#Catherine Frot

[celluloidrainbow]

LA TOURNEUSE DE PAGES (2006) dir. Denis Dercourt As a child, Mélanie shows great promise as a pianist. While auditioning for a music scholarship, one of the judges causes a disruption that throws off the girl’s playing and gets her rejected. She locks her piano and does not play again. As a grown woman, Mélanie will set in motion a long-awaited plan for revenge. (link in title)

[jo-mor]

la tourneuse de pages (2006) dir. denis dercourt

[auxpetitsoignons]

Le distributeur de Miséricorde qui utilise des reviews letterboxd pour faire la promo 😂

[courseyoulovemeyoudontknowme]

Marguerite (2015, Xavier Giannoli)

15/08/2024

[alivelypack]

Catherine Frot, via Guy de Maupassant | MOSTBEAUTIFULGIRLSCAPS

[olvaheiner]

Le Dîner de Cons (1998)

[jlbilu]

Don't know why but when I think 'bout Sullivan's mother I see Catherine Frot's face.

[jmunneytumbler]

'Misericordia' Answers the Question: What if Hitchcock Were Queer and French?

[cinecritik]

Inquiétant, triste, décalé, dépouillé, surprenant et parfois drôle, « Miséricorde » est un conte poétique à la Baudelaire et un OVNI cinématographique très noir. Vous êtes prévenu !

www.cinecritik.com

[genevieveetguy]

Misericordia (Miséricorde), Alain Guiraudie (2024)

[guycourtheoux]

Remise d prix du brigadier à Pierre Arditi : son speech de remerciements!

Ils sont nombreux année après année à recevoir cette belle récompense, citons, entre autres depuis sa création : Françoise Sagan , Pierre Brasseur, Pierre Fresnay, Eugène Ionesco, Jean Le Poulain, Jeanne Moreau, Serge Lama, Jean-Paul Belmondo, François Perier, Francis Huster, Raymond Devos, Fabrice Lucchini, Michel Galabru, Judith Magre, Michel Bouquet, Michel Fau, Michael Lonsdale, Christiana…

[eveningdawn222]

jayroy is so good to me for a lot of reasons, but one of the big ones is that they r both full of each other's triggers. it's insane how like. their traumas have the potential to directly impact each other. except they just. don't. for the most part they're just two really good bros. it's got so much potential and if dc ever got around to writing a jason story that wasn't dogshit, it could be a really good story. alas.

[transfem-monarchist-laura-rolla]

misericorde (french movie) got nominated for a bunch of cesar awards so looking for misericorde (visual novel) posts is going to be a nightmare for a bit, but otoh catherine frot might win best actress and i still giggle every time i see her name so it's impossible to say if it's bad or not

[doggirldick]

Hello, Tumblr user Skye. It is I, Doug Bowser, president of Nintendo of America. I am here to ask a simple question: do you have any suggestions for what should happen in the next mario game?

actually i'm tumblr user doggirldick as much as i'd like a username which is just my first name i don't.

in the next mario game, could you show us what catherine "birdo" birdetta's schlong looks like and let me kiss her and have her produce one of those eggs out her mouth into mine and make me swallow it extremely sloppily and erotically.

also yeah i think the daisy and rosalina spit roasting peach thing would be good, but coulkd you also have them frot?

thanks

[alivelypack]

Catherine Frot, via Guy de Maupassant | MOSTBEAUTIFULGIRLSCAPS

[byneddiedingo]

Valentine Merlet, Jacqueline Bisset, Virginie Ledoyen, and Jean-Pierre Cassel in La Cérémonie (Claude Chabrol, 1995)

Cast: Isabelle Huppert, Sandrine Bonnaire, Jean-Pierre Cassel, Jacqueline Bisset, Virginie Ledoyen, Valentine Merlet, Julien Rochefort, Dominique Frot, Jean-François Perrier. Screenplay: Claude Chabrol, Caroline Eliacheff, based on a novel by Ruth Rendell. Cinematography: Bernard Zitzerman. Production design: Daniel Mercier. Film editing: Monique Fardoulis. Music: Matthieu Chabrol.

Claude Chabrol's La Cérémonie begins with a long tracking shot through the window of a café, picking up Sophie (Sandrine Bonnaire) as she walks toward her appointment with Catherine Lelièvre (Jacqueline Bisset). Catherine is as chic as Sophie, boyishly dressed with her hair cut in too-short bangs, is drab. The Lelièvres need a housekeeper, Catherine tells her, and Sophie presents the letter of reference from her most recent employer. The interview is slightly awkward, partly because Sophie is oddly oblique in her answers. But Catherine has a large house in a remote location and she needs a housekeeper right away. When Catherine drives Sophie to the house, a young woman named Jeanne appears and hitches a ride to the village near the Lelièvres house; Jeanne (Isabelle Huppert), who is as brashly forward as Sophie is reserved, works in the village post office. At the house, Sophie meets Catherine's husband, Georges (Jean-Pierre Cassel), a rather blustery businessman; her son from a previous marriage, the teenage Gilles (Valentine Merlet); and her stepdaughter, a university student named Melinda (Virginie Ledoyen). Sophie proves to be an excellent cook and a reliable maid-of-all-work, but we soon discover that she has a secret or two. One is that she's illiterate, the result of a profound dyslexia. She doesn't drive, being unable to pass a driving test, and pretends that she needs glasses. When Georges insists on taking her to an optometrist, she ducks out of the appointment and buys a cheap pair of drugstore glasses -- though even then she is unable to give the sales clerk the exact change. Waiting for Georges, she meets Jeanne again, and the two women strike up a friendship. Jeanne, it turns out, knows another secret of Sophie's, which is that she was accused of setting fire to her house, killing her disabled father. Jeanne herself was accused of abusing her daughter, born out of wedlock, and causing her death, but both women were acquitted for lack of evidence. And so the stage is set for a story of folie à deux that Chabrol and Caroline Eliacheff adapted from a novel, A Judgment in Stone, by Ruth Rendell. Bonnaire and Huppert are extraordinary in their contrasting styles: Bonnaire passive, almost autistic in manner, Huppert bold and outgoing. The climax, in which a frenzied Jeanne releases Sophie's pent-up hostility, is shattering.