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Out this week: Morning Star #1 (Mad Cave, $4.99):Â
Tim Daniel, David Andry and Marco Finnegan team up for the story of the widow of a smokejumper whose husband died under mysterious circumstances â which come back to haunt her and her family as she tries to scatter her husbandâs ashes.
See what else is arriving at your local comic shop this week.
#morning star#mad cave studios#comics#comic books#new comic book day#ncbd#new comics#new comics day#new comics wednesday#tim daniel#david andry#marco finnegan
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Preview: Morning Star
Morning Star preview. When smokejumper Nathan Garrett perishes in a raging wildfire, his surviving family's hopes and happiness turn to ashes #comics #comicbooks
#david andry#jason wordie#justin birch#mad cave studios#marco finnegan#morning star#tim daniel#trade paperback#trade paperbacks
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Andrås Révész (or Andris) @ The Roster Mgmt by David Ajkai, March 2018
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14 famous footballers' sons looking to make it big
Want to feel old? The offspring of players that seemingly retired only yesterday are taking their first steps in the game
Poor Alfe-Inge Haaland. A competent Premier League player who won 34 caps for Norway is now most famous for being the dad of Erling.
The Manchester City striker has already had a better career than his dad, with all due respect to the former City, Leeds and Nottingham Forest midfielder. But what about other sons of famous footballers?
Here are 14 players aged 21 or under looking to follow in their fathersâ footstepsâŠ
Etienne Eto'o
One of the greatest African footballers of all time, Samuel Eto'o enjoyed a magnificent career with the likes of Real Mallorca, Barcelona and Inter (Everton, less so).
Two of his brothers, David and Etienne, are also footballers, and Samuel has a son who is now taking his first steps in the game. Etienne Eto'o had a trial with Benfica in 2021, before signing his first professional deal with fellow Portuguese side Vitoria de Guimaraes this year.
Khephren Thuram
A World Cup, European Championship and UEFA Cup winner during his playing days, Lilian Thuram is Franceâs all-time record appearance maker with 142 caps. His first son Marcus clearly inherited dadâs talent: the Borussia Monchengladbach forward has an outside chance of being included in Didier Deschampsâ squad for Qatar.
Just over three years younger than Marcus, Khephren Thuram is a regular for Franceâs Under-21s. Born in Italy while Lilian was playing for Parma, Khephren is a key part of Lucien Favreâs Nice team.
Isaac Drogba
A Chelsea legend who won virtually everything there is to win at Stamford Bridge, Didier Drogba is widely regarded as one of the greatest strikers in Premier League history.
His son, Isaac, was part of Chelseaâs youth setup until 2018, when he joined French outfit Guingamp. The centre-forward spent a few months with Caratese in the Italian lower leagues last year, and is now turning out for Portuguese side Coimbra.
Harvey Neville
When Phil Neville joined Valencia as a coach in 2015, he brought his son Harvey with him. The youngster, who like his dad can play at full-back or in midfield, later spent three years on Manchester Unitedâs books.
Neville Jr. again followed his dad to Inter Miami in 2021. After 18 appearances for the clubâs second team, the 20-year-old was brought into the senior squad for the 2022 campaign.
Romeo Beckham
Playing his trade alongside Neville at Inter Miami is a man with an even more famous dad. Romeo, the second of David Beckhamâs three sons, once spent a few months on the books of Arsenal, and he is now playing for the MLS clubâs second team.
Inter Miami, of course, are part-owned by the former England captain. Romeo may one day feel the need to escape from his fatherâs considerable shadow.
Theo Zidane
One of the most significant figures in the history of Real Madrid, Zinedine Zidane will always be associated with the Blancos more than any other club. And although he stepped down from his role as Madrid manager in 2021, the Zidane clan still has representation at the Bernabeu.
That is courtesy of Theo, a promising midfielder who plays for Real Madrid Castilla. His two older brothers are professional footballers too: fellow midfielder Enzo is at Fuenlabrada and Luca is a goalkeeper for Eibar.
Andri Gudjohnsen
Papa Eidur Gudjohnsen is familiar to football fans from his successful spells at Bolton, Chelsea and Barcelona, plus short stints at Tottenham, Stoke and Fulham. But he hails from proper football stock: his own dad was an Icelandic international, too â Eidur made his debut as a substitute for Arnor in 1996 â and his brother came up through Swanseaâs youth system.
Now he has three sons in the sport as well. Eldest Sveinn Aron plays for IF Elfsborg, youngest Daniel Tristan is in Malmoâs academy, while middle child Andri Lucas is a striker currently plying his trade at IFK Norrkoping in Sweden. He spent time in both Barcelona and Real Madridâs youth setups, even making the senior squad for Real Madridâs Champions League campaign in 2021.
Aged 20, Andri has 12 caps for Iceland and two goals to his name.
James Carragher
A boyhood Everton fan, Jamie Carragher became a Liverpool legend during a one-club career which saw him play 737 times for the Reds. His son James spent six years in the clubâs academy but was let go in 2017.
Picked up by Wigan, Carragher Jr. made his professional debut for the Latics in August 2021. A 6ft 4in centre-back, the 20-year-old is currently on loan at Oldham in the National League.
Gio Reyna
A United States international, Reyna was also eligible to represent England due to his birthplace of Sunderland. His dad Claudio was playing for the Black Cats at the time; the midfielder also turned out for Bayer Leverkusen, Rangers, Manchester City and New York Red Bulls during his career.
His son Giovanni came through the New York City academy before moving to Borussia Dortmund in 2019. He has since made 86 appearances for the German giants and won 14 caps for his country.
Maurizio Pochettino
Mauricio Pochettino is known for his managerial exploits these days, but he had an excellent playing career with the likes of of Espanyol, PSGÂ and the Argentina national team.
His son Maurizio spent time at the academies of Southampton and Tottenham while his dad was the first-team manager of both clubs. After spending last term at Watford, the 21-year-old joined Spanish side Gimnastic in the summer.
Maxim Gullit
Ruud Gullit was one of the best footballers of his generation. A title winner with three different clubs, the Dutchman also lifted two European Cups with AC Milan and Euro â88 with the Netherlands.
His son Maxim would do well to match his fatherâs achievements in the game, but the Cambuur defender comes from rich footballing stock: his mum Estelle is a niece of the late, great Johan Cruyff.
Daniel Maldini
When Daniel Maldini made his AC Milan debut in 2020, he was the third generation of his family to play for the Italian giants, after grandad Cesare and father Paolo. But unlike those two club greats, the youngest Maldini is not a defender but an attacking midfielder.
He has made 24 appearances for the Rossoneri in total but is spending the 2022/23 campaign on loan at Spezia.
Charlie Savage
Robbie Savage was on co-commentary duty for BT Sport when his son Charlie made his Manchester United debut in 2021. âWhat a proud day for my boy⊠what a day for me, his mother, his grandparents,â an emotional dad said as the young midfielder entered the Old Trafford pitch.
A Wales Under-21 international, Savage Jr. plays in the same midfield position as his dad - although the 19-year-old insists heâs less tenacious and more technically gifted than the old man.
Benjani Jr.
Benjani played for four Premier League clubs - Portsmouth, Manchester City, Blackburn and Sunderland - between 2006 and 2011. The striker went on to represent two clubs in South Africa, before hanging up his boots in 2014.
His son, known as Benjani Jr., signed a professional contract with Yeovil Town in October 2022, having previously been part of Portsmouthâs academy.
By Greg Lea - FourFourTwo
#Famous footballers sons#Etienne Eto'o#Samuel Eto'o#Khephren Thuram#Lilian Thuram#Isaac Drogba#Didier Drogba#Harvey Neville#phil neville#Romeo Beckham#David Beckham#Theo Zidane#zinedine zidane#Andri Gudjohnsen#Eidur Gudjohnsen#James Carragher#Jamie Carregher#giovanni reyna#claudio reyna#Maurizio Pochettino Jr#Maurizio Pochettino#Maxim Gullit#ruud gullit#Daniel Maldini#paolo maldini#Charlie Savage#Robbie Savage#Benjani Mwaruwari Jr#Benjani Mwaruwari#football
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Welcome to El Ărbol Fusion Restaurant
Functioning Hours:
Sunday -Thursday 10:00am - 9:00pm ETÂ
Friday -Saturday 10:00am - 12:00am ET
Located in Windenburg, El Ărbol is the latest restaurant opened by humanitarian chef Jorge Andris. With a minimal but tropical decor, imported wines from all over the sim's world, and delicious gastronomic haute cuisine we are sure this latest hot spot will delight any sim's pallet.
Gallery ID:Â NicoleSimblr
Make sure to check the âinclude custom contentâ checkbox otherwise my builds wont come up.
Additional Information, including CC list below.
Important Information:
Enable bb.moveobjects when placing down
I use gshade preset Tofu by @ellcrze, so colors might look different for you
Always feel free to tag me if you download and use the lot, it makes me so happy!Â
This build uses a lot of items from the dessert luxe pack, so I highly recommend having that pack which hopefully everyone has since it was free!
CC Information
note the * denote the cc that is not required or only use one item from a set and are simply decor elements you can pass up.
Tuds - Inds 01-03, Cave, NCTR - note all of these sets are required
Myshunosun - Gale Dining (I would argue this is also required)
HeyHarrie - Brownstone (wallpaper, windows), SPOONs (Couches), Jardane
Harlix - Orjanic (columns), Jardane
CharlyPancakes - CHALK pt 2 (Floor)
Pierisims - MCM (plant), Davids Apartment (Rug)*
#ts4 gameplay#showusyourbuilds#ts4 build#ts4 community lot#ts4 build download#ts4 restaurant#ht:build download#ht:build
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What do these true educational resources, from which we may learn collectively, have in common and how do they differ from the mainstream pedagogical approaches based on competition, separation and control? When and with the help of which tools can active care become a communal social and political instrument, providing voice and agency, rather than depriving of it? How can notions such as attention, observation, dialogue and listening become key strategies leading towards the creation of new shared ontologies, opening up new scenarios and providing different horizons?
This series of talks will explore the topic in collaboration with invited guests as well as the community around the David Graeber Institute.
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 Hi yâall! As promised, hereâs my 2023 reading wrap-up â my reviews and thoughts about some of the books I read this year :) As a heads up, some of these reviews may contain very very vague and mild spoilers just because I personally feel like itâs impossible to give a good sense of my thoughts on media without that; so Iâll list the books Iâm going to include in the order mentioned above the cut in case you want to 100% avoid any potential spoilers. Another disclaimer- these reviews are each quite different in content; my goal was to give a synopsis (except for a few I didnât feel were worth my time), give my thoughts and mostly-non-spoilery takeaways, and connect to an overarching theme of this post. My initial goal was to write like 2 sentences for each book, but that definitely is not what happened. This is a long post. A long post where I gave into my inner booktuber and wrote like I was doing a video. I enjoyed writing this, but. Itâs a lot. You might not enjoy reading it.
If youâve read these books, Iâd love to hear what you all thoughtâŠSince these are all books I read this year, I havenât gotten to re-read any yet, and Iâd love to have some new things to think about when I do! Please tell me if you check out these books after reading my list <3
AlsoâŠlet me know if you have any books youâd recommend. I think this list might just give a sense of my picky taste.Â
Iâd like to give a shoutout the love of my life, Libby, for making this possible.
Books, in order of mention, with numerical ratings:Â
What Moves the Dead- T. Kingfisher: 5/10
The Hollow Places- T. Kingfisher: 6.5/10
The Hacienda- Isabel Cañas: 9/10
The Honeys- Ryan La Sala: 7/10
Iâm Thinking of Ending Things- Iain Reid: 7.5/10
The Ruins- Scott Smith: 3.5/10
The Cabin at the End of the World- Paul Tremblay: 4.5/10
The Beautiful Ones- Silvia Moreno-Garcia: 4/10
The Daughter of Doctor Moreau- Silvia Moreno-Garcia: 6/10
Where Ivy Dares to Grow- Marielle Thompson: 5/10
Beloved- Toni Morrison and The Turn of the Screw- Henry James (brief discussion, no ratings)
Paris Is a Party, Paris Is a Ghost- David Hoon Kim: 8.5/10
The Fragile Threads of Power- V.E. Schwab: 4/10
The Invisible Life of Addie LaRue- V.E. Schwab: 4/10
When the Angels Left the Old Country- Sacha Lamb: 6.5/10
The Ballad of Songbirds and Snakes- Suzanne Collins: 8.5/10
Project Hail Mary- Andry Weir: no rating because didnât finish (bad)
Station Eleven- Emily St. John Mandel: 7.5/10
Severance- Ling Ma: 9/10
Annihilation- Jeff VanderMeer: 9.5/10
The Archive of Alternate Endings: Lindsey Drager: 8/10
Ok, letâs kick this off with my first category: horror and/or I read this because I thought it was horror but it wasnât. Over the last two years or so, Iâve gotten into reading horrorâish books, because I like the genre expectations, and it freaks me out less to read it than watch it.
Over the summer, I decided to check out T. Kingfisher. Iâd heard good stuff about her as a horror author. I first read What Moves the Dead. This is an adaptation of Edgar Allen Poeâs short story âThe Fall of the House of Usher.â Both this book and the new Netflix show are pretty different from the original and each other, but of the two adaptations, What Moves the Dead is probably closer in tone and setting (19th century countryside, gothic elements), but thatâs mainly because the Netflix show has barely anything to do with the original (thanks Mike Flanagan!). Like the original, the plot kicks off with the narrator receiving a letter from the Ushers asking for help, leading them to travel to a crumbling manor. On the other hand, Kingfisherâs book does casually take place in what must be an alternate reality; itâs set in the fictional country Ruritania, and the narrator, Alex, is from another fictional country Gallicia. This world building mainly functions to normalize nonbinary identity and unique sets of pronouns. This does play into the plot, but I feel like it wasnât necessary to create a fictional culture just for this, or otherwise it shouldâve played more of a role in the storyâŠlike the narrator couldâve just said ka uses neopronouns and it wouldâve been more straightforward than creating whole new countries. This worldbuilding aspect was probably my biggest issue with the book (though of course I love cool linguistic discussions about pronouns and gender!), maybe along with the random cameos by Eugenia Potter (as in, relative of thee Beatrix Potter, of Peter Rabbit fame). There are some great creepy bits with fungus, rot, rabbits, and corpses. There are some similarities to the fungal horror in Mexican Gothic (which T. Kingfisher actually discusses in the appendix), but itâs not quite the same â either way, we love the crossover between fungus and gothic lit! Overall, certainly a far better adaptation of Poeâs story than Mike Flanaganâs, but some of the original content seemed out of place, while other original aspects needed more fleshing out. 5/10.Â
I decided to try another book by T. Kingfisher, The Hollow Places, which I had heard really good things about! This oneâs an adaptation of the novella âThe Willowsâ by Algernon Blackwood, which features some sinister willows and cosmic horror (fun fact: I read the novella because Algernon Blackwood is where Martin Blackwood of TMA gets his last name) (fun fact 2: read âThe Willowsâ it fucks. itâs free on project gutenberg). Unlike What Moves the Dead, Hollow Places takes place very much in the present, following a recently divorced woman who moves into her uncleâs museum of oddities. She and her GBF (okay, actually, heâs the eccentric middle aged neighbor who is a barista at the cafe the narrator goes to get wifi, but he does feel a bit gay best friend cliche to me) slip through a hole in reality to an in-between dimension full of willow-y islandsâŠand hungry eldritch beings beyond their perception. Please appreciate that full sentence. I really liked the times while the duo was in this other place, but some of the moments in their own dimension felt a bit discordant; I honestly think itâs because their present was so modern. Like it felt weird to read them discussing memes after exploring a deadly pocket world. But maybe thatâs the point of setting horror/fantasy in the modern world instead of a vague past. Despite this complaint, I actually think this a better adaptation in comparison to What Wakes the Dead, with original content nicely expanding on aspects of the novella. I did kinda hate the climax, but Iâll ignore that and rate this 6.5/10. When you fear getting torn apart by terrifying otherworldly beings, it really does put your ex-husbandâs annoying texts into perspective.Â
Before I get back to mid books, letâs talk about one I really liked: The Hacienda from Isabel Cañas. I actually wrote a few notes about this right when I read it because I knew I wanted to share something about it eventually. Those notes were: âcinematic, especially in flashbacks, not so typical final girl or just female protag period.â Which was not that helpful for writing this review because I donât remember wtf I was talking about, but Iâll try to interpret past-Julia for you all. The book takes place after the Mexican War for Independence, during which the father of the main character, Beatriz, was executed. So, with her and her mother dependent on the goodwill of their cruel estranged family, Beatriz happily accepts a proposal from a hacienda owner and is ready to prove herself a capable homemaker. But, thereâs something deeply wrong with the house, something that wants Beatriz dead. The only one that believes her is the priest AndrĂ©s, who has recently returned to the area, where his beloved grandmother had taught him witchcraft and had been a pillar of the community. He struggles to keep his witchcraft secret, while protecting Beatriz and trying to take on his grandmotherâs mantle. I think I enjoyed nearly every moment of this book! I got a little stuck on the beginning, but once I got through the first few chapters, I was so invested in the story and was really following the ups and downs as Beatriz tries to solve the mystery and escape some evil shit. I loved the main characters, especially the women and Beatrizâs role as a gothic/horror heroine (hence the ânot so typical final girlâ note?), and I remember being surprised by the actions of characters I thought I was rooting for! Also, it must be said. Hot. Priest. Iâm not generally a big fan of romances, but it worked for me lol. And, as I said in my notes, some scenes were so cinematic- I could picture exactly how theyâd play out in a (good) movie. 9/10! I need to reread this, it was one of my favorite books I read this year!Â
Around the same time, I read The Honeys by Ryan La Sala, and also had written down some terrible notes (adding some punctuation to make it semi-readable): âthe horror of hypermasculinity, hyperfemininity, and the gender binary, bees, mean girl cliques, superorganisms like bees and aspen and rot. Actually very similar to midsommar in terms of grieving protag and sunlight horror and uhhhh joining a cult. Also I learned the term social horror.â I think that says it allâŠbut Iâll give a more clear summary. When Marsâ twin sister dies terribly, he decides to attend her preppy summer camp in her place to reconnect with her memory and learn about her strange violent death. Mars is genderfluid and has always struggled in his political and public-facing family, thus resulting in his parents placing their hopes and confidence in his sister. But at Aspen Conservatory, Mars finds himself drawn away from the traditional gender roles of the camp and toward his sisterâs elite and insular female friend group, the Honeys. They seem to accept Mars as one of their own, but what exactly does that mean? Overall, I really enjoyed the book, especially for all the creepy stuff that happens by daylight. Itâs a great example of social horror; the gender binary sure is sinister in this book! I had a few complaints though. I thought Mars was a fun protagonist, but I didnât always understand his motivations and occasionally he felt a bit annoying to meâŠbut he is a teenager who has just witnessed his sisterâs horrific death, so perhaps that behavior was intentional. I wasnât a fan of the mystery reveal/conclusion, it felt a bit out-of-left-field to me, but maybe I just missed something. Also, it was a little too YA for me at this point in my life (though I wouldnât actually classify it as strictly YA, if that makes sense), but Iâm picky about genre, as you will see in these reviews. 7/10â after writing this review, Iâm definitely considering rereading so I can see if I pick up on more foreshadowing!
I had a note saved for my next book Iâm Thinking of Ending Things (Iain Reid), but itâs a spoiler for the entire thing so I wonât share. All Iâll say is, it was a joke about final girlsâŠyouâll get it if you read it. I read this after trying to watch the movie on Netflix and giving up because it was boring in a discomfiting way (the stilted conversation and repetition was all intentional but it was getting to me), but I still wanted to know what happened and figured the things that bothered me in a film media wouldnât be problematic in a book. I honestly donât know how to describe this because itâs super surrealist and very easy to spoil with any of my personal takeaways. Most basic summary of all time: a woman questioning her relationship with her new boyfriend decides to go on a road trip to meet his parents. I actually recommend watching the movie trailer to see whether youâd like the book, because it gives a good sense of the inexplicable weird and tense vibe and atmospheric horror. 7.5/10 because reading this made me feel itchy. It was supposed to make me uneasy, and it sure did the job.
Ok, next are two books I donât feel like describing in depth because they were mid/bleh. The first is The Ruins, by Scott Smith. I just learned they made a movie of this? I was thinking that it would actually work better as a movie than a book, but apparently it did terribly in theaters. Quick summary- four young American tourists in Mexico explore Mayan ruins in search of a fellow traveler, but become trapped on a hill covered with man-eating vines. The official summary mentions âa creeping horrorâ and âthe terrifying presence that lurks there,â so I want to explicitly say that the big bad is man-eating vines because I was expecting something a bit deeper based on the blurb. Iâd classify this as survivalist/nature/psychological horror and want to note itâs pretty gory. Iâd give 3.5/10. Itâs fine, but not what I look for out of the horror genre.Â
The second book is The Cabin at the End of the World (Paul Tremblay). I saw really good reviews for this (btw thereâs also a movie, which I havenât watched but apparently is very different), but it also wasnât all that interesting to me. I honestly donât remember the plot very well/donât feel like I have anything to write about it, so you might be better off looking it up, sorry. Iâd give 4.5/10 though.Â
Next, we have a few books that fit under the âI read these thinking theyâd be horrorâ umbrella. This is my own fault for assuming Silvia Moreno-Garciaâs other books would be similar to Mexican Gothic. I would say I mainly didnât like these books because I thought they were going to be a different genre, so take my word with a grain of salt. I read Moreno-Garciaâs The Beautiful Ones and The Daughter of Doctor Moreau over the summer. The Beautiful Ones is what I learned is called a ânovel of manners,â where the quirky main character must navigate elite society to search for a suitor. The twist is that this takes place in a historical fantasy universeâ the main character and her love interest have telepathic powers. I wish that the fantasy elements were more smoothly incorporated; I think this book couldâve been much better as magical realism. Even if the author didnât want magic to be the main focus but for it to still be included in the story, magical realism would make that possible! Iâd give 4/10, but thatâs partially because Iâm not really interested in the genre; if you like romance or YA fantasy with a twist, this might be fun, but I unfortunately do not!Â
I somehow made the same mistake with The Daughter of Doctor Moreau. Okay, actually this one mightâve been a result of requesting it on Libby months before, then forgetting what it was by the time I got the book. This one I liked a bit better because the story had more interesting political meaning and is sci-fi/historical fiction, but it still wasnât 100% for me. Itâs inspired by H.G. Wellsâ The Island of Doctor Moreau, which I havenât read, so I canât comment on this as an adaptation. It takes place at a hacienda in 19th century Yucatan, Mexico, where Dr. Moreau experiments making human/animal hybrids and cares for his sickly daughter, Carlota; beyond their estate, a Mayan rebellion is mounting. The plot kicks off as the Moreauâs resources dwindle, and they hope to resolve their financial troubles with a union between Carlota and their patronâs sonâŠbut, of course, things are not what they seem at the hacienda. I enjoyed reading the book, mainly for the commentary on connections between colonialism and patriarchy, and was definitely invested in the story, but I think it just wasn't my tasteâ all in all, though, 6/10.
One more book in this category, but this oneâs not actually my fault. This one actually mentions Mexican Gothic in the description just to fuck with me I guess. Where the Ivy Dares to Grow (Marielle Thompson) does indeed intentionally use gothic tropes and subverts them, which I guess is cool, if you donât carry a sense of betrayal about getting gothic lit baited :/ Saoirse travels with her fiance to his familyâs ancestral manor as his mother reaches the end of her life, but his parents have nothing but contempt for Saoirse. Plus, the passion has long since cooled between her and her fiance, especially as he has grown exasperated with her mental illness that causes her to disconnect from reality. Though the manor seems unwelcoming at first, she eventually grows attuned to its idiosyncrasies, and begins to slip back in time to meet her fianceâs charming ancestor. While I found a lot of this book frustrating (not just because of the genre betrayalâŠ), I did like the incorporation of a protagonist with a dissociative disorder (specifically, Depersonalization-Derealization Disorder) into a fantasy genre. I think many times with fantasy, characters will question their sanity, only to be reassured with the realization of the truth of their magical reality. Here, the fantasy setting doesnât negate Saoirse's struggle with mental illness, or vice versa. I think the conclusion was well done in this vein, and it increased my perception of the whole book. Despite my bitterness. 5/10.Â
Before we leave the horror genre, I want to mention 3 books I read during my ghost fixation this spring, which donât 100% fit as horror, but y'know, ghosts. I read Beloved (Toni Morrison) for the first time ever! Thereâs a million things online/in literature about Beloved, itâs a classic, nothing unique I can say, other than itâs so so incredible and who am I to give it a rating. My class read The Turn of the Screw (Henry James), which is the 1898 novella that âHaunting of Bly Manorâ is based on (once again, Mike Flanagan is out here making wild adaptationsâŠ). We discussed it through a queer theory lens, and I recommend reading it with attention to sexuality and innocence, and how interrogating these things can be deeply violating.Â
I read an excerpt of David Hoon Kimâs Paris Is a Party, Paris Is a Ghost for that same class, and I liked it so much that I read the whole book. Fun fact- half of the title alludes to the poem âGhost Q&Aâ by Anne Carson, which I actually used in a web weaving post (hereâs the relevant line: âA: have you been to Paris; Q: no; A: Paris is a ghost; Q: no itâs notâ). It plays with nonlinear time, since ghosts classically disrupt the progression of time and the definition of a âpresent;â us trc folks are quite familiar with that⊠The book follows (in the most ghostly use of the word) Henrik, a Japanese adoptee raised by Danish parents, an expat living in Paris. To top off the layers of identity and belonging, Henrik begins working for a blind physicist (i.e., someone who canât see and question his ethnic background) as a translator between English and French, neither of which is his first language. The book is divided into three parts across Henrikâs life; the first centers around the implications of his girlfriendâs hikikomori. The third part focuses on Henrik later in adulthood, which I personally found less engaging than the other two (which I REALLY liked), but that may just be me and my interests as a young person, and that was my only issue with the book. Iâd say this book is for fans of nonlinear storytelling, ghosts (of course), interrogation of identity, language and the art of translation, ambiguity, and weird shit. 8.5/10. Also I have a pdf of the first chapter (from when I read it for class), so DM me if you want to read a sample.Â
Finally, we are done with horror (or are we? More on that later).
Next is a category I call âYA/YA adjacent/adult fantasy/gave me YA vibes sorry I know this is a controversial classification but thatâs how I think of it.âÂ
Iâve already made two petty posts about the two V.E. Schwab books I read this year , The Fragile Threads of Power and The Invisible Life of Addie LaRue (hereâs one post, canât find the other now). They wereâŠfine. First, Fragile Threadsâ itâs a spinoff series (?) from A Darker Shade of Magic, which I read a while ago and liked but forgot the details, so I think Iâm a pretty good objective reviewer here. This new book takes place seven years after the original series and follows the original main characters and a few new ones. I think it was a good choice to have this fairly hefty time skip. The original characters are now in their late 20s/early 30s, which is unusual in the genre (or often post-time skip, the charactersâ issues will be suddenly all solved and theyâre all comfortably settled into adult life and domesticity). On the other hand, the new main characters are both tween girls, which felt like a strange choice and made everything feel kinda disconnected. I wouldâve liked to spend more time with the new characters; the older set had pretty disproportionate screen time (perhaps Schwab felt readers who are big fans of ADSOM would be unhappy otherwise?). The major plot beats felt really rushed and unearned (especially the resolution of one of the major conflicts offscreenâŠif youâve read it you know what I mean). When the next books in this new series come out, Iâll check them out, but Iâm not that invested. 4/10. Regarding Addie LaRue, yea it was mid and I donât feel like delving into it. readwithcindy has a video about the whiteness of the book and books like it, which is worth checking out. Also 4/10. I still donât believe that every person in the world would feel compelled to COMMENT ON ADDIEâS FUCKING FRECKLES WHAT IS SO SPECIAL ABOUT HAVING SEVEN FRECKLES I DONâT GET IT??????? Anyway.Â
As per many tumblr recommendations, I read When the Angels Left the Old Country (Sacha Lamb). Itâs a queer Jewish immigrant story that follows an angel and demon who are chavrusas (Talmudic study partners); they leave their shtetl for America to find and help a girl from their village. Along the way and through their time in America, they explore things like free will, gender, names and identity, labor justice, and fucking up rich people. I felt like this was a good historical fantasy, and Iâm always up for Jewish fantasy! Iâm not super into the angel and/or demon thing I know tumblr people like, so fans of those tumblr posts that are like âan angel is actually high tension wiresâ would probably like this. 6.5/10 - not 100% my taste, but definitely a fun read and I canât believe this is the only really Jewish book I read this year. Someone tell me about more Jewish books please.Â
Thereâs a couple other books I read in this category, but I donât feel strongly about commenting on them (and we definitely donât need to discuss the fact I read two game of thrones books in like a week for no reason), so letâs move on to my next set, sci-fi/apocalypse-y/dystopia.Â
I read A Ballad of Snakes and Songbirds early this year. Obviously lots of people have been discussing it recently because of the movie, so all Iâll say is that I was pleasantly surprised. I was nervous it might be another pointless spinoff about a villainâs backstory (and trying to justify their actions), but this is definitely not that. This book had shit to say, and it was really well done. 8.5/10.Â
I want to start the rest of this category with a book I didnât like before getting into books in this genre that I felt worked so much better, at least for me. My brother sent me a paragraph-long text with a glowing review of Project Hail Mary (Andy Weir). Heâs not a big texter, so I figured I had to check it out- I joined the long long waiting list for the book. And, I couldnât get through it. I really tried, but everything about it annoyed me so much, despite the fact I had liked The Martian which is a fairly similar style. First, the narrator exemplifies the worst of scientist characters; while reading this book, I posted several times to complain about this problem. If you havenât seen my many personal posts about my life, I currently work in a microbiology lab and ultimately want to become a research scientist. I regularly interact with truly incredible scientists, people I aspire to be like one day. But if I asked my supervisor to calculate a starâs orbit in her head, I think she might slap me. I really donât think you can write a realistic scientist who is an expert in every subject, and the weirdly humble and immature attitude of the bookâs narrator pissed me off more because of this. The fact he claims to be a microbiologist but seems to do everything but microbiology is beyond the pointâŠIt would be much more interesting to me to have the narrator find himself so out of his depth in a time of crisis and/or when alone in space. Of course, this would require some more creativity to move the plot forward, but that could be really cool! My other major reason for not finishing was the actual apocalyptic conflict. This was more a personal thing for me than a book problem; the conflict is a bit convoluted, but not bad in itself. Honestly, reading about an all-consuming response to a planetary crisis was just overwhelming and some aspects of their stopgap solutions made me physically nauseous (I donât want to give specific spoilers but uh. I think the idea of what happens with the Sahara and Antarctica were what actually made me finally stop reading). On the other hand, it made me so sad to think about a reality where such a crisis warrants the appropriate response. We have a real planetary threat on our hands, and we canât even mobilize the bare minimum measures because of the same capitalist and exploitative motivations that have driven climate change this whole time. This second unrealistic aspect gave me a good dose of climate doom. I canât rate the book because I didnât finish, but Iâd be really interested to hear your thoughts on this one, since I donât understand why it has been so praised.Â
I do think itâs possible to more realistically handle the idea of proportionate crisis response and normalcy/lack thereof in an apocalypse situation. We have all been living through a pandemic and have all personally experienced how quickly the definition of âlife as normalâ can change, as well as seen our worldâs failure to raise a just and appropriate response when profit is in the picture. Iâve felt pretty sensitive to how fiction handles these topics, and I have a few broad categories for pandemic media: pre-COVID and eerily accurate or pre-COVID and absolutely inaccurate; post-COVID and insensitive (it gives the audience a little elbow, like âhey we all remember THAT right, look, itâs been incorporated into this story lol!â) or post-COVID and tastefully incorporates some interesting insight or post-COVID and ignores the whole thing (though itâs a different question whether you can create something fully new without incorporating lived experience even subconsciously) (as another note, I want to add that before 2020, I was really into the science history of pandemics, but havenât done much reading on that front since) (also, when I say post-COVID, I mean post-outbreak. COVID rates are soaring right now, letâs stop ignoring this. While weâre in a parenthetical, please get the new vaccine if it is accessible to you).Â
Both Station Eleven (Emily St. John Mandel) and Severance (Ling Ma) were indeed published prior to 2019, and so they fit into category #1. Reading them this year actually felt really valuable and almost cathartic, rather than anxiety-inducing. Station Eleven loosely follows several people who are connected by their involvement in a production of King Lear immediately before the outbreak of a deadly flu. The fairly extensive glimpses into their lives prior to and after the outbreak round out really nicely. I like that we see such a range of ages of characters. One of the main characters was a young child when the flu started, and most of her screen time takes place twenty years after; only a small fraction of her life took place in what the older characters view as ânormalâ times. So what does that mean for people like her (or those born after the outbreak)? Should she be mourning something she experienced for just a few years? Her whole life has taken place during a period of apparent transition, but what is the world transitioning to? When does a transition end? After twenty years, thereâs a sense of peace and predictivity to her reality- isnât that a sort of normalcy? I also really liked the way all the characters were loosely connected to one another; there are lots of books with such setups, but I like that this connection doesnât entail some great mystery or a climactic meet-up. Connection is just how the world works. 7.5/10; it left me with things to think about, but it was a bit of a slow read for me at some points.
While I read Station Eleven because I saw my lovely mutual posting about it, I read Severance because my coworker posted about itâŠbut what are mutuals if not coworkers. It is similarly made up of pre- and post- outbreak scenes, but it follows only one character, Candace Chen (interesting quote from a New Yorker article about this choice: â...Ma flouts a trope of dystopian fiction, a genre that, with its fixation on the fate of civilization, has a tendency to produce protagonists meant to stand in for society at large. Rather than an Average Joe, Ma gives us a Specific Chen, conjuring an experience of the apocalypse through the lens of someone whose variegated identity is not an exotic distraction but part of the novelâs architectureâ). These scenes of the past are less strictly cohesive flashbacks, and more snippets of Candaceâs dispassionate existence. When the epidemic breaks out, she keeps working her corporate job in bible manufacturing in New York City, even as her superiors and coworkers leave or fall ill, even as the cityâs infrastructure crumbles and she moves into her office, until she eventually is rescued by a band of survivors. Candace is a cog in a machine, otherwise adrift and lonely in late-stage capitalism. The Shen Fever isnât a disease where the victims fall ill and die, leaving the sight of the narrative; the fevered linger, acting out loops of their daily/familiar routines until they finally wear themselves ragged and die. So, there definitely is more cutting, explicit criticism of consumerism and capitalist society in Severance than Station Eleven. Itâs also more psychological (and ambiguous). While Station Eleven gave me a sense of peace and calm occasionally, I never felt that here, where the non-fictional aspects of life under late-stage capitalism is inseparable from the bookâs fictional dystopian elements (perhaps the difference in tone between the two books is because Station Eleven is about connection, and Severanceâs narrator exemplifies the disconnection wrought by capitalism). Thereâs not really a sense of urgency or stress, though. In my opinion, thatâs because (as many of us have experienced) when crisis is happening all the time, people become exhausted and adjust their idea of normalcy to some level of tragedy. Between the symptoms of the fever and Candaceâs commitment to work a pointless job through a pandemic, this book really did eerily reflect the worldâs insistence on âlife as normalâ during the beginning of COVID. There is so much more to talk about with Severance (I was mainly focusing on how it compares in regard to a sense of normalcy in crisis, but thereâs SO much interesting stuff in it- I didnât mention at all, for example, the role of immigration), and I highly recommend checking it out if you donât mind an uncomfortably realistic sense of impending capitalistic doom! 9/10.
These three apocalypse books all used scenes set before, during, and after the onset of a crisis, so itâs interesting to me that they have such different relationships with normalcy. Iâd be super intrigued to hear what yâall think about these books (or other similar ones) and their very different treatment of the same themes.
Sorry for the mini book report there. Itâs time for me to talk about one last sci-fi book, which was actually one of my top books of the year- Annihilation (Jeff VanderMeer). I read this after I finished my last finals of my university career, and I finally had some time to myself. It was a strange and liminal sort of period for me, existing in this space for two weeks where I was just anticipating graduation and my move to a new city, a looming end to life as I had known it the last 4 years. I spent several evenings sitting on the quad, enjoying the nice May weather, and barely noticing as the sun set and it grew dark around me. I really expected nothing from Annihilation and couldnât believe how much I loved it. For one, it gives me hope that scientist characters donât have to be awful (unlike Project Hail Maryâs protagonist, the narrator here sticks within her field and even explicitly mentions being recently refreshed on the scientific topics relevant to the story). I donât know what genre you would call thisâ itâs like 60% horror 40% sci-fi (but I couldnât bear to add another book in the horror section, thatâs why itâs in here, and also I wanted another jab at Project Hail Maryâs protagonist); itâs cosmic horror, where the incomprehensible thing is biology and the strange inhuman beauty of nature. The narrator is simply called The Biologist, a woman who is absolutely fascinated about the natural world; sheâd be satisfied staring into a puddle in a parking lot for hours. I love her. She joins a mission, made up of women also referred to simply by their fields, to learn more about the mysterious environmental disaster zone called Area X. The movieâs description calls this a âmysterious zone where the laws of nature donât apply,â but I think the Biologist would say the exact opposite. The story, told through her field journal, records the teamâs investigation into Area X and the terribly strange and beautiful things she encounters there; meanwhile, she reluctantly reveals her not-so-scientifically-objective motives for signing up for this doomed expedition. Youâve probably heard of the movie and/or seen gifs of its beautiful visuals; this is one of the cases where the movie is pretty good (and Oscar Isaac is there), but itâs really a completely different piece of media than the book- I recommend reading the book as a separate entity than the movie. This one is a 9.5/10! Once I reread and better understand the conclusion, Iâd probably add that 0.5 points back. Has anyone read anything similar to Annihilation they recommend? I need more of a funky scientist interacting with surreal natural horror.Â
Ok, one last book that I would consider miscellaneous to my categories here, but theoretically could be scifi?Â
I read The Archive of Alternate Endings (Lindsey Drager) after seeing a quote from it in a tumblr post. In fact, you mightâve seen the post I recently made with a different excerpt from it. I finished it just before the new year so that I could fit it in here and give it the honorary place of the last book :) Archive combines a lot of things I know yâall like: the circularity of time, folktales, web weaving, siblings, tragedy, nautilus shells, etc. Since weâre at the end of this post, Iâll give a better go of describing an experimental book: a natural history of storytelling, as traced through the tale of âHansel and Gretelâ and Halleyâs comet. Not sure if that makes sense, but essentially, Archive reveals the human connections at each 74 year interval of the cometâs orbit, from 1378 to 2365, through revisiting the meaning of âHansel and Gretelâ to different pairs of siblings. Compared to other works that attempt to do the grand connections across time and space thing, Archive does this very well, probably because this structure is not an afterthought and itâs not a tool to build anticipation of the characters meeting- itâs the thesis statement. One thing I did have trouble with was the incorporation of real historical figures into this piece, especially considering its structure. I was able to more easily digest some of the historical liberties taken than others; I didnât mind the historical figures and original nameless characters separately, but it was strange to see Ruth Coker Burks (though sheâs not named explicitly) interact with a pair of fictional siblings. 8/10. Other than that issue, I think this book worked well and was a great last read for 2023!
I said that was the last book, right? Sorry.
I realized Iâve never posted here about one of my favorite books, and I want to use this as the chance to talk about it, if anyoneâs still reading at this point.Â
I read A Tale for the Time Being (Ruth Ozeki) in the spring of 2022. I learned about this book because someone had left it in a classroom I was teaching in, and I thought the title was great, so I took a picture of the cover and eventually searched for it at the library. Howâs that for fate? Hereâs a brief summary. A novelist with writerâs block finds a journal that has washed ashore. Alongside the novelistâs annotations, we read the words of Nao, a Japanese teenager. Nao has decided to kill herself, but first she wants to do something thatâll matter: write about the incredible life of her great-grandmother, a hundred year old Buddhist nun. Despite her best attempts to focus on her grandmother, Nao ends up using the journal as a diary, documenting the events of her own life that have led her to plan a suicide. While Naoâs life and her intentions are obviously extremely bleak, she writes with a delightfully bright and peppy voice that makes her journal both a pleasure to read and that much more devastating, as we quickly begin to care deeply for Nao. The novelistâs parts of the book are objectively weaker than Naoâs, but her role as helplessly studying the journal years in the future is definitely necessary for the book to work (plus sheâs the framing device). I do want to note content warnings for Tale; suicide, of course, but also I was surprised by brutality of Naoâs bullying (Iâd loosely define some of it as torture) and the escalation of events toward the end. So adding some less obvious CWs in case people wanna check it out: graphic depictions of bullying; sexual assault; racist fetishization of Japanese women; child neglect; and lots of discussion of suicide. Beyond that, Iâd add that this book is just absolutely packed full of everything, which can make it seem occasionally a bit all over the place, but itâs all connected, so itâs worth it to try to follow the various threads. From reviews I see online, some people LOVE this book, others hate it, so it might be an acquired tasteâŠbut personally, I recall it as one of the best books Iâve read and am going to take this as motivation to finally reread it.Â
Right, now we are done. So what are the takeaways of this ridiculously long post ? Here are few bits of wisdom I learned from my 2023 reading: You have got to read the originals that adaptations are based on because Mike Flanagan and co will fuck around with the source material, but also because knowledge of the source material can add a lot to your understanding of an adaptation you enjoy (and thereâs usually a reason someone found them worthwhile of adaptation). Screwing with time can work incredibly well in any genre, but it will come off as cheap if the author doesnât get the implications of non-linear time and just wants an excuse for excessive flashbacks. There is good pandemic fiction out there, you just have to avoid cringey COVID-derivative material. Stop making your scientist characters be experts in everything, and start making them obsessed weirdos. And take better notes than a string of adjectives if you want to write in-depth book reviews.Â
Thanks for bearing with me through this post! Let me know what you think! Did you read these books? Agree with me or disagree with every word? Do you have any recommendations for me? Read something good with a ghost in it? Or do you want to share books from this year you hated? And should I channel my inner booktuber and do more posts like this?
Happy New Year!
Julia
#hi guys! i said this was long right? because its really long#i was possessed by the spirit of insanity and book blogger#this was one of the few times where me taking forever to finish something wasnt because gave up. it was because i wrote so much
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If youâre new to my work (which you might be because Iâm new to Tumblr), Iâm a comic artist. Biggest comics Iâve drawn so far are:
The Autumnal, a nearly 200 page horror comic by writer Daniel Kraus (The Shape of Water), myself, and colored by Jason Wordie, lettered by Jim Campbell, and published by Vault Comics.
House of Slaughter (Vol 1), a spin-off of critically acclaimed series Something Is Killing The Children, written by James Tynion IV and Tate Brombal, drawn by me, colored by Miquel Muerto, and lettered by Andworld. Published by BOOM! Studios.
Iâm currently working on 2 comic series that are coming out monthly, also from Vault and Boom:
Nightfall Double Feature is a horror double feature, 2 ongoing horror titles in one book each month. 60 pages of comic in each issue. The story Iâm doing in that is called Denizen, itâs written by DB Andry and Tim Daniel, colored by Jason Wordie, and lettered by Andworld. Published by Vault Comics.
Specs is a horror comic by writer David Booher (Canto), drawn by me, colored by Roman Stevens, and lettered by Jim Campbell. Published by BOOM! Studios.
Other than that, Iâve contributed to anthologies like Young Men In Love, Bi Visibility Vol 2, and Iâve done covers for almost every publisher.
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Rutan Kapuas Berikan Penghargaan Bagi Pegawai Teladan Sebagai Jawara Rutaka Kapuas - Rumah Tahanan Negara (Rutan) Kelas IIB Kapuas kembali memberikan penghargaan kepada pegawai teladan pada upacara yang digelar pada Kamis (1/8/2024). Penghargaan ini diberikan sebagai bentuk apresiasi atas dedikasi dan kinerja pegawai dalam melaksanakan tugasnya. Kepala Rutan Kapuas, Bapak David Anderson S, dalam sambutannya mengungkapkan pentingnya penghargaan ini untuk memotivasi seluruh pegawai agar terus bekerja dengan semangat dan integritas tinggi. "Kami berharap penghargaan ini dapat menjadi pemicu semangat bagi seluruh pegawai untuk terus memberikan pelayanan terbaik kepada warga binaan dan masyarakat," ujarnya. Penghargaan pegawai teladan kali ini diberikan kepada 2 pegawai yang dinilai memiliki kinerja terbaik berdasarkan penilaian dari berbagai aspek, termasuk disiplin, tanggung jawab, dan inovasi dalam bekerja. Kedua pegawai tersebut adalah bapak Nyonan Purana dari Staf KPR dan Bapak Andri Sudarman dari staf Pengelolaan. Bapak Nyoman Purana, salah satu penerima penghargaan, menyatakan rasa syukur dan bangganya atas apresiasi yang diberikan. "Penghargaan ini merupakan hasil kerja keras dan dukungan dari seluruh rekan kerja. Saya berterima kasih kepada pimpinan dan tim yang telah memberikan kepercayaan ini," tuturnya. Rutan Kapuas terus berkomitmen untuk meningkatkan kualitas layanan dan membina para pegawainya agar selalu bekerja dengan profesionalisme tinggi. Penghargaan pegawai teladan ini diharapkan dapat menjadi tradisi yang terus berlanjut sebagai bentuk penghargaan dan motivasi bagi seluruh pegawai Rutan Kapuas. #KumhamPasti #KemenkumhamRI #kemenkumhamkalteng #kanwilkemenkumhamkalteng #rutankualakapuas #rutankapuascangkalbagawi #davidandersonsetiawan
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KINGS OF THRASH Announce "Anarchy in the UK" Tour Feat. David Ellefson + Jeff Young
KINGS OF THRASH announce their long-awaited âAnarchy in the UKâ tour with special guests Andry and Hellgrimm. The tour is set to kick off October 24, 2024 and run through November 02, 2024. This highly anticipated tour will feature none other than Grammy Award Winning Bassist David Ellefson and guitarist Jeff Young, drummer Fred Aching and vocalist/guitarist Chaz Leon. The tour promises anâŠ
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ACTU DES ARTISTES I Kazuki Yamada, Andris Poga, Aurélien Pascal
Samedi 6 avril 2024 : Kazuki Yamada sera aux cĂŽtĂ©s de lâorchestre philharmonique de Monte Carlo, Bene Pati, Marie-Nicole Lemieux et David LefĂšvre pour un concert au festival du Printemps des Arts de Monte-Carlo. Au programme : Musik fĂŒr violin und Orchester de Rudi Stephan et Le chant de la Terre de Mahler ! https://www.opmc.mc/en/concert/printemps-des-arts-06-avr-24/
Jeudi 4, vendredi 5 et samedi 6 avril 2024 : Andris Poga sera de retour Ă Vienne avec lâOrchestre symphonique de Vienne dans un programme emblĂ©matique autour du concerto pour percussion de Staud et la symphonie n°2 de Rachmaninov. https://www.wienersymphoniker.at/en/events/poga-sietzen-staud-rachmaninoff
Samedi 6 avril 2024 : AurĂ©lien Pascal interprĂ©tera le concerto BWV 1043 de Bach, la suite de Cassado et la Romance opus 36 de Saint SaĂ«ns, avec lâOrchestre de lâuniversitĂ© de Limoges. https://www.unilim.fr/culture/2024/02/20/aurelien-pascal-violoncelliste-en-concert-2/
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Preview: Morning Star #5
Morning Star #5 preview. Haunted and stalked through the Kootenai Forest by memories of her past and delirious visions of her missing family, Jolene's torment has exploded beyond the bounds of reason #comics #comicbooks
#comic books#Comics#david andry#jason wordie#justin birch#mad cave studios#marco finnegan#morning star#tim daniel
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Bad Marilyn - Power Metal made in Switzerland
GegrĂŒndet im Sommer 2023, setzten BAD MARILYN schnell alles auf eine Karte. Mit der erfahrenen und auĂergewöhnlich stimmstarken Frontfrau Andrea im Zentrum, war die gemeinsame Vision schnell klar. Höchst abwechslungsreicher und stilistisch ĂŒberraschender, doch jederzeit vollauf emotionaler und markanter POWER METAL sollte es sein - und genau das kredenzt das beeindruckend spielfreudige Quintett nun auf dem DebĂŒtalbum "Eye Of The Snake", welches ein unvergleichliches Metal-Erlebnis verspricht! Erscheinen wird das Werk am 03. Mai 2024. Viel Herzblut und Leidenschaft floss in ein Werk, welches einem hochenergetischen Kraftpaket gleicht. Die Band, hat mit "Eye Of The Snake" ein Album geschaffen, das den Hörer in eine magische Metalwelt entfĂŒhrt. Die elf Power-Songs, die von der helvetischen Formation prĂ€sentiert werden, versprechen ein unvergessliches Erlebnis fĂŒr jeden Metal-Fan. Vorab hat man vor Kurzem die Single "I Die Inside" veröffentlicht. Ein Song, ausgestattet mit einem Ohrwurm-Chorus, der definitiv Lust auf mehr macht. BAD MARILYN: Geniale Hooks, markante Gitarrenriffs und eine vielseitige Frauenstimme, die von kraftvollem Extremgesang bis hin zu klarem Gesang alles beherrscht. Mit einer kraftvollen BĂŒhnenshow und einer geballten Ladung hochmotivierter Musiker ist diese Band ein absolutes Must-See. Die energiegeladene Musik von BAD MARILYN lĂ€sst den Alltagsstress vergessen und sorgt fĂŒr gute Laune und starke Momente. Auf fĂŒr den Klang des Albums von wurden keine Kompromisse gemacht. Produziert und aufgenommen von Dennis Ward, einer angesehenen Persönlichkeit in der Metal-Szene mit Arbeiten fĂŒr GröĂen wie Pink Cream 69 und Helloween, ist "Eye Of The Snake" ein Garant fĂŒr erstklassige Produktion und SoundqualitĂ€t. Zu erleben gibt es damit einzigartige Songs voller guter Vibes, die die Herzen von allen echten Metal- Gourmets höher schlagen lassen. TRACKLIST: 01. I Die Inside 04:42 02. Eye Of The Snake 04:18 03. Perfect Moment 04:55 04. Retribution 04:22 05. Children Of Tomorrow 03:45 06. When Sheâs Gone 04:15 07. Revolution 04:00 08. Legend Of Salvation 04:30 09. Queen Of Thunder 04:34 10. Eternal Pain 04:16 11. We Will Rise 05:15 Bonus-Track: 12. Stay Awake 04:34 total: 53:26 min LINE-UP Andrea Raffaela âąÂ Vocals Sammy Lasagni âąÂ Guitars David Craffonara âąÂ Bass Andri Leonardo âąÂ Keys Armin Schöpfer âąÂ Drums Quelle: Metal Message Lesen Sie den ganzen Artikel
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Cannon Hall
Artefacts
Sir Willoughby Aston, 5th Baronet and Lady Elizabeth Aston by Joseph Highmore, 1744-50
Portrait of a Man by Cornelius Johnson, 1649
Lady Elizabeth Spencer Stanhope by Abel Hold, 1873
Child Holding an Apple by Caesar van Everdingen, 1664
Mrs Tuder by John Constable, c. 1818
Winifred Pulleine after Francis Cotes, mid 18th century
Commode in the style of Thomas Chippendale, 1760s
Bureau by John Marshall, 1780s
Vase by Poole Pottery, c.1950
Teapot and Lid attributed to Thomas Harley, Staffordshire, early 19th century
Canterbury in the style of Thomas Sheraton, 1800s
Cabinet by Gillow of Lancaster, 1820s-30s
Tureen and Lid by Joseph Twigg, early-mid 19th century
Dog Bowl possibly by Keeling & Co. Staffordshire, late 19th century
Calm by Hendrick Jacobsz Dubbels, 1655-58
Landscape with Goats by Abraham Begeyn, 1665-1697
Still Life with Dead Game by Dutch School, 17th century
Shipping: A Fresh Breeze by Ludolf Bakhuizen, late 17th century
View in Amsterdam by Jan van der Heyden, 1665-75
Shipwreck off a Rocky Coast by George Morland, late 18th century
The Mausoleum of Plautius Lucanus by David Roberts RA, c.1858
Landscape with Figures by Jan and Andries Both, c. 1640
Sarah Wynne, Lady Houblon attributed to Sir Peter Lely, 1670-80
Landscape with Shrine by Frederick Moucheron and Adriaen van der Velde, 1665-1680
A Village Fair by Adriaen van Ostade, 1640s
Portrait of a Lady by Caspar Netscher, 1665-8
Virgin and Child after Sir Anthony van Dyck, 17th-18th century
Flowerpiece by Jan van Huysum, c. 1720
River Scene with Town and Shipping in the manner of Albert ĐĄĐžŃŃ, 1635-45
Coast Scene with Fishing Boat by Aert van der Neer, 1665-1677
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Cine online: Hann (2018)
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Andri (Ăsgeir SigurĂ°sson) se pasa todo el metraje concertando una cita, celular en mano. Quien lo ve tan ensimismado no tarda en preguntarle quiĂ©n es la chica con la que entabla tan interesante conversaciĂłn, pero Ă©ste no responde mĂĄs que de manera taciturna. Ni su madre, Ăsta (BryndĂs ĂsmundsdĂłttir) ni su padre, Hjörleifur (David Gudbrandsson), logran sacarle la informaciĂłn, por mĂĄs insistentes que que se vuelvan. Pero Andri no claudica, y no sĂłlo por une mera cuestiĂłn de timidez.
Islandia es, nuevamente, el paĂs que visitamos en este blog. AquĂ, el realizador Runar ĂĂłr Sigurbjörnsson nos ofrece, en su opera prima, un relato no muy alejado a la realidad de muchos adolescentes, quienes deben esconder sus verdaderos sentimientos, aun de sus seres queridos, por temor al rechazo.
#CineOnline#Hann#2018#gay#adolescencia#Islandia#ĂsgeirSigurĂ°sson#BryndĂsĂsmundsdĂłttir#DavidGudbrandsson#RunarĂĂłrSigurbjörnsson
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El entrenador Ricardo Valiñó los convocĂł y se los lleva a Argentina a un mĂłdulo de preparaciĂłn. La selecciĂłn buscarĂĄ su cupo a inicios del prĂłximo año a los JJ. OO. 2024 FĂLIX GĂMEZ Con miras al Torneo PreolĂmpico que se disputarĂĄ en Venezuela; por primera vez en la historia a inicios del 2024, el seleccionador sub-23 Ricardo Valiño develĂł los nombres de los futbolistas que irĂĄn para Argentina del 9 al 17 de octubre a realizar el primer mĂłdulo de preparaciĂłn de cara a este torneo. Convocados Porteros: Diego Gil y Santiago RodrĂguez. Defensas: AndrĂ© Ferro, JesĂșs Quintero, Carlos Vivas, Rafael UzcĂĄtegui, AdriĂĄn Cova, JesĂșs Paz y Andry Vera. Mediocampistas: Carlos Faya, Emerson Ruiz, Santiago Natera, Bryant Ortega, MatĂas Lacava, AndrĂ© Romero, Anderson Contreras, David MartĂnez, Wikelman Carmona, Darwin Matheus y Yerson ChacĂłn. Delanteros: Jovanny BolĂvar, Brayan Alcocer y Kevin Kelsy. Sub-23 por un cupo a ParĂs De lograr meterse en la final, Venezuela estarĂa participando en los Juegos OlĂmpicos de ese mismo año que realizarĂĄn en ParĂs, Francia. Y ademĂĄs, de lograrlo, el tricolor patrio estarĂa presente por segunda vez en una justa olĂmpica tras cuarenta y tres años de ausencia cuando Venezuela participĂł en los JJ.OO. organizados por la extinta UniĂłn SoviĂ©tica en 1980. Para recibir en tu celular esta y otras informaciones, Ășnete a nuestras redes sociales, sĂguenos en Instagram, Twitter y Facebook como @DiarioElPepazo El Pepazo/LĂder
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