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horneboy · 9 months
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not every day u meet paul williams, sam campbell and david o doherty hey!!??
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suchananewsblog · 2 years
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‘Our Flag Means Death’ Is the Ultimate Friends-to-Lovers Valentine’s Day Stream
There’s a special place in rom-com heaven for friends-to-lovers stories. Isn’t that what we all secretly want out of life: to not only love our partners but to like them as well? No two characters exemplify this particular trope better than Ed (Taika Waititi) and Stede (Rhys Darby) in Our Flag Means Death. When you think of TV friends becoming lovers, the usual suspects come to mind: Jim and Pam…
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expendablemudge · 9 months
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celtic-cd-releases · 10 months
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https://www.facebook.com/valerie.casey.5
https://valeriecasey.bandcamp.com/
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alterna2mag · 11 months
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Nuestro top 4 de documentales del reciente In-Edit Festival
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Un año más acudimos a la cita ineludible del otoño que es para nosotros In-Edit Festival. El certamen celebró del 26 de octubre al 5 de noviembre en Barcelona su XXI edición.
Estos han sido los documentales premiados:
Mejor documental musical internacional: Peter Doherty: Stranger In My Own Skin, de Katia De Vidas. Mención especial: Music For Black Pigeons, de Andreas Koefoed i Jørgen Leth. Mejor documental musical nacional: Revolutionary Quartet: l’enigma Gerhard, de Xavier Bosch i Josep Badell. Mención especial: Riqueni, de Paco Bech. Mejor cortometraje documental musical nacional: Dol i fa sol, de Maria Besora i Pep Garrido. Premio del Público Razzmatazz: Sempre Dharma, de Aleix Barba Perarnau.
Con el espectacular cartel de esta edición, no es de extrañar que hubiera varios sold-outs. Entre las más destacadas proyecciones, destacaban las protagonizadas por Syd Barret, The Zombies, Willy DeVille, Cyndi Lauper, Subotnik, J Dilla, Marc Bolan, C Tangana, Pete Doherty, el colectivo Hipgnosis y muchos más.
A continuación, nuestro TOP 4 de este año, sobre The Birthday Party, Earth, David Johansen y Fatboy Slim:
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Teníamos muchas ganas de ver Mutiny in Heaven: The Birthday Party, de Ian White. Y las expectativas se cumplieron con creces. Unos jovencísimos Nick Cave y Mick Harvey, junto a sus compañeros Rowland S. Howard, Phill Calvert y Tracy Pew, eran una pandilla de inadaptados que trasladaron toda su rabia al escenario, despuntando rápidamente en su oriunda Australia. "La primera fila no es para los debiluchos", decía Nick Cave en uno de los shows de la banda. Razón no le faltaba. Sus directos eran explosivos y caóticos. Con fragmentos de entrevistas de los protagonistas, White construye un relato repleto de momentos irrepetibles. En Londres no acababan de cuajar y terminaron en Berlín. No sin antes liarla en sus giras por Estados Unidos o Europa. Droga, mucha droga, rivalidades y mil y un desencuentros son explicados con todo detalle, incluyendo unas animaciones muy logradas.
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La razón por la que Even Hell Has Its Heroes. The Music of Earth, está en este top, además de porque nos encanta la banda, es por el elegante enfoque con el que el director, Clyde Petersen, encadena los testimonios de todos los músicos que en algún momento han pasado por la formación. Las grabaciones de diferentes emplazamientos del estado de Washington, como Olympia, Seattle o Aberdeen, el aspecto 1.33:1 del encuadre y la textura analógica de las imágenes trasladan al espectador al epicentro de la escena en la que surgió Earth en los primeros años 90. Dylan Carson ha estado respaldado de gran talento durante todos estos años. Hablan no solo los músicos, sino también los técnicos de sonido o discográficas que trabajaron con él. El fantasma de Kurt Cobain, amigo de Carson, está latente. El duelo por su pérdida y la historia difundida en su momento por algunos medios de que fue Dylan quien le consiguió el arma homicida, pesan como losas, como también su intermitente adicción a la heroína. Otro detalle interesante son las diferentes formas de rodar a los músicos que intervienen. Se presentan con sus instrumentos como una alegoría, o bien aparecen en su entorno cotidiano. Lo bueno es que el periplo de la banda todavía hoy continúa.
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Un documental de Martin Scorsese no pasa desapercibido. El emblemático director, junto a David Tedeschi, es responsable de Personality Crisis: One Night Only. David Johansen, vocalista y único superviviente de los New York Dolls originales, ofrece un recital en el Café Carlyle de Nueva York en enero de 2020, la noche de su cumpleaños. Entre canción y canción se explica la historia de la banda. Johansen es un excelente contador de anécdotas. Un showman con muchas tablas que ameniza la velada para unos asistentes de lujo, entre los que se encuentran amigos y personalidades coetáneas como la mismísima Blondie. El setlist es exquisito, así como la selección de imágenes de archivo y fragmentos de entrevistas con Johansen en diferentes épocas.
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Completa nuestra lista Fatboy Slim: Right Here, Right Now, de Jak Hutchcraft. El 13 de julio de 2002, Fatboy Slim y Midfield General presentaron en vivo el álbum Big Beach Boutique II en una mega rave gratuita en la playa de Brighton. Llegaron a congregar a 250.000 personas, cuando se esperaba que fueran unas 60.000. En este documental se narra lo acontecido aquel día, no sin antes dar buena cuenta de la trayectoria del legendario DJ y productor musical británico.
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SLEDUJTE~ Indiana Jones a nástroj osudu (2023) Celý Film Online [CZ-SK] a Zdarma
Sledovat celý film Indiana Jones a nástroj osudu (2023) Online je aktuálně nejoblíbenějším filmem na vyhledávacím webu Google. Filmy, které jsou dnes velmi vyhledávané milovníky filmů, filmy, které je zábavné sledovat o víkendech s rodinou, přáteli a přítelkyněmi. Chcete-li se zbavit nudy, která se vám stane po únavě z práce.
Indiana Jones a nástroj osudu (2023) — Film Online Sledujte Indiana Jones a nástroj osudu (2023) filmy online. Můžete sledovat Indiana Jones a nástroj osudu film online v HD Quality!
: ► Klikněte zde pro shlédnutí filmu Indiana Jones a nástroj osudu- Online zdarma v HD
| DVD (Blu-ray) | 4K UHD | HD-2080p | HD-720p | SD-480p | MP4 |
Sledovat online : Indiana Jones a nástroj osudu (2023)
Stažení : Indiana Jones a nástroj osudu (2023)
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Další název: Indiana Jones a nástroj osudu Žánr: Dobrodružný, Akční, Fantasy, Země: Spojené státy americké Premiéra v ČR: 2023-06-28 Délka: 155 min. hraje: Harrison Ford, Phoebe Waller-Bridge, Antonio Banderas, John Rhys-Davies, Toby Jones, Boyd Holbrook, Ethann Isidore, Mads Mikkelsen, Karen Allen, Shaunette Renée Wilson, Thomas Kretschmann, Olivier Richters, Martin McDougall, Alaa Safi, Francis Chapman, Alfonso Rosario Mandia, Chase Brown, Nasser Memarzia, Amedeo Bianchimano, Anna Francolini, Gabby Wong, Adolfo Margiotta, Niccolo Cancellieri, Antonio Iorio, Manuel Klein, Holly Lawton, Guy Paul, Harriet Slater, Alton Fitzgerald White, Ian Porter, Daniel Anderson, Cory Peterson, Charles Hagerty, Ali Saleh, Amara Khan, Jill Winternitz, Billy Postlethwaite, Clara Greco, Joe Gallina, Nicholas Bendall, Thulani Storm, Edoardo Strano, Angelo Spagnoletti, Hicham Ouaraqa, Adil Louchgui, David Mills, Rhyanna Alexander-Davis, Gary Fannin, Gunnar Cauthery, Aron von Andrian, Nikola Trifunovic, Henry Garrett, Elena Saurel, Mike Massa, Anthony Ingruber, Christian Sacha Mehja-Stokes, Angus Yellowlees, Matthew Staite, Corrado Invernizzi, Joerg Stadler, Thorston Manderlay, Basil Eidenbenz, Johann Heske, Joshua Broadstone, Bruce Lester-Johnson, Martin Sherman, Allon Sylvain, William Meredith, Kate Doherty, Duran Fulton Brown, Eliza Mae Kyffin, Mauro Cardinali, Mark Killeen, Bharat Doshi, Aïssam Bouali, Douglas Robson, Mohammed R. Kamel, Bryony Miller, Tiwa Lade, Brodie Husband, Hannah Onslow, Simon Kunz, Walter Cronkite, Obsah filmu Indiana Jones a nástroj osudu: V hlavní roli se představí Harrison Ford jako legendární hrdina a archeolog, režie se ujal James Mangold. Spolu s Fordem ve filmu hrají Phoebe Waller-Bridge, Antonio Banderas, John Rhys-Davies, Shaunette Renee Wilson, Thomas Kretschmann, Toby Jones, Boyd Holbrook, Oliver Richters, Isidore a Mads Mikkelsen. Film režíruje James Mangold a produkují ho Kathleen Kennedy, Frank Marshall a Simon Emanuel, výkonnými producenty jsou Steven Spielberg a George Lucas. Kroky ke stažení filmů * Můžete navštívit webové stránky prostřednictvím odkazů, které jsme poskytli následovně: povodeň * Navštivte stránky, které již doporučujeme a vyhledejte film, který chcete sledovat a stahovat. Pro zjednodušení můžete použít funkci vyhledávání. * Po nalezení filmu, který se vám líbí, klikněte na kartu Hry. Pokračujte v stahování hrozby „Indiana Jones a nástroj osudu“ a stáhněte film do požadované kvality. Viz obrázek, aby bylo jasnější. Klíčová slova Indiana Jones a nástroj osudu celý film zdarma ke shlédnutí, Indiana Jones a nástroj osudu cz dabing online ke shlednuti, Indiana Jones a nástroj osudu Filmy Česky a Zdarma, Indiana Jones a nástroj osudu online ke shlednuti, Indiana Jones a nástroj osudu Informace o filmu, Indiana Jones a nástroj osudu online cely film, Indiana Jones a nástroj osudu Sleduju Online, Indiana Jones a nástroj osudu online bombuj, Indiana Jones a nástroj osudu online, Indiana Jones a nástroj osudu online film cz, Indiana Jones a nástroj osudu Bombuj, Indiana Jones a nástroj osudu bombuj cz,
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k00288318 · 2 years
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Form Development Clay 2
with Elaine Riordan 10/12/22
We continued the lecture with analysis of artists on form.
3D printing with Eva Vogelsang.
Porcelain fractal sculptures with Nuala O Donovan
Meang Woke, Gordon Baldwin
We looked at ideas on development and research. The hand, the heart, the mind.
Claire Curneen and how she gathers information (saints and martyrs).
The use of fire was covered with artists like: Jack Doherty, David Roberts (smoke), Adam Buick (a video), Margaret Boozer (video), Shiyam Zu (video), Stephanie Lanta (poems, video).
We saw the slides on further resources which has a separate Powerpoint link.
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phantomtutor · 2 years
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SOLUTION AT Academic Writers Bay This worksheet will help you to summarize the most important information from a peer-reviewed journal article. The article will be provided to you by your instructor. You should summarize the information and put it into your own words – do not use quotations or copy text directly from the article. It is recommend that you complete the worksheet in the order it is written: bibliography, abstract, introduction, discussion, methods and results. Worksheet is modified from https://resources.jjay.cuny.edu/erc/tutoring/worksheets.php Bibliographic Information ●  Title of Article: ●  Author(s): ●  Journal Title: ●  Journal Volume, Issue, and Date:Abstract ●  Objective: this study was conducted in order to: ●  Methods: the data for this study was collected and analyzed in this way: ●  Results: the study found that: ●  Discussion: what is important about the study and the results? Introduction ●  Why is this study needed? What new information does it provide? ●  What are the findings of previous studies? o 1)o 2) o 3) ●  What is the goal of this study?Discussion ●  What do the results mean? ●  Do the results answer the question(s) that the research intended to answer? ●  What recommendations are made for further research in this area?Methods and Results ●  Summarize the methods. How was the study conducted? ●  Summarize the results. What were the primary findings? THIS IS THE ARCTICLE  Spatial patterns of pharmaceuticals and wastewater tracers in the Hudson River Estuary Mark G. Cantwell a, *, David R. Katz a, Julia C. Sullivan b, Daniel Shapley c, John Lipscomb c, Jennifer Epstein c, Andrew R. Juhl d, Carol Knudson d, Gregory D. O’Mullan e a U.S. Environmental Protection Agency, Office of Research and Development, 27 Tarzwell Drive, Narragansett, RI 02882, USA b Oak Ridge Associated Universities, Narragansett, RI 02882, USAc Riverkeeper Inc., 20 Secor Road, Ossining, NY 10562, USAd Lamont Doherty Earth Observatory of Columbia University, 61 Route 9W, Palisades, NY 10964, USA e School of Earth and Environmental Sciences, Queens College, City University of New York, 65-30 Kissena Blvd., Flushing, NY 11367, USA articleinfo abstract Article history: Received 5 September 2017 Received in revised form7 December 2017Accepted 19 December 2017 Available online 22 December 2017 Keywords: Pharmaceuticals Wastewater tracers Hudson riverEmerging contaminants The widespread use of pharmaceuticals by human populations results in their sustained discharge to surface waters via wastewater treatment plants (WWTPs). In this study, 16 highly prescribed pharma- ceuticals were quantified along a 250 km transect of the Hudson River Estuary and New York Harbor to describe their sources and spatial patterns. Sampling was conducted over two dry weather periods in May and July 2016, at 72 sites which included mid-channel and nearshore sites, as well as locations influenced by tributaries and WWTP outfalls. The detection frequency of the study pharmaceuticals was almost identical between the May and July sampling periods at 55% and 52%, respectively. Six phar- maceuticals were measurable at 92% or more of the sites during both sampling periods, illustrating their ubiquitous presence throughout the study area. Individual pharmaceutical concentrations were highly variable spatially, ranging from non-detect to 3810ng/L during the study. Major factors controlling concentrations were proximity and magnitude of WWTP discharges, inputs from tributaries and tidal mixing. Two compounds, sucralose and caffeine, were evaluated as tracers to identify wastewater sources and assess pharmaceutical behavior. Sucralose was useful in identifying wastewater inputs to the river and concentrations showed excellent correlations with numerous pharmaceuticals in the study. Caffeine-sucralose ratios showed potential in identifying discharges of untreated wastewater occurring during a combined sewage overflow event. Many of the study pharmaceuticals were
present throughout the Hudson River Estuary as a consequence of sustained wastewater discharge. Whereas some con- centrations were above published effects levels, a more complete risk assessment is needed to under- stand the potential for ecological impacts due to pharmaceuticals in the Hudson River Estuary. 1. Introduction Pharmaceuticals comprise a large and growing class of chemical compounds present at elevated levels in water bodies of developed nations, primarily entering the environment following human use via wastewater treatment plant (WWTP) discharges (Gaw et al., 2016). Pharmaceutical compounds including prescription, nonprescription and illegal drugs may number in the hundreds in WWTP effluents. Many pharmaceuticals are highly prescribed and * Corresponding author.E-mail address: [email protected] (M.G. Cantwell). https://doi.org/10.1016/j.watres.2017.12.044 0043-1354/Published by Elsevier Ltd. Published by Elsevier Ltd. as a result enter the waste stream at high concentrations. Removal efficiency of pharmaceuticals during wastewater treatment is var- iable and often poor, resulting in their continuous release into the aquatic environment (Kolpin et al., 2002; Verlicchi et al., 2012). Under certain conditions, such as when combined sewage overflow (CSO) events occur, treatment systems are bypassed, resulting in the release of untreated sewage, further increasing the levels of some wastewater contaminants present (Kay et al., 2017). Conse- quently, many pharmaceuticals in receiving waters may be present in the ng/L to mg/L range (Roig and D’Aco, 2016). In rivers, estuaries and coastal ecosystems that are urbanized or near densely-populated cities, the high volume and continuous discharge of WWTP effluents is a significant concern. In many such 336 M.G. Cantwell et al. / Water Research 137 (2018) 335e343 locations episodic releases of untreated wastewater via CSOs and undocumented discharges are also a factor in water quality degradation (Launay et al., 2016). It is thought that most pharma- ceutical compounds remain biologically active in aquatic systems with the potential to exert adverse effects on aquatic life if present at levels above known effects thresholds (Seiler, 2002). The sus- tained discharge of pharmaceuticals may result in receiving waters with areas of pseudo-persistence (Daughton, 2001), resulting in chronic exposure and possible ecological effects. Pharmaceuticals are a class of pollutants that have been identified as “contaminants of emerging concern” (CECs). In the United States, there are currently no regulatory standards associated with them and there is limited information on their occurrence and potential to impart adverse effects (USEPA, 2017). Most CECs, including pharmaceuti- cals, are not included in current monitoring protocols, but may be candidates for future regulation based on their toxicity and other adverse effects. To ascertain the risk of CECs such as pharmaceu- ticals, information on contaminant sources (e.g., domestic waste- water (WW) discharges), individual CEC loadings, and their potential for adverse effects is needed. This information can be used to inform recently developed monitoring criteria that employs a risk based framework which focuses on whether concentrations of CECs measured in the environment exceed already established thresholds for biological effects (Sengupta et al., 2014). Further, these risk based methods enable a tiered approach to monitoring and could potentially provide support for future regulation of CECs (Maruya et al., 2014). The Hudson River Estuary (HRE) is an estuary of vital ecological and economic importance that has been understudied with regard to WW derived CECs, particularly pharmaceuticals. The HRE sup- ports many activities, providing critical services to >15 million residents, as well as millions of visitors annually and others who indirectly benefit from economic activity within the watershed. Major uses include transportation, commerce, industrial, and as a drinking water source.
The entire length of the HRE is a receiving water for numerous WWTP discharges, along with CSO releases, of untreated WW. New York City alone discharges over 4.9 106 m3/ d of treated WW (NYCDEP, 2012), and over 7 107 m3 of CSO dis- charges annually (NYCDEP, 2016). The large-scale, sustained discharge of WW results in numerous sewage-related contami- nants being released to the HRE, including pharmaceuticals. Bac- terial fecal indicators in the HRE show high spatial and temporal variability, though with recognizable patterns related to untreated sewage inputs and precipitation (Young et al., 2013). Although long-term trends in most water quality indicators show consider- able improvement in the HRE in recent decades (Steinberg et al., 2004; Brosnan et al., 2006), ongoing discharges combined with legacy pollutants (e.g., PCBs, PAHs) continue to present widespread water quality issues with potential impacts on human health, ecosystem function and economic activity. In this study, the behavior and fate of 16 high-volume-use pharmaceutical compounds, caffeine and the artificial sweetener sucralose were investigated. These pharmaceuticals were selected using a conceptual approach which prioritized highly prescribed drugs based on their potential to cause biological effects in wastewater (Batt et al., 2016; Kostich et al., 2014). This approach is similar to others used to identify CECs for monitoring and further investigation (Maruya et al., 2014). The compounds were measured during dry weather along a 250-km (155-mile) transect of the HRE. Sites within a heavily CSO impacted New York Harbor (NYH) embayment were also sampled during both wet and dry weather conditions to begin to assess urban CSO influence at the mouth of the river. The objectives were to: (1) measure the study pharma- ceuticals in the water column at high spatial resolution to develop an understanding of the factors controlling their occurrence and spatial patterns during dry weather; and (2) evaluate two potential tracers, caffeine (Benotti and Brownawell, 2009) and sucralose (Buerge et al., 2003; Oppenheimer et al., 2012), for tracking WW impacts in tidal rivers and estuaries such as the Hudson River. 2. Materials and methods 2.1. Study location The morphology of the HRE is best described as a drowned river valley with little vertical rise (0.006 m/km) over a 250 km distance between the Battery (NYH) and the dam at Troy, NY and drains a watershed area of 13,750 km2 (USGS, 2017). The path of the HRE main channel runs in a relatively straight line from New York City to Albany (Fig. 1). It is ~1.3 km in width at river kilometer (RK) 0 and widens, reaching its widest point of ~5.6kmat RK 63. Further north, widths taper to and remain at approximately 0.5 km from RK 188 to RK 241. River depths are highly variable, with navigable channel depths averaging 12 m and a maximum depth of 61 m. The HRE is classified as a partially mixed estuary with a moderate salinity gradient and vertical stratification (Geyer and Chant, 2006). The river is tidally influenced up to the Federal Dam at Troy (RK 245) with a tidal magnitude of approximately 1.5 m. Tidal cycles are semidiurnal, with an average tidal current of 0.7 m/s, and play an important role in salinity gradients and stratification within the river, as does the volume of fresh water (Geyer and Chant, 2006). Approximately 80% of the fresh water entering the HRE at Troy annually originates from the upper Hudson and the Mohawk Rivers, with the balance entering from tributaries (Cooper et al., 1988) (Fig. 1, Table S1). Within the HRE, the position of the Fig. 1. Map of the study area (sites identified by circles). salinity front can be highly variable over time, with the volume of fresh water being the primary regulator (Geyer and Chant, 2006). Information on the residence time of water within the HRE is very limited, with estimates of 1e4 days for the haline part (Howarth et al., 2006), and from 25 to 100 days for the freshwater section (Cooper et al.
, 1988), varying with freshwater flows and tidal cycles. The locations of sampling sites along the river transect are re- ported in RKs, starting at the New York City Battery where the Hudson enters NYH (RK 0) continuing up to RK 250. There were 65 sites along the transect, 63 of which were in the tidal estuary (Fig. 1, Table S2). There were two sites at the mouths of the Mohawk and upper Hudson Rivers, just above the Troy Dam, which flow into the HRE and account for >99% of the drainage above the dam (Wall et al., 2008). Finally, seven sites in the interconnected waterways of upper NYH were sampled, as were CSO discharges during a wet weather event. 2.2. Sampling Water samples were collected May 19e23 and July 12e16, 2016, off the Riverkeeper vessel R. Ian Fletcher. Sampling of the transect started at RK 0 and progressed to RK 249.6. Over a period of 5 days, a single grab sample was collected from 0.25 m below the water surface at each site (Table S2). Samples were kept on ice until returned to the laboratory, and stored in the dark at 4C until processed. Extraction and analysis of samples was performed within 7 days of sample collection. Surface water conditions (e.g., salinity, temperature) were also recorded at each station during sampling with a Hydrolab data sonde. Samples from Flushing Bay within the East River were also collected from July 29 to August 6, 2016 to begin assessing urban CSO impacts on NYH. 2.3. Water extractions Before extraction, 250 mL of water was passed through a 0.7 mm glass fiber filter (Whatman GFF) and stored in amber glass bottles. Extraction protocols followed EPA Method 1694 with slight modi- fications using Oasis HLB solid phase extraction (SPE) cartridges (6 cc, 500 mg, Waters Corporation). For the extractions, 250-mL samples were adjusted to pH 2 using hydrochloric acid (6 N) and spiked with 100 ng of isotopically labeled internal standards (IS) (Table S3). Cartridges were conditioned with 6 mL of methanol, followed by 6 mL of pH 2 Milli-Q water, and 6 mL of pH 2 filtered artificial seawater. Samples were loaded onto SPEs using a vacuum manifold at a rate of 5e10 mL/min. After loading, the SPEs were rinsed with 12 mL of pH 2 Milli-Q water, dried for 15 min under vacuum and eluted with 12 mL of methanol. Extracts were then evaporated to dryness, reconstituted with 1mL mobile phase (Milli-Q:methanol, 80:20), vortexed, transferred to vials and stored at 4C until analysis. Each set of extractions included a blank, for- tified blank, duplicate, and matrix evaluation. 2.4. Analysis The 16 pharmaceuticals in the present study were antihyper- tensives (acebutolol (ACB), atenolol (ATE), diltiazem (DIL), labetalol (LAB), losartan (LOS), metoprolol (MET), propranolol (PRO), val- sartan (VAL), and verapamil (VER)); antibiotics (sulfamethoxazole (SUL) and trimethoprim (TRI)); an analgesic (acetaminophen (ACE)); an anticonvulsant (carbamazepine (CAR)); a diuretic (furosemide (FUR)); an antilipemic (gemfibrozil (GEM)); and an antiulcerative (ranitidine (RAN)). Caffeine (CAF) and sucralose (SUC) were measured because of their potential as WW tracers. The compounds were quantified using high purity standards (Sigma Aldrich) with isotopically enriched surrogates (deuterated and/or 13C) as an IS (CDN Isotope) (Table S4). Analysis was performed on a Waters Acquity UPLC using a Waters Xevo TQD MS/MS operated in electrospray ionization (ESI) mode. Compounds were detected by MS/MS with ionization conditions of the capillary set to 0.5 kV in ESIþ and 3.5 kV in ESI- (Table S5). Compound specific settings were also used for quantification and confirmation multiple reaction monitoring (MRM) transitions (Table S3). Compounds were cali- brated using a 10-point curve ranging from 0.25 ng/mL to 300 ng/ mL. Calibration curves consistently had an r2 1⁄4 0.99 or better for all compounds. Calibration verification standards were also analyzed every 10 samples to confirm instrumental performance over the course of the analytical run.
Recoveries for each compound were generally within 10% of reference values. Study compounds were not detected in the blanks (n 1⁄4 17), with the exception of CAF. One blank had a value of 3ng/L, with all others near or below the detection limit of 0.3 ng/L. Since the minimum and mean concen- trations of CAF during this study were approximately 22 ng/L and 109 ng/L, respectively, this was not regarded as a substantial issue and a blank correction was not performed. The method detection limits (MDLs) for the study compounds ranged from a high of 10 ng/ L to a low of 0.01 ng/L. Because of the potential for bias in the fre- quency of detection based on the range of individual compound MDLs, we statistically examined all data using histogram frequency distribution analysis. No patterns indicating MDL bias were found for any of the study compounds. Method detection limits were determined for each of the compounds using instrument detection limits defined as a signal to noise ratio >10 and are reported in Supplemental Data, Table S6, along with further information on quality assurance. 3. Results and discussion 3.1. River conditions During the May and July sampling periods, average daily freshwater flows entering the HRE above the dam at Troy were 1.9 107 m3/d and 1.4 107 m3/d, respectively (USGS, 2017) (Table S1), with a 26% decline in freshwater flow to the river in July. These levels are lower than 5-year monthly flow averages of 4.8 107 m3/d and 2.9 107 m3/d for May and July, respectively, reflecting the dry conditions during this study. Currently, at least 90 municipal WWTPs discharge effluent directly or into tributaries entering the HRE (Table S7). Estimates of daily discharge indicate approximately 1.7 106 m3/d of effluent entering the HRE from locations above NYH (USEPA, 2016). This is approximately 7.5 and 11% of the fresh water input from the Upper Hudson and major tributaries during the May and July sample periods, respectively (Table S1). Surface water temperatures ranged considerably between sampling periods (Fig. S1). In May temperatures ranged from 12.7 to 19.4 C while July temperatures ranged from 22.7 to 28.3 C. Temperatures during both periods were coolest at the mouth of the river and rose steadily up the transect, which is mostly explained by cooler, seawater entering the river during incoming tides. Surface salinities were highest at the river mouth (RK 0), registering values of 14.6 and 20.8 for May and July, respectively, declining with distance upriver (Fig. S2). Measurable surface salinity (0.3 psu) extended as far north as RK 74 in May and RK 98 in July, with decreased freshwater flow explaining the salinity front extension in July. Strong horizontal salinity gradients have previ- ously been reported between RK 40 and 66, with salinity fronts as far north as Poughkeepsie (RK 124). Overall, salinity and temper- ature observations are consistent with historical seasonal trends, which are largely driven by the variability of freshwater flow (Geyer and Chant, 2006). M.G. Cantwell et al. / Water Research 137 (2018) 335e343 337 338 M.G. Cantwell et al. / Water Research 137 (2018) 335e343 3.2. Pharmaceutical occurrence and distribution The frequency of occurrence and spatial patterns of the study pharmaceuticals were determined to provide information on their sources, distribution and behavior (Fig. 2). The frequency of occurrence (expressed as %) across the whole study area were almost identical in the two months, with an average of 55% of pharmaceuticals occurring at each site during the May sampling and 52% in July. Results are presented by sites within the river and those within NYH. The absence of significant precipitation throughout the watershed resulted in low freshwater flow volumes during both sampling events and the expectation for little to no CSO input. 3.2.1. River transect The occurrence frequencies of pharmaceuticals were somewhat variable over the length of the river, with slightly lower frequencies observed in July (Fig.
2). The largest increases in occurrence were associated with sites at WWTP discharges, especially at RKs 28.2, 41.8, and 148.2 where the number of compounds present exceeded 90%. Above the Troy Dam, fresh water enters the HRE originating from the Mohawk and Upper Hudson River watersheds. Here, the percent of study pharmaceuticals present averaged between 56 and 63%, reflecting their widespread presence in these major tributaries as a result of 4.0105m3/d of WW effluents discharged daily (Table S7). The occurrence frequencies at sites just below the dam (e.g., RKs 245.4e197.1), influenced by the cities of Troy and Albany, were similar to those above the dam ranging between 50% and 81%. The percentage of compounds present declined from RKs 188.3 through 156.1, dropping to 44e56%, due in part to dilution from major tributaries (e.g., Stockport/Kinderhook, Esopus, Catskill) entering this reach of the river. Because of the low population densities in this region, these tributaries receive smaller volumes of WW discharges (8.1 103 m3/d) than those above the dam (Table S7). Combined, all of these tributaries provide significant quantities of freshwater based on recent flow data (Table S1). From RKs 141.6 through 45.1, the occurrence of pharmaceuticals ranged between 38 and 56%. One exception is at RK 84.5 (located by the WWTP outfall at the military academy at West Point), where the frequency of occurrence dropped from 81% during the May sam- pling to 44% in July, which likely reflects the population drop be- tween academic sessions. Below RK 45.1, the percentage of study pharmaceuticals present increased, with well-defined spikes at RKs 41.8 and 28.2, sites with major WW inputs. The trend from RKs 43.5 Fig. 2. Frequency of occurrence (in percent) of pharmaceuticals along the river transect. through 0 is complex and suggests a number of factors influenced the percentage of pharmaceuticals present. The proximity of New York and New Jersey urban areas, with an estimated population of >12M, along with numerous large-volume WWTP discharges clearly exerted their influence, with an average of 58% of pharma- ceuticals measurable for both sampling periods. The sustained, high volume of effluent entering the river, combined with harbor water reentering the river on incoming tides, resulted in conditions with numerous pharmaceuticals present. During the May sampling, 7 of the 16 pharmaceuticals (ATE, CAR, LOS, MET, SUL, TRI, and VAL) were present at !98% of the 65 river sites. This compared closely to July, where the same com- pounds (excepting TRI at 77%) were present at !92% of the river sites (Fig. 2, Table 1). The similarity in trends between compounds along the transect and between sampling periods indicates the ubiquitous nature of these compounds under similar environ- mental conditions (e.g., precipitation, river flow). Concentrations of individual pharmaceuticals varied along the river transect, with many trending in a similar manner from the start of the estuary (RK 245.4) to the Battery (RK 0) (Fig. 3, Table 1, Table S8). Four pharmaceuticals present throughout the river were all antihypertensive medications and can be credited for some of the highest concentrations recorded in this study. Although median concentrations for these compounds were fairly consistent be- tween sampling periods, the maximum concentrations recorded were much higher in May, with values as high as 1070 ng/L for ATE, 1700ng/L for LOS, 2020ng/L for MET, and 3810ng/L for VAL. It should be noted that for most compounds, the maximum concen- trations reported in this study were recorded at RK 148.2da site which is in direct proximity to a WW outfall. The other three frequently detected-compoundsdCAR, SUL, and TRIdfollowed the same pattern, with higher maximum concentrations in May and nearly identical median values between sampling periods. Three other pharmaceuticals (ACE, DIL, and GEM) were present at less than 50% of the sites along the transect, but were generally present at sites near WWTPs.
In particular, ACE and GEM were more abundant in May and exhibited greater variability between sampling periods. The occurrence of ACE dropped from 49% in May to 11% in July, and GEM experienced a similar magnitude in decline, occurring at 37% of the sites in May and 18% in July. Aside from a few prominent peaks, concentrations generally remained below 18 ng/L for both compounds. DIL was present near WWTP outfalls along with a few sites in the lower and upper reaches of the river at low levels. Finally, ACB, FUR, LAB, PRO, RAN and VER were present 25% of the time during both sampling periods (Table 1). These com- pounds were present almost exclusively by WWTP outfalls. LAB and PRO were present at 6 and 8% of the sites during May, occurring slightly more frequently in July at 11 and 18%, respectively. VER was present at 6% of sites in May, compared to 22% in July. RAN was found at 8% of the sites in May and 5% in July when it was present exclusively near large WWTP outfalls. ACB was detected at 6% of sites in May and 5% in July. Concentrations of these compounds were generally higher in May than in July. Spatial patterns identified major tributaries and WWTPs along the transect as key factors influencing pharmaceutical concentra- tions. Trends between sampling periods provided insight into behavior of individual pharmaceuticals. Decreased river flow dur- ing July likely increased residence time to an undetermined extent as evidenced by the salinity profiles. However, only two com- pounds, CAR and SUL, were generally higher along the transect in July (Fig. 3). Conversely, GEM, TRI and VAL were slightly lower in July. A number of processes may explain the behavior of some of the pharmaceuticals in the river. The sorption potential of individual pharmaceuticals gives an indication of their likelihood to be Compound MayMin. Med. River Transect Acebutolol (ACB) n.d. 8.2 Acetaminophen (ACE) n.d. 8.0 Atenolol (ATE) 1.5 8.1 Caffeine (CAF) 23.5 70.3 Carbamazepine (CAR) 0.9 3.9 Diltiazem (DIL) n.d. 0.7 Furosemide (FUR) n.d. 130.0 Gemfibrozil (GEM) n.d. 19.9 Labetalol (LAB) n.d. 122.7 Losartan (LOS) 4.2 14.8 Metoprolol (MET) 8.0 16.2 Propranolol (PRO) n.d. 8.9 Ranitidine (RAN) n.d. 30.1 Sucralose (SUC) 588.4 870.2 Sulfamethoxazole (SUL) n.d. 12.3 Trimethoprim (TRI) n.d. 2.7 Valsartan (VAL) 11.4 28.1 Verapamil (VER) n.d. 8.7 New York HarboraAcebutolol (ACB) n.d. 0.6 Acetaminophen (ACE) 4.9 13.0 Atenolol (ATE) 14.7 18.2 Caffeine (CAF) 111.9 141.7 Carbamazepine (CAR) 3.6 8.3 Diltiazem (DIL) n.d. n.d. Furosemide (FUR) n.d. 8.8 Gemfibrozil (GEM) n.d. 26.9 Labetalol (LAB) n.d. 2.4 Losartan (LOS) 23.2 33.0 Metoprolol (MET) 24.4 27.6 Propranolol (PRO) n.d. 0.5 Ranitidine (RAN) n.d. 1.8 Sucralose (SUC) 708.3 887.0 Sulfamethoxazole (SUL) 15.6 22.3 Trimethoprim (TRI) 4.3 7.7 Valsartan (VAL) 60.2 77.9 Verapamil (VER) n.d. 2.0 JulyMax. Freq. Min. Med. 22.0 6 n.d. 5.1 327.7 49 n.d. 17.5 1074.3 100 n.d. 7.6 2056.7 100 22.2 49.1 542.6 100 2.6 5.6 73.5 20 n.d. 1.2 1234.8 8 n.d. 137.4 1440.4 37 n.d. 17.4 304.8 6 n.d. 4.7 1699.8 100 8.3 16.9 2020.6 100 7.7 14.1 134.1 8 n.d. 0.8 1002.1 9 n.d. 29.1 16,203.0 100 498.2 1181.2 616.6 98 n.d. 19.1 350.0 98 n.d. 2.7 3811.9 100 2.7 21.9 51.4 6 n.d. 0.8 0.8 43 n.d. n.d. 138.3 100 n.d. 92.3 31.8 100 16.5 24.5 589.5 100 78.0 142.6 25.1 100 4.3 6.5 n.d. 0 2.1 2.48.8 14 n.d. n.d. 43.1 86 n.d. 20.5 2.4 14 n.d. 2.2 48.6 100 34.2 48.2 47.6 100 31.1 40.4 1.2 43 n.d. 0.41.8 14 n.d. n.d. 1251.9 100 1204.2 1386.0 32.7 100 n.d. 50.0 10.4 100 7.1 10.5 117.4 100 82.4 94.9 2.4 57 n.d. 0.5 Max. Freq. 7.7 5 170.6 11 326.7 92 2265.1 100 105.7 100 77.0 46 291.2 5 457.4 18 136.7 11 584.6 100 612.2 100 30.3 18 202.0 5 10,107.9 100 336.8 98 230.9 77 1852.2 100 18.8 22 n.d. 0 161.7 43 30.9 100 520.2 100 12.4 100 5.6 100 n.d. 0 43.6 86 4.1 57 65.9 100 66.8 100 0.6 71 n.d. 0 1472.8 100 69.0 29 13.7 100 110.7 100 0.6 71 M.G. Cantwell et al. / Water Research 137 (2018) 335e343 339 Table 1 Minimum (Min), median (Med) and maximum (Max) concentrations of study compounds (ng/L) along with their frequency of occurrence in percent (Freq).
a NY Harbor sites are sites that are not located on the main Hudson River transect: East River (2), Harlem River (2), Newtown Creek (2) and Gowanus Canal. removed from the water column. The Log Kows of the pharmaceu- ticals in this study are low, with five having Log Kows less than 1 and only four above 3.0, indicating little potential for solid phase partitioning (Table S9). Examination of the data based on the compounds’ respective Kows did not reveal any consistent patterns of behavior. Similarly, distribution coefficients (Kds) provide direct evidence of partitioning behavior in the water column. Cantwell et al. (2016a) determined field-derived Kds for eight of the com- pounds (Table S9), with four other compounds exhibiting insuffi- cient solid-phase concentrations to determine Kds (e.g., ACE, GEM, SUL, and VAL). Median Kd values for six of the eight pharmaceuti- cals were below 2.5, with the other two below 4.0. Ternes et al. (2004) observed that compounds with Log Kd values of 2.7 or less were shown to have minimal removal from the dissolved phase (95%) by most sanitary WWTP processes (Buerge et al., 2003) making it well suited to identify untreated WW sources (e.g., CSOs) (Benotti and Brownawell, 2009). Sucralose is used extensively as a food and beverage sweetener and has also been evaluated as a WW tracer in aquatic systems. (Oppenheimer et al., 2011, 2012). As opposed to CAF, SUC is highly resistant to degradation as it is mostly inert to metabolic and environmental processes (Soh et al., 2011), resulting in negligible removal by WWTPs (Yang et al., 2017). The differential behavior of SUC and CAF along with their elevated levels in receiving waters indicates that combined, they may discriminate between sources of treated and untreated sanitary wastewater (e.g., WWTP effluents and CSOs). Both SUC and CAF were present at all sites and sampling periods at high concentrations, reflecting their extensive use in foods and beverages as well as excipient ingredients in pharmaceutical for- mulations. Along the transect, SUC concentrations ranged from 498 to 16,200 ng/L, with median values of 876 and 1180 ng/L for the May and July sampling periods, respectively. This increase is likely due to the 26% decline in freshwater flow during July, which increased the proportion of WW effluent in the river. Compared to SUC, CAF was an order of magnitude lower along the transect, ranging from 22 to 2260 ng/L with median values of 70 and 49 ng/L for May and July, respectively. For perspective, SUC and CAF concentrations measured by Bernot et al. (2016) in rivers and streams throughout the US were lower than in this study, with sucralose ranging from nondetect to 12,000 ng/L and caffeine ranging from nondetect to 420 ng/L. Along the transect, SUC showed similar trends during both sampling periods with several discrete differences. SUC concen- trations entering the HRE at RK 249.6 were 700 and 498 ng/L in May and July, respectively (Fig. 4). Concentrations spike slightly at RK 249.4 due to its close proximity to a WWTP. In May from RKs Fig. 4. Caffeine and sucralose concentrations (ng/L) along the river transect. 245 through 86.9, concentrations stayed within the range of 700e1200 ng/L, excepting one large peak near a WWTP. Below RK 86.9 in May, concentrations only rose over 950 ng/L at discrete lo- cations along the transect. In July from RKs 245.4 through RK 148.2, concentrations rarely fell below 1300 ng/L. At the sites below that point, values generally remain in the range of 800e1300 ng/L, again with the exception of a few discrete peaks. Generally, large spikes in SUC concentrations coincided with high volume WWTP discharges (e.g., RKs 148.2 and 41.8). In May there were several prominent SUC peaks at RKs 19.3e12.7 that were absent in July. The sources of these peaks are unknown, but may be from episodic, undocu- mented WW discharges. Maximum levels of CAF for both sampling periods occurred at RK 41.8, which is near two major WWTP discharges (Table S7).
Spatial trends for CAF were also similar between sampling periods with exception of RKs 28.2e0.2 during May. In May, CAF is twice the July levels from RKs 28.2 through 0.2, a generalized increase that suggests discharge of untreated WW. In May below RK 19.3, there were several well-defined peaks of SUC present, suggesting too that there may be unidentified WW discharge in the lower segment of the river. The enhanced responses of SUC throughout the river at locations with known WW outfalls combined with its inert behavior supports its potential as a WW tracer in large systems such as the HRE. Another objective was to examine whether tracers can explain the behavior and fate of WW associated contaminants. Concen- trations of SUC were compared against the study compounds from the river transect. Concentrations of pharmaceuticals present >75% of the time were regressed against SUC and CAF to examine their relationships (Table S11). Coefficients of determination (r2) for SUC were uniformly higher, with r2 values ranging 0.77e0.97 for both May and July, exhibiting strong linear relationships. In contrast, r2s for CAF were much lower, ranging from 0.01 to 0.59. CAF also showed greater variability between sampling periods with a lower r2 in May. The weak relationship between CAF and the study compounds likely reflects CAF’s non-conservative behavior (lability) in the water column (Benotti and Brownawell, 2009). SUC showed less variability between sampling periods and slightly higher r2s for July. With SUC’s well documented resistance to degradation (Soh et al., 2011), the strong linear relationships with these pharmaceuticals (i.e., conservative behavior) further in- dicates that degradation or sorption processes are not a significant factor controlling their fate in the HRE during our sampling period, but may vary over longer time scales. Consequently, the concen- trations of these compounds are controlled primarily by the vol- ume of effluent and dilution from tributaries and tidal processes. The strong spatial correlation also demonstrates the potential of SUC as a tracer for recalcitrant contaminants in receiving waters emanating from WWTPs. Finally, the differential behavior of SUC and CAF was examined as a potential tool for discriminating between WW sources in surface waters using the ratio of CAF to SUC (C/S) concentrations. For example, a high C/S ratio would indicate that the relative amount of untreated WW was elevated relative to treated WW, while a lower ratio would indicate a lower proportion or absence of untreated WW. To test this concept, sampling was conducted in Flushing Bay, a CSO impacted urbanized tidal embayment on the East River of NYH during wet and dry weather conditions in JulyeAugust 2016. Water samples were collected from sites in close proximity to CSOs during a release event triggered by heavy pre- cipitation and 5 days later under dry conditions. Samples collected during the CSO event all showed C/S ratios >1 (1.1e3.0), indicating a high proportion of untreated WW (Fig. 5). The samples collected during dry weather had C/S ratios between 0.12 and 0.2. The de- clines in CAF between wet and dry conditions were as much as 2 M.G. Cantwell et al. / Water Research 137 (2018) 335e343 341 342 M.G. Cantwell et al. / Water Research 137 (2018) 335e343sustained discharge of pharmaceutical residues associated with Fig. 5. Caffeine-sucralose (C/S) ratios in Flushing Bay of NYH under wet and dry conditions. orders of magnitude and clearly showed the impact of CSO dis- charges. Ratios were also calculated for the river transect to examine how C/S ratios responded in the river. Ratios along the transect ranged from a high of 0.31 (RK 41.8) to a low of 0.0033 at RK 148.1, indicating an absence of untreated WW discharges during both river sampling events (Fig. S3), which is supported by the lack of significant precipitation during both sampling events and no weather triggered CSO events in the HRE. 4. Conclusions In this study
we investigated the occurrence and fate of sixteen highly prescribed pharmaceuticals and two potential wastewater tracers in the Hudson River, a large urbanized estuary. Conducting sampling at high spatial resolution permitted evaluation of the variables controlling pharmaceutical behavior in the study area. The main conclusions were:  The sustained discharge of WWTP effluents along with their location and magnitude were important factors for sites both in New York Harbor and the river transect, controlling both the presence and abundance of pharmaceuticals to the overall study area. Tributary inputs, river flows and tides played an important role by controlling dilution and, consequently, pharmaceutical concentrations. Because both sampling events in this study occurred under dry weather conditions, future work should include sampling under wet weather conditions to understand how the combination of CSO events and increased river flows affect the overall concentrations of pharmaceuticals.  Sucralose was found to be ubiquitously present throughout the HRE and NYH, and exhibited a strong relationship with many of the study compounds. Since this demonstrates its potential as a tracer of wastewater derived pharmaceutical residues in the HRE, further research should examine whether this holds true for other large estuarine systems.  The use of caffeine/sucralose (C/S) ratios accurately identified the presence of untreated sanitary water discharged during a wet weather CSO event, showing potential for detecting and locating unidentified sources of untreated sanitary wastewater released to receiving waters. The utilization of C/S ratios war- rants further examination under a range of conditions, partic- ularly in areas highly impacted by CSOs and other discharges of untreated sanitary wastewater.  Further research is needed to reduce uncertainties and better understand the overall magnitude of risk resulting from the WW discharges into effluent dominated estuaries. Acknowledgments The authors thank Drs. Abigail Joyce, James Lake, and Mr. Steven Rego for their technical reviews. This is NHEERL Contribution ORD- 022066. The views expressed in this article are those of the authors and do not necessarily represent the views or policies of the U.S. Environmental Protection Agency. Any mention of trade names, products, or services does not imply an endorsement by the U.S. Government or the U.S. Environmental Protection Agency. The EPA does not endorse any commercial products, services, or enterprises. Appendix A. Supplementary data Supplementary data related to this article can be found at https://doi.org/10.1016/j.watres.2017.12.044. References Aminot, Y., Le Menach, K., Pardon, P., Etcheber, H., Budzinski, H., 2016. Inputs and seasonal removal of pharmaceuticals in the estuarine Garonne River. Mar. Chem. 185, 3e11. Batt, A.L., Kincaid, T.M., Kostich, M.S., Lazorchak, J.M., Olsen, A.R., 2016. Evaluating the extent of pharmaceuticals in surface waters of the United States using a national-scale rivers and streams assessment survey. Environ. Toxicol. Chem. 35 (4), 874e881. Benotti, M.J., Brownawell, B.J., 2009. Microbial degradation of pharmaceuticals in estuarine and coastal seawater. Environ. Pollut. 157 (3), 994e1002. Bernot, M.J., Becker, J.C., Doll, J., Lauer, T.E., 2016. A national reconnaissance of trace organic compounds (TOCs) in United States lotic ecosystems. Sci. Total Environ. 572, 422e433. Brausch, J.M., Connors, K.A., Brooks, B.W., Rand, G.M., 2012. Human pharmaceuticals in the aquatic environment: a review of recent toxicological studies and con- siderations for toxicity testing. In: Whitacre, D.M. (Ed.), Reviews of Environ- mental Contamination and Toxicology, vol. 218. Springer, New York, pp. 1e99. Brosnan, T.M., Stoddard, A., Hetling, L.J., 2006. Hudson River sewage inputs and impacts: past and present. In: Levinton, J.S., Waldman, J.R. (Eds.), The Hudson River Estuary. Cambridge University Press, New York, pp. 335e348. Buerge, I.
J., Poiger, T., Müller, M.D., Buser, H.R., 2003. Caffeine, an anthropogenic marker for wastewater contamination of surface waters. Environ. Sci. Technol. 37 (4), 691e700. Buerge, I.J., Poiger, T., Müller, M.D., Buser, H.R., 2006. Combined sewer overflows to surface waters detected by the anthropogenic marker caffeine. Environ. Sci. Technol. 40 (13), 4096e4102. Cantwell, M.G., Katz, D.R., Sullivan, J.C., Ho, K., Burgess, R.M., Cashman, M., 2016a. Selected pharmaceuticals entering an estuary: concentrations, temporal trends, partitioning, and fluxes. Environ. Toxicol. Chem. 35 (11), 2665e2673. Cantwell, M.G., Katz, D.R., Sullivan, J.C., Borci, T., Chen, R.F., 2016b. Caffeine in Boston Harbor past and present, assessing its utility as a tracer of wastewater contamination in an urban estuary. Mar. Pollut. Bull. 108 (1), 321e324. Cooper, J.C., Cantelmo, F.R., Newton, C.E., 1988. Overview of the Hudson River es- tuary. In: Barnthouse, L.W., Klauda, R.J., Vaughan, D.S., Kendall, R.L. (Eds.), Sci- ence, Law and Hudson River Power Plants: a Case Study in Environmental Impact Assessment. American Fisheries Society, Bethesda, Maryland, pp. 11e24. Cunningham, V.L., 2008. Special characteristics of pharmaceuticals related to environmental fate. In: Kummerer, K. (Ed.), Pharmaceuticals in the Environ- ment: Sources, Fate and Risk. Springer-Verlag Berlin Heidelberg, pp. 23e34. Daughton, C.G., 2001. Pharmaceuticals and care products in the environment: overarching issues and overview. In: Daughton, C.G., Jones-Lepp, T.L. (Eds.), ACS Symposium Series, vol. 791. American Chemical Society, pp. 2e38. De Lange, H.J., Noordoven, W., Murk, A.J., Lürling, M., Peeters, E.T.H.M., 2006. Behavioural responses of Gammarus pulex (Crustacea, Amphipoda) to low concentrations of pharmaceuticals. Aquat. Toxicol. 78, 209e216. Dietrich, S., Ploessl, F., Bracher, F., Laforsch, C., 2010. Single and combined toxicity of pharmaceuticals at environmentally relevant concentrations in Daphnia magna e a multigenerational study. Chemosphere 79 (1), 60e66. Franzellitti, S., Buratti, S., Valbonesi, P., Capuzzo, A., Fabbri, E., 2011. The b-blocker propranolol affects cAMP-dependent signaling and induces the stress response in Mediterranean mussels, Mytilus galloprovincialis. Aquat. Toxicol. 101, 299e308. Gaw, S., Thomas, K., Hutchinson, T.H., 2016. Pharmaceuticals in the marine envi- ronment. Issues Environ. Sci. Technol. 41, 70e91. Geyer, W.R., Chant, R., 2006. The physical oceanography processes in the Hudson River estuary. In: Levinton, J.S., Waldman, J.R. (Eds.), The Hudson River Estuary. Cambridge University Press, New York, pp. 24e38. Howarth, R.W., Marino, R., Swaney, D.P., Boyer, E.W., 2006. Wastewater and watershed influences on primary productivity and oxygen dynamics in the lower Hudson River estuary. In: Levinton, J.S., Waldman, J.R. (Eds.), The Hudson River Estuary. Cambridge University Press, New York, pp. 121e139. Kay, P., Hughes, S.R., Ault, J.R., Ashcroft, A.E., Brown, L.E., 2017. Widespread, routine occurrence of pharmaceuticals in sewage effluent, combined sewer overflows and receiving waters. Environ. Pollut. 220, 1447e1455. Kolpin, D.W., Furlong, E.T., Meyer, M.T., Thurman, E.M., Zaugg, S.D., Barber, L.B., Buxton, H.T., 2002. Pharmaceuticals, hormones, and other organic wastewater contaminants in US streams, 1999-2000: a national reconnaissance. Environ. Sci. Technol. 36 (6), 1202e1211. Kostich, M.S., Batt, A.L., Lazorchak, J.M., 2014. Concentrations of prioritized phar- maceuticals in effluents from 50 large wastewater treatment plants in the US and implications for risk estimation. Environ. Pollut. 184, 354e359. https://doi. org/10.1016/j.envpol.2013.09.013. Launay, M.A., Dittmer, U., Steinmetz, H., 2016. Organic micropollutants discharged by combined sewer overflows e characterisation of pollutant sources and stormwater-related processes. Water Res. 104, 82e92. Maruya, K.A., Schlenk, D., Anderson, P.D., Denslow, N.D., Drewes, J.E., Olivieri, A.W., Snyder, S.
A., et al., 2014. An adaptive, comprehensive monitoring strategy for chemicals of emerging concern (CECs) in California’s aquatic ecosystems. In- tegrated Environ. Assess. Manag. 10 (1), 69e77. NYCDEP, 2012. The state of the harbor. Retrieved from. http://www.nyc.gov/html/ dep/pdf/hwqs2012.pdf. NYCDEP, 2016. Green infrastructure performance metrics report. Retrieved from. http://www.nyc.gov/html/dep/pdf/green_infrastructure/gi-performance- metrics-report-2016.pdf.Oppenheimer, J.A., Badruzzaman, M., Jacangelo, J.G., 2012. Differentiating sources of anthropogenic loading to impaired water bodies utilizing ratios of sucralose and other microconstituents. Water Res. 46 (18), 5904e5916.Oppenheimer, J., Eaton, A., Badruzzaman, M., Haghani, A.W., Jacangelo, J.G., 2011. Occurrence and suitability of sucralose as an indicator compound of wastewater loading to surface waters in urbanized regions. Water Res. 45 (13), 4019e4027. Parolini, M., Pedriali, A., Binelli, A., 2013. Application of a biomarker response index for ranking the toxicity of five pharmaceutical and personal care products (PPCPs) to the bivalve Dreissena polymorpha. Arch. Environ. Contam. Toxicol. 64 (3), 439e447.Rocco, L., Frenzilli, G., Fusco, D., Peluso, C., Stingo, V., 2010. Evaluation of zebrafish DNA integrity after exposure to pharmacological agents present in aquatic environments. Ecotoxicol. Environ. Saf. 73 (7), 1530e1536.Rocco, L., Frenzilli, G., Zito, G., Archimandritis, A., Peluso, C., Stingo, V., 2012. Gen- otoxic effects in fish induced by pharmacological agents present in the sewage of some Italian water-treatment plants. Environ. Toxicol. 27 (1), 18e25.Roig, B., D’Aco, V., 2016. Distribution of pharmaceutical residues in the environment. Issues Environ. Sci. Technol. 41, 34e69.Seiler, J.P., 2002. Pharmacodynamic activity of drugs and ecotoxicologydcan the two be connected? Toxicol. Lett. 131 (1), 105e115.Sengupta, A., Lyons, J.M., Smith, D.J., Drewes, J.E., Snyder, S.A., Heil, A., Maruya, K.A., 2014. The occurrence and fate of chemicals of emerging concern in coastal urban rivers receiving discharge of treated municipal wastewater effluent. Environ. Toxicol. Chem. 33 (2), 350e358. Soh, L., Connors, K.A., Brooks, B.W., Zimmerman, J., 2011. Fate of sucralose through environmental and water treatment processes and impact on plant indicator species. Environ. Sci. Technol. 45 (4), 1363e1369. Steinberg, N., Suszkowski, D., Clark, L., Way, J., 2004. Health of the Harbor Report. Hudson River Foundation, p. 81. Ternes, T.A., Herrmann, N., Bonerz, M., Knacker, T., Siegrist, H., Joss, A., 2004. A rapid method to measure the solidewater distribution coefficient (Kd) for pharma- ceuticals and musk fragrances in sewage sludge. Water Res. 38 (19), 4075e4084. USEPA, 2016. Enforcement and compliance history online. https://echo.epa.gov/ (Accessed 2 December 2016). USEPA, 2017. Contaminants of emerging concern including pharmaceuticals and personal care products. https://www.epa.gov/wqc/contaminants-emerging- concern-including-pharmaceuticals-and-personal-care-products (Accessed 30 June 2017). USGS, 2017. National water information system. http://waterdata.usgs.gov/nwis (Accessed 30 June 2017). Verlicchi, P., Al Aukidy, M., Zambello, E., 2012. Occurrence of pharmaceutical compounds in urban wastewater: removal, mass load and environmental risk after a secondary treatmentda review. Sci. Total Environ. 429, 123e155. Wall, G.R., Nystrom, E.A., Litten, S., 2008. Suspended sediment transport in the freshwater reach of the Hudson River estuary in eastern New York. Estuar. Coast 31 (3), 542e553. Yang, Y.Y., Liu, W.R., Liu, Y.S., Zhao, J.L., Zhang, Q.Q., Zhang, M., Zhang, J.N., Jiang, Y.X., Zhang, L.J., Ying, G.G., 2017. Suitability of pharmaceuticals and personal care products (PPCPs) and artificial sweeteners (ASs) as wastewater indicators in the Pearl River Delta. South China. Sci. Tot. Environ 590, 611e619. Young, S., Juhl, A., O’Mullan, G.D., 2013. Antibiotic-resistant bacteria in the Hudson River Estuary linked to wet weather sewage contamination.
J. Water Health 11 (2), 297e310. Yu, Z., Jiang, L., Yin, D., 2011. Behavior toxicity to Caenorhabditis elegans transferred to the progeny after exposure to sulfamethoxazole at environmentally relevant concentrations. J. Environ. Sci. 23, 294e300. Zhao, H., Zhou, J.L., Zhang, J., 2015. Tidal impact on the dynamic behavior of dis- solved pharmaceuticals in the Yangtze Estuary, China. Sci. Total Environ. 536, 946e954. CLICK HERE TO GET A PROFESSIONAL WRITER TO WORK ON THIS PAPER AND OTHER SIMILAR PAPERS CLICK THE BUTTON TO MAKE YOUR ORDER
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tvctionary · 14 years
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Erin Silver
Η Erin Silver γεννήθηκε πριν από 18 χρόνια στη χιτ σειρά Beverly Hills 90210. Κόρη της πρώην τοξικομανούς Jackie Taylor και του επιτυχημένου ορθοδοντικού Mel Silver και ετεροθαλής των πρωταγωνιστών της σειράς, Kelly Taylor και David Silver, η Erin δεν είχε κανένα ιδιαίτερο ενδιαφέρον σαν χαρακτήρας και εμφανιζόταν κατά καιρούς ώστε να  “χρησιμοποιηθεί” στην εξέλιξη της πλοκής. Στο τελευταίο επεισόδιο της σειράς, το 2000. φαίνεται να είναι η τελευταία φορά που θα τη συναντήσουμε, είναι πλέον εννιά ετών και  εμφανίζεται σαν παρανυμφάκι στο γάμο του αδερφού της David με την Donna Martin. Το 2007 το τηλεοπτικό δίκτυο CW ανακοινώνει την έναρξη της spin-off σειράς 90210. Η τετραμελής οικογένεια Wilson από το Κάνσας μετακομίζει στο Beverly Hills λόγω της μετάθεσης του πατέρα στη θέση του νέoυ διευθυντή του θρυλικού West Beverly High. Τη πρώτη μέρα του σχολείου η κόρη, Annie Wilson, γνωρίζει ένα εκκεντρικό κορίτσι με το όνομα Silver. Όπως και στις αρχαίες τραγωδίες, έτσι και στις σύγχρονες τηλεοπτικές σειρές οι ρόλοι, τα γεγονότα, η βαρύτητα τους, η ιστορία τους, όλα είναι μεταβλητά. Άλλη η θέση της Κλυταιμνήστρας στην Ιφιγένεια εν Αυλίδη και άλλη στην Ηλέκτρα, διαφορετική σημασία έχει ο ρόλος του Κρέοντα στον Οιδίποδα Τύραννο από ότι στην Αντιγόνη. Στο spin-off η Silver – συστήνεται πια με το επώνυμο της για λόγους στυλ – δεν θυμίζει σε καμία περίπτωση το κατάξανθο ξενέρωτο κοριτσάκι του Beverly Hills 90210. Ιδιαίτερα εκκεντρική, πολλές φορές αντιδραστική, Drama Queen, ακολουθεί τα χνάρια του αδερφού της David, αλλά αντί ραδιοφωνικής εκπομπής διατηρεί ένα αρκετά επικίνδυνο μπλογκ όπου ανελέητα ξεφωνίζει διάφορους συμμαθητές της ενώ μετά το σχολείο αράζει σε καταφύγια για κακοποιημένες γυναίκες μιας και τα πράγματα στο σπίτι είναι άσχημα. Οι γονείς της έχουν χωρίσει για ακόμη μια φορά, η μητέρα της το έχει ξαναρίξει στο ποτό, ενώ ο πατέρας της έχει ξαναπαντρευτεί μια μικρούλα και δεν πολύπάρχει στη ζωή της. Το ίδιο και ο αδερφός της ο οποίος ζει πλέον μόνιμα στην Ιαπωνία, με τη γυναίκα του Donna και τη κορούλα τους. Μετακομίζει με την αδελφή της Kelly, μίζερη πλέον guidance counselor του σχολείου της, στο περιποιημένο σπιτάκι της στη  περιοχή της Venice ή μήπως κάπου στο Long Beach και λίγο αργότερα θα καταλάβουμε πως όλη η αντιδραστικότητα και το υπερβολικό δράμα έχουν την εξήγηση τους, η Silver είναι μανιοκαταθλιπτική. Ξανακοιτάζοντας σκηνές με τη μικρούλα Erin στο Beverly Hills 90210 δεν μπορώ να βρω τη σύνδεση με την τωρινή έφηβη Silver και όχι άδικα. O χαρακτήρας της αρχικά δεν ήταν εκείνη αλλά κάποια άλλη με το όνομα Daphne, Οι σεναριογράφοι του 90210 ξαναέγραψαν τη τελευταία στιγμή το ρόλο της αυτή τη φορά με το όνομα Erin Silver ώστε να μπορέσουν με ένα έξυπνο τρόπο να συνδέσουν τη σειρά με την επιτυχιάρα που την είχε “γεννήσει” και έτσι να προσελκύσουν μεγαλύτερη γκάμα τηλεθεατών, όχι μόνο αυστηρές έφηβες αλλά και όλη αυτή τη γενιά που μεγάλωσε με τους ήρωες αυτούς. Ποίος δεν θα θελε να ξαναδεί τη Kelly, την Donna ή τον David Silver σε νέες περιπέτειες;! Οι περισσότεροι από τους βετεράνους αυτούς ηθοποιούς δεν έδειξαν να ενδιαφέρονται να ξαναπαίξουν τους ρόλους που τους έκαναν διάσημους, και έτσι η ευκαιρία να ξαναδούμε τον David Silver, τον Dylan, τον Steve ή τον Brandon Walsh (ο Jason Priestley σκηνοθέτησε ένα επεισόδιο) χάθηκε. Οι γυναίκες ήταν πιο διαλακτικές οπότε η Shannen Doherty (Brenda Walsh) και η Tori Spelling (Donna Martin) εμφανίστηκαν σε δύο επεισόδια στο πρώτο κύκλο της σειράς χωρίς να υπάρχει ιδιαίτερος λόγος ενώ η Jennie Garth (Kelly Taylor) ως κηδεμόνας της αδελφής της πρόλαβε και το δευτερο κύκλο. Αργότερα η νέα παραγωγός, Rebecca Sinclair, πήρε το ρίσκο να απομακρυνθεί από το παράγοντα νοσταλγία και να εστιάσει αποκλειστικά στη νέα γενιά πρωταγωνιστών. Η Silver είναι πια μόνο και μόνο ένας χαρακτήρας μιας εφηβικής τηλεοπτικής σειράς η οποία παλεύει με κάθε τρόπο να “επιβιώσει”, δεν κουβαλά πλέον των βάρος το διάσημων αδερφών της και των φίλων τους και πιθανότατα απλώς να “τελειώσει” μαζί με τη σειρά πριν καλά καλά τελειώσει το λύκειο, χαρούμενη ωστόσο για τη δεύτερη ευκαιρία που της δόθηκε να τη ξαναδούμε.
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horneboy · 2 months
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so cute so silly
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bonus
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alex-lea-holder · 2 years
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celebritygossip007 · 2 years
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Since entertainment is one of the most carefully regulated industries, it is no surprise that some of the most influential people in the world are forced to work with each other. But not everyone can be happy working with their colleagues, especially when they are former friends. Here are 5 celebrities who can't seem to get along.
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cultfaction · 2 years
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Cult Faction Podcast Ep. 69: Mallrats
Cult Faction Podcast Ep. 69: Mallrats
This week the spotlight falls on Kevin Smith’s Mallrats! Join us as we discuss the movie and all the other things we have been watching… https://cultfaction.com/wp-content/uploads/2022/08/Episode-69.mp3
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perennialessays · 3 years
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Week 2
From Origins to the Future: The Hero and the Epic Quest.
This week and the next we shall engage in one of the traditional approaches to comparative practice, following various re-appearances of a myth / hero / genre through successive literary periods and in different countries. The example we shall use is the figure of Odysseus / Ulysses in epic writing and film from Homer to the turn of the 21st century. We shall consider how this figure has changed, and focus on specific episodes of Homer’s original epic poem.
Homer, The Odyssey (read in particular Book 1 and the episode of the Cyclops (in Book 9);
Dante, Inferno (read canto 26, Ulysses);
James Joyce, Ulysses (read the ‘Cyclops’ episode (the 12th, pp. 280-330 in Johnson))
Stanley Kubrick, 2001: A Space Odyssey (1968) (Film: Please watch this in advance of the seminar)
Some secondary reading on Homer’s Odyssey & the figure of Odysseus/Ulysses
Boitani, Piero, The Shadow of Ulysses: Figures of a Myth, tr. Anita West (Oxford: Clarendon Press, 1994). [Has an excellent chapter on Dante's Ulysses]
Doherty, Lillian E., "The Snares of the Odyssey: A Feminist Narratological Reading", in Texts, Ideas, and the Classics: Scholarship, Theory, and Classical Literature, ed. by S. J. Harrison (Oxford: Oxford University Press, 2001), pp. 117-133. Foley, John M. (ed.), A Companion to Ancient Epic (Oxford: Blackwell, 2005)
Fowler, Robert (ed.), The Cambridge Companion to Homer (Cambridge: Cambridge UP, 2004).
Graziosi, Barbara, end Emily Greenwood (eds.), Homer in the Twentieth-Century: Between World Literature and the Western Canon (Oxford: Oxford University Press, 2007).
Jong, Irene de,  A Narratological Commentary on the Odyssey (Cambridge: Cambridge University Press 2001)
Hall, Edith, The Return of Ulysses: A Cultural History of Homer’s Odyssey (London and New York: I.B. Tauris, 2008).
Lane Fox, Robin, Travelling Heroes: Greeks and their Myths in the Epic Age of Homer (London: Allen Lane, 2008)
Manguel, Alberto, Homer’s The Iliad and The Odyssey A Biography (London: Atlantic Books, 2007).
Murnaghan, Sheila, Disguise and Recognition in the Odyssey (Princeton: Princeton University Press, 1987).
Stanford, W. B. The Ulysses Theme: A Study in the Adaptability of a Traditional Hero (Ann Arbor: University of Michigan Press, 1963).
Some secondary reading on Kubrick
Bizony, Piers,  2001: Filming the Future  (London: Aurum, 1994)
Chion, Michel, Kubrick's Cinema Odyssey. Trans. Claudia Gorbman (London: BFI, 2001)
Ciment, Michel, Kubrick. Trans. Gilbert Adair (New York: Holt, Rinehart, and Winston, 1983)
Cocks, Geoffrey, James Diedrick, and Glenn Perusek (eds.), Depth of Field: Stanley Kubrick, Film and the Uses of History (Madison, WI: University of Wisconsin Press, 2006)
Falsetto, Mario, Stanley Kubrick: A Narrative and Stylistic Analysis (Westport, Conn; London: Praeger, 1994)
Falsetto, Mario (ed.), Perspectives on Stanley Kubrick (New York: G.K. Hall; London: Prentice Hall, 1996)
Herr, Michael, Kubrick (New York: Grove Press, 2000)
Kolker, Robert (ed.), Stanley Kubrick's 2001: A Space Odyssey: New Essays (Oxford: Oxford University Press, 2006)
Nelson, Thomas Allen, Kubrick: Inside a Film Artist's Maze (Bloomington: Indiana University Press, 1982)
Naremore, James, On Kubrick (London: British Film Institute, 2007)
Rasmussen, Randy, Stanley Kubrick: Seven Films Analyzed (London: McFarland, 2001)
Wheat, Leonard F., Kubrick's 2001: A Triple Allegory (Lanham, MD, and London: Scarecrow Press, 2000)
Some secondary reading on the epic
Bates, Catherine (ed.), The Cambridge Companion to the Epic (Cambridge: Cambridge University Press, 2010)
Beissinger, Margaret, Jane Tylus, and Susanne Wofford (eds.) Epic Traditions in the Contemporary World: The Poetics of Community (Berkeley: University of California Press, 1999)
Clarke, M. J., B. G. F. Currie, and R. O. A. M. Lyne (eds.), Epic Interactions: Perspectives on Homer, Virgil, and the Epic Tradition (Oxford: Oxford University Press, 2006)
Danow, David K., Transformation as the Principle of Literary Creation from the Homeric Epic to the Joycean Novel (Lewiston, NY: Edwin Mellen Press, 2004)
Elley, Derek, The Epic Film: Myth and History (London: Routledge & Kegan Paul, 1984)
Foley, John Miles (ed.), A Companion to Ancient Epic (Oxford: Wiley-Blackwell, 2009)
Hardie, Philip, The Epic Successors of Virgil: A Study in the Dynamics of a Tradition (Cambridge: Cambridge University Press, 1993)
Hainsworth, J. B., The Idea of Epic (Berkeley: University of California Press, 1991)
Hurst, Isobel, Victorian Women Writers and the Classics: The Feminine of Homer (Oxford and New York: Oxford University Press, 2006)
King, Katherine Callen, Ancient Epic (Chichester: John Wiley & Sons, 2009)
Konstan, David and Kurt A. Raaflaub, eds., Epic and History (Chichester: Wiley-Blackwell, 2010)
Merchant, Paul: The Epic (London: Methuen, 1971)
Miller, Dean A., The Epic Hero (Baltimore and London: Johns Hopkins University Press, 2000)
Johns-Putta, Adeline, The History of the Epic (Basingstoke and New York: Palgrave Macmillan, 2006)
Newman, John Kevin, The Classical Epic Tradition (Madison: University of Wisconsin Press, 1986)
Quint, David, Epic and Empire: Politics and Generic Form from Virgil to Milton (Princeton, N.J: Princeton University Press, 1993).
Roisman, Hanna M., and Joseph Roisman (eds.), Essays on Homeric Epic (Waterville, ME: Colby College, 2002)
Toohey, Peter, Reading Epic: An Introduction to the Ancient Narratives (London : Routledge, 1992)
Tucker, Herbert F., Epic: Britain's Heroic Muse 1790-1910 (Oxford and New York: Oxford University Press, 2008)
Winnifrith, Tom, Penelope Murray and K.W. Gransden, eds., Aspects of the Epic (London: Macmillan, 1983)
Some secondary reading on Ulysses
Guidebooks: (These classic ‘guidebooks’ can supplement the annotations in your edition of Ulysses.) 
Don Gifford, Ulysses Annotated (Berkeley: University of California Press, 1988) Weldon Thornton, Allusions in Ulysses: An Annotated List (Chapel Hill: University of North Carolina Press, 1968) Harry Blamires, The New Bloomsday Book (London: Routledge, 1996) 
Some suggested criticism on Ulysses 
(This is a small selection of Joycean criticism, from useful collections of essays (Attridge, Latham, Hart and Hayman), to critics who read language and narrative very closely (Kenner, Senn), to works on the Homeric in Ulysses (Flack, Kenner, Seidel), to a few examples of studies which read Joyce through theoretical, historical, comparative, and postcolonial approaches.)
Derek Attridge, ed., The Cambridge Companion to James Joyce (Cambridge: Cambridge University Press, 1990) — ed., James Joyce’s ‘Ulysses’: A Casebook (Oxford: Oxford University Press, 2004) Scarlett Baron, ‘Strandentwining Cable’: Joyce, Flaubert, and Intertextuality (Oxford: Oxford University Press, 2012) Frank Budgen, James Joyce and The Making of ‘Ulysses’ (Bloomington: Indiana University Press, 1961) Vincent J. Cheng, Joyce, Race and Empire (Cambridge: Cambridge University Press, 1995) Leah Culligan Flack, Modernism and Homer: The Odysseys of H.D., James Joyce, Osip Mandelstam, and Ezra Pound (Cambridge: Cambridge University Press, 2015) Clive Hart and David Hayman, eds., James Joyce’s ‘Ulysses’: Critical Essays (Berkeley: University of California Press, 1974) Hugh Kenner, Joyce’s Voices (Berkeley, Los Angeles, and London: University of California Press, 1978) — ‘Ulysses’ (London: George Allen and Unwin, 1980) Sean Latham, ed., The Cambridge Companion to ‘Ulysses’ (New York: Cambridge University Press, 2014) Karen Lawrence, The Odyssey of Style in ‘Ulysses’ (Princeton: Princeton University Press, 1981) Andrew J. Mitchell and Sam Slote, eds., Derrida and Joyce: Texts and Contexts, ed. (Albany: State University of New York Press, 2013) Katherine Mullin, James Joyce, Sexuality and Social Purity (Cambridge: Cambridge University Press, 2003) Michael Seidel, Epic Geography: James Joyce’s ‘Ulysses’ (Princeton and Guilford: Princeton University Press, 1976) Fritz Senn, Inductive Scrutinies: Focus on Joyce, ed. Christine O’Neill (Dublin: Lilliput, 1995) — Joyce’s Dislocutions: Essays on Reading as Translation, ed. John Paul Riquelme (Baltimore and London: Johns Hopkins University Press, 1984) 
Online searchable concordance of Ulysses (e.g. if you can’t remember where the renowned Irish hero ‘Napoleon Bonaparte’ is mentioned, type it into a ‘string search’ and untick ‘whole word’) http://joyceconcordance.andreamoro.net/
Ulysses Synopsis
Ulysses: A Synopsis “Telemachia” 1 - “Telemachus” (Oxford World’s Classics, ed. J. Johnson, pp. 3-23 / Penguin, ed. D. Kiberd, pp. 1-28)- The chapter opens with Buck Mulligan celebrating a parodic mass in which Stephen Dedalus becomes an acolyte in spite of himself. Stephen is a melancholy artist obsessed with guilt since the death of his mother; his taciturn nature is contrasted with Mulligan’s clownish joviality. The Englishman Haines, their guest in the Martello Tower, combines seriousness with an enthusiasm for Gaelic culture; the three characters illustrate three possible positions in relation to Ireland, which is symbolised by the old peasant woman who brings in the milk: the dispossessed Son (Stephen), the treacherous usurper (Mulligan); the representant of English imperialism (Haines) who - through his dream of the panther, traditionally a symbol of Christ - is also associated by Stephen with the imperialism of the Roman Catholic Church. Stephen chooses errancy and exile: he gives over his key and will not come back. 2- “Nestor” (OWC 24-36 / Penguin 28-45)- Stephen teaches history and English Literature to a class of well-off schoolchildren who are disconcerted by his caustic humour and riddles. He confronts Mr Deasy (Nestor in Homer’s Odyssey) on Irish history and economics. The old headmaster cherishes his inaccurate reminiscences and promotes thrift, whereas Stephen squanders away the little money he has. Stephen views history as a nightmare. Despite the antagonism, Stephen agrees to help Mr Deasy is his fight against the foot and mouth disease which affects Irish cattle by helping him to publish a letter in the press. 3 - “Proteus” (37-50/45-64)- Stephen’s philosophical and aesthetic meditations lead him to question the reality of the outside world. Through a complex philosophical argument which hesitates between Aristotle and Berkeley, he redefines for himself the nature of visual and auditory perception. His literary recollections blend with the painful evocation of his past, especially the unsuccessful exile in Paris from which a telegram announcing his mother’s death recalled him. The sterility of Stephen’s “creations” in this chapter (which include urinating and depositing a snot on a ledge of rock [cf. Bloom’s own excremental “creation” in “Calypso”]) is pitted against the remarkable metamorphic poetic prose of the narrative and of Stephen’s stream of consciousness. Odyssey 4 - “Calypso” (53-67/64-85)- Leopold Bloom, who will increasingly become the major protagonist, is introduced in his home at 7 Eccles Street and is first seen preparing breakfast for himself and his wife Molly, who is still in bed. He goes out in search of a pork kidney at a Jewish butcher’s, where he picks up a leaflet advertising plantations in Palestine (inaugurating the theme of the lost, promised land, and of the “recall”). He brings Molly her mail, which includes a letter from Boylan, her future lover later in the day, announcing his visit. He explains to Molly the meaning of metempsychosis; the chapter ends with his defecation in the outhouse, mingled with his remarks on cheap literature. 5 - “The Lotus Eaters”(68-83/85-107) - Bloom has left his house for what will become the epic wanderings of an untypical literary hero, on an ordinary Dublin day - 16 June 1904. He first goes to fetch the reply, sent post restante, from his unknown penfriend Martha Clifford, to whom he sends amorous letters signed “Henry Flower”. He runs into several acquaintances on the way, unwittingly “throws away” a tip for the horse races (the source of a later misunderstanding), and eventually goes to the public baths. Throughout the chapter, drugs of all kinds (perfumes, tobacco, medicine, eroticism, religion, etc.) express a voluptuous narcissistic abandonment to the world of the senses. 6 - “Hades” (84-111/107-147)- Bloom goes to Paddy Dignam’s funeral together with Simon Dedalus (Stephen’s father) and other characters already seen in Dubliners. The conversation soon takes on a malevolent anti-Semitic tone which puts Bloom ill at ease. He thinks of death, remembering both his father’s suicide and the death of his son when he was only eleven days old. Bloom catches his first sign of Stephen (who does not see him). 7 - “Aeolus” (112-143/147-189)- Broken down into a series of newspaper articles complete with headings, this episode brings together, in different scenes and locations of the newspaper office, Bloom, Stephen, various “windbags” including Myles Crawford, the king of windy and hollow journalistic rhetoric. The orators outdo one another in eloquence and the parable of the captive Jews provides the Irish with a mythical model. Stephen narrates a story illustrative of the paralysis of his fellow Dubliners which nobody pays attention to, while Bloom the ad canvasser gets severely ticked off by Myles Crawford. 8 - “Lestrygonians” (144-175/190-234)- The “food chapter”: Bloom is obsessed with food (it is between 1pm and 2pm) and alimentary thoughts, and tastes and smells of all kinds percolate through into the language and style of the episode (the rhythm of the chapter is dictated by the “peristaltic” [digestive] movement of the organism). Put off by the monstrous devouring mouths in the restaurant and obsessed by the impending encounter between Molly and Boylan, he finally orders a Gorgonzola sandwich and a glass of Burgundy wine at Davy Byrne’s pub. 9 - “Scylla and Charybdis” (176-209/235-280)- In the National Library, Stephen spins out his Aristotelian theory of artistic creation which boils down to a sublimated autobiography; his paradoxes on Shakespeare’s life and works fail to convince his Platonist audience. In the complex reasoning of the young artist, Shakespeare becomes like a god who begets himself through his works. Bloom puts in an appearance; Mulligan meets up with Stephen and offers a more burlesque conclusion to the philological / theological debate. 10 - “Wandering Rocks” (210-244/280-328)- This chapter is a pause in the narrative of Stephen’s and Bloom’s day, and it has no precise correspondence in Homer’s Odyssey. This central and “pedestrian” chapter is made up of 19 episodes which offer vignettes and snapshots of the various characters and cross-sections of the Irish capital and society, including Church (Father Conmee) and State (the Viceroy’s cavalcade); the chapter breaks down the so far focalised point of view. Stephen and Bloom appear only briefly and are not mentioned among the witnesses of the Viceroy’s cavalcade through the city. 11 - “Sirens” (245-279/328-376)- The language of this chapter aspires to the condition of music and forges linguistic equivalents to trills, staccatos, counterpoints, etc. The venue is the Ormond Bar, run by two flashy barmaids or “sirens”; while the tenors are busy competing against each other in a virile singing contest, Bloom listens and replies to Martha. Having eluded the seductive snares of music, he exits, leaving behind an ironic fart. 12 - “Cyclops” (280-330/376-449)- A satire against the bellicose patriotism and anti-Semitism of the Citizen, the “Cyclops” who eventually attacks Bloom physically, the chapter oscillates between the Citizen’s rhetorical bombast and sarcastic deflations which leave unscathed neither the British Empire nor Irish nationalism, while the anonymous narrator - a sardonic barfly and debt collector - offers a brilliant instance of Dubliners’ garrulity. The narrative is periodically interrupted by parodic asides in other voices and styles. Bloom the wandering Jew, who had come to Barney Kiernan’s pub to arrange to offer some money to Paddy Dignam’s widow, finds himself involved in an argument about nationalism and attempts to expound his conception of humanity, love and homeland. At the end, his escape from the Citizen’s assault is turned into a grandiloquent apotheosis. 13 - “Nausicaa” (331-365/449-499)- Bloom rests on the Sandymount rocks (Stephen in “Proteus” had also walked along Sandymount beach) and gazes at young girls in their bloom. One of them, Gerty MacDowell, teases him into an erection by an increasingly daring exhibitionistic pose; the distant eroticism ends with Bloom’s masturbation, climaxing with fireworks. The narrating voice is that of a writer of the romantic pulp fiction then fed to women - the kind of books read by Gerty, who accordingly sees in Bloom a mysterious “dark stranger”. When the point of view shifts to Bloom, we see Gerty depart limping; Bloom dozes off in postmasturbatory gratitude. The accelerated crescendo of the first “tumescent” part is followed by the exhausted sobriety of the second, “detumescent” half. 14 - “Oxen of the Sun” (366-407/499-561)- Bloom’s and Stephen’s paths cross once more in the lying-in hospital, amidst roistering medics. The chapter takes us through a roughly chronologised pastiche of the different styles of the English language until the turn of the century, deceptively mimicking the evolution of the foetus until its birth. The painful delivery of Mina Purefoy takes on a universal value and, although the talk ominously focuses on sterility and contraception, a thunderclap and a rain shower at the moment of birth symbolise the triumph of fertility. 15 - “Circe” (408-565/561-703)- Blooms monitors from a distance Stephen’s drunken escapade to the red-light district, and follows him into the hallucinatory atmosphere of Bella Cohen’s brothel (Circe’s den in the Homeric parallel). The characters experience metamorphoses in a wild oneiric dramatisation of their fantasies, obsessions and senses of guilt. Stephen gets involved in a broil with two English soldiers and is knocked out cold; Bloom rescues him and transforms him into the ambiguous vision of his dead son Rudy. “Nostos” [=homecoming] 16 - “Eumaeus” (569-618/704-766)- Bloom leads Stephen to the cabman’s shelter, and the shared physical exhaustion (it is past midnight) and the unreliable narrator turn the chapter into an amusing, if often tedious, collection of deliberately jaded linguistic stereotypes, full of misunderstandings and approximations. 17 - “Ithaca” (619-689/766-871)- This impersonal catechism narrates the last actions of the novel: Bloom takes Stephen to 7 Eccles Street and offers him hot chocolate, they exchange views of Irish and Jewish culture, Stephen refuses Bloom’s offer of a bed for the night, they urinate together under the stars, and Stephen finally departs into the night. Bloom, back in the house, finds traces of Molly’s visitor earlier in the day, goes to bed, where he finds other traces of the visitor’s earlier presence, gives Molly an expurgated account of his day, and finally falls asleep, his head to her feet. The dialogic play between questions and answers universalises all the themes, sorts out human knowledge into vast catalogues, and finally transform the couple in bed into astral bodies. 18 - “Penelope” (690-732/871-933)- Molly’s thoughts flow freely along eight unpunctuated, meandering sentences. She begins with a reaction to Bloom’s request that she make breakfast in the morning, continuous with a celebration of her afternoon with Boylan, proceeds to review her marriage, her girlhood on Gibraltar, her infatuations and dreams of future romances, and finally returns to Bloom, seemingly reinstated into her imaginary life; this is one of the meanings of her numerous final “yesses”, also an affirmation of life itself.
Additional suggestions on Joyce's Ulysses/ Odysseus
Some of the texts through which Joyce reads and receives the figure of Odysseus/ Ulysses
Bérard, Victor, Les Phéniciens et l'Odyssée [originally published in 1902-03, there are no English translations that I know of; but you can find a lot about it, and Joyce's use of it in the book by Seidel, listed below; Bérard held the view that the Odyssey was "written" by a Greek poet, but recorded the travels of Phoenician sailors - the Phoenicians were a semitic people, which is relevant when you think that Leopold Bloom (Joyce's Ulysses figure) is a Jew]
Butler, Samuel, The Authoress of the Odyssey: Where and when she wrote, who she was, the use she made of the Iliad, and how the poem grew under her hands [originally published in 1897; Butler also transalted the Iliad and the Odyssey. There are various editions, including a cheap Kindle version; and it is in the library. Butler suggests that the Odyssey takes place in the island of Sicily, around the port city of Trapani, and that it is narrated by princess Nausicaa. The relevance to Joyce's book, which set on an island in and around the port city of Dublin, and whose final words are narrated by a woman, is evident.]
Lamb, Charles, The Adventures of Ulysses [originally published in 1808, there are various editions in print, and a free Kindle version. The book really is about the adventures and was meant as a book for boys, not as a full tranlation or account of the entire Odyssey. Joyce read this as child and wrote an essay at school about it!]
See also:
Seidel, Michael, Epic Geography: James Joyce's Ulysses (Princeton, N.J.: Princeton University Press, 1976) [not a book consulted by Joyce - of course! - but it looks at parallels between the geography of the Odyssey and of Ulysses and the movements of the characters, and relies extensively on Bérard's Les Phéniciens et l'Odyssée]
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princessanneftw · 4 years
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How Princess Anne became the shining light of the beleaguered monarchy
Once seen as haughty and aloof, today her old-school approach has never been more in demand
By Camilla Tominey, Associate Editor of the Telegraph.
Visitors to the Princess Royal’s house, Gatcombe Park, are often surprised to be greeted with antique-display cases groaning with ornaments, bookshelves overflowing with hardbacks and piles of magazines dating back to the 1970s. According to one friend, the 18th-century Grade II-listed Gloucestershire stately has a ‘homely’ feel, thanks to the frugal Princess’s reluctance to throw anything out.
‘It’s quite a nice thing really,’ they said. ‘There’s barely a place you can sit down in her house. Every time the staff go in there they try to take something away.’ A surprising revelation, perhaps, about the Royal family’s resident stickler, whose decadesold ‘updo’ and penchant for wearing white gloves on royal engagements suggest a somewhat starchier outlook. But as the Queen’s only daughter prepares to celebrate her 70th birthday this month, it seems that appearances can be rather deceiving.
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Now more valuable than ever to an institution not only trying to reposition itself in the wake of a global pandemic, but still smarting from the fallout of Megxit and the Duke of York’s association with Jeffrey Epstein, Anne’s old-school approach has never been more in demand. Despite describing herself as ‘the boring old fuddy-duddy at the back’, who keeps reminding the younger royals not to forgo ‘the basics’, the Princess Royal, who has always put duty first, is finally getting the recognition she deserves.
Her appearance in June alongside the 94-year-old monarch for Her Majesty’s first ever video call shows how much the Queen is coming to rely on the Princess. And the public response to her appearing to snub Donald Trump during a Nato leaders’ reception at Buckingham Palace last December suggests the nation is finally warming to her modus operandi.
Where once Anne was regarded as haughty and standoffish, she is now hailed as one of the great English eccentrics whose unparalleled royal work ethic, carrying out more than 500 engagements a year, has rightly earned her national treasure status.
And having allowed a film crew to shadow her for the past year, the Princess, who is usually reluctant to blow her own trumpet, has never appeared more at ease with herself. She was persuaded to take part in last week’s ITV documentary Princess Royal: Anne at 70 because its makers, Oxford Films, had successfully produced Our Queen and Our Queen at 90 about her mother. Shadowing Anne on her dusk-to-dawn engagements – and featuring interviews with her children Peter, 42, and Zara, 39 – the documentary revealed just how much the Princess is cut from the Queen’s ‘keep calm and carry on’ cloth.
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Having been regarded as a bit of a royal renegade as a teenager – and chosen to forgo titles for her own children, despite her own HRH pedigree as a ‘spare to the heir’ – Anne’s life story is a contradiction of both protocol taskmaster and occasional rule-breaker. As one insider who knows the Princess well put it: ‘She can turn from laughing and joking one minute to being an absolute stickler for the rules the next. She’s extremely dutiful and would hate to be regarded as being on the wrong side of protocol. You’d never dream of asking her a political question and she’s not at all gossipy.’
Erin Doherty’s portrayal of Anne in The Crown, as the deadpan princess with the permanently raised eyebrow, certainly sums up her teenage years when the Queen and the Duke of Edinburgh were apparently so concerned about their daughter’s lack of direction, they asked the late Dame Vera Lynn for advice. Prince Philip, who famously joked of his daughter, ‘If it doesn’t fart or eat hay then she isn’t interested,’ allegedly confided in the Forces’ sweetheart: ‘We are concerned about Anne at the moment, trying to get her to make up her mind about what she wants to do.’
According to her school friend, Sandra de Laszlo, who boarded with Anne at Benenden: ‘She was a very normal teenager – sensible and fun.’ Leaving school with six O levels and two A levels in 1968, Anne had already resolved to follow in her parents’ duteous footsteps. Less than a year later, she made her official debut on 1 March – St David’s Day – when she handed out leeks to the Welsh Guards at Pirbright Camp in Surrey. It was to be the start of one of the most industrious royal careers in modern memory – with more than 20,000 engagements clocked up since.
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Soon after she started work, she began dating – and in 1970, Anne’s first boyfriend was Andrew Parker Bowles, the dashing young adjutant of the Blues and Royals, who went on to marry Camilla Shand – later to become her sister-in-law, the Duchess of Cornwall. The Princess and the brigadier – described as her ‘horsey husband’ – remain close and accompany each other to Royal Ascot and other race meetings every year.
Anne is also on good terms with her first husband, Captain Mark Phillips. A Sandhurst graduate with an equestrian streak, like Parker Bowles, Phillips met the Princess at a party for horse lovers in 1968 and reconnected at the Munich Olympics four years later, when he won team Olympic gold in the three-day eventing. They married in 1973. He was at the then 23-year-old Anne’s side a year later when she was threatened at gunpoint in an attempted kidnapping. The couple were returning to Buckingham Palace following a charity event when their limousine was forced to stop on the Mall by another car. When the driver, Ian Ball, jumped out and began shooting, Anne’s bodyguard, Inspector James Beaton, was injured, along with her chauffeur Alex Callender, and journalist Brian McConnell and Michael Hills, a police constable, who happened upon the scene.
But the attempt to hold Anne to ransom for at least £2 million is even more memorable thanks to the impervious Princess’s refusal to obey Ball’s order to get out of the car, replying with a trademark: ‘Not bloody likely!’ Eventually, she exited the other side of the limousine, as had her lady-in-waiting, Rowena Brassey (who is still with her to this day). A passing pedestrian, a former boxer named Ron Russell, punched Ball in the back of the head and led Anne away from the scene. Anne later told officers: ‘It was all so infuriating; I kept saying I didn’t want to get out of the car, and I was not going to get out of the car,’ according to files later released by the National Archives. ‘I nearly lost my temper with him, but I knew that if I did, I should hit him and he would shoot me.’
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She was similarly sanguine about becoming the first member of the Royal family to have a criminal conviction after one of her dogs, a three-year-old English bull terrier called Dotty, attacked two children in Windsor Great Park in 2002. Pleading guilty to being in charge of a dog that was out of control in a public area, she insisted on no special treatment and took the £500 fine and £500 compensation on the chin.
The incident followed a number of brushes with the law for motoring offences, with Anne having twice been caught speeding on the M1 in the 1970s. She was also fined £100 and banned for one month in 1990 for two speeding offences and fined another £400 in 2000. On both occasions she pleaded guilty immediately, insisting she was late for an engagement.
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As she said in the documentary, mistakes do happen when there is no ‘training’ for the job of being royal. ‘It’s just learning by experience. But hardly ever does anything go quite according to plan. You have to learn that.’ It wasn’t as if she didn’t feel the pressure of being the sovereign’s second-born, either – once describing the fly-on-the-wall Royal Family film, which followed the Windsors for a year in the late 1960s, as ‘a rotten idea’.
‘The attention that had been brought on one ever since one was a child, you just didn’t want any more. The last thing you needed was greater access.’
Famed for telling reporters to ‘naff orf ’, much of Anne’s mistrust of the media appears to stem from its rather uncomfortable coverage of Phillips fathering a love child, Felicity, with New Zealand art teacher Heather Tonkin in 1985. The Princess didn’t emerge unblemished either, having been revealed by The Sun to have received love letters from Tim Laurence, then the Queen’s equerry, in 1989, when she was separated – although still married to Phillips.
Anne and Mark finally divorced in 1992 and the Princess remarried eight months later, choosing Crathie Kirk in Scotland, as the Church of England did not at that time allow divorced persons whose former spouses were still living to remarry in its churches. The Prince of Wales had nicknamed Phillips ‘Fog’ on the grounds that he was ‘thick and wet’; but with his Royal Navy pedigree and impeccable manners, ‘quiet man’ Laurence fitted into the Royal family perfectly. One friend described the vice admiral as ‘a thoroughly decent man who never forgets a face’, before adding that ‘some may regard him as a little bit boring, but he’s a much safer bet than Mark ever was.’
Ever the pragmatist, Anne allowed Phillips to remain living on the Gatcombe estate, even after he married Sandy Pflueger, an American Olympic dressage rider, with whom he has a daughter, Stephanie, 22. As one equestrian insider put it: ‘The horsey set has always been very incestuous. Yes, Mark was serially unfaithful but there’s a lot of that going on – Anne just turned a blind eye.’
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Now divorced from Pflueger, Phillips, 71, has vacated Aston Farm on the 730-acre estate, to make way for Zara, her rugbyplayer husband Mike Tindall, 41, and their daughters Mia, six, and Lena, two.
Peter also lives on the estate with his estranged wife Autumn, 42, and their daughters Savannah, nine, and Isla, eight. The couple are still living together despite announcing their divorce in January – an unexpected development that has left the Princess ‘sad and disappointed’, according to insiders.
One source said: ‘One thing about the Royal family is they are incredibly close. They are the most dysfunctional family there is, but the Princess and her children and grandchildren are as tight as anything.’
As ever, horse riding remains the tie that binds, with Anne – a former European eventing champion, BBC Sports Personality of the Year and competitor at the 1976 Montreal Olympics – passing on her enthusiasm for the sport to Zara. In recent years, Peter has taken over the running of the Festival of British Eventing at Gatcombe.
By her own admission, breaking with royal tradition by insisting that her children were called Mr and Miss ‘probably’ made life ‘easier for them’. ‘I think most people would argue that there are downsides to having titles,’ Anne said recently. Having initially been brought up, Downton Abbey-style, on the ‘nursery floor’, with her parents often away for months on end on royal tours, it was Anne who insisted she go to a ‘proper’ school – the first daughter of a monarch to do so – rather than be home-taught.
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Both Peter and Zara were sent to Port Regis, a co-educational prep school in Dorset, before following in their uncle Charles’s footsteps to board at Gordonstoun in Scotland. Unlike the heir to the throne, who described it as ‘Colditz in kilts’, they thrived in the outdoorsiness of it all, excelled at sport and both ended up at Exeter University – Peter to study sports science and Zara, physiotherapy – despite university having eluded both their parents.
Zara also surpassed her mother’s equestrian achievements by winning the Eventing World Championships in 2006 and a silver medal at the 2012 Olympics – all while Anne was watching proudly from the sidelines.
One friend recalls how the Princess would think nothing of queuing up for the Portaloos at competitions like any other parent, much to the horror of Zara, who would tell her: ‘Mum, you can’t do that!’
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Inconspicuous in her trademark Barbour jacket, tweed hat and sunglasses, Anne would regularly be stopped at events on her own estate by police not realising who she was. ‘I remember it happening a couple of times,’ said one source. ‘She was very good about it – she said: “Don’t worry, you weren’t to know.”’
After Zara collected individual and team gold medals at the 2005 European Eventing Championship in Blenheim, Anne invited the entire team, grooms and all, back to Gatcombe to celebrate, serving up ‘sandwiches and scampi in a basket’, in the courtyard. Very much a hands-on mother and grandmother, the Princess has a number of long-serving aides – but no large entourage. Along with Rowena Brassey (now Feilden), Lady Carew Pole has also been the Princess’s lady-in-waiting since 1970.
Unfussy Anne still insists on doing her own make-up and hair – which hasn’t been let down publicly in decades. Although according to one source who once witnessed the rare sight of her unclipping her bun and redoing it during an equestrian event: ‘It really is quite something. It’s still as long as it was when she was in her 20s.’
Part of Anne’s agelessness is down to genes. ‘She always says she doesn’t have very good role models for slowing down,’ Peter told the documentary. As Countryfile presenter John Craven found out when he dared to ask if Anne still rode, only to be rebuked: ‘Her Majesty is still riding, so come on!’ But as well as inheriting her mother’s DNA she shares HM’s strict adherence to style codes – and her aversion to profligacy.
Guests at the 2008 wedding of Lady Rose Windsor, the daughter of the Duke of Gloucester, were astonished when Anne arrived in the outfit she had worn to her brother’s wedding to Lady Diana Spencer, 27 years earlier. The size-10 Maureen Baker floral-print frock still fitted perfectly.
Quite what Anne must have made of Diana and Fergie’s wardrobe expenditure in the 1980s has never been disclosed – although it has long been reported that the Princess never thought too highly of either sister-in-law, regarding Diana particularly as ‘hogging the limelight’.
There were even reports that she viewed the pair as ‘lessening the stature’ of the Royal family, describing them behind the scenes as ‘those girls’. As royal biographer Penny Junor put it: ‘There was Diana on the one hand, who was incredibly touchy-feely, who hugged children, who put children on her lap, who even kissed people in public. And there was Anne, not touching anyone, not playing up to the cameras at all.’
As far removed from the suburban housewife as you can get, when Anne was once spotted mending fences at Gatcombe, she apparently retorted: ‘Somebody’s got to do it!’ ‘She’s never shirked anything in her life,’ said a friend. ‘She’s a real grafter.’
Weekends will invariably be spent with her four grandchildren. Revealing a surprising knowledge of popular culture – despite her dislike of indoor pursuits – the Princess revealed her familiarity with Catherine Tate’s stroppy schoolgirl character Lauren when she commented that Mia’s attitude to equestrianism was, ‘Am I bovvered?’
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‘She’s superb with the kids,’ said a friend. ‘She’ll often be in the stables with the grandchildren. She’s got a tremendous sense of humour and is very likeable and kind. She loves Mike [Tindall, Zara’s husband]. He makes them all laugh.
The friend also pointed to Anne’s ‘surprisingly fruity’ sense of humour, adding: ‘And the Princess can swear all right. I’ve heard her use some quite colourful language.’
If the Queen instilled in Anne a love of horses then it was her father who encouraged her other great passion in life: sailing. Anne would regularly accompany the former Royal Navy commander to Cowes Week, and it is a testament to Philip’s infectious love of seafaring that Anne and Tim have kept their yacht Ballochbuie on Loch Craignish in Argyll, since 2012. The couple enjoy nothing more than cruising around the Inner Hebrides, where Anne indulges her passion of visiting lighthouses. She is patron of the Northern Lighthouse Board and is understood to have ‘bagged’ more than half of the UK’s 206.
But it hasn’t always been so easy combining work and pleasure. Anne was put to the diplomatic test when she became the first member of the Royal family to visit the USSR, at the invitation of the then-leader Gorbachev in 1990. In typical style, the Princess didn’t shirk the responsibility – and stayed for two whole weeks. Visits to war zones including Sierra Leone, Mozambique and Bosnia have been similarly taxing – with Anne once insisting after a particularly gruelling tour of Africa: ‘I don’t come here looking for trouble. I come to see if I can help.’
Her association with Save the Children, which dates back to 1970, has seen her slum it on camp beds and visit disease-ravaged Mozambique refugee camps. Once urged by photographers to hug an emaciated child, she refused, saying, ‘I don’t do stunts.’ And in response to a comment on her supposed lack of the maternal instinct, she said: ‘You don’t have to like children particularly to want to give them a decent chance in life.’
Yet her reputation as one of the most diligent royals ever has also been honed by her dedication to little-known domestic causes, like the Wetwheels Foundation, which provides ‘barrier-free boating’ for the disabled. One of more than 300 charities the Princess is involved with, its founder Geoff Holt, a paraplegic who was the first disabled person to sail solo around Britain in 2007, and then across the Atlantic in 2010, has known Anne for over 30 years. ‘I’ve got photos of us going back decades. I’ve got older and older and she’s stayed the same,’ he joked.
‘She’s got to be one of the most hard-working people I know. I’ve never known anything like it – the amount of engagements she packs in. She doesn’t do sycophancy, though.
Michele Jennings, chief executive of Hearing Dogs for the Deaf, of which the Princess has been patron since 1992, also tells staff ‘not to fawn’ when the Princess visits. ‘She hates that,’ she said. ‘We’re a pretty down-to-earth charity and when she comes she’ll have dogs jumping at her shins and crawling all over her, but she doesn’t mind one bit. There’s no awkwardness.’
Another source revealed how during one royal visit, Anne had joked about missing out on all the posh canapés – royals are discouraged from eating in public. ‘I’ll just have to put up with Great Western’s finest,’ she quipped, referring to her train journey home.
Although a ‘daddy’s girl’ growing up, since the Queen Mother and Princess Margaret died in 2002, Anne has become ever more devoted to her mother. Having helped to counsel the Queen through many royal crises over the years, the Princess has been HM’s first port of call when discussing recent tumultuous royal events. Although one can only guess what stalwart Anne makes of Harry and Meghan’s behaviour, she has made no secret of her opposition to royals trying to modernise the institution, seemingly referring to the Sussexes when she remarked recently: ‘I don’t think this younger generation probably understands what I was doing in the past and it’s often true, isn’t it? You don’t necessarily look at the previous generation and say, “Oh, you did that?” Or, “You went there?” Nowadays, they’re much more looking for, “Oh, let’s do it a new way.” I’m already at the stage [of ], please do not reinvent that particular wheel. We’ve been there, done that. Some of these things don’t work. You may need to go back to basics.’
When she turned 60, the Queen elevated Anne to the Order of the Thistle and there was a joint birthday party with Andrew, who was 50 that year. But Covid-19 – not to mention Andrew’s fall from grace – mean this year’s celebrations will be more muted. Indeed, she is not thought to have had much contact with her brother, with whom she shares a love of country pursuits, but little else.
With the Queen having been self-isolating at Windsor Castle since March, it is thought Anne will be reunited with her parents at Balmoral this summer, where she and Tim will once again take in Scotland’s sights by sea.
At a time when the monarchy finds itself somewhat cast adrift, it is the indefatigable Princess Royal who is proving to be its trustiest anchor. As she prepares to turn 70, showing no sign of slowing down after half a century of engagements, lighthouse-lover Anne has become the Royal family’s beacon of good, old-fashioned public service.
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1-800-slater · 4 years
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TOP FIVE CHRISTIAN SLATER MOVIES!
(determined by casting, performance, script, cinematography, set design, prop design, character design, character appeal, soundtrack, plot, etc.)
TRUE ROMANCE (1993)
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overview: R, action/crime, 2h 1m
description by ella: an elvis presley fanatic named clarence worley (christian slater) falls suddenly in love with a peachy romantic call-girl named alabama whitman. (patricia arquette). to prove to her his willingness to protect her, he goes to take back her belongings from her former pimp. after a violent change of plans, clarence leaves the club with the pimp’s blood on his hands and a mistaken suitcase filled with cociane, not clothes. they decide to live a glorious on-the-run life by selling the coke, with the help of friends. but, will clarence and alabama’s movie lifestyle have a happy ending, especially with the mob on their tail?
directed by: tony scott
script by: quentin tarantino
music by: hans zimmer and others
starring: christian slater, patricia arquette, michael rappaport, dennis hopper, christopher walken, brad pitt, & gary oldman.
why it’s #1: with a movie directed by tony scott and a script by the legendary quentin tarantino, nothing can go wrong. clarence worley and alabama whitman are some of the most interesting characters to ever be in a bonnie/clyde scenario. the movie is always moving, but the cliches of a crime/action movie are thrown out of the window when it comes to true romance. the cinematography and overall design is very unique, is quite beautiful. pretty much one of the sexiest, if not the sexiest, movie, ever.
PUMP UP THE VOLUME (1990)
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overview: R, drama/comedy, 1h 45m
description by ella: a outcast with a way of words, mark hunter (christian slater), finds his voice in a pirate radio show, going by the name happy harry hard-on. every night a 10 o’ clock, he empowers the teens of arizona to be who they are, be crazy as shit, and live their life, no matter how ridiculous and crazy, all while nineties hard rock plays and his hormones rattle. but when he’s discovered by nora diniro (samantha mathis), everything falls apart. suddenly the government and the school are after him for his out-of-line behavior on the air, and he’s falling in love for the first time. jeez, somebody give mark hunter a break!
directed by: allan moyle
script by: allan moyle
music by: concrete blond, pixies, peter murphy, urban dance squad, etc.
starring: christian slater, samantha mathis, annie ross, cheryl pollak, andy romano, billy morrisette, & ellen greene.
why it’s #2: pump up the volume is one of the most controversial and eye-opening movies of it’s era. with mark hunter (christian slater) boiling over with truth about society and how it beats down it’s youth, it’s bound to be fantastic. the set design is gorgeous and really matches the aesthetic of the 1990s. the plot is easy to follow, but wild and interesting, and really is a good watch. plus, who doesn’t want to see christian slater and samantha mathis drooling over eachother?
HEATHERS (1988)
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overview: R, dark comedy, 1h 43m
description by ella: a teen girl lost in societal standards, veronica sawyer (winona ryder) falls for a rejected and dejected jason dean (christian slater), with a taste for a clean slate. it seemed perfect at first, her prince coming to her rescue on his motorcycle. but, after a line of murders with her knight in armor, veronica finds herself pushed off the edge. before she can stop the madness, she must stop jason dean.
directed by: michael lehmann
script by: daniel waters
music by: david newman
starring: winona ryder, christian slater, shannon doherty, kim walker, lisanne frank, patrick labyorteaux, lance fenton, & carrie lynn.
why it’s #3: the set design of this movie is absolutely gorgeous, with each piece seemingly handcrafted to fit. the script is one of the best of it’s kind, as it’s unique catchphrases and dialogue assigned to each character is brilliant. the plot is so fun to watch unfold, and you’ll find yourself torn between rooting for veronica sawyer or jason dean.
UNTAMED HEART (1993)
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overview: P-13, romance/drama, 1h 42m
description by ella: caroline, a bubbly waitress,(maresi tomei) falls victim to the tender trap of love after a series of breakups. with the help of her best friend cindy (rosie perez) she finally feels herself again. but, comes along thugs from her past, who follow her home and attempt to rape her. a shy busboy named adam (christian slater) who is hopelessly in love with caroline, comes to her rescue. as their romance blooms, caroline falls even deeper in love with adam than she ever imagined.
directed by: tony bill
script by: tom sierchio
music by: cliff eidelman
starring: maresi tomei, christian slater, rosie perez, kyle secor, willie garson, & lotis key.
why it’s #4: untamed heart is one of the most tragic yet heartwarming romance stories ever told. maresi tomei and christian slater play their roles with ease, and their romance is believable and awe-worthy.
MOBSTERS (1991)
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overview: R, crime/drama, 2h
description by ella: four mobsters, charlie luciano (christian slater), meyer lansky (patrick dempsey), bugsy siegel (richard grieco), and frank costello (costas mandylor) rise from nothing a build an empire. but, the original big guys of the mob world are sensing the quartet are more trouble than they thought.
directed by: michael karbelnikoff
script by: michael mahern
music by: michael small
starring: christian slater, patrick dempsey, richard grieco, costas mandylor, lara flynn boyle, anthony quinn, & michael gambon.
why it’s #5: armed with a tommy gun and a craving for revenge, christian slater and his gang of mob maniacs stop at nothing to make their acting perfect in this movie. the set design is the best i’ve seen in a mob movie ever, and does justice to charlie lucky luciano’s legend.
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