#dated november 30th 2023

[happyk44]

Siren Hitoshi making people crash their ships before they can land at his island versus deaf pirate Bakugou, the first person to make it to the shores alive

[tangerinesunbeam]

.

[englishotomegames]

Cupid Parasite: Sweet and Spicy Darling (キューピット・パラサイト -Sweet & Spicy Darling.-)

Release dates (Nintendo Switch) Japanese: November 30th, 2023 English: May 28th, 2024

"Los York, a glitzy trendsetting town, was where our heroine descended. Her true identity was that of the real goddess of love, Cupid.

While working for a major marriage agency named Cupid Corporation, she strived to become the top bridal advisor. She was assigned five hopeless clients known as the Parasite 5!

Even after guiding them through mock dates, matchmaking seminars, and the reality show "Parasite House," all five abruptly canceled their memberships!

Yet their departures brought all their personal challenges to the surface. As she confronted these issues with them, they overcame many unexpected obstacles...

And she fell in love with 'him.'

'I solemnly swear that I will love you so that you always smile. I will protect you for as long as I live.' This is the continued love story of the goddess of love, Cupid, experiencing love firsthand. It's the tale of when she becomes a goddess 'only' for him.

Marriage wasn't the end goal, but the start of a new chapter. Whether they began dating or got married, the only thing awaiting them is a series of unexpected challenges!

A mysterious new creature has appeared in Los York! Could it be a divine message or evidence of an unknown civilization?

A love story so sweet, it'll make your heart melt! The whirlwind of feelings taking the world by storm is far from over!

An endearing, joyful, and chaotic tale that's richer and more exhilarating than ever! This romance featuring a former goddess is so sweet and spicy, it'll make your teeth ache and set your soul ablaze!

And in Merenice Levin's route, her days as Cupid are far from over! A romantic and comedic story in the world of matchmaking is set to unfold!"

This is the fandisc for Cupid Parasite! You can buy the physical version here, or the digital version here.

[personwithatophat]

Release date theory

gen 0 is releasing in the next few months based on all the prepwork being done for it and i got thinking about promo and stuff. "From the desk of the founder" we have SEEN the desk of the founder from twitter

Then i realized that comic, The Lumpits dated November 4th 1990 w e l l Chronicle 0 is a twitter spinoff story we have of Miss Roads Zero's journal. and it was connected to us on the date of its beginning's anniversary specifically July 30th 2023 from the journal title written July 30th 19XX we know that the founders 'connection' is stronger on an anniversary we know that "the connection is getting stronger"

and recently since this is from T_3 I propose that weather its the full gen 0 release or something else

that we are coming up on something fast -Tophat

[cha-melodius]

2023 Writing Roundup

Thanks to @welcometololaland, @rmd-writes, @kiwiana-writes, and @orchidscript for tagging me for this one. I'm also going to say thanks to everyone who tagged me in the ao3 wrapped or other round up type things; I've been putting off doing my annual writing year-in-review because I always post it on the 30th or 31st. This one is new to me and I figured why not, I'll do it now. I published 31 fics this year (so far!), so safe to say I'm putting this partly under a cut to save your dashes.

JANUARY

How’s About Cookin’ Something Up With Me? (TMFU, T, 4k) Teachers AU, Napoleon helps Illya bake cookies for a holiday party.

Love is a Deserter (TMFU, T, 3k) Post breakup getting back together fic.

True Hollywood Romance (Lokius, M, 8k) Actors AU, fake dating, Mobius and Loki have a PR relationship that turns real.

It's Been a Bad Day Lately (Lokius, T, 17k) Time loop, Loki has to try to figure out how to defeat a deadly Kang variant and save the man he loves all at once.

FEBRUARY

All for a Taste of the Honey (RWRB, E, 6k) FBI Agents AU, Henry goes undercover as a stripper and Alex has a lot of feelings about that.

MARCH

All Comes Crashing (TMFU, E, 5.6k) Illya has one night left to live and is forced to admit the feelings he's been holding back.

Nova, Baby (RWRB, E, 67k) CIA/MI6 AU, forced to work together by their respective agencies, Alex and Henry take on high-stakes missions and fall in love.

APRIL

Kiss Me Like You Mean It (Firstprince, Napollya, Lokius, T) Various T-rated ficlets featuring kisses.

MAY

All the Old Showstoppers (RWRB, E, 20k) Canon-divergent AU where Alex and Henry compete in the Great Celebrity Bake Off.

The Sky is Open (RWRB, E, 5k) 1970s Pan-Am pilots AU (with a twist!).

Just a Shot Away from You (TMFU, T, 4k) Five times Napoleon and Illya were ordered to kill each other, and one where everyone decides they’ve had enough.

JUNE

Tiny Little Movies (RWRB, various ratings) A drabble collection based on drabble prompts from the Brownstone discord server.

JULY

Always Where I Need To Be (RWRB, T, 5k) Alex's new roommate has a puppy with a penchant for stealing his glasses.

AUGUST

Please Don't Let Me Be So Understood (RWRB, E, 20k) Couples Therapy AU, Alex and Henry are workplace enemies and accidentally end up in couples therapy.

Black Moon (TMFU, E, 6k) For All Mankind AU, Napoleon and Illya are astronauts living on moon bases.

That's My Trouble (RWRB, M, 6k) Detective/ME AU, aka 'Rizzoli and Isles AU', Alex shows up bleeding on Henry's doorstop.

Theory and Practice (RWRB, T, 4k) My 100th fic! Grad students AU, former hookups turned enemies to friends to lovers.

Getting Clinical (RWRB, T, 2k) Non-famous AU, Alex and Henry meet at a sexual health clinic.

Cold Light (Lokius, M, 4k) Human AU, Loki and Mobius meet in Norway and their relationship grows under the northern lights.

Step Into My Office, Baby (RWRB, E, 2k) Office AU, friends to lovers, three scenes in a corner office.

The Harrowed and the Haunted (TMFU, T, 3k) Paranormal investigators AU, Napoleon and Illya visit a haunted house.

SEPTEMBER

Will You Brie Mine? (RWRB, T, 6k) Non-famous AU, Henry sells cheese at Harrods Food Halls and Alex is his best customer.

Lessons in Foreign Diplomacy (RWRB, E, 5k) Post-American Revolution AU, Alex and Henry are ambassadors to the court of Versailles from their respective countries.

Something To Be Proud Of (RWRB, M, 3k) Non-famous AU, Alex volunteers at Edinburgh Pride and Henry makes an embarrassing email typo.

Enemies of the Ocean (Lokius, T, 3k) Human AU, Loki and Mobius are stranded at sea on a life raft together.

OCTOBER

Falling Down the Stairs of Your Smile (RWRB, M, 4k) Canon divergence AU, Alex stays another night after the hospital trip and their relationship gets a jump start.

In the Dog Days (RWRB, T, 6k) Modern magic AU, Alex is jealous and suspicious of Henry's shapeshifter boyfriend, David.

NOVEMBER

Taste the Way You Bleed (RWRB, T, 4k) WWDITS AU, the Super Six are all vampires living in the same house, and Alex and Henry still hate each other (until they don't).

DECEMBER

This Hell of a Season (RWRB, E, 21k) currently posting Nova-verse missing scenes and sequels, 3 times Alex & Henry spent Christmas on missions and 1 when they didn't.

[Redacted] (TMFU) My fill for the annual TMFU winter holiday gift exchange.

WHEW. Ok, tagging! @cricketnationrise, @heytheredeann, @mirilyawrites, @loki-is-my-kink-awakening, @dewdropreader, @celaestis1, @myheartalivewrites, @14carrotghoul, @clottedcreamfudge, @indomitable-love, @dumbpeachjuice, @indestructibleheart, @lizzie-bennetdarcy, @inexplicablymine, @sherryvalli, @iboatedhere, @tintagel-or-cockleshells, @leaves-of-laurelin, @three-drink-amy, and anyone else who wants to play.

[gunsatthaphan]

~ Monthly BL Breakdown: November 2023 ~ 

🎅🏻 Happy December!!! 🎄

Disclaimer: ALL shows can be streamed here or here, as well as on Youtube and other platforms. For more info on where to watch what, check out this post! 

New breakdowns are coming at the end of every month - feel free to add stuff! -> previous breakdowns

What came out this month? (green = seen/currently watching)

🌟 Twins - November 3rd (Thailand) 

🌟 Last Twilight -  November 10th (Thailand) ✅

🌟 Middleman's Love - November 10th (Thailand) ✅

🌟 A Breeze of Love - November 10th (South Korea)

🌟 Beyond the Star - November 11th (Thailand) 

🌟 Playboyy - November 16th (Thailand) 

🌟 Pit Babe - November 17th (Thailand) ✅

🌟 Wheels and Axle - November 17th (Thailand)

🌟 Bake Me Please (starring Ohm Thitiwat) - November 19th (Thailand)

🌟 7 Days Before Valentine - November 22nd (Thailand) 

🌟 My Biker - November 24th (Thailand)

🌟 VIP Only - November 24th (Taiwan)

🌟 The Sign - November 25th (Thailand) 

🌟 Every You, Every Me - November 25th (Thailand)

🌟 Cooking Crush - November 26th (Thailand) ✅

🌟 The Whisperer - November 26th (Thailand)

🌟 My Biker - November 27th (Thailand)

🌟 For Him - November 30th (Thailand)

🌟 Sahara Sensei to Toki-kun - November 30th (Japan) 

Monthly likes/dislikes

👎🏻 Love Senior - This isn't a BL but I had to include it anyway because it's horrific lmao. I peeked in bc I was interested in what Starhunter could bring to the GL genre but I should've known better lmao. It's the girl version of Sotus but so much worse. Anyone who watches this and genuinely enjoys it, please unfollow me sdhfkd.

New series & movie announcements

🎥 Your Dear Daddy - Date TBA (Thailand)

🎥 My Stand In (starring Up Poompat) - Date TBA (Thailand)

🎥 My Boyfriend is a Captain - Date TBA (Thailand)

🎥 Teach Me Touch Me - Date TBA (Thailand)

🎥 To Be Continued - Date TBA (Thailand)

🎥 I Love/Kill You - Date TBA (Thailand)

🎥 Gray Currents - Date TBA (South Korea)

🎥 Lost on the River (adapted by Sammon's novel) - Date TBA (Thailand)

🎥 Shadow Confession - Date TBA (South Korea)

🎥 Mr. Doctor (BMS spinoff) - Date TBA (Thailand)

🎥 I Became the Lead Role of a BL Drama - Coming January 1st (Japan)

🎥 The Hidden Moon - Date TBA (Thailand)

🎥 Universe of Love - Date TBA (Thailand)

🎥 Battle of the Writers - Date TBA (Taiwan)

🎥 YZilla - Date TBA (Thailand)

🎥 You and My Stars - Date TBA (Thailand)

🎥 Monster Next Door - Date TBA (Thailand)

🎥 Love For Love's Sake - Date TBA (Thailand)

🎥 Jack & Joker (starring YinWar) - Date TBA (Thailand)

Other news from the BL world

❗️ At the streaming event of the final episode of I Feel You Linger in the Air, the cast announced a second season of the show. Details are unknown.

❗️ The Taiwanese historical BL My Stand In is getting a Thai adaption. Up Poompat and Poom Phuripan have been confirmed as the leads, Porsche Tanathorn, Mek Jirakit and Inntouch Naphat have been confirmed as part of the cast as well, along with others. The series is currently in pre-production and has not disclosed any further information. 

❗️ LINE TV and TAICCA announce “Be Love, Go Love”, a project that will include 6 Taiwanese BLs/GLs, produced & realized by multiple cross-country BL producers, screenwriters and directors from shows like the HIStory franchise, To My Star, Bad Buddy, ATOTS, 2Gether, Semantic Error and more. The project will launch in the 2nd half of 2024.

❗️ MeenPing (Ai Lhong Nai) were announced as the leads for AllThis Entertainment's upcoming BL The Rebound. Further details are unknown.

❗️ After Manner of Death and Triage, another one of Sammon's novels will be adapted into a series titled Lost on the River. Further details are unknown. Regarding the adaption of her novel Euthanasia, Tor Thanapob and JJ Krissanapoom were announced as the leads. The show will be called Spare Me Your Mercy. The production stated the reason they delayed the filming for more than a year is that they wanted to make sure to get Tor and JJ as the leads.

❗️The Korean broadcasting network KBS announced the period BL Shadow Confession. This is the network's very first BL production, giving it a huge relevancy as KBS is Korea's leading television- and broadcasting system.

❗️ MaxNat's upcoming BL Two Worlds has begun filming. The show will air in early 2024.

❗️BrightNonkul (I Feel You Linger in the Air) won "Most Charming Y-Series Actors of the Year" at this year's Starlight Awards.

❗️ Studio WabiSabi held their 2024 lineup event "Next Page" on November 23rd. The following BL productions were announced:

Sunshine in the Wind (BL/GL)

Star Scope

Fourever You

The Vampire Project (formerly known as "My Broccoli", starring BounPrem)

❗️ The Thai BL Be Mine Superstar is getting a spinoff revolving around Mueng and Ning, played by Boston and Kavin. The drama is titled Mr. Doctor and will air in 2024.

❗️ Actors Yin Anan and War Wanarat announced a new upcoming project titled Jack & Joker; a BL series of a still unknown genre. The sidecast includes Prom Ratchapat, Mark Siwat and others. Yin and War said the show is an original by their agency and they will act as producers as well. The pilot trailer will be released on December 2nd. Further details are unknown.

Upcoming series & movies for December

👉🏻 Chains of Heart: The Movie - December 7th (Thailand)

👉🏻 Cherry Magic Thailand - December 9th (Thailand)

👉🏻 It's Complicated - December 14th (Thailand)

👉🏻 Dear Kitakyushu - December 14th (Thailand)

👉🏻 Colorful Melody - December 16th (Thailand)

👉🏻 Dead Friend Forever - December 23rd (Thailand)

👉🏻 Wuju Bakery - December TBA (Thailand) 

👉🏻 Intern in My Heart - December TBA (Thailand) 

👉🏻 Night Dream - December TBA (Thailand)

[astoundingbeyondbelief]

Kaiju Week in Review (September 3-9, 2023)

I was a bit nervous about GAMERA -Rebirth-; the animation looked dodgy and Netflix has a shaky track record with kaiju shows. I'm pleased to report this is the best entry in the genre that they've put their name on. Good characters, great action (brutal as always), and actual episodic storytelling that effortlessly weaves in elements from the Showa films beyond all the returning kaiju. Watch it immediately.

Tie-ins abound for GAMERA -Rebirth-: a two-part novelization, a manga adaptation, and a prequel manga that sheds some light on [UNBELIEVABLY MASSIVE SPOILERS]. That prequel manga (GAMERA -Rebirth- code thyrsos) is being published online for free in both Japanese and English. You can read the first chapter here.

In unofficial translation news, English subtitles for GAMERA.1999 (1999) and yokaipedia (2022) are now available. The former is Hideaki Anno's making-of documentary for Gamera 3: Revenge of Iris; the latter is a fun, child-friendly fantasy from Godzilla Minus One director Takashi Yamazaki with a big ol' centipede-dragon at the end. (It's also maybe the first Japanese kaiju film I've ever seen with a major Black character.) I haven't gotten to GAMERA.1999 yet, though from scrubbing through it, it seems like a lot of dialogue was just ignored by the translator. Shame, as that's one I've wanted for a long time.

We have a teaser for Monarch: Legacy of Monsters, as well as a premiere date for the first two (out of ten) episodes: November 17. (I am being showered with Media for my 30th birthday.) The big news from this trailer is that John Goodman is reprising his role as Bill Randa from Kong: Skull Island. I assume that's going to be through flashbacks and old recordings only, since he was eaten by a Skullcrawler in that one. We also catch glimpses of two new creatures, a dragon and a crab from what I can tell. The latter looks to be fighting a Mother Longlegs.

Fandango and AMC have added mostly-empty listings for Godzilla 2000 on November 1. Fathom Events screened Godzilla Against Mechagodzilla on November 3 last year; despite randomly showing Tokyo SOS back in March, I gather they're making a tradition out of Godzilla Day. Note that the listed runtime is longer than the film itself. Predictions for the program: another message from Keiji Ota, the 2022 Godzilla vs. Gigan short, and the Japanese version of G2K. Interesting that they're running the last Toho Godzilla film to receive a wide release in the U.S. exactly a month before Godzilla Minus One has a wide release of its own here.

Gamera isn't a meta-defining Godzilla Battle Line unit... but he's Gamera in a Godzilla game, so I've been using him in every match since I unlocked him. He's gearing towards demolishing flying units, with fireballs that deal more damage against them and knock them back. A pity that he's arriving well after those units were at their most dominant.

Godzilla: Here There Be Dragons #3 still isn't giving me much to write home about, but the kaiju cult creeping to the forefront intrigues. Also cool to see Ebirah in a starring role.

Marubeni, one of Japan's biggest general trading companies, put out a bizarre commercial featuring samurai, zombies, a meteor, and a refurbished GMK King Ghidorah. The ad now has English subtitles, and you can watch a Ghidorah-centric behind-the-scenes video here.

I cannot believe I have more Cleopatra Entertainment fuckery to report on with regards to their Shin Ultraman releases, but they're truly trying to take the "Worst Film Company of 2023" title from the members of the AMPTP. Their third attempt at a barebones disc is starting to reach customers... but the ones who already received the initial replacement disc are being told no more will be sent. @starestream is trying to figure out if they'll be selling the third edition on their site, since it seems buying it anywhere else is a gamble. (Physically, the third edition looks almost the same as the first two, set apart only by the "SUBTITLED" text on the disc.) Either way, it's another blow to a movie that truly doesn't deserve this.

[rnmevents]

2024 RNM Fandom Events Calendar

Below, you’ll find an always-being-updated list of events going on in the RNM fandom throughout the year as they are announced:

RNM Big Bang

Signups open: April 3rd

Sign ups CLOSED

RNM After Dark

Dates to be announced

RNM Secret Santa Exchange

Sign Ups Close Nov. 15th

2019 calendar || 2020 calendar || 2021 calendar || 2022 calendar || 2023 calendar

Questions? Concerns? See an event missing? Send us a message!

past 2024 events:

Sunrise on CrashDown

January 13th-15th

Kyle Valenti Weekend

February 9th-11th

Liz Week

May 13th-19th

Hatch Day Party

June 14th-16th

RNM Femslash Exchange

June 24th-30th

Isobel Evans Weekend

July 26th-28th

Max Evans Weekend

September 27th-29th

RIP Roswell

October 31st-November 3rd

[losaeuls]

son taena, also known as TOMIE is a south korean singer and actress under VOID MEDIA. she made her debut in 2018 as a member of the girl group LOONA. she made her solo debut on october 30th, 2024 with the mini album ‘HAUNTED.’.

tomie was officially revealed as a member of LOONA on february 1st, 2018. she released her solo single album Tomie on the 17th with the song Paradise Lost and its b-side, Dawn. she would then be announced as a members of the group’s final sub unit yyxy alongside members yves, chuu, gowon, and hyeju. on august the 19th, tomie made her official debut with LOONA.

on november 28th, 2022, it was announced that tomie, along with nine other members of loona filed a lawsuit to terminate her contract with blockberry creative. on june 16th, 2023 tomie’s contract would be injuncted. after leaving, she would establish her own company, VOID MEDIA, in september of that same year.

after establishing her own company, tomie went musically silent for a while. instead, she turned her focus towards acting, starring in night has come in 2023, and spent a good chunk of 2024 filming perfect family, which began airing in august. on october 1st, 2024, she surprised fans with the announcement of her solo debut.

⨾༊󠀺 basics.

birth name. son taena

date of birth. december 30th, 1998

zodiac sign. capricorn

birthplace. seoul, south korea

label. blockberry creative (2017 - 2023), void media (2023 - present)

face claim. seo soojin

⨾༊󠀺 loona.

positions. dancer, vocalist

debut date. august 19th, 2018

solo single. paradise lost

sub unit. yyxy

representative color. white

representative animal. snake

fandom name. orbit

⨾༊󠀺 solo.

debut date. february 17th, 2018 ╱ october 30th, 2024

debut album. HAUNTED

debut song. MAY LILY

fandom name. omnia (meaning “all” or “everything” ; in which her fans are her everything)

⨾༊󠀺 discography.

Tomie. ╱ single album est. 2018

HAUNTED ╱ mini album est. 2024

⨾༊󠀺 filmography.

night has come. kim somi ╱ television series est. 2023

perfect family. choi seonhui ╱ television series est. 2024

[dreamings-free]

IQ Magazine November 30th 2023

Usually, when an act completes a world tour, they come off the road for an extended period to rest, record new material, and then typically two or three years later the wheels are set in motion for an album release, promo, and tour dates. Louis Tomlinson did not get that memo.

His first solo tour ran late due to the pandemic restrictions, meaning that by the time it concluded in September 2022, his second album, Faith in the Future, was scheduled to drop and tickets for the associated tour were ready to go on sale.

“This tour went on sale last October or November – basically a year in advance,” explains agent Holly Rowland, who represents Tomlinson alongside Alex Hardee, internationally, while Wasserman Music colleagues Marty Diamond and Ash Mowry-Lewis do likewise for North America.

Despite that quick turnaround between tours, Rowland reports that ticket sales for the current tour are going very well indeed. “The first leg went through Scandinavia before doing the Baltics and Eastern Europe – Romania, Bulgaria, and Greece – places that most people, especially arena-level acts, don’t really go. And the second leg, which is more mainland Europe, started on 2 October.”

The tour is big. Very big for just a second outing in his own name. Between May and July this year, Tomlinson played 39 dates in the US and Canada across a mix of amphitheatres, arenas, pavilions, and stadiums. In August, he returned to Europe, where he is currently is in the midst of another 39 dates in arenas across the continent and the UK, which will take him to 18 November. Then, in early 2024, the Faith in the Future tour goes to Australia for two outdoor dates in Melbourne and Brisbane, before he takes the show to the country’s biggest indoor venue, the Qudos Bank Arena in Sydney.

“The tour before obviously was a Covid tour where the dates had to be chopped and changed. The positive aspect of that was that we were able to upgrade venues where that made sense”

And, as IQ went to press, Tomlinson released dates for a return to Latin America in May 2024 for a mix of indoor and outdoor shows, including stadia, across Mexico, Argentina, Brazil, Chile, Colombia, Costa Rica, Panama, Paraguay, Puerto Rico, and Uruguay.

“We’re going to Australia and part of Asia early next year,” states artist manager Matt Vines of London-based Seven 7 Management. “We then go into Latin America in May and June. And then we’ll handpick a selection of festivals next summer, before we draw the line on the campaign at the end of the summer.”

Rowland comments, “The tour before obviously was a Covid tour where the dates had to be chopped and changed. The positive aspect of that was that we were able to upgrade venues where that made sense. But it was really nice to start from scratch on this tour to make sure the routing was all going in the right direction.” She reports, “We’ve done nearly 16,000 tickets in Amsterdam, and 14,000 in Paris, which I think just underlines his credibility as an artist and his growing reputation among fans.”

Back to You Playing a major role in shifting that ticketing inventory is a network of promoters also enjoying Tomlinson’s rising star.

“On this tour, it’s mainly Live Nation – we use a lot of the One Direction promoter,” explains Rowland. “But for Greece, we used Honeycomb Live, Charmenko did Romania, 8 Days A Week promoted the three shows in the Baltics, All Things Live did Finland, Fource are doing Prague, it’s Gadget in Switzerland, Atelier in Luxembourg, and when we get to the UK, it’s SJM, and MCD in Ireland.”

With a total of 39 European dates, Rowland split the outing into separate legs, scheduling a break after Scandinavia, the Balkans, Baltics and Athens, Greece and another after mainland Europe ending in Zurich, Switzerland.

“Louis has a real desire to perform to fans in markets that are often overlooked”

“It’s a perfect ratio, if I do say so myself,” she laughs. “It was right to split it up – 39 dates is a long, long tour, especially with the American tour throughout the summer being 11 weeks! We made sure to schedule days off, for everyone to recharge their batteries.”

In Spain, Nacho Córdoba at Live Nation promoted Tomlinson’s shows in Bilbao, Madrid, and Barcelona and reports sell-outs at each of the arenas involved.

“When Louis was last here, it was three days before the pandemic shut everything down in Spain. In fact, I think he played the final show before the market closed because of Covid,” says Córdoba.

“Last year, Louis organised his Away From Home festival in Fuengirola, and that also sold out, so we know he has a big following in Spain, and we also know that Spanish fans are super loyal. So, on this tour we sold out 7,000 tickets at Bilbao Arena Miribilla, 13,600 tickets at WiZink in Madrid, and 11,200 at Palau St Jordi in Barcelona.”

Already looking forward to Tomlinson “and his fantastic team” returning on the next tour, Córdoba believes it will be important to see what happens with the next album – and Tomlinson’s expectations – before making any plans.

“The most important thing is to keep the fans happy and keep the momentum building with Louis,” he states. “I am a big fan of the arenas, because the atmosphere at his shows was incredible. So, rather than look at going bigger, it might be a case of looking at other arenas in other markets. Whatever he does, we cannot wait to have Louis back in Spain.”

“He’s kept the ticket prices reasonable – and he never wants to do any gold circle or VIP tickets. I think that’s why he’s so close to his fans, because it’s not about maximising profits”

Stefan Wyss at Gadget abc Entertainment in Switzerland promoted Tomlinson when he visited Zurich’s Hallenstadion on 23 October and explains that he previously played the city’s Halle 622 venue on the first tour.

Recalling that debut solo outing, Wyss tells IQ, “At first, we announced a mid-size theatre club show, 1,800-capacity, but it sold out instantly. Then we moved it to Halle 62, which is 3,500-cap, and that also sold out immediately, so it was a really big success.

“They’ve invested a lot in the production of this current tour, and it’s doing really strong numbers, so that’s why we decided to go to the arena this time around, where we set a mid-size capacity of 7,000, which is good for a small market like Switzerland, especially because he’s coming back just one year later and playing a much bigger show.”

Wyss adds, “He’s kept the ticket prices reasonable – and he never wants to do any gold circle or VIP tickets. I think that’s why he’s so close to his fans, because it’s not about maximising profits. Another reason for his success is that in addition to attracting a mainstream audience, he’s also getting the music lovers because he’s just a very good songwriter and has brilliant songs.”

Wyss also notes that with many young fans typically arriving the day before the concert, the responsibility to look after them is extended.

“We set up toilets, we have security overnight, we give water away. It’s part of the organisation that we will take care of the fans.”

Fresh from announcing 12 dates across Argentina, Brazil (x 3), Chile, Colombia, Costa Rica, Peru, Paraguay, Panama, Puerto Rico, and Uruguay, promoter Fabiano Lima De Queiroz at Move Concerts reports that Tomlinson will visit a mix of arenas, as well as stadiums in Santiago, São Paolo, and Buenos Aires during his May tour.

“Louis really looks after his fans. On the last tour they did a deal with Greggs [bakery chain] to give free food to the people waiting in line, as some of them camped out for days in advance”

“Our first tour with Louis was supposed to be in 2020 and we’d booked half arenas everywhere – 5,000-6,000 capacities,” he informs IQ. “Louis was one of those acts who connected very well with the fans during the pandemic, so when we shifted the dates, first to 2021, and then to 2022, we ended up selling out and having to upgrade in certain metropolitan markets.

“In Santiago, for instance, we’d sold out two full arenas of 13,000 cap, but then the government declared that for mass gatherings the numbers needed to be limited to 10,000 people.”

Rather than let fans down, Move added a third date, which again ended up selling out. “I remember being on a night plane from Miami, while Matt Vines was flying in from Dallas, and we were both using the aircraft wi-fi to negotiate via text for that third show,” says Queiroz. “It was an interesting way to confirm putting the third date on sale, just three days before the actual show!”

He adds, “We’re taking a big bet on this tour when it comes to the number of cities and the capacities of the venues, but we’re hoping for the best, and we’ve gone out strong. We feel that the artist is in a good moment and that the latest album has just created more interest, so we’re looking forward to when he arrives in May.”

Further north, Ocesa will promote three dates in Mexico, including a stadium show at the F1 circuit, Autódromo Hermanos Rodríguez, deepening Tomlinson’s footprint in that crucial North American market.

Meanwhile, in Tomlinson’s homeland, Jack Dowling at SJM is promoting seven UK dates in November at arenas in Sheffield, Manchester, Glasgow, Brighton, Cardiff, London, and Birmingham, which will round out the European leg of the tour.

“We have a responsibility to look after [the fans]. Coming to a show should be a safe space, it’s where they find joy, and we have a responsibility to protect that”

“SJM has done every show Louis has been involved with, including all the One Direction arena and stadium shows,” notes Dowling, adding that on the first tour, the London show was originally pencilled in as a Roundhouse, then two Roundhouse shows, before finally being upgraded to Wembley Arena.

“This time, The O2 arena show in London will be sold out, while all the others have passed the expectations of where we wanted to be on this tour. In fact, when the UK dates were announced, it ranked as the fourth most engaged tour on social media in SJM’s history – his fans are just nuts.”

But Dowling also reports that the fanbase for Tomlinson is expanding. “The demographics are pulling not just from pop but also from indie rock now.”

Dowling adds, “Louis really looks after his fans. On the last tour they did a deal with Greggs [bakery chain] to give free food to the people waiting in line, as some of them camped out for days in advance.”

Out of my System Ensuring his fans are looked after properly is the number one priority in Tomlinson’s live career.

Noting that Tomlinson’s audience comprises mainly young women and girls, Rowland reveals that, at the artist’s insistence, a safety team has been added to the tour to ensure everyone that attends his shows is looked after. “They manage all the safety within the shows for the fans,” she explains. “They came in for the Wembley show last year and have been with us ever since – they’ve been beneficial to the running of the tour.

“When he played in South America, some of his fans were camping outside for a month. So we have a responsibility to look after them. Coming to a show should be a safe space, it’s where they find joy, and we have a responsibility to protect that.”

Manager Vines comments, “One issue that we came up against almost all last year was crushing and fans passing out. We adopted a system where we could communicate with fans, who could hold up a mobile phone with a flashing red-and-white sign if they were in trouble but then we’d see them all popping up.

“I don’t know whether some of that was a hangover of the pandemic where fans just weren’t used to being in venues. But we experienced a number of situations where hydration and temperatures in venues became an issue. I know Billie Eilish went through similar issues.”

“I get detailed incident reports after each show… So far on this tour, we haven’t had any issues with crushing or hydration, which is fantastic”

With Tomlinson determined to meet a duty of care toward his fans, Vines says that the team now sends a “considerable advance package” to promoters ahead of their tour dates. “Our safety team goes into venues in the morning and basically ensures that a number of different things are in place – making sure that water is given to the fans, where the water comes from, and at what points in the show it happens.”

And on the crushing phenomena, he reports, “We’ve worked out how many fans it’s safe to have without a secondary barrier. So we instruct promoters to have certain barriers in place to relieve that pressure and avoid crushing.”

He adds, “I get detailed incident reports after each show, which lets myself and my management team know exactly what happened, and so far on this tour, we haven’t had any issues with crushing or hydration, which is fantastic.”

Production manager Craig Sherwood is impressed by the way the tour has pivoted to protect the ‘Louies.’ “The welfare officers are vital for the young girls who are aged from, I guess, 14 upwards. They can get dehydrated and malnourished pretty quickly if they are camping out for days, so it’s important that we look out for their wellbeing,” says Sherwood.

Citing the extremes that the Louies will put themselves through in an effort to secure themselves prime positions at the front of the stage, Sherwood recalls, “The first show on our US tour was in February, and it was freezing, but we found out that girls had been camping out on the pavement for five days. It’s crazy, as we know these young girls are coming from all over the world to see Louis.”

However, Tomlinson’s connection with those fans is evident in the level of merchandise sales at each show. “It’s a huge part of our business,” says Vines. “In America, we averaged about $36 a head, and it’s not much shy of that in Europe – we’ve set a few national records in terms of spend per head. But we spend a lot of time on merch plans, and we do venue-specific drops and give it a lot of care and attention, as it’s a really important element of Louis’ business.”

“We don’t do dynamic pricing, we don’t do platinum ticketing, we don’t do paid VIPs, we don’t increase ticket prices on aisle seats – all those tricks that everyone does that most fans don’t know about: we don’t do any of those”

We Made It Making sure that the Faith in the Future tour delivers Tomlinson to his growing legion of fans, PM Sherwood’s long association with artist manager Vines made him the obvious choice when the artist first began his solo career.

“I remember doing a lot of promo dates around the UK and US before we started touring properly,” says Sherwood of his work with Tomlinson. “In fact, one of the first shows I remember doing with Louis was in Madrid when he played in a stadium, and I could see it was a taste of things to come.”

The partnership between Sherwood and Vines is crucial. “In terms of the show growing, our biggest challenge is keeping costs down, because we’re extremely cautious on ticket pricing,” says Vines. “We don’t do dynamic pricing, we don’t do platinum ticketing, we don’t do paid VIPs, we don’t increase ticket prices on aisle seats – all those tricks that everyone does that most fans don’t know about: we don’t do any of those.

“So, when it comes to the production side of things, we need to be incredibly careful. But I’ve been working with Craig for a decade, and he knows the importance of trying to keep costs as low as possible. For instance, we’ll run the show virtually a number of times so Louis can watch it with the show designer, Tom Taylor, make comments and tweak things. Then we’ll go into pre-production. But we try to do as much in virtual reality as possible before we take it into the physical world.”

Sherwood states, “Basically, we started out with two or three trucks, but now we’re up to nine, and things seem to be getting bigger day by day.”

Thankfully, Sherwood has amassed a vastly experienced crew over the years, allowing them to handle even the most unexpected scenarios. “I’ve been touring since the dawn of time, but the core crew I work with now have been together since about 2010, and I trust them implicitly, so I leave it up to them who they hire, as long as they think I’m going to like them, and they’ll get along with everyone. So far, it has worked well,” Sherwood reports.

And that veteran crew has dealt with some terrifying weather extremes on the current tour, including a show at Red Rocks in Colorado where the audience were subjected to a freak storm with golf ball-sized hail stones injuring dozens of people.

“We need to tweak the rigging on a daily basis, as we move to different venues”

Elsewhere, the crew has had to act quickly when the threat of high winds in Nashville caused problems on that outdoor run. “We didn’t want the video screens blowing about above the heads of the band, so it must have been amusing for the audience to see us taking them down,” Sherwood reports.

Indoors in Europe, the environment has been more controllable. The production itself involves an A-stage set 180 degrees across the barricades, although Sherwood says that on occasion a catwalk is also used by the performers.

“It’s a great lighting show and fantastic for audio, as we have a phenomenal front-of-house sound engineer – John Delf from Edge Studios – who makes life very easy for the rest of us,” says Sherwood. He also namechecks Barrie Pitt (monitor engineer), Oli Crump (audio system designer), Tom Taylor (lighting designer), Sam Kenyon (lighting technical director), and Torin Arnold (stage manager), while he praises Solo-Tech for supplying the sound, and Colour Sound Experiment (CSE) for taking charge of lighting, video, and rigging equipment.

Indeed, CSE has ten personnel out with the Faith in the Future tour. “We have eight screens on the road – six on stage plus two IMAGS that we use wherever appropriate,” the company’s Haydn Cruickshank tells IQ.

“We need to tweak the rigging on a daily basis, as we move to different venues, but other than that it’s a fairly smooth process thanks to Craig Sherwood. He is old-school and planned and worked on the production very far in advance, which is a great scenario for all involved. Craig is definitely one of our favourite production managers to work with.”

“Post-pandemic, the number of long-haul flights still aren’t as frequent as they were. As a result, the production is being reverse-engineered”

Garry Lewis at bussing contractors Beat The Street is also a fan of PM Sherwood. “Craig split the European tour into different runs. So, from Hamburg to Zurich, we had two super high-decker 12-berth buses for the tour party and two 16-berth double-deckers for the crew,” says Lewis. “After the show in Athens, we still have the two super high-deckers, as Louis loves them – he prefers to spend time on the bus, rather than in hotels – but we also have two 12-berth super high-deckers for the crew, as well as another crew 16-berth double-decker.”

Lewis continues, “We’ve worked with Craig for a good few years, and we have a great relationship with him. He plans everything way in advance, so it means it’s all very straightforward for us with no issues. So, we use single drivers for each bus, except on the longer runs or when our drivers are scheduled for prolonged breaks, and then we’ll fly in extra drivers as needed.”

If I Could Fly With the production travelling to Australia in early 2024, before shifting to Latin America, Andy Lovell at Freight Minds is gearing up to become involved with Tomlinson once again.

“We’ve never failed anywhere to open the doors on time, so we know we’re capable of getting things done, even if we have a late start at mid-day”

“We did the Central and South America dates on the tour last year, and onto Mexico,” says Lovell. “It was very challenging back then as we were still coming back from Covid, and various systems and infrastructure were in pieces. But it all went well in the end, as we kept an eye on things and worked on it every day to make sure we had solutions to everything that was thrown our way.”

Lovell continues, “Things on this tour kick in early next year for us. Historically, Australian services were quite reliable, as we could use any number of airlines. But post-pandemic, the number of long-haul flights still aren’t as frequent as they were. As a result, the production is being reverse-engineered with the budget being worked out before we can see what we can afford to take as freight, and then we try to plan accordingly.

“Similarly, in Central and South America there are still just a fraction of the flights operating, compared to pre-Covid, so that makes it very challenging. If there aren’t the flights to handle the gear, then you have to start looking at chartering aircraft, or alter your schedule, and that can become very expensive, very fast.”

With everyone working on the artist’s behalf to make sure the tour remains on track, being able to call on such experienced production experts is paying off on a daily basis.

Sherwood notes, “There are a few back-to-back shows over long distances that occasionally mean we don’t arrive at the next venue until 11am, rather than 6am. But we’ve never failed anywhere to open the doors on time, so we know we’re capable of getting things done, even if we have a late start at mid-day.”

Such dilemmas are not lost on agent Rowland. “It’s not so much the routing, it’s more like the timings, because Louis does have two support acts, so the show starts at 7 o’clock, and then when we’re done, we need to load out to get to the next show in good time for loading in the next morning and soundchecks, etc.”

Nonetheless, Sherwood admits that he loves the trickier venues and schedules. “Because I’m a dinosaur, I relish anything that makes things difficult or awkward for us on the production side of things,” he says. “I think everyone on the crew looks forward to challenges and finding the solutions to problems.”

“We have this amazing platform where we can put these bands in front of these audiences as a showcase that allows them to build these authentic new audiences”

Common People Having amassed millions of fans through his association with One Direction, Tomlinson very much has a ‘pay it forward’ attitude to music and is building a reputation as a champion for emerging talent, wherever he performs.

“He’s a great advocate for alternative music,” says manager Vines. “Louis realises that he’s in an incredibly privileged position in terms of what he can create in terms of awareness. He loves alternative music and indie music, and he understands how hard it is for that music to be heard. But we have this amazing platform where we can put these bands in front of these audiences as a showcase that allows them to build these authentic new audiences. It’s a huge part of his love of music, wanting to help younger bands.”

Rowland agrees. “He took an act called Andrew Cushin – a very new artist – on the road in America with him as his support, and he’s doing the same for Europe. Louis is a fan and is championing his career.

Indeed, Tomlinson’s A&R skills have knock-on effects for his agent, too. “He asked me to confirm the Australian band Pacific Avenue as support for his Australian tour last year. The music was great and they didn’t have an agent, so now I’m representing them!” says Rowland.

Perfect Now As the European tour speeds toward its conclusion, agent Rowland is enjoying every minute of it. “It’s incredible – they’ve really stepped things up,” she says, fresh from seeing the show in Athens and Paris. “They’ve got 6 hanging LED screens on the stage, and the whole production just looks polished and professional.”

And Rowland is especially excited about next year’s Latin American dates, which will deliver her first stadium shows as an agent. “The return to Latin America is going to be huge – Louis is playing arenas and stadiums in South America and Mexico: 15 shows across 11 countries,” she says.

“He loves his fans, and he loves performing for them, it’s as simple as that. He just loves being on the road and seeing how the songs connect live”

Vines is similarly enthused. Harking back to the Covid situation, when a show would go on sale, sell out, be postponed, and then rescheduled in a bigger venue, Vines says, “For example, in Chile, originally the show was scheduled at a 5,000-cap, half-capacity arena in Santiago. And what we ended up doing was three nights at 10,000-cap in that same venue.”

Vines contends that Tomlinson’s work ethic is outstanding. “He loves his fans, and he loves performing for them, it’s as simple as that,” he says. “He just loves being on the road and seeing how the songs connect live. In fact, the second album was very much written with the tour and live shows in mind – ‘This song could work live,’ ‘This one will open the set,’ ‘This is the one we can do for the encore.’”

Fearless Another element to Tomlinson’s psyche has been his decision to visit places off the usual tour circuit. “Louis has a real desire to perform to fans in markets that are often overlooked,” says Rowland.

Manager Vines explains that while the Covid-delayed first tour allowed them to upgrade venues pretty much everywhere, “On this tour, we’re a bit more competent on venue sizes, but we still speculate a little bit in different territories. In Europe, for example, we’ve gone into the Baltics and a number of different places to test the markets there, while in America, we are looking at A and B markets but also tertiary markets as well – we go to places where people just don’t tour in America, just to see what the reaction is. That was something that very much interested Louis – to play in front of people who don’t normally have gigs in their town. So there’s been a lot of experimentation on this tour in terms of where we go and what room to play.”

“Louis also is extremely fan-focused in everything that he does. He comes at it from a perspective of ‘I want to take the show to them'”

That concept is something that Vines has employed before. “I manage a band called Hurts who were pretty much overlooked by the British radio system and we have spent 15 years building a business outside of the UK. And that was built on going to play at those places where people didn’t normally go. They built to multiple arena level in Russia, for instance.

“If you can build fanbases in lots of different places, you have festivals that you can play every summer, as well as touring those places. It allows you to have more consistency over a number of years, by having more opportunities.”

Such a strategy found a convert in Tomlinson. Vines tells IQ, “Louis also is extremely fan-focused in everything that he does. He comes at it from a perspective of ‘I want to take the show to them,’ meaning he’s always more willing to take the risky option to try something out.”

And the results? “It’s a combination,” concludes Vines. “There have been a couple of places where we now understand why tours don’t go there. But there’s are more places where it’s worked incredibly well. For example, we enjoyed incredibly good sales in Budapest. And overall, it’s allowing us to get a clearer idea, globally, of where the demand is, which will help us when we go into the next tour cycle.”

30/11/23

IQ is the leading global news platform for the live music business. IQ’s news, features, information and analysis are read by 100,000 professionals worldwide each month. IQ publishes a regular magazine, several annual reports, and a daily news digest, IQ Index. The IQ family also includes ILMC, the live music industry’s top international conference, and the International Festival Forum (IFF).

[inexplicablymine]

2023 Writing Roundup

Thank you to @welcometololaland @cha-melodius @kiwiana-writes @three-drink-amy and @rmd-writes @orchidscript for the tags, it was a fruitful year for my first toe dip into fanfic ~ and it will end with quite the bang as well (hence why I’m putting off my 2023 fic wrapped until at least January 1st).

July

No Sense or Sensibility (RWRB, T, 5K)

How to win the newlywed game with your best friend with whom you are not even dating (yet)

Uncut Not Uncultured (RWRB, E, 6K)

Alex never thought about if Henry was uncut down there… but now it’s all he can think about

August

The month in which I disappeared from all internet for three weeks to enjoy one of my other loves in this life with no service!

September

- Mr BodyPillow (RWRB, T, 21K)

The adventures of Ace Alex finding love, cuddles, and assurance from Henry

October

- They Were Tentmates! (RWRB, M, 4K)

What happens when you are forced to share a tent (and a sleeping bag) with your nemesis

- Because I’m a Scoundrel (RWRB, E, 8K)

Olympic athletes! TIME Gala at the White House! Mistaken couples costumes!

November

- Mr Party Hardy (RWRB, T, 7K)

A Mr. BodyPillow follow up exploring Alex’s relationships with parties pre and post Henry

- Minty Fresh (RWRB, G, 2K)

An illustrated story of their relationship to proposal one gum wrapper at a time

- No Nut November (RWRB, E, 10K)

Can the boys survive No Nut November? Not without a lot of innuendos that’s for sure.

December

- No Laughing Matter (RWRB, T, 3K)

Alex is the dental hygienist who helps with Henry’s Wisdom Teeth removal. It’s just as funny as you imagine.

To be posted before the end of the year :)

Super Six and the Sirens Call (RWRB, T, 111K, 20th)

Camp Halfblood meet the Super Six, a quest of the likes you have never seen before

Not So Silent Night (RWRB, E, TBD, 21st)

Alex is sick and tired of his piano playing neighbor, but what happens when they get stuck in an apartment together on the longest night of the year?

Messiah (RWRB, M, TBD, 25th)

Two boys, two instruments, two churches. Midnight mass and a very religious experience between the two of them

Fifteen Hours Till Forever (RWRB, M, TBD, 25th)

A firstprince canon compliant wedding weekend

Balls to the Wall (RWRB, T, TBD, 26th)

The story of how Alex spent a night in college in the drunk tank… even though he was never drunk

Glitter Bomb (RWRB, E, TBD, 27th)

Alex comes wrapped in a bow for Henry… and in some glitter

Where Is My SuperSuit (RWRB, M, TBD, 28th)

A four way love square between two super powered idiots

3/4th Cup of Love (RWRB, E, TBD, 29th)

What really happened in the kitchen when Alex taught Henry how to make those quiches

Sleeping Beauties (RWRB, M, TBD, 30th)

Alex and Henry attend the 2024 Met Gala as the muses of world class designer Pez Okonjo

Halfway There (RWRB, T, TBD, 31st)

Canon compliant demiromantic Alex realization contemplation and conversation

So much still happening!!! Will end the year with a whopping 19 fics and over 100K words shared. Spectacular.

An open tag but also tagging some lovely people to share what a year they have had!!

@adinarj @affectionatelyrs @anincompletelist @alasse9 @clottedcreamfudge @celaestis1 @cheesecurdsgravyandfries @celeritas2997 @cultofsappho @dumbpeachjuice @daisymae-12 @everwitch-magiks @firenati0n @happiness-of-the-pursuit @hgejfmw-hgejhsf @hillerskas @heybuddy-drabbles @iboatedhere @indestructibleheart @indomitable-love @jackwolfes @kill8a @lem0nademouth @littlemisskittentoes @nontoxic-writes @pirates-against-heterosexuality @roseapothecary @rockyroadkylers @read-and-write- @smc-27 @saintlynomenclature @three-drink-amy @tintagel-or-cockleshells @thinkof-england @vonpeepsisback @wordsofhoneydew @xthelastknownsurvivorx @zwiazdziarka

[ferdibertweek]

Hello everyone. We're happy to officially announce the dates and prompts for Tumblr Ferdibert Week 2023.

The event will take place from October 28th to November 3rd.

The prompts will be as follows:

October 28th: First Times/Final Moments October 29th: Flower Language/Hanahaki October 30th: Soulmates/Opposites Attract October 31st: Monsters/Masqurades November 1st: Hurt/Comfort November 2nd: Work/Marriage November 3rd: Free Day

Rules are as follows:

All forms of art are welcome! Be it fanfic, fanart, cosplay, gif/photo sets, playlists, etc! All are welcome!

To submit, simple tag your post as #ferdibertweek or @ us on the blog to ensure that we see all your posts.

You can submit prompts early or late. If they’re late, we will simply tag it with the day it was for and reblog it as normal. If your submission is early, we will tag it and then add it to the queue so that it is reblogged on the aligning day.

NSFW will be allowed, but please remember to tag it as such with the proper community labels.

Remember to tag all warnings, triggers, squicks, anything you feel might need to be mentioned. If you need something tagged, please let us know! We want this to be a safe and inclusive event for everyone involved.

Secondary pairings are permitted so long as Ferdibert remains the main focus of your entry.

And most important of all: Have fun with it!

We look forward to seeing all the creative pieces you come up with.

See you soon, everyone.

[warrenwoodhouse]

Set 1 - Photo Mode Shots by Warren Woodhouse - ABZÛ (Photos) (Gaming)

Photo Mode Shots by @warrenwoodhouse #warrenwoodhouse

Photos by @warrenwoodhouse

Game: ABZÛ

Camera: PlayStation(R)4

Platform: PS4

Date & Time: 29th November 2023 at 10:40 am to 30th November 2023 at 3:15 pm

[f1noshamenov]

F1 No Shame November

A fest for the most self indulgent of fics.  You know that idea you said you'd never write because it was too ridiculous?  This is your sign to do it.

The Fest

This fest is open to any and all ideas, but it celebrates those you’ve been a little hesitant about writing.  Bring your silliest, rarest, or most unconventional idea and have fun with it!  There are no restrictions on content, it’s all up to you.

The Rules

- Fics must be 1k in length and art should be at least 30 minutes of work. - Fics can be posted in chapters but must be complete at the time of posting. - Any topic is allowed as long as it is properly tagged and warned. - Be creative, be cringe, and be free.

The Dates

Sign-ups Open: August 18th, 2023 Check-in: October 5th, 2023 Submissions Due: November 28th, 2023 Collection Goes Live: November 30th, 2023

How to Join

-Complete the sign-up form. -Join the Ao3 collection. -Join the Discord (message me for this if this link doesn't work, I'm not sure if I got the never expire one or not)

[carryon-reverse-bang]

CORB 2023 Sign-Ups are Now Open!

Writer Sign-Ups

Artist Sign-Ups

You can find the schedule down below and the rules and faqs here. If you have any questions please let us know!

Schedule

August 1st: Sign-ups open

Auguat 14th: Sign-ups close

August 23rd: Last day for artists to submit sketch/concept

August 24th: Writers can view art concepts

August 26th: Claims open

September 1st: Claims close

September 3rd: Team announcements

September 30th: Check-in

October 28th: Final Check-in

November 8th: Last day for teams to choose posting dates

November 11th: Posting dates sent out

November 15th-30th: Posting

[send-up-my-heart-to-you]

what is the story of you and violet like how did you start and how did it reach to where it did, of course only if you’re comfortable. ( i’m not trying to mock you or make fun of it, ik what you went through but since you said anything personal, i have wanted to know this. i’m interested in things which are none of my business. i pray im not sounding rude, i really want to come of as nicely as i can, but i can’t)

whole story below the cut, there’s a tldr at the end bc i added a load of unnecessary details. js brace its kind of a long one.

so we met when i was 12 and he was 15. i remember it was june 2020. i didn’t like him at first—got sort of a weird vibe. but then i got to know him more and, by september-ish, he became one of my best friends. by november, i thought of myself as having a crush on him (i didnt know i was aroace at the time) but i never made a move bc he was dating one of my friends, lets call her jude. we talked pretty much every day. i had to leave our friend group for safety reasons but he was my source of contact with the rest of my friends. i think we mainly talked on discord at the time?

flash forward to new years eve of 2020, and something happens. i’ll spare you the details, but needless to say my devices got confiscated. i still remembered his discord id, so i got my best friend to msg him and tell him what happened. i also got my favorite cousin to do the same, so he’d have two ways of talking to me.

keep in mind, my best friend and cousin both had it in their minds that i had a crush on him, so they’d both try to get him to like me. in june i think he broke up w jude. my cousin was also in regular contact with jude on instagram, so i got to msg jude at some point after the breakup and i distinctly remember her saying she’d be okay if i dated him but she personally was so unhappy w him. i didnt get that, but i think i later did

years pass w barely any contact. december 2022, i start dating someone else. january 2023, i realize i chose the absolute worst person and i break things off. then april 2023, i manage to get in contact w violet. we start dating the next day. (here he’s told me that he’s genderqueer he/she, but later he denied this)

i talked to him anytime i could and he'd send selfies a lot. i was scared about my parents so i asked him not to. he'd do it anyway. i didnt ask him to stop after that

he wasn’t necessarily a bad boyfriend, i js didnt rlly feel. idk. special? i’d make playlists for him and send voice recordings whispering “i love you” in arabic but i never got any of that back ig. the first few weeks were the best but after that? nothing. i’d send pics and he’d call me pretty and hot and say he’s so lucky to have me. later i found out he called every girl pretty when he’d see a pic of her.

i self-harmed for the first time when i was with him. what he did was ask me to send a pic of it so he could check if its bad. i told him i was suicidal. i dont remember what he said.

and then came june 15th, 2023. what a day. i talked to him at like midnight my time. i remember the last thing he asked was for me to send a selfie so he could show me off to his friend.

then my mom found out. and i was so scared of her getting angry at me that i downed 16 pills and got rushed to the hospital.

my mom didnt get angry. but my devices were confiscated again. and i couldnt talk to him. keep in mind, he knew i was suicidal. i was expecting some kind of response from him through my best friend because he was still talking to her at the time, but i didnt hear anything. instead, nine days after i tried to kill myself, on the 24th of july, he broke up with me. 

i didn’t blame him. when your suicidal gf ghosts you for nine days ofc you’re gonna wanna move on. it’s not his fault. i js felt kind of lonely, yknow? on the 30th i managed to log into my acc to talk to him, to explain everything, n all i saw was a breakup msg. i dunno.

in october-ish of 2023, i managed to get thru to him. i explained everything. he didnt give much of a response, but he did ask if we could keep talking. i said sure. we did keep talking and i invited him to tumblr bc i had more of a presence here than anywhere else. when my mom confiscated tumblr in november, i continued talking to him on google chat

in february 2024 he was my valentine js bc we were both single and alone and we thought itd be fun. i wrote him a letter. he didnt make me anything but its fine. you get the idea we were getting closer again

by this point i realized i wasnt receiving the amount of love i deserve, and i was kind of sad bc he’s not a muslim and i am, so we couldn’t get married, therefore we wouldnt have a future together (i’m the kind of person who wouldn’t have a relationship w someone if it won’t lead to anything in the long-term). he told me he wouldn’t become a muslim or study islam for me, so i respected that. i wouldnt forcibly convert him. but i also acknowledged that i couldn’t be w someone who’s not a muslim, so i asked him to stop talking to me. he said okay.

he’d still reblog stuff and send me asks—he even asked me to write a poem about him for my follower event. but around that time i had kind of been getting drained from exams and i didnt want boy problems on top of that, so i asked him to stop all contact w me. he respected that, as far as i know. he wished for me to have a nice life. i wished the same for him. and i blocked him. i havent talked to him since then at all, i dont think

so yeah. kind of lengthy story thats a whole load of nothing. i dont want you to go bother him about this. he was my friend before being my boyfriend, and he was with me during a dark time in my life. i respect him and i ask for you to please not send hate towards him. think what you will, just dont bother him. i’d be happy to answer anything else, but i think i js about covered everything.

tldr; we met when i was 12 and he was 15. we dated starting when i had just turned 15 and he was almost 18. he broke up with me after i attempted sewerslide. we continued talking for a while after reconnecting but i cut him off again last feb for religious reasons and we havent talked much since.