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gramilano · 6 years ago

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Nureyev is an important new documentary about Rudolf Nureyev’s extraordinary life which will be shown in cinemas around the UK from 25 September.

BAFTA nominated directors Jacqui and David Morris have interviewed Nureyev’s colleagues from the dance world – Alla Osipenko, Ghislaine Thesmar, Dame Antoinette Sibley, Clement Crisp, Meredith Daneman – but sensibly don’t fill the screen with them sitting on sofas surrounded by ballet memorabilia, but illustrate their contributions with video clips and photos, enabling them to pack far more into the film’s already generous 1hr 50min running time. There is much to show because the filmmakers have unearthed 16 minutes of unseen video.

The documentary is divided into thematic blocks rather than being a simple chronology and these are interspersed with quotes, the first being from Napoleon, “Great people are meteors designed to burn so that the earth may be lighted,” and the film proceeds to show how greatly Nureyev illuminated the dance world.

There is an interesting archival recording of Yehudi Menuhin who says,

There is something in the background of any Russian, whether he be Jewish or a Tartar, which dramatizes a situation; it’s more potent, more intense. It probably comes from the fact that they have such an otherwise difficult life, as it’s always been for hundreds of years between snow and mud, and they are almost harnessed to the earth and the problems of life. It enables them when they are liberated on the stage to live life as they would have liked to have lived it, with all the abandon and the capacity for focusing, for dramatizing, for intensifying the emotion and the thought. It’s as if the sun were shining through a lens and you focus it on something and it started burning. The whole of life, the whole universe, focuses itself through the greatest Russians and they start burning, burning up the audience and burning up themselves.

These neatly connected quotes and thoughts pertinently explain Nureyev’s character, and is typical of the film’s sensitivity and understated reflections on the nature and career of this gigantic influencer. It has no sensationalism but is reflective and full of warmth.

Russell Maliphant has created scenes, sort of dance tableaux, which illustrate the mood of extracts from Nureyev’s memoirs, read by Siân Phillips, and other audio recollections and commentary – dancing in the snow, huddling among the Russian birch trees, folding sheets. Theatre composer Alex Baranowski — who wrote the score for Northern Ballet’s 1984 — has created a suggestive background for these scenes, indeed the whole film, and Lucia Lacarra and Marlon Dino are two of the dancers who appear.

The fascination with the West in the ‘50s drew young Russians to make homemade records of its evil pop music and to dance the jitterbug behind closed doors — including young ballet dancers. The film is outstanding at contextualising this and other periods of Nureyev’s life. While Russia didn’t have teenage dance moves or gigantic American fridges, it did have two powerful weapons at its disposal, the Kirov and the Bolshoi, and what better way to enhance Russian prestige around the world than by having these companies tour abroad.

The Kirov was in Paris in 1961. Alla Osipenko, one of Nureyev’s partners, says,

We were totally into the underground nightlife at the time and it was a real challenge to return unseen in the morning… Rudolf was a free spirit: “This is how I want my life to be and I will live it that way. I don’t want to live the way you order me to. I will walk my own path in life.”

Nureyev defected in Paris in 1961 on Osipenko’s 29th birthday. For this, she, and many others, paid a price.

I was not allowed to leave the country for 10 years. I knew how to block those things out, saying to myself, “It’s not vital to go to America.”

The film focuses on his relationship with Erik Bruhn — Sibley: “All my generation, us girls, were in love with Erik Bruhn.” — and that with Margot Fonteyn, who invited the young Nureyev to dance in a gala at the Theatre Royal, Drury Lane, on 2 November 1961. John Tooley, former director of the Royal Opera House has another slant on the story,

He wasn’t exactly invited over here – he arrived. He had written to Margot and said, I want to appear in your gala and I want to dance with you.

A Fonteyn quote:

Genius is another word for magic, and the whole point of magic is that it is inexplicable.

And ‘magic’ was the word used to describe the effect of their partnership on stage.

Fonteyn explains,

I believe that our partnership would not have been quite such a success if it hadn’t been for the difference in our ages, because what happened was that I’d go out on the stage thinking, who’s going to look at me with this young lion leaping ten feet high in the air and doing all those fantastic things. And then Rudolf had really this deep respect because I was this older, very famous, established ballerina. So it sort of charged the performance that we were both going out there inspired by the other one, and somehow it just worked.

Nureyev almost immediately rustled feathers at The Royal Ballet when he modified its production of Swan Lake after Fonteyn had agreed to do it his way. He justified his approach,

We became one body, one soul, we moved in one way, it was very complimentary, every arm movement, every head movement, there were no more cultural gaps or age difference, we were absorbed in characterisation. We became the part.

It was revolutionary and most of the audience loved it. One of the Covent Garden establishment said that Nureyev was like the Great War, wiping out a generation of male dancers on his arrival. The success of the Fonteyn/Nureyev partnership was unprecedented. Sibley says,

Footballers must have this all the time, this yelling and screaming, and it was unbelievable. It was out of all proportion to anything one had been accustomed to before.

Lucia Lacarra and Marlon Dino

A section of the documentary devoted to Nureyev’s often difficult character hears him describing his Tartar blood:

It runs faster somehow, it is always ready to boil, and yet it seems that we are more languid than the Russians, more sensuous — we are a curious mixture of tenderness and brutality.

English National Opera’s master carpenter, Ted Murphy, remembers some of the fights,

Over the years he’d have different people looking after him on stage and he used to kick them, punch them, slap them – I’ve seen all of that happening – but it was all to do about how his performance was really.

National Ballet School of Canada’s Betty Oliphant tells the story of her student who was playing a pageboy, excitedly telling her that Nureyev had spoken to him:

I said, “Oh that’s wonderful. Was he nice?” And he said, “Well, he told me to fuck off.”

Drawing by Jamie Wyeth

On love and relationships, the film documents the competitive love affair between Nureyev and Bruhn, which turned sour as Nureyev began to overshadow his former mentor. Pierre Lacotte recalls witnessing tremendous arguments between them.

As he told me one day — says Ghislaine Thesmar — you have to choose between giving your energy to love a human being or to love your art. You have to choose, you can’t have both… If you give yourself to art, nobody can take the place of art, it’s impossible. They can accompany you as long as they can stand it but then if you lose them you lose them, it’s not important.

When talk show host Michael Parkinson asked him if he had a sense of belonging anywhere, he replied simply, “Dance”.

Nureyev was open to newer forms of dance, different ways to move. He admired Martha Graham greatly, who remembered,

Rudolf came to see me backstage and just stood and looked at me and we didn’t talk about anything. Finally, it came out that he has an appetite for the new and he wants to experience everything to its fullest. He said, “I do not mind if I make a fool of myself.”

There is some previously unreleased amateur footage of him in some of the Graham works he performed. Other unseen clips of Nureyev in action show him rehearsing Nutcracker with Claude de Vulpian during his time as the Artistic Director of the Paris Opera Ballet.

The clubbing and cruising part of his life is coloured with moody archive footage of bathhouses and discos. Former New York City Ballet Principal Dancer, Heather Watts, was one of the first artists to join the fight against AIDS in the mid-1980s:

The year is ’82 and suddenly we start hearing about boys dying, just dying, and there’s real fear. The partying stopped, the fun stopped, and we started burying our friends. It was like a war.

In 1987 when Nureyev was finally allowed to return to Russia to visit his dying mother, his face had started to look slightly gaunt. He had been diagnosed with HIV in 1984.

Margot Fonteyn died in 1981. He said,

It was very lucky for us to have those glorious years. She became a very, very great friend of mine. To me she is part of my family. That all what I have – only her.

His own death came less than two years later.

Ghislaine Thesmar:

I really think this man was exceptional. I don’t mean the Rudolf of photos, making faces or scandals and all these cheapy things, I mean the real man he was… I think he defended the world of ballet. He loved ballet like a child would love a god, it was beautiful to see that.

An emotional Antoinette Sibley chokes as she says,

He was a very special person, and I feel very proud to have been part of it.

Nureyev, the film, will be launching in cinemas nationwide from 25 September 2018 with daily previews at Curzon Mayfair, London from 21 September.

Preview: Nureyev the film is a glorious celebration of an exceptional life Nureyev is an important new documentary about Rudolf Nureyev’s extraordinary life which will be shown in cinemas around the UK from 25 September.

#Antoinette Sibley #Erik Bruhn #Margot Fonteyn #Martha Graham #New York City Ballet #Royal Opera House #Rudolf Nureyev #Russell Maliphant #The Royal Ballet

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bastardcomics · 7 years ago

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Hello friends! I was on and episode of the PodComics Webcast this month, and thought I’d share with my Tumblr followers! I talk to David Daneman (of the webcomic The Danemen) about old comics, upcoming comics, and comics that will probably never ever come to fruition.

He’s had plenty of other really cool (objectively cooler than me) guests, so be sure to listen to the other episodes, and subscribe!

Listen to the full episode here.

#webcomics #podcast #podcasts #podcomics webcast #webcomic podcast

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shirlleycoyle · 5 years ago

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Does Jeff Bezos Have Huge Feet? An Investigation

“To photograph people is to violate them, by seeing them as they never see themselves, by having knowledge of them that they can never have; it turns people into objects that can be symbolically possessed. Just as a camera is a sublimation of the gun, to photograph someone is a subliminal murder—a soft murder, appropriate to a sad, frightened time.”

– Susan Sontag, On Photography, 1977

"The feet pics, darling. It's been 15 days. You don't want to make me angry."

– An internet meme, 2018

Everyone in New York has a story about a close-call with a celebrity. In a city that's home to one million millionaires and almost 80 billionaires, a run-in with the rich and famous is bound to happen eventually. I don't frequent the right ticketed sex parties and don't have the foresight to book tables 10 months in advance, so this is a rare occasion for me. But one time, I showed up to an indie zine fair allegedly 10 minutes after Jeff Bezos, his body-double, and a bodyguard detail, left.

My only regret in my entire six years as a Brooklyn resident is not leaving my apartment for this event even 11 minutes earlier. Not because I need to get a glimpse of that shiny head perusing anti-capitalist art, but to get a peekie-see at his feetsies.

Months later, I found myself standing at the entrance of the Liberty Ferry in Battery Park on a 30-degree day, gazing at a spot where Bezos walked last spring, closely examining the stones where his shoes once tread. How big were those shoes, I would ask myself on this unholy pilgrimage.

To the general public, the size of Bezos' feet is a mystery no one seems to have the answer to except the man himself. I sought to discover it.

THE CURRENT CLAIMS

There are dozens of websites devoted to celebrities' bodily measurements, including statistics about their height, weight, eye color, age, and astrological signs. Most of these sites include an entry for Bezos and on average, they agree on the basics: He's five feet, seven inches tall, weighs around 154lbs, is 57 years old, and has brown eyes.

Some sites go further than others, but most conflict on the feet. Several attempts have been made to try to guess the size of his feet. Gossipgist.com says they're a 14, a size so large and uncommon, most shoe size charts don't list it, and that sometimes require a special order. Celebrityboss.com says 10. Celebrityinside.com cites his "distinctive features" as being his cleft chin, asymmetrical eyes (the right one is always a little bit more closed than the left), and his "style of laughing." This last note is haunting, but it's not what I'm here for.

WikiFeet Men—"the collaborative celebrity feet website"—also lists Bezos' foot size as "unknown." And if the good folks of wikiFeet don't know, it's safe to say that no one really knows the truth, except the man himself.

In 2004, Amazon's top reviewer Joanna Daneman crossed paths with Bezos at an Amazon-sponsored event, and noticed that "he has really large feet." So large that, six years later, these flippers stand out in her memory. Then again, she also characterizes him as "really tall," which he objectively is not.

He is 5'7. His feet can't be that huge.

There's scant data available on any sort of foot-to-height average, but anthropometric data from the University of Rhode Island cites an average ratio of 6.6:1—for every 6.6 inches of height, average males have one inch of foot length. For Jeff's 67 inches, we could assume his feet are 10.15 inches long, approximately a size 8.5. But Bezos, one of the richest and arguably most powerful men to ever flap his footsie-wootsies across this humble planet, is no average man. Perhaps his body defies norms as well.

My working hypothesis at this point is that as a short-to-average height man, and a billionaire, he carries himself as if he's a much taller dude, but maybe his feet are disproportionately large compared to the rest of him, making them seem enormous in photos and eyewitness accounts.

We have to confirm via forensic photo analysis.

EXHIBIT A: THE SHOE THAT FITS

Bezos' wikiFeet entry contains a handful of paparazzi photos, mostly of him barefoot or in sandals on vacation. In some, his feet seem very large. In other photos, the perspective changes, and his feet seem impossibly petite.

One thing is for certain: the man fills out a pair of strappy sandals. I thought these were Birkenstocks, due to their iconic two-strap slide design, so I emailed a handful of Bezos feet pics to the Birkenstock company, hoping for some enlightenment.

A spokesperson replied within 20 minutes: "Hey Sam, they are not Birkenstock."

I asked Zappos, which is owned by Amazon and therefore Bezos, if it could help ID the size or shoe. A spokesperson there, while apologetic, was unable to give me any information.

But the UK tabloid Daily Mail had the answer all along: They're a $531 pair of Prada slides. Reinvigorated with hatred for the rich, I turned to the foot fetishists of Reddit.

I messaged the mods of r/CelebrityFeet, a forum devoted to celebrity feet, my very earnest request for help. Do they know anything about these elusive sweeties? If they do, they aren't telling. I was promptly silenced for even asking:

When I asked a mod for r/jeffbezos if they knew anything about their #1 guy's feet, they told me to "learn to code." On to the next.

I messaged u/jokes_on_you, who helped me debunk the faked Alexandria Ocasio-Cortez foot pic last year, if he'd be willing to lend his trained eyes to the investigation of Bezos' feet. He asked me to send my own foot pics in exchange for information, which in a non-journalistic context might be a fair price to ask. But according to Motherboard editor-in-chief Jason Koebler, trading quid-pro-quo foot pics with a source would "set bad precedent."

Fine.

EXHIBIT B: THE SUPERYACHT TENDER

In the wikiFeet photos, Bezos strolled his $531 Pradas through a December 2019 vacation, set aboard fellow bald billionaire David Geffen's yacht in St. Barth's. This big boat, I learned, is named the Rising Sun, and is manufactured by ship builder and navy contractor Lürssen, which also manufactures naval ships armed for warfare.

(The photos, it turns out, are owned by a firm called The Mega Agency. We know this because we bought one of these photos from the company for the very reasonable price of $250.)

Rising Sun is a 453-foot long superyacht, and has capacity for at least one "tender," the name for the little day-excursion sized boats that come with ships that big. One of the wikiFeet photos from the St. Barth's trip is a group picture on a tender, seemingly exploring some sea cave, with Bezos front and center, barefoot.

View this post on Instagram

Having a great time in the Balearics

A post shared by David Geffen (@davidgeffen) on Aug 6, 2019 at 3:52am PDT

His feet look humongous in this photo. Most usefully for our investigation, his left foot is placed right next to a straight line of paint on the floor. If we knew the square footage of the floor area of this tender, we could potentially deduce the length of this piece of floor paint—and therefore, the foot.

I emailed Lürssen, maker of $200 million yachts and war vessels, and definitely did not mention any feet. But they still wouldn't give me anything helpful.

"We do not comment on our yachts (or their tenders) to the press as a matter of confidentiality," Timothy Hamilton, director of Lürssen Americas, replied. "Best of luck with your article; it sounds interesting!"

Timothy, you have no idea.

EXHIBIT C: CLINTON CASTLE FLAGSTONES

At this point, powerless and frustrated at our inability to learn a simple fact about a multi-billionaire whose unprecedented empire is in part fueled by the wholesale and dangerous collection of data on millions of innocent civilians, we reached out to a true professional for help.

Motherboard managing editor Emanuel Maiberg contacted Eastern Europe/Eurasia lead researcher and trainer Aric Toler at Bellingcat, the award-winning open source investigations team that previously used images posted to social media to discover key information about the downing of flight MH17 in Ukraine and unmask Russian government assassins.

Toler generously agreed to aid our investigation. We were heartened to hear from him that we were on the right track. "If anyone can figure it out, it's wikiFeet," he said, before we explained that it was not responding. Then he, too, suggested we find a photo of Bezos' feet next to an object we can measure. But while we were fixated on the photo of the Big Foot on the superyacht tender, Toler provided this crucial image of a Bezos photo opp in Battery Park. More specifically, according to the Getty Images caption, "Statue Cruises Terminal in Battery Park in New York."

Jeff Bezos arrives at the Statue Of Liberty Museum Opening Celebration at Battery Park on May 15, 2019 in New York City. Getty Images

Here, again, we have more straight lines next to his feet, in the form of large, identical flagstones. This we could work with; if we could get down there and measure the stones, we could theoretically calculate a rough foot length.

Before I headed out to wander Battery Park on a very cold February afternoon, Koebler, Maiberg, and I did some Google Street View exploring to find the exact location the photo was taken.

In the Getty photo, everything in the background is slightly compressed—a result of using a telephoto lens, as photojournalists capturing Bezos often use. But I had my landmarks: a distinctive bush, some columns, this gray monument building, and Castle Clinton.

With the coordinates dialed in (40°42'11.7"N 74°00'59.4"W) I headed to Manhattan's southernmost tip to walk in Bezos' footsteps. As I got closer to the spot we'd seen in photos, I saw the flagstones.

I moved slightly out of view of a park ranger and got to work taking measurements. Each stone is about 55 inches by 52.5 inches.

I sent this data back to Maiberg's forensic photo lab (Microsoft Paint) and he set to work:

If a little more than four and a half of Bezos' shoes fit in one of these stones lengthwise, that's around 11.9 inches of shoe.

If you account for the shoe being a little bit bigger than the foot inside, and reference various shoe and foot size charts, one can assume his feet are around 11 inches long.

These measurements are obviously not accurate to the nanometer, but even by the widest margin, the length of Bezos' shoe is between 10 to 12 inches long. It is likely somewhere closer to the middle of those two extremes, and while we don't know for sure, we are confident that his feet are not notably large, and certainly not a daunting size 14.

At least in this respect, Bezos is just an average man.

RESULTS AND DISCUSSION

If I'm being honest with myself, I don't feel better with this information. Maybe some things should remain mysterious.

Throughout this investigation, however, when I ranted and raved in dark hours to friends and loved ones about my week-long quest, several people asked, "Why?"

The pursuit of knowledge is always worthwhile. If the tagline of the newspaper Bezos himself purchased is to be believed, "Democracy Dies in Darkness." Information wants to be free. Etc. The feet of a billionaire should be no less subject to scrutiny than, say, the feet of a congresswoman. When the boot is on your neck, measure it.

Amazon did not respond to a request for comment on the size of Jeff Bezos' feet.

Does Jeff Bezos Have Huge Feet? An Investigation syndicated from https://triviaqaweb.wordpress.com/feed/

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charlie-higson · 7 years ago

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PodComics WebCast!

Hey Guys! I was interviewed by David Daneman who makes a podast about comics! We talk about comics and other jazzy stuff! It was loads of fun!

check it out HERE

#COMICS #webcomic #webcomics #comic #podcast #yey

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lostitjohannahairas · 5 years ago

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Skellig Adaptions:

2003 play:

Skellig was adapted into a play in 2003 directed by Trevor Nunn who thought it was important to follow the book's example of not revealing Skellig's exact nature, designed by John Napier. The original play was conceived from the novel to the play at The Young Vic Theatre, London. Cast included in alphabetical order; Ashley Artus, Noma Dumezweni, Akiya Henry, David Threlfall, Kevin Wathen, Mo Zinal. The play was later performed by Playbox Theatre Company in 2008. In March 2011 the play was performed at the New Victory Theater, New York by The Birmingham Stage Company who previously toured the UK with their production, from 2008 in London and Birmingham. The BSC founder and manager Neal Foster played Skellig.

2008 opera:

Skellig has been adapted into a contemporary opera with music by American composer Tod Machover and libretto by David Almond himself. The opera was staged at The Sage Gateshead from 4 November to 19 December 2008, with orchestration by the Northern Sinfonia. The Opera starred Omar Ebrahim as Skellig with Sophie Daneman and Paul Keohone as Michael's parents.

2009 film:

Skellig, produced by Feel Films, was part of Sky 1's plan to invest £10 million in producing three new high-definition dramas.Filming started on 2 September 2008 in Caerphilly in Wales. Cast members included Oscar-nominee Tim Roth in the title role and Bill Milner as Michael Cooper with Skye Bennett as Mina, Kelly Macdonald and John Simm as Michael's parents (Louise 'Lou' and Steve Cooper). The screenplay was written by Irena Brignull and filming was directed by Annabel Jankel. The first showing of Skellig on Sky 1 was on 12 April 2009.

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rockpapercynic · 7 years ago

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I contributed to Sad Zine, a digital collection of comics and illustrations about Donald Trump! All proceeds benefit organizations that protect reproductive rights! Olivia Walch, Alan Barrett, Adam Bessie, Peter Chiykowski, David Daneman, Jimmy Grist, Wesley Hall, Josh Hara, John McNamee, Phil Oliveira, Max Rodriguez, Dustin Rogers and Ben Zaehringer! You can get a copy for a $1+ donation on Gumroad!

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brandondraga · 7 years ago

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FanExpo 2017 Wrap-Up

For some reason, I always seem to wait until I have the energy of an opiate-addled sloth to get around to these posts.

By my watch, it's nearly 1 am on Friday, September 8th, a full eight days after FanExpo 2017 began. As ever, it came and went like some sort of pop-culture maelstrom, replete with tens of thousands of metaphorical storm chasers descending upon the Metro Toronto Convention Centre in the hopes of basking in the four days of near-chaos that always ensue, and hundreds of celebrities, industry pros, and Artist Alley creators (or artisanerds) looking to offer their own piece of the action to those looking for some.

As with last year, Deanna and I shared a table in Artist Alley with A.A. Jankiewicz, author of the Q-16 books, personal friend, and all-around good egg. Much like our previous forays with this convention, our days were largely relegated to trying to catch the eyes of passersby, in the hopes that we might invoke the Vaudevillian Gods of old, pitching our wares to potential readers. Sometimes it worked, more often than not it didn't. It's a fact of this convention that I came to grasp in or about two years ago: FanExpo, due to its size and the breadth of modern fandom, is not heavily populated by readers. That said, our table was, all in all, far from bereft of people who looked excitedly as they saw that there were authors, selling books. Not all nerds are readers, but most readers (especially genre-heavy readers) are nerds, and often it felt like an errant sock finding its mate amid piles of laundry. We even had a few return readers swing by to pick up Collapse and Lord of the Unfinished Tower, which is always a great feeling.

For her part, Deanna decided to try and branch out from art prints to something a bit more functional. This year she tried a limited run of tote bags featuring some of her original artwork, and suffice it to say we were all pleasantly surprised by the result, so much so that Deanna is now excitedly designing a number of items, and between you and me, expect a Etsy store in the near future.

I seized the opportunity on the Friday to get a meet and greet and photo op with the inimitable nerd icon Felicia Day. I have never really been one for such things, but the fact of the matter is that Felicia's once-production company Geek and Sundry, and by proxy Felicia herself, were hugely influential for me getting serious with writing, and I wanted to tell her as much. I also wanted to give her a copy of Summerlark, and a copy of Dragon for her daughter. I won't bloviate further past saying that she is simply a genuinely lovely person, and that it was two-hundred-percent worth the time spent shuffling through the crowded convention centre and waiting in line.

The evenings after the con had closed for the night were, for the most part, quiet nights filled with Deanna and I procrastinating on getting caught up on Game of Thrones. The exception to this was Saturday night, in which Deanna, myself, Agnes, and her boyfriend Chris were joined by the inimitable Jason Wiseman, Peter Chiykowski, David Daneman, and nearly a dozen other creative professionals in what I can only describe as the most sober bar crawl imaginable. The long and short of it is that the Steamwhistle Brewery does not, contrary to my assumptions, have a restaurant therein, the Amsterdam Brewery is a lost cause during FanExpo for any party larger than two, and it you want some of the best fries in Toronto and a shot called the Burt Reynolds, look up a little place called The Pint. It was there that our quest ended, our merriment found root, and conversations got crazy enough that the DJ started to play the music louder. 13/10, h*ckin' great time with h*ckin' great people.

The Sunday, as it always is, was bittersweet. The feeling was all the more amplified, however, by the fact that Deanna and I won't be there next year. With our wedding at the end of August 2018, FanExpo is going to coincide with our honeymoon, and despite our mutual adoration of the convention and the friends we've made over the years, the choice was a bit of a no-brainer. Weddings are hectic business, and so our conventions schedule for 2018 is pretty well up-in-the-air.

And so with that I bid farewell to this, my fourth convention season as a professional. A huge thanks again to Agnes, to the organizers, and to each and every person who stopped by, even just to take a look. See you all in 2019.

#conventions #FanExpo

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