#day 5 round 5

[kickthecan-revolution]

I am so exhausted and emotional today. I had to drag myself to the surgeon's office to learn about the next steps, and I could barely process the information. I ended up in a Lyft talking to my sister, crying. This fatigue is unlike anything I have ever experienced and all of the sudden I got so scared again. I know it's just the second to last treatment, I know it's going to get better but today is today and all I have to do is just get through it. It's hard to picture a future today, there are so many steps - I have to get another biopsy during an MRI for something weird that they can take out during surgery if it is cancer (a non-invasive kind). I got scared it's in the lymph. nodes - I have to meet with a plastic surgeon next week. I know I am just really tired and my brain isn't working well. This is what I was warned about. Still though, it's super hot and there is a helicopter that won't stop flying around and I want to shoot it down. I hate everything.

[hardkookiecookie]

newest STEX OC :] she's been in the works for a bit, as she's more decorated and fancy than the others I have done uou

Cadence the Carousel Car is technically part of the Party Train, but she thinks herself better than the others as she's a one of a kind fancy car, even refusing to be seen with the others on occasion, you won't be seeing her at a child's birthday party unless they have money.

the rest of the Party Train were, at first, excited to meet her! But when Cadence was rude to them, especially CC, they had no more interest in her, even dreading if they had to travel with her.

but I'll tell ya a secret, she's just worried about being seen as a glorified freight car (she is technically a modified box car) and the ridicule that sometimes comes with being a freight car.

[the-90s-music-colosseum]

The 90s MV Melee - round 5 match 4

Voter-submitted propaganda:

Basket Case - none received

Sabotage -

"The dummy falling off the bridge. Thats all i gotta say."

"literally there is nothing more fun than this"

[casually-salad]

here's a gen-5 style creepypasta sprite for your girl :] i will do an actual polished not pixel art piece sometime but. she called to me. i hope you like it

OMG. OMG. OMG OMG OMG OMG I LITERALLY SCREAMED IRL I LOVE THIS SO SO MUCH!!!!!!!!!!!!!!!! OH MY GOOOOODDDDDDDDD THE DETAILS OF ALL OF HER CUTIE MARKS ARE SOOOOO GOOD??????????? I LOVE THIS SO MUCH??????????? THIS IS INCREDIBLE!!!!!!!!!!!!! THANK YOU THANK YOU!!!!!!!!!!!!!!

[vgtrackbracket]

Video Game Track Bracket Round 5

A Stranger I Remain (Maniac Agenda Mix) from Metal Gear Rising: Revengeance

vs.

Title from The Legend of Zelda: The Wind Waker

Propaganda under the cut. If you want your propaganda reblogged and added to future polls, please tag it as propaganda or otherwise indicate this!

A Stranger I Remain (Maniac Agenda Mix):

This is Mistral's theme and it really fits her! It shows how lost she's been and that she was fighting for no reason until she met Senator Armstrong, and how his ambition charmed her into joining him.

AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA

Title [The Legend of Zelda: The Wind Waker]:

This game had the best theme by a mile. Listen to it. It's beautiful!

[shakingparadigm]

It's genuinely crazy that ROUND 6 is coming out in 2 days. Imagine the amount of people that waited a whole year for this. The crew themselves are shocked they got this far. All the theorizing, speculating and discussion about how these two characters would fare against each other and the circumstances stacked against them... we finally get to see it all play out the day after tomorrow. It genuinely feels like the Patreon announcement for ROUND 6 just came out yesterday??? what the hell???

[pixelatedraindrops]

Yuma Month: Day 19: Work

In a city of endless rain and mysteries, a detective’s work is never done.

[fisheito]

hiya l'il-- medium?...large?? Assorted Sizes-Guy

oh thanks! i could always use more spices-

. what am i supposed to do with this.

[briankang]

“I think my greatest strength and specialty is my relentless effort...my perseverance.”

[theskymother]

animal jam is a lot more fun when you're rich

[autisticaradiamegido]

day 5

ok tbh i was not pleased with how my last several marcilles have turned out so i felt like it was time to sit down and do some damn studying on this gal. i think it helped!

[seaofreverie]

Sparkstember Day 21: Exotic Creatures Of The Deep (Strange Animal)

Some of you might already have some idea of how absolutely abnormal I am about this album and have been for several months, without fail. It's... perfect? And you know that personal relevance will also often be a total game changer in deciding what your ultimate favourites are and such. It's personal relevance of my own doing anyway, if I can call it that, you know those memes that go something like "it's MY mental breakdown and *I* chose the soundtrack!!". Oh yeah, that's what happened here. But even that aside I might never get over how much ECOTD is EVERYTHING I might want from an album and it has not lost its power with passing time even one bit. I'm wary to call anything a number one definitive favourite most of the time, but if I really had to choose... yeah, this is my favourite album of all time, there's absolutely no denying that.

Where do I even start with this... Well, coming back a bit to the LB - HYL - ECOTD series as a whole, I love how all three of them have so much in common and each one is some sort of natural development on the previous one, keeping its core elements but also adding new ones that are unique to the new album. And I guess the style of ECOTD is the one that ended up speaking to me the most. Toning it down a bit on the repetition aspect, adding more fancy synths, heavy drums, more guitar-based stuff continuing from HYL... And its still edgier and more electronic and darker and theatrical than the previous ones. Maybe I could even call it straight up COOL sounding (at least at times) in a way that the previous ones aren't (or not quite as much). (And that's not to say that they're all not icredibly cool in their own way anyway, but, you know.) None of these three are definitely better than the others for me by the way, but. Still, love the whole evolution here a lot.

And now, of course, a word on the craziest and most ambitious idea of the century, the 21×21 shows. I spent about a month, if not more, earlier this year going through what I'm quite sure must be the majority of what's been recorded from these shows, and I have no regrets. And yeah, one of the most impressive feats in the history of music, playing 21 albums in full day after day, but also can we please talk about the visualisations they put there to go with the albums. Catching glimpses of those album covers being comically stretched or rotated and such was a very important part of the whole experience. But yeah, Sparks Spectacular, it really is so spectacular.

I actually do have specific favourites on this album rather than being obsessed with it all the same amount, but I think it deserves special treatment just like Lil' Beethoven, so, let's go, going over all of them now. And I think it's better to just dive straight into them now anyway, in order to get a better hang of this whole album and why it's so brilliant and special to me.

Intro + Intro Reprise

I love you leitmotifs that reappear throughout the album and tie it all together. Such a good touch on what is imo the most cinematic of Sparks albums

Good Morning

This happened a couple of times to me with Sparks, when I first hear a song and I'm quite intrigued and delighted but that's mostly it. And then I hear it once more after a while and I'm never the same again from that point on. THIS!!!!!! SONG!!!!! I was so right that I would love all of ECOTD even more than anything before it based just on this. This is the Russell falsetto album by the way, that's important to note. I'm very impressed by this song in many ways. I like that it starts with this specific synth sound that's VERY characteristic of this whole album. And the fake ending... This song has LB and HYL all over it but it's also its own beautiful thing

Strange Animal

This song has an effect of "stopping in my tracks the moment I hear the first note" on me to be honest, another one of my forever and biggest favourites. Right up there with all the other rocking epics to the likes of Ugly Guys With Beautiful Girls, Dick Around and As I Sit Down To Play The Organ. Sparks going meta on music & being a musician is also always very cool to see

I Can't Believe That You Would Fall For All The Crap In This Song

My first impression of what would become my most listened to Sparks song was a "wait, this was supposed to be a Sparks-only playlist, am I still listening to Sparks??" But a couple more months passed and what can I say, I'm obsessed now (and have been for over half a year now). The Maels saying "fuck you" to love songs & pop songs cliches will always be one of my favourite things about them... While they're also actively alluding to and using those cliches to create something very effective. I'm sure that it being so similar to the type of electro pop songs that were getting lots of radio play in the late 00s is why I'm so drawn to the sound here. It's always all about that nostalgia effect, huh (and this album is the absolute PEAK of "oh god why are all these songs so nostalgic to me I've only known them for this relatively short amount of time")

Let The Monkey Drive

This song ends what is probably my favourite 4 consecutive songs run on any album ever. Each is so mindblowing but in a different way. Best thing about this song to me is its atmopshere. It's just SO tangible. Like, this IS driving past the speed limit on a highway in the middle of the night (we can ignore the rest of what's happening in the story here for a moment). Obsessed with Russell's voice here and also it's so great to me how such a minimalistic approach can be so effective in creating this whole very specific mental image. Just unsettling strings in the back and two notes (or repeating chords) on the piano that are sort of the most prominent "melody" here and that's all you need. The suspense, the understatedness of it all, I love it

I've Never Been High

One of the most Sparks-like of Sparks songs in a way? And another one where I could probably start coming up with lyrical interpretations for on the spot. Lots to think about regarding all of these songs to be honest. And I like how the rising piano notes at the end lead into the descending flute (?) melody at the start of the next song

(She Got Me) Pregnant

Honestly, I absolutely love this song, it's one of my favourites on the album, maybe top five material. And it somehow sounds exactly like how I could have imagined it to sound, based on just its premise, I don't really know how that works but it does, lmao. And who else would give you this sort of song if not Sparks, no one

Lighten Up, Morrissey

Glam rock bliss that does not clash with the rest of the album despite being pretty stylistically different from the rest of it. Quite saddening that it's the only song here that has a music video, when there's SO MUCH potential here, seriously, again, this whole album is so cinematic. I do quite like what we got here though, love this era of Sparks ALSO when it comes to the visual side of it all (I keep saying this over and over), but still, there's so much more we could have had, y'know

This Is The Renaissance

GOOD GOD, I LOVE THIS ONE, in love with it from the first listen. It's everything that makes this album so grand and one-of-a-kind in a nutshell. Among the top 10 Sparks songs that should have had a music video also. I have a pretty elaborate painting idea based on this song in mind, so I hope I'll be able to make it into reality at some point in the future

The Director Never Yelled 'Cut'

List of Sparks songs where movie-directing is used as an allegory of sex is somehow at least two songs long I've noticed (this + Love Scenes). Anyway, this one's a pretty heavy one to unpack so I don't think I can really do it justice today. Love it just like every other song on here though

Photoshop

Another one that could have had such a killer music video. Again, stripped-down arrangement that's just enough to hit you with the right amount of feels and overall one of the most killer Ron piano master moments overall, now that I think about it. The plea of "photoshop me out of your life" sounds pretty... on-the-nose out of context? But again, Sparks magic makes it work anyway! And the 21×21 performance is in my top 10 Sparks live moments of all time (I don't actually have a list like this but, maybe I should make it now)

Likeable

...This is the song of all time to me. Honestly, give me any song pondering the nature of what it means to love vs what it means to like someone and things of such nature and you have me hooked forever. But even that aside, musically speaking, it's just... perfection. Most cinematic Sparks song overall maybe, it's really just like a little movie, every moment is so perfectly timed and measured, I have no words honestly, for just, how incredible it all is. The melodic aspect now, it makes me so emotional, one of the most likely of Sparks song to make me cry, for real. I could start going over every different part of the song now but honestly, they're all just, equally amazing. Special shoutout to the waltz parts though, and the bridge. Oooohhh the bridge, when it all gets so intense, and then the main melody reappears with an acoustic guitar, it's just, peak of it all. And then the intro leitmotif comes back again and it's just?!?.?? My feelings on this song might even still not be fully comprehensible and clear to me. All in all, couldn't imagine a better album closer than this, hands down. And this song also closing the Sparks Spectacular series of shows, yeah (not counting the encore). Oh man. Oh maaannnnn. What a freaking ride.

[freshthoughts2020]

[the-physicality]

2025 wnba mock draft courtesy of me

Dallas: Paige Bueckers

Los Angeles: Olivia Miles

Chicago: Sonia Citron*

Washington: Sedona Prince

Golden State: Aneesa Morrow*

Washington: Hailey Van Lith

New York: Dominique Malonga

Indiana: Kiki Iriafen**

Seattle: Tehina Paopao

Chicago: Georgia Amoore

Minnesota: Rori Harmon

Phoenix : Azzi Fudd

*There's a chance these two switch spots **If Indiana takes Ajsa Sivka [Slovenia], the order would be Seattle: Iriafen, Chicago: Paopao, and Amoore would drop out of the the first round. Or 9 and 10 stay the same but Minnesota takes Iriafen

And: if Seattle ends up with the #3 pick and Chicago the #10, I don't think anything changes, or if Seattle ends up with both of them

[vgtrackbracket]

Video Game Track Bracket Round 4

The Ultimate Show from Super Paper Mario

vs.

The Days When My Mother Was There from Persona 5

Propaganda under the cut. If you want your propaganda reblogged and added to future polls, please tag it as propaganda or otherwise indicate this!

Note: The propaganda contains spoilers for Persona 5.

The Ultimate Show:

HOW COULD I LOSE WITH THE POWER OF LUIGI?? Jokes aside this is a VERY fitting final battle theme for an AMAZING game. Seriously if you haven't played this game do it now!!!!

the best thing in the game and it's not even close. and super paper mario is one of my favorite games ever.

The Days When My Mother Was There:

GUT. PUNCH.

Warning!! Heavy spoilers for Persona 5!!! Mentions of death and suicide! OKAY. I'm going to try to word this as best as I can in my Very Tired state. The reason why this song hits so hard for Persona fans (or, at least people who've played Persona 5) is because The Days When My Mother Was There plays in Futaba's Palace, which was created because of the psychological trauma and repressed memories caused after her mother's death (the government made a false suicide note that blamed her as the reason her mom died). She became a hermit (or in Japanese terms, a Hikikomori) and blamed herself to the point where she believed that the house she lived in (the same house our guardian, Sojiro Sakura, lives and takes care of her in) would be her tomb. Instead of fighting Futaba's Shadow, Futaba's Shadow causes her to awaken to her Persona (I feel it's important to say the Futaba asked for us to steal her heart, and Futaba's Shadow kind of helped us as we went through her Palace), and we fight Futaba's cognition of her mother, which is angry and constantly blames Futaba for her death, even though it wasn't her fault. This ENTIRE Palace hits differently than the other Palaces we'd seen so far, considering the other Palaces had been made by adults who prey on the weak. Futaba blamed herself for something she didn't do so badly she created a Palace. Futaba's Palace is filled with grief, melancholy, and feelings of self-hate and desperation for some sort of end, and The Days When My Mother Was There fits the Palace wonderfully, hitting those same feelings spot on. Persona 5 fans can't help but feel sad every time they hear this song. I have to stop this ramble before I say too much and accidentally spoil the entire game myself but if you want to learn more about Futaba or her Palace I PROMISE there are so many in-depth videos that psychoanalyze her and the other Persona 5 characters but I will leave this video because it explains her character in Japanese Context (which is VERY different when applying context from other places):

This video DOES spoil the game so don't watch if you don't want to be spoiled further.