTIO XPRESSO XQUISIT YASBONE YAUTISM YBEEBOP YLBIOHA YOULIKE YSTELLA ZIRAPHA 540/78364164096
8: 4THEDEPP AAAAAAAA ABLISHME ABLYAUTI ACCIDENT ACESIGMA ACHIEVEM ACKSTAGE ACRIFICI ACUDA677 ADICTION AGICALLY AINWRECK AMAZOV07 AMIODDLY ANIMATRO ANKARAMA ANONYMOU ANTRUTHE ANYTHING APOLOGIE APPEARIN ARALLELE ARAMAZOV ARNAROLI AROACESI ARRACUDA ASONABLY ASTDIVAN ASTROPHI ATASTROP ATBOYBEE ATMETOTH ATRONICS ATURALLY AZIRAPHA BABLYAUT BACKSTAG BARRACUD BEATMETO BEAUTIFU BIOHAZAR BISCUITS BLINKSAG BLISHMEN BLYAUTIS BOYBEEBO BUGSDOTJ BUSINESS CARNAROL CATASTRO CATBOYBE CCIDENTA CECONFIR CHARACTE CHIEVEME CHUUYASB CIDENTAL COMMENDE COMPLETE CONDUCTO CONFIRME CONTRADI CORPORAT CRASHING CRIFICIN CUTIONER DELECTAB DELIGHTF DELOREAN DENTIFYI DEPPRESS DETAILED DICTIONS DISGUISE DIVANTRU DOYOULIK DSMOBILE DUCKTALE EASONABL EATMETOT EAUTIFUL EBEATMET EBUGSDOT ECOMMEND ECONFIRM ECUTIONE EDEPPRES EDIATELY EERMARZI EFERENCE EFFECTIV EGETABLE EGMENTED ELDRITCH ELECTABL ELECTRIC ELIGHTFU ELITTLEP EMBERING EMEMBERI ENDEAVOU ENGUMI12 ENTATION ENTENCED ENTIFYIN ENTIRETY ENTLEMEN EONEBEAT EPPRESSO EPRINCEC ERMARZIP ESCAPING ESENTATI ESEUSERN ESSO4THE ESTABLIS ETHISSON ETOTHESE ETURNING EUSERNAM EXECUTIO EXPRESSO EXQUISIT FFECTIVE FOLLOWIN FOREWORD FUNKINGR FUNNIEST GENTLEME GHTFULLY GREDIENT GSDOTJPE HAPPENED HARACTER HEDEPPRE HELITTLE HESEUSER HIEVEMEN HIJACKIN HUUYASBO IDENTIFY IEVEMENT IGHTFULL IJACKING IKETHISS IMATRONI IMMEDIAT INCECONF INCORPOR INFUSION INGREDIE INKSAGER INSTRUCT INYLBIOH IODDLYAR IOHAZARD IRAPHALE IRRATION ISSCHUCH ITTLEPRI IVANKARA IVANTRUT KARAMAZO KETHISSO KILGRAVE KYSTELLA LASTDIVA LBIOHAZA LDSMOBIL LEARNING LECTABLY LEPRINCE LIGHTFUL LIKETHIS LINKSAGE LISHMENT LITTLEPR LKYSTELL LYAUTISM MAGICALL MARZIPAN MATRONIC MBLRINAS MEDIATEL MEMBERIN MEONEBEA METOTHES MIODDLYA MISSCHUC MMEDIATE MULTIPLE MUSHROOM NATURALL NCECONFI NCORPORA NDEAVOUR NEBEATME NGREDIEN NIMATRON NKARAMAZ NONYMOUS NPARALLE NREASONA NSTRUCTI NTIFYING NTRADICT NTRUTHER NYLBIOHA O4THEDEP OACESIGM OBABLYAU OBSESSED ODDLYART OISONING OLDSMOBI OLLOWING OMEONEBE OMETHING OMETIMES OMMENDED ONDUCTOR ONEBEATM ONFIRMED ONTRADIC OPHICALL ORPORATE ORTOBELL OTHECHAO OTHESEUS OULIKETH OYBEEBOP OYOULIKE PARALLEL PARMESAN PENGUMI1 PHICALLY POISONIN POLOGIES PORTOBEL POTATOES PPEARING PRESENTA PRESENTE PRESSO4T PRESSURE PRINCECO PRINTING PROBABLY PROLIFIC QUEERMAR RACUDA67 RADICTIO RAINWREC RALLELED RAMAZOV0 RATIONAL REASONAB RECOMMEN REDIENTS REFERENC REMEMBER RESENTAT RESENTED RESSO4TH RETURNIN RIFICING RINCECON RMARZIPA ROACESIG ROBABLYA ROPHICAL RPORATED RRACUDA6 RRATIONA RTLENECK RTOBELLO RUCTIONS SACRIFIC SAUCEPAN SCHUCHUW SDOTJPEG SEGMENTE SENTATIO SENTENCE SEPARATE SERNAMES SEUSERNA SHALLOTS SHAVINGS SHENANID SO4THEDE SOMEONEB SOMETHIN SOMETIME SPECIFIC SPRINKLE SSCHUCHU SSO4THED STABLISH STANDARD STDIVANT STROPHIC STRUCTIO SULKYSTE SUMMONED SUMMONIN TABLISHM TASTROPH TBOYBEEB TDIVANTR TEASPOON THECHAOS THEDEPPR THELITTL THESEUSE THISSONG TLEPRINC TMETOTHE TOTHECHA TOTHESEU TRADICTI TRAINWRE TROPHICA TRUCTION TTLEPRIN TUMBLRIN TURTLENE UCKTALES UEERMARZ UGSDOTJP ULIKETHI ULKYSTEL UMBLRINA UMMONING UNKINGRN UNLOCKED UNPARALL UNREASON URTLENEC USERNAME USHROOMS UUYASBON UYASBONE VANKARAM VANTRUTH VEGETABL VINYLBIO WATCHING WEIRDEST XECUTION XPRESSO4 XQUISITE YASBONER YLBIOHAZ YOULIKET ZIRAPHAL 357/2821109907456
9: 4THEDEPPR AAAAAAAAA ABLISHMEN ABLYAUTIS ACCIDENTA ACHIEVEME ACRIFICIN ADICTIONS AMIODDLYA ANIMATRON ANKARAMAZ ANONYMOUS ANTRUTHER APOLOGIES APPEARING ARALLELED ARAMAZOV0 AROACESIG ARRACUDA6 ASTDIVANT ASTROPHIC ATASTROPH ATBOYBEEB ATMETOTHE AZIRAPHAL BABLYAUTI BACKSTAGE BARRACUDA BEATMETOT BEAUTIFUL BIOHAZARD BLINKSAGE BLISHMENT BLYAUTISM BOYBEEBOP BUGSDOTJP CARNAROLI CATASTROP CATBOYBEE CCIDENTAL CECONFIRM CHARACTER CHIEVEMEN CHUUYASBO COMMENDED CONDUCTOR CONFIRMED CONTRADIC CORPORATE CRIFICING DELECTABL DELIGHTFU DENTIFYIN DEPPRESSO DIVANTRUT DOYOULIKE DUCKTALES EASONABLY EATMETOTH EBEATMETO EBUGSDOTJ ECOMMENDE ECONFIRME ECUTIONER EDEPPRESS EERMARZIP EFFECTIVE ELECTABLY ELIGHTFUL ELITTLEPR EMEMBERIN ENDEAVOUR ENTIFYING EONEBEATM EPRINCECO ERMARZIPA ESENTATIO ESEUSERNA ESSO4THED ESTABLISH ETHISSONG ETOTHESEU EUSERNAME EXECUTION EXPRESSO4 EXQUISITE FOLLOWING FUNKINGRN GENTLEMEN GREDIENTS GSDOTJPEG HEDEPPRES HELITTLEP HESEUSERN HIEVEMENT HIJACKING HUUYASBON IDENTIFYI IGHTFULLY IKETHISSO IMATRONIC IMMEDIATE INCECONFI INCORPORA INGREDIEN INSTRUCTI INYLBIOHA IODDLYART IRRATIONA ISSCHUCHU ITTLEPRIN IVANKARAM IVANTRUTH KARAMAZOV KETHISSON LASTDIVAN LBIOHAZAR LDSMOBILE LEPRINCEC LIGHTFULL LIKETHISS LINKSAGER LITTLEPRI LKYSTELLA MAGICALLY MATRONICS MEDIATELY MEMBERING MEONEBEAT METOTHESE MIODDLYAR MISSCHUCH MMEDIATEL MUSHROOMS NATURALLY NCECONFIR NCORPORAT NEBEATMET NGREDIENT NIMATRONI NKARAMAZO NPARALLEL NREASONAB NSTRUCTIO NTRADICTI NYLBIOHAZ O4THEDEPP OACESIGMA OBABLYAUT OLDSMOBIL OMEONEBEA ONEBEATME ONTRADICT OPHICALLY ORPORATED ORTOBELLO OTHECHAOS OTHESEUSE OULIKETHI OYOULIKET PARALLELE PENGUMI12 POISONING PORTOBELL PRESENTAT PRESENTED PRESSO4TH PRINCECON PROBABLYA QUEERMARZ RACUDA677 RADICTION RAINWRECK RAMAZOV07 REASONABL RECOMMEND REFERENCE REMEMBERI RESENTATI RESSO4THE RETURNING RINCECONF RMARZIPAN ROACESIGM ROBABLYAU ROPHICALL RRACUDA67 RRATIONAL SACRIFICI SEGMENTED SENTATION SENTENCED SEUSERNAM SO4THEDEP SOMEONEBE SOMETHING SOMETIMES SSCHUCHUW SSO4THEDE STABLISHM STDIVANTR STROPHICA STRUCTION SULKYSTEL SUMMONING TABLISHME TASTROPHI TBOYBEEBO TDIVANTRU THEDEPPRE THELITTLE THESEUSER TLEPRINCE TMETOTHES TOTHECHAO TOTHESEUS TRADICTIO TRAINWREC TROPHICAL TRUCTIONS TTLEPRINC TUMBLRINA TURTLENEC UEERMARZI UGSDOTJPE ULIKETHIS ULKYSTELL UMBLRINAS UNPARALLE UNREASONA URTLENECK USERNAMES UUYASBONE UYASBONER VANKARAMA VANTRUTHE VEGETABLE VINYLBIOH XECUTIONE XPRESSO4T YLBIOHAZA YOULIKETH ZIRAPHALE 243/101559956668416
10: 4THEDEPPRE AAAAAAAAAA ABLISHMENT ABLYAUTISM ACCIDENTAL ACHIEVEMEN ACRIFICING AMIODDLYAR ANIMATRONI ANKARAMAZO ARAMAZOV07 AROACESIGM ARRACUDA67 ASTDIVANTR ASTROPHICA ATASTROPHI ATBOYBEEBO ATMETOTHES AZIRAPHALE BABLYAUTIS BARRACUDA6 BEATMETOTH BLINKSAGER BUGSDOTJPE CATASTROPH CATBOYBEEB CECONFIRME CHIEVEMENT CHUUYASBON CONTRADICT CORPORATED DELECTABLY DELIGHTFUL DENTIFYING DIVANTRUTH DOYOULIKET EATMETOTHE EBEATMETOT EBUGSDOTJP ECOMMENDED ECONFIRMED EDEPPRESSO EERMARZIPA ELIGHTFULL ELITTLEPRI EMEMBERING EONEBEATME EPRINCECON ERMARZIPAN ESENTATION ESEUSERNAM ESSO4THEDE ESTABLISHM ETOTHESEUS EUSERNAMES EXECUTIONE EXPRESSO4T HEDEPPRESS HELITTLEPR HESEUSERNA HUUYASBONE IDENTIFYIN IKETHISSON IMATRONICS IMMEDIATEL INCECONFIR INCORPORAT INGREDIENT INSTRUCTIO INYLBIOHAZ IRRATIONAL ISSCHUCHUW ITTLEPRINC IVANKARAMA IVANTRUTHE KARAMAZOV0 KETHISSONG LASTDIVANT LBIOHAZARD LEPRINCECO LIGHTFULLY LIKETHISSO LITTLEPRIN MEONEBEATM METOTHESEU MIODDLYART MISSCHUCHU MMEDIATELY NCECONFIRM NCORPORATE NEBEATMETO NGREDIENTS NIMATRONIC NKARAMAZOV NPARALLELE NREASONABL NSTRUCTION NTRADICTIO NYLBIOHAZA O4THEDEPPR OBABLYAUTI OLDSMOBILE OMEONEBEAT ONEBEATMET ONTRADICTI OTHESEUSER OULIKETHIS OYOULIKETH PARALLELED PORTOBELLO PRESENTATI PRESSO4THE PRINCECONF PROBABLYAU QUEERMARZI RADICTIONS REASONABLY RECOMMENDE REMEMBERIN RESENTATIO RESSO4THED RINCECONFI ROACESIGMA ROBABLYAUT ROPHICALLY RRACUDA677 SACRIFICIN SEUSERNAME SO4THEDEPP SOMEONEBEA SSO4THEDEP STABLISHME STDIVANTRU STROPHICAL STRUCTIONS SULKYSTELL TABLISHMEN TASTROPHIC TBOYBEEBOP TDIVANTRUT THEDEPPRES THELITTLEP THESEUSERN TLEPRINCEC TMETOTHESE TOTHECHAOS TOTHESEUSE TRADICTION TRAINWRECK TROPHICALL TTLEPRINCE TUMBLRINAS TURTLENECK UEERMARZIP UGSDOTJPEG ULIKETHISS ULKYSTELLA UNPARALLEL UNREASONAB UUYASBONER VANKARAMAZ VANTRUTHER VINYLBIOHA XECUTIONER XPRESSO4TH YLBIOHAZAR YOULIKETHI 167/3656158440062976
11: 4THEDEPPRES AAAAAAAAAAA ACHIEVEMENT AMIODDLYART ANIMATRONIC ANKARAMAZOV AROACESIGMA ARRACUDA677 ASTDIVANTRU ASTROPHICAL ATASTROPHIC ATBOYBEEBOP ATMETOTHESE BABLYAUTISM BARRACUDA67 BEATMETOTHE BUGSDOTJPEG CATASTROPHI CATBOYBEEBO CECONFIRMED CHUUYASBONE CONTRADICTI DELIGHTFULL DIVANTRUTHE DOYOULIKETH EATMETOTHES EBEATMETOTH EBUGSDOTJPE EERMARZIPAN ELIGHTFULLY ELITTLEPRIN EONEBEATMET EPRINCECONF ESEUSERNAME ESSO4THEDEP ESTABLISHME ETOTHESEUSE EXECUTIONER EXPRESSO4TH HEDEPPRESSO HELITTLEPRI HESEUSERNAM HUUYASBONER IDENTIFYING IKETHISSONG IMMEDIATELY INCECONFIRM INCORPORATE INGREDIENTS INSTRUCTION INYLBIOHAZA ITTLEPRINCE IVANKARAMAZ IVANTRUTHER KARAMAZOV07 LASTDIVANTR LEPRINCECON LIKETHISSON LITTLEPRINC MEONEBEATME METOTHESEUS MISSCHUCHUW NCECONFIRME NCORPORATED NEBEATMETOT NIMATRONICS NKARAMAZOV0 NPARALLELED NREASONABLY NSTRUCTIONS NTRADICTION NYLBIOHAZAR O4THEDEPPRE OBABLYAUTIS OMEONEBEATM ONEBEATMETO ONTRADICTIO OTHESEUSERN OULIKETHISS OYOULIKETHI PRESENTATIO PRESSO4THED PRINCECONFI PROBABLYAUT QUEERMARZIP RECOMMENDED REMEMBERING RESENTATION RESSO4THEDE RINCECONFIR ROBABLYAUTI SACRIFICING SEUSERNAMES SO4THEDEPPR SOMEONEBEAT SSO4THEDEPP STABLISHMEN STDIVANTRUT STROPHICALL SULKYSTELLA TABLISHMENT TASTROPHICA TDIVANTRUTH THEDEPPRESS THELITTLEPR THESEUSERNA TLEPRINCECO TMETOTHESEU TOTHESEUSER TRADICTIONS TROPHICALLY TTLEPRINCEC UEERMARZIPA ULIKETHISSO UNPARALLELE UNREASONABL VANKARAMAZO VINYLBIOHAZ XPRESSO4THE YLBIOHAZARD YOULIKETHIS 121/131621703842267136
12: 4THEDEPPRESS AAAAAAAAAAAA ANIMATRONICS ANKARAMAZOV0 ASTDIVANTRUT ASTROPHICALL ATASTROPHICA ATMETOTHESEU BARRACUDA677 BEATMETOTHES CATASTROPHIC CATBOYBEEBOP CHUUYASBONER CONTRADICTIO DELIGHTFULLY DIVANTRUTHER DOYOULIKETHI EATMETOTHESE EBEATMETOTHE EBUGSDOTJPEG ELITTLEPRINC EONEBEATMETO EPRINCECONFI ESEUSERNAMES ESSO4THEDEPP ESTABLISHMEN ETOTHESEUSER EXPRESSO4THE HELITTLEPRIN HESEUSERNAME INCECONFIRME INCORPORATED INSTRUCTIONS INYLBIOHAZAR ITTLEPRINCEC IVANKARAMAZO LASTDIVANTRU LEPRINCECONF LIKETHISSONG LITTLEPRINCE MEONEBEATMET METOTHESEUSE NCECONFIRMED NEBEATMETOTH NKARAMAZOV07 NTRADICTIONS NYLBIOHAZARD O4THEDEPPRES OBABLYAUTISM OMEONEBEATME ONEBEATMETOT ONTRADICTION OTHESEUSERNA OULIKETHISSO OYOULIKETHIS PRESENTATION PRESSO4THEDE PRINCECONFIR PROBABLYAUTI QUEERMARZIPA RESSO4THEDEP RINCECONFIRM ROBABLYAUTIS SO4THEDEPPRE SOMEONEBEATM SSO4THEDEPPR STABLISHMENT STDIVANTRUTH STROPHICALLY TASTROPHICAL TDIVANTRUTHE THEDEPPRESSO THELITTLEPRI THESEUSERNAM TLEPRINCECON TMETOTHESEUS TOTHESEUSERN TTLEPRINCECO UEERMARZIPAN ULIKETHISSON UNPARALLELED UNREASONABLY VANKARAMAZOV VINYLBIOHAZA XPRESSO4THED YOULIKETHISS 86/4738381338321616896
13: 4THEDEPPRESSO AAAAAAAAAAAAA ANKARAMAZOV07 ASTDIVANTRUTH ASTROPHICALLY ATASTROPHICAL ATMETOTHESEUS BEATMETOTHESE CATASTROPHICA CONTRADICTION DOYOULIKETHIS EATMETOTHESEU EBEATMETOTHES ELITTLEPRINCE EONEBEATMETOT EPRINCECONFIR ESSO4THEDEPPR ESTABLISHMENT ETOTHESEUSERN EXPRESSO4THED HELITTLEPRINC HESEUSERNAMES INCECONFIRMED INYLBIOHAZARD ITTLEPRINCECO IVANKARAMAZOV LASTDIVANTRUT LEPRINCECONFI LITTLEPRINCEC MEONEBEATMETO METOTHESEUSER NEBEATMETOTHE O4THEDEPPRESS OMEONEBEATMET ONEBEATMETOTH ONTRADICTIONS OTHESEUSERNAM OULIKETHISSON OYOULIKETHISS PRESSO4THEDEP PRINCECONFIRM PROBABLYAUTIS QUEERMARZIPAN RESSO4THEDEPP RINCECONFIRME ROBABLYAUTISM SO4THEDEPPRES SOMEONEBEATME SSO4THEDEPPRE STDIVANTRUTHE TASTROPHICALL TDIVANTRUTHER THELITTLEPRIN THESEUSERNAME TLEPRINCECONF TMETOTHESEUSE TOTHESEUSERNA TTLEPRINCECON ULIKETHISSONG VANKARAMAZOV0 VINYLBIOHAZAR XPRESSO4THEDE YOULIKETHISSO 63/170581728179578208256
14: AAAAAAAAAAAAAA ASTDIVANTRUTHE ATASTROPHICALL ATMETOTHESEUSE BEATMETOTHESEU CATASTROPHICAL CONTRADICTIONS DOYOULIKETHISS EATMETOTHESEUS EBEATMETOTHESE ELITTLEPRINCEC EONEBEATMETOTH EPRINCECONFIRM ESSO4THEDEPPRE ETOTHESEUSERNA EXPRESSO4THEDE HELITTLEPRINCE ITTLEPRINCECON IVANKARAMAZOV0 LASTDIVANTRUTH LEPRINCECONFIR LITTLEPRINCECO MEONEBEATMETOT METOTHESEUSERN NEBEATMETOTHES O4THEDEPPRESSO OMEONEBEATMETO ONEBEATMETOTHE OTHESEUSERNAME OULIKETHISSONG OYOULIKETHISSO PRESSO4THEDEPP PRINCECONFIRME PROBABLYAUTISM RESSO4THEDEPPR RINCECONFIRMED SO4THEDEPPRESS SOMEONEBEATMET SSO4THEDEPPRES STDIVANTRUTHER TASTROPHICALLY THELITTLEPRINC THESEUSERNAMES TLEPRINCECONFI TMETOTHESEUSER TOTHESEUSERNAM TTLEPRINCECONF VANKARAMAZOV07 VINYLBIOHAZARD XPRESSO4THEDEP YOULIKETHISSON 51/6140942214464815497216
15: AAAAAAAAAAAAAAA ASTDIVANTRUTHER ATASTROPHICALLY ATMETOTHESEUSER BEATMETOTHESEUS CATASTROPHICALL DOYOULIKETHISSO EATMETOTHESEUSE EBEATMETOTHESEU ELITTLEPRINCECO EONEBEATMETOTHE EPRINCECONFIRME ESSO4THEDEPPRES ETOTHESEUSERNAM EXPRESSO4THEDEP HELITTLEPRINCEC ITTLEPRINCECONF IVANKARAMAZOV07 LASTDIVANTRUTHE LEPRINCECONFIRM LITTLEPRINCECON MEONEBEATMETOTH METOTHESEUSERNA NEBEATMETOTHESE OMEONEBEATMETOT ONEBEATMETOTHES OTHESEUSERNAMES OYOULIKETHISSON PRESSO4THEDEPPR PRINCECONFIRMED RESSO4THEDEPPRE SO4THEDEPPRESSO SOMEONEBEATMETO SSO4THEDEPPRESS THELITTLEPRINCE TLEPRINCECONFIR TMETOTHESEUSERN TOTHESEUSERNAME TTLEPRINCECONFI XPRESSO4THEDEPP YOULIKETHISSONG 41/221073919720733357899776
16: AAAAAAAAAAAAAAAA ATMETOTHESEUSERN BEATMETOTHESEUSE CATASTROPHICALLY DOYOULIKETHISSON EATMETOTHESEUSER EBEATMETOTHESEUS ELITTLEPRINCECON EONEBEATMETOTHES EPRINCECONFIRMED ESSO4THEDEPPRESS ETOTHESEUSERNAME EXPRESSO4THEDEPP HELITTLEPRINCECO ITTLEPRINCECONFI LASTDIVANTRUTHER LEPRINCECONFIRME LITTLEPRINCECONF MEONEBEATMETOTHE METOTHESEUSERNAM NEBEATMETOTHESEU OMEONEBEATMETOTH ONEBEATMETOTHESE OYOULIKETHISSONG PRESSO4THEDEPPRE RESSO4THEDEPPRES SOMEONEBEATMETOT SSO4THEDEPPRESSO THELITTLEPRINCEC TLEPRINCECONFIRM TMETOTHESEUSERNA TOTHESEUSERNAMES TTLEPRINCECONFIR XPRESSO4THEDEPPR 34/7958661109946400884391936
17: AAAAAAAAAAAAAAAAA ATMETOTHESEUSERNA BEATMETOTHESEUSER DOYOULIKETHISSONG EATMETOTHESEUSERN EBEATMETOTHESEUSE ELITTLEPRINCECONF EONEBEATMETOTHESE ESSO4THEDEPPRESSO ETOTHESEUSERNAMES EXPRESSO4THEDEPPR HELITTLEPRINCECON ITTLEPRINCECONFIR LEPRINCECONFIRMED LITTLEPRINCECONFI MEONEBEATMETOTHES METOTHESEUSERNAME NEBEATMETOTHESEUS OMEONEBEATMETOTHE ONEBEATMETOTHESEU PRESSO4THEDEPPRES RESSO4THEDEPPRESS SOMEONEBEATMETOTH THELITTLEPRINCECO TLEPRINCECONFIRME TMETOTHESEUSERNAM TTLEPRINCECONFIRM XPRESSO4THEDEPPRE 28/286511799958070431838109696
18: AAAAAAAAAAAAAAAAAA ATMETOTHESEUSERNAM BEATMETOTHESEUSERN EATMETOTHESEUSERNA EBEATMETOTHESEUSER ELITTLEPRINCECONFI EONEBEATMETOTHESEU EXPRESSO4THEDEPPRE HELITTLEPRINCECONF ITTLEPRINCECONFIRM LITTLEPRINCECONFIR MEONEBEATMETOTHESE METOTHESEUSERNAMES NEBEATMETOTHESEUSE OMEONEBEATMETOTHES ONEBEATMETOTHESEUS PRESSO4THEDEPPRESS RESSO4THEDEPPRESSO SOMEONEBEATMETOTHE THELITTLEPRINCECON TLEPRINCECONFIRMED TMETOTHESEUSERNAME TTLEPRINCECONFIRME XPRESSO4THEDEPPRES 24/10314424798490535546171949056
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glad that im not popular enough to have an evil shadow version of my blog that exists just to make contradictions on my posts
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Examen físico - extraoral
El examen de cráneo es una parte importante de la evaluación médica y odontológica.
Examen de Cráneo
Objetivos
1. Evaluar la estructura y función del cráneo.
2. Identificar posibles lesiones o anomalías.
3. Determinar la causa de síntomas como dolor de cabeza, mareos o problemas de visión.
Técnicas de Examen
1. Inspección: Observación visual del cráneo para detectar signos de lesión o anomalía.
2. Palpación: Tacto para evaluar la textura y consistencia del cráneo.
3. Percusión: Técnica para evaluar la resonancia del cráneo.
4. Auscultación: Escucha de los sonidos producidos por el cráneo.
Puntos Clave del Examen
1. Forma y simetría: Evaluar la forma y simetría del cráneo.
2. Tamaño y proporción: Evaluar el tamaño y proporción del cráneo.
3. Suturas y fontanelas: Evaluar las suturas y fontanelas para detectar signos de lesión o anomalía.
4. Movimientos craneales: Evaluar los movimientos del cráneo para detectar signos de rigidez o limitación.
Anomalías y Lesiones Comunes
1. Fracturas: Lesiones en el cráneo que pueden ser causadas por trauma.
2. Hematomas: Acumulación de sangre en el cráneo que puede ser causada por trauma.
3. Tumores: Crecimientos anormales en el cráneo que pueden ser benignos o malignos.
4. Anomalías congénitas:’Anomalías presentes al nacer, como la craneosinostosis.
Pruebas Complementarias
1. Radiografías: Imágenes de rayos X para evaluar la estructura del cráneo.
2. Tomografía computarizada (TC): Imágenes detalladas del cráneo.
3. Resonancia magnética (RM): Imágenes detalladas del cráneo sin radiación.
Importancia del Examen
1. Diagnóstico preciso: Identificación de lesiones o anomalías.
2. Plan de tratamiento: Desarrollo de un plan personalizado.
3. Seguimiento y evaluación: Monitoreo del progreso.
4. Mejora de la calidad de vida: Tratamiento efectivo de las lesiones o anomalías.
EXAMEN DE CARA
El examen de cara en semiología es una parte fundamental en la evaluación de los pacientes.
Técnicas de Examen
1. Inspección: Observación visual de la cara para detectar signos de lesión o anomalía.
2. Palpación: Tacto para evaluar la textura y consistencia de la piel y los tejidos faciales.
3. Percusión: Técnica para evaluar la resonancia de los senos faciales.
4. Auscultación: Escucha de los sonidos producidos por los senos faciales.
Puntos Clave del Examen
1. Simetría facial: Evaluar la simetría de la cara.
2. Movimientos faciales: Evaluar los movimientos de los músculos faciales.
3. Sensibilidad: Evaluar la sensibilidad en la cara.
4. Función de los senos faciales: Evaluar la función de los senos faciales
Signos y Síntomas
1. Dolor facial: Dolor en la cara, incluyendo el dolor de cabeza y el dolor de oído.
2. Edema facial: Hinchazón en la cara.
3. Parálisis facial: Pérdida de movimiento en los músculos faciales.
4. Asimetría facial: Desviación de la simetría facial.
Enfermedades Asociadas
1. Neuropatía trigémina: Enfermedad que afecta el nervio trigémino.
2. Sinusitis: Inflamación de los senos faciales.
3. Cáncer de piel: Crecimientos anormales en la piel de la cara.
4. Enfermedades dentales: Problemas dentales, como la caries y la periodontitis.
Examen de Pares Craneales
Par craneal I (Olfatorio): Evaluación del sentido del olfato.
- Prueba: Identificar olores.
Par craneal II (Óptico): Evaluación de la visión.
- Prueba: Examen de agudeza visual.
Par craneal III (Oculomotor): Evaluación de la movilidad ocular.
- Prueba: Seguir un objeto con los ojos.
Par craneal IV (Troclear): Evaluación de la movilidad ocular.
- Prueba: Rotación del ojo hacia abajo y hacia afuera.
Par craneal V (Trigémino): Evaluación de la sensibilidad facial y la función motora.
- Prueba: Tacto en la cara, reflejo corneal.
Par craneal VI (Abducens): Evaluación de la movilidad ocular.
- Prueba: Rotación del ojo hacia afuera.
Par craneal VII (Facial): Evaluación de la función motora facial.
- Prueba: Sonreír, fruncir el ceño.
Par craneal VIII (Auditivo): Evaluación de la audición.
- Prueba: Examen de audición.
Par craneal IX (Glosofaríngeo): Evaluación de la función motora y sensitiva en la garganta.
- Prueba: Deglución, reflejo faríngeo.
Par craneal X (Vago): Evaluación de la función motora y sensitiva en la garganta y el abdomen.
- Prueba: Deglución, reflejo faríngeo.
Par craneal XI (Accesorio): Evaluación de la función motora en el cuello.
- Prueba: Rotación del cuello.
Par craneal XII (Hipogloso): Evaluación de la función motora lingual.
- Prueba: Movimiento de la lengua.
Técnicas de Examen Avanzadas
1. Electromiografía (EMG): Evaluación de la actividad muscular.
2. Electroneurografía (ENoG): Evaluación de la velocidad de conducción nerviosa.
3. Resonancia magnética (RM): Imágenes detalladas del sistema nervioso.
Importancia del Examen
1. Diagnóstico preciso: Identificación de signos y síntomas.
2. Plan de tratamiento: Desarrollo de un plan personalizado.
3. Seguimiento y evaluación: Monitoreo del progreso.
4. Mejora de la calidad de vida: Tratamiento efectivo de las enfermedades.
EXAMEN ATM
El examen del ATM (Articulación Temporomandibular) es una evaluación importante en la práctica odontológica.
Técnicas de Examen
1. Inspección: Observación visual de la cara y la mandíbula.
2. Palpación: Tacto para evaluar la textura y consistencia de los tejidos.
3. Percusión: Técnica para evaluar la resonancia.
4. Auscultación: Escucha de los sonidos producidos por la ATM.
Puntos Clave del Examen
1. Movilidad: Evaluar la apertura y cierre de la boca.
2. Puntos de dolor: Identificar áreas dolorosas en la ATM.
3. Crepitación: Escuchar sonidos anormales en la ATM.
4. Desviación: Evaluar la desviación de la mandíbula al abrir la boca.
Trastornos Comunes del ATM
1. Disfunción de la ATM: Problemas en la articulación.
2. Artritis: Inflamación de la articulación.
3. Luxación: Desplazamiento de la mandíbula.
4. Bruxismo: Apretamiento o rechinamiento de los dientes.
EXAMEN DE CUELLO
El examen de cuello es una evaluación importante en la práctica médica y odontológica.
1. Movilidad: Evaluar la flexión, extensión, rotación y lateralidad del cuello.
2. Puntos de dolor: Identificar áreas dolorosas en el cuello.
3. Ganglios linfáticos: Evaluar el tamaño y consistencia de los ganglios linfáticos.
4. Vasos sanguíneos: Evaluar el pulso y la tensión arterial.
Trastornos Comunes del Cuello
1. Cervicalgia: Dolor en el cuello.
2. Cervicobraquialgia: Dolor en el cuello y brazo.
3. Hernia discal: Protrusión del disco intervertebral.
4. Espondilosis: Desgaste de las vértebras.
EXAMEN DE GANGLIOS LINFÁTICOS
1. Inspección: Observación visual del cuello.
2. Palpación: Tacto para evaluar la textura y consistencia de los tejidos.
3. Percusión: Técnica para evaluar la resonancia.
4. Auscultación: Escucha de los sonidos producidos por los vasos sanguíneos.
Puntos Clave del Examen
1. Movilidad: Evaluar la flexión, extensión, rotación y lateralidad del cuello.
2. Puntos de dolor: Identificar áreas dolorosas en el cuello.
3. Ganglios linfáticos: Evaluar el tamaño y consistencia de los ganglios linfáticos.
4. Vasos sanguíneos: Evaluar el pulso y la tensión arterial.
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Check out this listing I just added to my Poshmark closet: Kodak 1000 Piece Car Wash Saturday and de bored 500 Piece Palm Springs Puzzles.
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comunicação ruralista baseada no medo para emplacar o marco temporal foram super bem descritos em uma reportagem publicada nesta semana na revista piauí. Deixo aqui o link para quem quiser se aprofundar. Também volto a recomendar uma outra reportagem que demos aqui na Pública que mostra como o agronegócio e a extrema direita impulsionam máquina de fake news sobre aquecimento global.
O projeto de lei acabou aprovado na Câmara em 30 de maio. Agora em agosto, ele começou a ser apreciado pelo Senado. A FPA voltou à carga, com um teor um pouco diferente. Desta vez, foram impulsionados posts com falas de senadores ruralistas em defesa do projeto, que agora, na nova Casa, tem o número de PLS 2.903/2023. Por enquanto foram só quatro anúncios, que tiveram cerca de 200 mil impressões.
A promoção da desinformação, porém, segue outros caminhos. Nesta quarta, 30, à noite, em meio a um jogo de futebol da Libertadores, havia um banner em defesa do marco temporal no meio do “ao vivo” da partida no UOL. O link remetia para um conteúdo pago com pinta de noticioso no mesmo site promovido pela Associação Brasileira dos Produtores de Algodão (Abrapa).
Na semana passada, nas mesas dos senadores que participavam da sessão da Comissão de Agricultura e Reforma (CRA) que aprovou o PL 2.903, uma pastinha da FPA trazia os mesmos dados alarmistas dos anúncios. Como era de esperar, o texto foi aprovado com facilidade na CRA e está agora na Comissão de Constituição e Justiça (CCJ).
Vale reforçar que todo esse esforço de desinformação promovido pelo agronegócio é pago. Quem pagou pela amplificação das publicações no Facebook e Instagram foi o Instituto Pensar Agropecuária (IPA) �� organização com “o objetivo de defender os interesses da agricultura e prestar assessoria à Frente Parlamentar da Agropecuária por meio de acordo de cooperação técnica”, como eles mesmos se definem.
É bem mais que isso, na realidade. O IPA é responsável por elaborar toda a estratégia de ação e de comunicação da bancada ruralista. É a mente que organiza todo o lobby do setor, como detalhei, no ano passado, no podcast Tempo Quente, da Rádio Novelo.
Veja que o IPA é financiado por entidades como Associação Brasileira do Agronegócio (Abag), Associação Brasileira dos Produtores de Soja (Aprosoja), Confederação da Agricultura e Pecuária do Brasil (CNA) e Federação da Indústria do Estado de São Paulo (Fiesp). Indiretamente, porém, são empresas que estão por trás da organização. Multinacionais como Cargill, Bunge, Nestlé, JBS e Bayer. Dossiê do “De Olho Nos Ruralistas” destrinchou os financiadores e a atuação do instituto de lobby, que presta suporte técnico, organiza eventos e financia as ações da bancada ruralista no Congresso.
É dinheiro sendo colocado em uma máquina azeitada que promove dúvida, medo e desinformação. No Congresso, esse discurso tem funcionado muito bem, e o texto está avançando. O tema também está sob escrutínio do Supremo Tribunal Federal (STF), empatado em 2 x 2, por enquanto.
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Robert Kiyosaki a récemment fait une prédiction très positive sur l'argent. Il n'a pas indiqué d'objectifs de prix possibles, mais il a avancé un argument qui implique une forte appréciation du prix du métal. La prédiction de Robert Kiyosaki sur l'argent Kiyosaki soutient que l'argent est un métal précieux utilisé dans l'industrie qui devient de plus en plus rare à mesure qu'il s'épuise. Il l'a appelé "la meilleure affaire en tant qu'investissement de manière durable" mieux que tous les autres. Dieux d'or et d'argent mis sur terre par Dieu. Problème l'or est X fois plus cher que l'argent. L'argent est un métal précieux industriel qui se raréfie au fur et à mesure de son épuisement. Pour moi, l'argent est une meilleure affaire en tant qu'investissement de manière durable. Le meilleur de tous, tout le monde peut l'argent. L'obtenir? J'ai compris? B4Parti ?– Robert Kiyosaki (@theRealKiyosaki) 14 août 2023 En 2023, le prix de l'argent n'a pas encore beaucoup bougé. Il a démarré l'année autour de 24 dollars l'once, pour grimper juste au-dessus de 26 dollars début mai. Il a ensuite chuté, à tel point qu'il est dorénavant inférieur à 23 dollars, bien qu'il ait atteint son plus bas annuel dans la première quinzaine de mars, juste en dessous de 20 dollars, quand la crise bancaire a éclaté aux États-Unis. Il a donc commencé à 24 $, a fluctué entre 20 $ et 26 $, puis est revenu à 23 $. Les huit premiers mois de l'année se sont avérés assez monotones pour le prix de l'argent. Au lieu de cela, il semble augmenter par rapport à il y a un an, lorsqu'il valait moins de 20 dollars l'once. Le creux de 2022 était de 17,5 $ fin août. Pratiquement depuis juillet 2020, soit plus de trois ans, le prix de l'argent s'est latéralisé au-dessus de 20 $. On ne peut certainement pas dire que c'est un atout qui vous permet d'obtenir des gains importants en peu de temps. Avant le démarrage de la pandémie, son prix était de 18 dollars l'once, ce qui est conforme au prix minimum de l'an dernier. Et même en 2011, il avait dépassé les 40 $, soit le double de la valeur du plus bas de cette année. Ça pourrait vouloir dire que Kiyosaki pense actuellement qu'il est fortement sous-évalué, ce qui suggère qu'il pense aussi qu'un retour aux sommets d'il y a douze ans est possible. Prédiction Bitcoin Cette prédiction a été faite le lundi 14 août, soit avant le crash des marchés de la cryptographie le jeudi 17 août. A l'époque Kiyosaki exprimait aussi son opinion sur le Bitcoin, ce qu'il fait très souvent. Il a émis l'hypothèse qu'en cas d'effondrement de l'économie mondiale, le cours du Bitcoin pourrait atteindre le million de dollars, celui de l'or à 75 000 dollars l'once, et celui de l'argent à 60 dollars. BITCOIN à 100 000 $. Dire pendant des années l'argent de DIEU d'or et d'argent. Peuples BITCOIN $. Mauvaises nouvelles SI le marché boursier et obligataire s'effondre, l'or et l'argent montent en flèche. PIRE NOUVELLES SI l'économie mondiale s'effondre BC 1 million de dollars d'or 75 000 $ d'argent à 60 000 $. ÉPARGNANTS de FAUX US $ F'd. DETTE trop élevée. Maman, papa et enfants dans…– Robert Kiyosaki (@theRealKiyosaki) 14 août 2023 Toutefois, il n'a pas dit à quel point il pensait qu'un effondrement de l'économie mondiale était probable, donc cette prévision est prise au profit de l'inventaire. Par la suite, en raison des craintes sur la résilience de l'économie chinoise, le prix du Bitcoin a chuté, tandis que l'or et l'argent ont d'abord augmenté puis sont redescendus à leur point de départ. Il semble quasiment que Kiyosaki considère Bitcoin comme un actif à risque comme l'or et l'argent, alors qu'il est encore assez clair que Bitcoin est un actif à risque. Toutefois, vos prévisions sont de manière durable, elles ne peuvent donc pas être comparées à ce qui se passe à court terme. Robert Kiyosaki Kiyosaki est devenu connu pour avoir publié le livre à réussite Rich Dad Poor Dad de 1997, co-écrit avec Sharon Lechter. Rich
Dad Poor Dad est resté sur la liste des meilleures ventes du New York Times pendant plus de six ans, avec plus de 32 millions d'exemplaires vendus dans environ 109 pays. Le livre a été publié avant l'éclatement de la bulle Internet, et a eu du réussite car il proposait deux modes de vie, tous deux établis sur le travail, l'un pauvre, sans investissement, et l'autre riche d'études et d'investissements. Depuis quelque temps Kiyosaki, qui a aujourd'hui 76 ans, s'intéresse aussi au Bitcoin, en plus des investissements classiques sur les marchés traditionnels. Il est plutôt sceptique quant à la performance de l'économie et des marchés financiers, à tel point qu'il recommande souvent de miser dans l'or et le Bitcoin précisément comme des formes de protection contre la crise. L'or est le $ de Dieu. L'or a un pouvoir magique, spirituel et mystérieux. L'or est une énergie financière stockée et c'est pourquoi, pendant des siècles, les humains l'ont recherché, acheté et combattu pour l'obtenir. L'or attire la richesse, la chance et la malchance. Traitez l'or avec respect et Dieu peut vous bénir avec les finances de l'or…– Robert Kiyosaki (@theRealKiyosaki) 13 août 2023 A vrai dire, il n'est pas réputé pour avoir fait bon nombre de prédictions, notamment sur l'évolution des prix du Bitcoin, mais étant haussier pour l'instant en général, l'histoire de ce point de vue lui a donné raison. Son réussite est certainement dû principalement à sa capacité à communiquer, de manière simple mais apparemment approfondie. Il a un large public, vu que sur X (anciennement Twitter), il compte près de deux millions et demi de followers. Toutefois, il ne rentre pas dans les rangs de ceux qui sont largement considérés comme de véritables experts du Bitcoin, même si en ce qui concerne les marchés traditionnels, ses plus de trente ans d'expérience pèsent lourd. Si ses prévisions s'avèrent correctes, de nouvelles fortes baisses des marchés financiers sont à prévoir, notamment en ce qui concerne les actifs à risque. PDJ Plus de l'auteur
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Parte Diez: Museo Generación X: Llegamos a la emisora más icónica de la generación X! La súper estación 88.9, maravillados con esta réplica de estudio, y finalizamos con la grandiosa selección del salón #Lego con muestras de #StarWars y lo mejor de la cultura pop🔥🔥🔥🔥En junio del 2022 tuvimos el placer de recibir un tour privado en las instalaciones del museo Generación X, en la ciudad de Bogotá en el barrio la Castellana, ubicado en la Cra 47 # 91 – 04, de la mano de su creador Saadid Martinez, fue un día entero que pasamos en este maravilloso lugar, compartiendo miles de anécdotas y memorabilia de nuestra niñez, si eres de la generación X, no te pierdas esta serie de reportajes que estaremos publicando en nuestras redes sociales 😊 y si pasas por Bogotá no dejes de visitar este increíble lugar. #SomosRealCollectors #RealCollectors #RealCollector #GeneraciónX #GeneracionX #X #BackToTheFuture #Movie #Movies
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WEEK 2: Imported + touched photos
all these photos are black and white to suit a similar theme across my pamphlet.
i've touched them up so that they all have contrasts between the black and white.
in the future i will add a coloured overlay on top of the photographs. to create a form of dimension. i also think it will be an effective aspect to include in my pamphlet.
i also may potentially crop these photos to fit my pamphlet.
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this pairing is so painfully heart-breaking yet also beautiful...
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Everything Has Changed
AU, MobWives! Wandanat x Reader, MobWives! KateYelena x Reader (Platonic), SecretRivalMob! Carol x Reader (brief)
CoffeeShopOwner! Reader /
TrustFundBaby! Reader
Chapter 4| Masterlist | Chapter 6 (End)
TW: VIOLENCE, Blood, alluding to murder/death, sexual innuendos/harassment, non consensual touching, torture.
Y/N's POV
"It's okay little dove, I'll make sure to avoid that pretty little face of yours..." Carol coos
"Yo-u're de-ad." I warn her over the ball gag, knowing that the moment she cuts me, she's cutting her life short.
"What was that?? Ooh, that reminds me, I want to hear those screams of yours that I've heard so much about.." She proclaims, as she comes over to remove the ball gag from my mouth after many hours.
Once it's removed, the dull ache in my jaw becomes more prominent. I slowly close my mouth, and in doing so a sharp pain shoots throughout my entire head. Reminding me of the not so minor ache in my temple from the earlier blow. My face and lap are now covered in drool, and my wrists and ankles feel as if they're burning from the ropes.
"God, you look so pretty like this, I could only imagine what you would've looked like writhing beneath me." She rasps out, straddling my lap and forcefully smashing her lips into mine, then pulling back with my lip trapped between her teeth. She bites down harshly, drawing blood as was her clear intention.
While kissing me, she began to draw her blade down my body, starting at my chest and stopping at the top of my pants.
"The shirt has got to go..." She whispers into the space between us, as she let's the torn shirt fall down from my shoulders until it settles at my bound wrists.
“Better.” She beams.
I hadn't really noticed this prior, but she had already removed my suit and placed me in a basic white tee shirt and shorts. I felt violated at the fact that she's undressed me, but more so angry that my clothes are missing.
"Where's my suit?" I whine, clearly having what one would call misaligned priorities.
She grips my chin roughly, turning me to face her, as she stares at me in amusement.
"I have you tied up, and half nude, completely at my mercy, and all you care about is your cheap ass suit?"
"It was the last one in my size." I honestly reply.
"You're almost too cute for your own good." She coos, instantly contradicting herself as she slashes a decent sized mark into my abdomen, and I hiss at the contact.
"Like I said, almost..." She replies, chuckling darkly, and removing herself from my lap.
She steps back, seemingly admiring the sight before her, smirking deviously as she watches the blood trail down my exposed abdomen. Her smile quickly fading as I began to speak...
Natasha's POV
I'm currently speeding Yelena and I down the freeway on my bike, going upwards of 100 mph, passing the cops with a simple wave of a hand. Expertly drifting between the lanes as we make our way to his warehouse. Kate and Wanda are not too far behind us in the Lamborghini Uris.
Bucky and Steve are already two steps ahead of Rumlow, and are waiting in his private jet for him. Our plan is simple, Yelena and I focus on his potential goons, Wanda handles Danvers, and Kate gets Y/N to safety.
As Yelena and I slide into the lot, coming to an aggressive stop, we jump into action.
"You go left, I go right." I confirm with my sister, she nods in confirmation, raising her gun up and into position.
I silently countdown from three with my fingers, kick the doors in, and am shocked at the sight. I refrained from laughing, as Yelena and I holster our weapons and choose to resort to simple hand to hand. It's clear as day that Rumlow left this girl in the hands of his rejects. They looked back at us with blank stares, only moving after we threw the first punch. Yelena swiped three of them onto their asses instantly knocking them out. Three of the bigger men attempted to bum rush me from all angles, I jumped up to grab onto a bar, and swing my body upwards, as they all crash into each other making this far too easy.
Wanda and Kate run in not too long after us, equally as shocked, and before they could laugh at the pathetic sight we all heard a shriek. Wanda and Kate wordlessly run passed us, then I turn to see Yelena angrily whip one of the men upside the head with her batons.
As soon as all the men are taken down, Yelena and I scout the surrounding area for any others. Once we've cleared the space, Yelena heads straight to the Lamborghini, preparing to take off with Kate and Y/N as soon as she makes it out.
Bucky and Steve sent another one of our men our way to collect the Danvers girl, and take her back to the sanctuary where she'll meet her tragic end. Much like Romeo and Juliet, she'll die with her star crossed lover.
Wanda and I will be sure to have our fun with her until he arrives.
Y/N's POV
"So, I didn't think you'd be this careless with your life, I expected you to be a bit smarter. You should've listened to your 'daddy'" I laugh out, having regained my composure.
"God, I thought I scared the brat out of you." She groans, looking at me with devilish eyes and I chuckle vehemently at her statement.
"Jesus, It's like the pot calling the kettle black here, if I'm a brat, then you'd be our supreme ruler. God, Carol, at least have some respect for yourself. Your precious 'daddy' left you here to fend for yourself, knowing damn well that my mobsters mean business. He didn't give you any power here, he manipulated you into taking the fall while presenting it to you as control."
"You have no idea what you're talking about!" She shouts, harshly slapping my cheek, then gripping my hair to roughly pull my head up. Placing the blade firmly against my throat, scowling at me, as I feel her angry breaths fanning across my face.
"I do though, we both know I'm right, if I wasn't then you wouldn't have reacted this way." I continue.
"Shut the fuck up!" She seethes, gently dragging the blade across my throat, then digging slightly as she reach the side, and successfully drawing blood.
Within an instant, she abruptly loses her shit, taking the blade, and viciously slicing it across my thighs, resulting in a high pitched wail to tumble passed my lips. The sound seemingly only egging her ministrations on, as she moves her blade to my arms, cutting at random. As she seems to have finished, I look to see she left my legs and arms a wasteland of freshly sliced marks, that are oozing, as my blood slowly cascades down onto the concrete below.
I see the exact moment that her anger seemed to fade, as she abruptly moved away from my body, and started to frantically pace around the space we're in. Attempting to calm herself, and doing everything she can to negate the reality she's put herself in.
"You are wrong! My 'daddy' loves me, and would never leave me in harms way... He vowed to keep me safe, and I trust him." She suddenly shouts, and trails off into a whisper, as she's seemingly trying to convince herself as much as she is me.
"Rule number one, never trust a mobster.
Rule number two, never trust a man.
Rule number three, don't touch what's not yours."
I bitterly chuckle out, as the door slams wide open.
Wanda's POV
At the sound of a painful scream, Kate and I run ahead, leaving Natasha and Yelena behind to take out the rest of Rumlow's rejects. Smart move on his end to leave behind his girl to take the fall, but that just won't do for me.
I'm all for the girl boss behavior, I'd even had let her down easy for trying to be an informant, but the moment she took Y/N she practically sealed her fate.
I take a deep breath, steadying myself for what I might be stumbling upon. I look to Kate who seems to be doing the same, once she nods I kick the door in.
I've seen massacres before, I've even led a few of my own, but nothing ever really prepares you for this. To see the woman you love fully, that you'd vowed to protect, sliced to pieces and bleeding profusely. Knowing it all comes down to your business arrangements makes the hurt worse. The humanity in me begged for me to run and scoop her up, to place gentle kisses to her face and whisper out 'I love you's.' However, the vengeful part of me wins out, as I move swiftly to handle the culprit.
She started a losing battle.
Kate's POV
As soon as I took in Y/N's bloody form, I ran over to her with the first aid kit.
“Kate?” She questions my existence, tears ever present in her eyes…
“I’m here Y/N/N..” I confirm, and watch her body calm almost instantly.
“I’m sorry I didn’t text you, I really fumbled the bag here...” She humorlessly chuckles out.
“Shh, none of that. You didn’t seem to even have a chance to, she moved so quickly.”
“You saw?”
“Of course I did, you know I’m quite the hacker.” I joke, and receive the smile I was hoping for.
“I love you, Katieeee.” She says in a singsong manner.
“I love you too, darling.” I beam, then gently boop her nose.
I then made quick work of tending to her, haphazardly pouring antiseptic onto her open wounds, and cringing at the sound of her whimpers. I then placed thick layers of gauze over her thighs, and applied firm pressure to try and stunt the bleeding. Then I wrapped the gauze firmly into place. I moved to untie her ankles, then followed up with her wrists. She immediately slumped forward into me, no longer able to really hold her own weight up any longer.
I still needed to handle her arms, and abdomen, so I gently laid her against the concrete, as she whined upon contact.
"I'm so sorry sweet girl, I promise I'm almost done, then I'll take you out to Yelena." I do my best to comfort her, while keeping my own emotions at bay.
"My suit..." She incoherently mumbles.
"Your suit?" I question in amusement while I finish up tending to her abdomen and move to her arms.
"That bitch took it off of me, an-nd I want it back." She whines out, and I do my best to hold back a laugh, especially as I hear Wanda growl in acknowledgment of her words.
"Sweet girl, I promise I'll get you another."
"It was the last in my size."
"Y/N/N, do you know who I am?" I quip back, as I meet her pitiful gaze.
I lean down to kiss her forehead, stroking over the laceration to the right side of her forehead that's up against her hairline.
"Almost done, just gotta take care of this gnarly gash on your forehead, okay?"
She brokenly hums in acknowledgment, nodding her head, and pouting her lip as she prepares for the pain. As expected, she instinctually tries to shimmy away, but I'm straddling her hips and have her locked firmly in place.
"I know, but I don't want this one to get infected, I'll be quick." I reassure her, quickly dabbing the dried blood away, and thoroughly cleaning it, before placing a sticky gauze over it.
I look back to see a very tense Wanda watching the whole ordeal. She's already knocked Carol out, and had placed her in the same seat she has Y/N in, securing her with chains. Her demeanor screams homicidal, but I can see the pain and the guilt that's swimming in her eyes. I gently nod at her, hinting for her to come over before I take off with Y/N. She wastes no time in scurrying over and dropping to her side.
"Detka, I'm so sorry." Wanda murmurs as she gently strokes her thumb across Y/N's cheek.
Y/N seems to visibly melt at her touch, and I can genuinely feel the love flowing between the two women.
"Shh, Wands... It's not your fault." Y/N tries but Wanda quickly shuts her down.
"But it is dorogoy... We drove you into this psychopaths arms, and she was only after you because of our line of work. I promise you, that from this day forward you're safe. After we take care of Rumlow and Danvers, the other mobs will know their place. For the ones that don't, they'll have to go through Steve or Bucky, because they'll be taking turns as your personal guard."
"Wands, I'm more than capable of handling myself, I just let my guard down." Y/N quips back, bringing back the funny memories I have from our last holiday party.
"I don't want to hear it, detka! This was too close of a call.." Wanda commands, then shakily finishes, as her resolve begins to crack.
"Okay, I understand Wands, plus, I've always wanted to braid Bucky's hair so this is the perfect chance to convince him to let me." Y/N concedes, ulterior motives shining through at the mischievous glint in her eyes.
Wanda releases a genuine belly laugh, and Y/N slightly giggles before abruptly stopping as her face morphs in an uncomfortable state.
"I'll see you in a bit, detka, I love you." Wanda whispers, then leans forward to kiss her lips sweetly.
"I love you most Wands." Y/N replies, as Wanda playfully rejects the idea with the shake of her hand.
Wanda then stands up and faces me, nodding, then reverting back to her homicidal look.
"Come on Y/N/N, let's go, I got you." I coo, gently lifting her up bridal style, as she lowly whines at the movements.
I move through the halls, at an even pace as to not jostle her too much, but to also ensure we get out before any secondary goons have a chance to appear. Once we're closing in on the doorway Natasha's standing there with bated breath. Her eyes full of concern as she sees Y/N hardly helping to hold herself up in my arms.
Without a word she approaches us, stopping me and gently sliding Y/N out of my arms and into her own. Cradling her entirely in her arms effortlessly as if she was a toddler...
I clearly need to hit the gym....
Natasha's POV
"Oh, moy dragotsennyy angel... What did that wretched woman do to you." I whisper against her forehead, as I place a firm kiss to it.
(My precious angel)
"Natty?" She croaks in question.
"I'm right here krasivaya." I reassure her, tightening my grip while still being gentle.
(Beautiful)
I walk her out to the car, carefully placing her into the backseat where Yelena's seated already, so I lay her down, gently placing her head into her lap.
As I get a good look at her, I'm relieved to see her bandages are clean, so she's not profusely bleeding, had she ever been. I reach over the seat into the trunk to grab the clothes I had managed to grab for her. I hand Wanda's hoodie to Yelena, gently lifting Y/N into a partially seated position so she could slip it on over her head. I slide a pair of my sweats over her legs, ever so slowly as I reached her thighs.
"I love you, Y/N/N."
"I love you too, Natty." She hums, sending me off with a tired smile.
As I go to shut the door, Kate runs out..
"I found it!" She pants out
"Found what?" I question in confusion.
"Y/N's suit, and phone."
I hear Y/N lowly squeal, then look to see her smiling widely, with her eyes still shut.
"Glad all of our priorities are aligned." I groan playfully, before taking off towards my wife.
It's time to handle our business.
Yelena's POV
Kate's driving us towards the office, where we have an underground medical facility. We can't just constantly be showing up to the county hospital with the injuries we usually have without raising eyebrows.
I never once take my eyes off of Y/N, making sure that she's still breathing and that her bandages stay clean. As soon as Natasha left, Y/N finally succumbed to her exhaustion, as she felt safe enough to sleep. As she had been falling asleep in my lap, her hand was moving around, so I linked it with mine to comfort her.
"Bucky just texted, they got Rumlow, and his main goons." Kate informs me as she takes a right into the office parking lot, then drives to the back of the building.
"I don't want to leave her, but I also want nothing more than to watch the light drain out of their eyes." I coldly reply, slightly tensing as I feel a squeeze to my hand.
"Yel, I'm okay, it's okay." Y/N rasps out, grogginess evident in her tone.
“It absolutely is not okay! You’re hurting because of that woman that Natasha, and Wanda pushed you into dating.”
“Now, Yel, let’s not play the blame game here… Natasha and Wanda might’ve made mistakes, but this was a long time coming. I’ve been all of your friends for years, and you should know this isn’t exactly my first mob related kidnapping. There’s a reason I have quite the trust fund, my parents died in this business. I changed my last name, moved from LA to NYC and became a coffee shop owner. I don’t blame any of you, I blame Carol for letting a man control her, and myself for dropping my guard enough to let her drug me.” Y/N replies, shocking me exponentially with her confession. Then setting me as straight as she could, being one of three people able to push passed my stubborn walls.
“Fine, but I don’t plan on changing her contact back just yet.” I growl, while scratching at her scalp, and she just laughs before following it with a wince.
“I love you, Yel.” Y/N beams, as she looks up to me with a smile.
“I love you too, malen'kaya suchka.” I reply, stupidly smiling down at her, then breaking out into laughter as she tries to slap me but her wrapped arms restrict her movement.
(Little bitch)
I look up to see Kate returning with Helen Cho and a gurney. Kate helps me to get her out of the car, then Helen takes her to her own room, simply to stitch the deep cuts up, and pump her full of pain meds and antibiotics.
“We have time if you want to go to the sanctuary. Helen said she’ll probably be out for a few hours due to the morphine.” My wife states as they’re out of ear shot, wrapping her arms around my neck, pulling me into her calming embrace, as I bury my face into her neck.
“It’s okay moya lyubov’, I’d rather stay here, making sure no one else shows up.”
“I’m right there with you, darling.” She agrees, then places a sweet kiss to my lips.
We walk hand in hand to the waiting area, and took a seat.
She’s going to be okay…
Y/N’s POV
Soon after Helen and I got to my designated room, I quickly faded—they sure got some good drugs here. Not sure why I’d ever doubt the strength of the mobsters morphine though…
I gently open my eyes, allowing myself time to acclimate to the lights, then I look around my room. First thing I notice is the horrible hospital gown I’ve been placed in, feeling violated once more. It’s actually quite hideous, like I don’t really care who saw my butt, I just want to know who approved this design. Then I look over my body, to see that my thighs and arms are covered once more, but more professionally.
I then raise my gaze to see the clock says 11PM, then scope out the room. On a cot to my right is Natasha flat on her back, with Wanda face down, directly on top of her, both with their hands placed somewhere on my body. As I look forward I see Yelena is seated on the couch leaning against the wall, with her legs propped up on my bed, and her head hanging. Kate’s lying down on the couch, head in Yelena’s lap, and snoring ever so sweetly.
My oh so scary mobsters really are quite precious…
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3,476 Words
There will be one more part 👀
❤️Kaitlyn🤪
#natasha romanoff#natasha x reader#natasha x y/n#natasha romanoff imagine#natasha romanoff pov#natasha x fem!reader#natasha x you#natasha romanoff x yelena belova#natasha romanoff x female reader#natasha romanoff x y/n#natasha romanoff x you#natasha romanoff x wanda maximoff#wanda maximoff#wanda x y/n#wanda x fem!reader#wanda x you#wanda maximoff x yn#wanda maximoff x female reader#wanda maximoff x you#wanda maximoff imagine#wanda x reader x nat#wandanat#wandanat x you#wandanat x female reader#wandanat x y/n#yelena belova x kate bishop#yelena belova#kate bishop
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Waihopai, INFOSEC, Information Security, Information Warfare, IW, IS, Priavacy, Information Terrorism, Terrorism Defensive Information, Defense Information Warfare, Offensive Information, Offensive Information Warfare, National Information Infrastructure, InfoSec, Reno, Compsec, Computer Terrorism, Firewalls, Secure Internet Connections, ISS, Passwords, DefCon V, Hackers, Encryption, Espionage, USDOJ, NSA, CIA, S/Key, SSL, FBI, Secert Service, USSS, Defcon, Military, White House, Undercover, NCCS, Mayfly, PGP, PEM, RSA, Perl-RSA, MSNBC, bet, AOL, AOL TOS, CIS, CBOT, AIMSX, STARLAN, 3B2, BITNET, COSMOS, DATTA, E911, FCIC, HTCIA, IACIS, UT/RUS, JANET, JICC, ReMOB, LEETAC, UTU, VNET, BRLO, BZ, CANSLO, CBNRC, CIDA, JAVA, Active X, Compsec 97, LLC, DERA, Mavricks, Meta-hackers, ^?, Steve Case, Tools, Telex, Military Intelligence, Scully, Flame, Infowar, Bubba, Freeh, Archives, Sundevil, jack, Investigation, ISACA, NCSA, spook words, Verisign, Secure, ASIO, Lebed, ICE, NRO, Lexis-Nexis, NSCT, SCIF, FLiR, Lacrosse, Flashbangs, HRT, DIA, USCOI, CID, BOP, FINCEN, FLETC, NIJ, ACC, AFSPC, BMDO, NAVWAN, NRL, RL, NAVWCWPNS, NSWC, USAFA, AHPCRC, ARPA, LABLINK, USACIL, USCG, NRC, ~, CDC, DOE, FMS, HPCC, NTIS, SEL, USCODE, CISE, SIRC, CIM, ISN, DJC, SGC, UNCPCJ, CFC, DREO, CDA, DRA, SHAPE, SACLANT, BECCA, DCJFTF, HALO, HAHO, FKS, 868, GCHQ, DITSA, SORT, AMEMB, NSG, HIC, EDI, SAS, SBS, UDT, GOE, DOE, GEO, Masuda, Forte, AT, GIGN, Exon Shell, CQB, CONUS, CTU, RCMP, GRU, SASR, GSG-9, 22nd SAS, GEOS, EADA, BBE, STEP, Echelon, Dictionary, MD2, MD4, MDA, MYK, 747,777, 767, MI5, 737, MI6, 757, Kh-11, Shayet-13, SADMS, Spetznaz, Recce, 707, CIO, NOCS, Halcon, Duress, RAID, Psyops, grom, D-11, SERT, VIP, ARC, S.E.T. Team, MP5k, DREC, DEVGRP, DF, DSD, FDM, GRU, LRTS, SIGDEV, NACSI, PSAC, PTT, RFI, SIGDASYS, TDM. SUKLO, SUSLO, TELINT, TEXTA. ELF, LF, MF, VHF, UHF, SHF, SASP, WANK, Colonel, domestic disruption, smuggle, 15kg, nitrate, Pretoria, M-14, enigma, Bletchley Park, Clandestine, nkvd, argus, afsatcom, CQB, NVD, Counter Terrorism Security, Rapid Reaction, Corporate Security, Police, sniper, PPS, ASIS, ASLET, TSCM, Security Consulting, High Security, Security Evaluation, Electronic Surveillance, MI-17, Counterterrorism, spies, eavesdropping, debugging, interception, COCOT, rhost, rhosts, SETA, Amherst, Broadside, Capricorn, Gamma, Gorizont, Guppy, Ionosphere, Mole, Keyhole, Kilderkin, Artichoke, Badger, Cornflower, Daisy, Egret, Iris, Hollyhock, Jasmine, Juile, Vinnell, B.D.M.,Sphinx, Stephanie, Reflection, Spoke, Talent, Trump, FX, FXR, IMF, POCSAG, Covert Video, Intiso, r00t, lock picking, Beyond Hope, csystems, passwd, 2600 Magazine, Competitor, EO, Chan, Alouette,executive, Event Security, Mace, Cap-Stun, stakeout, ninja, ASIS, ISA, EOD, Oscor, Merlin, NTT, SL-1, Rolm, TIE, Tie-fighter, PBX, SLI, NTT, MSCJ, MIT, 69, RIT, Time, MSEE, Cable & Wireless, CSE, Embassy, ETA, Porno, Fax, finks, Fax encryption, white noise, pink noise, CRA, M.P.R.I., top secret, Mossberg, 50BMG, Macintosh Security, Macintosh Internet Security, Macintosh Firewalls, Unix Security, VIP Protection, SIG, sweep, Medco, TRD, TDR, sweeping, TELINT, Audiotel, Harvard, 1080H, SWS, Asset, Satellite imagery, force, Cypherpunks, Coderpunks, TRW, remailers, replay, redheads, RX-7, explicit, FLAME, Pornstars, AVN, Playboy, Anonymous, Sex, chaining, codes, Nuclear, 20, subversives, SLIP, toad, fish, data havens, unix, c, a, b, d, the, Elvis, quiche, DES, 1*, NATIA, NATOA, sneakers, counterintelligence, industrial espionage, PI, TSCI, industrial intelligence, H.N.P., Juiliett Class Submarine, Locks, loch, Ingram Mac-10, sigvoice, ssa, E.O.D., SEMTEX, penrep, racal, OTP, OSS, Blowpipe, CCS, GSA, Kilo Class, squib, primacord, RSP, Becker, Nerd, fangs, Austin, Comirex, GPMG, Speakeasy, humint, GEODSS, SORO, M5, ANC, zone, SBI, DSS, S.A.I.C., Minox, Keyhole, SAR, Rand Corporation, Wackenhutt, EO, Wackendude, mol, Hillal, GGL, CTU, botux, Virii, CCC, Blacklisted 411, Internet Underground, XS4ALL, Retinal Fetish, Fetish, Yobie, CTP, CATO, Phon-e, Chicago Posse, l0ck, spook keywords
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#wakfu#wakfu gif#dofus#dofus gif#evangelyne#cra#evangelyne percedal#evangelyne de percedal#tristepin de percedal#tristepin#pinpin#iop#sadlygrove#sadlygrove percedal#evangelyne x tristepin#tristepin x evangelyne#evangelyne x sadlygrove#sadlygrove x evangelyne#tristeva
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Challenge time:
Can you write a couple of sentences/fanfic using EVERY letter of the english alphabet. :p Example you ask?
"The snarky comment to the bloody vampire was quickly forgotten just as the exit blurred out of place, this was crazy, they had to keep fighting."
Your turn!
That's hard! What kind of fuckery is this? I tried to keep it as short as I could... Which I think broke my brain.
The bizarre squelching sound his body made when the poltergeist fucked into him was just very sexy.
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Check out this listing I just added to my Poshmark closet: Kodak 1000 Piece Car Wash Saturday and de bored 500 Piece Palm Springs Puzzles.
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