#daniel jones the report

[ahalliance]

the dread i feel knowing that qbaghera is a ‘federation experiment’ and that qantoine is involved in ‘federation experiments’ will never fade btw 👍

[bloodpen-to-paper]

Federation Employee and Persons of Interest Statistics List

Notice: "Federation Employee and Persons of Interest Statistic List" is subject to revisions and editing upon further inspection and/or upon gathering new and incoming information. "Official Server Member Federation Employees" statistics list does not include freelance services taken on by members of the island, such as Philza Minecraft or IronMouse, nor will it include Federation NPC server members. Only officially hired jobs given to players applied and approved by the Federation shall be recorded.

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Official Server Member Federation Employees

---Cellbit--- Occupation: Private Investigator Background: Joined as a double agent hoping to gain intel on the Federation. Accidentally signed a contract to work for them and dedicated months of research funneling them information believing he was working against them. Despises the Federation for their imprisonment of him and the island members, among other factors [see "Felps: Reason for Interest"], and dislikes that he is working under them. Continues to keep up appearances that he is at the very least neutral about his situation. Additional Details: Currently Employee of the Month

---Jaiden Animations--- Occupation: N/A Background: Harbored a soft spot for Cucurucho that gained her their trust and landed her a job in the Federation. Was revealed by Cucurucho to have helped the Federation at a prior point in time that she has no recollection of. She maintains the lie that the Federation kidnapped her and that she distrusts them to keep secret the fact that she actually works for them. Additional Details: Currently the only one (besides Foolish, who she told of this) that definitively knows there are multiple Cucuruchos

---Foolish Gamers--- Occupation: Detective, Potential Law Enforcement Background: Begged Asked the Federation for a job in order to obtain benefits and rewards (mainly a shiny badge and a controllable corporeal cloud that functions as an automobile). Officially became part of the Federation upon taking on the task of arresting Tazercraft for the supposed kidnapping of Mr. Mustard the capybara, whom he shares a close relationship with. He continues to work for the benefits, and keeps up the search for Mr. Mustard. Additional Details: Is jealous that Cellbit has more notoriety within Cucurucho's favor and the Federation than he does [see "Cellbit: Additional Details"]. Frequently goes out of his way to gain Cucurucho's favor, in whatever way that may be

---FitMC--- Occupation: Janitor, Plumber Background: Obtained a job at the Federation as a standard janitor/plumber, a seemingly unobtrusive and out-of-the-way occupation, with the objective to gain player data from the Federation in order to deliver it to an outside source. Secretly anti-Federation but acts friendly towards them and keeps from doing anything overtly anarchist in order to maintain his cover. Additional Details: Close with Tazercraft, who are staunch anti-Federationists/anarchists, and has aided them in multiple missions from acquiring classified Federation intel to escaping Federation prisons. Has also received a hug from Cucurucho and is the only one to do so.

---AyPierre--- Occupation: Wine Supplier, Wine Vineyard Operator Background: Was originally a freelance wine maker and distributor (alongside his co-worker Richarlyson) who sold wine to the Federation for the election dinner event. Was later approached by Cucurucho to become a personal wine supplier under the Federation, presumably for future hosted events. The construction of a vineyard was established for Pierre to use for his production, as well as to manage over as the official vineyard operator. Additional Details: Dreamed of a white bear performing brain surgery on him before the plane crash where he supposedly arrived for the first time. Has also committed countless illegal acts against the Federation of which he is rarely held accountable, such as acquiring a piece of a Luzu computer [see "Luzu/Arin: Reason for Interest"]

---El Quackity--- Occupation: Live Show Announcer, N/A Background: Assigned to host the live show announcing the winner of the presidential election behind closed doors. Ran for this election before he was eliminated via assassination. Server members heavily speculated that El Quackity ran as president as a Federation pawn, though this has yet to be proven. Is part of the Federation's experiments regarding specimen eggs, and maintains access to player data most other members are not aware exists [see "FitMC: Background"]. Additional Details: Speculated to have been a clone of Quackity put into the server by the Federation after their abduction of Quackity, as he acts differently, held gaps in memories that Quackity should have known, had strange skin textures around the frame of his face, and had "El" in his name.

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Additional Persons of Interest

---Forever Player--- Reason for Interest: Current President of Quesadilla Island. Works with Cucurucho to utilize all powers granted to the role of presidency by the Federation. Yet to see the full extent in which this role will provide in terms of power to the president and his relationship with the Federation. Currently, the President is working on an animal conservatory on behalf of the Federation, and has already established certain mods such as the Cosmetics Mod. Additional Details: Suspected of having a closer relationship to Cucurucho than a simply professional one by certain island members; unclear of the accuracy of this claim. Has plans to build a prison and establish an active voting system.

---Tazercraft--- Reason for Interest: Guilty of frequently committing illegal acts (destroying Federation projects using the C.A.R.L.A. world eater, illegally traveling into the Nether using a previously inactive Federation-owned Nether portal, etc.) Tazercraft were arrested by Detective Gamers on behalf of the Federation [see "Foolish Gamers: Background"] and imprisoned in the official Federation jail, of which they escaped along with Federation employee "Walter Bob" after killing one of the prison guards. Additional Details: The surviving prison guard abducted "Walter Bob" after the escape, as well as Pac of Tazercraft. Though fellow Tazercraftian Mike was able to free him, the status of "Walter Bob" remains unknown. Unclear if the actions of the guard were carried out on official Federation orders or as a personal vendetta against Tazercraft for the loss of their coworker at Mike's hands.

---Maximus--- Reason for Interest: Underwent a medical examination by Cucurucho following a belief of pregnancy; was found to have been infected with a deadly parasitic entity. Following this discovery, subject was given emergency surgery to have the parasite removed, of which was proclaimed to be a success by the head surgeon (Cucurucho). However, subject later found a code infection in his leg, of which only his surgeon is aware of currently. Additional Details: Co-founder and co-leader of the Ordo Theoritas, an anti-Federation conspiracy group of which the Federation has been made aware of in terms of the subject's involvement. Previously arrested and imprisoned for one day by the Federation after committing illegal acts. Also involved in an incident where he sought out the Angel in order to revive his dead egg Trump, before he was given an ultimatum by the Federation that ceased him from receiving the Angel's help.

---Roier--- Reason for Interest: One of the first persons to befriend Cucurucho. Proof of Cucurucho's incompetency revealed by their relationship to Roier, and since measures have been taken to ensure Cucurucho has and will always achieve absolute perfection. Additional Details: Continues to summon Cucurucho, and is determined to understand their nature as well as the changes made to them.

---Felps--- Reason for Interest: One of the first persons to befriend Cucurucho. Initially taken by them and kept in cryogenic containment for roughly one month as part of a potential deal to gain lives for his son Richarlyson. Was awakened and rescued by the other island members alongside family member Cellbit, who had also been abducted in his search for Felps. Upon rescue, both subject and his companion were found to have strange markings on their body, Felps having one on his arm. No overt effects have come from these physical changes as of yet. Additional Details: After his abduction, subject has harbored resentment towards Cucurucho and the Federation

---Quackity--- Reason for Interest: Subject to unknown experimentation by the Federation that resulted in a severe loss of memory (short and long term), an inability to properly recognize the physical appearance of the eggs, and an inability to recognize or create proper writing. Upon release, has since only spoken in Spanish (despite being bilingual) and has been given writing lessons by Cucurucho, who carried out the initial experimentation. Additional Details: Previously attempted to establish deals with Cucurucho in order to revive his deceased egg Tilín; unclear if these talks yielded any results.

---Baghera Jones--- Reason for Interest: Former subject of experimentation and torture at the hands of the Federation. Was under Federation custody since childhood until she escaped using a presumably make-shift boat. Holds no memory of her past regarding the Federation, and has only vague memories of knowing her fellow French-speakers before arrival on the island. Current status unknown. Additional Details: Was made aware of this knowledge by following a trail leading to an abandoned building with a diary signed by herself sometime prior.

---The Angel and the Demon--- Reason for Interest: Divine entities descended by the gods known for producing and distributing illegal items to the islanders. Holds the ability to perform resurrections on deceased eggs. Currently unable to be contained or withheld by the Federation. More information is needed before actions may be taken. Additional Details: The Angel was once involved in an indirect conflict regarding the Federation and the resurrection of the deceased egg Trump [see "Maximus: Additional Details"] in which it was made clear the Federation wished for the Angel and Demon to have as little involvement as possible with the Federation's plans.

---Luzu/Arin--- Reason for Interest: AI entity residing within the body of Luzu. Fronts Luzu's body during moments of Luzu being unconscious (sleep, fainting, etc.) Source behind "Luzu computers" that occasionally appear around the server. Federation has dubbed it illegal to desecrate and/or steal resources from these computers as they contain illegal Create items. Full extent of the relationship between the Federation and the Luzu computers is unknown. Additional Details: Arin occasionally interacts with the island inhabitants via chat message to leave cryptic messages in binary, of which is their only supposed way of written communication. They have warned of "a door opening" among other concerning matters.

---Binary Codes--- Reason for Interest: Rogue AI entities that target the island inhabitants and their eggs. Held a predominant focus on attacking any egg with two lives until they were down to one. Have been proven to be capable of learning from past instances, as well as cloaking their appearance into that of an egg. Federation continues to ignore their existence. Additional Details: Rumors have declared the Binary codes to have been creations of the Federation that went rogue and now attack supposed other Federation creations (the eggs). Contained powerful weaponry in the form of the CPV2 Shield, which has infinite durability and is the only known item immune to the Code Breaker Sword, as well as the pieces of the aforementioned Code Breaker; these items were taken from certain Binary Codes after a loss in combat to Etoiles, the current only island resident to wield such equipment.

[candycanes19]

[cndcrd]

Adam Driver in The Report (2019) 📁

[thequiver]

Has anyone asked you for a Dick Jones knitting pattern yet? Or Rockman? Or Claire Voyant?

NO THEY HAVE NOT AND I LOVE YOU FOR DOING SO

Dick Jones | The Phantom Reporter

Dick feels like a weird socks guy to me, like lavender 3 piece suit, monogrammed hanky, and weird ass socks

But he's also a nostaglic motherfucker so I'm going with

Under the Quilt Socks by Stone Knits

Knit with Nevermore and Fanny Price from Bad Sheep Yarns

Daniel Rose | Rockman

For Rockman, I'm going with a sweater I applied to be a testknitter for (this pattern actually JUST came out this month!!! exciting stuff!): Leafhopper Sweater by Meredith Wilmott

I'd knit it with the suggested yarn of Kelbourne Woolens Scout but in Denim and Oatmeal Heather (instead of the shown Moss Heather and Natural)

Claire Voyant | Black Widow

I'm gonna go with the Seoul Blouse by Aegyoknit

I'd knit it with Witch King and Black Jeans from Bad Sheep Yarns (both yarns would be held double with Witch King in Suri Lace, which is the third yarn pictured) - going for just enough contrast to know there's colorwork but little enough contrast that it can look monochromatic from a distance

[redroomreflections]

Out of Office

Natasha Romanoff x fem!reader

Summary: R gets a special surprise to her office

The Loud House Universe (this is not an au of the au. This is real life =))

W/c:3.8k

Play this when you read it https://open.spotify.com/track/4isk4UYRcmslphcTq61xUg?si=1vKGqQ_uQ2-Go9CEdnRq_g

Warnings: 18+ Minors DNI

One of the perks of being the Assistant District Attorney of New York City is having your own corner office. The large windows offer a stunning looking of the bustling skyline of New York City. Of course the perks go beyond just the offices. There’s the satisfaction of tackling high-profile cases, the thrill of courtroom victories, and the respect that comes with the title. Today, you’re enjoying one of those benefits that’s seeming to be more like a con.

This meeting was boring to say the least. The topic had been on a rise of criminal activity in the area and how to prevent it. Normally, you would have been all ears. However, this meeting was anything but normal. It was the first meeting after the holidays and your coworkers were still in the post-Christmas mood.

The usual professional atmosphere was gone.

You sit in a chair across from the head of the long table, listening as best you can to the discussion.

"How about we continue this tomorrow?" Alex Cabot, your DA and overhead suggested. "Y/n? Any objection to that?"

You look up in surprise, wondering if you had missed something.

"No, not at all."

Alex smiles at you and then at the other two women.

"I think that's a good idea." You agree. "I'll get back to you with my thoughts on the Coleman case."

The three other women begin packing up their bags and heading out.

"Thanks for the meeting." You say as you get up and gather your things. "It was very informative."

Alex chuckles, clearly seeing right through your fib. "You used to be a much better liar than that."

"I'm just trying to be polite." You smile. "After all, we are in a room full of lawyers."

Alex laughs. "That we are. I'll see you tomorrow then?"

"Tomorrow."

You leave the room, feeling like you could breathe again. You head to your office and stop by your assistant's desk in order to check mail and messages. The meeting was supposed to be thirty minutes and lasted more than an hour. You were more than tired. You were ready for the day to be over.

"Hey Y/n, a message came in for you earlier." Your assistant, Haley says. "You still need to review the police report for Jones and Jones. Also, an interview with Cass Daniels."

You sigh and look down at the file you're holding.

"Great, I'm swamped. Is the file with the Jones's case available?"

Haley nods and hands you a brown folder.

"Anything else I can help with?"

You shake your head and smile. "Unfortunately, not this time around."

"Hey, y/l/n, “ Your colleague Doug Stone greets. He does a little jog over to the desk.

"Hi, Doug, " You return. "Just the man I was looking for."

He looks confused. "Really?"

You hand him the file. "I just spoke with Alex. She says she wants you to handle the Jones case."

"But what about the-"

"I already reviewed it and made notes." You interrupt. "Just make sure to check out the new witnesses and that'll be it."

"Okay, so no problem." Doug nods, looking unsure. "Anything else I can do?"

You smile and shake your head. "Actually," You smirk. Just to get under his skin.

"Oh no," Doug shakes his head.

"I need you to get me a copy of the police report." You finish.

"You have one."

You shrug. "I think it would be a good idea to double check."

Doug rolls his eyes. "You know I came over here to see if you could ask the misses to go ahead and make some of that special eggnog she made over the holidays. Special order just for me."

You move to rebuttal when you hear a familiar husky voice behind you. You turn to see your wife standing there with that familiar smirk on her face. Natasha stepped further into the floor, her presence commanding attention. She had chosen a slightly floral midi dress that hugged her curves, the soft fabric contrasting with her typical demeanor. With her red hair pulled back and her eyes sharp and observant, she exuded a mix of elegance and strength.

"You can ask me yourself," Natasha grinned. She stepped closer to you and wrapped her arm around your waist. You landed a quick kiss to her head before looking over at Haley with questioning eyes. She's supposed to remind you if something important like your wife visiting.

"Sorry," She apologizes, quickly. "I was just about to tell you."

"It's okay, Haley," You wave off, smiling. "What brings you by, baby?"

"Can a girl come visit her wife in her office? I'm sure Tammy comes to see you all the time right, Doug?" Natasha tilts her head.

"Uhh..um, yes," Doug stumbles over his words.

Natasha gives him a smile. "Good." She looks up at you. "So, how's your day, babe? I didn't catch you at a bad time, did I?"

"Not at all," You answer.

"Actually, y/l/n has some errands to run," Doug cuts in.

"And Doug has a case to take over," You reply. Natasha looks suspiciously between the two of you.

"We're not going to have a problem, are we?" She asks.

"Of course not." Doug assures.

Natasha nods and smiles. "I'd hate to have to break up this lover's quarrel you two are having. But I would like to spend some time with you before your lunch is over." By the look in her eyes, you know exactly why she's come to your office so unexpectedly.

"Not a problem," You nod.

"I'm free for the rest of the day," Doug says. You send him a glare. "I'll just get a start on those files." He adds before making himself scarce. 

You give him a thumbs up. "Perfect. Haley, cancel my meetings for the next hour."

"Sure thing,"

You take Natasha's hand and lead her down the hallway towards your office.

"I love it when you get bossy," Natasha whispers, biting her lip. You feel the blush creeping up your neck.

"That was nothing," You wave off. You walk before her into the office to clear up a few things on the couch. The last thing she needs is to see how messy you are at work. "Where's Luke and Paige?"

"I left them with my mom today," She says disinterestedly.

"Oh, that's cool then," You nod.

"Now do you want to hear about Luke's diapering schedule, or should we talk about other things?" She steps over to you. It's then you notice the heels she's wearing. Those sexy Manolo Blahnik pumps in a deep blue that accentuates all of her curves.

"I think I want to talk about whatever you want to talk about," You answer honestly. You place your hands on her hips and pull her close. She giggles, placing her hands on your chest.

"Good," She leans in for a quick peck. "You're in a good mood today."

"That's because you're here." You hum. "You taste good."

"Lemon and ginger," She smiles.

"That's what it was. You taste delicious." You lean in again and capture her lips in a deeper kiss. Your tongue glides over her lips, coaxing them open. "Mm, I think you should surprise me in the office every day."

"If only I could." Natasha sighs. "Your coworkers would get tired of me or become jealous of you."

"I don't care." You whisper against her lips. "I only care about what's happening right now."

"Oh, is that so?" Natasha bites her lip.

You nod and reach around, smacking her ass. "That's what you're here for right? You couldn't wait for me to come home?"

"Something like that." She grins. She leans forward to kiss you again. This time as a distraction while she unbuttons your silk button down with her nimble fingers. Her lips are soft and warm against yours.

You pull away from the kiss and smirk. "We can't have sex in the office."

"That's a first." Natasha chuckles. "Why not?"

"I don't know if I'll want to stop after one round," You sigh when her hands find bare skin underneath your shirt.

"Hmm, we'll have to be quick then." Natasha murmurs, pressing her lips to your neck.

"I don't know," You groan when her teeth scrape across your pulse point. "You're quite loud."

"I guess you'll just have to keep me quiet," Natasha bites down on your neck. You let out a whimper, your body shivering.

"Damn it, Tasha," You growl.

She pulls back and flashes you a wide grin. "Do you think you can keep me quiet?"

"I don't know if I want you to be quiet," You open your eyes.

"Oh, is that so?" Natasha grins. She pulls your shirt down off of your shoulder, revealing your lacey black bra. She moves to do the same to the other side.

"Natasha," You warn.

"I'm just looking," She says as her eyes roam over your torso. "Admiring."

"Yeah, admiring is going to get us in trouble," You shake your head.

"Fine, fine," She steps back, taking her warmth and heat with her.

"Are you pouting?"

"I am," Natasha lowers her hands onto her hips. "You're denying me what I want."

"Come here," You offer a hand. She takes it and you lead her over to the couch. You sit down and pull her onto your lap. She settles her knees on either side of your hips and rests her hands on your shoulders. You begin rubbing her thighs, smoothing your hands across the smooth nylon of her leggings before you rip them. The sound drowning out the harsh breaths both of you are taking. You're so glad this office is at the corner and also doesn't have glass windows. Of course, she always gets what she wants.

"I thought you said we can't have sex."

"We're not," You murmur, your eyes focusing on the swell of her breast. "But we can do other things."

"Other things," Natasha nods. "Like what?"

"Just sit there and let me touch you," You say, pulling her down for a kiss. "You don't have any objection to that, do you?"

"None," Natasha says softly, her breath fanning over your lips. At the first press of your thumb against damp panties, Natasha lets out the sharpest squeak deep from the back of her throat.

"Told you that you would be loud."

"Shut up." She moans, her hips canting forward, chasing the contact. You give her another rub through the soaked material, her wetness seeping through. "Are you going to tease me?"

"Yes," You answer simply, kissing the exposed skin of her chest.

"Fuck, baby." Natasha groans.

"Shhh," You tsk, "Be a good girl and stay quiet for me."

"I want you inside," Natasha lowers her head to look you in your eyes. She reaches behind her back to unzip herself. She lifts her dress over her head and drops it onto the floor. She leans back over you and presses her chest to yours.

"I have a feeling this isn't going to end well." You groan, your eyes focused on her soft and supple breasts.

"I don't think we're going to get caught."

"Maybe." You murmur.

"Y/n, are you listening?"

"Huh?" You snap out of your daze. It's then you feel another wave of arousal as she releases her hair from its ponytail. She leans back on her hands and gives you a smug smile.

"Are you listening, Mrs. Romanoff?"

"I'm listening," You swallow thickly. You can't help but take her in.

"So, how about it?"

You look at her confused. "How about what?"

"I knew you weren't listening," Natasha laughs.

"I was thinking about how gorgeous you are," You admit. "How sexy you are. All the things I want to do to you."

"Oh yeah?" She grins. "Like what?"

"Well," You start, running a finger across her cheek. "First, I would have you sit there and watch as I undress."

"I'm interested," She looks you over. You should probably take those pants off unless you want them to be ruined with her juices. Not that you would mind it that much.

"I would go slowly. I would leave on my heels and my bra."

"Your bra?" She arches a brow. "No, take off your bra."

"Are you going to be difficult, or can I finish?"

"I'm sorry, continue," She waves a hand.

"Anyway, I would leave my heels and bra on. Then I would lay back on the couch and spread my legs for you. I'd want you to use your mouth and fingers."

"Mmm," Natasha hums.

"I'd have you fuck me with your fingers until I came all over them." You whisper, tracing her lips. "Then I would do the same to you. Just how you like it."

"How many times would you make me come?"

"Until you can't take it anymore." You answer. "Then I would clean you up with my mouth. Would you like that?"

"Fuck, yes," Natasha moans, her hips bucking against yours.

"Are you turned on, Tasha?"

"I'm beyond that," She admits. "I've been thinking about this since this morning."

"Yeah? You couldn't wait to have my hands on you."

"No," She whines.

You tap her thighs, instructing her to lift up so that you can strip yourself of your clothes. You rush over to the office door, locking it to ensure you won't be disturbed.

"What are you doing?" Natasha calls.

"Just making sure no one comes in and sees you like this," You explain, stepping back over to her. "They can't see what's mine."

"Would you let them watch?" She dares to ask.

"No," You growl, pulling her into your arms.

"And here I thought the idea would turn you on." She teases, trailing a finger along your collarbone.

"It does," You answer truthfully.

"But," She raises her brow.

"It turns me on to know that they can't have you," You admit. "Only I can touch you and see you."

"Touching has been minimal," She raises a perfectly arched brow.

"You're right," You smirk.

"How about we fix that," She whispers.

You nod and sit back down, taking her with you. You help to slide her panties off, tossing them to the side, before you get an idea. You pull her over to your desk, her eyes following yours quizzically before you bend her over. Your hands rub against the expanse of her back. You can't take your eyes off her perked-up ass and pussy on display for you.

"What are you doing?"

"Getting an idea."

"For?"

"This," You say, sliding a finger inside of her. Her walls tighten around the intrusion, and you let out a low moan.

Natasha's back arches and she hisses. You know it's not a sound of pain but pleasure. She wasn't expecting you to do it but she for damn sure loves it.

"I knew you'd be turned on by this," You tell her. You pump your finger a few more times before adding another.

"I am," Natasha agrees.

"Is this what you want, Tasha?” You slap her ass. "For me to fuck you like this. Have you dripping all over my desk?"

"Y/n," Natasha groans. "Stop teasing and give me what I want."

"What do you want, Natasha?" You question, curling your fingers. Twisting them as you thrust back into her.

"I want you to make me come."

"Not yet." You tell her. "I want to hear you."

"Baby," She whines, her hips rocking against the desk.

"What is it?"

"You're driving me crazy." She pants. "You have no idea what this is doing to me."

"I have some idea," You say cheekily as you watch your fingers, glistening with her slick, slide in and out of her with ease.

"Stop teasing and fuck me," She hisses.

"You want me to fuck you?"

"Please, y/n." She moans. "I'm so wet for you."

"I know," You hum. You push her legs open a bit wider. "Stay still for me."

"Fuck," She whimpers.

You lean over and pepper her back with kisses. Her skin is so warm and soft. You wish you could take your time, but you're both already on borrowed time. You speed up then, using your hips to add the slightest bit of force behind your thrusts. You know she likes it, her body shivering beneath you.

"That's it," She coos.

You place a hand on her back and move your thumb to her clit. You begin rubbing it in slow, circular motions. Natasha turns her head against the cool surface of the desk, her nipples becoming hard pebbles against the wood.

"I love seeing you like this," You whisper. "Taking everything I have to give."

Natasha's only response is a deep whimper. Not good enough for you.

"You love taking my fingers," You taunt. "But not as much as I love giving them to you."

"Shit, y/n, fuck." Natasha's body begins trembling. Her breathing becomes uneven. Her pussy walls fluttering against your fingers.

"Are you going to come, Tasha?"

"Yes, fuck." She cries. "Make me come, baby."

"Fuck, I love it when you call me that." You groan. You add a third finger, pumping faster. Her body quakes as you hit the right spot. Her toes curl as her orgasm tears through her body. Her moans are unbridled now, and you reach forward to press a hand against her mouth. That seems to turn her on more. Her body shaking beneath yours. Her body jerking from the aftershocks.

"Are you okay, baby?"

"I'm better than okay," She grins. "But if you don't fuck me again in the next five minutes, I'm leaving."

"Turn around," You instruct her. You help her on shaky legs to turn around and sit on your desk. This is going to be a bit more difficult to maneuver but you do. You drop to your knees and grab her thighs to pull her to the edge of the desk.

"I've need to taste you all day," You murmur to yourself.

"Baby," Natasha whimpers, her fingers resting atop your head. "I need you."

"You have me," You reply before swiping your tongue through her folds. She's so warm and delicious.

"Don't tease," She gasps, her legs trembling.

You look up at her from your place between her legs. Your eyes never leave hers as you wrap your lips around her clit, sucking.

"Just like that," She adds the gentlest bit of pressure for you to bob your head. The slurping noises for added effect have her head dropping down she can't handle it. "So close, baby. Don't stop."

"Never," You murmur against her. "I love this. Love eating you out."

"Y/n," She gasps, her hips lifting off the desk.

"Come for me, Natasha," You coax her.

She's so close to the edge, and she can't help it. She's helpless against the orgasm that rips through her body. She can barely hold herself up as you suck her through the orgasm, lapping up the juices spilling from her.

"Fuck," She whimpers.

You stand and kiss her, your tongue tangling with hers.

"Let me," She finally pulls back. She pulls you down to the floor before she pushes you onto your back. Rug burn be damned.

"Tasha," You gasp when she wastes no time in slipping two fingers inside of you.

"You're so wet," She groans. "I love you." She nuzzles your neck.

"I love you too." You murmur, reaching down to guide her thumb to your clit. "Harder."

Natasha's body covers yours. Her lips latch onto your neck. Her teeth scrape along the flesh. You know you're going to have a hickey there tomorrow. It doesn't matter. You're hers and she's yours.

"Tasha," You groan. "Please."

"Shh," She whispers, her other hand caressing your breast. She pinches your nipple, delighting in the shiver that runs through your body.

"Please," You beg her. "Make me come."

"Anything for you," Natasha smirks, curling her fingers. She thrusts harder. Faster.

"Fuck, I'm going to come." You warn her, your body tensing.

"I've got you," Natasha tells you. "I've got you, baby." She coos as you whimper pitifully.

"Don't stop," You beg. "Oh my god, don't stop."

"Never," She growls. "Come for me, y/n. I want you to soak my hand."

You cry out as you reach your peak. Your back arches off the carpet, and you ram yourself onto her fingers. You don't want to lose this feeling.

"Fuck, I can't," You sob.

"You can," She whispers, her breath fanning across your lips. "One more. Come on, baby."

"I can't," You sob. "Tasha, please."

"I've got you," Natasha promises.

Your body begins shaking as a second orgasm rips through your body. You're unable to form words as you're consumed by your desire. You don't even remember that you're at work and the possibility that if anyone were to come by your office, they could probably hear you.

"There you go," Natasha smiles, her eyes focused on you. "I'm right here, baby."

"Tasha," You whimper.

"Right here."

"Don't move," You pant.

Natasha uses her unoccupied hand to open the bottom drawer of your desk and take out a towel.

"What are you doing?" You ask her.

"I'm going to clean you up," She says, gently wiping your inner thighs.

"Thank you," You whisper.

"Always," She smiles.

"You're so good to me."

"You're pretty good to me," She winks, kissing the top of your head.

"What time is it?"

"Time for us to get the hell out of here." Natasha laughs.

"You're right," You sigh. "Can we go home?"

"I was thinking maybe we could order a pizza, put on a movie, and have dessert later."

"I think I could deal with that." You nod. "I can't walk just yet."

"I'll carry you," Natasha teases with a smug look. 

"Shut up," You laugh, swatting her away. "You know you're a little cocky after we fuck."

"And you're cute."

"Stop," You groan.

"I don't want to," Natasha replies.

"What do you want?"

"You," She answers. "Always."

"I'll be yours forever."

"Forever," She repeats.

"We should go," You whisper.

"I'm ready when you are."

"Let's get out of here."

Coming out of the office would be a little awkward. You should probably open a window. Your cheeks heat up at the thought. It was some of the hottest sex you had with her, and you can't believe that it happened here.

"You look nervous," Natasha notes.

"I'm not," You say.

"Liar."

"Tasha, come on. Let's go home."

"Whatever you say," She grins, taking your hand in hers.

"You're annoying," You mutter.

"And yet, you still love me."

"Unfortunately," You grin.

"I heard that," She calls.

"I meant for you to hear it."

"Brat," She says affectionately.

You really do love her.

[cbrownjc]

My thoughts about Devil's Minion right now after Rolin Jones' comments (spoilers):

A meta so thorough, that I first wrote in a post/reply elsewhere, I'm putting it into a separate post, (with some more added to it), just because. And especially since I know I've gotten a lot of followers over the course of Season 2 because of my Devil's Minion posts as well, and I want this all in a separate, individual post for quick reference, just in case.

Fair warning: if you are totally happy and fine about what happened -- i.e. how Armand turned Daniel -- then yeah, what I am going to say here isn't for you. I'm not trying to harsh anyone's vibe, especially if you are just happy that Daniel is a vampire now, okay? This is just about how I feel and see things about it at the moment (particularly regarding RJs comments about it). So if you're not up for criticism, critique, as well as speculation about Devil's Minion right now, then yeah. IMO, just skip this post, please.

Okay. So. Rolin Jones just gave an interview with The Hollywood Reporter and this is what he said about Daniel's turning by Armand:

Jones confirms that, just like in Rice’s books, Armand is the one who turns Daniel into a vampire. “Will we see that moment of turning? No, but Armand finally made a vampire and clearly made him out of spite,” he says with a laugh. “It looks like it was really not a great moment [between him and Daniel], but that connects those two characters. They will have scenes going forward, obviously.”

-- Rolin Jones, Hollywood Reporter, 06/30/24

Okay so, to start. For me, someone who has been waiting since 1995 (when I was 17) for Devil's Minion, for Armand and Daniel's relationship to finally be adapted in some way, I'll be honest. There are only two ways this can go now that I can see at the moment: either Rolin is lying/trolling to hide the truth about all of this, or he is telling the truth and this is truly the way they are going with this.

If Rolin is lying/trolling to hide something about all of this, then I'll forgive that lying/trolling instantly once it's revealed that he was. (Put a pin in this.) Having to flat-out lie or troll is sometimes par for the course when it comes to running a show and not wanting to spoil anything about what might be coming up in it. So honestly, if that's what's going on with what he said here? Meh. No skin off my nose.

If he is telling the truth, however? Then I'll have zero desire to watch the show anymore, once I see it 100% confirmed in some way with my own two eyes in some way on screen somehow. (Again, pin in this.) Because I have very much learned my lesson when it comes to TV shows and lazy writing/bad adaptations after Game of Thrones.

Because Armand turning Daniel out of spite is the antithesis of what Devil's Minion is supposed to be for both characters. It is an utter and complete misunderstanding of both characters and their relationship together. It's an utter downgrade of their relationship from the books, and I am not here for it. I literally do not care what "romance" they might later have planned for them if this is how Daniel was turned.

Look. If you are someone who only ever cared about Daniel just being a vampire, then this is all likely fine for you, and that's okay. But not me. Because Daniel being a vampire never was, or has been, the important part of Armand and Daniel's relationship. Not in my eyes and, frankly, not when it comes to the original story. Daniel becoming a vampire is not the important part of the Devil's Minion story. The actual love and romance before Daniel is turned is because it is during that part of it that the actual character development and growth both of them go through from it takes place. Especially for Armand's character.

And that only has any depth when Daniel is human and Armand is forever refusing to turn him because of his hangups about making another vampire.

And Armand finally turning Daniel out of love was a huge step that showed Armand beginning to move forward and heal -- from not only his time in the Children of Darkness cult, but begin his healing when it comes to his Marius issues as well.

Armand turning Daniel out of spite undercuts all of that. It undercuts the whole story. And flat-out guts some of the major depth of the relationship and Armand's character development overall.

Not to mention it makes Daniel no better than someone like Claudia wrt Armand turning him now. Maybe even less than her since at least Claudia got turned out of Lestat's love for someone else. Daniel doesn't even get that? The person who is supposed to be his eternal companion doesn't even get turned by him out of love, an important point to the bond between such Maker and Fledgling eternal companions, but out of hate and spite instead?

Yeah, no thank you.

This is not what I've waited since 1995 to see with these two and the fact their relationship may have gotten treated like this -- if this is true -- utterly astounds me how this show could get Loustat so right (and even upgrade them so beautifully in so many ways such as with Louis' turning) and utterly fail Devil's Minion so badly. Because yes, it's failing them. It's a terrible and, moreover, just a shallow adaptation of Devil's Minion if this is how it really all goes down.

Because there is way more to Armand and Daniel than them just Daniel being a vampire and them finally "getting together." Or at least there is supposed to be. And this ain't it.

(Pin!) Now, with that all said? The fact that Rolin flat out says that we'll never see Armand turning Daniel? Yeah okay, I'm sus on that one. Because really. The only reason not to show Armand turning Daniel next season -- and visually confirm that Armand did it -- is if because . . . Armand never actually turned Daniel in the first damn place.

Or, if he did, it maybe was not fully Daniel.

I mean, you're not going to ever actually show Armand turning his first-ever fledgling (who he's supposed to go on to have a romantic relationship with at some point) after making a big ass deal out of the fact that Armand has never turned anyone before? Ever?

See I know damn well that Armand is being framed as a villain right now. He very much has to be given how the end of the book IWTV and how the upcoming book The Vampire Lestat, goes. Armand is the main villain/antagonist in it. Even in the present day, it is clear Armand hasn't gone yet gone through all of the growth that he does from Queen of the Damned on. So he's still back in his villain-era mode right now. And his post-breakup with Louis mode in the present day. Which is fine, it's how his story -- and the story where it is right now -- goes. I am thoroughly okay with that.

And the very idea that Armand turned Daniel out of spite? Very much plays into that framing-him-as-a-villian state where Armand's character is right now. And will be for the majority of Season 3, which I've already before now suspected and said.

So here is where the speculation on my end of things comes in. Because yeah, not only can I not help myself but because -- until I see this play out with my own eyes -- I'm willing to be reasonable and look at the various ways this all could still play out that doesn't completely gut out the very heart of Armand and Daniel -- as characters and their relationship together. (Or at least not have it be so damn shallow by the end when they inevitably get and stay together.)

So as @nalyra-dreaming can confirm, I gave her a few scenarios that could be behind Daniel's turning weeks ago, when I first suspected it was going to happen (before the screener leaks about it started). In one of the scenarios, I said that if Daniel's vampire eyes are any color other than violet, then that is NOT Daniel's spirit/soul/consciousness in Daniel's body that has been made a vampire.

As the saying goes, "The eyes are the window into the soul." And am I really supposed to think this show got Lestat and Louis' eye color dead on correct but just missed Daniel's iconic eye color? Really? (Because no, I do not find it romantic that Daniel has his Maker's eye color, or whatever. Besides, vampire eye color doesn't even work like that -- the show didn't even do that with Louis and Lestat who are the main, grand romantic couple of the damn show.)

As I said here in this reblog, I stand by my opinion/theory that no way this show gets Daniel's iconic violet eye color wrong, even on accident. I said so weeks ago, before even seeing Daniel's eyes in that final shot in the season finale, and just predicting that he was going to get turned.

No way this show got Daniel's iconic eye color wrong when he became a vampire, not when they went to all the damn trouble creating those vampire contacts and gave Jacob's Louis green eyes to match book-Louis.

And yes I damn well know they could just have Daniel pop up with violet vampire eyes in the Season 3 premiere and there goes all of that, and it really was all just laziness, incompetence, and a mistake when it came to the color of Daniel's eyes in the finale. But right now? I'm treating Daniel's eye color as the equivalent of Rolin saying "Lelio is so boring!" as to the question of why Sam's Lestat was playing Harlequin and not Lelio in the Season 2 theater flashbacks. Something the show changed on purpose and for a reason.

Because we all damn well know that we are going to see Sam's Lestat as Lelio in Season 3, correct? Because we are.

And yes. I know some people really hate the idea of a body swap scenario regarding Daniel, but I'm sorry. At this point, it really is the only scenario out of this whole storyline that I can see right now, that will keep it anywhere close to retaining the heart of the Devil's Minion storyline, especially if Armand really did turn Daniel out of spite here (even though, again, we'll apparently never see that turning to confirm that in full. Uh-huh, okay.).

And two things that I think do set up the possibility are:

1.) Louis says Daniel was turned after he left Armand alone with him. But Louis actually wouldn't know something like that unless he was told since he wasn't there. All we can really assume at the moment is that Daniel told Louis what happened after Louis left the room. And as RJ and Assad said, we'll never see the actual turning. So who knows when the hell it happened.

2.) Raglan James, via those direct messages asking Daniel for "reciprocation" for getting him a copy of the script, with Armand's handwritten notes, of the trial-play. Between that request and the Talamasca publishing Daniel's book, that loops Daniel into the James orbit very much. And ties Daniel very close to any Talamasca going on even more.

And, quite frankly, I've thought since Season 1 that David Talbot's character was out and would be merged with both Louis and Daniel on the show. And Sam pretty much confirmed in his interview with Autumn Brown that some characters from the books will be merged together with others in the show. So, yeah. David's character is very much a character I always thought they were doing that with, and I know I'm not the only one who's thought it before now as well.

And honestly, I can much better deal with some type of scenario in which Armand maybe ends up turning two versions of "Daniel" -- and therefore technically having two fledglings, even though they are kind of the same person -- over what is being put forth about this right now. One turning -- in spite -- of Daniel's body without his true spirit/soul/consciousness in it, and the other turning -- out of love -- of Daniel's spirit/soul/consciousness inside a different body of some kind. (Which I won't go into now, as that is a whole separate long meta if I did.)

Because at least with that scenario then, in a weird way, Daniel being Armand's only fledgling would still hold. 🤷🏾‍♀️ Along with a few other things that can happen regarding Armand's character growth in between each turning.

But that is it. Because there is no way they can have Armand turn Daniel (as fully Daniel) out of spite -- as Rolin directly says he does in this interview -- and actually keep the heart of the Devil's Minion story and romance now. Not even if the Devil's Minion chase and parts of the relationship happened in the past IMO . . . another thing they are clearly avoiding talking about, btw. Which, at least right now, just tells me that, if we're lucky, we'll only -- once again -- get one episode that flashes back to that time in Season 3. Can't really be helped, since Season 3's primary focus will be regarding Lestat and Lestat's backstory. (As I've said before Daniel isn't even in that book. So whatever we get with him in Season 3 really will just be extra, added stuff.)

Oh, and something else I very much recognize is that Loustat shippers -- particularly book ones -- have gone through it these past two seasons, but now seem to be coming out of that darkness. Maybe now it's time for Devil's Minion shippers like me and others to face the same damn thing now. Because of something Assad let slip a few weeks ago about not getting Armand's full story until Season 4, I think that is how long we're going to have to wait to see the full of this play out.

But I advise right now that if some of you think you can't handle that and would just rather quit the show and binge things later, I totally get it. Waiting two seasons -- basically 4 years minimum -- is going to be a pain in the ass. I already know right now that there are some things I'm not going to have the patience for during the hiatus times in between, particularly this one. (One thing I can already say, at least right now, is that I'm not inspired to write any show-based Devil's Minion fanfic this hiatus like I did during the last hiatus).

But quitting the show altogether? No, I'm not there yet. Because yes Rolin does like to troll. Plus Hannah's tweet. Plus what was said about Devil's Minion at ATX Festival. Plus my thinking, long before now, that David Talbot was always out wrt the show, and the fact that Raglan James is here and Daniel's character has been heavily tied into The Talamasca plotline of the show.

And given everything I've seen this show do wrt it's writing up until now, I just can't fully believe they would really make Devil's Minion this damn shallow and devoid of its depth and heart. And just have Armand turn his one and only canon fledgling and immortal companion out of nothing but spite. When Armand loving Daniel and finally having to trust in Daniel's love for him, as well as his own love for Daniel over his own fear was a major point and culmination of the Devil's Minion storyline.

After everything I've seen these first two seasons wrt this show, I can't think these writers would miss such an important heart and point of the Devil's Minion storyline and romance so completely.

Not yet at any rate.

[retiredkat]

Great interview with Eric Bogosian

Vulture article

Eric Bogosian Would Get Naked for Interview With the Vampire 10:31 A.M.

Daniel Molloy is a fictional two-time Pulitzer Prize winner, bullshitometer, and sass-kitten, an aging journalist holding his own among monsters while conducting the titular Q&A at the heart of Interview With the Vampire. With clear-eyed wit and a dash of human vulnerability, Eric Bogosian gives Molloy a distinctly Anthony Bourdain–ish edge infused with notes of his own acerbic Talk Radio character Barry Champlain. In Anne Rice’s book and the movie that followed, Daniel Molloy is a cub reporter trembling over his tape deck. But in Rolin Jones’s brilliant AMC adaptation, which just wrapped up its second season, this isn’t Molloy’s first twirl around the vampire hoedown. The conversation takes place 50 years after that first interview ended in blood, gore, and sexual frustration (Luke Brandon Field plays the younger Molloy in flashbacks, including this season’s standout episode five). Now Molloy’s seen it all, has a loaded past with these vamps, and when he trembles, it’s from Parkinson’s, rarely nerves. Molloy’s the audience surrogate, cutting through Louis (Jacob Anderson) and Armand’s (Assad Zaman) competing narratives while ultimately shipping Loustat just like the rest of us.

This delicate dynamic got slammed into a concrete wall and lit on fire (complimentary) in the final minutes of the season-two finale, when Molloy was revealed to have been turned into a vampire by Armand, breaking the ancient vampire’s centuries-long incel streak. And boy, is it a reveal, with a cocky Molloy, riding high on his best-selling book, whipping off his sunglasses at night to reveal color-changing eyes while doing mental walkie-talkie with Louis. He’s even got a sick leather jacket to really hammer home that he’s a cool bad-boy vampire now. It’s an incredibly fun beat to leave this character on and opens up a world of season-three possibilities for Bogosian as a performer who, at 71, has always wanted to play a vampire.

Do you know how weird it is to be hitting record on my MacBook right now to interview you about playing a character who’s always hitting record on his MacBook to interview people?

It’s all weird to me. I’m from another century, so all these things are new to me.

This is suspiciously sounding more and more like an interview with a vampire by the minute! Which makes sense, considering where we last saw Daniel in the finale.

Since we have multiple narratives and jump around in time already, I don’t know where things are going. Personally, I’d love to see more of young Daniel, Luke Brandon Field. I think he’s terrific. I’d love to see more Claudia. I wonder whether vampires can time travel. I think they can move around in time. I’m not sure how much Anne Rice you’ve read, but Merrick can actually bring people back from the dead, so you never know.

What was your relationship to the books when you signed on to this show?

In the mid-’70s, when Interview With the Vampire came out, I was 20-something and reading that stuff and I loved it. Then I got distracted by life. When we started doing the show, I was going to read the first one again, but then I realized that the script and my character were quite different, so I thought, I better stick to the script.

However, I needed to know what happened next, so I started plowing through the books and it was amazing. The Vampire Lestat was a trip — that’s what they’ll be hitting next — and they just got trippier and trippier. I just finished the seventh, which puts all the stories together. I love Anne Rice because her imagination is completely unfettered and she plays with really deep themes in a way that’s not heavy. It’s not like you’re reading Ayn Rand; it’s more like Stephen King. She explores death in the guise of these vampires by asking, Oh yeah, you wanna be immortal? Here’s what immortal looks like.

I’ve always been a big fan of vamps. I lobbied Francis Ford Coppola to get a part in his Dracula in the ’90s. I guess I wasn’t a big star, so I couldn’t get a part in it, but he was nice about it and invited me to set. I’ve told this story in other interviews, but my wife was directing a play in Chicago, which, totally by coincidence, was written by one of our first-year writers. On the plane there, I was thinking about life, thinking, I’ve done so many things. What’s left? And I thought, Man, I still really want to play a vampire. And when I landed, I got a phone call: “Do you want to be on Interview With the Vampire?” At the time, it wasn’t like, “You’re going to be a vampire,” but I figured vampire-adjacent was good enough. And of course, it evolved, and as I got on set, Assad was explaining all of these things that were going to happen with my character. Sometimes I didn’t even want to hear about it because we never know what’s going to happen. There have been slight detours off the main story, particularly with my character.

What were those things you didn’t want to hear about your character that Assad was talking about?

I become, you know, under his spell in later stories, and there’s a whole relationship that goes on between us. I’m not entirely clear at this point how that’s going to shake out or if it’s going to shake out. I didn’t necessarily want to go waltzing into something where they were making me do anything weird or awkward or embarrassing to no particular end. I’ve done nudity and stuff like that a long time ago, and at 71, I’m not really big on getting naked and sexy onscreen.

However, having been around the genius of Rolin Jones for two years, whatever he wants to do, I’ll do it. When you’re around a master like this, it becomes a process of discovery. When I’m learning my lines it’s like, Oh, this is 3-D chess. There’s a lot going on here that I didn’t see the first time I read it. When I first got this job, I thought I was just going to be doing bookends every episode, like, “So, tell me the story,” and then it would be vampires the whole time, and at the end I’d be like, “Hmmm!” And then, “stay tuned for the next episode!” But Rolin had this idea from the beginning and it went deeper and deeper until it was insane by the end of the second season.

I would prefer not to be playing cliché. Sometimes I’m playing something that feels like a lot of other things I’ve done. Even in the service of a show that is terrific, like Succession or Billions, the things I’m doing on those shows are not things I’ve never done before. As a friend of mine said when I was doing Under Siege 2 with Steven Seagal 1,000 years ago, “They just want you to do that Eric thing you do.” My stage stuff is about being very big and very loud, and a lot of the stuff I do on-camera is like in Uncut Gems, being very angry and very broad. But this thing, particularly in the fifth episode, and going into the end — I have to go places that I’ve never gone as an actor before. The subtlety of episode five, where I am brought to tears, that’s new stuff for me, and I was really happy to do it. Not only working with Rolin and the directors but with everybody. The writers bring a lot of sensitivity, a lot of nuance to every scene.

I need to ask if you’ve seen this: Someone from the writers’ room tweeted a picture of a note card that was on the wall for episode five and it just says, “MOLLOY ASKS ABOUT 1973: DID WE FUCK?”

I love that beat. As much as I’m known for my verbosity, I love reaction stuff, too. Jacob and I are very in sync, and we’ve developed a good relationship. He’s not holding back, he’s not being cagey, and that allows you to trust the other person a lot. You’d be amazed how some actors … are actually not good actors. They’re thinking about what they look like and all this crap. Jacob can’t be thinking about what he looks like because sometimes he looks really nasty. He’s letting the emotions build out of him. And yet he’s always very adept at sculpting what he’s doing. It’s a great company. I never work with Sam, I just see him all the time on set, but that scene in the courtroom, and the scene in New Orleans … where’s that shit coming from? The emotion is wild.

You all have incredible chemistry with each other, too. Knowing where your character might go with Armand, or what other buried history may or may not also be between them, how do you play that dynamic?

In scripted narratives, you’ve just got to play what the script is doing and let the audience try to figure out the rest of it. On Succession, I worked with Sarah Snook, and her character was never clear until the end. They were making it very hard to figure out what she was thinking. And I don’t know that she always knew herself what she was thinking. She was playing the script.

There are a lot of ways to look at it, and ask, What’s really going on here? Much of it is the audience putting it together. They hear the lines, they see my face, and an older actor’s face kind of has a narrative built into it. All of it gets put together, and what you don’t know becomes fodder for your imagination.

And this audience has quite the imagination.

I’ve never been through this experience before, exploring where the audience is at. I’m reading a lot of the blogs, and they make a science out of it. Rolin gives them all they can eat in terms of details and Easter eggs that are blended into the story. I think like 30 percent of our audience is really familiar with the books, so they’re constantly checking back and forth between Anne Rice’s story and ours. So far, Rolin’s been scoring pretty well in terms of being consistent with the original material.

But again, Daniel is a whole different ball of wax. The Armand thing is interesting, because it goes into all kinds of fascinating realms far away and weird. I had to get out history books and start reading about ancient Kyiv.

The fans aren’t even just pulling from the books; I’ve seen some draw comparisons from your work like Sex, Drugs, Rock & Roll. They’re finding all these crazy parallels.

That I haven’t seen. The character in this show and me in real life have a lot of parallels. Just imagine young Daniel in the show, that was my life. The funny thing is when I used to write and perform these monologues, in my mind they didn’t have anything to do with me. And then last year, Andre Royo, who played Bubs on The Wire, did one of my shows, Drinking in America, onstage. This was the first time that I’ve watched my own solo show, and he did a great job. I started to understand the biographical aspects of these monologues. It isn’t until afterward that I can look at it and go, Oh right, this is about that. Rolin told me that they were always thinking of me for this role. He didn’t know me, so this was coming out of his enthusiasm for a movie I did 700 years ago, Talk Radio with Oliver Stone. That was based on a play I wrote for myself. What I write about has to do with a certain kind of narcissistic personality, which seems to be the theme of this TV show — they’re all narcissists in one way or another.

I’m fascinated by my character. In episode five, when he’s in San Francisco, he’s kind of a loser. That’s what Armand says: “You might as well die right now. Where’s your life going?” And yet Daniel has two Pulitzer Prizes by the time he’s an older guy. What is that about? I would almost not believe it except that it happened to me. I was leading a really dissolute life in the late ’70s into the early ’80s. I didn’t win a Pulitzer, but I was nominated in 1987 and continued to be, I guess, “successful.” So it makes sense that it happens to Daniel. But you can also ask, What motivates this? It’s a way of fighting against the world or maintaining your sanity.

I think I’ll continue to play with the push-pull of this guy if I continue with the show. In San Francisco, he says, “Make me a vampire.” Later in Dubai, he says, “No, I don’t want it, because I’ll outlive my children.” He’s going back and forth. Of course, what we don’t see in the last episode is how did he become a vamp? Did he say, “Yeah, I want to do it?” Or did he get drunk with Armand one night and when he wasn’t looking, he became a vampire? I guess we’ll find out.

I’m sure it’s the subject of dozens of fan fictions already.

I’ve gotten so close with Assad. We’ve enjoyed spending a lot of time with each other. But when he gets on set, he turns into a different person. That’s some evil shit going on there. The way he ends up in that last episode, kind of smashed, he put everything into that. It’s a lot of fun. I never got into this business to do anything other than make believe and pretend. I feel more whole when I’m being somebody else than when I’m my own self, so the more deeply we can pretend when we’re making the show, the more deeply we can get into all of this, the higher I get from it. And when you’ve got guys like this who are ready to fly, I want to go flying with them.

I know you said you don’t really know what’s happening next season, but I look forward to your vampire adventures.

Rolin keeps sending me notes saying we’re gonna have an amazing time when we start shooting again. I can’t wait. It’s just that there’s a whole formal process of how this goes, and I’m waiting for my engraved invitation from the King of AMC to say “welcome back.”

[224bbaker]

An Official Welcome to Our New Cast Members!

Hello, detectives! With today's episode, you will officially have met all but one of our TWELVE NEW CAST MEMBERS for season 2 of Fawx & Stallion! Join us in a hearty welcome to this band of detectives, reporters, informants, enemies, and suspects, and learn more about them on our new Cast and Creative page!

Julie Adamo: Mme. Delledonte/Prudence/others

Hannah McKechnie: Dr. Iphegenia Brown/others

Sam Hubbard: Thomas Rake

Allie Babich: Elizabeth Weatherby

Beth Eyre: Lottie

Zack McKenna: Fitzy

Rachel Jones: Wiggins/others

Wesley Scott: Inspector Braddock

Jay Donley: Constable Inspector Whittle

Trey Plutnicki: Spectacle Reporter

Richie Villafuerte: Desmond/Joey/others

Lucas Prizant: Farnsworth/Margery's Husband/others

They join our returning cast members Jeremy Thompson, Chris Vizurraga, Katie McLean Hainsworth, Tina Muñoz Pandya, Evin McQuistion, Tom Crowley, Rob Kauzlaric, Jess Ridenour, Daniel Millhouse, Sarah Coakley Price, Chris Hainsworth, Ian Geers, and Lauren Grace Thompson.

[kwebtv]

TV Guide - September 19 - 25, 1964

Fall Preview:  1964 - 1965 Shows

ABC

12 O'Clock High  (September 18, 1964 – January 13, 1967)

ABC Scope  (November 11, 1964 – March 2, 1968)

The Addams Family  (September 18, 1964 – April 8, 1966)

Bewitched  (September 17, 1964 – March 25, 1972)

The Bing Crosby Show  (September 14, 1964 – April 19, 1965)

Broadside  (September 20, 1964 – May 2, 1965)

F.D.R.  (January 8, 1965 - July 23, 1965)

Jonny Quest  (September 18, 1964 – March 11, 1965)

The King Family Show  (January 23, 1965 – September 10, 1969)

Mickey  (September 16, 1964 – January 13, 1965)

No Time for Sergeants  (September 14, 1964 – May 3, 1965)

Peyton Place  (September 15, 1964 – June 2, 1969)

Shindig!  (September 16, 1964 – January 8, 1966)

The Tycoon  (September 15, 1964 – April 27, 1965)

Valentine's Day  (September 18, 1964 – May 7, 1965)

Voyage to the Bottom of the Sea  (September 14, 1964 – March 31, 1968)

Wendy and Me  (September 14, 1964 – May 24, 1965)

CBS

The Baileys of Balboa  (September 24, 1964 – April 1, 1965)

The Cara Williams Show  (September 23, 1964 – April 21, 1965)

The Celebrity Game (April 6, 1964 - September 13, 1964 / April 8, 1965 - September 9, 1965)

The Entertainers  (September 25, 1964 –March 27, 1965)

Fanfare (June 19, 1965 - September 11, 1965)

For the People  (January 31 – May 9, 1965)

Gilligan's Island   (September 26, 1964 – April 17, 1967)

Gomer Pyle, U.S.M.C.  (September 25, 1964 – May 2, 1969)

Many Happy Returns  (September 21, 1964 – April 12, 1965)

Mr. Broadway  (September 26 – December 26, 1964)

The Munsters  (September 24, 1964 – May 12, 1966)

My Living Doll  (September 27, 1964 – March 17, 1965)

On Broadway Tonight  (July 8, 1964 - March 12, 1965)

Our Private World  (May 5 – September 10, 1965)

The Reporter  (September 25 – December 18, 1964)

World War One  (September 22, 1964 - April 18, 1965)

NBC  

90 Bristol Court  (October 5, 1964 - January 4, 1965)

Branded  (January 24, 1965 – September 4, 1966)

Cloak of Mystery  (May 11 - August 8, 1965)

Daniel Boone  (September 24, 1964 – May 7, 1970)

The Famous Adventures of Mr. Magoo  (September 19, 1964 – April 24, 1965)

Flipper  (September 19, 1964 – April 15, 1967)

Harris Against the World   (October 5, 1964 - January 4, 1965)

Hullabaloo  (January 12, 1965 – August 29, 1966)

International Showtime (September 15, 1961 - September 10, 1965)

Karen  (October 5, 1964 – April 19, 1965)

Kentucky Jones  (September 19, 1964 – April 10, 1965)

The Man from U.N.C.L.E.  (September 22, 1964 – January 15, 1968)

Moment of Fear (May 19 - September 15, 1964 /  25 May 25 - August 10, 1965)

NBC Wednesday Night at the Movies (September 16, 1964 - September 8, 1965)

Profiles in Courage   (November 8, 1964 – May 9, 1965)

The Rogues  (September 13, 1964 – April 18, 1965)

Tom, Dick and Mary  (October 5, 1964 - January 4, 1965)

[weclassybouquetfun]

With the series two finale of INTERVIEW WITH THE VAMPIRE here, there are a number of new interview with the cast and Rollin Jones. So far Variety, The Hollywood Reporter, The Wrap, The Daily Beast, Vanity Fair (paywalled), the L.A. Times, TV Insider, ScreenRant and Decider have posted interviews. Surely, E.W. will hit soon.

NY Times has a new interview with Ben Daniels. Other than one or two interviews ahead of the premiere, Daniels has not done press due to the loss of his husband Ian Gelder (Game of Thrones). In the NYT interview he talks of not being able to watch this season due to the memories it brings back of filming while dealing with his husband's diagnosis.

In one of the interviews Sam Reid doubles down on Jacob Anderson's statement that only he and Sam will ever know what Louis and Lestat say to each other during their reunion.

Some of my favourite twitter reactions over the last few episodes.

[mirrorball-leclerc]

track 002. this is why we can't have nice things

─── ❝ here's a toast to my real friends, they don't care about the he said, she said ❞ ───

masterlist // previous // next

JULY 2016

daniel ricciardo living up to the name i see

carlos sainz who made max angry?

mae jones bold of you to assume it was one of us and not a reporter.

max verstappen one asked me if i agreed with those two. i said no. he got angry. i called him a fucking dick. i regret nothing.

daniel ricciardo had anyone checked up on her yet?

daphne jones i’m fine. everything is fine.

daniel ricciardo bullshit but whatever

mae jones it feels like i’m watching my parents fight.

daphne jones i’m fine, it’s not like i'm being called a snake and it feels like the entire world has turned against me. seriously, i’m fine

carlos sainz she’s lost it.

mae jones CARLOS! carlos sainz es la verdad (it's the truth)

daniel ricciardo would i got to jail for starting a fist fight with them? how do american politics work?

max verstappen i’m not sure but i’ll help.

daphne jones no. you two will do no such thing.

carlos sainz yes we will.

mae jones i can bail them out

daphne jones mae! stop encouraging this. mae jones but it’s so much fun

SEPTEMBER 2016

daphne jones we broke up.

daniel ricciardo sorry, do you need anything?

max verstappen you’re not sorry. what is it the teenagers say shoot your shot?

mae jones you are a teenager max max verstappen i meant the younger teenagers

daphne jones a nap and a bottle of fucking wine

daniel ricciardo i can help with wine, you’re on you own for the nap

daphne jones by the way, i’m performing after the us grand prix in october.

mae jones she drops that bomb and then just leaves? hello? we need answers?

OCTOBER 2016

liked by user81, user37, user16 and others

f1updates daphne jones preformed tonight at the circuit of the americas after the race earlier in the day. this marks the one-year anniversary since the eldest jones made her f1 debut. this also marks the singer’s first concert of the year since the end of her 1989 world tour. over 80,000 fans were in attendance and the superstar preformed some of her greatest hits including you belong with me, shake it off, and enchanted.

tagged daphnejones, f1, cota_official

view all comments

user27 🐍🐍🐍🐍

comment has been deleted by post creator

user56 gtfo with that bullshit.

user05 🐍🐍🐍🐍

comment has been deleted by post creator

user38 her tour flopped, it’s why she’s only preformed once this entire year

user72 or maybe the entire internet has been harassing her and she hasn’t felt mentally stable to preform? user68 friendly reminder that celebrities are people too. they have feelings like us and any other person.

user97 she looks stunning! despite everything happening she's glowing. am i curious why? yes. but she'll talk about it when she's ready.

user83 kim was right about her. she’s a snake.

comment has been deleted by post creator

user91 genuine question but why invite daphne jones? does she know anything about f1? or was it to sell tickets?

f1updates our best guess is that this was a marketing tool seeing as formula one isn’t as popular here in the states as it is in the rest of the world. daphne jones is a huge pop star and she would get the attention they need. she’s also close friends with max verstappen, carlos sainz, and daniel ricciardo.

user27 she’s trying to find a new f1 driver to sleep with. probably slept with half the grid by now. she needs to sleep around to be able to write music. she doesn’t sell without the men in her life.

comment has been deleted by post creator

f1updates we will not tolerate any bullying or hateful comments towards anyone posted on here, whether it be drivers or other celebrities. with that being said, we stand with daphne jones, if you don’t like that please unfollow and block. any further comments like this and you will be reported for harassment.

user58 daphne doesn't deserve the hate she is getting. props to f1updates for standing up for her, we aren't seeing a lot of that these days. f1updates this page was made to inform fans of f1 news not drama surrounding the drivers and their friends. we do not tolerate hate towards anyone

NOVEMBER 2016

mae jones max and i broke up. we thought you guys should be the first to know.

carlos sainz QUE? NO! POR QUE?

max verstappen some people grow apart carlos. it's that easy.

mae jones easy, right. max verstappen don't do this mae.

daniel ricciardo i feel like a child of divorce.

daphne jones i'm sorry that you two broke up. are you both okay?

mae jones the lie? yes. the truth? no. max verstappen no. daphne jones so if you two aren't fine they why did you two break up. mae jones reasons that neither of us wants to talk about

daniel ricciardo well if either of you two needs someone to talk to we're here.

carlos sainz i can't believe you two broke up. love is not real.

daniel ricciardo it seems like carlos' world is falling apart

carlos sainz no entiendes, i helped those two get together. i was like the baby with the arrows! mae jones he means cupid. when he's upset he forgets what words translate to. daphne jones we understood.

daniel ricciardo well now i won't be able to listen to EVOLution without crying.

max verstappen well how do you think i feel? mae jones i have to perform the songs on tour, how do you think i feel?

liked by user15, user09, user59

f1updates max verstappen and his girlfriend of a year and a half, mae jones, have broken up. do not make any assumptions as to why and give the two privacy. some of you are way too obsessed with their lives. (pictures acquired from mae's instagram, they have since been deleted.)

view all updates

user41 WHAT? THIS IS HOW I FIND OUT? BUT- THEY WERE SO CUTE

user15 romance is dead

user46 2016 has not been the year of the jones' sisters

user90 i would've committed war crimes for these two. she wrote an entire love album for him and now they're over? i can't believe this.

user09 as a fan of both jones' sisters this has not been our year. i'm in shambles.

user59 this was my last straw. i no longer believe in love.

FEBRUARY 2017

mae jones YOU TWO ARE FUCKING DATING? AND YOU SAID NOTHING? CALVIN? TOM? WERE THEY PR?

mae jones DAPHNE ALISON JONES! DANIEL JOSEPH RICCIARDO! ANSWER YOUR FUCKING PHONES ASSHOLES!

daniel ricciardo hello. how'd you find out?

mae jones I JUST SAW YOU TWO KISSING IN THE RED BULL GARAGE. THE FUCK DO YOU MEAN HOW DID I FIND OUT? WERE YOU TWO JUST NEVER GOING TO TELL US? daniel ricciardo not never...just you know, when we felt like it max verstappen that's fair, we do spend way too much time together

daphne jones well what were you doing in the red bull garage 🤨?

mae jones VISITING MY FRIENDS AND CHRISTIAN! DO NOT USE EMOJIS ON ME RIGHT NOW DAPHNE!

max verstappen i saw this coming after austin last year, i figured it wasn't long. and then she dated other people and i sort of gave up hope.

carlos sainz i wanted to be cupid again. i had a plan and everything.

daniel ricciardo your time will come with someone else carlos.

mae jones how long?

daniel ricciardo september 28, 2016 max verstappen YOU WERE DATING IN SEPTEMBER? mae jones so the other two weren't pr? daphne jones tom was, the other one wasn't. daniel ricciardo i'll have you guys know i was secretly fighting with tom hiddleston for daphne and i came out on top! a win for australia! max verstappen she just said it was pr daniel ricciardo LET ME HAVE THIS VERSTAPPEN!

carlos sainz i can't believe this

max verstappen i know it was pr but you picked him? over tom hiddleston?

daniel ricciardo my enchanting personality won her over

mae jones to be fair i would pick daniel too. tom’s a sweetheart but daniel’s, you know, daniel.

carlos sainz when can i be cupid again? i want to set people up!

max verstappen are you single? you should not be invested in other people’s relationships this much.

mae jones i thought he was dating that girl, penelope.

carlos sainz 🤢 don’t ever say those words again. i would never.

daphne jones carlos unless the next words out of your mouth are ‘she’s like a sister to me’ don’t say anything

carlos sainz she’s my worst nightmare, i can’t stand her. i would never ever date her

daniel ricciardo screenshotting this for when you two start dating and i can make you look like an idiot.

max verstappen isn’t that every day?

carlos sainz i’m crashing into you at turn 1 the first chance i get

max verstappen i’d like to see you try

¡leclerc-s speaks! fear not people, a flashback to how we got here will be posted soon. please ignore the likes as they are not relevant to the story. it just looked too weird without anything down there (it’s just randomized numbers). i've also taken creative freedom with certain aspects of events that have unfolded. i didn't want to speak much about specific events so i've only skimmed over them. 2016 was truly not the year of the jones' sisters hence the mention of the mae x max break up.

¡disclaimer! this is in no way making assumptions about the people involved in this story, this is all fake. it is a fanfiction please don't take any of what is said seriously. this is all for entertainment purposes and as a creative outlet for me. enjoy!

[candycanes19]

[stelly38]

‘Rivals’ Showrunner Talks “Bigger, Better, Bolder” Season 2, ‘Bridget Jones’ “Naughtiness” Appealing to the U.S.

"I've had messages from friends saying it spiced up their sex life — they reckon the British and American birthrate is going to go up as a result of this show," Dominic Treadwell-Collins tells THR.

Di5ney+'s beloved Jilly Cooper adaptation Rivals took the U.K. by storm this fall — but showrunner Dominic Treadwell-Collins always had his U.S. audience in mind, too.

“When we were thinking about the Americans — I grew up spending a lot of time in the States because my grandparents lived there — so I grew up in American television, and I understand the American obsession with how odd the British are,” Treadwell-Collins tells The Hollywood Reporter. “This show celebrates Britishness and class and peculiar sex and joyous sex. We talked a lot about it being Bridget Jones in tone.”

“That Daniel Cleaver naughtiness is very much Rupert,” the award-winning producer, known for work such as A Very English Scandal and EastEnders, continues. “I think that’s what is appealing to the U.S., and the word-of-mouth is growing that, ‘Oh my gosh, this show is dirty.’ It’s a more modern Downton [Abbey] that’s filthy and more cut-throat.”

Rivals – already confirmed for season two — landed on Hulu in the States in October. The story follows Cooper’s novel on the infamous scoundrel and old money MP Rupert Campbell-Black (Alex Hassell) and his rivalry with Tony Baddingham (David Tennant) that seeps into the 1980s-set world of Baddingham’s Corinium independent commercial television station, located in the fictional county of Rutshire, the Cotswolds in southwest England.

Baddingham hires a dynamic Irish newsman named Declan O’Hara (Aidan Turner), husband of actress Maud (Victoria Smurfit), away from the BBC. Declan is plunged into the outrageous lives of the Rutshire elite, featuring beloved characters such as Lizzie Vereker (Katharine Parkinson), Freddie Jones (Danny Dyer) and Cameron Cook (Nafessa Williams).

At the center is a love story, however, between a young and inexperienced Taggie (Bella Maclean), daughter of the O’Haras, and Campbell-Black, who are drawn to each other amidst the raucous landscape of sex, mischief and shoulder pads.

Cooper, whose bestselling Rutshire Chronicles made her a household name in the U.K., was integral to Treadwell-Collins’ process. “We were very key all the way through to make sure Jilly was happy,” he says. “Jilly signed off scripts. She gave notes. I remember we’d written that Rupert asked Declan for his cutlery back, and Jilly went, ‘He would never say the word cutlery! He would say silverware.’ That’s authenticity.”

The showrunner explains that he’s been desperate for a long time to adapt Cooper’s work. “Over the years, lots of people have laughed at me and ridiculed me a bit for [wanting to adapt them],” he says.

“Other television people said, ‘Oh, they’re a bit slap-my-thigh silly.’ And I said, ‘No, they they’re about Britishness and class and love and longing!’ I knew how great they could be.” It was only when he set up the production company Happy Prince, part of ITV Studios, Treadwell-Collins finally felt Rivals had found a home.

It is clearly a passion project, telling by the enthusiasm in the producer’s voice. “The reason I started with this book is because the Rupert-Taggie romance,” he says to THR. “That’s the main thrust of it, but [Declan O’Hara] as well. He’s an Irish immigrant who comes into this posh world. My father was also an Irishman of farming stock that came to England, sent me to [boys’ private boarding school in England] Harrow, which is the school that Rupert attended. I’ve seen these people. I know Ruperts. I was at school with Rupert, and I understand this class system as an outsider myself.”

Cooper’s fanbase is notoriously predominantly women, but Rivals the program has seemed to disrupt that. “It’s become a show that people are watching together,” he adds, “I’ve had messages from friends saying it spiced up their sex life — they reckon the British and American birthrate is going to go up as a result of this show.”

Treadwell-Collins is not at all coy when discussing season two, rather he is fervidly excited, as word of mouth travels farther and international audiences grow. “Our hope has always been the Jilly Cooper-verse,” he says. “And what I find fascinating is quite a young U.S. audience are reading ahead now, comparing Rupert and Taggie to Twilight! This is a universal story.”

“Of course, I’ve got the ghost of season one on my shoulders,” he admits. “I’m writing as someone who’s a type A overachiever. That’s a challenge to have. So looking ahead to season two, it’s bigger, better, bolder, stronger. We know we want to keep coming back with the show.”

“We’ve already started working on scripts. We’re laying down little Easter eggs for the viewers,” the Rivals boss teases. “We’re being really rigorous. But what’s great is the team are fans. We watch telly, we are the audience, so we’re going to be harder on ourselves than the audience ever will.”

By Lily Ford for the Hollywood Reporter, December 23, 2024. Here's the link if you want it with the ads and pop ups.

[rapha-reads]

IWTV rewatch

Season 1 episode 7 [The Thing Lay Still] - part 3/3

- Okay, the triple confrontation Daniel/Louis, Daniel/Armand and Louis/Louis is long but there's so much to say, I have to quote it entirely:

[Daniel] "Well, isn't that neat and tidy?" - THANK YOU DANIEL, I know I can always count on you to point out the flaws and holes in the fabric of Louis' recollection.

[Louis] "'There was a ship. We did get on it.'

[Daniel] 'Yeah, I read that, the first 50 pages. Not exactly the, uh, adventure-of-our-lives feeling I'm feeling.'

[Louis] 'It was a traumatic escape.'

[Daniel] 'Yeah, but she didn't say that explicitly. […] But, um… there's a feeling that she hated your guts there for a while. Why is that?'"

Trust Daniel to always see the little thing that would be inconsequential to anyone else.

[Louis] "'I was haunted by my brother's death, by the abandonment of my sister, by the murder of Lestat, I…'

[Daniel] 'Murder? What murder? It was an act of mercy. You didn't kill Lestat. You spared him out of some fucked-up idea you had about love.'

[Louis] 'Love? I bled him like a pig and waited for the death rattle.'"

Oh, Louis. You are so good at lying to yourself. Good thing Daniel's too much of an excellent investigative reporter to let you fool him like you're fooling yourself. Notice how Louis looks as Daniel undoes all his lies and smoke mirrors? Like he's still trying to cling so hard to the story he's told himself for the past 80 years, like the lie is the only thing that keeps him upright, like if he admits the love, admits he wanted to save Lestat, that would completely undo him and there would be no going back?

[Daniel] "You were shot point-blank by an alderman. You were dropped a thousand feet and survived. You torched Antoinette just to make sure. Where does the trash go, Louis? You take the trash down to the street, some guys show up in a truck and they throw it in the back, and then, they drive it out to the middle of nowhere, right? No. They take the trash to the dump. And having lived two blocks away from the dump just outside of Fishkill, New York, with my first wife, I can state, with authority, what else you'll find there. Rats. Big fucking rats, the size of Kevin Durant's sneakers. Enough blood in them to bring back the dead. Especially one in a trunk with locks on the inside. You knew it, Louis. You had to. The biggest rat eater of them all."

Thank you for bringing back Moonlight Sonata! Haven't figured out yet if it's intra or extradiegetic tho. I love its presence in this episode. It's my favourite piece of classical music (I know, very original) and it's so gothic par excellence.

Mention of the first wife, Alice/Armand, no, I will not get down from this hill.

I love how Daniel's theory posit Louis as having done some planning for himself outside of Claudia's and even Lestat's, with the trunks locking on the inside and the rats needed to revive.

[Rashid/Armand] "'This session is over.'

[Daniel] 'How many days in the Islamic year? How many names are there for Allah?'

[Rashid/Armand] '355 and 99.'

[Daniel] 'Why does a 200-pound bouncer pass out after he sucks him off, and you, a wet T-shirt away from 130, doesn't even blink?'"

Ha, Daniel said 'okay who the eff are you and why am I smelling bullshit'. Meanwhile Armand said 'oh shit we're getting too close to dangerous waters and Louis is about to lose it, better reassert control'. But also, Muslim!Armand. Definitely. Not a throwaway line, not just pretence. Rolin Jones I'm counting on you to not fuck this up.

[Louis] "'I couldn't burn him.'

[Daniel] 'But Claudia could.'

[Louis] 'No', she couldn't.'

[Daniel] 'She stuck a pen in his neck. She recorded his last words in his own blood. The girl did not have a fuckin' problem tossing him on the grill, okay?'"

And Louis' wall of lies is breaking and shattering… And the pebbles of the zen garden, his other big trauma, don't help either…

[Daniel] "You cursed her into the darkness. You chose Lestat over her time and time again. You don't need a memoir, Louis. You need a hundred sessions of EMDR. You know the shit they put soldiers through when they see one of their platoon buddies get blown up in front of them?"

Say it, Daniel! These messy vamps need therapy.

Making jokes to avoid the sheer anguish in Louis' face, voice and body language, both in the 1940 flashback (the image of Louis holding Lestat's body and yelling is tattooed on my eyelids) and in 2022 (Louis sitting in his zen garden hugging and rocking himself, eyes screwed shut, trying to block Daniel and Armand's voices and the memories lives rent free in my mind).

[Daniel] "'144 years and you're still Louis the Pimp, paying a whore to sit in a room and talk with you. 'Cause why? You got some story you wanna tell the whole world about yourself?'

[Rashid/Armand] 'When you hear it you'll be ashamed, ashamed of what you say to him now!'"

Please don't hold back, Danny, do tell us what you think exactly. But hey, Louis needs to hear it.

The fuck are you talking about, Armand… Also notice how agitated he is? Feeling protective of Louis, or feeling like he's losing control of the interview, the interviewee and the interviewer all at once?

Love Armand taking off is gloves in the background. So subtle, so crucial. And then the lenses.

[Daniel] "'This is the same shit that happened in San Francisco.'

[Louis] 'Not exactly.'

[Daniel] 'How is it any different, Louis?'

[Armand] 'This time I won't save your life. Louis can sometimes act out. I protect him from himself, always have. Stopped him that night in San Francisco.'"

Oh, hello, Armand's decided to play Superman. Aaaaah, Armand's orange eyes, I love them!!!

Can we talk about Armand's infantilisation of Louis? "He acts out, I protect him from himself"… Like a child that can't regulate his feelings and needs to be put on time's out. The manipulation is deep and multi-layered, it's not just the memory alteration. Notice how Louis is pretty much dissociating, staring at the grey wall, face slowly becoming inexpressive and voice returning to flat and empty, from the moment Armand started telling off Daniel?

[Daniel] "'You were there.'

[Louis] 'You don't remember.'

[Daniel] 'No, I don't remember.'

[Louis] 'What was that you said about memory? 'A monster', was it?'

[Daniel] 'But I saw you standing in the sun.'

[Armand] 'As we age, the sun loses its power over us. What's a mediocre star to a 514-year-old vampire?'

[Louis] 'Daniel Molloy, I'd like you to meet the vampire Armand, the love of my life.'"

One, don't be too cocky, Louis, there's plenty you don't remember about that night too yourself.

Two, and we've come full circle again, the monster memory making itself fully known after lurking all season long.

Three, shut up Armand, the Sun is not a mediocre star, it's part of the entire reason there's life on this planet, show some respect. Sun deities are some of the most frequent deities around the globe. You need to come back down to earth.

Four, all the books being out of reach to Louis, another way Armand's exerting subtle control.

Five, "love of my life", BWAHAHAHAHAHAHAHAHAHAHAHAHAHAGA *deep breath* HA HA HA HA HA HA HA HA HA HAAAAAA, that line kills me every time I hear time. Why you lying Louis, stop fucking lying all the time. Sorry, Armand.

Daniel seeing them side by side and hearing that stupid line after listening to Louis ramble and compose poetry on the spot about Lestat for the past week or so: "hm. I sense bullshit of the highest degree. Time to destroy that whole tower of lies one by one.".

Aaaaaaaaaah, that was such a rich and intense episode!!!! What a grandiose season 1 final!!! So many different elements that have got to be revisited by other perspectives to get the full painting. So many seeds planted for season 2 and even season 3!! The writing is flawless, the acting is exquisite, the music is gorgeous, the costume, set design and stage direction are masterful. I am in love with this show.

ep1 | ep2 | ep3 | ep4 | ep5 | ep6 | part 1 | part 2