soap's whole deal being sniper and demolitions gets me going bc on the surface they sound so different but when you get into it, you realise it's bc soap's smart
sniping is all math; calculating distances and wind interference and bullet drop. something i think people overlook is he was listed as a sniper first so it can be implied that he's better at it than demolitions. he does more sniping in both campaigns than demolitions work; in capture or kill, ghost specifically calls on him to take down the aq snipers
and demolitions is math with a hit of chemistry; knowing what mixes with what, knowing how much to use, recognising environmental factors and adjusting accordingly. it's not just about the boom; so much work goes into contained/ planned explosions. especially when having enough power for a breacher charge and not bringing down the whole building is the difference between mission success and failure
the chemical bombs he makes in alone can't just be any old cleaners, they have to have the correct reaction to each other; he just knew off the top of his head what would mix with what to create what reaction. he would also potentially have to recognise them by sight/smell bc they would’ve been written in spanish
soap would also have to know architecture; recognising structural integrity and weak points so he knows exactly where to plant a charge to bring it down and how it'll come down
he has an incredible soldier's mind people just forget that bc he's sociable which itself is a skill
we know he tends to buck against orders he doesn't agree with like when he pushes back against ghost in capture or kill and shepherd when he tells them to release hassan
he gets closer to people and sees if he can trust them and that's when he follows them without question. really think about how he talks to alejandro and rudy; he asks about their home and alejandro's family and rudy's relationship with him. those aren't questions you ask a stranger after a few hours of knowing them. that's not even touching on his relationship with ghost
he also deliberately brings people of higher ranks down to his level; talking informally with ghost and giving him a shoulder punch, addressing alejandro (a colonel!!) by his first name and rudy by his nickname despite literally just meeting them. he personalises all of them and it’s in direct opposition to the reason most characters do that; it’s not due to insubordination or lack of respect, the more he respects and trusts someone, the more casual he is with them
he digs into people; he wants to know what makes them tick and that determines if he can one, trust them and two, follow their orders. once he decides that, he's the ultimate soldier; he bleeds loyalty which makes him vicious when that loyalty is taken for granted
he isn't naive or bubbly or insecure; he's an incredibly smart and aware soldier. he's aggressive and bloodthirsty and loyal and intuitive and i love him so much
It takes a specific kind of skill-set and training to be able to warp and meld the voice. It takes a certain kind of talent and dedication to hone that talent into the ability to meld the voice and invoke emotion with one's voice alone. Actors are used to using their voice secondarily to their body language and their facial expressions. It's all mirrored back on camera. They do have nuance. But it's a different kind of nuance and a different kind of training to produce that nuance.
Voice actors might get their likeness transposed on their character's design, and maybe their mannerisms might seep into the character's animation. But when it's all said and done: their presence is in their voice. They are bringing a character to life, showing that emotion in their voice, trying to keep a specific accent, drawl, pitch, tone in that voice and keep it consistent for their recording sessions.
The voice actor is like a classically trained musician who can play first chair in a competitive, world-renown orchestra. The actor (who fills the voice actor's role) is like a moot who played violin in beginner and intermediate high school orchestra and thinks they can get into Juilliard with that 2-4 years of experience.
This doesn't mean that the HS orchestra moot can't play. They can even be really good at it. Maybe they won competitions and sat first chair. But they are not in the same league as the person who's been training their whole lives and lives and breathes to hone their craft using the instrument and all of the training they've ever acquired to perfect it. They are not meant for the same roles. They are not in the same caliber. You do not hire the HS equivalent when you want to play complex music in a competitive orchestra.
Actors are not the same as voice actors.
And furthermore, actors - especially big name actors - taking the roles of animated characters for big budget films or TV pilots makes no sense anyways when - at least in the case of TV pilots - there's not a point to hiring a big budget actors anyways. That money could be used elsewhere (like paying your animators), and the talent that is brought onto the screen for X character could then be hired on to voice said character no recasting required.
I wouldn't say voice acting as a profession is in danger exactly, but it's certainly being disrespected and overlooked for celebrity clout, and this has ALWAYS been an issue. Shoot, even Robin Williams knew that much - which is why he tried so hard not to be used as a marketing chess piece for Aladdin and got royally pissed off when it happened anyways. People shouldn't go to any movie (but especially not animated films) because "oh famous actor is in it". People should go because it's a good movie and the voice acting is good.
People who honest to god think that voice actors are replaceable because "oh well anyone can voice act" or "I like xyz celebrity so naturally it'll be good" ... Honestly I just wish you'd reassess your priorities because you're missing the point and are part of the problem.
I feel like this is a good time to remind my followers of the full-circleness of it all; the 2001 Queen of the Damned film with rockstar Lestat featured songs composed by Jonathan Davis of Korn, my absolute favorite singer throughout my teenage years (and to this day, lbr). Before getting into IWTV I enjoyed those songs on their own, having no real idea of what they were supposed to be about. Now, we're getting actual rockstar Lestat, and looking back relistening to those nu metal rockstar Lestat songs, knowing that the singer that's been absolutely formative for me is singing from the pov of Lestat (and Akasha), a character that's become such a big part of my life as well.
it's just yet another way everything is connected and the world's smaller than you think.
Anyway if you haven't heard his original compositions for QOTD that he himself sings on the soundtrack, they're really, really good- System, Forsaken, Careless, Redeemer, Slept So Long, Not Meant For Me... give 'em a listen! He's done all of them live many years later too, and there's great recordings of those.
youtube
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(the live version of Careless is truly extraordinary imo...)
Tell me a random fun fact that most people wouldn’t k ow about the Sonic movies that you think are interesting/important to share
Oh man! Hmmm…. Okay, I’ve got one. This actually comes from both the first movie’s novel and the collector doll. (I’m struggling to find the hyperlink with the claims. I’ll reblog this post when I find them).
Sonic Wachowski really has no idea what street signs are. He thought that some were works of art, as well as a “suggestion” when it comes to road regulations. That’s why he has so many of them in his cave in the first film.
Learning that in Les Misérables (1998), Valjean just stands by and watches as Javert throws himself in the river before walking away smiling while optimistic music plays in the background
4 Minutes trailer looks like Inception and jumper in one.
Ya'll, this show better not be fucking trash. Because the trailer looks really good and the concept is really good. If they really fuck this up, i'm gonna be mad
the experience of watching 911 is just oscillating between “this show is so ridiculous (affectionate)” and “this show is so ridiculous (derogatory)” at 500000000 hertz
I still don't think I ever recovered from the Scott Pilgrim graphic novels. Like I'm still thanking about Gideon and the fact he literally Froze His Girlfriends for No Fucking Reason other than To Be An Evil Little Bastard
Like that lives rent free in my head now and I will never forgive him
y'all i'm so cooked i just got an idea for a NATEMARE FNAF AU in 2024 bro does anyone even fucking remember who that is????? middle school me is quaking rn
my vision is [feed jerry? jerry?? i want you to fuck me, jerry. Fuck Me! me / git it] & this plant repeatedly trying to fuck seymour &/or audrey & [consider the angle that is orin is to audrey as audrey ii is to seymour] & in the end as the plant is trying to fuck / eat audrey anyways & seymour is intervening to get fucked / eaten himself unforch like here comes the real ones ending: we segue the strategic flirtation of Alright Fine Sure I'll "Feed" You into fucking the plant. femme fatale with it: trust yourselves & each other a little more & we get the dramatic Ax Raising but this time for audrey the original going to town on the stem/base or whatever & we live happily ever after (with a ;) if you want, of course, sure, perfectly pertinent enough. especially ;) if you interpret it as perhaps having to fuck another plant to death) and i grab you by the front like That's Right They Ought To Get Away With The Deaths, And More