#dave filoni does it again

[fandomrantsandtwittertakes]

[belong2human-kind]

Omg I always had seen how similar Sabine and Satine are but now I see how much more alike they are and how Ezra and Obi-Wan are also perfectly paralleled oh-

throwback to the time i made a powerpoint presentation to explain the differences between Satine and Sabine to my bff but never got to use it... anyway here it is, maybe you'll appreciate it

that's it, that's the powerpoint, i'm terrible at powerpoints

[aperture-of-bullshit]

Now do not get me wrong I am Satine Kryze ambivalent on the best of days and an outright hater on the worst ones but honestly BIZARRE writing decision to have essentially a whole season of television focus on the weapon that killed her and her own sister’s desire to wield it and the power and responsibility that wielding it represents (something that Satine herself never had despite being ruler, and that bo-katan once considered her illegitimate for) in combination with Bo-Katan’s own past with the weapon as the right hand to the man whose scheming to OVERTHROW SATINE directly led to her dying on the Darksaber’s blade. And. She doesn’t even get a passing mention. SHE DOESNT EVEN GET A PASSING MENTION.

[marvelstars]

Anakin and Slavers

"His undoing is that he loveth too much"

George Lucas

One thing that I always liked about George´s work in relation to Anakin and slavery is how out of the left field he and Dave Filoni wrote Anakin´s relationship to the people who owned or saw him as a property at one point or another and yet it makes total sense for his character.

For example kid Anakin has no doubt that Slavery is horrible and at 9 he is actually working towards developing technology to help free his Mom, friends and himself from it. He hates with capital H the fact those people have control over the life and death of other people but at the same time he has great compassion and kindness which his mother helped nurture. This along with the fact that Watto was the only adult male figure who was around during his early chilldhood, this complicated his feelings towards slavers in a very tragic way.

Anakin feared Watto´s violence and didn´t for a moment doubt he would have been willing to sell off his mother or him if the customer got to a big enough price but at the same time he listens to his advice when he travels to the dune sea to do his work with the jawas and his pov is almost as important as his Mom´s, in the novelization of TPM Anakin remembers not to talk to strangers or to get close to Tuskens Raiders camps thanks to Watto´s advice.

So in Anakin´s mind, Watto is someone he fears but also someone he takes advice from, respects to a point, sometimes gets sassy to and actually listens to almost as a father figure BUT at the same time he has no doubt he would activate the killing chip if he tried to escape.

Pain/abuse/fear mixed with care/advice(sounds familiar?) Anakin knows slavery is awful but he can´t help but see Watto as a person because of who Anakin is, Annie is a kind and understanding person and to point may justify Watto as a "Man of bussines" and "Not as bad a other masters" "It could be worse" but he definitely doesn´t trust him in the same way he does his mother, she is blood, she is family. He and Mom are a team.They shared their secrets.

The first time Anakin saw Watto again after being freed, he was a Jedi with training, almost a knight and the first thing he does to the guy who beat him and his Mom some years ago is to ask him if he can help with the ship parts Watto is working on because he noticed Watto is struggling and his bussines is falling down compared to how it was when Anakin was a kid. When Watto noticed who Anakin was he didn´t reject him and accepted his congratulations but keep himself appart, hoping to learn about his mother whereabouts.

When Watto told Anakin he sold Shmi, Anakin doesn´t have a reaction, he takes Watto´s justification of "I am sorry Ani but bussines are bussines and anyway the person who bought her freed her and married her" Anakin doubts it´s as good a picture as Watto is talking about but he takes his justification and leaves.

When he meets Owen, Beru and Cliegg he sees they are indeed nice people and the reason for his mothers suffering is something completely different that they were not able to stop so he doesn´t blame them for her fate. When Anakin lost his mother it was only natural for him to seek a family, someone he could share how he really felt and his secrets, he could not be part of the Lars family but Padme was willing to love him so she became his new confirmed family, right along with Obi-Wan and Ahsoka but while he had to show himself different to them, he didn´t had to do that with Padme, just like he did with his mother.

In the clone wars Anakin shows again this complex view of slavers with Queen Miraj Scintel, the cartoon goes out of it´s way to show she looked at him as pretty property and he didn´t let her forget that and actually it was strongly suggested he may have been raped by her at some point to keep safe Obi-Wan, Rex, Ahsoka as well as the people they wanted to save while he got enough soldiers to stage their rescue. Anakin had a plan the whole time just as he did as a kid so he keep his cool even when he saw another slave choose suicide over keep being under the control of Scintel. Yet in the end when the Queen was killed by Count Dooku Anakin felt sorry for her, he could not help it.

So this mix of rejection/anger/hate/disgust towards slavers mixed with pity/understanding which is something that was part of what made Anakin a good person gets used agaisn´t him in his relationship with Palpatine.

He first shows himself as the father figure Anakin thought he could find in Qui-Gon before he died a better father figure than Watto had been, a father figure that didn´t reject this title like ObiWan did, Palpatine did this to get his trust as a young child and later young adult and then he showed himself as the real sith master he actually was, Palpatine knew that Anakin wasn´t a stranger to be treated as property by people who showed themselves as good advicers or somehow not as bad as others despite their actions. So Anakin´s initial compassion, kindness and understanding for people that abused him is played agaisn´t him to make him fall to the darkside and chain himself again to another worse master who didn´t just seek to use his skills and body but who wanted his soul as well.

And the same reasons why Anakin justified Watto at first when he was a young kid also applied to Palpatine, he may be a sith but he ran the Republic better than those corrupt politicians, he isn´t a perfect Emperor but in Padme´s absence he is better than the alternatives. He isn´t as bad as a master and anyway I deserve this because I fell to the darkside and nobody can come back from that, if he abuses me I got this coming because I choose this and he still teaches me the ways of the force, he rescued me from Mustafar when Obi-Wan left me to die and he didn´t have to, he is all I have left.

So once Anakin´s voice died down Vader was left with many reasons to say to Palpatine "What´s your bidding my master?" because in his mind master isn´t a word that contradicts father and Palpatine became his father in all but name, this makes George´s words about Anakin fatal flaw being the fact he loved too much make complete sense and it´s a tragedy.

[r-2-peepoo]

Real question here: does Dave Filoni not like Obi Wan or something?

I mean as fans there’s probably no way we’d ever actually know, but I feel like he has to not care about him as much as Anakin and Ahsoka at the very least.

He got the worst storylines in TCW and the most shallow character development (which he didn’t even really need imo, at least not in the way it was presented, but that’s a whole separate post). And there’s also his relationship with Ahsoka not ever being taken seriously even though realistically it should’ve been way deeper than it was.

Maybe I’m reading into things way too much, but every time Dave Filoni has been behind a portrayal of Obi Wan, it just always comes off like he’s being sidelined or his importance is being downplayed. Anyone who has read Obi Wan’s canon novels or just has a decent understanding of him as a character knows there’s way more to him than the canon shows let you see. Not to mention that there is a lot of TCW which is just blatantly out of character but, again, that’s a completely different and very, very long post.

[nobie]

I need to talk about Morgan Elsbeth and the connection to Thrawn. Along with some other questionable narrative choices Filoni has made with Thrawn.

I want to preface, this is not going to be a hating Morgan Elsbeth post nor hating on the actress or any bts production of her character. There is enough hate towards characters like this in this fandom and I will not be perpetuating that (take that negativity somewhere else). I only want this to be an open discussion on this part of Thrawn's story.

Morgan is a character that has been placed into Thrawn's canon timeline. She was not written in (everything is written obvs but let me explain). The distinction I want to make between those narrative ideas is, placing a character into a story means they are important in supporting the main character, but no one cares if they are replaced or removed from the story. Writing a character into the story means they are so important to the direct development of the mc, if they are replaced or removed it feels like a piece of that character is missing. Some examples for Thrawn would be Eli Vanto or Ar'alani. Morgan was removed from the story in the Ahsoka series and it didn't even effect Thrawn himself.

So why create this character and push a narrative that makes her seem like the most important part of the story? Like without her Thrawn wouldn't be able to get back to the galaxy? Thrawn is a genius, a warrior, and a survivor. He could've figure that out himself, or with the help of Ezra (an established character that the audience loves). Instead he's had to rely on Morgan.

This is where my qualm with Dave Filoni comes into play. I love Filoni's work he has created some of my favorite stories in the Star Wars franchise. But he does one thing that I despise. Ignores the work of amazing authors. In this case Timothy Zahn. I can't say for sure that he hasn't read the Ascendancy Trilogy or the Thrawn (2017) trilogy, but it feels like it when analyzing Filoni's characterization of Thrawn. If he did read those books or least consulted Zahn on them he would know Thrawn's true motives for what he does. He is a protector for the greater good. He goes against many higher powers to make the right choice, not the good or bad choices. He shows the characters around him time and time again that he will always do what is right even if it means his downfall. He is not a villain in his own story just himself, not good or bad, the one in the middle. He evolves, learns, observes, and understands things on a completely different level. And we only see a sliver of this characterization in Filoni's story. I understand the narrative built around Thrawn being the ultimate villain for the ghost crew because a good story like this should have an interesting dynamic between protagonist and antagonist. But the fact that you'd have to read his books to know who he is, is a clear indication to me that his novel characterization wasn't researched enough.

It also shows me that Filoni favors the legends version of Thrawn more. Especially with the inclusion of Pellaeon in Tales of the Empire and not Eli Vanto. Who could have easily been placed into that role. Although, he his Thrawn's aide he can and has done things like that for Thrawn.

Now in Tales of the Empire we see that he isn't the original creator of the TIE Defender. Trying to place Morgan into a characters story that is so beloved [Thrawn] feels so forced through this idea that she created the TIE Defender. Why would someone who is trying to get revenge for her people go to the Empire with an idea like this. If she is so angry why she is relying on someone else's power to get her revenge? And even when she got in the good graces of the Empire with Thrawn what came of it? The Defender project was ruined, shouldn't her allegiance to Thrawn be in ruin too. The deal they made implied she would get what she wanted, but she never did and was still loyal to him. Thrawn does have this quality about him though, you'd follow him off a cliff, the gravity in which he attracts people to his cause is so alluring. But that still doesn't explain where Morgans revenge story went. And in the end she really does feel like a character that can be replaced.

Trying to make a character that was placed into the story important to the audience does a disservice to the story as a whole. Thrawn has an established world of characters in the novels that are readily available to use in the narrative. So why aren't they in it? Eli especially in one I cannot ignore the absence of. From the moment Thrawn is found in exile Eli does not leave his side. Eli follows him into battle again and again. Even after realzing his initial career choice will amount to nothing now that Thrawn has taken over his duty in the Imperial Navy. Thrawn himself says "you hold my words in your hand, and their meanings," and although that was in relation to his survival with the Empire it still held true throughout the story. Eli is an extension of Thrawn, whatever is said to Eli is said to Thrawn and vise versa. So where is he?

(Ok that's all my ramblings for now. Hopefully this made sense. Feel free to leave your thoughts in the tags or replies. Thrawn was the first sw novel I read, I'm fiercely protective of him. So when his characterization is kinda ruined like this it upsets me. But I'm always excited to see him in any media and hear that silky voice of his, thank you lars.)

[jedimandalorian]

Ahsoka Episode 6 “Far, Far Away”: The Story, the Symbolism, and the Score

Episode 6 of Ahsoka begins with the sound of distant purrgil calls as Ahsoka and Huyang travel through hyperspace, crossing the void between galaxies. During their discussion of the tales Huyang used to tell the Jedi younglings there is no music.

I loved that Huyang said such an iconic line in this episode, reminding us that this is indeed a fairy tale, a children’s story.

The Title Card for Ahsoka appears, and then the episode title, “Far, far Away.”

We hear ominous music when Sabine is in the brig onboard the Eye of Sion. The window to her cell is shaped like an upside down triangle.

The sinister music continues during the scene with Baylan, Shin, and Morgan on the bridge. Morgan’s Theme (the Nightsister theme) is heard when the Eye of Sion exits hyperspace.

The line “Peridea is a graveyard” reminds us that this is indeed a “descent into the abyss” a stage of the hero’s journey which I have discussed on this blog before. Ominous music plays here.

The characters who are aligned with the dark side are on a quest for more power to dominate others. They have followed the Path to Peridea as a kind of path to perdition as I have mentioned in my previous metas. But Sabine, our heroine, is descending into the Underworld on a more noble quest. She hopes to find her beloved Ezra Bridger, echoing the story of Orpheus, the hero of Greek myth who descends into the Underworld to find his beloved Eurydice.

Morgan’s Theme continues when they board the shuttle and descend to the planet Peridea.

The landscape of J. R. R. Tolkien’s Middle-earth is suggested by the giant statues and the Nightsister fortress, which resembles an evil version of Minas Tirith.

The characters encounter three Nightsisters, analogous to the Three Fates of Greek mythology, the Moirai. (Note the similarities between this word and the name of Ahsoka’s owl, Morai, a creature I predict that we will be seeing again soon.)

The three Fates were the personification of destiny in Greek mythology. The three sisters were known as Clotho (the spinner), Lachesis (the alotter), and Atropos (the unturnable, a metaphor for death). The end credits for this episode name these three Nightsisters as Klothow, Lakesis, and Aktropaw, clearly indicating the intended symbolism of these three characters. As George Lucas said back in the late nineties, “Well, when I did Star Wars I consciously set about to recreate myths and the — and the classic mythological motifs. And I wanted to use those motifs to deal with issues that existed today.” (From billmoyers.com) Lucas’ apprentice, Dave Filoni, has learned this lesson from the master himself.

The music is quieter in this scene, with sounds of low vibrations being heard. Morgan’s Theme continues when Sabine is imprisoned by the Nightsisters’ three orbs, which held her bound within a triangle made of red cords of energy.

Outside of the fortress three wolf-like creatures howl as ominous music plays. Choral music suggesting the mysticism of the fallen Jedi Order is heard as Baylan speaks of Peridea being a realm of “dreams and madness” from old “children’s stories come to life.” Once again, the viewer is reminded that we are being told a fairy tale, a myth. The musical score subtly teases the listener with three notes from Ahsoka’s Ronin theme in this scene.

Sabine is imprisoned inside the Nightsister fortress as the Chimaera arrives with the sound of ominous metallic rumbling. Thrawn’s flagship Star Destroyer was named after the female fire-breathing monster in Greek mythology which was part lion, part goat, and part dragon.

I am no Freudian, but the Chimaera’s open docking bay hovering over the phallic tower of the Nightsister fortress seems to be the most overtly sexual symbolism I have seen in Star Wars in a long time. However, I’m not here to discuss that visual metaphor.

Organ music which anticipates but does not present Thrawn’s theme is heard as the Nighttroopers muster under Enoch’s command. These undead stormtroopers have cracked armor repaired with golden seams suggesting the Japanese art of kintsugi, as well as armor pieces bound with bands of red cloth. They are heard chanting “Thrawn! Thrawn!” as the Grand Admiral makes his dramatic entrance. For me this chant was reminiscent of how the orcs in Return of the King chanted “Grond! Grond!” when using their mighty battering ram against the walls of Minas Tirith. (You can do your own Freudian analysis of that scene. I’m not going there.) What was Grond?

“Grond, also known as the Wolf's Head, was a one hundred-foot long battering ram with a head in the shape of a ravening wolf, used in the arsenal of Sauron in the Third Age. Though named for Grond, Morgoth’s warhammer, it was created in the likeness of the Wolf of Angband, Carcharoth.”—from lotr.fandom.com

Creepy music accompanies the Nighttroopers as they transfer of cargo from the catacombs beneath the fortress. What is inside them? Dead Nightsisters, waiting to be revived by dark magic?

Thumps and low pitched sounds accompany Thrawn’s conversation with Baylan.

Thrawn speaks of Sabine’s desire to be reunited with her long-lost friend. (The word desire is a very intentional word choice, with the connotation that the connection between Sabine and Ezra has potential to be more than just friendship.)

Sabine: I’m sure he’s doing just fine.

Thrawn: You gambled the fate of your galaxy on that belief.

Sabine: You wouldn’t understand.

Thrawn: Perhaps not.

Evil does not understand love and loyalty. (See my previous post about the Path to Peridea.)

Enoch returns Sabine’s weapons to her, and she is provided with provisions and a wolf-like howler for a mount. He tells her to “die well” as she embarks on her “fool’s errand.”

The line about a “fool’s errand” calls to mind this scene from Tolkien’s novel, The Return of the King:

'Tell me,' he said, 'is there any hope? For Frodo, I mean; or at least mostly for Frodo.'

Gandalf put his hand on Pippin's head. 'There never was much hope,' he answered. 'Just a fool's hope, as I have been told…”

“A Fool’s Hope” was also the title of the penultimate episode of Star Wars Rebels final season.

Once again, Thrawn’s theme is only hinted at by the organ music at the end of the scene.

Sabine’s scanner is destroyed during her fight for her life with the red-armored bandits in the wastelands. Her life is saved by her Mandalorian armor and weapons, Ahsoka’s training, and Ezra’s lightsaber in this action sequence.

Baylan and Shin ride out on howlers. Nighttroopers load coffin-like cargo containers onto the Chimaera as uneasy music plays. Thrawn decides to dispatch only two squadrons of Nighttroopers. His disdain for Jedi, light or dark, is apparent: “It matters not whether Wren and Bridger are killed or stranded here. The same can be said for your two mercenaries.” Ominous music plays.

The scene with Sabine and the howler is accompanied by gentle music played upon wooden flutes. Sabine processes her abandonment issues and her complex feelings for Ezra in this scene by taking out her emotions on the howler. “You. You abandoned me. I should have known you are a coward.” She tries to make the howler stop following her, but the loyal animal comes back as soon as she walks away. “Okay. Fine,” she says. “I’ll give you another chance, but you better not bail on me this time.” The gentle flute music continues. A motif of ascending perfect fifths suggests Ezra’s Theme.

The howler stops to drink water and sniffs the air. The thing that Sabine and the audience assumes to be a rock is revealed to be a sentient little hermit-crab-like creature called a Noti. Gentle music plays when Sabine kneels, puts down her blaster, and extends her hand to the creature. The Noti recognizes the Rebel Alliance symbol (an evolution of her own Starbird design) on her pauldron. The creature has a medallion of his own, marked with a similar symbol.

“Do you know Ezra Bridger?” Sabine asks, touching her heart. “He’s my friend.”

Ominous music plays as Baylan and Shin discover the dead bandits. Once again choral music is heard when Baylan reminisces about the Jedi Order.

It is also revealed that the Nightsisters are fleeing from a power that is greater than their own.

Baylan and Shin see the red Bandits in the distance. “The enemy of our enemy is our friend,” says Baylan, “for now.”

Peaceful and noble sounding music is heard when Sabine sees the Noti encampment. She smiles at the mother Noti rocking her baby in a hammock.

With Sabine in the foreground, the camera pans to show a now adult, bearded Ezra Bridger wearing a red robe and leaning against the wall of his home. “I knew I could count on you,” he says as joyful music plays, music which features the piccolo, flute, and other woodwind instruments.

The closed captioning for this episode says that there is captivating music playing when Sabine and Ezra finally embrace. We hear a beautifully orchestrated rendition of Ezra’s Theme on the French horn with a new countermelody in the strings to heighten the emotional impact of this long-awaited scene.

Ezra’s Theme is heard again when he says “Sabine, thanks for coming. I can’t wait to go home.”

When we return to where the Chimaera is docked with the Nightsister fortress, a suggestion of Thrawn’s Theme is heard at a quick tempo suggesting the urgency of the situation that is about to unfold. Ahsoka Tano is coming. “The thread of destiny demands it” is a line that further emphasizes the three Nightsisters playing the role of the three fates. We finally hear Thrawn’s Theme presented in an obvious way as the episode ends.

I have blogged about the magnificent end credits music in previous blog posts, so this time I am going to discuss something different: the alchemical symbolism in Ahsoka.

The central focus of alchemy was to transmute base metals into gold and create the elixir of life, as any aficionado of the lore of the philosopher’s stone knows. The process is a metaphor for the purification and transformation of the human soul to a state of perfection.

Three colors symbolize this process, black, white, and red.

First there is the nigredo (blackening) stage of the alchemist’s work, representing the breaking of the human spirit. This is where both Sabine and Ahsoka are at the beginning of the series.

Second is the albedo (whitening) stage, which involves washing away impurities or vices, and being ready to grow and learn again. This is most clearly illustrated by Ahsoka the Grey’s “death” and transformation into Ahsoka the White.

Third is the rubedo (reddening) stage, which is where we are in the story right now. It represents the purified and awakened spirit reaching its highest and purest form.

“The symbols used in alchemical writing and art to represent this red stage can include blood, a phoenix , a rose, a crowned king, or a figure wearing red clothes.”—Wikipedia.

The color red, of course, is symbolic of Nightsisters and their magic in this series, as well as symbolizing the red thread of fate.

Baylan Skoll’s line about having to “destroy in order to create” is an example of the alchemical concept of “solve et coagula” meaning to separate then join together. Nothing new can be built without destroying the old. Perhaps this is really telling us about the destruction and rebuilding of the Jedi Order.

In the completion of the rubedo stage there must be a union of sulphur and mercury, also known as the wedding of the Red King (the sun) and the White Queen (the moon). Sulphur represents the masculine principle, the soul, and the fire of life. (Remember Ezra’s red robe?) Mercury represents the feminine principle and the mind, flexible and changing. (Sabine is a clever young woman who lives inside her head, sometimes too much. Lately she’s been distracted by her heart.) Mercury also represents a state that can transcend death.

Is the much-discussed Ezra and Sabine hug the union of Sulphur and Mercury? Or should we expect something more than that?

Much has been written about Baylan Skoll and Shin Hati as the mythological wolves who chase the sun and the moon. This episode ends with the pair in pursuit of Ezra (sulphur, the Red King, the sun) and Sabine (mercury, the White Queen, the moon). When Skoll and Hati catch the sun and the moon, Ragnarok begins.

Besides sulphur and mercury, there is another element present at the rubedo stage of alchemical transformation: salt.

Ahsoka the White is coming.

Please reblog and comment on what you think of my musical and literary analysis of this episode of Ahsoka. I am looking forward to reading your replies.

[allgirlsareprincesses]

I keep seeing that Filoni is behind The Acolyte not getting a season 2. Is there evidence for this? Or is it more vibes-based speculation?

While there are unconfirmed reports from "reliable sources" that it was Dave's decision not to renew the show, there is no official, named source stating such.

What we do know is that Dave currently holds the title of Chief Creative Officer within Lucasfilm, so he was definitely PART of the decision. Fans have also pointed out that Acolyte had comparable viewership to Ahsoka, Dave's pet project, which was renewed. In fairness, Ahsoka's viewership ticked up toward the end while Acolyte's ticked down, but the point holds, especially given Lucasfilm's recent lip service to the idea that they would support their marginalized creatives and understood the impact of bad-faith review-bombing. Further, critic and audience reviews for the first season of The Clone Wars (Dave's other pet project) were abysmal, yet it ultimately got 7 seasons. Again, this is not a 1:1 comparison because Acolyte was WAY more expensive to produce than Clone Wars. Still, why not simply reduce the budget rather than canceling the show altogether?

From all of this, I think it's reasonable to conclude that at a minimum, Dave Filoni did not fight for The Acolyte. He didn't advocate for its renewal or try to find ways to allow Leslye to finish the story. He just let it die.

Because Dave and his buddy Jon get all the chances in the world, but no one else does.

[copalcetic]

Thrawn: "It's also quite possible that your friend is dead." Sabine: "If you survived, I'm sure he's doing just fine." Thrawn: "You have gambled the fate of your galaxy on that belief." Sabine: "You wouldn't understand." Thrawn: "...Perhaps not." --Ahsoka Part 6, "Far Far Away" Look I know Eli Vanto is apparently going to be Sir Not Appearing In Live Action Media Forever because Dave Filoni hates him or whatever, but it's impossible for me not to read Thrawn's pause before "Perhaps not" as Thrawn thinking about Eli. Because here is Sabine, whose need to reunite with the person she cares most about is strong enough that she's willing to risk the fate of her galaxy to find him. And here is Thrawn, whose need to save the Unknown Reaches is strong enough that he's willing to banish the person he cares most about to do it, even if it means never seeing him again. Does Thrawn understand what's driving Sabine? Both more than she knows, and not even the tiniest bit. Because he knows exactly what choice he'd make in this situation, and it's not this one. It's not this one at all. Does he regret it? Impossible to say.

[gffa]

I was wondering if you could share your thoughts and feelings on Felonys takes over the years overall? I know a lot of people see him as this grand savior of star wars without much more to it so I wanted to hear your take on how he handles the pre-established world he writes for and the dissonance with what George Lucas established/said before

Honestly, I think a lot of Felony's appeal is that he writes a very polished story and that's appealing to audiences (no shade, I'm part of that audience!) and that he has at least given some thought to what the Force means. There are a lot of takes he has that I agree with, I still quote what he says about the characters at times, but I think he has a big central problem and that's characterization drift-slash-the inability to let go. Well, two big central problems: He also can't write/finish a narrative arc to a satisfying conclusion. I have such a hard time getting into the Mandalorian storyline because it's been told in snippets for like 10+ years now and it's never really coherently come together, it still has huge gaps in it, it doesn't have a strong narrative central theme that he sticks to, but instead told through cameos and mini-arcs in separate shows. And when you examine a lot of his work, it often doesn't hold up to scrutiny because I'm not sure he has a solid thematic throughline that's driving him--like, some of the choices he made in season 7 of TCW are baffling--Ahsoka walks right by people who need her help, then says, "In my life, when someone needs help, I help them."??? When she wants the Jedi to help Mandalore instead of Coruscant, she says the Jedi aren't helping the people who really need them, despite that Coruscant is under attack and that's where Trace and Rafa are, the characters we just spent an entire arc on?? Ahsoka and Bo-Katan want the Republic to literally invade Mandalore, this is brought up in the arc itself, and then never mentioned again because it's inconvenient and the author doesn't want to deal with the established worldbuilding?? I also don't think he knows how to end a story, like I love Ahsoka as a character, but he very much does favor her and a lot of her appearances are starting to feel like she's only there because Filoni can't resist. She just never ends, there's no conclusion to her, what's even her character arc over the course of her life after the Jedi genocide? She's obviously dealing with trauma about it and now she's looking for Ezra to find him again, but what's the character arc on a personal level? Is she still dealing with letting go of Anakin, ~30 years after it happened? Did she not put that to rest in Rebels finally? @david-talks-sw has a great post about the differences between George Lucas and Dave Filoni here, illustrating that I do think Dave misses some really key points about characters that he has personal biases against. And, you know, I'm not getting after him for that, I disagree with him and I think he's wrong about a lot of stuff that Lucas directly established, but I also think a lot of people dismiss criticism of him because, oh, he worked with George and therefore he's an extension of George! No, he's a different writer with his own strengths and weaknesses, one I think who makes very popular (often for a reason) Star Wars, but I think misses the heart a lot of times. But I also often think of that he doesn't try to see himself as the grand lord of Star Wars, either, even he himself says:

He's not the ultimate authority on Star Wars, he's just as fallible as anyone else is, and always should be. I think he made Star Wars shows that a lot of people loved, he has a very polished style, and he has given thought to the characters he loves. He just also has biases and directly conflicts with George Lucas' established story and I think that's fair to point out. Maybe you like those better, I'm not trying to talk anyone out of that, but it's still fair game for me to point out that I think he's wrong about Star Wars just as often as he's right. (And that, as time goes on and The Mandalorian and The Book of Boba Fett became more and more of a hot mess, I grew less charitable. This is a major overview, I don't want to get too into the weeds on this, I've gone over a lot it in past meta, and it would be exhausting to dig it all up again, but basically this is why I'm on the fence about Felony. He has a lot of weaknesses as a writer and I don't find I like his strengths more than I dislike his weaknesses sometimes.)

[cuddles-with-dragons]

where the fuck is my impulse control

Yeah, Avengers AU.

Don't care what you say, I tried to make it work.

Including edited quotes from Avengers and Age of Ultron

I replaced Hulk with the Zillo Beast.

---

Dave Filoni: Superheroes in New York? Give me a break.

Echo: We won.

Hunter: All right, yay! Hurray. Good job, guys. Let's just not come in tomorrow. Let's just take a day. Have you ever tried shawarma? There's a shawarma joint about two blocks from here. I don't know what it is, but I want to try it.

Wrecker: We're not finished yet.

Hunter: And then shawarma after.

Echo: Is he breathing?

Tech, in lizard form: *roars in his face*

Hunter: What the hell? What just happened? Please tell me nobody kissed me.

Hunter: Tell him to suit up. I'm bringing the party to you. *a giant Chitauri is following him*

Omega: I don't see how that's a party.

Echo: Tech. Now might be a really good time for you to get angry.

Tech: That's my secret, Echo. I'm always angry.

Omega: Just like Budapest all over again.

Crosshair: You and I remember Budapest very differently.

Hunter, to Scorch: Maybe your army comes and maybe it’s too much for us, but it’s all on you. Because if we can’t protect the Earth, you can be damn well sure we'll avenge it.

Crosshair: Why am I back? How did you get him out?

Omega: Cognitive recalibration. I hit you really hard on the head.

Crosshair: Thanks.

Crosshair: Have you ever had someone take your brain and play? Pull you out and stuff something else in? Do you know what it's like to be unmade?

Omega: You know that I do.

Mace Windu: There was an idea, Hunter knows this, called the Avengers Initiative. The idea was to bring together a group of remarkable people to see if they could become something more. To see if they could work together when we needed them to, to fight the battles that we never could. Cody died still believing in that idea. In heroes.

Echo: Big man in a suit of armor. Take that off, what are you?

Hunter: Genius, billionaire, playboy, philanthropist.

Mace Windu: I don't know about that, but it is powered by the Cube. And I would like to know how Scorch used it to turn two of the sharpest men I know into his personal flying monkeys.

Wrecker: Monkeys? I don't get it.

Echo: I do! I understood that reference!

Hunter: It’s good to meet you, Tech. Your work on antielectron collisions is unparalleled. And I’m a huge fan of the way you lose control and turn into an enormous Godzilla lizard.

Tech: Thanks.

Hunter: The only major component he still needs is a power source of high-energy density. Something to kick-start the Cube.

Ahsoka: When did you become an expert in thermonuclear astrophysics?

Hunter: Last night.

Hunter: Raise the mizzenmast. Jib the topsails. *points to Anakin* That man is playing Galaga. He thought we wouldn't notice, but we did. *covers one of his eyes* How does Windu even see these?

Ahsoka: He turns.

Hunter: Sounds exhausting.

Wrecker: Don't talk like that. Scorch is beyond reason, but he's from Asgard. And he's my brother.

Omega: He killed 80 people in two days.

Wrecker: He’s adopted.

Echo: Is this a submarine?

Tech: Really? They want me in a submerged, pressurised, metal container? *walks to the side of the deck* No, no, this is much worse.

Cody: We need you to come in.

Omega: Are you kidding? I'm working.

Cody: This takes precedence.

Omega: I'm in the middle of an interrogation. This moron is giving me everything.

Bad guy: I don't... give everything.

Omega: Look, you can't pull me out of this right now.

Cody: Omega... Crosshair's been compromised.

Omega: Let me put you on hold.

Hunter: Shit!

Echo: Language!

*Some chatter and fighting later…*

Hunter: Wait a second. No one else is gonna deal with the fact that Echo just said “Language”?

Echo: I know. Just slipped out.

*Some more chatter and fighting later…*

Wrecker: Find the spear-thingy.

Hunter: And for gosh sake, watch your language!

Echo: That’s not going away any time soon.

Omega: Wrecker, report on the Zillo.

Wrecker: The gates of Hel are filled with the screams of his victims.*Omega gives him a look* But not the screams of the dead, of course. No, no, wounded screams. Mainly whimpering, a great deal of complaining and tales of sprained deltoids and gout.

Echo: The two Enhanced?

Ahsoka: Leia and Luke Skywalker. Twins. Orphaned at 10 when a shell collapsed their apartment building. Sokovia's had a rough history. It's nowhere special, but it's on the way to everywhere special.

Echo: Their abilities?

Ahsoka: He's got increased metabolism and improved thermal homeostasis. Her thing is neuroelectric interfacing, telekinesis, mental manipulation.

Echo: *confused*

Ahsoka: He's fast and she's weird.

Ahsoka: Lab's all set up, boss.

Hunter: *points to Echo* Actually, he's the boss. I just pay for everything and design everything and make everyone look cooler.

Tech: How's he doing?

Hunter: Unfortunately, he's still Crosshair.

Tech: That's terrible.

Hunter: Right, so, if I lift it, I then rule Asgard?

Wrecker: Yes, of course.

Hunter: I will be reinstituting prima nocta. *tries to lift the hammer* I'll be right back.

Hunter: *Tries again with the Iron Man glove, nothing. Makes Rex take his glove too and they both try to lift it.*

Rex: Are you even pulling?

Hunter: Are you on my team?

Rex: Just represent. Pull.

Hunter: All right, let’s go.

*Echo tries next*

Hunter: Come on, Echo.

Echo: *makes it move a tiny bit*

Wrecker, nervously laughing: Nothing.

Echo: Sorry for barging in on you.

Hunter: Yeah, we would've called ahead, but we were busy having no idea that you existed.

Luke, in a police station: We’re under attack! Clear the city! Now! *No one’s doing anything, comes back with a gun and fires in the air* Get off your asses.

Crosshair, to Leia: Hey, look at me. It’s your fault, it’s everyone’s fault. Who cares? Are you up for this? Are you? Look, I just need to know. Because the city is flying. Okay. Look, the city is flying, we’re fighting an army of robots, and I have a bow and arrow. None of this makes sense.

Luke: Keep up, old man! *takes Leia and runs off*

Crosshair: Nobody would know. Nobody. “The last I saw him, an Ultron was sitting on him. Yeah, he'll be missed, that quick little bastard. I miss him already.”

Crosshair: All right, we're all clear here.

Echo: We are not clear! We are very not clear!

Luke: This is S.H.I.E.L.D.?

Echo: This is what S.H.I.E.L.D. is supposed to be.

Luke: This isn't so bad.

Luke: *Shoves Crosshair and a kid behind cover and gets shot multiple times in the leg* You didn't see that coming?

[the-oc-lass]

EVERYONE WHO MISSES TECH, PLEASE STAND

Because Dave Filoni really looked at us and said “FUCK YOUR TECH DREAMS!”

Tech did not return and I am screaming.

Anyway, please enjoy Tech and a Baby

Crosshair and a Baby

Wrecker and a Baby

Gregor and a Baby

Echo and a Baby

Full fic below the cut in case you don't want to go to Ao3:

Tech isn’t what you would call a “baby guy.” Babies are illogical and can’t be reasoned with. At least once they reach a certain age, you can start communicating and getting some understanding out of them. Unfortunately for Tech, baby Echo “Ec” Yothia is still just that: a baby. None of this is to say that Tech doesn’t love Ec because, no, no, he does. He just tends to find himself a little…Uncertain when it comes to the child. He prefers to simply observe others interacting with him rather than truly engaging with the child himself. 

So, of course, he would find himself in this situation. Ec’s mother, Rayona, has been working herself incredibly hard for the clone rebellion. As the acting pseudo-General and one of two resident Jedi, she takes what she does very seriously. She’s worked herself so hard, in fact, that Echo, as their resident Rayona-specialist, has taken it upon himself to start enforcing nap times for her. This is fine. Usually, it’s Echo or one of the other Bad Batch squad members that sit or lay with her to make sure she actually rests, some even resorting to lying on top of her. The problem is, Rex has Hunter and Wrecker helping him with a job and Crosshair is preoccupied with Omega. Apparently, Rayona is extra unwilling today, so Echo said it would be best for him to enforce nap time. Which leaves Tech with the baby. 

“Are you absolutely certain that you cannot come and watch over him? I am not equipt for the caretaking of an infant,” he says into his comm. He can hear Crosshair laughing on the other side of the transmission, but it’s Omega who answers. 

“Sorry, Tech. Crosshair and I are busy with Plaa and Ky right now.” Ah, of course. Rayona’s Jedi friend and her padawan/adopted daughter. Crosshair has taken a rather keen interest in them. “Have you asked any of the others?” 

“I have accounted for everyone else in the base. They are all either busy or not currently able to properly watch over Ec. While I am not equipped to care for him, I will not pass Ec off to someone who has more pressing matters to attend to. His safety is prioritized over my own comfort,” Tech says. He adjusts his goggles slightly. “I will attend to him. Thank you for your help, Omega.” 

“Good luck, Tech!” With that cheerful send-off, Omega is gone and Tech is once again alone with his thoughts and the infant. Ec stares up at him with big brown eyes, taking a moment before he smiles and reaches up toward Tech’s face, gurgling. His hand waves toward Tech’s eyes in particular, and Tech quickly deduces that he must be able to see his reflection in Tech’s goggles. He shifts the child away slightly, hoping to avoid getting any small fingerprints on his goggles. After taking a few moments to consider what he could possibly do with the child, he comes up with an idea. 

For the time being, Tech sets up Ec’s feeding chair near his workstation and places Ec in it. This will allow him to monitor the child but will prevent Ec from possibly grabbing something he shouldn’t. With Ec out of his lap for the moment, Tech is able to work on his latest project. It is, however, a project for Ec. A common problem is that Ec constantly needs to be held since there aren’t many good places to put him down. Tech has been working on a solution for that. Simply put, a hovering pram for Ec to rest in. It would make it easier to transport him around while still having one’s arms free. Tech decided to fit it with an energy shield, should the day ever come when they need to move the baby through an active battlefield. He also asked about mounting small automatic turrets to shoot anyone not in a specific scan-related database, but Rayona had very quickly nixed that idea. Despite his well-cited argument about the turrets keeping Ec safe, she’d argued that it was “too dangerous” for the rest of them. A rather preposterous concern, if you ask Tech, but he went along with Rayona’s wishes. She is Ec’s mother and Tech respects her too much to go against her will. It’s easy for him to focus all his attention on the project in front of him…At first. After approximately three minutes and thirty-six seconds, Ec begins to babble. Tech ignores him at first. He can’t expect the infant to be quiet, after all. They’re only quiet when they sleep. However, it quickly becomes clear that Ec is seeking attention and Tech looks over at him. 

“Yes?” he prompts, though he knows Ec won’t respond. Ec giggles and smiles at him, and Tech adjusts his goggles as he considers what to do. Ec seemed pleased that Tech spoke to him, which makes sense considering that infants recognize the sounds of speech. After Rayona had Ec, Tech also read that speaking to infants helps their cognitive development, meaning they’re able to acquire speech and language skills sooner. Perhaps he could help move that process along. Yes, that solution will do nicely. Tech pulls the feeding chair a little closer to his side, turning it slightly so that Ec can watch him work. “Now, Ec, while I understand that you do not currently have the capacity to understand me, I assure you that listening to me will help with your mental development. Now, as you can see, I’m currently wiring together the necessary controls to activate and deactivate the energy shield over the body of the pram. Once that is complete I will finish calibrating the repulsorlift and set it to the inner shell, which will allow your pram to hover, therefore making you easier to transport. I should also incorporate a sensor so that the pram can be summoned from a distance, and the sensor can be synced to your mother and-” 

“Why are you sayin’ all that to him?” Tech lifts his head from his work, turning to look over his shoulder. Ah, it seems that Wrecker and Hunter have returned. Tech adjusts his goggles again. 

“I had read that speaking to an infant helps with their mental development, especially when it pertains to speech skills,” he says. Wrecker blinks, clearly confused, and Tech sighs. “If I continue to talk to Ec, it is likely that he will learn to talk more quickly.” Now Wrecker’s eyes widen with understanding. 

“Oh. I get it. But why all that…Smart stuff? Doesn’t he want to hear about baby stuff?” he asks. Tech glances at Ec, who he finds looking back at him. When Tech’s eyes land on him, Ec smiles and babbles slightly. Tech smiles slightly in satisfaction before looking back at Wrecker.

“I believe my ‘smart stuff’ is plenty entertaining for Ec. Perhaps he will retain some of it and someday have an intellect matching my own,” he says, perhaps just a little proudly. Hunter appears at Wrecker’s side, helmet held against his hip. 

“Does that mean you don’t want us to take him? Omega mentioned that you weren’t sure what to do with him,” he says. Tech once again looks down at Ec, who is still smiling at him. 

“No. He may remain with me,” he says after a moment. Hunter shrugs, then gestures to Wrecker with his head. The two leave and Tech turns back to his project, though not without briefly brushing some of Ec’s hair back. “Now, where was I? Ah, yes. I should consider making some sort of gauntlet or chip to ensure that your pram can be summoned to…”

[girlfriendsofthegalaxy]

tuesday again 6/25/2024

i played a game that is not genshin impact!

listening

paige kennedy's lingerie model. the line "cause i'm a little rat boy in the body of a lingerie model" startled a laugh out of me. off the discover weekly playlist.

-

reading

thank you philip.

Johnny Guitar by Roy Chanslor, on interlibrary loan bc i was hoping reading the book would kickstart my long-planned fic based on the movie. surprise! wildly different book i read in one sitting! the locations, most of the characters (except most of them are much younger) and who's on what sides are essentially the same, but everything else is different!

there are five whole women in this thing, which is a staggering number for a western. i don't know that i have a clear idea of what this book is trying to say about Women in general or specific. i've just been kind of rolling it around in my head for a while. once i figure out what i want to say about this book everyone better watch out

-

watching

borrowed my best friend's husband and their disney plus account to watch a lot of star wars. we certainly had a lot of thoughts about the show Ahsoka but none of them were particularly complimentary. it's dave filoni playing the fucking hits. would you like some wolves and some owls and people having bad feelings and recreating the training session on the millennium falcon from ANH? would you like some fairly lackluster lightsaber battles? would you like the least interesting concept of a waiting room/purgatory/underworld you've ever seen? this is a show where we meet Anakin again and TRAVEL TO A DIFFERENT FUCKING GALAXY, the BIRTHPLACE of some WITCHES. can we be a little bit excited about new things please??? please?????? we are so very bogged down in cutting back and forth, bc god forbid everyone be in the same place at the same time, that we get only the tiniest glimpses of fun new places. show me the places. stop giving me medium shots of people yapping. easily three quarters of this show is filmed from the waist up or closer. what fucking gives. if i really really wanted to scratch the itch of a worrisome legacy and lost love and slightly weird student/teacher dynamics i would go read a contemporary literary novel. show me the interesting parts of star wars and not just the fanservicey callback parts please thanks

we did have a lot of fun with The Acolyte, which genuinely does feel like a breath of fresh air. most of the dialogue is extremely bad, which is sort of par for the course for a star war, but the gleeful jumping with both feet into some real melodramatic weekly serial/space opera tropes!!! much more interested in playing with a heightened narrative/playing with narrative at all, unlike ahsoka which is more focused on filling in a little blank spot!!! witches here also!!! the GOOD TWIN and the EVIL TWIN, several inventive assassinations, the CLEARING of one's NAME, a cursed planet, some fights that feel like they're playing with samurai movies and westerns in a fun new way instead of reminding me of a better thing i could be watching. thank you im eating this with a spoon. many people are very mad about it bc the protagonist is black and perhaps not perfectly straight. the public says this star wars is bad, bc of woke and bc of cliffhangers. i think this one is fun actually so far!!!

-

playing

Freshly Frosted (2022, Quantum Astrophysics Guild). free on Epic rn and quite honestly this should be a self-care/old people brain plasticity phone game. why it is NOT on mobile is beyond me. why it is on SWITCH is also beyond me.

it did make me miss a novelty doughnut and coffee mini local chain in the five college area that has long since gone under. one of my therapists used to have an office above one of their stores and i used to go to a class at smith on wednesdays, go to therapy, and then jog for the half hour bus back to umass, reward doughnut in hand.

it opens with a soft-voiced woman telling you about how she likes to decompress by laying in a field and imagining a donut factory in the sky. she gives encouraging little tips and "hey! be nice to yourself!" throughout the game, but mostly at the beginnings of levels and introducing new mechanics. there are, perhaps, overly plentiful achievements.

there are a dozen dozen levels and i played through the first three dozen, or the first three boxes (normie don't draw over your line, multi track drifting, merging paths). i once had a level correct and then hit undo out of indecision and the tutorial lady told me "“You had it, click the undo button in the top right to undo”. which i don't believe i've ever seen in a game.

i stopped at the third box bc there’s a universal order to ingredients (always frosting then sprinkles then whipped cream then etc) but it does not ever tutorialize that it will only put the next ingredient on if the previous ones are fulfilled. like this was the level i figured this out on.

on further levels in this box i was not thinking super hard about what the actual order was and i couldn't really tell you how i solved a particular level except for making sure every possible path existed. maybe this gets super wild in later levels idk but three dozen levels was enough of a novelty for me. if i may be a little mean to a perfectly fine game, it feels like a coding bootcamp project in the way it steps through its logic and introduces new mechanics.

-

making

cross stitch update. i don't believe this will be done by my brother's birthday

[dreams-are-paper-thin]

There's a great disturbance in the fandom about whether Sabine is Force-sensitive or not. So let's take a look from the beginning.

In A New Hope, Obi-Wan explains the Force as:

It's an energy field created by all living things. It surrounds us and penetrates us; it binds the galaxy together.

And according to George Lucas himself:

In Rebels, Kanan uses Obi-Wan's explanation for the Force more than once. There's an important conversation in Trials of the Darksaber, which is related to this and to Sabine.

Hera: Or maybe because she doesn't have the Force, you don't believe she can do this?

Kanan: No. The Force resides in all living things. But you have to be open to it. Sabine is blocked. Her mind is conflicted. She's so expressive and yet so tightly wound. She's so...

Hera: Mandalorian.

Kanan: Very.

Kanan never says Sabine doesn't have the Force. On the contrary, Hera says she doesn't have it and Kanan says no. What Kanan says implies that Sabine does have it, she's just not open enough to wield it.

Keep those quotes in mind for later.

Now, we have to address the Bantha in the room: the midichrolians. We're introduced to this concept in the prequels trilogy, I believe. It serves as a more technical explanation of the Force. The SW fandom wiki offers this definition:

Again, the midichrolians are in all living organisms because the Force resides in all living things.

As far as the movies go, we don't know how high the M-count has to be for someone to be able to wield the Force. We just know Anakin has a count of over 20.000 and that it's a very high number, so he's very strong in the Force.

We can assume that the higher the midichrolians, the more aptitude the user has in the Force.

I'm guessing Sabine has a low M-count, thus limited abilities in the Force because of this line in episode 2 of Ahsoka:

Huyang: I have know many padawns over the centuries, and I can safely say your aptitude in the Force would fall short of them all.

Some people interpreted this line as "Sabine isn't Force-sensitive at all." What I understand from that line is that Sabine sucks at using the Force.

Either way, midichrolians haven't even been mentioned in the show, but I've seen people talk about it regardless. I find most discussion of this kinda pointless because there's not much to go on, so we can only speculate.

Moving on. In episode 3, Ahsoka trains Sabine blindly so she has to rely on the Force to see. I think a lot of people missed that Sabine did, in fact, use the Force in that scene. Watch carefully.

2:16. After Sabine has grown impatient for not succeeding, she finally manages to sense Ahsoka's presence (she still couldn't see and Ahsoka didn't touch Sabine) and fight a little, until Ahsoka stomps on her foot and Sabine falls to the floor.

Ahsoka: Anger and frustration are quick to give power. But they also unbalance you.

Why would Ahsoka say that in the first place if Sabine hadn't used the dark side of the Force? She probably struggles with the light side because it's so different from what she's used to as a mandalorian. It's more aligned to her nature.

Later in the same episode, this conversation takes place:

Sabine: I can't use the Force. I don't feel it. Not like you do.

Ahsoka: The Force resides in all living things. Even you.

Sabine: If that's true, then why doesn't everyone use it?

Ahsoka: Talent is a factor. But training and focus are what truly define someone's success. Not everyone can handle the type of discipline it takes to master the ways of the Force.

This fits perfectly with Obi-Wan's quote and what George Lucas said in the interview. This is consistent within the Star Wars universe and Dave Filoni's previous work.

It does not break the canon, it does not retcon anything. We simply hadn't seen before someone training to use the Force and struggle so much with it.

And to me, that is far more interesting than having every single main character being just overly and naturally competent with the Force. You don't have to be the Chosen One to use the Force, you just have to have enough determination to put in the work.

Back to Ahsoka. In episode 4 (the latest episode that's come out since I'm writing this) Sabine manages to do a very slight Force push during her duel with Shin. I know many people will disagree with me, but just watch the scene again.

1:22. Shin disarms Sabine and knocks her to the ground. Sabine extends her hand and Shin is slightly pushed back. Her arm falls down, her head turns to the side.

I've seen multiple people say Shin did this in anticipation (when has anyone everyone done that?) and that Sabine didn't Force push her. But the thing is, there's a Force push sound effect. Listen closely. It's faint and short, but it's definetely there.

I think Shin's line also confused a lot of people.

Shin: You have no power.

This is not "Sabine tried to use the Force and failed and Shin reiterates it." Again, there's a Force sound effect. That should be proof enough that she's somewhat connecting to the Force. They wouldn't put it there if she wasn't using the Force.

I think Shin and Baylan, as sith/dark jedi or whatever they are, see the Force only as a means to power. That's what Baylan is seeking with all this anyway: power.

Someone with low Force-sensitivity like Sabine would seem totally powerless to them. Everyone has been telling Sabine she's not good enough for it (Huyang, Shin, even Sabine herself.)

So, you can totally disagree with me on this, but I personally interpreted that line as Shin telling Sabine to quit while she's ahead. If she'll never be as powerful as the rest of them, why even bother to try? But Sabine, as the stubborn mandalorian she is, still continues to try.

I think Dave Filoni is painting a very clear picture: Sabine can indeed use the Force, but she's not naturally skilled at it. I think she might still have some sort of block from it, like Kanan said. The show seems to be slowly building up to her wielding the Force more succesfully, though. Starting small, one step at a time.

With Sabine's decision (she didn't have much choice, if you ask me) near the end of episode 4, I do wonder if Sabine will be a dark side user. Shin and Baylan use the dark side but they don't seem to be consumed by it. We'll just have to wait and see.

I understand that people think that Sabine being Force-sensitive diminishes her character, but so far I don't think that's the case. She still uses her blasters and some mandalorian tricks up her sleeve. This just adds another layer to her character. Natasha Liu Bordizzo said in an interview somewhere that Sabine changes fighting styles frequently, and I think we'll see more of that soon.

As long as Sabine stays true to her mandalorian ways, I'm fine with it. How cool would it be to have a mandalorian-jedi in the mandoverse? Sabine has been kind of disconnected to her mandalorian heritage for a long time now, and I'm sure she won't be a regular Jedi, if a Jedi at all. She's a special breed, one of a kind. Who knows, maybe she'll help to bring balance to the Force after all.

If Bo-Katan can walk both worlds, then so can Sabine.

[clonebrainrot]

So I came across an article it was basically Dave Filoni talking about how he does endings

The important quote is

I think that in some ways you want each season to have a feeling of an ending. But in a lot of what I’ve done, I don’t like hard endings”

And this is very true. Look at Rebels, the clone wars and to a lesser extent the bad batch. Although I think a wholly separate post can be made a very long one on Dave’s influence and or lack thereof on the bad batch. It definitely fits into no hard endings.

But I also think you need a hard ending eventually. Sure you could theoretically keep making things with the characters, but eventually I as the creator of stories like to end them. Due to my poor writing skills I have never written my fanfiction down, but while I was younger say between the ages of 8-15 I would verbally tell my friends my stories. The point is. While I am not a writer I have been known to tell a good story. And eventually any good story needs an ending.

But Star Wars currently thrives off the no hard endings rule. Because they always return to the characters.

It’s why I think I have continued to get more and more disappointed with Ahsoka’s continuing story. There were times you could have had great endings for the character such as Twilight of the apprentice.

Hell a hard ending doesn’t even need to be death. Take the bad batch as an example. While the no hard ending rule definitely applies to characters such as Omega, Echo, Rex, Emerie. It does feel like the ending we got for Crosshair, Wrecker and Hunter was the hardest ending we have gotten in Star Wars in a long time. And I am completely happy with that fact.

A story needs an end. Now of course this is my opinion, but if you keep doing soft endings you’ll eventually get to the point in a decade or two where you grow tired of the character and just stop following it up.

Hard endings are important for a story because it means it’s done.

Now I have a feeling many of you may disagree with me. I want to stress though I am not saying soft endings are bad. I liked the bad batch and TCW and rebels. All three shows have soft endings. I am saying following a show up with another soft ending after another soft ending. And then never doing a hard ending is a bad idea. Because eventually you run out of the story and you just end it forever on a soft ending. And that in itself isn’t satisfying. It’s why I personally prefer shorter fanfiction. Or completed fanfiction.

Doesn’t mean I won’t read long stories. I do. But a part of me gets bummed when there is no ending because a creative abandoned it. In the Ahsoka movie Dave has a fantastic opportunity to do a hard ending. Do I think he’ll take it? All signs point to no.

Again this may just be me. But my point here is I do think you should have a general hard ending in mind for characters and plots. And I honestly don’t think Filoni does. Because he likes playing with the characters so much. Maybe he’ll prove me wrong.

Maybe this is why I like the ending of Revenge of the Sith so much. Because while it isn’t a hard ending. In many ways it is a hard ending for those characters. Padme dies. Anakin for all intents and purposes dies and the man Obi Wan was is buried deep down. It’s a hard ending for who those characters are.

Just my two cents.

Also this doesn’t reflect my opinion on spinoffs. I think that’s a wholly different debate.

So I think soft endings are fine as long as you do have a hard ending in mind eventually.

[kingofattolia]

Okay, please tell me, who would you cast as Thrawn for live action? You personally.

-Rain

Okay, I'm going to answer this even though it damages my dignity.

First, three caveats:

I'm not super picky. I think there are a lot of people who could do it just fine. Thrawn at his core is a Sherlock Holmes adaptation, so you need somebody who has that combination of casual, offhanded genius + genuine good intentions + weird little freak energy, etc. that Sherlock has.

I think Lars Mikkelsen does just fine. My core issue with his portrayal is not with his portrayal, per se. It's with Dave Filoni and what the hell Thrawn is DOING in the Ahsoka show. The dissonance between Rebels Thrawn and Book Thrawn I think is explainable in various ways. Thrawn as portrayed in Ahsoka has zero logic behind his actions that I can see, which just isn't compatible with any version of Thrawn's character. But again, that's not Mikkelsen's problem.

Lars Mikkelsen is playing Old Man Thrawn. When I fancast Thrawn, I am mentally fancasting Imperial Academy Thrawn from Thrawn (2017) and/or sharp and spiky Thrawn from the Ascendancy series as portrayed in the extremely dramatic yet compelling Out Of Print Limited Edition Ascendancy Trilogy cover art:

All that said, yes I would probably cast Michael Fassbender OKAY, DON'T @ ME.