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#daniel prévost
letterboxd-loggd · 1 year
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The Crime Is Mine (Mon Crime) (My Crime) (2023) François Ozon
July 8th 2023
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olvaheiner · 9 months
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Le Dîner de Cons (1998)
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lolochaponnay · 7 months
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ejcmedia · 10 months
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[RCC] « Daniel Prévost est très ancré dans l’imaginaire populaire »
À l’occasion des Rencontres cinématographiques de Cannes (RCC) 2023, Julien Camy, réalisateur, a présenté en avant-première son documentaire Bande de ringards, consacré à Daniel Prévost, au cinéma les Arcades. L’acteur était là pour rencontrer le public et discuter du film, par ailleurs diffusé ce samedi 2 décembre sur Paris Première.  Thierry Frémaux notamment délégué général du Festival de…
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wornoutspines · 2 years
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The Crime Is Mine / Mon Crime (Movie Review) | A Delightful French Comedy
#MonCrime / #TheCrimeIsMine a French comedy film performed like a play with quippy dialogues and and subtle message. #FrancoisOzon #IsabelleHuppert #NadiaTereszkiewicz #RebeccaMarder #FrenchFilm #moviereview
I’m on a roll when it comes to adapted French movies this year, and this crime comedy film set in the 1930s is the latest I’ve seen. If you have some awareness of French cinema you might have heard of François Ozon (Summer of 85, 8 Femmes, Swimming Pool), who directed this film loosely adapted from a 1934 play by Georges Berr and Louis Verneuil. The cast is full of well-established French actors…
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thomas-querqy · 2 years
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Le manifestant professionnel - Jean Yanne et Daniel Prévost archive INA 1970
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"Mon Crime" de François Ozon - adaptation de la pièce de théâtre éponyme de Georges Berr et Louis Verneuil (1934) - avec Nadia Tereszkiewicz, Rebecca Marder, Isabelle Huppert, Dany Boon, Fabrice Luchini, Olivier Broche, Régis Laspalès, Michel Fau, Daniel Prévost, Édouard Sulpice, André Dussollier, Félix Lefebvre, Franck de Lapersonne, Evelyne Buyle et Myriam Boyer, mars 2023.
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mybeingthere · 2 years
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Martial Raysse is a French artist and actor born in Golfe-Juan on in 1936. He lives in Issigeac, France. 
Raysse was born in a ceramicist family in Vallauris and began to paint and write poetry at age 12. After studying and practising athleticism at a high level, he began to accumulate rubbish odds and ends that he preserved under plexiglas. In 1958, he exhibited some of his paintings with Jean Cocteau at Galerie Longchamp.
Fascinated by the beauty of plastic, he plundered low-costs shops with plastic items and developed what became his "vision hygiene" concept; a vision that showcases consumer society. This work received attention and critical praise in 1961, and at a commercial gallery in Milan, his exhibition sold out 15 minutes before the opening. Raysse then traveled to the United States to get involved with the pop art scene in New York City.
In October 1960, Raysse, together with Arman, Yves Klein, François Dufrêne, Raymond Hains, Daniel Spoerri, Jean Tinguely, Jacques Villeglé and the art critic and philosopher Pierre Restany founded the group Nouveaux Réalistes. The group was later joined by César, Mimmo Rotella, Niki de Saint Phalle and Christo. This group of artists defined themselves as bearing in common a "new perspective approaches of reality". Their work was an attempt at reassessing the concept of art and the artist in the context of a 20th-century consumer society by reasserting the humanistic ideals in the face of industrial expansion.
In 2011 Raysse's painting, Last Year in Capri (Exotic Title), sold for $6.58 million at Christie's auction, the most expensive price paid for a work by a living French artist. The sale coincided with a resurgence in interest among collectors for Raysse's work. Attention to Raysse had waned after he moved into classicist painting in the 1960s while abstraction was peaking. The 1993 purchase of his work and commissions by billionaire François Pinault drew more attention to Raysse.Raysse acted in Jean-Pierre Prévost's 1971 film Jupiter. He then wrote and directed the 1972 film Le grand départ.
https://www.wikiart.org/en/martial-raysse
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juliopison · 8 months
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CINE El coronel Chabert (1994) Títulos original: Le colonel Chabert Francia Dirección: Yves Angelo Idioma: Francés con Subtítulos en Español
Atención: Solo para ver en PC o Notebook Para ver el Film pulsa el Link: https://artecafejcp.wixsite.com/escenario-cafejcp/post/el-coronel-chabert-1994
Reparto: Gérard Depardieu, Fanny Ardant, Fabrice Luchini, Daniel Prévost, Olivier Saladin, André Dussollier
Género: Drama de época. Siglo XIX
Sinopsis: El coronel Chabert ha resultado gravemente herido en la guerra napoleónica franco-rusa hasta el punto de que el médico forense ha firmado su certificado de defunción. Cuando recupera la salud y la memoria, regresa a París, donde su "viuda", Ana, se ha casado con el conde Ferraud y está financiando su ascenso al poder con el dinero de Chabert. Chabert contrata a un abogado para que le ayude a recuperar su dinero y su honor.
Críticas: Estamos ante un magnífico film dirigido por Yves Angelo, que recoge integramente el espiríritu de la novela original. La recreación histórica de la Francia postnapoleónica está cuidadosamente elaborada. También destaca la oscura fotografía de Bernard Lutic, en consonancia con la historia de un hombre que, en definitiva regresa de la muerte. En el reparto destaca el siempre magistral Gérard Depardieu, quien asume el reto de dar vida a este enigmático personaje literario. -decine21
Café Mientras Tanto jcp
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CALIFICACIÓN PERSONAL: 6 / 10
Título Original: Astérix et Obélix contre César
Año: 1999
Duración: 115 min
País: Francia
Dirección: Claude Zidi
Guion: Claude Zidi. Diálogos: Gérard Lauzier. Cómic: Albert Uderzo, René Goscinny
Música: Jean-Jacques Godman, Roland Romanelli
Fotografía: Tony Pierce-Roberts
Reparto: Gérard Depardieu, Christian Clavier, Roberto Benigni, Michel Galabru, Claude Piéplu, Daniel Prévost, Pierre Palmade, Laetitia Casta, Arielle Dombasle, Marianne Sägebrecht
Productora: Coproducción Francia-Alemania-Italia; TF1 Films Production, Bavaria Film, Bavaria Entertainment, Melampo Cinematografica, Renn Productions
Género: Comedy; Adventure; Family
TRAILER:
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vincentdelaplage · 2 years
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CINÉ CINÉMA #cineserie #cinécinéma LUCKY LUKE SYNOPSIS Au cours de sa mission à Daisy Town, la ville qui l'a vu grandir, Lucky Luke, "l'homme qui tire plus vite que son ombre", va croiser Billy The Kid, Calamity Jane, Pat Poker, Jesse James et Belle... BANDE ANNONCE https://youtu.be/by_KUEtnYAo DÉTAILS Bande-annonce Lucky Luke 21 octobre 2009 en salle / 1h 44min / Comédie, Western De James Huth Par Sonja Shillito, Sonja Shillito Avec Jean Dujardin, Michaël Youn, Sylvie Testud CRITIQUE Lucky Luke est un personnage de bande-dessinée créé par Morris en 1946. S'il s'occupe au départ du dessin comme de l'histoire, le Belge s'associe avec Goscinny dès le neuvième tome pour développer avec lui les scénarios. L'apport du français permet de rendre les personnages encore meilleurs et plus drôles. Alors que le héros chapeauté est au départ un rustre qui n'hésite pas à tuer, il sera maintenant plus posé et désarmera plus qu'il n'abattra. Ce changement dans son comportement permet à la série de prendre son envol. Le scénariste meurt hélas en 1977, laissant sa place à de nombreux autres. Disparu en 2001, Morris est remplacé depuis au dessin par Achdé. 95 albums sont sortis jusqu'à présent, en faisant une des séries les plus longues de la BD franco-belge. Au cinéma, outre les films d'animations, le personnage s'invite pour la première fois au cinéma dans Lucky Luke de, et avec, Terence Hill. Le justicier fait également une brève apparition en 2004 dans Les Dalton sous les traits de Til Schweiger. Il faut attendre 2009 et James Huth pour que le personnage soit à nouveau le héros de sa propre aventure. Lucky Luke (Jean Dujardin) est donc toujours l'homme qui tire plus vite que son ombre. C'est un cowboy solitaire accompagné de son fidèle cheval Jolly Jumper. De retour dans sa ville natale de Daisy Town, il croise la route de plusieurs personnages hauts en couleurs. Des bandits de grand chemin comme Billy the Kid (Michaël Youn), Calamity Jane (Sylvie Testud) et Jesse James (Melvil Poupaud) vont lui donner du fil à retordre. Côté cœur, Belle (Alexandra Lamy) va faire fondre celui du justicier. Le casting comprend également Daniel Prévost, Chloé Jouannet, Jean-François Balmer https://www.instagram.com/p/Cnl_BWXtBfz/?igshid=NGJjMDIxMWI=
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byneddiedingo · 2 years
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Betty Schneider and Giani Esposito in Paris Belongs to Us (Jacques Rivette, 1961)
Cast: Betty Schneider, Giani Esposito, Françoise Prévost, Daniel Crohem, François Maistre, Jean-Claude Brialy, Jean-Marie Robain. Screenplay: Jacques Rivette, Jean Gruault. Cinematography: Charles L. Bitsch. Film editing: Denise de Casabianca. Music: Philippe Arthuis.
Paris belongs to the French, which is one of the problems Francophobes have with it. And there's much for them to find problems with in Jacques Rivette's first feature, one of the key works of the French New Wave. Even I found myself squirming at the gallery of poseurs present at the party near the beginning of the film. But then I realized that the film is a kind of critique of poseurs: Everyone plays a role, it seems to be saying, and everyone tries to bend the narrative in their direction. The narrative of Paris Belongs to Us is a deconstruction of the political paranoia thriller: Its characters are caught up on a vast international right-wing conspiracy that may or may not exist. The idea that it does exist seems to be supported by the fact that several of its characters are exiles from Franco's Spain and Joe McCarthy's America, and the fact that some of them end up dead. The idea that it exists only in the minds of the characters seems to be supported by the fact that none of these anxious artists and intellectuals ever manage to accomplish anything: They're paralyzed by their own paranoia and egotism, or rather, like Lewis Carroll's Red Queen, they're running fast to stay in the same place. Rivette admired Lewis Carroll, so we can see his protagonist, Anne Goupil (Betty Schneider), as Alice in the Parisian pays des merveilles. She falls into the chaos of a production of Shakespeare's Pericles, a mess of a play that he probably wrote only half of, directed by Gérard Lenz (Giani Esposito), who is somehow ensnared in the political mesh that claimed the life of a composer named Juan, who had taped a guitar piece as accompaniment for the production. But after his suicide (if it was one) the tape has disappeared. Anne takes on the job of finding the tape, which leads her deeper into the mesh and into encounters with more strange characters. In the conclusion, nothing is concluded except the lives of several people, and the viewers are left wondering, "What was all that about?" Which is exactly what Rivette wants them to wonder. The film is like life: full of loose ends.
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Piem, toujours bien entouré.
Le petit rapporteur (TF1 - 1975/76) / La lorgnette (Antenne 2 - 1977/1978)
Pierre de Barrigue de Montvallon, dit Piem (1923-2020)
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boireuncoup · 5 years
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nofatclips · 5 years
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Winds of Spring, directed by Keyu Chen
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francebleucinema · 7 years
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VIDEO - "Mission Pays Basque" vu par les premiers spectateurs... basques
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