#day 17: director

[gallerypeice]

[heartlandians]

Block 3: Day 12 (17/7/2023). 

Source, source, source

[hussyknee]

i'm so confused rn, can you explain the goncharov thing?? i get off tumblr for five minutes

(Edits closed as of 28 Nov.)

Lmaoooo

Nah I getchu. So this post has been circulating for like two years:

Link to post.

But yesterday, it had inspired someone to do this:

Link to post.

Next thing I knew there were fake Letterboxed reviews.

Goncharov moodboards. Really good ones.

Link to post.

Meta analysis. So many fake meta essays. Disturbingly good ones. And of course the memes. (Edit: HAVE I SAID THIS SHIT IS DISTURBING)

As you can see, the myth just started to grow, characters and ships and tropes being added one after the other, almost bizzarely without contradiction, until there was enough of shape to the whole thing for people to start posting fanfic about it on AO3. "No beta we die like ice-pick Joe" is already a tag.

Link to post.

It was hilarious in the beginning, but the way it's developed within less than a day, kind of like it's being willed into existence, is freaking me out a bit. We're toying with powers beyond our comprehension. 😂😂😂

Link to post.

Of course, there could be an ulterior motive as well.

Link to post (tags mine).

Edit: guys, please tag these posts "unreality" so people with disassociation issues can filter them out (not this one, this is an explainer). <3

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Edit 2: Aparently the boots in the original post are actually referring to a movie called Gomorrah that came out in 2008, directed by Mateo Garrone, based on the Scampia Feud. And other people had also been making posts about the fake movie for a while before the poster took off.

found by @thepotch

Edit 3: Explainer: why did those boots have this movie on them anyway?

Edit 4: Alt text added to all images courtesy of @valentineish ❤️

Edit 5: Turns out tumblr has done this kind of thing before. Nine years in this hell place and I had to have "Squiddles" and penis smp explained in the replies.

Edit 6: This post collects the Lore so far.

Edit 7: Lynda Carter (real one)/ earns more/ Tumblr cred.

Edit 8: Holy shit y'all we have the theme music. With sheet music. And it's on Spotify!

Edit 9: THERE IS A TRAILER WITH THE THEME MUSIC

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I made this post 18 hours after the movie poster went up. Closed edits 27 hours after first posting. So all of the above happened within 45 hours of the movie poster going up.

Edit 10: Google document live-compiling all the lore so far (Day 3)

Edit 11: Masterpost of Goncharov soundtracks (Day 3)

Edit 12: Entertainment news articles covering the Gonch-posting (real) (Contd from yday)

Edit 13: The music from the masterpost all compiled into a 31-minute original score with video edits on YouTube (edit: unfortunately taken down)

Edit 14: Staff's Goncharov art showcase for Tumblr Tuesday

As of closing on Day 3 there are 371 works in the AO3 tag.

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Updating with Day 3 shenanigans I missed yesterday:

Edit 15: Goncharov TV Tropes page

Edit 16: Ethics of Gonchposting

Important PSA 1 (how to reduce harm to Tumblr's neurodivergents)

Important PSA 2 (reality affirmation, anti-bullying)

Important PSA 3 (why you should stop trying to vandalise legit information sites)

Edit 17: Character lore from beezlebub whose poster they originated from

Edit 18: What we know about/ Director Matteo JWHJ0715 (#unreality)

Edit 19: Link to post with screenshotted and described NYT article (scroll down) and this golden exerpt from BuzzFeed: 💀

(alt text included)

End of Day 4 there are now 485 works in the Goncharov tag on AO3

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Didn't get to update this on Day 5, so these are the Day 5 doings:

More trailers!

Trailer 1 (My favourite)

Trailer 2

Trailer 3

Trailer 4

I also just found out about the Goncharov Game Jam.

It appears this opened a day after after the meme took off.

Goncharov was first entered into Wikipedia between Day 4 and 5 (attempts to vandalise it with fake info don't count, incidentally – please knock that shit off) under List of Internet Phenomena. This was then expanded into its own Wikipedia page at the end of Day 5 because, according to the talk history: "the topic now meets the notability threshold for its own artice due to significant coverage in The New York Times and other sources cited." We're on Wikipedia, people!

And then we made The Guardian half a day later. So while the meme is definitely dying down to embers by now, it still stays winning.

YouTube channels with episodes on the meme:

InformOverlord (4:30)

Lessons in Meme Culture (2:43)

End of Day of 5 there were 511 works on AO3, and End of Day 6 (today) there are 556.

--

🚨BREAKING 🚨 from Martin Scorsese's daughter's TikTok (real actual)

tw: unreality:

We did it you guys!

Clarification: Francesca Scorcese asked her Dad about the meme and Martin played along. Please reblog this PSA to help Tumblr people with psychosis. Thanks.

Final edit: Day 8. Media reactions to Scorcese's TikTok (everyone from Forbes to Vulture). That one Tumblr user who said they'd do a screenplay if their post got notes has promised to shoot a single scene, but please don't be dicks just because you reblogged it; leave them alone until they get around to it themselves. As of end of Day 8 there are 609 works in the AO3 tag. I love all you lunatics. Peace! ❤️

[renthony]

Nimona: a Story of Trans Rights, Queer Solidarity, and the Battle Against Censorship

by Ren Basel renbasel.com

The 2023 film Nimona, released on Netflix after a tumultuous development, is a triumph of queer art. While the basic plot follows a mischievous shapeshifter befriending a knight framed for murder, at its heart Nimona is a tale of queer survival in the face of bigotry and censorship. Though the word “transgender” is never spoken, the film is a deeply political narrative of trans empowerment.

The film is based on a comic of the same name, created by Eisner-winning artist N.D. Stevenson. (1) Originally a webcomic, Nimona stars the disgraced ex-knight Ballister Blackheart and his titular sidekick, teaming up to topple an oppressive regime known as the Institution. The webcomic was compiled into a graphic novel published by Harper Collins on May 12, 2015. (2)

On June 11, 2015, the Hollywood Reporter broke the news Fox Animation had acquired rights to the story. (3) A film adaptation would be directed by Patrick Osborne, written by Marc Haimes, and produced by Adam Stone. Two years later, on February 9, 2017, Osborne confirmed the film was being produced with the Fox-owned studio Blue Sky Animation, and on June 30 of that same year, he claimed the film would be released Valentine’s Day 2020. (4)

Then the Walt Disney Company made a huge mess.

On December 14, 2017, Disney announced the acquisition of Twenty-First Century Fox, Inc. (5) Industry publications began speculating the same day about Blue Sky’s fate, though nothing would be confirmed until after the deal’s completion on March 19, 2019. (6) At first it seemed the studio would continue producing films under Disney’s governance, similar to Disney-owned Pixar Animation. (7)

The fate of the studio—and Nimona’s film adaptation—remained in purgatory for two years. During that time, Patrick Osborne left over reported creative differences, and directorial duties were taken over by Nick Bruno and Troy Quane. (8) Bruno and Quane continued production on the film despite Blue Sky’s uncertain future.

The killing blow came on February 9, 2021. Disney shut down Blue Sky and canceled Nimona, the result of economic hardship caused by COVID-19. (9) Nimona was seventy-five percent completed at the time, set to star Chloë Grace Moretz and Riz Ahmed. (10)

While COVID-19 caused undeniable financial upheaval for the working class, wealthy Americans fared better. (11) Disney itself scraped together enough to pay CEO Bob Iger twenty-one million dollars in 2020 alone. (12) Additionally, demand for animation spiked during the pandemic’s early waves, and Nimona could have been the perfect solution to the studio’s supposed financial woes. (13) Why waste the opportunity to profit from Blue Sky’s hard work?

It didn’t take long for the answer to surface. Speaking anonymously to the press, Blue Sky workers revealed the awful truth: Disney may have killed Nimona for being too queer. The titular character was gender-nonconforming, the leading men were supposed to kiss, and Disney didn’t like it. (14) While Disney may claim COVID-19 as the cause, it is noteworthy that Disney representatives saw footage of two men declaring their love, and not long after, the studio responsible was dead. (15) Further damning evidence came in February of 2024, when the Hollywood Reporter published an article quoting co-director Nick Bruno, who named names: Disney’s chief creative officer at the time, Alan Horn, was adamantly opposed to the film’s “gay stuff.” (16)

Disney didn’t think queer art was worthy of their brand, and it isn’t the first time. “Not fitting the Disney brand” was the justification for canceling Dana Terrace’s 2020 animated series The Owl House, which featured multiple queer characters. (17) Though Terrace was reluctant to assume queerphobia caused the cancellation, Disney’s anti-queer bias has been cited as a hurdle by multiple showrunners, including Terrace herself. (18) The company’s resistance to queer art is a documented phenomenon.

While Nimona’s film cancellation could never take N.D. Stevenson’s comic from the world, it was a sting to lose such a powerful queer narrative on the silver screen. American film has a long history of censoring queerness. The Motion Picture Production Code (commonly called the Hays Code) censored queer stories for decades, including them under the umbrella of “sex perversion.” (19) Though the Code was eventually repealed, systemic bigotry turns even modern queer representation milestones into battles. In 2018, when Rebecca Sugar, creator of the Cartoon Network series Steven Universe, succeeded in portraying the first-ever same-sex marriage proposal in American children’s animation, the network canceled the show in retaliation. (20)

When queer art has to fight so hard just to exist, each loss is a bitter heartbreak. N.D. Stevenson himself expressed sorrow that the world would never see what Nimona’s crew worked so hard to achieve. (21)

Nimona, however, is hard to kill.

While fans mourned, progress continued behind the scenes. Instead of disappearing into the void as a tax write-off, the film was quietly scooped up by Megan Ellison of Annapurna Pictures. (22) Ellison received a call days before Disney’s death blow to Blue Sky, and after looking over storyboard reels, she decided to champion the film. With Ellison’s support, former Blue Sky heads Robert Baird and Andrew Millstein did their damnedest to find Nimona a home. (23)

Good news arrived on April 11, 2022, when N.D. Stevenson made a formal announcement on Twitter (now X): Nimona was gloriously alive, and would release on Netflix in 2023. (24) Netflix confirmed the news in its own press release, where it also provided details about the film’s updated cast and crew, including Eugene Lee Yang as Ambrosius Goldenloin alongside Riz Ahmed’s Ballister Boldheart (changed from the name Blackheart in the comic) and Chloë Grace Moretz as Nimona. (25) The film was no longer in purgatory, and grief over its death became anticipation for its release.

Nimona made her film debut in France, premiering at the Annecy International Animation Film Festival on June 14, 2023 to positive reviews. (26) Netflix released the film to streaming on June 30, finally completing the story’s arduous journey from page to screen. (27)

When the film begins, the audience is introduced to the world through a series of illustrated scrolls, evoking the storybook intros of Disney princess films such as 1959’s Sleeping Beauty. The storybook framing device has been used to parody Disney in the past, perhaps most famously in the 2001 Dreamworks film Shrek. Just as Shrek contains parodies of the Disney brand created by a Disney alumnus, so, too, does Nimona riff on the studio that snubbed it. (28)

Nimona’s storybook intro tells the story of Gloreth, a noble warrior woman clad in gold and white, who defended her people from a terrible monster. After slaying the beast, Gloreth established an order of knights called the Institute (changed from the Institution in the comic) to wall off the city and protect her people.

Right away, the film introduces a Christian dichotomy of good versus evil. Gloreth is presented as a Christlike figure, with the Institute’s knights standing in as her saints. (29) Her name is invoked like the Christian god, with characters uttering phrases such as “oh my Gloreth” and “Gloreth guide you.” The film’s design borrows heavily from Medieval Christian art and architecture, bolstering the metaphor.

Nimona takes place a thousand years after Gloreth’s victory. Following the opening narration, the audience is dropped into a setting combining Medieval aesthetics with futuristic science fiction, creating a sensory delight of neon splashed across knights in shining armor. It’s in this swords-and-cyborgs city that a new knight is set to join the illustrious ranks of Gloreth’s Institute, now under the control of a woman known only as the Director (voiced by Frances Conroy). That new knight is our protagonist, Ballister Boldheart.

The film changes several things from the original. The comic stars Lord Ballister Blackheart, notorious former knight, long after his fall from grace. He has battled the Institution for years, making a name for himself as a supervillain. The film introduces a younger Ballister Boldheart who is still loyal to the Institute, who believes in his dream of becoming a knight and overcomes great odds to prove himself worthy. In the comic, Blackheart’s greatest rival is Sir Ambrosius Goldenloin, with whom he has a messy past. The film shows more of that past, when Goldenloin and Boldheart were young lovers eager to become knights by each other’s side.

There is another notable change: in the comic, Goldenloin is white, and Blackheart is light-skinned. In the film, both characters are men of color—specifically, Boldheart is of Pakistani descent, and Goldenloin is of Korean descent, matching the ethnicity of their respective voice actors. This change adds new themes of institutional racism, colorism, and the “model minority” stereotype. (30)

The lighter-skinned Goldenloin is, as his name suggests, the Institute’s golden boy. He descends from the noble lineage of Gloreth herself, and his face is emblazoned on posters and news screens across the city. He is referred to as “the most anticipated knight of a generation.” In contrast, the darker-skinned Boldheart experiences prejudice and hazing due to his lower-class background. His social status is openly discussed in the news. He is called a “street kid” and “controversial,” despite being the top student in his class. The newscasters make sure everyone knows he was only given the chance to prove himself in the Institute because the queen, a Black woman with established social influence, gave him her personal patronage. Despite this patronage, when the news interviews citizens on the street, public opinion is firmly against Boldheart.

To preserve the comic’s commentary on white privilege, some of Goldenloin’s traits were written into a new, white character created for the film, Sir Thoddeus Sureblade (voiced by Beck Bennett). Sureblade’s vitriol against both Boldheart and Goldenloin allowed Goldenloin to become a more sympathetic character, trapped in the system just as much as Boldheart. (31) This is emphasized at other points in the film when the audience sees Sureblade interact with Goldenloin without Boldheart present, berating the only person of color left in the absence of the darker-skinned man.

The day Boldheart is to be knighted, everything goes wrong. As Queen Valerin (voiced by Lorraine Toussaint) performs the much-anticipated knighting ceremony, a device embedded in Boldheart’s sword explodes, killing her instantly. Though Boldheart is not to blame, he is dubbed an assassin instead of a knight. In an instant, he becomes the most wanted man in the kingdom, and Queen Valerin’s hopes for progress and social equality seem dead with her. Boldheart is gravely injured in the explosion and forced to flee, unable to clear his name.

Enter Nimona.

The audience meets the titular character in the act of vandalizing a poster of Gloreth, only to get distracted by an urgent broadcast on a nearby screen. As she approaches, a bystander yells that she’s a “freak,” in a manner reminiscent of slurs screamed by passing bigots. Nimona has no time for bigots, spraying this one in the face with paint before tuning in to the news.

“Everyone is scared,” declare the newscasters, because queen-killer Ballister Boldheart is on the run. The media paints him as a monster, a filthy commoner who never deserved the chances he was given, and announce that, “never since Gloreth’s monster has anything been so hated.” This characterization pleases Nimona, and she declares him “perfect” before scampering off to find his hiding place.

It takes the span of a title screen for her to track him down, sequestered in a makeshift junkyard shelter. Just before Nimona bursts into the lair, the audience sees Boldheart’s injuries have resulted in the amputation of his arm, and he is building a homemade prosthetic. This is another way he’s been othered from his peers in an instant, forced to adapt to life-changing circumstances with no support. Where he was so recently an aspiring knight with a partner and a dream, he is now homeless, disabled, and isolated.

A wall in the hideout shows a collection of news clippings, suspects, and sticky notes where Boldheart is trying to solve the murder and clear his name. His own photo looks down from the wall, captioned with a damning headline: “He was never one of us—knights reveal shocking details of killer’s past.” It evokes real-world racial bias in crime reporting, where suspects of color are treated as more violent, unstable, and prone to crime than white suspects. A 2021 report by the Equal Justice Initiative and the Global Strategy Group compiled data on this phenomenon, focusing on the stark disparity between coverage of white and Black suspects. (32)

Nimona is not put off by Boldheart’s sinister media reputation. It’s why she tracked him down in the first place. She’s arrived to present her official application as Boldheart’s villain sidekick and help him take down the Institute. Boldheart brushes her off, insisting he isn’t a villain. He has faith in his innocence and in the system, and leaves Nimona behind to clear his name.

When he is immediately arrested, stripped of his prosthetic, and jailed, Nimona doesn’t abandon him. She springs a prison break, and conveys a piece of bitter wisdom to the fallen knight: “[O]nce everyone sees you as a villain, that’s what you are. They only see you one way, no matter how hard you try.”

Nimona and Boldheart are both outcasts, but they are at different stages of processing the pain. Boldheart is deep in the grief of someone who tried to adhere to the demands of a biased system but finally failed. He is the newly cast-out, who gave his entire life to the system but still couldn’t escape dehumanization. His pain is a fresh, raw wound, where Nimona has old scars. She embodies the deep anger of those who have existed on the margins for years. Where Boldheart wants to prove his innocence so he can be re-accepted into the fold, Nimona’s goal is to tear the entire system apart. She finds instant solidarity with Boldheart based solely on their mutual status as outsiders, but Boldheart resists that solidarity because he still craves the system’s familiar structure.

In the comic, Blackheart’s stance is not one of fresh grief, since, just like Nimona, he has been an outsider for some time. Instead, Blackheart’s position is one of slow reform. He believes the system can be changed and improved, while Nimona urges him to demolish it entirely. In both versions, Ballister thinks the system can be fixed by removing specific corrupt influences, where Nimona believes the government is rotten to its foundations and should be dismantled. Despite their ideological differences, Nimona and Ballister ally to survive the Institute’s hostility.

The allyship is an uneasy truce. During the prison break, Nimona reveals that she’s a shapeshifter, able to change into whatever form she pleases. Boldheart reflexively reaches for his sword, horrified that she isn’t human. She is the exact sort of monster he has been taught to fear by the Institute, and it’s only because he needs her help that he overcomes his reflex and sticks with her.

Nimona’s shapeshifting functions as a transgender allegory. The comic’s author, N.D. Stevenson, is transgender, and Nimona’s story developed alongside his own queer journey. (33) The trans themes from the comic are emphasized in the film, with various pride flags included in backgrounds and showcased in the art book. (34) Directors Bruno and Quane described the film as “a story about acceptance. A movie about being seen for who you truly are and a love letter to all those who’ve ever shared that universal feeling of being misunderstood or like an outsider trying to fit in.” (35)

When Boldheart asks Nimona what she is, she responds with only “Nimona.” When he calls her a girl, she retorts that she’s “a lot of things.” When she transforms into another species, she specifies in that moment that she’s “not a girl, I’m a shark.” Later, when she takes the form of a young boy and Boldheart comments on it, saying “now you’re a boy,” her response is, “I am today.” She defies easy categorization, and she likes it that way.

About her shapeshifting, Nimona says “it feels worse if I don’t do it” and “I shapeshift, then I’m free.” When asked what happens if she doesn’t shapeshift, she responds, “I wouldn’t die-die, I just sure wouldn’t be living.” Every time she discusses her transformations, it carries echoes of transgender experience—and, as it happens, Nimona is not N.D. Stevenson’s only shapeshifting transgender character. During his tenure as showrunner for She-Ra and the Princesses of Power (Netflix/Dreamworks, 2018-2020), Stevenson introduced the character Double Trouble. Double Trouble previously existed at the margins of She-Ra lore, but Stevenson’s version was a nonbinary shapeshifter using they/them pronouns. (36) While Nimona uses she/her pronouns throughout both comic and film, just like Double Trouble her gender presentation is as fluid as her physical form.

Boldheart, like many cisgender people reacting to transgender people, is uncomfortable with Nimona. He declares her way of doing things “too much,” and insists they try to be “inconspicuous” and “discreet.” He worries whether others saw her, and, when she is casually in a nonhuman form, he asks if she can “be normal for a second.” He claims to support her, but says it would be “easier if she was a girl” because “other people aren’t as accepting.” His discomfort evokes fumbled allyship by cisgender people, and Nimona emphasizes the allegory by calling Boldheart out for his “small-minded questions.” While the alliance is uneasy, Boldheart continues working with Nimona to clear his name. They are the only allies each other has, and their individual survival is dependent on them working together.

When the duo gain video proof of Boldheart’s innocence, they learn the bomb that killed Queen Valerin was planted by the Director. Threatened by a Black woman using her influence to elevate a poor, queer man of color, the white Director chose to preserve the status quo through violence.

Nimona is eager to get the video on every screen in the city, but Boldheart wants to deal with the issue internally, out of the public eye. He insists “the Institute isn’t the problem, the Director is.” This belief is what also leads the comic’s Blackheart to reject Nimona’s idea that he should crown himself king. He is focused on reforming the existing power structure, neither removing it entirely nor taking it over himself.

Inside the Institute, the Director has been doing her best to set Goldenloin against his former partner. Despite his internal misgivings and fear of betraying someone he loves, Goldenloin does his best to adhere to his prescribed role. As the Director reminds the knights, they are literally born to defend the kingdom, and it’s their sacred duty to do so—especially Goldenloin, who carries Gloreth’s holy blood. This blood connection is repeated throughout the film, and used by the Director to exploit Goldenloin. He’s the Institute’s token minority, put on a gilded pedestal and treated as a symbol instead of a human being.

Goldenloin is a pretty face for propaganda posters, and those posters can be seen throughout the film. They proclaim Gloreth’s majesty, the power of the knights, and remind civilians that the Institute is necessary to “protect our way of life.” A subway PSA urges citizens, “if you see something, slay something,” in a direct parody of the real-world “if you see something, say something” campaign by the United States Department of Homeland Security. (37)

The film is not subtle in its political messaging. When Boldheart attempts to prove his innocence to Goldenloin and the assembled knights, he reaches towards his pocket for a phone. The Director cries that Boldheart has a weapon, and Sureblade opens fire. Though the shot hits the phone and not Boldheart, it carries echoes of real-world police brutality against people of color. Specifically, the use of a phone evokes cases such as the 2018 murder of Stephon Clark, a young Black man who was shot and killed by California police claiming Clark’s cell phone was a firearm. (38) The film does not toy with vague, depoliticized themes of coexistence and tolerance; it is a direct and pointed allegory for contemporary oppression in the United States of America.

Forced to choose between love for Boldheart and loyalty to the Institute, Goldenloin chooses the Institute. He calls for Boldheart’s arrest, and this is the moment Boldheart finally agrees to fight back and raise hell alongside Nimona. When Goldenloin calls Nimona a monster during the ensuing battle, Boldheart doesn’t hesitate to refute it. He expresses his trust in her, and it’s clear he means it. He’s been betrayed by someone he cared about and thought he could depend on, and this puts him in true solidarity with Nimona for the first time.

During the fight, Nimona stops a car from crashing into a small child. She shapeshifts into a young girl to appear less threatening, but it doesn’t work. The child picks up a sword, pointing it at Nimona until an adult pulls them away to hide. When Nimona sees this hatred imprinted in the heart of a child, it horrifies her.

After fleeing to their hideout, Nimona makes a confession to Boldheart: she has suicidal ideations. So many people have directed so much hatred toward her that sometimes she wants to give in and let them kill her. In the real world, a month after the film’s release, a study from the Williams Institute at the UCLA School of Law compiled data about suicidality in American transgender adults. (39) Researchers found that eighty-one percent have thought about suicide, compared to just thirty-five percent of cisgender adults. Forty-two percent have attempted suicide, compared to eleven percent of cisgender adults. Fifty-six percent have engaged in self-harm, compared to twelve percent of cisgender adults.

When Boldheart offers to flee with her and find somewhere safe together, Nimona declares they shouldn’t have to run. She makes the decision every trans person living in a hostile place must make: do I leave and save myself, or do I stay to fight for my community? The year the film was released, the Trans Legislation Tracker reported a record-breaking amount of anti-trans legislation in the United States, with six hundred and two bills introduced throughout twenty-four states. (40) In February 2024, the National Center for Transgender Equality published data on their 2022 U.S. Transgender Survey, revealing that forty-seven percent of respondents thought about moving to another area due to discrimination, with ten percent actually doing so. (41)

Despite the danger, Nimona and Boldheart work diligently against the Institute. When they gain fresh footage proving the Director’s guilt, they don’t hesitate to upload it online, where it garners rapid attention across social and news media. Newscasters begin asking who the real villain is, anti-Institute sentiment builds, and citizens protest in the streets, demanding answers. The power that social media adds to social justice activism is true in the real world as it is in the film, seen in campaigns such as the viral #MeToo hashtag and the Black Lives Matter movement. (42) In 2020, polls conducted by the Pew Research Center showed eight in ten Americans viewed social media platforms as either very or somewhat effective in raising awareness about political and social topics. In the same survey, seventy-seven percent of respondents believed social media is at least somewhat effective in organizing social movements. (43)

In reaction to the media firestorm, the Director issues a statement. She outs Nimona as a shapeshifter, and claims the evidence against the Institute is a hoax. Believing the Director, Goldenloin contacts Boldheart for a rendezvous, sans Nimona. From Goldenloin’s perspective, Boldheart is a good man who has been deceived by the real villain, Nimona. He tells Boldheart about a scroll the Director found, with evidence that Nimona is Gloreth’s original monster, still alive and terrorizing the city. Goldenloin wants to bring Boldheart back into the knighthood and resume their relationship, and though that’s what Boldheart wanted before, his solidarity with Nimona causes him to reject the offer.

Though he leaves Goldenloin behind, Boldheart’s suspicion of Nimona returns. Despite their solidarity, he doesn’t really know her, so he returns home to interrogate her. In the ensuing argument, he reverts to calling her a monster, but only through implication—he won’t say the word. Like a slur, he knows he shouldn’t say it anymore, but that doesn’t keep him from believing it.

Boldheart’s actions prove to Nimona that nowhere is safe. There is no haven. Her community will always turn on her. She flees, and in her ensuing breakdown, the audience learns her backstory. She was alone for an unspecified length of time, never able to fit in until meeting Gloreth as a little girl. Nimona presents herself to Gloreth as another little girl, and Gloreth becomes Nimona’s very first friend. Even when Nimona shapeshifts, Gloreth treats her with kindness and love.

Then the adults of Gloreth’s village see Nimona shapeshift, and the word “monster” is hurled. Torches and pitchforks come out. At the adults’ panic, Gloreth takes up a sword against Nimona, and the cycle of bigotry is transferred to the next generation. The friendship shatters, and Nimona must flee before she can be killed.

After losing Boldheart, seemingly Nimona’s only ally since Gloreth’s betrayal, Nimona’s grief becomes insurmountable. She knows in her heart that nothing will ever change. She’s been hurt too much, by too many, cutting too deeply. To Nimona, the world will only ever bring her pain, so she gives in. She transforms into the giant, ferocious monster everyone has always told her she is, and she begins moving through the city as the Institute opens fire.

When Ballister sees Nimona’s giant, shadowy form, he realizes the horrific pain he caused her. He intuits that Nimona isn’t causing destruction for fun, she’s on a suicide march. She’s given up, and her decision is the result of endless, systemic bigotry and betrayal of trust. Her rampage wouldn’t be happening if she’d been treated with love, support, and care.

Nimona’s previous admission of suicidal ideation repeats in voiceover as she prepares to impale herself on a sword pointed by a massive statue of Gloreth. Her suicide is only prevented because Ballister steps in, calling to her, apologizing, saying he sees her and she isn’t alone. She collapses into his arms, once again in human form, sobbing. Boldheart has finally accepted her truth, and she is safe with him.

But she isn’t safe from the Director.

In a genocidal bid she knows will take out countless civilian lives, the Director orders canons fired on Nimona. Goldenloin tries to stop her, finally standing up against the system, but it’s too late. The Director fires the canons, Nimona throws herself at the blast to protect the civilians, and Nimona falls.

When the dust settles, the Director is deposed and the city rebuilds. Boldheart and Goldenloin reconnect and resume their relationship. The walls around the city come down, reforms take hold in the Institute, and a memorial goes up to honor Nimona, the hero who sacrificed her life to reveal the Director’s corruption.

Nimona, however, is hard to kill.

Nimona originally had a tragic ending, born of N.D. Stevenson’s own depression, but that hopelessness didn’t last forever. (44) Though Nimona is defeated, she doesn’t stay dead. Through the outpouring of love and support N.D. Stevenson received while creating the original webcomic, he gained the community and support he needed to create a more hopeful ending for Nimona’s story—and himself.

The comic’s ending is bittersweet. Nimona can’t truly die, and eventually restores herself. She allows Blackheart to glimpse her, so he knows she survived, but she doesn’t stay. She still doesn’t feel safe, and is assumed to move on somewhere new. Blackheart never sees Nimona again.

The film’s ending is more hopeful. There is a shimmer of pink magic as Nimona announces her survival, and the film ends with Boldheart’s elated exclamation. Even death couldn’t keep her down. She survived Gloreth, and she survived the Director. Though this chapter of the story is over, there is hope on the horizon, and she has allies on her side.

In both incarnations, Nimona is a story of queer survival in a cruel world. The original ending was one of despair, that said there was little hope of true solidarity and allyship. The revised ending said there was hope, but still so far to go. The film’s ending says there is hope, there is solidarity, and there are people who will stand with transgender people until the bitter end—but, more importantly, there are people in the world who want trans people to live, to thrive, and to find joy.

In a world that’s so hostile to transgender people, it’s no wonder a radically trans-positive film had to fight so hard to exist. Unfortunately, the battle must continue. As of June 2024, Netflix hasn’t announced any intent to produce physical copies of the film, meaning it exists solely on streaming and is only accessible via a monthly paid subscription. Should Netflix ever take down its original animation, as HBO Max did in 2022 despite massive backlash, the film could easily become lost media. (45) Though it saved Nimona from Disney, Netflix has its own nasty history of under-marketing and canceling queer programs. (46)

The film’s art book is already gone. The multimedia tome was posted online on October 12, 2023, hosted at ArtofNimona.com. (47) Per the Internet Archive’s Wayback Machine, the site became a Netflix redirect at some point between 10:26 PM on March 9, 2024 and 9:35 PM on March 20, 2024. (48) On the archived site, some multimedia elements are non-functional, potentially making them lost media. The art book is not available through any legal source, and though production designer Aidan Sugano desperately wants a physical copy made, there seem to be no such plans. (49)

Perhaps Netflix will eventually release physical copies of both film and art book. Perhaps not. Time will tell. In the meantime, Nimona stands as a triumph of queer media in a queerphobic world. That it exists at all is a miracle, and that its accessibility is so precarious a year after release is a travesty. Contemporary political commentary is woven into every aspect of the film, and it exists thanks to the passion, talent, and bravery of an incredible crew who endured despite blatant corporate queerphobia.

Long live Nimona, and long live the transgender community she represents.

_ This piece was commissioned using the prompt "the Nimona movie."

Updated 6/16/24 to revise an inaccurate statement regarding the original comic.

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Notes:

1. “Past Recipients 2010s.” n.d. Comic-Con International. Accessed June 10, 2024. https://www.comic-con.org/awards/eisner-awards/past-recipients/past-recipenties-2010s/.

2. Stevenson, ND. 2015. Nimona. New York, NY: Harperteen.

3. Kit, Borys. 2015. “Fox Animation Nabs ‘Nimona’ Adaptation with ‘Feast’ Director (Exclusive).” The Hollywood Reporter. June 11, 2015. https://www.hollywoodreporter.com/movies/movie-news/fox-animation-nabs-nimona-adaptation-801920/.

4. Riley, Jenelle. 2017. “Oscar Winner Patrick Osborne Returns with First-Ever vr Nominee ‘Pearl.’” Variety. February 9, 2017. https://variety.com/2017/film/in-contention/patrick-osborne-returns-to-race-with-first-vr-nominee-pearl-1201983466/; Osborne, Patrick (@PatrickTOsborne). 2017. "Hey world, the NIMONA feature film has a release date! @Gingerhazing February 14th 2020 !!" Twitter/X, June 30, 2017, 3:16 PM. https://x.com/PatrickTOsborne/status/880867591094272000. ‌

5. “The Walt Disney Company to Acquire Twenty-First Century Fox, Inc., after Spinoff of Certain Businesses, for $52.4 Billion in Stock.” 2017. The Walt Disney Company. December 14, 2017. https://thewaltdisneycompany.com/walt-disney-company-acquire-twenty-first-century-fox-inc-spinoff-certain-businesses-52-4-billion-stock-2/.

6. Amidi, Amid. 2017. “Disney Buys Fox for $52.4 Billion: Here Are the Key Points of the Deal.” Cartoon Brew. December 14, 2017. https://www.cartoonbrew.com/business/disney-buys-fox-key-points-deal-155390.html; Giardina, Carolyn. 2017. “Disney Deal Could Redraw Fox’s Animation Business.” The Hollywood Reporter. December 14, 2017. https://www.hollywoodreporter.com/news/general-news/disney-deal-could-redraw-foxs-animation-business-1068040/; Szalai, Georg, and Paul Bond. 2019. “Disney Closes $71.3 Billion Fox Deal, Creating Global Content Powerhouse.” The Hollywood Reporter. March 19, 2019. https://www.hollywoodreporter.com/news/general-news/disney-closes-fox-deal-creating-global-content-powerhouse-1174498/.

7. Hipes, Patrick. 2019. “After Trying Day, Disney Sets Film Leadership Lineup.” Deadline. March 22, 2019. https://deadline.com/2019/03/disney-film-executives-post-merger-team-set-1202580586/.

8. Jones, Rendy. 2023. “‘Nimona’: Netflix’s Remarkable Trans-Rights Animated Movie Is Here.” Rolling Stone. July 3, 2023. https://www.rollingstone.com/tv-movies/tv-movie-features/nimona-netflix-trans-rights-animated-movie-lgbtq-riz-ahmed-chloe-grace-moretz-1234782583/.

9. D’Alessandro, Anthony. 2021. “Disney Closing Blue Sky Studios, Fox’s Once-Dominant Animation House behind ‘Ice Age’ Franchise.” Deadline. February 9, 2021. https://deadline.com/2021/02/blue-sky-studios-closing-disney-ice-age-franchise-animation-1234690310/.

10. “Disney’s Blue Sky Shut down Leaves Nimona Film 75% Completed.” 2021. CBR. February 10, 2021. https://www.cbr.com/nimona-film-abandoned-disney-blue-sky-shut-down/; Sneider, Jeff. 2021. “Exclusive: Disney’s LGBTQ-Themed ‘Nimona’ Would’ve Featured the Voices of Chloë Grace Moretz, Riz Ahmed.” Collider. March 4, 2021. https://collider.com/nimona-movie-cast-cancelled-disney-blue-sky/.

11. Horowitz, Juliana Menasce, Anna Brown, and Rachel Minkin. 2021. “The COVID-19 Pandemic’s Long-Term Financial Impact.” Pew Research Center’s Social & Demographic Trends Project. March 5, 2021. https://www.pewresearch.org/social-trends/2021/03/05/a-year-into-the-pandemic-long-term-financial-impact-weighs-heavily-on-many-americans/.

12. Lang, Brent. 2022. “Disney CEO Bob Iger’s Rich Compensation Package Revealed, Company Says Bob Chapek Fired ‘without Cause.’” Variety. November 21, 2022. https://variety.com/2022/film/finance/bob-iger-compensation-package-salary-bob-chapek-fired-1235439151/.

13. Romano, Nick. 2020. “The Pandemic Animation Boom: How Cartoons Became King in the Time of COVID.” EW.com. November 2, 2020. https://ew.com/movies/animation-boom-coronavirus-pandemic/.

14. Strapagiel, Lauren. 2021. “The Future of Disney’s First Animated Feature Film with Queer Leads, ‘Nimona,’ Is in Doubt.” BuzzFeed News. February 24, 2021. https://www.buzzfeednews.com/article/laurenstrapagiel/disney-nimona-movie-lgbtq-characters.

15. Clark, Travis. 2022. “Disney Raised Concerns about a Same-Sex Kiss in the Unreleased Animated Movie ‘Nimona,’ Former Blue Sky Staffers Say.” Business Insider. https://www.businessinsider.com/disney-disapproved-same-sex-kiss-nimona-movie-former-staffers-say-2022-3.

16. Keegan, Rebecca. 2024. “Why Megan Ellison Saved ‘Nimona’: ‘I Needed This Movie.’” The Hollywood Reporter. February 22, 2024. https://www.hollywoodreporter.com/movies/movie-news/megan-ellison-saved-nimona-1235832043/.

17. St. James, Emily. 2023. “Mourning the Loss of the Owl House, TV’s Best Queer Kids Show.” Vanity Fair. April 6, 2023. https://www.vanityfair.com/hollywood/2023/04/loss-of-the-owl-house-tvs-best-queer-kids-show.

18. AntagonistDana. 2021. “AMA (except by ‘Anything’ I Mean These Questions Only).” Reddit. October 5, 2021. https://www.reddit.com/r/TheOwlHouse/comments/q1x1uh/ama_except_by_anything_i_mean_these_questions_only/; de Wit, Alex Dudok. 2020. “Disney Executive Tried to Block Queer Characters in ‘the Owl House,’ Says Creator.” 2020. Cartoon Brew. August 14, 2020. https://www.cartoonbrew.com/disney/disney-executives-tried-to-block-queer-characters-in-the-owl-house-says-creator-195413.html.

19. Doherty, Thomas. 1999. Pre-Code Hollywood : Sex, Immorality, and Insurrection in American Cinema, 1930-1934. New York: Columbia University Press. 363.

20. Henderson, Taylor. 2018. “‘Steven Universe’s’ Latest Episode Just Made LGBTQ History.” Pride. July 5, 2018. https://www.pride.com/stevenuniverse/2018/7/05/steven-universes-latest-episode-just-made-lgbtq-history; McDonnell, Chris. 2020. Steven Universe: End of an Era. New York: Abrams. 102.

21. Stevenson, ND. (@Gingerhazing). 2021. "Sad day. Thanks for the well wishes, and sending so much love to everyone at Blue Sky. Forever grateful for all the care and joy you poured into Nimona." Twitter/X, February 9, 2021, 3:32 PM. https://x.com/Gingerhazing/status/1359238823935283200

22. Jones, Rendy. 2023. “‘Nimona’: Netflix’s Remarkable Trans-Rights Animated Movie Is Here.” Rolling Stone. July 3, 2023. https://www.rollingstone.com/tv-movies/tv-movie-features/nimona-netflix-trans-rights-animated-movie-lgbtq-riz-ahmed-chloe-grace-moretz-1234782583/.

23. Keegan, Rebecca. 2024. “Why Megan Ellison Saved ‘Nimona’: ‘I Needed This Movie.’” The Hollywood Reporter. February 22, 2024. https://www.hollywoodreporter.com/movies/movie-news/megan-ellison-saved-nimona-1235832043/.

24. Stevenson, ND. (@Gingerhazing). 2022. "Nimona’s always been a spunky little story that just wouldn’t stop. She’s a fighter...but she’s also got some really awesome people fighting for her. I am excited out of my mind to announce that THE NIMONA MOVIE IS ALIVE...coming at you in 2023 from Annapurna and Netflix." Twitter/X, April 11, 2022, 10:00 AM. https://x.com/Gingerhazing/status/1513517319841935363.

25. “‘Nimona’ Starring Chloë Grace Moretz, Riz Ahmed & Eugene Lee Yang Coming to Netflix in 2023.” About Netflix. April 11, 2022. https://about.netflix.com/en/news/nimona-starring-chloe-grace-moretz-riz-ahmed-and-eugene-lee-yang-coming-to-netflix.

26. “’Nimona’ Rates 100% on Rotten Tomatoes after Annecy Premiere.” Animation Magazine. June 15, 2023. https://www.animationmagazine.net/2023/06/nimona-rates-100-on-rotten-tomatoes-after-annecy-premiere/

27. Dilillo, John. 2023. “’Nimona’: Everything You Need to Know About the New Animated Adventure.” Tudum by Netflix. June 30, 2023. https://www.netflix.com/tudum/articles/nimona-release-date-news-photos

28. Reese, Lori. 2001. “Is ‘“Shrek”’ the Anti- Disney Fairy Tale?” Entertainment Weekly. May 29, 2001. https://ew.com/article/2001/05/29/shrek-anti-disney-fairy-tale/.

29. Sugano, Aidan. 2023. Nimona: the Digital Art Book. Netflix. 255. https://web.archive.org/web/20240309222607/https://artofnimona.com/.

30. White, Abbey. 2023. “How ‘Nimona’ Explores the Model Minority Stereotype through Its Queer API Love Story.” The Hollywood Reporter. July 1, 2023. https://www.hollywoodreporter.com/movies/movie-features/nimona-eugene-lee-yang-directors-race-love-story-netflix-1235526714/.

31. White, Abbey. 2023. “How ‘Nimona’ Explores the Model Minority Stereotype through Its Queer API Love Story.” The Hollywood Reporter. July 1, 2023. https://www.hollywoodreporter.com/movies/movie-features/nimona-eugene-lee-yang-directors-race-love-story-netflix-1235526714/.

32. Equal Justice Initiative. 2021. “Report Documents Racial Bias in Coverage of Crime by Media.” Equal Justice Initiative. December 16, 2021. https://eji.org/news/report-documents-racial-bias-in-coverage-of-crime-by-media/.

33. Stevenson, N. D. 2023. “Nimona (the Comic): A Deep Dive.” I’m Fine I’m Fine Just Understand. July 13, 2023. https://www.imfineimfine.com/p/nimona-the-comic-a-deep-dive.

34. Sugano, Aidan. 2023. Nimona: the Digital Art Book. Netflix. 259-260. https://web.archive.org/web/20240309222607/https://artofnimona.com/.

35. Sugano, Aidan. 2023. Nimona: the Digital Art Book. Netflix. 7. https://web.archive.org/web/20240309222607/https://artofnimona.com/.

36. Brown, Tracy. 2019. “In Netflix’s ‘She-Ra,’ Even Villains Respect Nonbinary Pronouns.” Los Angeles Times. November 6, 2019. https://www.latimes.com/entertainment-arts/tv/story/2019-11-05/netflix-she-ra-princesses-power-nonbinary-double-trouble.

37. Department of Homeland Security. 2019. “If You See Something, Say Something®.” Department of Homeland Security. May 10, 2019. https://www.dhs.gov/see-something-say-something.

38. University of Stanford. n.d. “Stephon Clark.” Say Their Names - Spotlight at Stanford. https://exhibits.stanford.edu/saytheirnames/feature/stephon-clark.

39. Kidd, Jeremy D., Tettamanti, Nicky A., Kaczmarkiewicz, Roma, Corbeil, Thomas E., Dworkin, Jordan D., Jackman, Kasey B., Hughes, Tonda L., Bockting, Walter O., & Meyer, Ilan H. 2023. “Prevalence of Substance Use and Mental Health Problems among Transgender and Cisgender US Adults.” Williams Institute. https://williamsinstitute.law.ucla.edu/publications/transpop-substance-use/.

40. “2023 Anti-Trans Bills: Trans Legislation Tracker.” n.d. Trans Legislation Tracker. https://translegislation.com/bills/2023.

41. James, S.E., Herman, J.L., Durso, L.E., & Heng-Lehtinen, R. 2024. “Early Insights: A Report of the 2022 U.S. Transgender Survey.” National Center for Transgender Equality, Washington, DC.

42. Myers, Catherine. 2023. “Protests in the Age of Social Media.” The Nonviolence Project. February 11, 2023. https://thenonviolenceproject.wisc.edu/2023/02/11/protests-in-the-age-of-social-media/.

43. Auxier, Brooke, and Colleen McClain. 2020. “Americans Think Social Media Can Help Build Movements, but Can Also Be a Distraction.” Pew Research Center. Pew Research Center. September 9, 2020. https://www.pewresearch.org/short-reads/2020/09/09/americans-think-social-media-can-help-build-movements-but-can-also-be-a-distraction/.

44. Stevenson, N. D. 2023. “Nimona (the Comic): A Deep Dive.” I’m Fine I’m Fine Just Understand. July 13, 2023. https://www.imfineimfine.com/p/nimona-the-comic-a-deep-dive.

45. Chapman, Wilson. 2022. “HBO Max to Remove 36 Titles, Including 20 Originals, from Streaming.” Variety. August 18, 2022. https://variety.com/2022/tv/news/hbo-max-originals-removed-1235344286/.

46. Iftikhar, Asyia. 2023. “Netflix CEO Slammed by LGBTQ+ Fans over Cancellation Comments: ‘They Are NOT Allies.’” PinkNews. January 24, 2023. https://www.thepinknews.com/2023/01/24/netflix-ceo-ted-sarandos-cancelled-shows-lgbtq-fans-reactions/.

47. Lang, Jamie. 2023. “Netflix Has Released a 358-Page Multimedia Art of Book for ‘Nimona’ - Exclusive.” Cartoon Brew. October 12, 2023. https://www.cartoonbrew.com/books/nimona-art-of-book-aidan-sugano-netflix-233636.html.

48. “Wayback Machine.” n.d. The Internet Archive. Accessed June 10, 2024. https://wayback-api.archive.org/web/20240000000000.

49. Lang, Jamie. 2023. “Netflix Has Released a 358-Page Multimedia Art of Book for ‘Nimona’ - Exclusive.” Cartoon Brew. October 12, 2023. https://www.cartoonbrew.com/books/nimona-art-of-book-aidan-sugano-netflix-233636.html.

[reasonsforhope]

Camera-trapping data revealed in a new study show a steady recovery of tigers in Thailand’s Western Forest Complex over the past two decades.

The tiger recovery has been mirrored by a simultaneous increase in the numbers of the tigers’ prey animals, such as sambar deer and types of wild cattle.

The authors attribute the recovery of the tigers and their prey to long-term efforts to strengthen systematic ranger patrols to control poaching as well as efforts to restore key habitats and water sources.

Experts say the lessons learnt can be applied to support tiger recovery in other parts of Thailand and underscore the importance of the core WEFCOM population as a vital source of tigers repopulating adjacent landscapes.

The tiger population density in a series of protected areas in western Thailand has more than doubled over the past two decades, according to new survey data.

Thailand is the final stronghold of the Indochinese tiger (Panthera tigris corbetti), the subspecies having been extirpated from neighboring Cambodia, Laos and Vietnam over the past decade due to poaching, habitat loss and indiscriminate snaring...

Fewer than 200 tigers are thought to remain in Thailand’s national parks and wildlife sanctuaries, only a handful of which are sufficiently undisturbed and well-protected to preserve breeding tigers. 

The most important of these protected areas for tigers is the Huai Kha Khaeng Thung Yai (HKK-TY) UNESCO World Heritage Site, which comprises three distinct reserves out of the 17 that make up Thailand’s Western Forest Complex (WEFCOM). Together, these three reserves — Huai Kha Khaeng Wildlife Sanctuary, Thungyai Naresuan West and Thungyai Naresuan East — account for more than a third of the entire WEFCOM landscape.

Now, a new study published in Global Ecology and Conservation documents a steady recovery of tigers within the HKK-TY reserves since camera trap surveys began in 2007. The most recent year of surveys, which concluded in November 2023, photographed 94 individual tigers, up from 75 individuals in the previous year, and from fewer than 40 in 2007.

Healthy tiger families  

The study findings reveal that the tiger population grew on average 4% per year in Hua Kha Khaeng Wildlife Sanctuary, the largest and longest-protected of the reserves, corresponding to an increase in tiger density from 1.3 tigers per 100 square kilometers, to 2.9 tigers/100 km2. 

“Tiger recoveries in Southeast Asia are few, and examples such as these highlight that recoveries can be supported outside of South Asia, where most of the good news [about tigers] appears to come from,” said Abishek Harihar, tiger program director for Panthera, the global wildcat conservation organization, who was not involved in the study.

Among the camera trap footage gathered in HKK-TY over the years were encouraging scenes of healthy tiger families, including one instance of a mother tiger and her three grownup cubs lapping water and lounging in a jacuzzi-sized watering hole. The tiger family stayed by the water source for five days during the height of the dry season.

The team of researchers from Thailand’s Department of National Parks, Wildlife and Plant Conservation, the Wildlife Conservation Society, Kasetsart University, and India’s Center for Wildlife Studies deployed camera traps at more than 270 separate locations throughout the HKK-TY reserves, amassing 98,305 days’ worth of camera-trap data over the 19-year study period.

Using software that identifies individual tigers by their unique stripe patterns, they built a reference database of all known tigers frequenting the three reserves. A total of 291 individual tigers older than 1 year were recorded, as well as 67 cubs younger than 1 year [over the course of the study].

Ten of the tigers were photographed in more than one of the reserves, indicating their territories straddled the reserve boundaries. The authors conclude that each of the three reserves has a solid breeding tiger population and that, taken together, the HKK-TY landscape is a vital source of tigers that could potentially repopulate surrounding areas where they’ve been lost. This is supported by cases of known HKK-TY tigers dispersing into neighboring parts of WEFCOM and even across the border into Myanmar.

Conservation efforts pay off

Anak Pattanavibool, study co-author and Thailand country director at the Wildlife Conservation Society, told Mongabay that population models that take into account the full extent of suitable habitat available to tigers within the reserves and the likelihood that some tigers inevitably go undetected by camera surveys indicate there could be up to 140 tigers within the HKK-YT landscape.

Anak told Mongabay the tiger recovery is a clear indication that conservation efforts are starting to pay off. In particular, long-term action to strengthen systematic ranger patrols to control poaching as well as efforts to boost the tigers’ prey populations seem to be working, he said.

“Conservation success takes time. At the beginning we didn’t have much confidence that it would be possible [to recover tiger numbers], but we’ve been patient,” Anak said. For him, the turning point came in 2012, when authorities arrested and — with the aid of tiger stripe recognition software — prosecuted several tiger-poaching gangs operating in Huai Kha Khaeng. “These cases sent a strong message to poaching gangs and they stopped coming to these forests,” he said."

...ranger teams have detected no tiger poaching in the HKK-TY part of WEFCOM since 2013.

-via Mongabay News, July 17, 2024

[pucksandpower]

Insomniac

Toto Wolff x wife!Reader

Summary: you’re tired of falling asleep in an empty bed due to your workaholic husband’s sleepless nights

Based on this request

You rub your eyes and blink a few times, adjusting to the soft glow of the lamp on the end table as you lift your head from the couch cushion.

2:17 AM.

Again.

This makes the fifth night in a row that you’ve fallen asleep alone on the living room sofa, having given up on the hope of Toto joining you in your shared bed upstairs. The cashmere blanket wrapped around your legs does little to ward off the chill of the night, and you suppress a shiver as you sit up.

With a sigh, you slide out from under the afghan, the plush carpet soft under your bare feet as you quietly make your way out of the living room and down the hall. The sliver of light peeking out from underneath the closed door of the study confirms your suspicions — Toto is still awake, still working at this ungodly hour.

Ever since the news broke that Lewis would be leaving Mercedes for Ferrari at the end of the season, Toto has been unable to relax. He barely sleeps, poring over stats and projections deep into the night as he tries in vain to figure out how to move forward.

You know he feels responsible — for building the team into what it is, for leading it to seven constructors’ titles, for creating an environment where Lewis could thrive. Letting him go feels like a monumental failure in Toto’s eyes, even though rationally there was nothing else to be done. Lewis’ mind was made up.

But knowing how reasonable a decision it was does nothing to quiet the ceaseless chatter of Toto’s anxious thoughts. He second guesses himself constantly, running through hypotheticals and what-ifs over and over.

What if he had offered more money? More freedom? What if he had anticipated Lewis’ wandering eyes and somehow convinced him to stay? But you know better than anyone that his hands were tied — Mercedes’ board of directors simply would not cooperate with his suggestions.

You understand Toto’s anguish, but his sleepless agonizing is starting to take a toll. The dark circles under his eyes are more pronounced than ever, and the weight of his responsibilities hangs heavily from his slumped shoulders. His embraces are no longer as warm, his kisses no longer as tender. He retreats into his own head, consumed by doubts and regrets, and you feel him slipping away day by day.

Enough is enough, you decide. If Toto won’t take care of himself, then you will have to take matters into your own hands.

You tiptoe to the kitchen and quietly replace Toto’s usual late-night dark roast with decaf. It won’t stop him from working, but at least it won’t add fuel to the fire of his racing thoughts.

After preparing for bed yourself, you head down the hall, suppressing a shiver as your bare feet meet the cool wood floors. Pausing outside the study door, you turn the thermostat down just a couple degrees. It’s a subtle change, but you know Toto will notice, and it just might make him long for the warmth of your shared bed.

Taking a breath, you gently rap your knuckles against the door and let yourself in. Toto is exactly where you expected, hunched over his desk with his brows furrowed, staring fixedly at his laptop screen.

“Hey,” you say softly so as not to startle him. “It’s getting pretty late, I’m going to head to bed.”

“Mmhmm,” he murmurs absently, barely glancing up.

You stifle a yawn, stretching your arms over your head. “Are you coming?” You ask hopefully.

“In a bit,” Toto mumbles. “I just need to finish this analysis.”

You sigh, walking over to him and sliding your arms around his shoulders. “Toto, please,” you plead, nuzzling into his neck. “Come to bed. You need to rest.”

He reaches up to give your hand a quick, distracted pat. “Soon, liebling. I promise.”

Accepting that you won’t sway him now, you kiss his stubbly cheek and head for the door. “Don’t stay up too much longer,” you implore, then make your way back down the hall.

Once in your bedroom, you go through your regular bedtime routine, brushing your teeth and washing your face. But instead of climbing into your big empty bed, you find yourself wandering further down the hall to the nursery.

Pushing open the door, you pause to gaze at your sleeping infant daughter in her crib, her little chest rising and falling with soft even breaths. The corner of the room holds a cozy cushioned rocking chair, and you sink down into it with a yawn, the lateness of the hour finally catching up to you. Your eyes drift closed as you let the gentle motion lull you towards sleep.

You’re not sure how much time has passed when you feel strong arms sliding under your knees and behind your back, lifting you from the chair. You let out a soft murmur, still more asleep than awake, as Toto carries you from the nursery. Resting your head against his chest, you breathe in his familiar scent as he brings you down the hall to your bedroom.

Gently, he lays you down on your bed, brushing a wisp of hair back from your face as he pulls the covers up around you. Through bleary eyes, you see him cross to the dresser and begin shedding his clothes, swapping his button-down and slacks for a t-shirt and pajama bottoms. Finally, he climbs in beside you with a weary sigh, and you immediately nestle against him, seeking his warmth.

“I’m sorry,” he whispers, pressing a kiss to your forehead as his arms encircle you.

You lift your head to meet his tired blue eyes. “It’s okay,” you murmur. “I know this has been hard for you.”

He shakes his head slightly. “That’s no excuse. You shouldn’t have to deal with my restlessness.”

You reach up to cup his cheek. “We’re in this together, remember?” You remind him gently. “For better or worse.”

The corners of his mouth twitch in a hint of a smile. “Have I told you lately how much I love you?”

“Hmm, I don’t know if it’s come up,” you tease.

He gives you a playful little squeeze. “Well I do. So much.” His voice grows more serious then. “I don’t know what I did to deserve you, but I’m thankful for you every day.”

You grin and snuggle impossibly closer. “Flattery will get you everywhere, Mr. Wolff.”

His low chuckle rumbles pleasantly against your cheek. “I mean it though. You’re my rock. My safe place. With everything going on ...” He trails off with a heavy exhale.

Reaching for his hand, you lace your fingers through his and give a supportive squeeze. “I know. But it’s going to be okay. Mercedes will find their way again, with you leading the charge. You’re the heart and soul of this team, Toto. You brought them this far, and you’ll bring them even further.”

“I wish I had your confidence,” he admits softly. “I just hope I can live up to it.”

“You will,” you say without hesitation. “You’re the most driven, passionate person I know. Your commitment is unmatched. If anyone can navigate these changes, it’s you.”

Toto is quiet for a moment, his thumb gently caressing your knuckles. “Thank you,” he says finally. “Just … thank you. For believing in me. For supporting me. For loving me, even when I’m being a stubborn arschloch.”

You grin. “Well, you’re my stubborn arschloch. And I wouldn’t change a thing.”

He laughs then, the sound warm and rich, and you feel some of the tension leave his body.

“No more working until sunrise though, okay?” You implore, threading your fingers through his hair. “You need to take care of yourself too.”

He nods, eyes shining with affection. “Okay. I promise.”

Satisfied, you nestle against his chest once more, comforted by the steady rhythm of his heartbeat. His lips find the top of your head in a tender kiss.

“I love you,” he murmurs into your hair. “So very much.”

You smile softly, already drifting towards sleep in the safety of his arms.

“I love you too,” you whisper. And with a contented sigh, you surrender to the pull of peaceful slumber, the two of you wrapped up in each other as you should be.

No more empty beds or sleepless nights. Just the comforting nearness of the man you love.

Your partner.

Your home.

[exoid-the-locomotive-monarch]

>be a webcomic

>decent popularity and critical support from the fans at the start

>immediate drop in quality over next bunch of updates

>fans hate it

>gets so bad writers and artists are harassed to the point of leaving the team

>endless controversies between writers acting shitty on their personal Twitter account to fans to accusing discord mods of being 4Chan nazis

>comic loses half its funding 8 months in

>bimonthly updates 4 months in return to the sluggish once a month updates from the start

>pause 14 months into the comic’s intended 5 year run.

>announce a month later indefinite hiatus

>radio Silence for THREE YEARS AND NINE MONTHS

>be almost 4 year anniversary of the webcomic’s start, 17 days away to be exact

>drop 4 DOZEN pages

>new director

>new writers union

>new EVERYTHING even the title of the comic changed

>the “it’s so over” from the fandom supercharges back into “we are so fucking back”

>its name is enough to scare half this website into shock

>look at tags

[goryhorroor]

for my october watchlist for halloween I’m going to be using my lists so if anyone wants to join in, I’m posting it here. you can use my lists to help or you can pick your own! do it whenever you like or not at all (this’ll be my october format)

day 1: silent horror movie (let’s start out with the beginners, the ogs) (list)

day 2: a 30s horror movie (list)

day 3: a 40s horror movie (list)

day 4: a 50s horror movie (list)

day 5: a 60s horror movie (list)

day 6: a 70s horror movie (list)

day 7: a 80s horror movie (list)

day 8: a 90s horror movie (list)

day 9: a 2000s horror movie (list)

day 10: a 2010s horror movie (list)

day 11: a 2020s horror movie (list)

day 12: pick a horror movie from your watchlist

day 13: pick a movie from my essential underrated horror (list)

day 14: pick a hammer productions horror movie (list)

day 15: pick a remake of a horror movie

day 16: pick a horror movie released this year

day 17: pick a horror short film (list)

day 18: pick a horror movie with a female villain (list)

day 19: pick a blumhouse horror movie (list)

day 20: pick a horror movie with a cult (list)

day 21: pick a giallo horror movie (list)

day 22: pick an a-24 horror movie (list)

day 23: pick an animated horror movie (list)

day 24: pick an analog horror movie (list)

day 25: pick a criterion horror movie (list)

day 26: pick a shudder horror movie (list)

day 27: pick a technicolor horror movie (list)

day 28: pick a slavic horror movie (list)

day 29: pick a female directed horror movie (list)

day 30: pick a horror movie from directors’ faves (list)

day 31: freestyle; pick a horror movie of your choice

[lurkinginnernarrator]

Okay, I had a really cute idea, now okay, we know Shen Yuan was rich and all that pre-transmigration. And that he had two elder brothers and a younger sister. And that the older brothers managed the family business (can't remember if that's canon or fanon but it's true in this situation)

BUT. WHAT IF. the family business was an idol agency. Shen-dage is the CEO, Shen-erge is like the manager, he wrangles the backstage crews and label, and Shen-mei is of course, the star idol because of course.

Now I can't decide if Shen Yuan would be an idol alongside Shen-mei, or like a creative director.

We know Shen Yuan is a god-level poser, so he'd do GREAT at either (not to mention he's not stupid, or incapable, it's just in canon his denial skills are maxed out)

The media would love them.

There are dozens of compilations of 'Shen-mei and Shen Yuan being chaotic siblings for 17 minutes straight' and "top ten times Shen Yuan entered protective brother mode"

"Shen-mei cries ON STAGE and Shen Yuan comforts her!!!"

Let's not talk about the edits. Or the fanfiction. Or some of the signs that people bring to concerts. Or the fancalls.

Now imagine, they finish a global tour and all the Shens are bullied into taking time off by their staff. Shen Yuan, with nothing to do, decides to do something completely frivolous because 'who says I can't relax?? Take that!' and so he starts reading a novel.

The novel.

Twenty days later and Shen Yuan has sent more hate than all of his anti-fans combined. He has used words even his most inspired fanfiction writers would blush at.

And he dies and all that, yadda yaddah ya.

ANYWAY, imagine the fluff and the shenanigans. Both post and pre-transmigration

Airplane-bro starts humming a song and Shen Yuan's muscle memory possesses him.

Shang Qinghua: Cucumber-bro you must've been a diehard Shen-mei stan!!! That choreo was perfect

Or, OR that's how they both realize they're transmigrators.

(Airplane: 'i dont remember writing Shen-mei into pidw??? And why does Shen Qingqiu know the choreo??? Wu Yanzi what were you teaching him???)

Pre-transmigration Shen Yuan helping his little sister with recording harmonies and backup vocals.

And the outfits?. Need I say more?

[nasa]

What’s It Like to Work in NASA’s Mission Control Center?

In the latest installment of our First Woman graphic novel series, we see Commander Callie Rodriguez embark on the next phase of her trailblazing journey, as she leaves the Moon to take the helm at Mission Control.

Flight directors work in Mission Control to oversee operations of the International Space Station and Artemis missions to the Moon. They have a unique, overarching perspective focused on integration between all the systems that make a mission a success – flight directors have to learn a little about a lot.

Diane Dailey and Chloe Mehring were selected as flight directors in 2021. They’ll be taking your questions about what it’s like to lead teams of flight controllers, engineers, and countless professionals, both agencywide and internationally, in an Answer Time session on Nov. 28, 2023, from noon to 1 p.m. EST (9-10 a.m. PST) here on our Tumblr!

Like Callie, how did their unique backgrounds and previous experience, prepare them for this role? What are they excited about as we return to the Moon?

🚨 Ask your questions now by visiting https://nasa.tumblr.com/ask.

Diane Dailey started her career at NASA in 2006 in the space station Environmental Control and Life Support Systems (ECLSS) group. As an ECLSS flight controller, she logged more than 1,700 hours of console time, supported 10 space shuttle missions, and led the ECLSS team. She transitioned to the Integration and System Engineering (ISE) group, where she was the lead flight controller for the 10th and 21st Commercial Resupply Services missions for SpaceX. In addition, she was the ISE lead for NASA’s SpaceX Demo-1 and Demo-2 crew spacecraft test flights. Dailey was also a capsule communicator (Capcom) controller and instructor.

She was selected as a flight director in 2021 and chose her call sign of “Horizon Flight” during her first shift in November of that year. She has since served as the Lead Flight director for the ISS Expedition 68, led the development of a contingency spacewalk, and led a spacewalk in June to install a new solar array on the space station. She is currently working on development of the upcoming Artemis II mission and the Human Lander Systems which will return humanity to the moon. Dailey was raised in Lubbock, Texas, and graduated from Texas A&M University in College Station with a bachelor’s degree in biomedical engineering. She is married and a mother of two. She enjoys cooking, traveling, and spending time outdoors.

Chloe Mehring started her NASA career in 2008 in the Flight Operations’ propulsion systems group and supported 11 space shuttle missions. She served as propulsion support officer for Exploration Flight Test-1, the first test flight of the Orion spacecraft that will be used for Artemis missions to the Moon. Mehring was also a lead NASA propulsion officer for SpaceX’s Crew Dragon spacecraft and served as backup lead for the Boeing Starliner spacecraft. She was accepted into the 2021 Flight Director class and worked her first shift in February 2022, taking on the call sign “Lion Flight”. Since becoming certified, she has worked over 100 shifts, lead the NG-17 cargo resupply mission team, and executed two United States spacewalks within 10 days of each other. She became certified as a Boeing Starliner Flight Director, sat console for the unmanned test flight in May 2022 (OFT-2) and will be leading the undock team for the first crewed mission on Starliner in the spring of next year. She originally is from Mifflinville, Pennsylvania, and graduated with a bachelor’s degree in aerospace engineering from The Pennsylvania State University in State College. She is a wife, a mom to one boy, and she enjoys fitness, cooking and gardening.

[midnightsslut]

A Guide to Red - The Quintessential Taylor Swift Album

After the release of The Manuscript, the role of Red and Red (Taylor’s Version) in Taylor’s life and discography has been highly discussed. A lot of people have referred to it as her magnum opus and most formative album. I have decided to compile a condensed list of about a dozen key interviews, performances, speeches, posts, and videos from 2011 all the way until 2024 that illustrate the importance of this record for Taylor’s personal life and career. I’m putting the list under a cut because it got pretty long. You don’t have to go through all of these, obviously, but I would suggest at least one per era. The bolded ones are essential in my opinion.

Pre-Red - These interviews hint at Taylor’s emotional state at the time and thus the content that will be explored on the Red album

2011 The New Yorker profile

Taylor Swift reveals new album is all about heartbreak - Extra TV

Bonus: an article going through Taylor’s arm lyrics on the Speak Now World Tour, which she described as mood rings for any particular show

Lover diary entries from the making of Red (credit to @cabincreaking for the scans)

- All Too Well lyrics first draft (February 2011)

- Random bursts of happiness and anxiety during the Speak Now Tour (June 17, 2011)

- Red (September 8, 2011)

- Holy Ground (February 2012)

- Nothing New (March 2, 2012)

- Working with Max Martin (June 10, 2012)

Red era - Listen to the original sixteen songs on the Red album at this point.

Red announcement livestream + Q&A

Red prologue

2012 Rolling Stone interview

2012 The Guardian interview

2012 Billboard interview

2012 Esquire interview

Sirius XM Town Hall - an hourlong interview from the day Red came out

Good Morning America - this is the first mention of the ten-minute version of All Too Well

Red track-by-track descriptions

Random interview where she discusses the connection between writing Speak Now and Red

I Knew You Were Trouble music video

Diary entry about how love is fiction and she might move to New York after all (January 6, 2014)

Diary entry from Grammy night (January 25, 2014)

Red Tour London performance of All Too Well - any performance of this song from 2013-14 will work here, but this one has a pretty comprehensive speech

Final performance of All Too Well on the Red Tour - just listen to the speech here

Post-Red era - Over the course of these interviews, you’ll see her relationship to the album evolve.

Taylor’s description of Clean (skip to 11:18)

2014 BBC Live Lounge interview

1989 World Tour interview where she mentions thinking she’d never sell as many albums as she did with Red before 1989 came out

Clean speech - a lot of these will work, but these two best describe her relationship with the Red era and heartbreak in general

All Too Well (The 1989 World Tour live)

2015 GrammyPro interview

All Too Well Super Saturday Night performance

Reputation Tour All Too Well speech

Red into Daylight performance - 2019 City of Lover concert in Paris

Re-recordings era - at this point, listen to the red vault

2020 Rolling Stone podcast

Red (Taylor’s Version) prologue

2021 Saturday Night Live performance

All Too Well: The Short Film + Behind the Scenes

Seth Meyers interview

2022 Tribeca film talk OR TIFF (both are equally good. I have a slight preference for the former, but there are some interesting new details in the latter). You could also watch directors on directors from the same year as a bonus, but it’s less comprehensive.

2022 Graham Norton - How All Too Well (10 Minute Version) came about + how the re-recordings inspired Midnights

Also listen to Midnights

The Eras Tour

All Too Well speech (Glendale Night 2 & Atlanta Night 1) - any of the speeches from March and April 2023 will work, but these two really illustrate how she feels about this time in her life now and how the fans changed the Red album for her. Obviously credit to @cages-boxes-hunters-foxes for the transcripts!

Maroon first ever live performance (‘This is a song about something that happened a long time ago, but it took place in New York’)

Aaaand finally listen to The Tortured Poets Department, especially The Manuscript

This is a lot, but it’s worth it. Enjoy!

[lil13]

MAKEUP OR MAKEOUT? - j. champion

You're a new makeup artist, making your debut on Scream VI. Everything seemed to be going well until you were assigned Jack Champion, who always ran late and seemed to give you nothing but problems. You were stuck with the 6 foot something, curly-haired boy for the entirety of filming, spending all too much time together. Separately, you'd claimed each other as enemies, but as time goes on soft touches and fleeting glances become too much for the two of you.

•

June 2022, Scream VI, the start of your career as a makeup artist.

Honestly, you were shocked when you were offered the position. You were 17. It was crazy to think that a big name franchise would offer you, a minor, a position in makeup for their film.

The only downside was that you despised the actor you were put in charge of.

Jack Champion, the only other minor on the set.

The first day he showed up late, spouting out apologies. But every day since then he's been late and every day since then the apologies and excuses have gotten worse. And he couldn't sit still.

It's been a month and a half of this, now mid July. You all only about a month left. Couldn't Jack get his act together?

The door to the trailer swung open, "Late again, Champion." You mumbled, glancing down at your watch.

He scoffed, "I'm aware, thanks, Y/L/N."

You two solely referred to each other by your last names. It was fitting, your first names felt too personal for people who hated each other.

You'd heard Jack complaining to the others about how he wished he had a different makeup artist because his didn't talk to him. Which was a lie. You did talk to him, just clearly not as much as he wanted.

He was already wearing his costume for the day — jeans, a light blue polo, and a jacket with a plaid lining. You didn't want to admit he looked good in it. Especially when he slid the jacket off and it revealed how the polo perfectly defined his biceps.

Especially not that.

"How is your hair always curly but not curly at the same time?" You asked when he sat down, pulling out a spray bottle, mousse, and your diffuser.

His hair frustrated you. Jack had naturally curly hair, but you always had to work so long on it every day.

He shrugged, glancing up at you. "Dunno." You shielded his eyes when you sprayed the water.

But also so you didn't have to endure his chocolate brown eyes gazing into yours. They were dangerous.

"Well, figure it out." You mumbled again, brushing your fingers through his hair to disperse the water.

Then you sprayed the mousse in your hand, rubbing your hands together and then through his hair. You stood behind him, running the product through his hair and ignoring his gazes at your through the mirror. His hair was soft in your fingers and you had to bite back the thought of your hands being in his hair on different occasions.

That would never happen.

He was famous, you weren't. And you hated each other.

Sort of.

At first, the hatred was very real. Now, he more so just annoyed you. But he also intrigued you.

Damn, Jack Champion. Him and his perfect smile and captivating eyes.

"Stop staring at me." your thoughts left your mouth.

You immediately wished you could've taken it back, but turned on the diffuser to hopefully block out any response he gave.

But your wish for him to stop staring only made him stare more. You'd noticed him staring, so now he didn't have to hide it.

Finishing his hair only took a few more minutes. You dreaded the moment you turned off the diffuser, now he could talk and you'd hear him. But he stayed quiet.

He didn't need much makeup. The directors had asked for all actors to at least have on foundation, concealer, and powder. It would eliminate any blemishes or redness, making it to where they would film the same scene over many days and have their faces looks the same.

So, that's what you started.

Occasionally, as you were brushing on the products, your fingers would graze his skin. Or you'd lose your balance and your steady yourself with a hand on his shoulder chest. The touches were doing something to you, and, unbeknownst to you, they were also doing something to Jack.

You'd two had been stuck with each other for a month and a half. Everyday, you'd spend time together. You started every morning with Jack and would see him periodically throughout the day when you were needed for touch ups.

Occasionally, you'd have to run your fingers through his hair to fix the curls or brush more powder onto his face when he'd get sweaty or reapply the foundation whenever he'd inevitably wipe it off. The touches sometimes would end up being more intimate than either of you meant for them to be.

You were nearly done with his makeup when it came time for lip balm. Typically, you'd give it to Jack to apply since it was one applied with one's fingers, but today you did it yourself to speed up the process. You needed him to leave. Your mind was swirling.

His lips were separated as you ran your finger over them. You swore you heard him breathe in quickly when you started.

There was definitely no way you'd look at him now.

"You wanna know something, Y/N?" his voice quiet when you turned to wipe your fingers off from the lip balm.

"Mhmm."

"I stopped hating you a couple weeks ago."

You swallowed harshly. That's definitely not what you needed to hear.

"Me too." you whispered, scared to admit the truth.

You went to walk away, but were stopped when his hand caught your arm. Your eyes connected and a whimper slipped past your lips, betraying you, his chocolate brown eyes held an entirely different emotion than you'd ever seen before.

"Jack." his name came out more as a warning.

You two were so different.

Your lives would forever be one's that shouldn't intersect. You practically worked for him.

Jack decided to disregard your warning, his hand moving from your arm to the back of your neck, pulling you closer to him. With a sharp intake of breath, your lips connected.

And even though everything inside of you was warning you not to do this, to separate now and request a change of actors for the rest of filming to stay professional, you didn't want to. This, kissing Jack, felt so right.

Your knees went weak at the passion he put into the kiss. Jack noticed, his other hand guiding your hips so you'd sit on his lap. You were still in disbelief when you sat down, just barely on him, one hand on his chest and the other in his hair.

You didn't care that you'd have to touch up his makeup and fix his hair. You were practically making out with the actor you swore you hated.

A call came over the walkie talkie you had clipped to the waistband of your pants, letting all makeup and wardrobe know that the actors were needed on set. You were sure that that announcement was the only thing that caused your kiss to break. Both of you were breathless.

Your eyes locked with Jack's once more, both of you searching each other's for any hints of regret. But there was none.

You swallowed your nerves, "I, uh, need to touch up your hair and makeup." Jack fought back the smile on his lips at your nervousness.

Jack's hands on your hips stopped you from standing up. Your eyes finding his once more, this time widened in question.

"Sit here and do it, I want you close for as long as I can have you."

You obliged to his request. Leaning over to grab the makeup products you needed, his hands sliding you further on his lap so you wouldn't fall off. You could get used to this. Being with Jack, touching Jack, felt normal.

Your fingers fluffed up the back of his hair, the curls you'd played with while you kissed. And you touched up the makeup you'd smudged, reapplying the lip balm once more, the product you'd been applying when he'd decided to kiss you.

Then you stood up, sliding off of his legs. The boy stood up too, sliding his jacket back on and walking toward the door.

Only instead of leaving, he paused, swiftly walking back over to you and taking your face in his hands — pressing his lips against yours once more.

You silently cursed him as he left the trailer, but didn't fight your smile this time.

[godmadeaterribleerror]

Chapter 18 - Something In The Static

Series Masterlist

Author's Note: I’d like to dedicate this chapter to my friend who I finally got to watch the Boys and we’re talking about Soldier Boy and I have to pretend I’m not doing this and be very normal about the conversation.

Also for everyone who's gonna say “why is Ezekiel alive”, Butcher never went all tentacle tumor on us, and therefore Ezekiel is still very much alive. “Well how did Butcher survive their encounter” idk maybe he kissed Ezekiel and then just ran away.

Chapter Title from Not Strong Enough by boygenius

Word Count: 25.7k......

Chapter Summary/Warnings: The Believe Expo is underway, and everyone is dealing with a lot of emotions. Usual warnings, times two. We're looking at angst and smut and (minimal) fluff. Just a hodgepodge of everything.

Tags: Soldier Boy/Supe!Female Reader, canon divergence, enemies to friends to lovers, canon divergence, slow burn, tiny fluff, heavy angst, smut, pining

Read on A03!

Chapter 17 - Chapter 19

Coconut might be the worst smell in the world. Not real coconut, but this fake, chemical coconut that was everywhere in Homelander’s apartment. Everywhere on Homelander. Too sweet and impossible to not think about. It burns your nose, and you’re starting to wonder if it’s some kind of poison cologne. Something designed to make him even harder to stand against, because you always have to use a hand to block the smell from your nose. You’d never smelled it in the white room, but Homelander always went through an airlock before he visited you. This is just him, all the time, and you’re choking on it. 

He still hadn’t touched you. And they hadn’t locked you back down. You think that, between Noir’s sudden and heroic death very vaguely “defending our country” and the the CIA releasing a statement that you’re being held against your will by Vought—you’re surprised Mallory didn’t take the disavowing you entirely path, but here you are—Sage is too busy putting out fires to convince Homelander that you didn’t break that easy. That, after Noir II, you’d gotten back up. Revised your role, changing how you played it, and kept moving. You would not break, not like this, not where Homelander could see it. He didn’t fucking deserve to see you break, really break. He could think he’d gotten you to understand, but you would never allow him to see what you breaking really looked like.

You would break—really break, with screams and sobs and nails in your skin and not getting back up—when you got home. When you could cry into Ben’s chest, and he could keep your nails on his arm instead of your own. He’d pick you up. He’d pick you up in strong, safe arms and carry you to bed, holding you as long you asked him to. Everything would smell like pine and Ben, and you’d be able to break without the freezing cold making you glue yourself together. You’d just break. 

But not now. Not yet.

Not when there was still work to do.

A-Train had found you a few days after Noir II, after the CIA had responded to your speech. An official statement from the director, co-signed by president Robert Singer, stating that Soldier Boy was indeed a CIA operative, that Vought had no jurisdiction to declare him a public enemy, and that the Anomaly was currently being tortured by Vought to comply with their agenda. They didn’t say the whole truth, because according to them you and Ben were co-workers—nothing more—and Homelander had been obsessed with you since you were both young supes but you’d turned him down numerous times. You wish they had just committed to it. Just told the world what Homelander was, what he’d done to you, but the truth did somehow sound more absurd. And right now wasn’t about the truth, it was about doing what needed to be done. You had to trust that Mallory was smart. That she knew what she was doing. 

It would be really helpful if A-Train had a similar leniency. 

“What are they doing?” He’d skidded to a stop in front of you again, in another too-fancy bathroom at another boring event. 

You’d held up a single finger, taking a long, deep breath. You were curled up on the floor, under a hand-dryer that you kept pushing the button of to make the warm air blast onto your head. It was helpful, it made you feel a little more alive and was a lot more sustainable than constant vomiting. 

A-Train had just kept talking, pacing in front of you. “Sage is really not happy, there’s no fucking way I can risk talking to MM now. That was not smart, that shit you did on TV. You know why Sage isn’t here? The Deep went to a fucking Panera last night without telling anyone and Sage is pulling camera footage to make sure he’s telling the truth. And Noir is dead-“ 

“Can you please shut up?” You’d muttered, tapping against your calves. “I know what I did. I knew there would be consequences. I’m willing to live with them.” 

“Well, I’m not!” A-Train’s feet had stopped in front of you, and you’d reached up to hit the button again. Letting the hot air push on the top of your head, calming you as he continued. “This isn’t just about you, you’re not the only one who’s suffering-“ 

“I could say the same to you.” 

“Come on-“ 

“I’m serious,” you’d looked up at him with a scowl as the wind above you stopped once more. “This is good. Ben can help them now, Annie has more fuel against Vought, and Butcher and Mallory will know how to work this.” 

“Fine, but I’m not helping you at all if you keep this shit up,” A-Train had snapped your name. “I’ve got people, I can’t risk my nephews for this-“ 

“Okay.” 

He’d blinked at you. “Okay? That’s it?” 

“Yeah. Okay.” You’d shrugged. “I can’t make you help me. If you won’t, you won’t. I can handle this myself.” 

“You’re really not going to lecture me about being a hero, or doing the right thing?” 

You’d shaken your head, looking back down at the floor. “I don’t really have legs to stand on there. I got Noir II killed, I killed Firecracker, I’ve destroyed at least two buildings and gotten a lot of other, innocent people killed by proximity. I mean, fuck, I’m in love with Soldier Boy-“ 

You hadn’t meant to say that. It had fallen out of your mouth and you’d stuttered to a stop, but it was too late. When you looked back up at A-Train, his mouth was hanging open. 

“You-“ 

“Please don’t tell anyone that,” you’d whispered. “I didn’t mean to tell you that, I’m just exhausted-“ 

“I’m not going to.” A-Train had still been frowning at you. “I mean, I don’t really care about your personal shit. Even if it’s being in love with Soldier Boy.” A-Train had frowned. “Isn’t he technically Homelander’s father?” 

“Yeah,” you’d leaned your head back against the wall. “And I’m aware of how fucked up that is.” 

A-Train had shrugged. “All of this is fucked. I don’t think you fucking Soldier Boy is any less fucked than anything else we’ve all done.” 

“We’ve never actually fucked,” you’d mumbled, because you couldn’t stop now. In no world had you foreseen the I’m very in love with Ben and it’s all impossibly confusing and complicated conversation happening in a fancy bathroom with A-Train, but you had started it and now you were apparently incapable of stopping it. “I mean, we’ve done stuff. But not fucking.” 

“Okay.” A-Train had frowned. “Why the fuck are you telling me that?” 

“Because I’m lonely.” You’d looked up at him with a sad smile. “And you’re here.” 

He’d nodded, then moved away. You’d thought he’d left, just pissed off because he didn’t want to deal with this. But he’d dropped against the wall across from you with a sigh, pulling off his visor to meet your eyes. “How long?” 

You’d frowned at him. “How long?” 

“Have you and Soldier Boy been not fucking.” 

“February. But, uh,” you’d shaken your head. “I think I might have been in love with him before that.” 

“Okay,” A-Train had nodded, and kept going. “Does Homelander-“ 

“He found out after the interview. Sage told him.” 

“And your team-“ 

“I’m not sure. They know we’re close, and maybe some of them have figured out it’s more than that, but I’m really not sure.” You’d tilted your head at him. “Why are we talking about this?” 

“I don’t exactly have a lot of friends either.” A-Train muttered. “I killed the only woman I’ve ever loved because Homelander told me to, Sage is a bitch, and the Deep is an idiot. Ashley’s fine, sometimes, but we don’t exactly talk about things that aren’t life or death.” 

“Oh,” you’d nodded. “Okay.” 

It had been silent for a second, both of you watching each other wearily. 

“Does he know?” 

You’d blinked. “Who?” 

“Soldier Boy. Does he know you love him?” 

“No,” your voice had cracked a little, a lump forming in your throat. “It’s complicated.” 

“Does he love you?” 

“No.” 

A-Train had blinked at your answer. “You said that really fast.” 

“He doesn’t,” you’d let out a long breath before continuing. “I’m okay with it. He just doesn’t and it’s fine.” 

He’d looked like he’d wanted to keep pushing. You’re grateful he didn’t, because if you kept talking about Ben you might have started crying. 

“I, uh,” A-Train had shaken his head, foot tapping on the floor. “When I was a kid I wanted to be a hero. Just, while we’re talking about fucked shit, I wanted to be a hero. A real hero. My brother said I could help people, and I really did believe him. And then I just, I got lost. It’s a shit ton harder to be a hero when it’s not just a word. When you actually have to back it up and nobody around you seems to care. Now it’s probably too fuckin late.” 

“I don’t think it’s ever too late,” you’d watched him carefully, speaking slowly. “You can always change. Humans aren’t static. We’re always changing. It’s a strange kind of exceptionalism to think you’re immune to that. To think you’re special enough to not be capable of being better.” 

A-Train had narrowed his eyes at you. “What are you talking about.”

“I dedicated my whole life before this to studying people,” you’d held his gaze, not wavering on your words. “And you realize pretty fast that concepts of good and bad are different across the world. It’s not something that’s fixed, because people aren’t fixed. We’re not born good or bad. We are who we are, who we’ll be, but we also make choices. I mean,” you’d shrugged. “You can keep doing good things, or bad things, or nothing at all. But you’re never incapable of doing something different. If you think you can’t, it’s because you think you’re too good to be better. But everyone is always capable of being better.” 

“Like Soldier Boy?” 

“Like Ben,” you’d whispered. “He’s better. And he’s good. Really good.” 

“And you really love him?” 

You’d swallowed. “Yeah. A lot.” 

A-Train had nodded. “You think he’ll be waiting for you?” 

“Yes.” You’d answered without hesitation. Ben may not love you, but he’d never leave you. If you knew one thing in all of this, it was that Ben would never leave you. “He will.” 

“Then what?” 

You’d frowned at him. “What are you talking about?” 

“When this is over. If you win,” A-Train had shrugged. “Then what?” 

“I,” you’d shaken your head. “I don’t know. I haven’t thought that far ahead.” 

“You have to have a reason you’re still going,” A-Train had leaned forward slightly. “It can’t just be because you’re a fucking good person.” 

“I’m not-“ 

“Yeah, you are.” A-Train had rolled his eyes. “You’re better than me, than all of us. Congratulations, you did it. You won the stupid contest.”

“I didn’t-”

He’d kept going, ignoring your protest. “But you have to have something you want. Everyone has something they want. That’s how this shit gets out of control.” He’d sighed. “You get promised the thing you want and never fully get it. Then it’s never enough.” 

“I don’t have anything I want,” you’d mumbled. “Just for this to be over.” 

“After that,” A-Train had snapped. “You’ve got to think of after. Otherwise you’ll just burn out.” 

“Butcher-“ 

“Is a vengeance fueled asshole. That dude might not have an after. I want my family back. So does MM. Hughie and Annie probably want a peaceful, boring fucking life. Ashley wants a year at a spa. What do you want.” 

You’d swallowed. “I don’t know.” 

“Think about it. What did you want before?”

“To do something important,” you’d said softly, rubbing circles against your arms. “Have a job where I helped people, where I was respected in my field. Then go home to someone who loved me, who I’d built a life with. A life that was mine.”

“Then do that. When this is all finally fucking done, build a life.” 

“I can’t,” you’d shaken your head, eyes blurred from tears. “I wanted to get married. I wanted a job. I wanted kids.” You choke slightly. “I don’t, I can’t be sure any of that is even possible anymore. Not after this.” 

“You can do whatever you want.” A-Train’s voice had been sharp. “Don’t let all these assholes control you, change how you live your life. You can do all that, or none of it, but you do it.” He’d sighed. “Don’t let them make you lose people. Lose happiness. They don’t deserve to have that kind of control over you.” 

“Thank you,” you’d smiled softly, and he’d shrugged. 

“Sure.” 

You’d given a dry laugh. “They really just fuck everything up, don’t they.” 

“Fucking everything,” A-Train had nodded with a small smile that had fallen fast. “I still can’t help you. Not like you asked. My family-“ 

“It’s fine,” you’d met his eyes with a sigh. “I’ll find something else.” 

“You’re serious?” 

“Yeah,” you’d shrugged. “I can move things around, find another way. You can still help.” You’d given him a tight smile. “You can be better. But you should leave the bathroom. They might start looking for us soon.” 

He’d nodded and stood, giving you one last look before leaving. “Thanks.” 

“No problem.” 

The air whooshed, and you were alone on the floor of the bathroom again. 

We could go to Rome, Ben’s voice had hummed around you. When all this shit is over, we can always go to fucking Rome. 

I’d love to go to Rome. You’d smiled into the empty air around you. I’d love anywhere, as long as you were there. 

Because you love me. 

Because I love you. You’d leaned back again, hitting the button above you one last time. Ben, really I love you. It’s kind of stupid how much I love you. 

Are you ever actually going to fucking tell me that? 

Maybe. You’d sighed. Maybe one day in a million years I’ll grow some balls and tell you. 

What would you say? 

It doesn’t matter. 

Shut the fuck up. When you tell me you love me, which you will because you’re not a pussy, what are you going to say. 

Benjamin. 

Don’t Benjamin me, I’m fucking helping. 

You’re not real.

So you can fucking tell me. If I’m not real it won’t goddamn matter. 

The air turned off, and the bathroom had still been empty. 

You’d started to hum. A simple love song, just so you could see his face. Look at him. 

He was so fucking handsome. You'd almost started crying because he was right there, tall and broad and standing in front of you, grinning at you but not real. You couldn’t feel him, not really, because your sensory manipulation didn’t extend to emotion. So you could grab Fake Ben’s hand and feel his warm skin but not him. You couldn’t feel Ben, strong and resolved and everything. But you could smell pine, and feel his hand trace along your jaw. You could grab it and hold it there—let Fake Ben trace circles on your cheek with his thumb—and try to pretend it was real. Pretend it was enough. 

I love you. Your words had to stay in your head, because if you stopped humming to talk aloud Fake Ben would disappear and you needed to keep looking at him. I love you like the ocean loves the moon and the sun loves the stars. I love you like the birds want to sing and the caterpillar longs to be a butterfly. I love you like the grass loves the rain and the lighting loves the thunder. Like the flower loves the bee and the snail loves its shell. I love you like you’re music I get to sing and light I get to eat. I love you like the spiderweb loves the spider and the grave loves the flowers. I love you like a mirror loves to shatter and the alter loves the blood. I love you like the devil loves fire and like god loves the devil. I love you, Ben. I love you, I love you, I love you. I’ll love you until all the world is scattered across the sky and we’re both trapped in the spaces that remain between. I’ll love you until my voice is gone and my heart is only still beating because you’re holding it. I’ll love you until everything is burning away and it’s just you and me. If they find a way to kill us I’ll love you as a ghost and my skeleton will keep one hand on yours. I love you because all my bones and muscles fit in with your bones and muscles, and because my soul is mine but it’s stronger when it’s yours as well. I love you, Ben. I love you. 

You’d cried. No sobs wracking your body, but small tears you couldn’t hold in. Tears you’d let Fake Ben wipe away before you’d had to let him go, and then wiped again yourself because they were real, and he hadn’t been. And you’d returned to Homelander, smiled through the party in a green velvet dress that didn’t fit and said words you didn’t mean. Let Homelander herd you wherever he wanted and kept your head together. Taken in even breaths of horrible coconut and smiled with no teeth at people with eyes like monsters. Looking at you like you were a prey that they couldn’t have because the apex predator had decided you were his. 

You didn’t throw up that night. You’d stared into the dark, cold air and talked to the phantom of Ben trapped in your head. 

And you’d sat in the fire. Not alight under your skin, but pulsing in a small, warm ember. Awake. Growing. 

By the time you’re sat in the Seven’s meeting room, with all four remaining members and Ashley, it was stronger. Beginning to smoke along your veins. 

“We’ll all be attending the Believe Expo tomorrow,” Sage’s arms are crossed as she glares around the table. “It’s important to appear as a unified front, and this is our primary base. Many non-christian supporters will be in attendance this year, as the association between Homelander and Christianity is becoming interchangeable in the public eye. Which also means we’re leaning away from actual biblical rhetoric, and into our own narrative. We can’t completely disavow the religious aspect, so we’ll have to walk a careful line between not alienating the new people and indoctrinating the old ones. Everyone will get their scripts tonight.” 

The Deep raises his hand, and Sage rolls her eyes but nods for him to speak. 

“Uh, aren’t they going to notice if a,” he frowns at Sage, looking her up and down. “Muslim is leading the Christ Show?” 

“No, because I’m an atheist, dumbass.” Sage snaps. “And I can recite the bible from front to back. All you have to do is show up, do what I tell you, and not say you’re in love with an octopus again. Understood?” 

The Deep looks at Homelander for an order to say yes or no, but Homelander’s not paying attention. He’s staring up at you, standing where he’d told you to. Silently at his side, like a statue he’d collected. When The Deep coughs, Homelander scoffs and waves a hand. 

“Just do whatever the woman fucking tells you to.” 

“Yes, sir.” The Deep nods, and then gives Sage a nervous look. 

Homelander is still staring at you. 

“Sage,” he says slowly. Not looking away. “I want to see her script.” 

“I haven’t written her one,” Sage glares at you. “Anomaly will be on stage for your speech at the end of the program, and you’ll kiss her. That’s her role.” 

Your nails dig into your wrist, both held behind your back. Breathe. You just have to breathe and get through this and not break. One kiss will not break you. One touch will not open the floodgates. You can’t scream or run because you’ll lose. You can breathe now and fall apart later. 

Homelander says your name, and it makes your skin itch. “Is going to give a speech. The people need to care about her, especially with the CIA and Starlight spewing all those fucking lies about her. About us. 

Sage shakes her head. “Homelander-“ 

He turns, shooting her a sharp glare. “I’m not fucking asking. Write her a speech.” 

“I don’t think it’s a good idea,” Sage says cooly. “Not after-“ 

“I dealt with that,” Homelander’s voice raises slightly, and Sage falls silent. She doesn’t flinch, but she doesn’t keep pushing either. “I am telling you that you are going to write her a speech. You can either do it yourself, or I’ll have those fucking idiot writers do it for you.” 

Sage’s eyes narrow, but she nods. “Fine.” 

Homelander nods, looking back to you. “Sage?” 

She sighs. “What.” 

“Make it about love.” He smiles at you, and nothing has ever been harder than smiling back. 

The first thing you learn about the Believe Expo—something that until two weeks ago you’d been pretty certain wasn’t a thing anymore—is that it’s loud. Everything is so loud. Homelander flies you there through the cold mist and wind of the morning before telling you to practice your speech and shooting back up into the sky. They’re only setting up—workers dressed in black adjusting lights and testing speakers that ring screeching feedback through the air—and it’s already too much. People are moving everywhere, marking spots on the stage floor and arranging seats and trying to get cloth covers to stay on the tables. You’re lost in how loud it is, and almost get run over by a man carrying a large box that spills out cables as it collides with you. 

“Fuck!” You flinch at his shout, dropping down to help gather the wires scattered across the damp grass as he continues. “Goddamnit girl, we’re already behind schedule, I don’t have the fucking time-“ 

You look up at him to apologize, and he freezes. “I’m-“ 

“It’s fine,” he mumbles, almost pushing you away from the mess. “I’m sorry I yelled, ma’am. I promise there won’t be any delays for the event.” 

You blink at him, rubbing his neck and refusing to meet your eyes, but before you can ask any questions someone taps on your shoulder and says your name. 

“Thank fuck I found you, your trailer is ready.” 

“My trailer?“ You turn to see Ashely, holding a clipboard and tapping her foot. Looking around at the stage work with a tense expression. “Ashley, I don’t-“ 

“I’ll show you where it is. And don’t clean that up, it’s not your job.” 

“But-“ 

“You!” She points her pencil at a woman standing off the side, holding a coffee. “Clean this up, now.” 

“Ma’am, I’m uh, I’m on break-“ 

“I don’t fucking care, clean it! And you-“ Ashley’s glare turns back to you, still crouched on the ground. “Let’s go.” 

She grabs your arms and starts to pull you up, and something wraps around your throat and hands, trying to squeeze all the oxygen out of your body. Everything is sharp, too sharp, moving too fast and yet not fast enough. 

You yank your arm away the moment you’re on your feet, half because you don’t think Ashley remembers you can feel her and half because that was completely unbearable. You follow her off the stage, waiting until you’re out of the crews’ earshot to quicken your pace, walking at her side and speaking in a low voice. 

“You shouldn’t touch me, Ashley.” 

“What?” She shoots you a quick glare. “Don’t be dramatic, I was just helping you stand up-“ 

“You touched me. Your hand touched my arm. I felt you.” 

“So? It’s not like I-“

“Ashley.” You stop walking and wait for her to turn around. “I felt you.” 

“What the fuck are-“ Her angry expression falls, her face goes pale “Oh, I, I forgot, fuck-“ 

“It’s fine,” you say quickly. “I mean, it’s not a big deal. You just, uh, you shouldn’t touch me.” 

“I didn’t mean to, I’m- shit! I-“ 

“I’m not mad,” you frown at her. “I’m just reminding you. Don’t touch me unless you’re okay with me feeling it.” 

She nods tightly, hands pulling at her hair, and swallows before speaking. “Don’t tell Homelander I touched you. He doesn’t want us to touch you.” 

You feel the cold bloom inside you again, but manage to push it down. Give Ashley a tight nod. “I won’t.” 

“Can we go to the trailer now?” She looks down at the clipboard. “Fuck, we were supposed to be at the trailer five minutes ago-“ 

“Where is it?” 

“Just over there, but-“ 

“I can find it.” You start to walk away, in the general direction Ashley had pointed, but she calls your name and you stop. “What-“ 

“We’re not supposed to leave you on your own.” She’s tugging at her hair still, looking between you and the clipboard. “I technically should’ve been there when Homelander dropped you off-“ 

“I’m not going to run away, Ashely.” You sigh. “Please, just go do whatever you need to.” 

She looks like she might protest for a second, but looks back at the clipboard and gives a tight nod. “Okay. Go.“ 

“Great.” You start to turn again, but Ashley calls your name again. 

“What-“ 

“Um, thanks.” She mutters, gives you a tense smile. “And please, don’t try to fucking escape-“

“I won’t. I can’t.” You turn, and finally manage to get away before Ashley can see the anguish on your face. 

You could escape, Sunshine. Ben’s voice carries on the wind. Or I could come fucking get you. 

We’ve had this conversation. You can’t come get me, they’ll put you back under. 

I don’t give a shit. You should be home. With me. 

I know, but I can’t. Not yet. 

You fucking should, though. This is some insane, cum guzzling bullshit. And you are not fucking kissing Homelander. 

I’m not exactly thrilled about it either, Benjamin. 

Not for me, brat. Because he’s a fucking pussy who shouldn’t be allowed within a million miles of you. 

You have to stop your internal fight with Ben’s voice, because you reach the trailer and are immediately surrounded by people doing your hair and makeup, shoving Sage’s script into your hands for you to memorize. There will be a teleprompter, because Sage isn’t an idiot who thinks the Deep will remember anything for more than fifteen minutes—let alone a whole script from the time he’s in his trailer to four hours later when he’s on stage—but you still want to read it. To know what’s coming. 

It’s what you expected in its entirety. A lot of propaganda. A lot of lies. A lot of anecdotes that never happened and some musings about love that sound like a sociopath wrote them. I love Homelander because he completes me. I see us in every great romance in history. He is the thing that gets me up in the morning. 

You can hear the crowd outside now. People start to filter into the venue, more and more in larger and larger waves until the trailer feels as if it’s shaking. 

But you manage to keep it together. To keep reading as your finger taps on the chair and a blonde woman you’ve never seen before—and will likely never see again—pins your hair tight against your head and applies chemicals that would probably burn your scalp if you didn’t heal in that same second. 

I want to start a family with him. Lead the best life we can together. 

You put the script down, and once your hair and makeup team is gone you scramble to the trash can and empty the bile of your stomach until you can breathe. 

You just have to get through this. You just have to keep moving. 

They’d put you back in the supe costume. It’s better fitted than last time, but still just hideous. Uncomfortable and impractical and ugly. It feels wrong on your body, not just because it’s showing too much skin and the lace is scratching at your skin but because it’s not you. Supe costumes in general are dumb, because it’s not an outfit on a person, it’s a label on a product. Ben’s lucky he has a stupid handsome face that makes him attractive in everything or you’d have made fun of him ruthlessly about his own. 

You still fucking did that. You said I looked like a Christmas tree that’s been sent to war on the draft. 

And I’ve have said more if I didn’t want to climb that tree and let it fuck me. 

You called me an R rated G.I. Joe Doll. 

You are an R rate G.I. Joe Doll, Pretty Boy. I was being accurate and poetic. 

Brat. 

Cunt. 

You take a long breath, and grab the script again. Just get through this. You’ll break later, but right now you have to get through this. 

I’m excited to lead a great life with Homelander, for our love story to be remembered as one from a fairytale. Because he is my prince, my white knight who saved me from the dark. Homelander you’re my soulmate- 

Soulmate my fucking blue balls. Ben’s voice mutters in your head, and you can almost see his scowl. The pussy doesn’t even like you. 

Soulmates aren’t real, Ben. 

Still, you’re not his damn soulmate. 

Well, I’m not yours. Or anyones. Because soulmates aren’t real. 

But you love me. 

I do. That doesn’t mean we’re soulmates. You don’t even love me, Benjamin. Something hurts deep, deep inside you and against your skull. I think soulmates, if they were real, which they aren’t, are both supposed to love each other. 

Inside your chest, something pounds and beats against your lungs and ribs. Something powerful and bloody and desperate. The slight blur of the world vanishes—you hadn’t even noticed it before—and everything is clear and warm and angry. 

Why are you so fucking sure I don’t love you? 

What? 

You keep telling me I don’t love you. What makes you so damn positive? 

You don’t. 

I do. 

You blink into the empty trailer. No, you don’t. 

I fucking do. The thing inside you rages, and you’re not sure if it’s yours or not. You’re not touching anybody, and it doesn’t feel foreign or out of place inside you. But you’ve never felt something like this. It’s focused and pious and entirely made of something monstrous that you can’t name. It’s not dangerous, nothing about it feels dangerous—it reminds you of Ben, and he’d never hurt you—but it’s still the most intensely starved and insatiable feeling you’ve ever experienced. 

No, even in your head your voice is slow and confused. You don’t. 

You’re not the fucking boss of me.

I am literally the fucking boss of you. I am the government-appointed boss of you. 

I think they stripped that title from you when they realized we didn’t exactly have an appropriate boss-employee relationship, Sunshine. 

Fuck you. 

You did, that was the problem. 

You watch too much porn, Pretty Boy. I’m not a boss fucking her secretary and causing a scandal. 

I wasn’t your fucking secretary. 

Good thing, too. You’d have been terrible at it. I’d have asked you to check my calendar and you’d have destroyed the computer. 

You wouldn’t have been too mad about it. I’d have fucked your brains out on the desk and you’d have forgiven me. 

I would not have forgiven you. Computers are expensive. 

Then I’d buy you a damn new one, then fucked your brains out. And then you’d have forgiven me. Because I’d have told you I love you, and you’d have cum all over my cock, and you’d forgive me. 

You think your heart stops for a second, restarting with the jolt of that strange feeling in your chest. In your head your voice is breathless. Ben, please stop saying that. 

No. 

You don’t love me- 

I fucking do. 

No, you don’t. This feels like a strange hill for you to die on, convincing the phantom voice in your head of the man you love that he doesn’t love you back. But you press on. Stop saying that you do. It’s mean. 

Why the hell is it mean. Saying that I love you is the opposite of damn mean- 

Because I really, really, love you! And it’s mean to lie to me and try and convince me that Real Ben might love me! 

The thing roars inside you. What- 

The door to the trailer opens, and Ashley walks in without warning, eyes glued to her phone. The thing in you flares, and then it’s gone. 

“You’re on,” she looks up, giving you a once over before her eyes land on the abandoned script at your feet. “Did you read it?” 

You kind of read it. You didn’t finish it, but you’ve got the gist, so you nod. 

“Good,” Ashley looks back to her phone. “Are you ready?” 

You nod again, pulling yourself up from the floor, and are about to walk out the door when Ashley holds out an arm to block your path. You almost run into it, and you both flinch back, Ashley nearly dropping her phone. 

“You need to wear your disguise,” she says quickly, pulling her arms back. “People will swarm you.” 

The prep-team had left you a large hoodie with Homelander’s smiling face printed across it, a Vought baseball cap, and black sunglasses. You glance in the mirror after you change, and you look like an idiot. You feel like an idiot. If this all wasn’t so dangerous and precarious, it would be plain stupid. 

But, because the universe is strange and uncaring, this is incredibly important. You have to wear Homelander’s face on your body, because you can’t protest or it will blow everything. You have to wear a stupid baseball cap—which is going to ruin your stupid hair—because people can’t see your face. It’s the same reason you put on the sunglasses that pinch your nose, and make yourself follow Ashley out into the densely packed crowd. You don’t have another choice. 

There are too many people. The first thing you realize is that there are far too many people, and you’re going through them. They’re bumping your arms and legs, brushing against your skin in accidental passing, and it’s going to make you explode. Everything is too bright and loud and everything is like a live wire. Everyone is so excited, and all you’re getting is fleeting passes of their overzealous, stabbing feelings before being plunged right back into your own cold fear. Spreading faster, not fully overtaking the fire but making it grow dim. Pushing it further away. 

By the time you’re dropped off in a small tent—A-Train and the Deep playing cards at a fold-out table, Sage and Homelander nowhere to be found—your blood is rushing through your body and ramming against your throat and ears. Trying to escape your body. You almost immediately collapse into a chair, trying to take long breaths and think about happy things. 

Music. The music playing over the loudspeakers is deafening. Off-rhythm gospel music that’s like nails digging into your brain. 

City lights. There isn’t any life or joy in the light around you. The sun is behind the clouds, and the flood lights are hidden in a mist that makes the whole world just gray. 

Ben. Ben isn’t here. With you. And all you can do is miss him. 

Something claws at your heart, but you can’t spare the time or energy to feel it. It’s loud and tight, almost impossible to ignore, but you manage to just close your eyes and try to find something happy. Try to make something happy. A-Train and the Deep are fighting in the background. It’s so loud, and you’re growing cold again. You can’t see anything but the gray, can’t feel anything but a metal chair below you and the fog around you, and can’t hear anything that’s not angry or frantic. 

Fresh air. The air is fresh and smells like rain. You haven’t smelled fresh air in months, and it’s all just clean and easy. Sharp and bright in your lungs, made of the wetlands around you. Mud and pine and grass, stronger than the cold sweat of the crowd. Fresh air. 

You take one last, long, deep breath. You’re not at peace, but this isn’t about peace. It’s about the world being in focus, and being able to just keep going. 

“Hey,” The Deep says your name, and you just stare at him. “We haven’t really talked yet. I’m Deep.” 

You nod. “I know.” 

“Right, of course you do. I mean, you can call me Kevin-“ He extends his hand for you to shake, and A-Train whacks it back. “Bro-“ 

“We’re not supposed to touch her, dumbass.” A-Train’s not looking at you. He hasn’t looked at you since you sat down. “And she’s not going to call you Kevin. Fucking nobody calls you Kevin.” 

“My friends all call me Kevin,” the Deep looks back to you with a wide, white-toothed smile. “I mean, me and Homelander are real tight-“ 

“No, you’re not.” 

“He likes me more-“ 

“Homelander doesn’t give a shit about you,” A-Train rolls his eyes. “It’s your turn. Play or give up.” 

The Deep gives you one last look like he’s going to say something, but turns back around to their game. 

It’s another ten or so minutes before Ashley returns—this time with both the clipboard and her phone—and you have to move. Interviews. Photo ops. Saying all the right words in the right tone with the right body language for the microphones and cameras. 

It’s so loud. The walk—even through a barricaded area—is full of screaming people leaning over metal blockades and the bass of the music, running into your bones. Ashley is recapping Sage’s talking points—The Deep isn’t allowed to talk about marine animals, A-Train needs to talk about gospel and unity, and you shouldn’t speak at all—As the Deep shakes his body out, practicing his smile and introduction and A-Train still doesn’t look at you. 

The powerful thing returns, as you’re back in the open. It’s still violent and alert, strange but not out of place, and it feels like Ben. It’s just Ben, indescribably Ben. If you didn’t know better, you’d think it was him, because you know him. You know all of him, all his anger and care and vengeful warmth. You know how he is, how his heart pounds and his will moves everything around him, how everything in him is strong like this is. 

It fades when you're pulled into another tent. Not fully dying out, but growing dull. Far away. 

You’re sat next to A-Train—who just stares ahead into the air and lets them start to mic him—with a reminder not to talk. If you’re asked questions, Sage will answer them for you. You just have to sit there, be pretty, and smile. No matter what happens, what’s being said around you, keep smiling. 

Sage doesn’t show up. There’s a seat saved for her, with her name taped to it and water bottle under it, but she never arrives and Ashley makes everyone keep going. A well dressed woman sits across from you, the cameras turn on, the show begins.

Smile. Don’t talk and smile. Ashley reminds every journalist to greet you and look at you casually but never actually speak to you. They just give you a few smiles and glances, and only two or three actually meet your eyes. Most end up going through the motions and trying to pretend you’re not there. 

You don’t blame them. You’re doing the same. For what feels like eternity you’re sat in a chair—just another prop to the set—and as your face starts to hurt from smiling you stop paying attention. You put energy into trying to find the source of the odd feeling still making a home in your chest, but it’s stubborn. You try and pull it up to the surface and it doesn’t budge, you try and poke it and it just hums. 

It’s exactly like Ben. 

After all I fucking do for you. 

His voice is back. It always comes back. It doesn’t make the thing in you rear and push like it had before, but it’s still everywhere. Humming lowly in the mic feedback and where your foot is tapping the floor. 

Go away. I’m busy. 

His laugh haunts the spaces of silence between the voices around you. I’m not fucking real, Sunshine. I can’t go away. I’m a part of you. 

You’re an annoying part of me. Piss off, Pretty Boy. I’m trying to figure something out. 

Figure what out? 

Shut up. 

Fuck me backwards for trying to help you. 

This isn’t something you can help with, Ben. 

Try me. 

Fine, you try not to sigh aloud. I can feel something. Something I’m not sure I should be feeling. 

What, like horny? Are you horny? Do you miss me and you’re horny? 

No, you fucking dumb dumb. Like an emotion that I can’t understand. 

Well I can’t fucking help with that shit. 

I know. That’s why I told you to go away. 

Whatever. You love me. 

I do. 

The thing responds to that. It roars and starts to claw up your spine, grabbing your heart with firm but gentle hands and trying to pull it around in your body. 

What the fucking shit was that? 

I don’t know. Shut up, I need to test something. Ben, I love you. 

It’s going to kill you. This strange thing inside you is going to rip you to shreds, but before you can test anything further, the interviews are at an end and Ashley is ushering everyone away, dragging you around the venue to take photos. You’re handed countless crosses and bibles to hold up for the camera to see, as if people might not have been previously aware of them. The Deep and A-Train shake hands and pose with fans, you’re put in front of lambs and goats and a very unsettling marble statue of Homelander that’s still somehow warmer than the real one. 

The thing is still there. It keeps growing and waning and spreading and pulling back. As you move through the convention it grows wrathful and deafening, and you can’t figure out what it is. It’s not you. You’re certain it’s not you. You’d been pretty sure before, but now you’re certain. It doesn’t feel wrong, it doesn’t feel out of place, but it’s not you. You’re not consuming like this, you’re not… Parasitic is the wrong word, you decide, because it’s inherently negative. Nothing about this thing is negative. It’s big and demanding and so loud, but it’s almost comfortable. Full of want and content and focused attention. Made of something rough that’s been dedicated to whatever feeds it.  

You just can’t figure out what it wants. It’s hungry, it’s full of such a familiar, Ben-like hunger, but nothing seems to satisfy it. You repeat the words, Ben. Ben, I love you, several times, and it always takes them, but it never grows fully quiet. If anything it’s like offering it salt-water. It pours it down deep, and then grows more demanding. 

If you had more time you’d find somewhere quiet to figure out what the hell is going on. But the sun is starting to fall down, and Ashley is herding you to the backstage area. Ranting about speeches and last minute adjustments and don’t fuck up and- 

It’s just a flash. You only see it for a second, moving beyond the barricade through the crowd, but you still see it. 

Black hair. Long, wavy black hair attached to a short woman. 

Lots of people have black hair. You’ve seen at least twenty women with black hair in the past three hours alone. But you still stop in your path and crane your neck up. Trying to see over the crowd, deeper into the fray. 

You see the hair again. And, this time, the side-profile of the woman it’s attached to. Hooded eyes with eyeliner and a focused determination on her face. 

“Holy shit.” 

Your whisper is only heard by the Deep, who turns to you with a frown. “I thought Sage told us not to swear-“ 

“Ashley!” Your voice is almost a shriek, loud and frantic. “I need to go to the bathroom now!” 

“Hold it,” Ashley says your name without looking up from her phone, continuing to move towards the stage. “We’re on a really fucking tight schedule.” 

“Ashley!” You move to grab her, stop her, make her listen and she flinches back with wide eyes. 

“I-“ 

“I got my period,” you say bluntly. “And, uh, I’m wearing a skirt-“ 

She sigh. “Fine, but be fast-“ 

“I will! Super fast!” You run ahead, into the porta potties dropped near all the stage equipment for the crew. They smell awful, and you probably should’ve chosen a spot that’s meant to hold more than one person, but you’re here now. Now is not the time to second guess anything. 

You wait, just long enough that you start to wonder if A-Train hadn’t heard you or didn’t understand, and wasn’t coming. 

Then the air whooshes, and he’s crammed next to you as the door slams. “What the fuck was that about-“ 

“They’re here,” you don’t wait for him to fully gain his footing in the small space before you speak, and ignore his rush of stress and annoyance when your bodies brush. There’s not enough time. “They’re all here.” 

“Wh-“ 

“Butcher,” you hiss. “MM and Frenchie and Kimiko. Probably Hughie, probably not Annie.” And Ben. Ben is here. 

“Are you sure-“ 

“Yes.” 

“Well, why the fuck are they here-“ 

“I don’t know!” 

“Would you stop fucking interrupting-” 

“No!” You’re running your hand over your face, trying to make your brain move faster. To do something productive, and stop just chanting Ben. Ben, I love you. Ben, you’re here and I can see you and touch you and I love you, Ben, I love you- “I need to think.” 

“Think?” A-Train glares at you. “We need to fucking run, those idiot are always blowing everything-“ 

“Shut up,” you snap. “This is a chance. They’re here for a reason. They’re probably planning something-“ 

“Something stupid-“ 

“Shut up!” You’re almost shouting. There’s no time for this, you need to figure out what they’re doing here and adjust, you need to find out how to keep Homelander and Sage—wherever the hell they are—away from them, you need to see Ben. You need to find Ben, now. A-Train is still glaring at you, and your fire isn’t strong enough yet—not here, where the cold is crawling through you once more—so you need a plan. 

You look A-Train up and down, he’s trying to pace in a space where you’re both pressed against the wall to not touch each other, and you’ve got it. 

“You’re leaving.” 

A-Train freezes, frowning at you. “What?” 

“You’re going to go with them. When they leave, you’re going to go with them,” you nod to yourself as you speak. “You’re done with the Seven, you’re going with them.” 

“Are you crazy?! Or stupid?!” A-Train gapes at you. “I have a tracker, they might not even take me, and my family will still be in danger-“ 

“I’ll burn out your tracker, they will take you, and…” You trail, trying to find your way around A-Train’s family. He’s right, Vought knows who they are. They won’t just let him go quietly and bloodlessly, not when he’d be turning to their enemy. But this has to work- 

“If you can’t tell me how my family will be fine, there’s not a chance in hell-“ 

“You’ll die.” 

“What?!” 

“You’re going to die,” you say the words firmly. No room for error, no room for wavering. “They’re going to ‘kill you’,” you make exaggerated air quotes. “And you’re going to ‘die’.” 

A-Train frowns at your hands. “What are those, what are you talking about-“ 

“You’re not really going to die,” you snap. No time. “We’re going to fake your death. They’ll make it look like they killed you and everybody wins.” 

“How does everybody win there?” A-Train’s rolling on the balls of his feet, still glowering at you. “They’ll just twist it, Starlighters are murderers-“ 

“Exactly,” you have an almost maniacal grin on your face. “But the Seven will just have lost its second member in as many weeks. Not a great look for the whole supe supremacy narrative if their best and brightest are dropping like flies. It’s bad for everybody, and that’s why everyone wins.” 

A-Train shakes his head. “What about my family? How do they win?” 

“If you’re dead, if we do this right and Sage doesn’t suspect a thing, then they’ll be honored for your service and left in peace. But we have to do this right.” 

“I don’t-“ 

“A-Train,” you hiss. “This is the something. This is the better, and this is what I’m asking of you. You’re going to leave with them, you’re going to help them. You don’t have to like it, but this is it.” 

“How will I be able to help,” he protests, still pushing and there’s no time. “I mean, if I’m fucking ‘dead’-” 

“You have insider knowledge of the tower. You have insider knowledge of Vought, and Homelander, and Sage. You can help them, you just have to go.” 

“What about you?” 

You blink. “What?” 

“You’re not going to leave? Run away with them into the sunset?” 

You can hear the words A-Train won’t say. You can see them on his face and hear them echo in your head. Leave with Ben. Run away with Ben and be safe and let him care for you until this is just another nightmare. 

“I mean, you can’t just keep-“ 

“I’m going to stay.” You mutter, hating the words on your tongue. They taste bitter and foul, like sour coconut. “I have to stay.” 

“That’s-“ 

“Not up for debate.” You cross your arms, holding A-Train’s glare. “I have to see this through. They’re here for a reason, and once I know what, I can work it into my plan.” 

“You’re still doing a plan?” You don’t love the disbelief in A-Train’s voice. “There’s no fucking way you can keep this up-“ 

“I don’t have to keep it up.” You snap. “I just have to get through it. I’m staying, you’re going, that’s that.” 

A-Train pauses, and you can almost hear his brain trying to find a way to disagree. But you’ve done this well, and he lets out a long, heavy, angry sigh. “What do you need me to do.” 

“Thank you,” you give him a half-smile. “I’m going to find them. I’ll tell Ashley I just need to sit down, because I’m getting cramps or something, and I’ll go find them.” Find Ben. “Find out what they’re doing, why they’re here. I need you to find Ezekiel.” 

“Ezekiel?” A-Train frowns. “I haven’t seen that guy all day-“ 

“He’s here. This is his event, he’s on the program. You’re going to find him, and trick him into walking into them.” 

“Trick him? How am I-“ 

“Tell him they’re here. Tell him they’re looking for new members of the Seven and killing Butcher is a surefire way to get a foot in the door. Tell him Hughie’s here, he hates Hughie. Just get him to fight them. Preferably away from the crowd, but not until Homelander’s speech.” Your fingers are tapping against your arm, making changes to the plan as you speak. “Ezekiel can’t just go alone, he’ll mess up the plan, so you have to make him wait. After you talk to him, say you’re going to find where they are, so you can fight them together, and come find me. I’ll burn out your tracker, you’ll bring Ezekiel to fight them, make it loud, and ‘die’. My team will take care of getting you out, hopefully they’ll kill Ezekiel on the way, and I’ll know what I need to do on my end.” 

“For your plan.” 

“For my plan.” 

A-Train shakes his head. “Are you going to tell me your plan?” 

“No. All you have to do is die.” 

“Fuck.” He takes off his visors, meeting your eyes fully. “You think this will work?” 

No room for error, no room for doubt. “It has to.” 

He nods slowly. “Where am I going to find you?” 

Wherever Ben is. “You might have to look. I’m not sure yet.” 

“You’ll burn out my tracker?” 

“As soon as you find me.” 

“And my family-“ 

“Will be fine.” You give him a close-lipped, tight smile. “Promise. Just find Ezekiel.” 

“Fine.” A-Train put his visors back on. “See you on the other side.” 

He’s gone in a rush of wind, and you’re alone in the porta potty. Just you, the horrible smell of shit, and that thing in your chest. 

Ben. It is him. He’s here, and you can feel him. It’s something you’ll have to retcon later, why you can feel him, what this feeling actually is, but right now Ben is here. And you have to find him. 

You find Ashley first, and tell her you’re throwing up from period cramps in quick, blunt words. 

“Can’t you just hold it?” She begs, and you give her a flat look. 

“Ashley, do you think Sage will be angrier if I rest in the bathroom but do my speech without a hitch, or if I throw up on live TV?”

She shakes her head, running her hands through her hair. “Fuck! First A-Train’s fucking gone, now you-“ 

“He was freaking out about something,” you shrug. “Wouldn’t tell me what, but I think he’s just calming down.” You make a fake retching sound, and Ashley’s face twists. “Can I please-“ 

“Just go!” 

“Thank you!” You make yourself double over slightly, make your words strained. “I’ll be back-“ 

“I don’t fucking care, just be fast!” 

Ashley turns away, and you’re gone. Find Ben. You have to find Ben. This place is massive, and you can’t just push your way through the crowd—not again, not if you want to keep going—but nothing is more important right now than finding Ben. 

Where would you be, you fucking ass. Where would Ben be at the Believe Expo. 

He’d hate all of this. He’d hate the abstinence only sex education—the fuck do they have against a good time—he’d hate the pandering and holier-than-thou attitudes—these pussies aren’t better than me just because they read a goddamn book—and he’d despise all the morality. All the haughty faces and watered-down language and fake smiles. He’d hate all of this, there wouldn’t be a corner of it he’d enjoy, so you have no fucking clue where you’ll find him. 

You can’t just wander and hope you run into him. You don’t have the time to spare just trying to bump into him. But you need to find him. He’s here and you have to see him. Half because of your plan with A-Train, half because you fucking miss him. You miss him so much, and he’s here, and you can’t just not see him. Not touch him. He’s here and you need him and you love him- 

That thing in your chest rolls around. It’s pulling you forward, and you don’t think twice before you let it. And you know. You know where he’d be. You’d find him anywhere, and you know where he’d be. 

Taking a piss. In the VIP bathrooms, because he has no regard or respect for venue restrictions. He’d need to go to the bathroom, and would not care to use the dogshit porta potties—especially not with his sense of smell being so strong—so he’d just walk right into the VIP bathrooms. No one would stop him, because he’s Ben and he looks right everywhere. Even if he’s in disguise, he still walks and talks like there’s not a place in the world he doesn’t belong. 

There are two VIP bathroom trailers. One is near the trailers, and one is across the venue. You should check both, but he’s in the further one. You just know, he’s in the further one. He’d have been staying on the outskirts of the event, and would be in the further one. So you take a long, grounding breath, steal a black Believe Expo Staff hoodie and cap, and move. Trying to run without people noticing, because there’s no time to just walk. He’s there, you know he’s there, so you have to go. 

Of the three bathrooms in the trailer, two are locked. And one is Ben. There’s no way to explain how you know, but one is Ben. It’s the center one, and he’s in there, and you have to wait. 

You can’t wait out in the open. If a staff member sees you they’ll either make you go “back to work” or recognize you and tell Ashley or Sage that you’re here. So you look around, make sure no one’s watching, and rush into the spare, empty bathroom. Lean against the counter and wait. 

Ben. Ben is here. He’s one door down and now you have to just be patient. You’ll see him soon. 

It’s the longest four minutes of your life. You hate this stupid, amazing man, taking impossibly long pisses and making you love him and not just leaving the bathroom. He must not feel you here, not like you can feel him, because he’d be breaking the door down. 

That’s another thing to be confused about later. How this thing works. Right now the trailer is rumbling slightly, because someone just flushed a toilet, and you can just hear a door opening and closing over the noise of the crowd.

Ben. 

You open your door, and there he is. He’s turned away from you, and wearing a baseball cap that covers his hair, but it’s him. You’d be able to recognize him blind and underwater, and that’s Ben. Tall and broad and walking in rough steps with his hands fisted at his side. Away from you. 

“Ben,” you hiss his name, but he doesn’t turn around. “Benjamin.” 

His steps stutter, but he keeps moving. Getting further and further away. 

“Ben!” Your words are still said in a hushed voice, through your teeth, but you’re almost shouting. “I know you can fucking hear me, you cunt.” 

He stops, but still doesn’t turn. Hands curling tighter, knuckles becoming white. 

“Benjamin, if you don’t turn around right fucking now-“ 

You see his body heave from a sigh, hear a low and frustrated sound, and he turns around with a scowl. 

He’s so fucking handsome. His face is tired and angry, half obscured by his hat, but he’s still everything. And when he sees you, glaring at him with all the anger you can muster when he’s right there, his mouth falls open and that strange feeling—his feeling—roars. 

The shock across his features doesn’t even last a second before he’s moving. Sprinting across the grass with no regard for secrecy or not drawing attention. Sprinting to you. He’s here. 

You don’t have time to take a step back before he’s crashing into you, picking you up and slamming the door behind him. He doesn’t kiss you. You’d thought he’d kiss you, but he just raises you off the ground in the most bone-crushing hug you’ve ever experienced. And you can feel him. You can feel the warmth of his body, the care with which he’s touching you—hands roaming you like he’s not sure you’re real and is trying to check—and the strength of him. Really him. Here and touching you and smelling like pine and gunpowder and full of desperation. He’s so tired—you can feel it in your bones—and he’s trying to pull you closer and closer into him, in a way that would be painful if it wasn’t him. If he wasn’t still holding you like you were holy, like you were just a cloud that might dissipate in his hands if he didn’t stop it with firm hands and adoring touches. 

“You’re real,” his voice is soft and hoarse in your ear, and something in you breaks. He sounds exhausted. “You’re fucking real.” 

“Ben-“ 

He kisses you then. Drops one hand below your thighs and hauls you further up his body, swallowing your words. Swallowing you. It’s just you and Ben, and he’s here. He’s real and touching you like he always has and, just for now, you’re safe. You’re safe in his arms, keeping you steadily off the ground, and getting drunk on him. On his hands kneading your skin and cupping your face, on his mouth against yours. Hungry, always hungry, pushing into you brutally. Trying to take all your breath and give you his. Tongue tracing your teeth and pushing down your throat, sucking and biting your lips and groaning into your open mouth. You take it all. Your hands grab at his hair, push his cap to the floor so you can touch him, and lean as far into him as you can without being him. He’s here. He’s here and you love him and he’s everything. You’re letting him consume you, touch you as much as he wants, because you missed him. Because he’s real, and anything he can give you is enough. If he tries to take your heart, reach into your chest and rip it out, you’ll do it for him and feed it to him. If he bites your neck you hope it will, for once, leave a mark. If he gives you any part of him, you’ll dig a hole in your body and keep it there. Anything to feel him forever, anything to never stop feeling this. Feeling Ben. 

When he finally pulls back, it’s only because you can feel the pounding of his heart under your hands. Only because he’s breathing heavily, chest rising and falling in an uneven pattern, and you’re doing the same. You feel a little dizzy, but you want to keep going. You want to touch him until you pass out and he can take him home. Or to Rome, or Hawaii, or fucking Ohio or Texas or California or anywhere where he’s there and you’re together. Where you can feel like this forever, and it’s just you and Ben. Happy. Where he can always set you down this carefully against the counter, and keep his forehead pressed to yours as you both just hold each other. Where you can close your eyes and fall into him and always trust he’ll catch you. 

He mumbles your name, lips brushing yours as he speaks, and you can’t stop the small sound leaving your throat. A strangled noise of Ben. Ben, I love you. I missed you and I love you and I’m sorry. 

You’re crying. You don’t even realize it until you feel his thumb against your cheek, wiping your tears away, and that makes you cry more. 

“Ben,” you’re whispering. You don’t trust your voice to do anything else. “You’re here.” 

“I’m here.” He mutters. “You’re real.” 

You huff a soft, weak laugh. “I’m real.” 

He nods against you, and when you open your eyes he’s still there. Watching you, always watching you. Looking at you so reverently, and that thing is stronger than you’d ever felt it when he’s touching you. He’s wrapping around you, he’s everywhere around you, full of care and affection and something small and bright that’s resting at the base of his throat. His whole body relaxed and washed with relief. You love him. You love him so much. 

“Hi,” you smile at him, and it’s real. It’s sad and you’re still crying, but Ben is here and nothing can stop you from smiling at him. Just for now, just in this moment, you can smile at Ben and get to mean it. “Can you kiss me again?” 

Ben chuckles, and it’s a sound from deep in his body that moves into yours. He does as you ask, and this time he’s gentle. Not pushing for more, just kissing you until you sigh and hum against his mouth. Letting both of you just savor it, sit in the feeling of comfort and each other. 

When Ben pulls back he draws up slightly, studying your face, tracing it under one hand as the other holds you at your waist. “Are you-“ 

“I’m okay.” 

He doesn’t believe you. Ben frowns and his eyes narrow, and you know he doesn’t believe you. He trusts you, you can feel it, but you can also feel that concrete resolve around you both and you know that Ben isn’t going to just drop it. 

“Don’t-“ 

“I’m not lying,” you move your hands up from his chest, resting them on his shoulders. “I’m okay.” 

“I don’t think you’re lying,” he mutters, scanning over your body. “I know you think you’re okay. You always think you’re okay.” 

You blink at him. “What?” 

“You always say you’re okay, and you’re not.” Your eyes meet again, and there’s something painful in Ben’s. You can feel that pain in his body, but when it reaches his eyes it’s somehow worse. It makes him look sad. “You always fucking think you’re fine, and you believe it, but you’re goddamn not.” 

“I-“ 

“Just,” he sighs, squeezing your hips and running a thumb over your cheekbone. “Tell me the truth. Not what you think is the fucking truth, the factual truth. Are you okay?” 

You don’t answer. You try to answer, but words choke in your throat and suddenly you’re crying. Not soft tears like before, full sobs that shake your body and make you fall into Ben’s chest. He catches you, holds you against him until you can breathe again. He lets you wrap your arms around his torso and traces familiar patterns on your skin, resting his chin on your head and humming so fucking terribly. So off-key and out of tune you almost don’t recognize the song. 

When you do, you pull back and frown at him, blinking away your tears. “Rainbow Connection?” 

“Shut up.” 

“When did you-“ 

“Don’t fucking change the topic.“

“Ben,” you move one hand up to rest against his chest, and he holds it. Pulls it up to his mouth and kisses your palm, and your heart flutters through all its sore fatigue. “I’m okay. I’m really okay. I’m exhausted, but I’m okay.” 

“Homelander-“ 

“Hasn’t touched me,” you whisper. “Not like that.” 

Ben doesn’t stop glaring at you. “Swear it.” 

“Promise. No lies.” You smile at him again. “Would be a weird fucking thing to lie about anyway.” 

Ben rolls his eyes. “Shut up.” 

“Make me.” 

You’re wasting time. You have so little time to find out what the Boys are doing here, why they’ve decided being here is worth such a massive risk, but when Ben kisses you again you don’t really care. It’s just him, big and warm and safe. 

Real. 

When he leans back, you’re not crying anymore. You think you’ve just tired yourself out, or that your body knows there will be time to cry later. Right now Ben is here, and that’s all that matters. 

“Are we going to talk about Rainbow Connection?” You smile at him because you can. As long as Ben is here, you’ll always smile at him. “Did you watch the Muppets again?” 

Something flashes under his skin. Sore and hot, embarrassment. That’s his embarrassment. “Shut the fuck up.” 

“You did-“ 

He kisses you again. He won’t stop kissing you, and you’ve never been less annoyed about anything in your life. Today he’s allowed to kiss you to shut you up. Anything that keeps him here longer, anything you can take and hold in the weeks to come. 

Anything that makes you more certain he’s real. That this isn’t a cruel trick of your brain, and any second you’re going to wake up in a cold room that smells like coconut with Homelander across the mattress. 

But he is. Ben is here and real and you can feel it. A dream wouldn’t feel powerful like this, wouldn’t have all the protection of Ben running through your body, wouldn’t have this strange feeling of something pushing from Ben into you when he holds you. 

“You can gloat about it later,” he grunts against you, before standing up to his full height, looking down at you. “We need to fucking go.” 

You sigh. You’d known this was coming, and you’re honestly surprised it took this long. “We’re not going anywhere, Ben.” 

“The goddamn fucking hell we’re not-“ 

“I have to stay here.” Your voice isn’t loud, or firm. It’s soft and shaking and tired, because you’re exhausted. Because every ounce of will and strength in your body is being used for this. For telling Ben you can’t just go, that he has to leave you here and you’re both going to have to find a way to live with that. “You know I have to stay here.” 

“You don’t have to do a single fucking thing but go,” he’s not yelling. His voice is rising and his words are sharp but he’s not yelling. “You’re not safe here, we need to fucking go-“ 

“I can’t.” You reach up, holding his face between your hands and trying not to shatter when he raises his own to keep you there. “I can’t go, not until I see this through.”  

“Yes, you can! You fucking can!” His voice is loud, but Ben’s still not yelling. You’ve heard him yell, and it’s commanding. Ben’s yell demands attention, demands compliance. This is angry and loud but he’s pleading, and it’s worse. He knows you’re not leaving with him, deep down, so Ben is begging you to change your mind. It’s making you hurt, making all your bones and organs shutter and snap, and it’s horrible. All of this is horrible. “All you fucking have to do is go-“ 

“Ben-“ 

“You’re not fucking safe, I’m not going to goddamn leave you-“ 

“You’re not leaving me,” you smile at him, and your heart is starting to fold in on itself. “This isn’t leaving me.” 

“Yes, it fucking is-“ 

“I’m telling you you’re going to have to go without me. Not now,” your words become quick, slightly panicked, because if Ben leaves now you’ll collapse and not get back up. “But when it’s time. When you go, you’re going without me.” 

“I’ll pick you up and fucking carry you out,” he snaps, and you sigh. 

“I’ll scream.” 

“Then I’ll fucking cover your mouth.” 

“I’ll bite your hand.” 

“And I won’t goddamn feel it.” 

“Then I’ll take off your stupid hat and people will see you.” You shake your head, and try to be a little more numb. Try to pretend this isn’t killing you, that you can’t feel it killing him. “I want to come home Ben, I really want to. But I can’t. You know that.” 

“There’s not a fucking chance in hell I’m letting you stay here-“ 

“Ben,” you whisper. “You don’t let me do anything. I’m staying here, but you’re not leaving me.” 

“I fucking am,” he’s furious, you can feel it coursing through you, but it’s like poison. It’s raging and turning every part of Ben against himself, making your heart start to wither for him. For how he’s doing this to himself. “If I fucking go without you, I’ll be fucking failing you again. I’m not fucking failing you again-“ 

“Benjamin-“ 

“I’m not! I’m never failing you again, I’m never leaving you again, I’m never fucking losing you again-“ 

You pull his head down, and he freezes. Ben lets you hold his head against your shoulder, and when you start to run a hand through his hair he falls onto you. Just holds you like you’re going to try and escape, buries his face in your neck like he can climb in you and stay there. 

“I can’t fucking lose you again,” he mumbles your name against your skin, and your heart grows weaker. “I just fucking can’t.” 

“You didn’t lose me.” You say softly. “You didn’t fail me, or leave me, and you’ll never lose me.” Ben. Ben, I love you. “I’ll come back. I’ll always find my way back to you.” 

“You shouldn’t fucking have to,” he pulls back, and his face is so sad. You’ve never seen Ben sad, where his face is just slack and tired and clouded. He’s still angry, but his wrath is made of despair. Low and sunken and almost sick. That thing in him—in you—feels ill. “I can’t fucking stay here with you, I can’t protect you-“ 

“I’m okay,” you lean forwards, and Ben meets you. Heads pressed together, his arms still around your body and your hands still in his hair. “I’m going to be okay.” 

“You’re fucking not-“ 

“I will,” you whisper, and it’s not just Ben you’re trying to convince. “I’ll be okay. You don’t need to protect me from this, Ben. I’m okay.” 

“Please,” he mutters your name, and your heart finally breaks. Pulls itself in two at how low and desperate and hopeless Ben’s voice is. “Please, just come home. Just fucking come home.” 

“I can’t,” you’re crying again, and these tears are slow. Soundlessly falling from you, the only part of yourself that’s allowed to just mourn this. You’re not going home. Ben hasn’t failed you, he could never fail you, you love him and he’d never leave you or fail you or lose you, but you’re not going home. “We both know I can’t.” 

“I don’t fucking know shit-“ 

“I’m aware,” you smile dryly. “But I still can’t come home.” 

“You can,” his protests aren’t loud anymore. He’s just grasping at straws, trying to find one thing that will make you give up and go. “We’ll just fucking walk away, go to Rome-“ 

“Not until this is over. Not until Homelander’s dead.” 

“He will be,” Ben’s hands squeeze on your hips. “The team has a way to kill him, and they can fucking do it themselves-“

Your eyes widen. “They found a way?” 

“I fucking found a way, they barely did shit-“ 

“Benjamin,” you pull back, and everything is urgent again. “How do you kill Homelander.” 

“V. But-“ 

“V?” 

“Compound fucking V. Puts him down for the count, makes him a damn coma patient.” Ben says your name. “But they can do that themselves, we can go-“ 

“How do you know?” 

“We found a file in his lab-“ 

“His lab?” 

“The fucking Homelander lab, where they used my cum to make him grow-“ 

“That’s fucking disgusting-“ 

“Shut the fuck up, you love my cum-“ 

Now is not the time to let that turn you on. Keep going, no getting sidetracked trading easy, sparring words with him or thinking about his cum. “Ben, are you sure this will work?“

“I’m fucking positive, the lab nerds were real clear that even one shot of V throws off his whole body and turns the pussy into a vegetable.” 

“Won’t you still need to blast him with the special sauce?” 

Ben rolls his eyes. “They can make their own goddamn special sauce. Pump Homelander full of V, find their own fucking way to take him out forever. Drop a nuke on him, I don’t give a fuck. We-”

“That’s why you’re here.” Your brain spins, sorting and matching every piece of this together. “Samaritan’s embrace was a V front, and you’re looking for some.” 

“We’re fucking finding some, and killing Homelander, so you can go-“ 

“You won’t.” You pull Ben face forwards, forcing his words to die in his throat, making him listen. “Ben, you’re not going to find any V here.” 

He frowns, momentarily distracted from lightly tugging at your skin and pleading for you to leave. “What the fuck are you talking about. Butcher said-“ 

“Butcher was wrong,” you shake your head. “I mean, he might have been right last week, maybe even this morning, but if there was V here it’s gone now.” 

“Why-“ 

“Sage said she was dealing with a Homelander mistake last week. She must have been talking about the lab, about how you were able to get in and poke around. And nobody’s seen her or Homelander or Ezekiel all day. Whatever V was left, they’ve gotten rid of it.” 

Ben scowls. “So we can just find more-“ 

“Sage won’t leave more.” You tap your fingers against Ben’s jaw, trying to focus and not think about how he’s stilled himself completely to let you talk yourself through this. “She won’t get rid of it, not all of it, it’s too valuable, but she’ll hide it. Any supplies that might be accessible to anyone that could be hypothetically compromised will be destroyed or relocated. She won’t tell anyone, won’t leave any records. It’ll be as good as gone.” 

Ben hums, and you see his question in the knit of his brows. Well how are we supposed to fucking get our hands on it? 

“I’m not sure,” you mutter, frowning. Scanning Ben’s face like you might find the answer in it, and not stopping when you don’t because you just want to look at him. “I’d bet on Homelander, he and Sage don’t really trust each other, not enough for him to let her just bulldoze any plans or intentions he might have with remaining V. But it’s not a safe bet, Homelander’s never a safe bet.” You feel something tight and bitter in his chest, and sigh. “I’m okay, Ben.” 

He rolls his eyes, still not moving under your hands. I didn’t fucking say shit. 

“Yeah, but you thought it.” 

What are you, a fucking mind reader? 

“With you?” You smile at him, and it’s so easy. Even when you’re talking about killing Homelander, it’s still easy to smile at Ben. “I might as well be.” 

Smartass. 

“Fuck you.” 

He grins. Not in public, Sunshine. 

You stick your tongue out at him. “Shut up. And we’ll just have to ask A-Train when he gets back.” You sigh. “I can’t think of anything else that might work.” 

Your fingers have stilled on Ben’s face—now just playing with the hair of his beard—and he takes it as a sign to speak. “A-Train?” 

“The fast one.” 

“Why the fuck are we waiting for him?” 

“He’s defecting,” you shrug. “He’s leaving with you today, you’re going to have to fake his death by the way-“ 

“Fucking Fast-Man is coming home, but not you?” Ben’s glaring at you, saying your name in a deep, annoyed voice. “I am not fucking trading you-“ 

“You’re not trading me, Benjamin.” You hold his glare. “I’ll come home soon, just not now. And A-Train is going to help you. He helped me.” 

“How the fuck has he helped you?” Ben grumbles. “He hasn’t gotten you out-“ 

“Nobody’s gotten me out, because I’m waiting. I have a plan-“

Ben scoffs, but that strange feeling in him pulses with warmth. “Of course you have a plan.”

“What the fuck is that supposed to mean?”

“You always have a damn plan, Sunshine.” He glowers at you. “I don’t think I’ve ever seen you not have a fucking plan.” 

You narrow your eyes at him. “And how is that a bad thing?” 

“It’s not,” Ben mutters. “But I just fucking wish you would share your plans. With me. Let me goddamn help.” 

All the annoyance in you vaporizes in just how much you love him. How much you love Ben, how no matter what he’s there. He trusts you, he knows you, and he’s there for you all the time. He’ll groan and bitch about everything but he’ll still be there. He’ll try and fight your battles for you, roll his eyes and be a grump when you don’t let him, and stay at your side until you’ve won. He’ll be there to do what you need him to and then hold you like this—with so much rough care—even when he’s pissed. He won’t leave. He’ll never leave, not really. And you love him. 

“It has to play out naturally,” you say, gently. Smiling so that his scowl starts to waver. “If I tell you what to do it might not work as well. I’ll come home soon, you just have to let me do this my way. Please.” 

Ben lets out a long, labored sigh that makes his chest rumble, makes your whole body fall into his. “Fine. Fucking fine.” 

“Thank you.” 

He just grunts, and you pull his face back yours. Kiss him long and soft. Never looking for more, just trying to touch him. Just trying to have him while you can, before A-Train finds you and tells you this has to be over. You don’t ever want this to be over, you only want to kiss Ben like you have all the time in the world. Like every moment in this bathroom isn’t being borrowed and running out fast. 

You almost tell him. Right here, in a Believe Expo bathroom with Ben cupping your jaw and looking down at you with affection as his arm cages you to his chest, you almost say it. Ben. Ben, I love you. You’re going to have to let me stay here, but please know that I love you. Please, please wait for me and don’t hate me because I love you. I’m trying to make myself okay with keeping it together and leaving you to go home alone, but I’m so close to breaking. Please just tell me to damn the consequences, damn the world, and bring me home. Or to Rome, or to the farthest corner of the world, but with you. Please pick me up and take me with you because I love you and I can’t keep this up much longer. I’m okay, I’m really okay, but I’m so close to falling apart. I love you, fuck everything else because I love you and I want to go home. 

You’re crying again. They’re not singular, lonesome and tragic tears or shaking screams and sobs of hollow and empty. They’re small, wet gasps as you try to fight the words down. Try to stop yourself from ruining everything just because you can’t do this. You don’t want to do this. You don’t want Ben to go, and he has to go, but it’s going to be the most painful thing in the world. Even if you know you’ll be home soon. 

He mutters your name, deep and firm, and now you’re crying more. You love him. “What-“ 

You kiss him. You grab his shirt and yank him down and just kiss him. You can’t tell him you love him, not like this. Not when you can’t hold him all night and wake up next to him in the morning. Not now, when you have to stay here. But you’re going to tell him, you recognize that impossible to quell instinct of Ben. Ben, I love you, pushing up your throat and you only know one way to stop it. Ben, kissing him and touching him and turning those words into just sounds. Into moans and whines that he won’t understand. So you just pull Ben into you, and hope he’ll do the rest. 

He does. He’ll always do this for you. His hands will always find a firm, natural hold on your body and his mouth will always fit perfectly against yours. He’ll always fill with hunger and adoration, and give you everything he can until you’re—at least for now—whole again. He’ll always make all that noise, all that loud, angry pain in your head that’s trying to find a why, why is this so unfair that you have to stay here and Ben can’t stay with you, why won’t the world give you one thing, just one thing that you don’t have to rage to keep, and why does time have to keep moving when this day is going that have to end without Ben at your side, and he’ll make it go away. Ben will always make all the sounds and rushing thoughts in your head slow until it’s just him. Just Ben. Ben, I love you. He’ll make the whole world only Ben, rubbing circles on your skin and pulling you impossibly closer, pressing his tongue to your lips in a silent question, and taking everything you give him. 

You want to give him everything. Only opening your mouth for him to move deeper into you—to suck and bite and taste—and leaning into him so your hands are scraping at his neck, so his groans run through your body and down into you, isn’t enough. Making high, needy sounds that Ben swallows isn’t enough, grinding half against his torso and half onto the counter isn’t enough, because it doesn’t tell him. It doesn’t show him that you’ve missed him and you want him and need him and love him. Everything you can’t say, not now, you still need him to feel. He can’t feel you like you feel him, can’t understand without words how important he is to you. He can’t feel your love, not like you can feel that thing in him rumbling somewhere sacred in his chest. Bouncing off his ribcage and hungry and wanting for carnage. Wanting you, desperate for you in a bloody and wrathful way that tells you Ben cares. He might not love you, but he’s missed you. That even if he’s furious he’ll have to go without you, it's still about you. You and Ben together, right now, having each other. 

He has to have all of you. He has to have every part of you that you don’t need to see this through, so he can protect those instead. So he can keep some sort of knowledge that walking away from him—even if it’s temporary, which it is, because nothing is permanent except you and Ben so you will always find a way back to him—is impossible. It’s going to keep you up for many nights, haunt all your dreams until he’s there to hold you like this again. You have to, you can’t see another way out of this that doesn’t end in the world destroyed and Homelander the king of whatever remains, but it’s killing you. Ben needs to understand that this is killing you, that you’ve never wanted or loved anything like you need him. And the only way to show him is to give him all of you. 

“Ben,” you gasp against his mouth, and it drops to leave sloppy kisses down your jaw and neck. Letting you speak but not making it easy. Not when he’s pulling skin gently between his teeth and running his hand up your back. “Please.” 

“Please?” He hums, moving back up to look at you fully. Hands still kneading at your thigh and wrapping around your body. “What-“ 

“Fuck me.” You lean forward, trying to pull him back down. He can’t be away from you, not for a second, not now when he’s going to have to go so soon. “Please, fuck me.” 

His eyes widen, and even as the hunger roars inside him Ben frowns. “Here?” 

You nod desperately. “Please-“ 

“Sunshine,” his hold on you has become like iron, and you can feel the enormity of his want, feel his hardened cock pushing into your thigh, but he’s shaking his head. “I am not fucking you for the first time in a goddamn bathroom.” 

“Ben-“ 

“I said I wanted to take time,” Ben leaned down, holding your gaze. His eyes are darkened, and you can feel him. Everywhere you can feel Ben, in your body and around you and running between your bodies where the boundary of Ben or you doesn’t matter anymore. “And I fucking meant it. I am not fucking you when I can’t take a goddamn week off to do it, when there’s not even a fucking bed.” 

“Please, I just want-“ 

“I know what you want,” he growls your name, and you whine. “And fucking believe me, I want it as well. The only thing I want more than to fuck you stupid is to bring you the hell home. But,” he shakes his head, and presses a kiss to your brow, grunting the words against your skin. “You’re a stubborn fucking brat who doesn’t listen, so I’m not taking you home. And there’s not a fucking chance in hell I’m fucking you for the first time in a bathroom at a fucking Christ Convention.” 

You sigh, falling further into him. He’s right, which is annoying because he’s always so smug about when he’s right, but he’s right. Ben can’t fuck you, not here, not now. You can’t tell him you love him, you can’t go home with him, but you also can’t fucking him at the Christ Convention. 

Ben pulls back, watching you with silent eyes that are trying to dissect you. You love when he watches you like this, like he can see you, and you hope he never stops. You hope when you close your eyes tonight, alone in a cold room, you’ll still have the image of him watching you. 

You offer him a small smile. “How are you enjoying the Christ Convention?” 

“It’s fucking stupid,” he mutters. “Dumbest shit I’ve ever seen. Bunch of high and mighty pussies who think they know everything. Butcher said they do this every year,” he shakes his head like that’s an impossible thought. “Wouldn’t have fucking let that slide in my day.” 

You hum. “I mean, evangelical Christianity was definitely a thing in the 80s. And 70s. And 60s. Mass media just inflates connection and audience.” 

Ben rolls his eyes. “Every year is still goddamn insane. The man has been dead for thousands of goddamn years, there’s nothing fucking new to say.” 

You laugh, burying your head in his shoulder. His arms hold you there, safe and comfortable against him, and it takes a lot out of you not to cry again. To just mumble against his skin, “I see you haven’t killed Butcher yet.” 

“Yet.” He grunts. “Fucking asshole’s on goddamn thin ice. Borrowed time.” 

You smile. “Well, I’m proud of you anyway.” 

His arms tense around you, and that thing glows. Somewhere in that carefully tended and protected part of Ben where it lives, it starts to feel ardent and light. He doesn’t say anything, just pulls you closer, but you feel it. Glowing inside him. 

“Has anything changed,” you don’t move from speaking against him, because Ben will hear you anywhere. “Since I’ve been…” 

You can’t finish that sentence. You can’t say that word. And Ben knows, because he doesn’t make you. “No.” 

“Nothing?” 

“We haven’t exactly been fucking team building and circle jerking, Sunshine,” he drawls, and you still smile. You missed him. “We’ve got goddamn jobs to do.” 

“And you haven’t killed anyone? Even when they’re being idiot pussies?” 

He snorts. “They’ve managed not to deserve it yet.” 

“Deserve it?” 

“They’re listening to you.” 

You lean back, and frown at him. “To me?” 

“When you tell us to trust you,” he grunts. “When you go on TV.” 

Something you hadn’t fully realized was there loosens around your throat. “You’ve seen me? You’ve gotten it?” 

“Of course I’ve fucking seen you,” Ben mutters, and his glare is more indigent than anything else. “Green for me to listen. To make sure I know you’re still fucking you.” 

You smile, and it’s all teeth and a little bit of joy. He’s seen you, and he’s been paying attention, and he understands. “Good.” 

Ben rolls his eyes. “You don’t have to do green, I’ll listen no matter fucking what.” 

“It’s a signal-“ 

“I don’t need a fucking signal to know you’re okay,” he snaps your name. “I can see it on your face. When your little fucking act drops and you look like you. I need to know when you’re not okay. When I have to come get you.” 

“Ben-“ 

“I won’t,” he holds your eyes, voice firm. “I won’t come get you until you say. I’ll go along with your stupid fucking secret plan, but I need a way to know if you need me. If it’s gone to shit and you need me.”

You sigh. He needs this. Ben is doing the impossible thing you’re asking of him and only demanding one thing in return. You couldn’t say no if you wanted to. “Blue.” You squeeze his bicep, and give him another smile. “If I need you, which I won’t,” Ben glares at you, but you keep going. “I’ll wear blue. And you can come get me.” 

You’ll never wear blue again. If Ashley or Sage or Homelander try to put you in blue, you’ll spill food or coffee all over the outfit or just fucking burn it. But—likely even when you go home—you’ll never wear blue again. You’ll never wear blue or smell coconut without throwing up, you won’t drink a milkshake for a long time, and you’ll hate the winter forever. You’ll have to stay where it’s warm, you’ll have to keep Ben with you so he can block chilling winds and hold you against him like this. In a way that makes everything hot, makes your blood rush in a way that’s just you and him together. You’ll do anything to keep Ben with you when this is over. You’ll offer him this comfort that there’s a signal to tell him you need him—even if you’ll always need him, regardless of Homelander or Vought or any plan or mission—and whatever else he asks for so he’ll wait for you and hold you when you return. 

“Blue,” he repeats, nodding slowly. “Swear it.” 

“Promise.” You search his eyes, and try not to cry when you can see just how tired he is. “Thank you.” 

“Don’t-“ 

“Benjamin.” You shake your head, and lean back into him. “Thank you. Thank you for everything.” 

“I haven’t done a fucking thing-“ 

“You’re here.” You whisper. “You’re going to let me do what I need to do, and you’re waiting. That’s all you have to do, but it still fucking sucks, so thank you.” I love you. 

Ben scoffs. “I thought I didn’t let you do anything.” 

You huff a soft, sad laugh. “But I’m going to thank you anyway.” You look back up at him and smile. Wide and bittersweet, but still real. This is still real. “Thank you.” 

He watches you for a second, and that thing in him is glowing again. Glowing and burning. Hungry. 

Then he’s on his knees. Ben’s hands move to hold your thighs, and he falls to his knees between your legs, smirking up at you. Eyes still tired and body still washed in distant pain, but the hunger overtaking all of it. The devotion is spreading over all of him, climbing into you. 

“Ben-“ 

“I am not fucking you here,” he winks up at you, and you don’t think your heart is working anymore. It’s gone into overdrive and it’s going to explode. “But I can still make you feel fucking good.” 

Your eyes widen, and you feel heat rush into your face. You feel heat rush everywhere. “Okay.” 

“Say it,” he grunts, and you know what he wants. You always know what he wants. 

“Please,” you grab his face, running your fingers back into his hair. “Please, Ben.” 

“More.” 

“I want you,” you whisper, not trusting your voice to stay stable otherwise. Not when one of Ben’s hands is drawing closer to your center, hovering right over your underwear. “Ben, I want you, please-“ 

His thumb presses right over your clit, and your words turn into a long moan. “All you fucking have to do is ask, beautiful.” He grins up at you. “Say my name and ask.” 

“Ben-“ 

“Whole thing.” 

“Benjamin, please-“ 

He stands up, crashing his mouth against yours as his hand moves under your panties, teasing you gently. Rubbing his thumb lightly while he slides his fingers between you, but never in. Groaning into your mouth when he feels how wet you’ve become, how much you want him.

“Fucking needy, Sunshine.” He mutters, pulling his hand away, taking your underwear with him and dropping it on the floor. “So fucking needy.” 

You only moan, trying to grind into him enough that he’ll just come back, and he pulls his mouth away, grinning down at you. He looks so handsome, with dark eyes and full lips that were just on you and why can’t he just come back- 

His fingers—the ones that had just been touching you—raise into his mouth, and you almost fall off the counter. Almost jump him when he makes a low, satisfied sound and watches you with a cocky smirk. How you’re wrecked and he’s not even touching you anymore. 

“Please-“ 

He pulls his fingers out his mouth and grabs your face, yanking it up to him. His hand in your hair, your taste is in his mouth, his body so strong and warm and Ben and he’s everything- 

“Fucking good,” he mutters against your lips, and you whimper. “You’re so fucking good.” He says your name, and you think you might just cum from that. The impossibly good sound of your name from Ben’s mouth, in his deep and powerful voice. 

“Ben,” your words are just breath, but you know he understands, because he grunts and his hands that’s moved under your thigh squeezes you. “Please. More, please-“ 

He’s gone again, moving you back down to the counter and returning to his knees. You almost whine again, almost make a desperate sound that was probably supposed to be come back, but then he’s everywhere. His hands hook under your knees, and he tugs you forwards. Right into his mouth. 

He’s done this once. It made you scream his name and see stars, but this is better. He’s learning, you realize, because he’s already doing everything he needs to do to bring you up to the edge. After just one time he’d somehow memorized every single thing that made you melt, and now he’s on a mission. 

He moves one hand to knead and bruise your thigh around him, while using the other to brace against your abdomen, keeping you still as he works. 

His tongue is there first. Licking you once until he brushes your clit, flicking it once, feeling your thighs tighten around him, and chuckling as he does it again. 

“You fucking like that?” He mutters, and you just moan and try to roll your hips against his face. 

He laughs and does it again, lighter this time, so feather like and teasing you until you whine. Until it’s too much and you’re aching before he flattens his tongue against you and hums, running it down, up, down, and into you. Ben pushing his tongue into you, and starts to fuck you with him mouth. 

His teeth are brushing against you when he pushes in, letting out a growl when you clench around him that makes his nose bump your clit. You make a strangled sound and he finds a rhythm. His tongue doesn’t stop moving, twisting and fucking you as he squeezes the skin of your thigh, then rises for just enough to nip at your clit and sooth it with a kiss before dropping back down. 

Ben won’t let you cum. He knows exactly when that line is and he’s taunting you with it, grunting into you as you start to shake above him, as you tug at his hair or moan his name. He goes faster, eating you like he’s been starved until you start to tremble, and then he slows down, running his tongue between your pussy and clit, never fully touching either. Starting it all over the moment your breathing becomes steady. 

“Ben,” you whisper, and he looks up at you with so much devotion and affection it almost makes you fall apart just from him. From how relaxed he looks, between your legs. How his eyes are hungry and lustful and full of light. For you. “Please.” 

He hums against you, and you shiver as the sound runs up your spine. “More?” 

“Please.” 

“You want me?” 

“I need you.” 

He smirks up at you. “You need me, Sunshine? Need me to make you fucking cum?” 

“Yes,” you breathe out as his hand moves from your thigh, tracing circles around you and over you but never pushing in. “Ben, please. I need you, please-“ 

Two broad, rough fingers push into you and your words dissolve into a moan. Ben pumps them once, and once more when you squeeze around him. “Like that? You fucking need me to do that?” 

“Ben-“ 

“So fucking tight,” he mutters, gaze dropping down to watch you clench around him when he moves again. “You’re so fucking tight, beautiful, it’s gonna fucking kill me.” 

You can’t speak anymore, not when he moves in and out again, and again, and again. Setting a brutal, demanding pace that has you unable to think outside of Ben. Rough, strong fingers inside of you that are Ben’s and making you feel so good. 

“No smart words from that pretty fucking mouth?” he hums your name, and you whine. 

“Ben-“ 

“There’s one.” He winks at you, and you melt further into him. Try to use your leg to pull him closer. “Let’s see if we can make you scream it.” 

He drops back down and bites your clit. It’s gentle and light, but Ben bites you and you have to move a hand to cover your mouth so you don’t scream his name. You’re trying to grind onto his face, his fingering still fucking you without relent or relief, and you need him to keep going. To bite you or lick you or do something to bring you over the edge. But his arm is keeping you so torturously still, you can only grip his hair and throw your head back as he goes and goes and goes and you’re full of him. He’s in you and on you, his tongue tracing taunting circles around your clit, and it’s all Ben. 

Then he kisses you. He leaves one, painfully soft kiss against your clit as his fingers still deep inside you, and you’re so close. 

“Ben-“ 

You feel him grin against you, and he crooks his fingers in you against that one spot as he pulls your clit into his mouth. He sucks on it and groans, and that’s it. Everything is Ben, flicking his tongue against you with a growl and scissoring his fingers to give friction inside you, and you have to bite your hand as you cum. As everything grows loose and good, the whole world becomes both so big and wide but it’s still just Ben. It’s still just Ben in all the warmth and pleasure, making you feel like you’re made of stardust and more important than the sun as he keeps going through your orgasm until you’re shaking. Until you’re trying to pull him back up because you need to see him. You need him to kiss you again because you love him, and this is going to be over so soon and you just need to see him. Show Ben that he’s done this, that every part of you is his and nothing else has ever mattered like this matters. 

You almost damn it. He’s pulled you apart and put you back together, still going, and now you have to tell him. Ben has to know, he has to know you love him. It’s so impossibly crucial that Ben understands you love him. You say it, you say Ben, I love you, but he’s done his job too well and all that comes out is a breathless, wanting sound. Every part of your body, of your mind and soul tries to say it as well. Ben. Ben, I love you. Ben, I love you. Please understand, please try and feel how much I love you and tell me you understand. But he's still going, even as your thighs start to crush his head, and all you get is a roar. That thing inside him roars, and moves to fully rest in you. You don’t understand it, you’re not even sure Ben understands it, but it’s sitting in you now just as much as him, and it’s the most natural thing you’ve ever felt. It hums when you repeat the words in your head, when you think Ben. Ben, I love you, and pray he’ll somehow hear it, somehow see it on your face when he’s still between your legs. He doesn’t, but that thing always makes another low, happy sound and that can be enough. Everything is light and high, and this strange thing that lives in Ben but feels like it’s yours can be enough. 

Ben, after what might have been a thousand years, stands up. He’s staring at you—still slightly shaking and flushed, words still a little far away—and the look in his eyes is reverent. His face is covered in you and his beard is wet but he’s not moving to wipe it away. He just kisses you, one last long time, and mutters your name against your lips. 

“You’re perfect,” his voice is low and wanting, and you shutter against him. Feel his hard cock twitch against you. “You’re so fucking perfect.” 

In the grand scheme of things, it’s probably a good thing A-Train finds you when he does. Because if you’d been left alone with Ben for about three more seconds the part of you that’s been begging you to just go, go home with Ben and the rest of the world can figure out how to deal with this themselves, just tell Ben you love him and go, would’ve won. 

That doesn’t mean you can’t be annoyed when the room is rushed with cold air and A-Train slams the door behind him. 

Ben’s faster than you—in all fairness he didn’t just have an earth-shattering orgasm and you’re at a disadvantage—and turns to block your body from view, roaring at A-Train. 

“What the fucking hell-“ 

“Calm down, asshole.” Peaking over Ben’s shoulder you can see that A-Train’s facing the wall, back to you both. “This isn’t something I want to see. I’m just doing my job.” 

“Get fuck out-“ 

You reach around Ben’s head and cover his mouth with a hand, staying behind him as you lean over his body to address A-Train. “Are we ready?” 

A-Train nods. “Ezekiel’s waiting for me, I told him I’d find where your team is then come get him.” 

“Okay,” you sigh, trying to focus on running through your mental checklist when you can still feel Ben, when your legs have wrapped themselves around his torso. “I’ll burn out your tracker, and we’ll get going.”

Ben licks your hand, and it surprises you enough to pull back. 

“Benjamin, what the hell-“ 

“Does anyone want to fucking tell me what’s going on?” He snaps, glaring at you over his shoulder. “Or am I supposed to just goddamn stay in the dark?” 

“I did tell you,” you kick his thigh slightly. “A-Train’s defecting, you’re going to kill him-“ 

“Don’t actually kill me,” A-Train cuts in, still facing away from you. “I’m not doing this if this dick is going to actually kill me.” 

“He’s knows that-“ 

Ben shrugs. “I don’t know shit.” 

You pinch him, shooting him a flat look. You’re being unhelpful. Shut up and get me decent. 

He rolls his eyes, and ducks down to pick your discarded underwear off the floor. You keep speaking as he helps you into them, allowing yourself to sit slightly in the feeling of him touching you, hands running up your legs and arms holding you still. 

“They won’t kill you, A-Train. Ben, promise you won’t kill him.” 

“Whatever.” 

“Benjamin.” 

“Fine, I won’t fucking kill him.” 

You glare at him. “Promise.” 

“I swear I won’t kill him.” He glares at you, drawing back up to his full height. “Happy?” 

You smile at him. “Very.” And it’s not even a lie. “A-Train, you can look.” 

Ben steps to the side—you have to shove him slightly, but he does—and A-Train turns around slowly. 

“My tracker?” 

You nod, pushing off the counter and crossing the bathroom. “This might take a second.” 

Ben follows you, standing behind you silently as you raise your hand over A-Train’s extended arm and close your eyes. This will work, this has to work. Ben’s right here, and he’s warm, and right now you’re not afraid, so this will work. 

It takes a few minutes of slow breathing and focus, but you drag just enough up fire. You can do this. 

You glance at A-Train once. “This might really hurt.” 

“Just do it-“ 

The flame forms in the palm of your hand and your eyes narrow. Concentrating it into something like a needle and pushing it into A-Train’s arm. He flinches, face twisting, but doesn’t pull away as you work. Smoke fills the room, all three of you watching the beam of fire twist and scorch A-Train’s skin, burning it with the tracker. Ben’s shoulder nudges yours and you pause, looking up at him. 

“What?” 

“It’s gone,” he grunts. “I heard it, it’s fried.” 

A-Train frowns. “You sure?”

“Fucking positive.” 

“Then,” A-Train looks back at you. “We’re good?” 

You glance at Ben, who gives you a tight nod. “I guess.” 

A-Train looks between you and Ben again, but rests his arm back at his side. “Is he going to tell your team-“ 

“I’ve got it fucking handled,” Ben snaps. “Pretend to kill you, bring you back. Find another way to get V.” 

“V?” 

Your eyes widen. You’d almost forgotten. “Fuck, wait. A-Train where did you find Ezekiel?” 

“He was backstage,” he shrugs. “Most of that time was spent convincing him, he’s annoying as hell-�� He frowns at you, cutting himself off. “Why?” 

“We need some V,” you sigh. “But if he was backstage that means they finished cleaning up. There won’t be any left, not here.” 

“Why do you need V?” A-Train shakes his head. “That shit is horrible for you, it almost fucking killed me-“ 

“It knocks Homelander out. We need it to kill him.” You look at Ben, and find him watching you carefully. “You’re going to need to tell Butcher what I told you. You’re not going to find V any way you might have before.” 

Ben scowls. “Well then how the fuck-“ 

“Homelander,” you swallow down the lump and bile in your throat. “He’s the only bet we have. He had to have kept some-“ 

“He keeps some in his apartment,” A-Train interjects, and you turn to see him frowning at you, hands on his hips. “I saw it, even took some for Hughie. It’s in a box.” 

“I’ve never seen it-“ 

“He might have moved it when you arrived,” A-Train shrugs. “But he has some.” 

You nod, chewing on your tongue, and feel Ben’s arms wrap around you. Pulling you back into his chest.

“You don’t have to fucking get it.” He mutters. “We’ll find another way-“ 

You sigh, and tilt your head back to look up at him. “There’s not always another way, Ben. We have to get through this, not around it.” 

He glares at you. Come home. Just fucking come home. 

I can’t. You stand on your toes, leaning further into him, and give him a gentle smile. You have to go, and I can’t come with you. 

His body tenses around you, and he makes a deep, pained sound from his chest. I fucking hate this. This is fucking stupid and I fucking hate it. 

I know. You squeeze his arm around you and force yourself not to cry. You can’t cry now, because you won’t stop and this will never work. I know you do. But I’ll see you again. Soon. 

Fucking swear it. Swear you’ll come home. 

I promise. 

He nods, and turns you around. Kisses you again, and you know this is the last one for a while. He’s not pushing into you or trying to get more, he’s just trying to memorize you and you’re doing the same to him. You already knew all of Ben—and he knows all of you—but you need to have it leave a mark that you can carry when he goes. You need to still remember in a week, still feel how his muscles move around you like he’s still holding you, have his taste remain on your tongue when he’s not there pushing it into you, smell pine and gunpowder and Ben over the coconut. You’ll certainly have how he sounds—you’ll never lose how Ben sounds because his phantom will stay with you—but you want all of it. You need all of it if you’re going to keep going. 

A-Train coughs, and Ben pulls away with one last, gentle movement. 

“We have to get moving,” when you turn, A-Train isn’t looking at you, but frowning at Ben. “Homelander will be back real soon, for his speech.” 

Homelander’s speech. Your speech. You have to go do your speech. “Okay.” 

You have to force every step as you pull away from Ben’s body. He doesn’t let you go, not fully, allowing you to turn before dropping his head down to yours. 

“Come home.” It’s final. He’s still asking, even when he knows the answer, one final time.

“Soon,” you whisper. “You’re not losing me, Ben. You just have to wait for me.” 

“I’ll always fucking wait for you.” He grunts, and your heart isn’t going to recover from this. Not for a long time. “I’ll wait a million goddamn years, as long as you always fucking come home.” 

“Always.” You mumble, and he nods. “Thank you.” 

“You burn, I burn,” his breath fans against your face, and you can feel that thing in him start to riot. Claw up your lungs—Ben’s lungs—and throat. Furious and loud. 

So you just make a small, sad sound because you’re out of tears and sobs and sighs and smiles. “You burn, I burn.” You look up, and meet his eyes. “Can you do me a favor, Ben?” 

He just grunts, and you know he understands. You’re not asking, you’re cashing one of your last favors in. But it’s not for you. 

“Don’t be a dick to Ryan, please.” 

Ben blinks at you. “What?” 

“Ryan Butcher.” You watch him carefully. “Don’t be an ass to him. He’s just a kid.” 

“I haven’t been a fucking ass-“ 

“Yes, you have.” You trace a hand along his beard, resting it at the base of his neck. “I know you, Ben. You might not be being an ass on purpose, but you’re blaming him for this. He’s just a kid, it’s not his fault. None of this is his fault.” 

“You’re only here-“ 

“Because of Homelander,” you shake your head against his. “Not because you lost me, or failed me. Not because of Ryan or even Butcher. Because of Homelander. So please, just be kind to Ryan. For me.” 

He stands up, and holds you against him for one last moment. “Fine.” He pauses and kisses the top of your head, speaking the last words against you in a way that rolls through your body. “For you.” 

“I’ll see you soon,” you whisper into his chest, your words right over his heart. Right over where you can still feel that thing tearing Ben apart. You hope he’ll carry them until you’re home and can tell that thing to rest. 

Ben nods. “Soon.” 

A-Train’s been waiting, and you’re thankful for how he doesn’t say anything. How he lets Ben and you peel yourselves apart, lets Ben pick up his cap, gives you one last curt nod, and doesn’t comment on how you love Ben, or make you say any more promises. You only have room for two promises now, because they’re the most important ones you’ll ever make. Kill Homelander. Go home. You only have in it you to nod back, and try not to fall to the floor and scream when Ben gives you one last look and a kiss on the crease of your brow. When he walks out the door—like you’d told him to—and you have to watch him go. When A-Train leaves as well, and you trust both of them to do what you need them to, but it still shatters you. You’d had him. He was real and warm and here and you’d had him. There wasn’t a world where you kept him—not today—but this is still the most painful thing you’ve ever done. 

He’s lingering. You’re finding your way back to the stage and Ben’s likely still across the venue, but he’s still in you. That impossible to understand thing is still in you where it had been in Ben, and it’s not fading. It’s setting itself into you, and making you feel Ben even when you pull off your disguise and try to fix your makeup and smooth your hair in a backstage mirror. It’s making it hard to acknowledge that doing that—staying there with him for so long and letting him touch you like you’d needed—wasn’t smart, because this is all you’ll have for a while. At least until you revise your plan, until you figure out a way to get your team the V they need. As much as it hurts, you’re praying that this thing stays with you until you’re back in Ben’s arms. It might be the only way you get through this. 

Ashley finds you minutes later, her hair a mess and a wild, panicked look in her eyes. “Where the fuck did you go?!” 

“I was in the bathroom-“ 

“The bathroom?!” She shakes her head frantically. “For almost a fucking hour?!” 

You shrug, looking around nervously. No Homelander. No Sage. “I can’t control my period-“ 

“You know what?” Ashley raises a hand sharply. “I don’t fucking care. You’re on now, move.” 

Your mouth falls open, and the cold starts to creep back in. “Now? But I’m not until-“ 

“A-Train and Ezekiel are fucking missing, and Sage still hasn’t shown up after being a controlling bitch about this all week, so you’re on now.” You’re frozen in place, and Ashley looks up at you with glare. “Now! Fucking go!”

She almost moves to push you, but flinches back at the last second. Your feet start to carry you forwards, moving mechanically through the steps Ashley had drilled into you this morning. A man mics you, and you can barely feel his anxiety over the cold. It’s getting cold again, and the only thing keeping your legs steady beneath you, keeping you upright, is the way that Ben is still there. How you can feel that odd thing from him ingrained in you even when he’s gone, how it’s him. Everything about it is Ben, and it’s making a home inside of you and keeping your mind from clouding with cold. Fogged up cold. 

The man finishes his job, adjusting the mic a little further from your mouth. A woman checks your hair and makeup, and another points out all your marks and the teleprompter as Deep wraps up with large gestures and over-exaggerated laughs. The first woman smooths down your costume once and gives a thumbs up, the second shoves you forward with a clipboard, and suddenly you’re there. On the stage, walking to a red x and being blinded by stage lights that turn the crowd into murmuring shadows.

Words fall out of your mouth like vomit. You sound robotic. You feel robotic. You’re speaking and your voice isn’t yours, you’re smiling and it’s wrong on your face, and your hands are locked behind your back so your nails can tap and dig into your skin. 

“From when I was young, I’ve loved Homelander. Even when we were children, sharing secret moments in the fields behind my parent’s house, I loved him. I loved him enough to follow him to the city before he knew how I felt, before I knew he loved me. I loved him when he made his first save, and he told me how happy it made him.” Swallow the bile, read the words on the prompter. The boring, mechanical, words about love that aren’t yours. Aren’t about your love. “I loved him when he came to me with roses and told me he loved me, asked me to be his one and only. I loved him when he let me stay on the sidelines, when he was forced into PR relationships to keep me safe. I love him now, as America’s greatest hero and my savior.” Don’t break. “I love Homelander because he completes me. I see us in every great romance in history. He is the thing that gets me up in the morning. He makes me happy, and I want to start a family with him. Lead the best life we can together. I’m excited to lead a great life with Homelander, for our love story-“ 

Your words are cut off by a rush of air and shaking of the stage as Homelander lands at your side. Grinning and waving, placing a hand on your lower back as his voice echoes over the venue. 

“Oh, just pretend you can’t see me!” The crowd grows louder with applause, and he laughs. “I’m here to listen to Anomaly, same as all of you! I just have the best seat!” He pulls you off your mark, closer to the front of the stage. “She’s doing so well, isn’t she?” 

He grins at you as the crowd’s noise begins to drown out your own thoughts, and you make yourself smile back. The nerves are real, but you force the comfort onto your face. Make yourself stay on your feet. There’s no other option but staying on your feet and smiling at Homelander like his hand on your own body doesn’t fill you with dread and agony and cold. Pretend you don’t know what’s coming, that you’re going to finish and Homelander will kiss you and you’ll have to not scream or push him away. You’re sweating and the air is humid from the lingering mist of the morning, but you’re so cold. 

“Alright, let’s settle down!” Homelander dismisses the crowd with a hand, and the last few whoops and claps die off. “Keep going, honey, everyone’s listening.” 

You swallow. No way out. “I’m excited to lead a great life with Homelander, for our love story to be remembered as one from a fairytale. Because he is my prince, my white knight who saved me from the dark. Homelander, you're my soulmate, and I love you. I am deeply in love with you, and there will never be another-“ 

Something bangs in the distance, and the part of Ben that’s still in you begins to pound. Drums. Echoes of drums in your chest that fall into time with a spark of lights and another bang. Gunshots. Those are gunshots and the overhead lights are sparking.

Homelander’s hand tenses on your back. “Keep calm, folks! I’m sure it’s just a truck! I’ll go myself and make sure they get that faulty engine fixed. Please, let my lovely girlfriend finish the speech she’s been working so hard on.” He leans down to hiss in your ear, face turned from the crowd. “Keep going until I get back. Don’t stop fucking talking.” 

He’s gone, and another gunshot fires. Ben. Ben might be in danger, Homelander’s going and Ben is strong but they don’t have the V, and Sage hasn’t been seen all day. The gas- 

Ashley’s gesturing at you off to the side. Keep going. 

You have to keep going. There’s nothing you can do but try and cling to that thing in you—rumbling and bloody—that tells you Ben is still awake. Try and raise your voice over the gunshots that mean he’s still fighting. 

“There will never be another man for me. And that’s why-“ The prompter glitches and sparks out, and a flash of light clears the sky in the distance. Then there’s another gunshot, and a whoosh of air, and you have to keep going. You can still feel Ben, so you have to keep going. There are no words left for you to say, you didn’t memorize the speech and can’t remember where it went after the that’s why line. You have to find your own word. You have to just keep going. 

“That’s why I want to share what it’s like to love him.” You take a heavy breath, and hold onto that piece of Ben in you like it’s a lifeline. “Why he’s everything to me.” 

The venue lights flash again, and the phones start to spark out and fry with the cameras. You’re okay with that. This isn’t for the world to remember or see, this is for you to keep talking and find a way to keep going. 

“He’s good,” you smile into the flickering darkness. “He’s just so good. It’s hard, but he’s still good. His smile is the best one you’ll ever see, and his laugh is the only thing you’ll ever need to hear. If you could see him happy like I do, you’d never want to see anything else. And I, I get to do so many things I’ve always wanted to do with him. I get to talk to him and feel heard and to cook with him and share things I enjoy, and he touches me like I’m the only one he’s ever wanted to touch. Ever needed to touch. Ever needed. I get to feel half as wanted as I want him, and I want him. I want all of him.” You can’t stop. Your heart is breaking and gluing itself together every other second, but you can’t stop. “I want the parts you get to see and the parts that get to be mine. I want to laugh at him and with him and see him smile. See a smile that gets to be mine, and keep watching him try. Try to keep me when everything is horrible, and I want to stay with him, I want to stay with him-“ Your words are becoming choked, and you’re pleading to no one. Begging into a silent crowd of people who don’t understand and a night that doesn’t care. Keep going. “I, I want to watch him be better, never stop trying to be better, just be better and be good. Be good to me, he’s so good to me, even, even when it’s hard and I have to miss him and I-“

The whole word explodes. The drums are still rattling around your head as the night is illuminated from a cloud of fire and ash exploding across the night. You almost run to it, run to him, but people are grabbing you and pulling you off stage. You can’t fight, you're frozen, kept from shattering only by the hum of Ben still carved into you. Like an imprint, like a scar you wouldn’t want to heal if you could because it’s telling you he’s awake.

They lock you away. Someone shoves you into the trailer and you hear the door click, but you don’t bother to even try the handle. You couldn’t move if you wanted, couldn’t run if you tried. You’re cracking. Not breaking—not while that thing of Ben’s still shifts inside you and tells you he’s okay—but cracking. Growing weaker, the fire going dormant once more, because you’d let it get away from you. That speech won’t see the morning, nobody had gotten the part that was just you on footage, but people will talk. Sage will hear, Homelander will hear, and the former will know that you weren’t talking from nothing. She’ll see that hand you’d accidentally shown, that last piece she’d been looking for. The only thing that will save you is the latter believing you were speaking of him. That it’s Homelander you need and want and think is good. You’ve never laughed with Homelander, never seen him be better—only worse—and never, ever missed him, but he’ll still think you were talking about him. 

You miss Ben. You’re sobbing on the floor, cracks appearing in your mask because it’s all too much, and you just miss Ben. You’ll get through this. You can feel that echo of Ben still in your chest even as the noise outside dies down, and you know you’ll get through this, but you’ll miss Ben. More than before, which you didn’t think was possible. You’ll miss him more because he’s waiting, and you know home is closer in time but far in effort. Anything goes wrong and home goes away forever. There’s a way to kill Homelander, a way to get Ben the shot to kill Homelander, but this has to go right. You have to do this clever, however you need to, and with no hesitation, because then you can go home and Ben will be waiting. You’ll kill Homelander, and hold each other until this doesn’t feel like pain anymore. Only another shadow in the corner, another skeleton you bury and grow flowers from. 

Ben will be waiting. You’ll pull yourself up and tape every single piece of your mind together to drag yourself home to Ben, and he’ll pick you up. Ben will wait, and he’ll make this better. 

You’ll love him when you touch him again, and forever after that. You’ll love him when he makes this better and you remind him he’ll never fail you. When you get to stay and you never have to break again. Until then you’ll love him here as well. You’ll keep this piece of Ben in you, and worship in the hopes he feels it. 

You hope he feels your love. Even if he doesn’t love you, you still hope Ben gets to feel your love like you feel his strange thing inside of you. Gets to know it’s yours, for him, and feel how easy and natural it is to love him. How he didn’t fail you, could never fail you, because you love him like this. 

You love him until the night is silent. Until it’s just the dark and spreading warmth. Until your tears are dry and you can just feel you and him. You love Ben like there’s nothing else to love in the world, because there’s not. 

No love is worth this holy and infinite one that you have for Ben. No love is worth rage and desolation like this one is. No one is worth what Ben is. 

And he’ll wait for you. You’ll go back to him. You’ll find a way home. 

You’ll always find your way back to Ben.

——————

Ben couldn’t let himself think about it. Not now, not when he was still fucking clean up the mess he and the team had made. Not when the Pussy Mobile had come to a screeching, rattling halt right before Butcher could park it, and Ben was honestly surprised they’d made it the whole damn drive back. The hunk of shit probably should’ve broken down the moment Butcher had floored it and they’d torn away as Homelander dealt with their diversion. Ezekiel’s body strung up across tents—Ben having pulled him apart with hands and hatred—Annie playing haunted house with all the lights, and a bomb of the French Prick’s going off when Homelander destroyed the guns MM had rigged to keep firing. 

He couldn’t think about how’d almost fucking lost it. How they’d been driving away and Ben had been forced to shove the drums down, try to control them and keep the bomb in his chest from destroying the van and the team when the Thing was roaring at him. When the night had exploded and it had shaken the van, making Ben have to just stare and floor and try not to get lost in how much this fucking hurt. He’d done it, he’d done exactly as She’d asked. A-Train was “dead”—Homelander even the last person to see him before Frenchie’s bomb supposedly blew him to bits, which had been Hughie’s idea and didn’t end up being total fucking shit—and they knew they had to wait for V. They knew that had to wait for Her to get them some or find it somewhere else. Every selfish part of Ben wanted Her to get it, because that meant she’d have to give it them. She’d have to come home to give them the V, and this wouldn’t fucking hurt anymore. 

He’d find a way to get Her to stay this time, and this would never be painful again. He’d kill Homelander and she’d get to smile at him somewhere in Rome forever. He’d hear Her cry about normal, stupid fucking things and she’d tease him and tell him what to do, and he’d just kiss Her until this didn’t fucking hurt anymore. Because he’d done it, he’d done the job, and he’d never hated himself more. 

They were circled up in the dining hall. It was past midnight, but this was a lot more fucking important. They had A-Train, and maybe the fucker could help them. Get Her closer to coming home. Sleep didn’t matter, not when Ben had to fucking bring Her home. 

Ben’s at the head of the table. He can’t sit, can’t rest, he can’t stop fucking moving, not for a second. Not when it will be nothing but fucking pain and images of Her in his head. Fresh, like open wounds that won’t just fucking heal. 

So Ben stood, rigid at the head of the table, his fists curling and uncurling. Butcher at his side—the man’s glare almost as violent as Ben’s—as A-Train’s bouncing knee shook the table. Hughie and Annie had gone to bed with small nods—nobody had stopped them—but MM was frowning at A-Train from his seat across the table, and Kimiko and the French Prick were watching the tight silence with nervous expressions. 

“Are any of you going to talk, or just keep fucking staring at me?” 

Ben’s jaw clenched at the fucking sneer in A-Train’s voice. The fucking annoyance, as if Ben hadn’t just fucking given everything, given the whole fucking world, to save his fast, worthless, pussy ass. She’d told him to, and he had, but it should be Her at the table. In Ben’s arms. Not this fucking piece of shit She’d been so goddamn certain could help. 

He could only say half of that. A-Train needed to understand what had been lost to get him here. He had no fucking right to know more about Her. 

Ben leaned across the table, not bother to hide the fucking fury in his voice. “You’re the one who needs to start fucking talking.” 

“About what?” A-Train snapped. “I’m here, you know why I’m here, what else am I supposed to do?” 

“Make this fucking worth it!” Ben roared Her name. “Said you’d help. Fucking help!” 

“How? How am I supposed to help?” 

Butcher cut in right before Ben could rip A-Train’s head off. “Our mutual friend seemed to be bloody certain you’d have somethin for us. MM here seems to think we can trust you. And I’d fuckin wager you’ve got some real nasty shit on Homelander and Vought.” 

“Yeah, but-“ 

“Man, just listen,” MM muttered. “Those two motherfuckers get off on vengeance, and you’re not doing yourself any favors by poking at them.” 

Butcher scowled at MM, and Ben just keeps fucking pushing. She’d said A-Train could help, and she was never fucking wrong, so the pussy better start fucking helping until Ben started finding more creative ways to figure out what she’d meant. 

Don’t kill A-Train, Ben. Her voice hummed in his head. Or at least do it outside. People eat here. 

“What was she planning,” Ben grunted, trying to speak firm and steady over the pain. “She told me she was planning something. What is it.” 

“Don’t know,” A-Train at least had the brains to look a little fucking guilty. “When we talked she’d never tell me. Said she couldn’t risk it or something.” 

“Well, what did she say?” MM runs his hand over his face. “There has to be something we could use.” 

“Nothing,” A-Train’s answer is way too damn fast, and he’s giving Ben a strange fucking look. “I mean, she was trying to convince me to help, and I agreed, and now I’m here. I can’t fucking help more than that-“ 

“That ain’t fuckin true mate,” Butcher sneers. “You gotta have somethin for us. We didn’t fake your damn death just for you to come here and leech.” 

“I’ve got some stuff on Vought, but you can’t really think they were telling me everything? I mean, Sage didn’t trust me as far as she could thrown me, and she’s not that strong-“ 

“There has to be fucking something!” Ben hissed Her name, leaning down to hold A-Train’s gaze. “She had to have said fucking something, anything, that could get her-“ 

“She wouldn’t share her plan with me!” A-Train was still fucking looking at Ben like that. Like he’d fucking dropped from the sky and was speaking goddamn gibberish. “Like I said, she didn’t tell me anything! I asked, and she said no. She didn’t even fucking tell you!” A-Train gestured at Ben with an exasperated movement. “Why do you think she’d tell me!” 

“A-Train,” MM sighed. “What do you know? That shit about Vought, about Homelander and Sage, about anything.” 

“I mean I fucking know all their old V stashes. I know about security. I know Sage, kind of. How she thinks. I know Ashley, and she’s real close to snapping or losing it or something.” 

“That’s good,” MM glanced up at Butcher. “We can get Mallory here tomorrow. Get all his shit down.” 

“Mate, we can’t be fuckin sure he’s even gonna tell us the truth-“ 

“I will.” A-Train frowned at Butcher. “I’m not here for Vought, fuck those guys. I’m here because I’m trying to be better. Because she,” A-Train shot Ben another strange look as he said Her name for clarification. “She said I could help. I’m not going to lie, there’s too much on the fucking line to lie.” 

“Well,” Butcher snapped. “We might need a little bloody more than Vought security protocols and a fuckin Sage profile. That’s all shit we can get our fuckin selves-“

“I can get you their passwords.” A-Train said, words abrupt and tight. “Hughie’s into all that computer stuff, right? I can write down everything I remember about Vought, about all their passwords, and go over what Sage has told me. I can tell you weaknesses, about Homelander and milk, and the Deep and fish-“ 

“How the fuck will that help-“ 

A-Train cut Ben off with Her name, and everything fucking hurt again. “She thought I could help. This is all I can do, man. She knew that, and she thought it was worth it.” 

“Stop fucking talking about her like that.” Ben hissed. “You don’t know her. You don’t know what she thinks, not about this or any other damn thing.” 

“She told me I could help you. So I’m here.” A-Train didn’t flinch away from Ben’s glare. “Don’t blame me for her idea.” 

Ben was going to kill him. He was going to fucking rip his spine out of his back and break both his knees. The pussy didn’t have any fucking right to pretend to know Her, what she wanted. Ben trusted Her with his goddamn life, and he fucking trusted she knew what she was doing because there was no other option. No world where she never came back to him. She had to fucking come back, come home, but there wasn’t a single fucking way passwords and milk was going to help fucking help them. Help Her. 

Butcher placed a hand on Ben’s shoulder, and he flinched. “The fuck-“ 

“In and out, Gov.” Butcher muttered. “It ain’t gonna help shit to kill A-Train, even if he deserves it.” 

“Shut the fuck up, you pussy-“ 

“Trust me, I want to kill him just as much as you do. But he’s got somethin for us that ain’t totally fuckin useless.” Butcher nodded to MM. “We’ll get Mallory here at the crack of fuckin dawn. We got some work to do.” 

MM nodded, leaning down the table to the French Prick and Kimiko. “Can you two show A-Train a room? Doesn’t fucking matter which one, just get him in a bed.” 

A-Train gave Ben one last weird fucking look before he was led out of the room, leaving Ben with Butcher, MM, and the hum of a fan somewhere. 

Butcher sighed, dropping his hand from Ben’s shoulder back into his pockets. “MM, you better be bloody right about him-“ 

“I am,” MM muttered. “He’s here. He’s not going to fucking leave now, not with his family out there. And we can use his info, get the Kid on a laptop and into their servers. Get an idea of what Sage is doing. But we still need V-“ 

Butcher said Her name, and it ached in Ben’s ears. “Said she’d get us some. Right, Gov?” 

Ben grunted with a nod, and Butcher frowned. 

“She good?” 

Ben shot Butcher a glare. “The fuck is it to you.” 

Butcher shrugged. “She’s doin a lot of shit. Want to make sure she ain’t gonna burn out on us.” 

“She fucking won’t.” Ben snapped. She couldn’t. She’d promised she’d come home. “She’ll be fine.” 

She’ll be fine. Ben had left Her but she was going to be fine. 

You didn’t leave me, Ben. 

Butcher was speaking before Ben could respond to Her voice. “You didn’t fuckin pick her up and carry her back?”

“Fucking obviously.” 

Butcher narrowed his eyes. “After all your fuckin peacocking-“ 

“She told me to trust her,” Ben muttered. “And she’d have fucking kicked my ass if I tried to take her.” Ben shot Butcher a cold look. “I’m not in the business of making my woman do shit she doesn’t goddamn want to.” 

He’d said the words before he could think about them. My woman. She was his. He was supposed to hold her and protect her and care for her and help her and- 

Everything was fucking painful. 

Butcher grunted, nodding. “She’ll get through this, Mate. She’s a clever fuckin lady, she knows what she’s doing.” 

Ben didn’t respond. He already fucking knew that, he knew everything about her. She was fucking perfect and a goddamn threat to Ben’s sanity. 

He didn’t even notice Butcher was gone until MM coughed, and Ben realized it was just them left in the dining hall. 

“What.” 

“You were gone with her for a while,” MM said, watching Ben with a blank, unreadable face. “The fuck were you doing that whole time.” 

“None of your fucking business.” 

“It is if she’s-“ 

“It’s fucking not.” Ben glared at MM with all the fucking pain in his body. “It’s ours. Nobody else's.”

MM hummed, holding Ben’s glower. “Ours.”

“You’ve got a fucking problem with that? You hate me so fucking much you don’t trust me with her? When I’m the only fucking one who’s been fighting for her, doing whatever it fucking takes while you pussies-“ 

“I don’t trust you with her, motherfucker.” MM sneered. “She’s a good woman, and she’s too good for you. She doesn’t need you to fight for her-“ 

“Shut the fuck up.” Ben couldn’t fucking deal with this. Not when everything hurt and he could still see Her when he closed his eyes. “You can hate me for the rest of goddamn time, and tell me I’m evil or say I get off on vengeance, or whatever else makes you sleep at night, but never say shit about what you think she deserves, or needs.” 

“What, you think you speak for her?” MM scoffed. “You think she needs you?” 

Something stabbed deep into the Thing, and Ben had to speak through gritted teeth. “She doesn’t fucking need anyone. She wants me.” His head hurt. Something was pulling at his throat and clouding his eyes and a halo of pain was wrapping around his head. Stinging his tongue when he said Her name. “Doesn’t need you telling her what she wants. Or if I’m fucking good for her. She’s capable of making her own fucking choices.” 

Look at you, defending my honor. My right to choose. Keep this up and you’ll be giving lectures at Feminist panels. 

The pain was becoming blinding. 

“You’re a fucking murderer, Soldier Boy.” MM stood from the table, leering at Ben. “Nothing’s going to change that, change the shit you’ve done.” 

Ben’s jaw was going to break. “I know what I was.” He grunted, a lot of his anger leaking out and being replaced by just this inescapable agony. “You don’t need to fucking tell me. But I’d fucking do it again,” Ben gave MM a cold look. “I’d kill a thousand fucking people and be trapped in Russia for a million goddamn years if it brought her home.” 

“And what about those people's families?” MM hissed. “Their kids, like me?” 

“I’d fucking repent.” Ben sighed. He was so fucking tired. “I’d do it and add another hundred years to my sentence for every single body.” Anything. Anything to bring Her home. 

“What about me,” MM was still frowning, but there was something tragic in his voice. Something Ben couldn’t call weak, because he felt it too, felt it in his pain. “What about what you fucking did to me.” 

Ben said the only thing he could think of. The only thing that he could fucking mean and understand at the same time. “Whatever I fucking need to for you just fucking let her be happy.” 

“With you?”

“With me.” Ben felt something hard in his throat. “Or wherever else she wants. Just goddamn happy.” 

MM sighed, and Ben wished he would just fucking leave. Let Ben deal with this fucking pain alone. “She’ll fucking want it with you.”

Ben blinked at MM, something close to shock sparking through his chest. “What.” 

“She’ll be happy with you. When she gets back. I can’t fucking explain it, I defiantly don’t damn understand it, but she’s real happy with you.” MM shook his head. “She sees something in you I can’t understand, don’t even know where she’s finding it, but she’s smarter than most of us. Smarter than me and Butcher, defiantly fucking smart than you. I can’t explain why, shit’s fucking baffling why, but she’ll be happy with you. Just,” MM gave Ben one last look. It wasn’t cold, wasn’t hateful. Just tired. “Try to earn it.” 

It was like MM had fucking shot him. Shot Ben in the fucking chest and left him to bleed out. He stood in the dining hall, alone and in pain long after MM left, and only managed to move when the fan stuttered off and he couldn’t stand the silence. 

He hadn’t earned Her. Ben could never fucking earn her. He’d held her and lost her, fucking again. He’d spent the whole fucking Christ Convenetion feeling the way the Thing was alight, burning and raging inside of him, trying to pull him around and falling into a beat that was so familiar but Ben still didn’t recognize, or know how to decipher. It had been trying to tell him something, it was always trying to tell him something, but it had been fucking feral. Roaring and howling in a language Ben didn’t understand, couldn’t understand. He’d come closer to geting, when he’d seen her. Touched Her. 

Real. 

Back in his arms and fucking real. Making the Thing start to break bones in his body and turn Ben into just a fucking soldier that could bring Her home. Make her smile while she was against him forever, make those feelings of sheer fucking pleasure and ease run between them when he touched her, tasted her, and just had her. 

He’d fucking had Her. She’d been real, with Ben, and he’d lost her. 

You didn’t lose me, Benjamin. I’ll come home. 

He didn’t fucking care. It was all goddamn semantics, because Ben had failed, again, to be worthy of her. He’d listened to her and done as he’d been told, and still managed to fail Her. She wasn’t home. Ben couldn’t breathe because she wasn’t home. He’d failed to bring Her home, failed to convince her she’d done enough. That everything was worse because she wasn’t at Ben’s side, that everything hurt because he’d fucking failed. She didn’t know what she meant to him. If She knew what she meant to Ben she’d have come home. If he could break the Thing’s stupid fucking code and tell her that vital thing, she’d have understood and come home. 

The Thing pulsed, and Ben knew he was wrong. Collapsing on the couch, he knew he was wrong and she wouldn’t have left. He could’ve offered Her the sun and stars and every fucking song in the world and she’d have still told him she had to see this through.

Why couldn’t he have chosen to feel like this about a woman who would just go? Leave? Just fuck the world and come home for Ben. 

Because that wouldn’t have been Her. The Thing ran into Ben’s head, but it wasn’t speaking. It was pushing against the painful haze, and Ben was finding the words on his own. She’d never give up on the world. She’s too good to give up on the world. And it always has to be Her. Nothing is capable of making you feel this pain like She is.

That might be the worst fucking part of this. Was that, somewhere in this pain of Ben having lost Her. He’d left her and lost her and she still doesn’t understand that Ben can’t breathe without Her there, there was something good. She’d trusted him, to do what she needed him to do. She’d cried against him and known he’d pick her up and make it better. She’d touched him and still meant it, still wanted him even after he’d failed Her. 

She still wanted him. She still wanted Ben. She’d smiled at him and laughed with him and known him like nobody ever had. Like nobody ever would, not like she did. Not like she’d pulled Ben into her and tried to tell him everything he’d needed to hear. Found every way to feed the Thing with soft words and pretty looks, and all at once, grow this pain. She was perfect, and she still wanted Ben, and he’d never fucking earn her. 

That’s what breaks the pain. Snaps it open in two, and Ben with it. She wanted him. She was perfect and she wanted him and Ben hadn’t even told Her how much he missed Her. How he wasn’t sleeping and eating was an act of labor without Her there to throw crumpled napkins at his face and hang around his body while he did the dishes. How she was gone and nothing was good. 

He hadn’t told Her. And she still wanted him. And Ben breaks. 

It starts in his chest. Shaking something there and pushing that lump further up into his mouth. The pain tightens around his throat and brow, his eyes feel fucking weird, and the first sound echoes through the dark, empty apartment. Choked. Tired. All fucking pain and hurt. 

The damn breaks, and Ben’s too goddamn exhausted to fight it. He roars into the darkness, even though he knows nobody can hear. Maybe she will. Across the city and bay, she’ll hear how much Ben fucking misses Her. How nothing is as important as Her. Home. Safe. With Ben and happy. 

When he roars again, it’s strangled and he tastes salt. His eyes hurt, and it’s so fucking hard breathe. There are no drums, no violence in him. Just a fucking ache for Her, and he can’t do anything about it but try and pull it out of his brain. Run his hand over his face and through his hair and pull it back to find it wet.

He’s crying. He’s fucking crying. 

Ben hadn’t fucking cried since he was a child. It had been a hundred fucking years since Ben had cried like a pussy. Weak, pathetic, and useless. 

This didn’t feel useless. For reasons Ben couldn’t fucking understand, the bellows of pain escaping his body and the endless fucking pain finding its way out of his body didn’t feel useless. It felt good. It felt like a tribute, like he was leaving an offering for Her in this loneliness. This was agony and the worst fucking thing in the world and Ben had to fucking break to prove it. She couldn’t break, she wouldn’t allow herself to, so Ben would do it for Her. He’d shatter on the floor of their apartment and cling to any thought of Her as it made this pain grow. It was a lot fucking better than forgetting. 

Nothing would hurt more than forgetting Her. Forgetting her laugh and smile and the way she felt. Forgetting her beautiful face and smart fucking mouth, forgetting the way she spoke and looked at Ben. Like She somehow did think he was worthy. 

So Ben just cried. He knew she’d come home but he still just fucking sobbed on the couch. Alone. Missing Her, and wanting her, and waiting for her. 

He’d fucking wait for Her. He’d cry for Her and be haunted by her until She was home. 

He’d always wait. She’d always come home, so Ben would always fucking wait. 

The Thing would keep him company, twisting and screaming in time with Ben’s tears and choked noises of pain. Remind him of every part of Her. Every part he’d lost. Every part that would come back. 

Ben cried until the sun cracked the sky. 

He’d wait for Her until it burned out the universe.

End Note:  End of chapter check in! How we feeling, squad? We getting through this?

Also, if you haven't yet, check out the first one-shot from the reader event! I'm moving through the rest, and I think I'll upload them between chapters to keep you guys fed. No matter what, thank you so much for reading, and I'll see you soon!

If you like this story, reblog, share, or leave a comment! <3

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[reasonsforhope]

"Since it was first identified in 1983, HIV has infected more than 85 million people and caused some 40 million deaths worldwide.

While medication known as pre-exposure prophylaxis, or PrEP, can significantly reduce the risk of getting HIV, it has to be taken every day to be effective. A vaccine to provide lasting protection has eluded researchers for decades. Now, there may finally be a viable strategy for making one.

An experimental vaccine developed at Duke University triggered an elusive type of broadly neutralizing antibody in a small group of people enrolled in a 2019 clinical trial. The findings were published today [May 17, 2024] in the scientific journal Cell.

“This is one of the most pivotal studies in the HIV vaccine field to date,” says Glenda Gray, an HIV expert and the president and CEO of the South African Medical Research Council, who was not involved in the study.

A few years ago, a team from Scripps Research and the International AIDS Vaccine Initiative (IAVI) showed that it was possible to stimulate the precursor cells needed to make these rare antibodies in people. The Duke study goes a step further to generate these antibodies, albeit at low levels.

“This is a scientific feat and gives the field great hope that one can construct an HIV vaccine regimen that directs the immune response along a path that is required for protection,” Gray says.

-via WIRED, May 17, 2024. Article continues below.

Vaccines work by training the immune system to recognize a virus or other pathogen. They introduce something that looks like the virus—a piece of it, for example, or a weakened version of it—and by doing so, spur the body’s B cells into producing protective antibodies against it. Those antibodies stick around so that when a person later encounters the real virus, the immune system remembers and is poised to attack.

While researchers were able to produce Covid-19 vaccines in a matter of months, creating a vaccine against HIV has proven much more challenging. The problem is the unique nature of the virus. HIV mutates rapidly, meaning it can quickly outmaneuver immune defenses. It also integrates into the human genome within a few days of exposure, hiding out from the immune system.

“Parts of the virus look like our own cells, and we don’t like to make antibodies against our own selves,” says Barton Haynes, director of the Duke Human Vaccine Institute and one of the authors on the paper.

The particular antibodies that researchers are interested in are known as broadly neutralizing antibodies, which can recognize and block different versions of the virus. Because of HIV’s shape-shifting nature, there are two main types of HIV and each has several strains. An effective vaccine will need to target many of them.

Some HIV-infected individuals generate broadly neutralizing antibodies, although it often takes years of living with HIV to do so, Haynes says. Even then, people don’t make enough of them to fight off the virus. These special antibodies are made by unusual B cells that are loaded with mutations they’ve acquired over time in reaction to the virus changing inside the body. “These are weird antibodies,” Haynes says. “The body doesn’t make them easily.”

Haynes and his colleagues aimed to speed up that process in healthy, HIV-negative people. Their vaccine uses synthetic molecules that mimic a part of HIV’s outer coat, or envelope, called the membrane proximal external region. This area remains stable even as the virus mutates. Antibodies against this region can block many circulating strains of HIV.

The trial enrolled 20 healthy participants who were HIV-negative. Of those, 15 people received two of four planned doses of the investigational vaccine, and five received three doses. The trial was halted when one participant experienced an allergic reaction that was not life-threatening. The team found that the reaction was likely due to an additive in the vaccine, which they plan to remove in future testing.

Still, they found that two doses of the vaccine were enough to induce low levels of broadly neutralizing antibodies within a few weeks. Notably, B cells seemed to remain in a state of development to allow them to continue acquiring mutations, so they could evolve along with the virus. Researchers tested the antibodies on HIV samples in the lab and found that they were able to neutralize between 15 and 35 percent of them.

Jeffrey Laurence, a scientific consultant at the Foundation for AIDS Research (amfAR) and a professor of medicine at Weill Cornell Medical College, says the findings represent a step forward, but that challenges remain. “It outlines a path for vaccine development, but there’s a lot of work that needs to be done,” he says.

For one, he says, a vaccine would need to generate antibody levels that are significantly higher and able to neutralize with greater efficacy. He also says a one-dose vaccine would be ideal. “If you’re ever going to have a vaccine that’s helpful to the world, you’re going to need one dose,” he says.

Targeting more regions of the virus envelope could produce a more robust response. Haynes says the next step is designing a vaccine with at least three components, all aimed at distinct regions of the virus. The goal is to guide the B cells to become much stronger neutralizers, Haynes says. “We’re going to move forward and build on what we have learned.”

-via WIRED, May 17, 2024

[putschki1969]

KALAFINA REUNION 📢IT'S TRUE📢

Why did I even go to bed last night??! Damn it, I lost precious time. Anways, many of you must have seen my post last night about that ominous Nikkan Sports article speculating about a possible comeback of Kalafina. I honestly thought it was fake news since it contained a ton of unconfirmed/uncredited information. However, there was lots of interesting stuff that kept me from dismissing it entirely. I mean, who would go through all the trouble coming up with details such as specific quotes or exact concert details? Turns out they mostly got the dates mixed up but the rest was true. At noon Japanese Standard Time, we got all of our official announcements. Here's the gist of it〈(•ˇ‿ˇ•)-→

Kalafina Staff Posts 1 & 2 on Twitter

Announcement of "Kalafina Anniversary LIVE 2025" Date: Wednesday, January 15, 2025 Open at 17:30 /Start 18:30 Venue: Tokyo Garden Theater Performers: Kalafina (Wakana, Keiko, Hikaru) Music Director: Takebe Satoshi

To everyone who loves and supports Kalafina We have decided to hold a "Kalafina Anniversary LlVE 2025". We want to sing together as a trio again, knowing that you all have always cherished Kalafina, even while we are doing solo activities. We look forward to seeing you there! Kalafina (Wakana, Keiko, Hikaru)

Ticket sales are scheduled for the following dates: ■Wakana/KEIKO Fan Club Advanced Lottery October 10, 2024, 11:00 - October 20, 23:59 ■Hikaru X (formerly Twitter) Advanced Lottery October 25, 11:00 - November 4, 23:59 ■General Ticket Lottery November 9, 11:00 - November 11, 23:59

Keiko Posts 1 & 2 on Twitter & Fan Club Site & Tristone & Instagram post

To all our supporters We have decided to hold a "Kalafina Anniversary LlVE 2025". Through my solo activities and activities with FictionJunction, I have had many new encounters and taken on new challenges, and I am where I am today thanks to the support of many people. This is a personal matter, but the reason I took a break from singing and then decided to sing again was because of Yuki Kajiura's music. And it was the feelings of everyone who has supported us up until now that led to this event. I am grateful for those feelings, and I am simply happy that the three of us can deliver Kalafina's music again. I am truly looking forward to seeing you all next year. KEIKO

Hikaru's Post on Twitter and Instagram

To everyone who always supports us We are happy to announce that we'll be holding a "Kalafina Anniversary LlVE 2025". Even during my solo activities, I always got a strong sense of everyone's love for Kalafina. I'm grateful we are getting this opportunity to sing together again as a trio and to perform all those treasured songs which Yuki Kajiura has written for us. I hope we can raise a new flag together with all of you. I look forward to seeing you there that day! 2024.10.03 Hikaru

Wakana Posts on Twitter & Botanical Land & Instagram post

(We finally have an official statement from Wakana on her Insta) It has been decided that an "Kalafina Anniversary LIVE 2025" will be held on January 15th next year. From 2018 to the present, we have each pursued our own music, but we have decided to sing together again. I would like to express my sincere gratitude to all of you who always think of and love Kalafina. I am very much looking forward to meeting you all.

Satoshi Takebe Tweet 1 & Tweet 2 & Tweet 3 (deleted)

Today I had a meeting with some artists I truly respect and had a beer in the middle of the day 🍺 We had a fun afternoon. I hope there will be lots of fun things to do next year too. I can't say anything yet, but I'm already working on some exciting projects!! (Tweet 1)

I believe that my mission is to support artists. It is never my intention to betray or hurt people. That is the one thing I have always stayed true to, and I will continue to do so. It may sound naive, but I believe that sincerity and passion are what motivate people. (Tweet 2)

Due to confidentiality obligations, I cannot explain the situation. However, Kajiura-san is an artist I respect, she's a wonderful musician, and I am a fan of the music she creates. I would like to support the three members with the utmost respect. (Tweet 3 - deleted)

Tweet by Yuki Kajiura & Tweet 2 & Tweet 3

Regarding Kalafina I've received some inquiries in relation to the most recent announcement of an upcoming Kalafina Live Concert so I'd like to use this opportunity to clarify that I, Yuki Kajiura, will not have no involvement whatsoever in this concert. Furthermore, I have not received any advance notice or explanation from the organisers or any of the group members. Given the situation, I am therefore unable to answer any questions. I apologise, but any future inquiries regarding Kalafina should be directed at the organisers and official agencies of the group members.

I believe the members of Kalafina have decided to step away from me as their producer to go on a new path that is not related to me. I had been searching for a way to work together again in the future to create new Kalafina music but that will no longer be happening. It is very unfortunate but this is the road that each member has chosen. We are all individuals searching for our personal musical path so things like this happen.

As you all know, the three of them are truly wonderful singers so I have no doubt that they will continue to deliver amazing vocals and music to their fans. I would like to express my sincere gratitude once again for the privilege and happiness of having been able to create music together with them for nearly ten years, and I wish Kalafina continued success in the future.

Yuki Kajiura (Tweet 1)

I hope for a great success regarding the upcoming concert, and that's all I can say about this. I hope to continue making music in a cheerful and fun way in the future (^^). (Tweet 2)

This may be an unnecessary remark, but… there's no way that Kalafina will no longer be able to sing their past songs just because one producer has left, and I personally don't wish that upon them.

I'm sure they'll create a wonderful harmony at their live show in January, so I hope you'll give thunderous cheers and applause to Kalafina's singing and to the musicians who support them on stage. Once again, I wish them all the success in the world. (Tweet 3)

───── ⋆⋅☆⋅⋆ ───── ───── ⋆⋅☆⋅⋆ ────────── ⋆⋅☆⋅⋆ ─────

Wow. All of this is wild. I don't even know what to say. I can hardly believe it. On one hand, I am beyond happy and excited. There's no way I will not be there for this concert and everything beyond that. But on the other hand, all the announcements make this feel a little bittersweet. The personal statements by Wakana, Keiko and Hikaru don't necessarily feel disingenuous but they sound a bit flat and forced. Sadly, there's no personal statement from Wakana yet. Obviously, the elephant in the room is Yuki Kajiura's statement and her exclusion from the entire project. The way her statement is written comes off as quite bitter, passive aggressive and honestly a little petty which doesn't bode well for the future (maybe her manager Mori asked her to phrase it in such a way to make the organisers look bad. And I can understand why she would feel frustrated at being excluded like that). Mostly, I interpret her standoffish attitude as a knee-jerk reaction or as a way to strongly distance herself from the whole thing and not so much as an attempt to bash the members (the latter half of the statement would indicate that at least). Also, she already seems to regret posting such a harsh statement and posted a couple of follow-up tweets. I truly do not understand what is going on behind the scenes to cause so much hostility between Yuki Kajiura, her management and whoever is pulling the strings for this Kalafina reunion (presumably Space Craft's management). My best guess is that Space Craft is at least somehow involved in this project since both Wakana and Satoshi Takebe are able to participate (Takebe is not affiliated with Space Craft but he's been in charge of almost all of Wakana's solo work so maybe there are some ties to the agency).It looks like Space Craft are adamant about not working together with YK (same old childish attitude). Then again, Satoshi Takebe has enough influence in the industry to organise a project like this without the help of Space Craft. Maybe Sony is also involved? I have no idea. Hope we are getting more details once the ticket lotteries start. A new Kalafina website (still being developed) has popped up and it's run by Space Craft so that's probably proof enough that they are one of the main players in all of this.

I wonder if this was a spur of the moment thing once they realised how much hype there still exists for Kalafina after that "ring your bell" performance at the FSN event...Overall, the timing is so weird, Why now? I mean, this doesn't sound like it has been in the making for a very long time based on the fact that Yuki Kajiura didn't even know about it. Keiko and Hikaru literally collaborated with her a couple of weeks ago so how did this topic not come up even once???! Wonder how it will affect future collaborations between Yuki, Keiko and Hikaru? They still have the Asia tour dates coming up in November so I can imagine it would be kinda awkward to work together after this bomb has been dropped. Will they still be covering Kalafina songs? Either way, I refuse to believe tha there has been a real falling out between any of them. It comes across like a series of unfortunate events. Maybe some miscommunication and rushed action but nothing that couldn't be cleared up with a proper conversation.

One thing I'm also curious about is whether or not Satoshi Takebe will take on the role as producer for future music (if they are even planning to go down that route?? It does sound like they might have new projects/releases in store for us...I do feel a little conflicted about that since Yuki Kajiura is such an important component of Kalafina. This is basically what I thought would happen back in 2018/2019. With someone else coming in to take charge of the music production. Back then I wasn't completely against the idea since I was convinced the girls could make it work (especially with the help of someone as established and competent as Satoshi Takebe) but it certainly wasn't my preferred option. Ughhh, I will remain open-minded for the time being. My love for Wakana, Keiko and Hikaru goes beyond anything so as of right now, I feel happy and excited. The live in January will be a celebration of Kalafina so there's no way I'm not going. If they continue to hold "tribute" concerts like this, it will mostly be a nostalgic cash-grab but hey, I'm the target group for that. They can have all my money. And I can definitely see myself supporting them in future projects even with Yuki Kajiura out of the picture. Takebe has been engaging in some surprisingly frank one-on-one discussions on Twitter and so far, it looks like certain confidentiality agreements keep him from going into detail in the matter but his involvement as of right now is limited to being a director/producer for the concert on January 15.

It goes without saying that I will not tolerate any hate towards the girls on this blog! If you are bitter that Yuki Kajiura is not involved, that's your prerogative, I'm sure this will antagonise quite a few hardcore YK fans. But please, don't shit on the members for making this decision. I'm sure they put a lot of thought into it and felt like this course of action was in everyone's best interest. They are clearly thinking about the fans, their own passion/love for Kalafina's music and obviously their careers within the industry.

[ingek73]

…

About 150 people carrying St George’s Cross flags, shouting “you’re not English any more” and “paedo Muslims off our street”, were greatly outnumbered in Leeds by hundreds of counter-protesters shouting “Nazi scum off our streets”. Skirmishes broke out between demonstrators and punks – in town for a festival – in Blackpool, with bottles and chairs thrown.

In Bristol, police kept protesters and counter protesters apart before a group headed to a hotel used to house asylum seekers.

The need for urgent political intervention was stressed by the government’s independent adviser on political violence and disruption, Lord Walney, who told the Observer that new emergency powers may be needed. “The system isn’t set up to deal with this rolling rabble-rousing being fuelled by far-right actors,” he said.

“I think home office ministers may want to look urgently at a new emergency framework – perhaps temporary in nature – that enables police to use the full powers of arrest to prevent people gathering where there is clear intent to fuel violent disorder.”

Keir Starmer held a meeting of senior ministers on Saturday in which he said police had been given full support to tackle extremists who were attempting “to sow hate by intimidating communities”. He made clear that the right to freedom of expression and the violent scenes over recent days were “two very different things”.

Last week’s riots followed the killing of three young girls at a Taylor Swift-themed dance class in Southport on Monday. Axel Rudakubana, 17, from Lancashire, is accused of the attack, but false claims were spread online that the suspect was an asylum seeker who had arrived in the UK by boat. In the wake of these messages, far-right protesters – guided by social media – gathered in cities across the country.

A key factor in this spread of online disinformation involved Elon Musk’s decision to allow rightwing activists such as Tommy Robinson back onto his social media platform X, said Joe Mulhall, director of research at Hope not Hate, the anti-fascism organisation. “The initial disinformation and anger was being perpetrated by individuals on Twitter, for example, that have been previously deplatformed,” he said. “And now they’ve been replatformed.”

Robinson was permanently banned from the platform (then called Twitter) in March 2018, then reinstated in November last year, after Musk bought it. “We hadn’t seen any significant numbers at any demonstrations since 2018,” Mulhall added.

An example of the danger posed by the misuse of social media was revealed in Stoke-on-Trent, where police were forced to deny there had been a stabbing, countering claims made on social media. “There is growing speculation that a stabbing has taken place as a result of the disorder today. We can confirm this information is false and no stabbings have been reported to police or emergency responders, despite videos fuelling speculation on social media,” police said.

The danger of such intervention was stressed by Ben-Julian “BJ” Harrington, the National Police Chiefs Council lead for public order, who condemned social media disinformation as a cause of last week’s disorder.

He said: “We had reports today that two people had been stabbed by Muslims in Stoke – it’s just not true. There’s people out there, not even in this country, circulating and stoking up hatred, division and concerns in communities that they don’t care about, don’t know and don’t understand.”