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starry-crossing-zone · 8 months ago

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General Storyteller - Rex

Summary: After the Battle of Kamino, Rex finds you surrounded by clone cadets. Length: 1.4k Warnings: Post-Battle; Lots of Teasing; Rex's Flirting is Improving

The battle of Kamino had yielded heavy and unfortunate losses, but the Republic managed to repel the Separatists in the end. Rex, after promoting Echo and Fives to ARC Troopers, sought out the generals. He walked over to where Jesse and Hardcase were relaxing, assuming they would have an idea.

“Has anyone seen the generals?” Rex asked, resting his bucket against his hip.

“General Skywalker’s at the south end of the city, but I have a feeling that you’re not asking about him,” Jesse quipped, causing Rex to narrow his eyes. “She’s with Kix in the infirmary.”

“You know how she always turns into a mother hen after battle,” Hardcase reminded his captain, leaning back against the wall. He elbowed Jesse with a mischievous grin. “She’s probably giving shinies heart attacks.”

“Well, if she can make our esteemed captain blush, what hope do the shinies have, Hardcase?”

Rex, tuning out the rest of their conversation, turned and made his way to the infirmary. Due to the overflow from battle, it had expanded into the mess hall. But Rex assumed that a Jedi would be easy to spot among the clones and Kaminoans. But when he didn’t spot you, Rex made his way over to Kix, who was setting another trooper’s ankle.

“Kix, have you seen the general?”

“She’s in the other room,” Kix stated, pointing to his right. “You won’t be able to miss her.”

Rex raised an eyebrow, but continued on his way. Stepping into one of the wings of the infirmary, Rex paused when he spotted exactly what Kix was talking about. You sat at the end of the room, smiling and talking with all of the young clone cadets gathered around you.

“And then the bridge started to collapse,” you retold dramatically as you carefully bandaged up a cadet’s wrist. “The Separatists planted detonators along the bridge and lured us onto it. And the tactical droid tried to blow us all up.”

“How did you escape?” one of the cadets asked, sitting on the edge of his seat.

“Well, we started running. Anakin and I pushed your brothers to safety with the Force because all of you and all of your brothers in every corner of this galaxy are important to us.”

You gently poked one of the cadets on the tip of his nose to emphasize your point. He blushed bright red, reminding you of another clone, and looked down at his feet bashfully while one of his brothers grabbed his shoulders from behind.

“And no good leader and certainly no good Jedi would say otherwise,” you added, looking out around at the clone cadets.

Rex was quite sure that the meaning behind your story was not part of the approved Kaminoan curriculum, but he couldn’t help but smile at his younger brothers’ reactions to your story. You smiled and finished up with bandaging a cadet’s wrist before continuing with the story.

“But then we had to run to safety ourselves. Now, Anakin was lucky enough that he was standing close to the edge. So, he escaped easily. But I wasn’t so lucky because a lingering detonator went off right behind me, causing me to lose my balance.”

“What happened next?” a cadet gasped.

“Shhh!” one of the other cadets shushed his brother.

“I’m getting to it,” you promised them with a chuckle. “As I was saying, your brother, Captain Rex, grabbed a long gun—right out of Mule’s hands, mind you—and shot a cable at me.”

“Did he hit you?” one of the cadets asked quickly.

“Do you think I’d miss, Cadet?” Rex called out teasingly.

“Captain Rex!” the cadets called turning around to see him walking towards them.

They all jumped to their feet and stood at attention. Rex stopped in front of the crowd of his young brothers and dismissed them, urging them to sit down again. He turned to you as the cadets got settled again. And even though Rex felt a familiar heat start to climb up his neck, he moved to take a seat on one of the beds. Clearing his throat as you offered him a soft smile, he nodded.

“You were saying, General.”

“Right, Captain,” you mused before turning back to his brothers. “No, Captain Rex didn’t hit me with the cable. It landed in front of me and I held onto it as the bridge tumbled down. And with some help from some of your other brothers, he pulled me up to safety.”

“Captain Rex saved your life?”

“Yes, he did,” you stated without hesitation.

“To be fair, you��ve saved mine a number of times, General,” Rex spoke up, causing you to smile.

“Yes, shall I tell all of you one of those stories next?”

The cadets cheered but Rex got back to his feet and motioned towards the door. You nodded and slowly stood up, causing the cadets to sigh and whine. Giving them a kind smile, you kneeled down so that you were eye level with all of them again.

“I must go back to being a general. But you should try and find General Kenobi, for he’s an even better story teller than me. But which battalion is the best in the GAR again?”

“The 501st!”

“And don’t you forget it,” Rex added, causing his younger brothers to grin.

Bidding the cadets goodbye, you stood up and walked with Rex out of the infirmary. The two of you moved in silence for a moment before Rex turned to you with a soft look.

“You survived the battle alright, General?”

“I should be asking you that question, Rex. This is your home. All of your homes.” You sighed and added quietly, “I’m sorry we didn’t defend it better.”

“Kamino was always a target to the Seppies,” Rex stated, turning to look forward again. “But thank you, General.” Clearing his throat a bit, Rex turned forward once again. “And thank you for looking after the cadets. They were bred for war, but they were never trained for it to happen in their own home.”

“Of course,” you returned, nodding politely. “I have a soft spot for children. I believe my master’s habits rubbed off on me.”

“It’s not a bad habit to have.”

“Well, and clone cadets are adorable. In a way, the clones and the Jedi have a lot in common. We were raised communally as well. It’s a setup most citizens find unnatural, almost.”

“Well, your people can move things with their minds. My brothers and I all share the same face. They might not be far off,” Rex quipped, causing you to chuckle.

Stepping into the lift together, you stood side by side as you made your way back to the upper floors of the facility. No doubt that Shaak Ti and Obi-Wan were looking for the two of you. Placing your hands on your hips and turned to Rex with a mischievous smile.

“What were you like as a cadet, Rex?”

“Top of my class, of course.”

“Of course,” you agreed teasingly, causing Rex to tilt his chin up. “But don’t tell me that you were always this stoic and brooding.”

“Brooding?” Rex repeated, earning a laugh in return.

“Come on, Rex. You must have broken a few rules in your time on Kamino.”

“I would assume as many as you did when you were a padawan, General.”

“My master was on the Jedi High Council, so I had an image to uphold.” After a moment, you added with a grin, “But also more time unsupervised. And, well, Anakin was a poor influence on me.” Your smile softened as you turned back to Rex. “Perhaps I’ll tell you some of those stories one day, Captain.”

“I look forward to it, General.”

Stepping off the elevator together, you and Rex shared a smile before Commander Cody called out to the two of you. Rex winced when he spotted Cody’s knowing look and you pulled on a more professional expression in the presence of the marshal commander.

“General Kenobi requested your assistance with moving some of the larger pieces of debris,” Cody told you. ��He’s in the eastern part of the city.”

“Thank you, Commander Cody, I will go meet him.” Nodding to Cody, you turned to Rex, who returned your burning gaze. “I’ll see you later, Captain.”

And with that, you walked down the hall and away from them. You couldn’t help but glance over your shoulder at Rex. Staring after you until your figure disappeared around the corner, Rex ignored Cody’s stare and smirk. Rolling his eyes, Rex brushed past his brother.

“I didn’t interrupt anything, did I?” Cody called after him, causing Rex to wince.

“Stow it, Cody.”

#the clone wars #star wars the clone wars #captain rex #captain rex x reader #captain rex x jedi reader #captain rex x you #sw tcw #tcw #star wars tcw #clone wars #rex x reader #star wars clones

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devilander · 6 months ago

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in teaching you will learn (chapter 1)

18+ 3k. homelander x tutor f!reader. employer and employee sexual tension. abuse of power. fingering. AO3 link.

You accepted a job proposal to work as a History tutor to Homelander's son. It suddenly turns out to be more than you had bargained for.

prompt sent by @plasticfangtastic, thank you so much! beta'ed by @flaggermuser, love you!

Ryan was a very smart child. Powerful and smart, naturally, as any of Homelander’s offspring would be. So, to sate his endless curiosity, tutors—from the best universities, Homelander would settle for nothing else—of all subjects were hired to teach whatever was needed, whatever Ryan liked.

You had never imagined yourself in this position, History tutor to the Homelander’s son. But when you received Vought’s call, and they told you the paycheck that’d come with it, you immediately agreed. A non-supe, you wondered what it’d be like to deal with such a special kid, if Homelander would disapprove of your ways and send you packing on the first day.

Insecurities were never your thing—you had received a M.A in History and Literature, for god’s sake! This was your turf.

But… teaching a child? Whenever you would envision your future, you always imagined yourself as a professor, strict and serious, dealing solely with adults or, at most, young adults.

You'd rise up, though, you knew it—even if you needed to spend all of your nights, from dusk ‘till dawn, watching videos on gentle parenting, endless courses on “childhood education” and teaching young learners. You would do it, and you would do it perfectly.

On your first day, you had a whole speech prepared, something about how much of an honor it was, how excited you were, how many ideas you already had; your stomach fluttered as you looked at his clear blue eyes, beautiful nose—

Homelander barely let you start.

“Now.” He raised his hands, effectively shutting you up. “Enough with the yada yada, ‘kay? Let's get some things straight—all of your ideas gatta be approved by me first. And Ryan.”

“I'm sure, sir, I only meant—”

“And you'll not be berating him, for whatever fucking reason. You're not the boss here. I am. And, well, if he complains about anything, anything really, you’ll be… dismissed. That understood?” He had a congenial smile on his face, though you swore his eyes shined red, if only for a second. “Take care of my son, huh?”

He patted you on the shoulder and left. You just stood there, fuming and exasperated. If there's one thing you hated with a passion was condescending men; interrupting and disregarding your words as inane silliness.

High and mighty as he was, Homelander was cut from the same cloth as them, it seemed. If it weren’t for your student debt piling up, you’d turn around and leave. As it were, you gritted your teeth and stayed.

After that, though, you hardly ever saw him, and when you did, he only gave you an indiscernible look and a nod.

Fine by me, you thought bitterly, mad at yourself that he'd surely noticed your flushed cheeks and quickened breath at your first real sight of him.

Ryan was sweet though. Sharp and eager to learn whatever you presented him with, such that you moved on quickly from fifth, sixth, to a seventh-grade curriculum.

You found a happy medium—keeping it fun and educational. And you knew, you knew, whenever you were there, Homelander was watching you.

And he was. Of course he was. He’d had his fair share of tutors Vogelbaum would present him with. Condescending little assholes, always thinking they knew better, reporting every minor thing he did, lecturing and punishing at their pleasure.

As if he'd let his kid suffer the same fate.

Education was, however, important, so he hired simpering tutors—a school would not do, no place was fit for Ryan—and those who didn't know their place were quickly taken care of.

Yet you, the third History teacher hired (the first one was such a fucking mess—snapping his neck as soon as he left Vought was not enough for having the gall to rudely reprimand his son) were doing well so far.

Oh, he had seen how you blushed and stuttered when you two met, and he had seen how you gradually steeled your eyes at his words.

He had also noticed the sway of your hips, your pink, heart shaped mouth, the addictive sound of your voice—your scrunched up nose as you looked at him in poorly disguised anger.

So, yes, of course, of course he was watching, for more reasons than one.

One day, when you and Ryan were talking animatedly about the creation of the American Constitution, Homelander decided to barge in, almost knocking the door off of its hinges.

You nearly fell off your seat in surprise, for a second scared and worried, until you saw his face. He looked as happy as a kid. Well, happier than Ryan.

“Wowza,” he said. “What party do you two have goin’ on here? I could hear you from the hallway.”

He could hear no matter how loud you were, but you got the gist. Smiling, though miffed at the interruption, you crossed the room, and he met you halfway.

“I was showing Ryan this book. Look.” He leaned down, his face touching yours. Oh God, oh God, wrong move. “It contains all of Thomas Paine's pamphlets published during the war in its original format. We were discussing how Paine's thoughts impacted on the Constitution’s writing.”

“Very nice,” he said, still so close to you the pure heat his body radiated engulfed your senses. And your body kept betraying, and betraying, and fucking betraying you.

“Oh, I love this part.” You thanked the heavens your voice didn't quiver, and started to read out loud. “Tyranny, like hell—”

“Is not easily conquered.” Homelander completed, and you looked up, only to find him already looking at you.

His hand then rested on your arm, lingering for a few seconds too long, his eyes locking you in place. You gulped, heart thumping in your chest—

“Dad,” Ryan bemoaned. Homelander dropped his hand instantly. “This is my class. You're interrupting us!”

Homelander frowned, then almost pouted.

“Geez, buddy, what a way to treat your old man.” He crossed his arms; you contained a giggle. His eyes glinted mischievously as he turned to you. “Can I be your student for the day? I promise to behave.”

“I don't see why n—”

“No,” Ryan exclaimed, interrupting you. “No, no and no!”

Though he tried, there was no convincing Ryan. He wouldn't share the time he had with you. Inwardly, you smiled at the kid’s innocent jealousy; and thanked the heavens for the save, you certainly needed it.

Huffing and stomping his feet, Homelander left the room, but not without giving his son an annoyed glare and you a look you couldn't—wouldn't—name yet. Maybe ever.

Weeks passed, classes going smoothly despite your warring thoughts. You were attracted to Homelander, because of course you were; lucky you. Your boss, supe, leader of the Seven. The man who had so far threatened you, talked with you, touched you…

Fear tinged with desire, confusion with curiosity. He was equal parts charming and infuriating. Would you dare to willingly put your hand in the mouth of the tiger?

It became routine for Homelander to participate—or interrupt—your lessons to share his own opinions, much to Ryan's chagrin. And you… you were endeared.

“Think you could've done a better job than Theodore Roosevelt? Really?” Your disbelieving tone didn't seem to put him off, just the opposite.

“I'm certain I could.”

His playful smile and arrogant tone annoyed you. Enchanted you.

“Well, you should try for president, then,” you joked, catching yourself turning fully towards him. “You'll beat the records of votes and rule this grand nation!”

He hummed, winking at you. “Yeah, no. Not really in my… interests right now.”

“Would you make a Shermanesque statement on that?��

Homelander laughed, shaking his head.

“Nah, maybe I’ll change my mind.” His eyes roamed over your body. “Couldn’t have that.”

“What’s Sherman—Shermesque,” Ryan piped in, furrowing his brows as he stumbled over the word. “What are you talking about?”

“If nominated, I will not run; If elected, I will not serve,” you spoke at the same time and giggled, giggled!, together. Stop giggling like a schoolgirl, you chastised yourself, but you couldn't help it. There was such a thrill about flirting with danger in the flesh.

Turning to Ryan, you explained. “It’s something William Sherman said. He was a popular general during the Civil War and was being considered as the Republican candidate during presidential elections. He, however, refused!” When excited, your arms had a mind of their own, and you found yourself gesturing wildly, enthusiastically. “His words became really popular from then on, such that it's now called a Shermanesque statement, and sometimes used by politicians and the like.”

Homelander couldn’t help but stare while you talked, entranced by your passionate speech, flushed cheeks and shining eyes. You were so fucking cute, deliciously captivating—even in your pitiful stubborn act, or all the more enticing because of it. He wanted to savor each and every moment you walked about the room; wanted to catalog your breath changes, the rises of your voice, your moving lips.

Would you be just as responsive in another, more interesting scenario?, he wondered. Maybe you would want to take charge, bossy little thing you are. Maybe he’d have to bend you just shy of breaking you only to see you beg—beg him to fuck you, to let you come on his fingers, mouth and cock.

His filthy thoughts raged on, only interrupted when you announced your time was up. Ryan groans in disappointment and Homelander has a hard time not doing the same. He hungers for more moments with you. Alone.

“C’mon, kiddo,” he says, noticing Ryan stalling to tidy up his books and supplies as he liked to do. “You gotta get ready for your shooting today.”

Ryan grumbles under his breath. “I hate these commercials.”

Before he can answer, you approach, tousling Ryan’s hair and leaning down to look him in the eyes.

“Hey, sweetheart, it will be okay. Just play pretend like we talked,” you said. “And if it gets too much, I'm sure your dad will take care of it. I'll bring you a treat tomorrow, how about that?”

He should probably put you in your place for daring to presume you know shit about him and his son—as if your puny mind could understand the greater beings they were. And yet, and yet… Ryan was smiling, rushing to embrace you though his quick heartbeat betrayed how nervous he was. You hugged him back, and looked at Homelander with such sweet grin that he—fuck, he felt fucking breathless.

He wanted to kiss you.

When Ryan left the room, you snatched your purse, seemingly wanting to leave as quickly as possible. But Homelander stood in front of the door, unmoving, his jewel-toned eyes intensely fixated on you.

A sudden heat spread through your body, and you let out a breathy sigh. And he noticed; eyes tracking over your face and chest, like undressing you with his mind.

Perhaps he was. He certainly could. The thought made you desperate, you needed to run. Your apartament wouldn't be enough, maybe you should catch a bus to Jersey. Or a fucking plane to—Russia, or farther—

“Want me to give you a ride?” You were so distracted you barely heard his words, much less the double entendre.

“What?”

He snickered. “I said—”

“No! I mean yes. I mean no!” You shook your head, dizzy. “No, sir, I wouldn't want to trouble you.”

“Ah but there's no trouble at all, it'll take a minute. I know where you live.”

“You do?” A shudder ran through you.

“Of course, you silly goose. It's in your resume.” He tapped your nose, a gesture so off-putting you snorted, suddenly aware he'd closed the distance without you noticing. “Let's go, little miss mouthy. Don't make me insist,” he declared, voice still cheerful, but you caught the edge of it, leaving no room for argument.

“Okay, okay… But only this time!”

Homelander simply laughed.

Reaching the balcony, you looked down and froze. Too high, too high!, your brain screamed at you.

“Hehe, on second thought…” You looked at him pleadingly, a weird laugh bubbling out in sheer nervousness. You gripped the banister as if your very life depended on it.

“Ah, ah. No takesies backsies.” He wiggled his finger in your face, and, for a single moment, two, three seconds?, caressed your cheek softly.

Before you could react, he grabbed you by the waist and took off. Panic stricken, you hid your face in his neck, dangling legs instinctively circling his hips; much like a koala, you held on to him in all ways you could—even your fingers found locks of his hair to grip mercilessly.

Through the rush of the wind, you felt, more than heard, his laugh.

It took some seconds to catch on to the overwhelming closeness between you two—how every inch of your body was adhering to his, how you could feel the impressive strength emanating from him, how his warm breath was hitting your neck, leaving shivers in its wake.

You could feel it all. No matter the padded suit, you felt the tension in his muscles, the upheaval in his chest as he drew you even closer and fuck you couldn't fucking help clenching your cunt and exhaling right next to his ear—

In a second, Homelander had you on the roof of your building.

You didn't want to look up, fearing what he'd throw at you, anger and indifference or lust and temptation. Both shook you to your core.

“Wakie, wakie,” he said, breathless, a certain roughness to his tone. His hands squeezed your back with surprising care. Each second was too long, and yet not enough.

And then you felt it, as you started to disentangle yourself from his body, his cock, hard and throbbing, poking your stomach, dangerously close to where you ached for it the most.

You looked up.

There was no smirk, no mocking eyes—only a stare so intense your heart skipped a beat.

“Thank you, Homelander, for the—for the ride. I appreciate it, despite you almost giving me a heart attack at first.” You giggled, trying to dispel the mood.

“How about you thank me by inviting me in? Y’know what they say, actions speak louder than words.”

“No, I…” you hesitated, trying to think of an excuse but your mind went blank. “No.”

Homelander cocked his head, dazzling smile turning a little unnerving. “No? Is that right?”

“How about another day? I can—”

“I didn't fucking ask for a bullshit, out-of-pity mock invite, did I? What is it, hiding some terrorists in your shithole apartment? Or mommy’s dead body?”

If it weren't for his looming over you, you'd crack a laugh—his mind certainly went places.

“Listen—” You started again, only to be pushed until your back hit the roof's door, knocking the air out of you.

“You listen,” he ground out, eyes a kaleidoscope of red and blue. It was painfully exhilarating. “Don’t try lying to me. I can sense you, I can fucking smell you, your pussy is soaked.” To prove his point, he removed one glove and opened up your pants; your panties were shoved aside as he squeezed two fingers inside you. You whimpered at the burn of his intrusion, but you were so wet the squelch was loud even to your ears. “You either invite me in or I'll rip your clothes off and fuck you right here. Your choice, sweetheart.”

Homelander was being nice in giving you a choice, despite the fact you were a rude tease, and a liar to boot. His fingers kept pumping in and out of you, and he found it so fucking hard not to go all the way, not to have you against this door while you moaned so, so sweetly.

He needed you—to feel you clenching on his cock as you did now on his fingers. And you wanted him. Fuck, you were whining and opening your legs so he could finger you better, clinging onto his waist as your head rested on his shoulder. Still, you dazedly shook your head. What was the matter with you?

“Oh, please, please,” you half begged, half moaned, raspy voice driving him crazy. “We can't, I can't…”

“Give me one good fucking reason why not, huh. One.”

Instead of answering, you kissed him. He seemed surprised at first, but reciprocated in an instant. And it was all you expected it'd be, messy and passionate and hot; he consumed you, drinking in every part of you, all you had to give, and what you wouldn’t give, he would take.

You gathered his face in your hands, wanting a little bit of tenderness in the violent chaos of you, a little bit of love—if you could.

His hand kept working on you, thumb rubbing your clit in circles and, before you ran completely out of breath, you came so hard your legs gave out.

Perfect for Homelander to catch, hold you onto his body as you rode the waves of your pleasure—so beautiful he was enraptured.

After a few moments, you whispered. “I can't let you in. If I do, I won't think straight, I'll just let you do anything you want to me.”

“Is that a bad thing, sweetheart?”

“I'm… not used to this, I don't… I haven't done much of this. You never even asked me out!” You laughed. The good humor vanished as you continued. “I can't lose this job. I need it, I like it. If we do… What will even happen to me?” You cursed your own inability to talk about this, all your eloquence going to the drain when you needed to speak of something other than History. In those moments, you always felt like mimicking some speech taught to you long ago, as if talking about your own feelings was an unattainable device.

Yet Homelander found it amusing. Apparently he'd gotten you all wrong, or at least parts of it. For all your bravado in speaking to him, in challenging him—in your fearlessness and spunk—you were inexperienced. Innocent. Shy. Wasn't that his fucking lucky day.

“So the baby wants me to take her on a date first, that it?”

“I didn't say that.” You raised a brow, crossing your arms. “And don’t call me baby.”

“Also I boy-scout promise not to fire you if you are a bad lay, but I doubt that, baby.”

“Oh, shut up,” you said, though there was no bite to it, only a timid smile on your face. “Okay, alright. This weekend?”

“Friday. I’ll send someone to pick you up. Wear something nice for me.”

Before leaving, he kissed you deeply, hands nearly shaking with yearning. He wanted to take it all back and drag you to his bed, absconding with you for a day or two. But he’d waited this long and he could wait a bit longer—he’d savor every second and make it worth it.

As you walked down the stairs to your apartment you sighed, drunk in the haze of disbelief; there was no way you could run now. It’s clear you have a problem. What you should wish for isn’t what you want.

#homelander #homelander x reader #homelander x you #homelander fanfiction #homelander x teacher #homelander smut #the boys #the boys amazon #requests #my writing #plasticfangtastic #sorry for taking so long with this im the worst #but i hope you enjoy it!#i reckon there'll be one or two more chapters at most #the boys x you

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capslocked · 1 year ago

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DIPLOMACY

male reader x kim minju

7k words

For those not paying attention - of which there seems to be an increasing number - it’s not that she doesn’t have the pedigree. But just shy of getting into that storied history or into the nitty-gritty of her curriculum vitae, the only thing that really matters is:

"This all seems a little beneath me."

It’s another day of this. Of you, of her, of trying to gather the mien of someone who isn’t utterly disarmed by Minju’s usual, beautiful, challenging self. Which, let’s be honest, is always an uphill battle.

Minju nearly pouts, flipping through a copy of the dossier idly from the other side of the desk in a gesture that reads both bored and dismissive and every little thing it needs to annoy you.

"Look," you offer up, graciously diplomatic all things considered, "it's about finding the right springboard, to something else more… substantial."

"Or to something else, you know, beneath me." Her red lips turn down ever so slightly. She doesn't seem so interested in playing ball on this one. And, for you, amounts to something of a huge problem.

See, Minju doesn't quite understand how the working world really, actually works. That the carrot that's dangled in front of her is your carrot just as much as it is hers - that you stand to lose out just as badly. That it's both of your asses on the line if things fall apart and Minju's shortsighted insistence to only work those certain roles befitting a name like hers puts that all at risk.

"Maybe you can tell me something,” you start, coming across more curt than you possibly intended - but not by much, “how many of your former cohorts have had their career aspirations line up with reality, Miss Kim?"

“I’m picky, not naive,” she sighs, not missing a beat, and you watch her dark hair cascade gently down her shoulder when she reaches a hand back to unfix her loose ponytail from its hair clip.

“You might see how I can get the two confused.”

“Then spare me the lecture,” says Minju.

Though she says nothing else, an unspoken you already get paid too much for that hangs in the air.

The tricky part is that no matter what else Minju does, her contract has some non-negotiable clauses to them that no talent has before, or will likely get afterwards. Things that cannot be broken. Like the requirement of her making x number of media appearances, and she gets to approve all of them.

Or that her agent's take home comes from a fixed fifteen percent of her gross earnings, with further incentives when her roles hit specific milestones. But with her refusing projects like the ones in the dossier before you, it leaves you in the unenviable position of losing out on your guaranteed fixed income or trying to convince your diva talent to do what it is she ought to be doing.

The truth is that there’s quite a long list of things no one has had the guts to say ‘no’ to yet.

And, well, it's rather simple and obvious when you look at her:

Minju is that particular blend of A-lister gorgeous. The special look that’s all kinds of mesmerizing and magnetizing, in full bloom - that makes you feel like you're suffocating in beauty. Like if she said come here, you would go; the type where a single look is all it takes and then - just like that - she's got your number forever.

Because everything about her is tailored - from her clothes to her perfect porcelain features. And they made her that way for a purpose: to sell records. (Which, that's exactly what they did.) You can hardly blame the people in power over there, wanting what's best, in a position where everyone would kill for a taste, or even just a glimmer of possibility.

"I don't suppose the part of the governor’s neglected wife is capturing your imagination.” You push the dossier closer, and she doesn’t so much as look at it. “It’s this year’s big budget political thriller, a shoo-in for awards.”

“You mean the one who ends up in a lot of very steamy shots on the apartment’s rooftop pool. Maybe I’m mistaken, but you can’t really unshow your tits.”

"This isn't about being above, Miss Kim, it's about being well regarded; it’s about proving you’re easy to work with,” you argue. “We could-"

"Find a better use of my time?" she cuts in, closing the dossier shut. There's a long moment in which she's looking you over, her gaze sizing up every little inch.

"Your big break won't happen just because you ask for it." You grimace a bit, hating to tell it like it is, but not really wanting to just coddle her either. "But listen - we work together, one project at a time - we can build up to it."

Minju crosses her arms with a loud hmph. "And what are you going to do if I decide not to accept these projects?"

There’s enough edge in her voice that it gives you pause.

"If," she says again pointedly, a teasing little grin tugging at her lips.

So - actually, another thing: when you start digging into the details, there’s more problems than just what can be seen at the surface. Which perhaps it’s too reductive, but essentially everything between you and the talent sitting on the other side of your desk is not quite so straightforward. It was never about Minju doing the best she could for either of your careers; it was about Minju making sure her needs were taken care of, no matter what.

Months ago, thanks in part to the way Minju filled out this tiny black excuse of a cocktail dress, and as a compromise of sorts, there’s an uncharacteristic mistake you ended up making. Or two or maybe a couple.

Because there’d been the perfect backdrop - an end of year party, beautiful dresses and suits, lots and lots of champagne, the kind of jovial mood that inspired one drink too many - and then you and her, taking off down one of the hallways, towards the exit.

Of course, you ended up exactly where neither of you should have ever been - where the snow was falling gracefully and melting into the pavement, behind a private accessway at the back of the venue, somewhere dark and dingy and dripping with a smell reminiscent of garbage; somewhere your hands had gripped firm fistfuls of Minju’s waist before you shoved her up against the back of the building.

In short:

You remember how she gasped when her palms hit the brickwork, how you figured you may as well give her everything she wants.

(So what, it was one time, you hear yourself explaining, mildly repentant, and to say that it’s complicated the matter is a massive fucking understatement.)

In the interest of full disclosure, you tell her, “what exactly did you have in mind?”

"That maybe," she hums, tongue flicking out over her lips before she purses them thoughtfully. "You should persuade me a little better."

"And let’s suppose, I don’t do any of that," you persist.

"It'd be a shame, wouldn't it, having such a promising future cut short so early? If word got out. From such a respectable agency too, of all places. Couldn't live with yourself," Minju remarks, leaning forward on her elbows until her eyes are level with your own. “Come to think of it, it’s the kind of thing that could totally, like, end your career.”

But as she sits there, arching that perfect brow again, you don't feel so good about the whole thing. You take another look at her - which, your mistakes start there, if nowhere else - at the girl that is somehow not the airheaded starlet she’s supposed to be. No, she’s calculating. A rarity, though you do know the type: here’s a girl who just happened to take her brains for granted in the years she was pampered by the industry - the same one that fattened on her only to later spit her out. And that thought, the look of cold intellect in her eyes and the slight upward curl at the corner of her mouth, has you frozen just a bit stiff.

She takes a key card from her clutch, and throws it onto the desk in front of you.

“Minju,” you caution, and there’s a taste of danger on each syllable of her name - more of a warning for yourself than you can conceive of it ever being for her.

"I'm only suggesting" - she’s watching you nearly fucking choke, amused - "what's best."

And when the lines get muddied between the two of you, that's exactly the issue. What's best. As though this was always Minju's aim. Maybe you've read it wrong, maybe you've gotten too lost in your own delusions, maybe - maybe, it doesn’t matter -

"For work," she adds, at which point her knee bumps yours playfully beneath the desk, leaving the suggestion open, and the implication unmistakable. "Whatever's required."

Here, you should definitely tell Minju no. Say no. Say: you're a professional, and getting involved with her, romantically, officially, personally - whatever - would lead to nothing but disaster. That’d be the responsible thing probably. It’d be generous to say you end up getting even halfway there:

"There's rules against this, you know."

Minju tips her head. “Why ever would there be rules in place against doing your job?”

She thinks that if she feigns being clueless, you'll bite, which -

“Against me folding you over this desk and fucking you until your forget your name.”

"My apologies," she practically coos, knowing that she’s not only made progress, but that she’s wrapping you around her finger. She is a bright girl after all. “You might see how I can get the two confused.”

At that, you figure, the only real move, to be perfectly blunt, is to play Minju at her own game -

To convince her to bend, just a little. To persuade her. So you lean closer, you start to promise, with your face just next to hers:

"You want me to show you how I might handle an uncooperative talent? Would that do it for you, huh?"

And now if that isn’t enough to earn you a whole look, one that’s equally a challenge and a triumph; you watch as she bites the inside of her cheek, not that she can help the smirk creeping across her pretty mouth, a grin full of want and need and all those dangerous, thrilling thoughts that're probably too predictable given your unique sliver of history you’ve already carved out.

She arches that perfect brow of hers once more, toying with the corner of her lip between her teeth.

You navigate around your desk to hand her your pen, with instructions that are perfectly clear: "then for once in your life, be useful, and sign on the fucking dotted line."

And her whole act falls apart just like that.

She’s humming almost pleasantly to herself as you settle in flush behind her, sinking into you just a little when your hand arrives at her waist, another carding through her hair. “Here,” you point out, watching her name materialize in ink on the document - pressing your lips to the nape of her neck each time she finishes penning out an exaggerated curl of a u.

“And here.”

“And here."

She signs again - and again - and that merits a reward; she’s good when she wants to be. Persuasive when she needs to be.

You can hear her murmur your name when your mouth slips just beneath her jaw, when you mark your next path across the bare skin of her shoulder and when she gets started on the last page of the documents, it happens just like this -

The pen drops from her fingers at some point, tumbling onto the desktop with a clack that might as well be a round leaving the chamber of a starting pistol. The office door isn't even locked and you have half a mind to check on the blinds, but the idea of some desperate executive running face first into this scene - where you’re smoothing your hands down the fabric of Minju’s top, down the rise of her jeans, fiddling slowly with the button at her waist - it holds an unfortunate sort of appeal; those blinds, they're mostly closed anyway. And at this hour of the afternoon, well - maybe it’s a little more clear why Minju asked to reschedule this meeting in the first place.

At first, it’s just a few of your fingers dipping under the waistband of her pants, following the curve of her hip, her thigh, then inward, and when you reach down to find her already burning up in anticipation, she inhales sharp, a noise that makes you groan in turn, low, right into the hollow behind her ear. Minju, to her credit, is absolutely willing, so very helpful and - as you pinch the soft, tender skin at her hip, she's saying something but you haven't quite paid it a moment's mind.

Her head turns, eyes looking up at you ever-so-slightly-more-vulnerable than their usual mischief and calculation, and there’s a hint of a demand dancing on her tongue, ready and waiting; she moves her leg upwards just a few inches, settling to rest her knee on top of the tabletop, a calculated little pose, angling her hips so you can sink your hand lower, closer, press your fingers into the lace over her hot cunt even deeper.

Here you figure you're probably ruining the fabric, drenching it in her own slick as you work two, then three fingertips in tight circles. You’ll ruin it, and you’ll ruin more - ruin everything and take what you're owed. As her breath hitches again, in some way that makes your senses come to life: you can feel her skin become taut and tense, gooseflesh rising when your hand untangles from her hair and slides up under her shirt, can hear the steady rush of blood in your ears, her pulse quickening, the heart in her chest beating rapid -

(She can pretend all she wants that this was an attempt at extortion. She can pretend she’s not an easy read; that she doesn’t like being easy for you, when she’s hot and whimpering and aching so wet, creaming on your fingers when you haven’t even gotten her pants off.)

- as if every part of her wasn't made for this, as you lay out your first real proposal:

“Do you remember what I asked you? The first time, right after you signed on, when you were so good for me up against the bricks in the alley?”

Minju chokes out an affirmative when you toy with her pussy where she’s craving the shape of anything, but, boy, are the rough pads of your fingers more than up to the task.

"I remember you almost couldn't answer, you didn't dare want to admit that it's what you needed - isn't that right?"

She moans with a voice thick as honey when a couple more fingers brush up against her wet lips and fuck, she does look breathtakingly good; she's exquisite, she's irresistible - the image of a living wet dream.

"Say it, baby," you croon, her voice beginning to melt a bit at the edges, her own heat burning her resolve up from the bottom up as you tug sharply at a string on her lace.

Minju sighs. Arches into your touch.

Because you’re settling into this torturous pattern, where you draw inwards, closer, so close to the little bundle of nerves, her cunt flexing and rippling hungrily when your fingers flick once or twice around it, only for her to wince just slightly as your fingers trace down towards her entrance to start all over again -

Minju steels herself, drawing in a heavy breath past her teeth. “You asked how rough you could be.”

There's something so painfully wicked, how her voice falters there - but then your own voice is rasping right back in a similar caliber of depravity.

“Hm. That’s pretty close to how I remember it.” After all, you are always taking care of Minju - her concerns, her contracts, her needs. So if she was interested, why the fuck would you hold back on providing exactly what she wants. “But help me out, what did you tell me?”

Another twist - another catch. Another push - another pull. She's going to break so sweetly if you're patient - and, ahh, patience - she's shuddering underneath your touch, squirming against you so nicely that you've already gotten away with a bit too much, this much, these fingers and you and Minju's breathy gasps.

"M-that you could be. That you could-" she stutters, all as you feel her folds start to swell, then quiver, as your thumb drags painfully over her clit again -

And in that moment Minju starts to consider if this were a good idea or not, but her back is already arching against your chest. She's gripping your arm to get you right where she wants you, and the reality of this hits her - a rush of cold clarity through her head just as everything else threatens to spiral into something else, something frantic, something hot and animal and making the muscles at her core begin to clench up.

But you just ease out of her completely, a whine coming out from the back of Minju's throat - her thighs parting further in desperation.

And oh, the disappointment, the sound, it’s incredible - a high pitch - almost a sob -

You slide your other hand in her hair to make sure she's got an earful of your words:

"What was it you said, hm?" you whisper, nipping at the skin on her neck, the side of her jaw - she's shuddering with it when your mouth lingers so close -

“As rough as you fucking want.”

God, the little things that her voice does to you. “Exactly, sweetheart.”

And how's that boundary supposed to hold up and remain uncrossed then, really, if you just give her whatever the fuck she asks for - especially if you have your mouth working it's way around her pulse-point, toying with her as she starts to tense and soften all at once.

In fact, Minju can only stutter out an okay or two as you grind forward, the hard suggestion of your cock nestling up against her rear, just shy of the perfect spot between her legs, and even with still a few layers of clothes between you, the feeling - fuck, the friction, the sight - it’s enough to get you grinning.

Enough to form this near-half-coherent thought: that it’s what's always had you on edge with this girl. She is absolutely every bit your type. Everything about her, right down to the way that she was put together.

All her hard edges and soft curves that should've never really been yours to covet and now, somehow, have become exactly that. Oh, she's the kind of temptation that's better suited for the life of glitz and glamor and the time it requires for indulging in it. You never thought that you would actually ever get here, even as the years have begun to stack up and time starts to grind everything in the back of your head and turn it all over into something like resentment.

If only Minju weren't so good at making you a sucker for those pouty lips and big doe eyes.

Particularly when she's turned around - face to face now - she's the epitome of gorgeous, equal parts aphrodite and adonis; a fucking knockout, her body sculpted and lithe and athletic. Those lines curving out and away like they might tell time, like her thighs could count the minutes and seconds until she's straddling you in your lap with her ankles locked in at the small of your back and you're rutting up into her without reservation, without doubt.

(So what, really, is your goddamned excuse? Your pride? The nature of the beast in you that demands that you must have some degree of control over yourself? The power that your position, here, now, provides? But you can hardly be blamed, even when it's wrong and filthy and so fucking good.)

"You’re stalling." Minju’s leaning back against the desk, tilting her chin up, blinking lazily, and there’s a bit of bite in her voice again.

It takes a minute for it to dawn on you that it must be intentional, trying to get a further rise out of you, the same way your hands have risen up to trace the dips and elevations of her spine, her every vertebra, your fingertips mapping the hollows and rounds of her back. To learn the geography of her shoulders and where, and when, and how to get her breath catching in her lungs, each labored intake of air a little harsher, hastier, hotter than the last.

"You know," you start, spreading your palm across a soft plane of denim, fingers pulling onto the cheek of her ass, dragging her even tighter against you, "I always figured your reputation was a little overdramatized. Most everyone's bound to have a story or two."

She laughs, full of mirth. When the mood strikes, she's the picture of perfection, and she knows it. "Well? Were you disappointed?"

As she coils an arm around your waist to slide your shirt free from the confines of your pants, and as a deft hand slips its way in, you stop asking yourself about right or wrong, good or bad, or about the kisses that land playfully at the corner of your mouth - until you hold her tight and seize her lips, hard, like you mean it - it isn't long before she's fumbling and scrambling with the zipper at your waist.

"That depends," you’re pulling yourself away long enough to say.

"I think I know the answer."

And by the way she shivers a little when you shove up the bottom of her top, the way she's melting into your mouth and demanding more and more and more, Minju does. You think she probably has since the first night that your threads got all tangled up. Especially when she slides off her top - her bra - her jeans - leaving them in a pile that lasts barely a second where it started once you sweep everything off of your desk in one broad, efficient gesture -

There's a thud when a pair of binders and a couple of books hit the floor. Someone exclaiming in recognition, the muffled noise drifting through the office door, and, oh, this would probably be the best moment to remember how painfully thin the walls are; you consider whether to walk over and lock the office door, and when Minju’s fingers run up your sides, you decide you won’t.

Too little too late, you figure.

And before you can take a second to give it the more congruent thought it deserves, Minju opens her mouth: "which, in your professional opinion," a hum and a slur as her nails find their way to your collar, "is well, that the thing I should take," she gets out, unbuttoning you at the cuffs, loosening the last of your shirt, "really," her hands palming over the fabric on either side of the lapels, working their way downwards, "how - how do you think this goes?"

“Oh, Minju.” She’s all but begging you to fuck her and still has the wherewithal to be asking for terms.

Like her fingers aren’t completely down your pants, locking around your hard cock - pumping you with soft, lazy strokes - not too different from how you have her chewing on her lip every time your fingers circle over the entrance to her cunt, tenting the last of her lace all slow and careful.

It’s driving her crazy. She just bites into the edge of her thumb in response.

"Fine. Alright. Let me explain it clearly." You dip a finger into her cunt; the whimper is short-lived when she tightens around you and it hits home, the pressure so delicious that she can barely stutter to keep up.

“A negotiation, of sorts-”

“Yeah, sure, we can call it that.”

The mental picture you have of your length outlined against Minju's tiny fist - as she works it into her hand, steady - it's all almost more than you can possibly bear: the way her long legs stretch out so pretty in front of you, the way her wrist twists with each pass and every bump at the veins of her forearm that is such a damn perfect shade of porcelain white in the dim glow of the desk lamp.

This girl with her pert pink mouth and those lips, the ones that aren't quite touching yours but rather smirking the whole time. (If only you were to make her scream loud enough, because you know she could be so much prettier.)

The thought flits through your brain, unbidden and treacherous -

"Think, fuck - think of this, as a one-way track into your career. Think of me, a guiding hand - if you want to. The key to all this," you continue, spacing the words carefully so you don't falter under the pace Minju is picking up, "is that you're going to need to be compliant. Easy."

"Mm. And in exchange?" she bites, choking down an embarrassing moan.

"Here's the basics." And there, there's no fucking reason for you not to dip the tips of your fingers right on downwards, tap into her soft heat until her hips are arching away from the flat of the desk, searching for more. “Whenever you need me to take care of you, I’m there, however you need it: on my fingers, my tongue, my cock - I’ll make you fucking cum over and over.”

"That sounds," she gasps, losing track of the end of her sentence, rolling herself along the pads of your fingers, taking them deeper into her, "very-very-oh fuck-”

Her grip around your cock releases, arms throwing themselves around your shoulders, holding on tight as she starts to trust you implicitly - to give her exactly what she wants, what she needs - and give herself over to you, to your fingers, circling and circling and circling.

“See, tomorrow,” you start, “there’s an audition,” and when you pull your finger out of her cunt, Minju lets out this sound that’s between a whimper and a whine. Her pretty mouth has dropped open, like she's all out of words, lost somewhere, chasing this. Getting dire.

“It’s this teen soap; they need someone young, someone pretty, do you think you can do that for me?”

She doesn’t answer so much as grab and tug and pull you even closer as the heel of your hand pushes and presses over her clit, just about enough force behind it that, eventually, you begin to feel a certain rigidity through her limbs, how the lines of her face and her faultless features grow more and more focused, fixed and concentrated; her voice reduced to the high-pitched huffs and half-formed syllables of pure and utter desperation.

I can, I can - she’s murmuring - please, yes, I will - putting herself right into your capable hands.

When you feel Minju tightening, flexing around nothing, then seizing and shivering, her pussy throbbing hot and wet and clenching around your finger as it again works deeper inside her, an anguished groan finds its way out from her throat.

And from yours, well -

"Show up," you command, giving her another knuckle, curling it just right - watching as her expression contorts and twists up for all her worth. "Make a good impression. Don't make me fucking beg. Show up, Unreserved. Understood?"

And if her body wasn't making her pleas utterly transparent, she's screaming in agreement. It takes you barely a couple seconds, working up inside her cunt until she's all full-body, fully, blissfully spent. She starts to nod, needy, eyes screwing shut.

“And let’s say, something else pops up. A little racy, a little more gravure, just the right amount scandalous, I need you to keep an open mind.”

When it sinks in what you've said, Minju gives this wail, low and perfect - her cunt throbbing over the pulse at your palm - inches away from cumming and shaking and creaming on your hand. You could ask for anything, you think, and she’d give it to you -

“My PR team,” she gasps out, the consonants of her words fraying at the seams, “it’s up to my PR team.”

“Minju,” you say, priming a loaded question and a half. “Do you trust me?”

She nods, expression readable and open like a book. It starts to set in just about then, how you’re going to fucking ruin this girl.

Your breath runs hot, right against her temple, and you whisper the slightest affirmation, “good girl, I’ll take care of it.”

Because to be fair, you’ve not made it this long in your career without learning how to pull a string - how you might pull up on the sensitive skin straddling Minju’s clit and get her reeling; her pussy flutters in the tight, wet heat, muscles clamping, demanding as you work yourself in deeper and then, when the timing's right, pull out to slide a second finger past the slip of lace she has covering her cunt.

She's this tight, dripping, overwhelming fit - even more than you have yet to discover, to tease and then take, the heel of your wrist landing on her clit in a heavy pattern, circles - circles - circles -

- so you figure: fuck the PR team.

If only they knew how well and thorough you were going to fuck the rules right out of Minju.

That you were going to remind her who's the one in the driver’s seat of her life, of her career, that you would make sure she stays in her lane - the proper lane - that this, you think to yourself, might become a recurring sort of negotiation, the kind she's so shockingly eager to accept.

You'd be doing her a favor, fucking a couple good lines into her head, into her skin, into her cunt.

And soon, before long -

She's gritting her teeth around the shape of your name and giving one last heave against the hard wood of the desk underneath her. It's almost beautiful to watch how Minju crumbles into herself; the way she grinds back onto the digits in her cunt. How you’re dragging her underwear down her thigh, pulling your cock into your fist and twisting her leg around your waist until finally, you press yourself right up against the heat radiating from her cunt.

“I’m going to take good care of you, Minju, don’t worry, I’ll fuck this pussy of yours just right. I'm going to make you shake and cum all over me.”

“Please.” Fuck, she looks at you sincerely - no games, no bullshit - pupils so very blown out with want, with need. You watch her adorable mouth uptick into this faint lazy smile as she tilts her head into your collarbone, lips parting slightly to remind you: “as rough as you fucking want-”

And you sink right in.

It’s all skin-on-skin as Minju practically collapses in your arms; pushing deep past her soaking entrance - your hips slotting together just so, cock engulfed by her tight heat. Minju fucking wails when you drag back from her cunt, slow - so, so agonizingly slow.

You let her recover just a bit, watching her breathing quicken and shallow.

And the word on her lips becomes something reverent, the most indecent prayer, pleading please, please, please let me have it, please fuck me with your cock-

You brace yourself, thrusting back in, and she doesn't wince this time, holding fast to you like you aren’t the one fucking her open and taking her apart.

“God, I - look, this perfect little fucking cunt, look at how you’re stretching around me, Minju,” you’re telling her - promising her really - all of which doesn't count for shit when, once, and then again, and a couple more times after that, your hips meet hers and she starts to break just so slightly around you. “I can’t believe - it’s like you were fucking made for my cock, baby, you’re taking me so fucking well.”

"Now, show me why - why the fuck everyone wants you - wants you to be their-" she's trying, in a fashion all to her credit and her fault. She should probably care more about that raw, unhinged noise you’re making right into the crook of her neck when you bury yourself deeper into her pussy. But in the next moment, with another wild crash of your hips, the tables start to turn.

Slowly at first, and then all at once.

Because the sound you’re ripping from her chest when you start fucking her - truly fucking her - becomes far, far filthier than anything you've ever heard a girl like her make. All of it coaxed out from you working the edge of her pussy open, stretching her, hitting each and every sensitive spot inside her.

Minju tips her head back to stare at the popcorn ceiling and fluorescent lights, brow creasing in the middle, mouth gaping open. You find you might have missed something, when she moves to hold you down, hold you in place with an insistent leg, the back of her heel digging into your ass. As though there were somewhere you might possibly want to go.

It all comes down to something she's murmuring, quietly, harboring this smug lilt like you aren’t fucking her raw and senseless: how maybe the key to unlocking the rest of her potential isn’t all that dissimilar, not as off-brand as you may have been initially worried about. And the notion that both of you might actually be profiting off of this - how it shouldn’t sound as incredible as it does - is doing absolutely fucking nothing to slow the brutal pace you fall into.

"Fuck, just like that," and she's smiling, grinning really, nails biting into your nape - your name and curses and a fuck you or two falling out of her mouth as you pound each short breath right out of her chest.

"The only talent I'm gonna need to show," she manages, dizzy, and with one arm hooking around your waist, she pulls the two of you close, right up against each other. The sound your skin makes, clapping against hers - her cunt tight, pulsing, quivering around you - "is my, my, my-"

Your thumb should have never left her clit, you realize, pressing down on where your cock is disappearing between her legs, pushing up against that bundle of nerves that can get her screaming. That’s how you’ll punctuate your end of the bargain, how you’ll make her cum and cum and cum -

"-talent for being such a-"

There's something ungovernable in you, something fumbling, as you find yourself drawn to her lips like a magnet - claiming them in a kiss that has you both growling with all the intensity you can muster, groaning as her jaw goes slack, surrendering to the fucking. To this hard, solid snap of your hips, a raw fuck forward that pushes Minju against the edge of the tabletop.

It doesn’t matter what she had wanted to say, though it must be evident how easy she can wind you up, and you do your best not to be too gentle. Pushing into her so rough that her breasts, oh-so-delicate, bounce up and down along her chest, nipples tight and rosy, begging to be tasted and played with.

You’re pressing your mouth on hers hard, fucking her harder - fingers digging into the flesh around her thighs and leaving marks and memories, all these reminders you’ll be sure to come back to.

But the fact is that this is your girl in so many ways: needy and a dream in all her curves, and how her waist rocks back, her body fitting so perfectly against yours - you're hooked on all of it. On her - she is temptation made real, in blood and bone and soft, supple skin, so exquisitely touchable, just like the sound that she makes, high and tittering when your thumb starts to work her clit over; each swirl and figure eight sending a jolt through her nerves and straight back into your own spine. It's difficult - hard to focus, you find - when all her exposed skin has these drops of sweat standing in saltwater relief, how it rolls down the plane of her chest and disappears where her waist flares wide.

Minju turns her cheek, mouthing falling open, and asks with a certain helpless pleading, “yes, can you-”

she sighs,

“right there,”

she hiccups,

“please, again,”

she begs,

“again, harder, i’m so close-”

Not before long, the desk is scraping loudly across the carpet, moving right into the next office over, all from where you have your hand trapping her voice back in her throat, palm over where she’s practically sobbing for you to let her cum.

From where you’ve got her locked in tight, lifting her up into your arms, into some perverse, unspoken promise to carry her the rest of the way. To do with her whatever you want.

"I'm going to show you," you're gritting out, "exactly how a professional handles their star, the girl at the center of it all, their top draw - and it's so easy, isn't it? This is - fuck, sweetheart - you're nothing more than a - just a desperate little cockslut who's aching to cum, and it's good - oh so, fucking-"

When that next shiver courses down the length of her perfect form, it's entirely because of you, when her legs are still locked and clamped over you like this, as she sputters and babbles, totally cock-addled and barely managing a coherent thought. “Please, sir, please, fuck-”

And then a keening, sounding low, lost.

“Sir. Please, sir, please just - I just wanna-" Her lips are shaping all these words that never quite materialize - because her cunt is slick, the whole of it hotter and softer than anything else in this goddamn room. Maybe anything else in this whole building. Or in the entire world. It makes her whimper and ache, her voice rising and rising, belting out, need it, need it, please let me cum -

Which -

Minju, oh god, Minju cums, and you are fucked sideways to hell and beyond when her whole body convulses, shakes, every single part of her contracting, contracting - all at once - the way her hands claw desperately onto the blades of your shoulders as the room gets taken up with the scent of her; the sounds she's making are fucked and filthy. She starts to become undone as you double your pace, aiming true - thrusting, pounding, nailing Minju right into the finish.

“Minju, sweetheart, I’m going to cum in you,” you tell her, and it’s not even a question, or a concern. You’re dictating, not negotiating when you say it to her again, when you tell her you’re going to fill her perfect pussy so full with your cum, she'll be hung up on it for weeks.

One long, stretched out moan is all it could ever take; a split second, where everything runs blindingly hot, and you bury yourself as deep into her pussy as you possibly can.

Cumming so much, spilling out deep inside - this heavy flood of cum that pools warmly at the back of her cunt and fills every corner of Minju - she whines and sobs and tells you it's too much, please, all this hot and thick white cum pumping right into her -

As you throb into her, she's having a hard time saying anything beyond your name, actually, because if anyone can, if anyone would, if Minju can trust anyone and anything in this world more, it would be you.

Her chest shudders and shudders, and she kisses you in a vain effort to quiet her own body, to quiet yours. She has all this faith she's pouring right down your throat as you rock the last of your orgasm into her twitching heat, spilling and spilling and spilling, not caring about the wetness leaking onto the carpet. Not bothering to mask the obscene slickness, how everything gets completely fucking sopping between the two of you.

When she's practically drooling over you, eyelids growing heavy and fluttering, Minju sags heavily into the bend of your arms. In that shallow heaving and gasping for air that bathes the both of you - blissed the hell out, a lazy tangle of limbs - and without warning she turns to speak into your neck, her breath cooling, like a whisper of a dream:

“Okay, and already… I guess this isn’t entirely-”

“Completely terrible,” you offer after you swallow the dryness in your mouth.

Minju smiles into your shoulder. “And sir, in the spirit of honesty and transparency, I think I - I think I really did want - this - you - the entire thing…”

You stop her there, right in the middle of that particular train wreck. A drop in your voice, and the message is clear, when your mouth works its way to hers.

(No more of her talking like that.

Besides, she looks even better on your lips like this, and fuck, doesn’t Minju taste like you will have to remember, like a little bit like desperation, but only in the way that it has you both completely hopeless, hanging on to every whimper as your cock slides lazily about her well-fucked pussy, a bit deeper, a bit further.)

Like there is something far beyond professionalism guiding the hand with which you hold her hip and let her ass spill through the gaps of your fingers.

It’s all mixed up, how in this exact moment you figure this is a terrible, terrible idea, the worst kind of agreement, this pact - because no one could look at you, could look at either of you and have any doubts in mind now. But you can see it, how you’ll both wear this little agreement like the most beautiful stain in your histories. Even though it might, conceivably, cost one or both of you dearly at some point in time.

And yet, still.

"Will you - can I - can you..."

She's clinging onto you with all her remaining energy, like she wants to see it through.

But her eyes - the poor thing - her expression is melting into this haze, her face contorted in something like pain and something else entirely: a different kind of satisfied glimmer. It's almost unreadable how that sharp mouth softens at the edges as her cunt gives this small flutter over the head of your cock, as you pump her so full, threatening to overflow.

And in your ear, you catch this little whisper. It says, “please, let me show you,” she's practically purring, “let me, let me - I'm gonna clean you up now, lick my cum right off you.”

It's true. Minju can act and perform and pose and make faces, for a shit ton of people - but she’ll play-act any facade you might ask her to, and she'll do it for you - because, this time around, all you ask her is this:

To be yours.

To be a good girl for you, an obedient little thing, in your private audience, away from the cameras and the lights, away from everyone.

When her knees hit the carpet, she is perfectly between your legs, palms on your hips and fingers splaying out against you.

And when she tries her damnedest like this, no one should bother ever pretending to think differently - least of all, you - and certainly, not while your cock is hardening again in the wet heat of her mouth, under the curl of her tongue, the gentle touches of her fingers -

How can anyone ever bring themselves to tell her that she isn't completely, indisputably the greatest.

(The very, fucking best.

And in every other way: the woman of your dreams. A woman, you realize, you ought to endeavor to keep, in all manners, and forever.

Minju, who could probably do anything, and you, who just might be able to give it to her.)

#minju smut #izone smut #kpop smut #male reader #kpop fanfic #male reader smut #izone minju smut

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mariacallous · 8 days ago

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Most of the time, as the senior rabbi of Temple Beth-El in San Antonio, Rabbi Mara Nathan’s focus is on Jewish families. But this week, she’s finding herself thinking about Christian ones, too.

That’s because Texas is poised to adopt a public school curriculum that refers to Jesus as “the Messiah,” asks kindergartners to study the Sermon on the Mount and presents the Crusades in a positive light.

The curriculum, Nathan said, “gives Christian children the sense that their family’s religion is the only true religion, which is not appropriate for public school education, at the very least.”

Nathan is among the many Texans raising concerns about the proposed reading curriculum as it nears final approval. Earlier this week, the Texas State Board of Education narrowly voted to proceed with the curriculum, called Bluebonnet Learning. A final vote is set for Friday.

The critics, who include Jewish parents and organizations as well as interfaith and education advocacy groups, say Bluebonnet — which will be optional but which schools would be paid to adopt — inappropriately centers on Christian theology and ideas. They have been lobbying for revisions since it was first proposed in May, offering detailed feedback.

“The first round of the curriculum that we saw honestly had a lot of offensive content in it, and was proselytizing, and did not represent Jewish people well,” said Lisa Epstein, the director of San Antonio’s Jewish Community Relations Council.

Now those critics say most of their specific suggestions have been accepted but they remain concerned.

“Looking at the revision, we still feel that the curriculum is not balanced and it introduces a lot of Christian concepts at a very young age, like resurrection and the blood of Christ and the Messiah, when kids are just really too young to understand and they don’t really have a grasp yet completely of their own religion,” she added. Epstein, who testified at a hearing on the proposal in Austin on Monday, has a child in high school and two others who graduated from Texas public schools.

The Texas vote comes as advocates of inserting Christianity into public education are ascendant across the country. Political conservatives are in power at the national level and the Supreme Court’s conservative supermajority has demonstrated openness to blurring church-state separation.

President-elect Donald Trump has signaled support for numerous initiatives to reintroduce Christian doctrine into public schools, from supporting school prayer to endorsing legislation that would require public school classrooms to display the Ten Commandments. (One such measure in Louisiana was recently blocked by a federal judge.)

In Texas, Bluebonnet’s advocates say the curriculum would elevate students’ learning while also exposing them to essential elements of cultural literacy. They note that the curriculum includes references to a wide range of cultures, including ancient religions, and that the religious references make up only a small fraction of the material.

“They’ll elevate the quality of education being offered to all Texas students by giving them a well-rounded understanding of important texts and their impact on the world,” Megan Benton, a strategic policy associate at Texas Values, which says its mission is “to stand for biblical, Judeo-Christian values,” said during the hearing on Monday, Education Week reported. Texas Values called criticism of the proposed curriculum an “attack on the Bible.”

The Texas Education Authority solicited the proposed curriculum, which would join a menu of approved options, as part of a pandemic-era effort that waived some transparency laws, meaning that its authors are not fully known. But The 74, an education news organization, reported this week that a publishing company co-founded by former Arkansas Gov. Mike Huckabee contributed content to the curriculum.

Trump tapped Huckabee, a pastor and evangelical favorite, last week to become his ambassador to Israel.

For some in Texas and beyond, Bluebonnet represents a concrete example of how the national climate could ripple out into local changes.

“A lot of things, we think they’re outside of our community, or outside of our scope, like we hear these things, but are they really going to impact us?” said a Jewish assistant principal in the Richardson Independent School District north of Dallas who asked to remain anonymous. “But I think now that it’s becoming a potential reality, a friend was asking me, would Richardson adopt this? Is this something that is really going to happen in our community?”

While the Supreme Court has ruled that public schools can teach about religion, they cannot prioritize one religion over another in that instruction. So Bluebonnet’s inclusion of Christian and Bible stories in lesson plans drew scrutiny from the start — which grew after the Texas Tribune reported that a panel required to vet all curriculum proposals included Christian proponents of incorporating religion in public education.

In September, The Texas Education Authority’s curriculum review board published hundreds of pages of emails from members of the public along with whether the critiques had resulted in changes. Some did, the board noted, but many others were rejected.

A coalition of Jewish groups submitted 37 requested changes to the initial curriculum proposal. Epstein said the San Antonio JCRC had specifically objected to language in some lessons that evoked “antisemitic tropes” and textual inaccuracies in referencing the story of Queen Esther, as well as offensive references to the Crusades and language that explained the birth of Jesus as the messiah.

One passage had invited students to imagine “if you were a Crusader,” Epstein said, referring to the Christian knights of the Middle Ages who sought to conquer the Holy Land, massacred communities of Jews and are venerated by some on the Christian right.

In the case of the Esther lesson, the original curriculum had recreated an aspect of the Purim story in which Haman drew lots to determine when to kill Jews in the Persian Empire — as a way to teach probability. Nathan called that particular lesson “subversively antisemitic.”

“In ancient Persia [drawing lots] was a way of helping someone make a decision, and the game was called Purim,” the initial text read. “Ask students to choose a number from 1 to 6. Roll a die and ask the students to raise their hand if their number was rolled.”

“This is shocking, offensive and just plain wrong,” Sharyn Vane, a Jewish parent of two Texas public school graduates, said at a September hearing, according to the New York Times. “Do we ask elementary students to pretend to be Hitler?” (Historical simulations have widely been rejected by educators for all grades.)

Both of the lessons were revised after feedback from Jewish groups and others, but Epstein and Nathan said the changes were not adequate. A new prompt asks students to describe “the journey of a Crusader” in the third-person, but it still sanitizes the murder of many Jews and Christians during the Christian quest to conquer Jerusalem, Epstein charged.

And while the Purim lots activity was dropped, Epstein noted that a specific lesson plan about Esther — a beloved figure among evangelical Christians — also includes a reference to God, which the Megillah, the Jewish text telling the Purim story, famously does not do. She said that inaccuracy was not addressed in the revisions.

In a statement, San Antonio’s Jewish federation, under which the JCRC operates, also acknowledged the changes that were made after its feedback but expressed concern over what it called “an almost solely Christian-based” perspective with “inaccuracies” and content that is inappropriate for elementary school students.

“We are not against teaching a broad range of religious beliefs to children in an age-appropriate way that clearly distinguishes between ‘beliefs’ and ‘facts,’ and gives appropriate time and respect to acknowledging many different religions,” the federation said. “Public schools should be places where children of all religious backgrounds feel welcomed and accepted.”

The newer version of the curriculum also did not address the federation’s concerns about language referring to Jesus as “the Messiah,” written with a capital “M,” and references to “the Bible,” rather than “the Christian Bible” specifically, as the federation had urged the curriculum’s creators to adopt.

The Austin branch of the Anti-Defamation League, which was also involved in the efforts, also applauded the revisions that had been made thus far but said it still “reject[s] the current version of the proposed curriculum.”

“We agree that students should learn the historical contributions of various religious traditions, but ADL’s analysis of the originally proposed curriculum found that a narrow view of Christianity was overwhelmingly emphasized, there were few mentions of other faiths and the curriculum baselessly credited Christianity with improved societal morality,” the group said in a statement. “Although improvements have been made, the materials still appear to cross the line into teaching religion instead of teaching about religion.”

Criticism to the curriculum goes far beyond the Jewish community. Texas AFT, the state’s outpost of the American Federation of Teachers, a leading teachers’ union, also opposes the proposal. “Texas AFT believes that not only do these materials violate the separation of church and state and the academic freedom of our classroom, but also the sanctity of the teaching profession,” the union said in a statement.

Some Republicans on the Texas Board of Education expressed reservations about the curriculum’s quality and age-appropriateness, separate from its religious content.

And nonpartisan and interfaith groups like Texas Impact and Texas Freedom Network have also been involved in efforts to oppose the curriculum, as has the Baptist Joint Committee for Religious Liberty. Epstein said a Sikh parent also testified at one of the hearings, asking for her faith’s traditions to be incorporated into lesson plans to provide more religious perspectives.

Nathan said that when she testified against the proposal at a September hearing, her allies were diverse.

“Some of the people who were against it were not Jewish, and just were [against] the way that the curriculum was being put together pedagogically,” she said. “But there were both Jewish and non-Jewish people there, and also some Christian folks who were there who were opposed to such an overtly Christian curriculum.”

Marian Neleson, who has a 14-year-old daughter and a 12-year-old son in the Frisco Independent School District, said it has never been easy to be a Jewish family in her area.

“There’s always concerns as a parent when there’s just a handful of other Jewish children in a majority Christian school,” said Neleson, who is active in her local interfaith alliance. “From how the school celebrates, how they do their calendars. Do they remember that there is a Jewish holiday, and then they schedule major school functions on High Holy Days?”

Now, she’s worried that her own district could face pressure to adopt the new curriculum, if it is approved.

“These kind of curriculums are promoting one interpretation, one religion’s view, and I feel like that’s not very respectful of people who come from different backgrounds and different faiths and different religions,” Neleson said. She added, “I do think that the Frisco school district particularly does try to be inclusive and try to recognize the diversity of the community, but I know that there’s always pressure from groups who are trying to promote one agenda in the schools.”

The Richardson assistant principal said she saw in the financial incentive to adopt the curriculum — districts that do so will get up to $60 per student — an inappropriate assertion of support by the state. Many Texas districts are cash-strapped after legislators declined to substantially increase school funding last year.

“There is such a push in education for high-quality instructional materials,” said the assistant principal, who has three elementary school-aged children. “They’re pushing this so hard, and even potentially putting up funding for it if you adopt it, but it’s not a truly high-quality curriculum.”

In a Facebook post after Tuesday’s preliminary vote, Vane encouraged parents to reach out to members of the state’s education board to urge them to oppose the curriculum. “It’s not over yet,” she wrote.

Nathan said she’s not sure how much opponents of the curriculum can do if it’s approved, but she stressed the importance of local advocacy — especially since the curriculum is not required.

“I think reaching out to your local school board and communicating with local teachers in your community is going to be key,” she said. “If this occurs, what do I need to do in my local school district to make sure that there’s programming that balances the perspective?”

But she signaled that the intensity of the proposed curriculum would undercut any counter-programming by representatives of other faiths.

“It’s not presented as, ‘Here’s what Christians believe,’” Nathan said about Bluebonnet. “It’s presented as, ‘Here is the truth.’ There’s a difference.”

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nothorses · 7 days ago

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So it's "optional", but financially incentivized- which makes it much less "optional" for schools in low-income areas that are already struggling to have enough funding (and which are more likely to serve marginalized students)

Apparently some folks think this is likely to be successfully challenged in court, and I sincerely hope it is.

"Separation of church and state" or something huh

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yukipri · 1 year ago

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Clone File: Morbs (YukiPri OC)

Basic info:

Name: Morbs Number Designation: CC-4413 Generation: 1 (0.9) Rank/Title: Chief Mortician of the GAR, Kamino Chief Mortuary Trainer (former) GAR Affiliation: Entire GAR, primarily stationed with the 212th Attack Battalion Character status: YukiPri Original Character

Disclaimer: Morbs' story will likely make more sense if you've read The Prime Override, as he's introduced with context in this fic. He will also make more sense if you've read about the other 2 clone medics mentioned in this file, Ashe and Stabber.

Backstory beneath cut!

Overview:

Clone morticians are specialists even among medics. Every clone medic knows the basics of how to care for the deceased, but in war, priority must always go to the living. As such, it is common to find only one clone mortician per star destroyer or permanent GAR base, with greater numbers stationed in Tipoca City or various Republic medical centers.

Morbs, or CC-4413, is considered the Chief of this group of medical specialists. He is the originator of the division, and was assigned to develop both the position and the training curriculum of clone morticians in tandem with Ashe’s primary medical training.

Prior to the start of the Clone Wars and through the early war period, Morbs oversaw the Tipoca City Primary Clone Morgue, which processed all clone bodies. There, he managed biopsies, distribution of cadavers, and the care and processing of all of the bodies of his deceased brothers. He also trained other clone morticians who had completed general medical training prerequisites and were approved by Ashe, as well as future Chief Medical Officers who were required to have completed hands-on training time in the morgue to earn their certifications.

Morbs would have been content to remain in this morgue for life, but as the main body of the GAR prepared for deployment, it became clear that the number of bodies being processed on Kamino would plummet. Morbs was reassigned to the front lines, where his expertise would see more active use, leaving his morgue behind in the hands of his assistants. He primarily travels with the 212th Attack Battalion, but frequently visits medical centers and goes where he is needed.

Background:

Morbs was one of five Generation 0.9 CCs selected by Nala Se to begin the development of the clone medical track. While all subsequent medics are CTs, the Generation 0.9 CCs underwent manual age acceleration, putting them physically ahead of their Generation 1 peers in chronological age. Morbs and his fellow CCs were test subjects used to establish the start of the medical specialization path before their younger brothers were of age to begin that training.

As CCs, they are overqualified for the general medical training that Nala Se is building, and Nala Se quickly turns to using them for other experiments as well. Their unique position as the first experimental medical clones gives Nala Se more oversight over them than any other clones, with far less supervision as well. They are “her” clones to test as she pleases.

In the depths of her labs, Nala Se conducts experiments that she had been banned from conducting on standard troopers by the contract with the Prime Clone, Jango Fett. Morbs later learns that these tests would be considered “torture,” and are illegal in the Republic. He and his brothers are tested for the physical limits that clones can reach, including tolerance for exposure to various stimulants such as heat or chemicals, as well as sensory limits such as their maximum threshold for pain. She also experiments with the potential for building up tolerance and even immunity to various drugs and poisons. She takes all of the data she gains and incorporates them into the medical training for the clones—thus, ensuring that her tests still fall under the scope of “developing medical training.”

Two of the five CCs perish as a result of these experiments. Ashe is ordered to decommission the third when he fails to meet Nala Se’s standards. This leaves Morbs and Ashe as the only survivors of their initial group. They cannot speak of their experiences to anyone else, as Nala Se is the only other witness. Not even Kote knows what they experienced. Between the two of them though, they can never forget that their senior medical positions were earned with blood.

Morbs has always been a quiet but keen observer, and knew from early on that Ashe has reasons for wanting to be in the medical track, and that this is a path that he’s chosen and is motivated to push through. Morbs is brought into the Ghosts’ plans relatively early, and having had the most first-hand experience seeing just what Ashe’s position entails, he wishes he could do more to help his brother. However, Morbs is also realistic, and knows that he doesn’t have the same passion and dedication driving him. He does what he can, but he can’t see himself being the medics’ leader that Ashe is. He feels guilty for not being able to offer to take Ashe’s place, when he’s the only one in a position who could. He tries to make up for it by loyally following him, and doing what he can as a supporter.

In addition to not having the drive, Morbs also feels he is cursed with misfortune. While he excels as a medic and not even Nala Se can find anything lacking in his record, most of the patients that Morbs touches seem to end up dead for reasons unrelated to his skills as a medic.

He’s assigned to oversee a group of cadets, who end up having a fatal genetic mutation that gives them all heart attacks while he’s on observation. The wing with patients that he oversees collapses due to an architectural problem, and they all die. He’s conducting a surgery, when the power goes out, and he’s unable to save his patient with the tools he has available. He tends to some brothers, who leave his exam room fine, but are killed in a training accident a few hours later. He’s assigned to take over a simple check up, and finds his patient already dead before he enters the room.

Every additional incident makes him increasingly uncomfortable with working with living patients. He knows he has the skills, but it doesn’t seem to matter, because most of his patients end up dead anyway. Statistically, it’s not impossible, but after a certain point it’s certainly improbable, and yet it continues to happen. Clones are rarely superstitious, as they have no cultural basis for it, but Morbs feels that there’s something absurdly wrong with the amount of death that seems to follow him everywhere.

He only feels that he’s safe for his brothers when working with those already dead. He can’t kill them if they’re dead before they’re even assigned to him. When Nala Se announces that a new mortuary sub-track will be added to the primary medical track, Morbs dives for it because he can’t think of a better position for himself. If death follows him, he might as well embrace it.

As he and Ashe are given more access to resources including those from outside of Kamino to help them develop their respective training curriculums, Morbs finds himself increasingly interested in not just the practical aspects of death, but also the more cultural and spiritual elements as well. It’s sparked by his own unluckiness and wondering if others have experienced the same, but is fed by his curiosity when he realizes that most nat-born cultures have different ways of processing death and grief that are deeply engrained in how they handle their dead. Nat-born lives are for the most part extremely foreign and utterly irrelevant to anything clones will likely ever experience, but death is almost universal. Morbs finds this fascinating.

The clones are brusquely told that they “march on,” when they die, as Mandalorians do. But why? Where do they march to, with whom? What is waiting there? If that is the inevitable eventual fate of all of them, regardless of Ashe’s or Kote’s efforts, shouldn’t it perhaps be Morbs’ job as the Chief Mortician to at least consider what happens after?

While Morbs has no answers for the afterlife, he certainly has many thoughts, which he shares with the silent cadavers who he works with. It seems like they can hear him, he thinks, for all that none of his words are spoken out loud.

While sitting in on a Ghosts meeting as they develop code words for their growing underground organization, Morbs mentions off-hand that their brothers who are dead, but aren’t, are, “Marching on to join Kote.”

It’s not his fault that their overseers failed to really explain what “marching on” means, nor really instill any true understanding of “glory” either. So if they choose to define it for themselves, with “marching on” meaning to join their other brothers (who may or may not be dead), and “glory” as fighting for their brothers, something tangible that they actually understand and care for…well. They are, after all, supposed to die for the glory of the Republic anyway. No one will question the language.

While most of Morbs’ brothers are exceedingly practical, and must be, Morbs finds his niche in thinking about the not practical. If having ways of respecting and mourning the dead helps all other sentients, why shouldn’t it help them too? Morbs experiments with how he thinks their dead should be treated, and the bodies in his morgue are, as always, his silent audience.

He grows to consider the dead bodies in the morgue “his men” in “his army.” After all, those who are also marked dead, but are actually just with the Ghosts, are also allowed to “consider serving” despite being equally dead on record. And are not the bodies that he repurposes to hide the missing bodies, the dead whose organs and limbs save the lives of their living brothers, not also serving their brothers? Just because they were unlucky, like Morbs, doesn’t mean that they aren’t still being helpful, aren’t still actively saving their brothers. Because that’s all what any of them want to do: help each other.

Morbs assigns himself their Commander, as he is in charge of them, cares for them, and directs their “campaigns.” The rows of cold lockers that house their bodies are “barracks.” He talks to them, praises their missions, and grieves for them when they finally march on to their second deaths via cremation, only after which they are truly gone.

While none of Morbs’ students go to quite the same level as Morbs himself in humanizing their deceased brothers, he makes sure that all of them leave his morgue with a firm understanding that even when dead, their brothers are still their brothers. Pieces of his ideology and treatment of bodies linger in all of the medics who handle their dead.

Morbs treats the dead as his men because he wants them to be able to live on just a bit longer, but admittedly that’s not all. It’s something that also helps with his guilt over not being able to assist Ashe in his decommissionings. He can’t stop those deaths any more than Ashe can, and he can’t even share in the pain of murdering them. But he can promise them, and can promise Ashe, that once their bodies leave Ashe’s blood-stained hands, that Morbs will welcome them gently to his morgue. That they’ll be treated tenderly, with humanity, and that their existences won’t mean nothing. That if they’re capable of it, Morbs will do whatever he can to ensure that they too can serve Kote before their bodies are gone.

Morbs likes to think it offers Ashe some comfort.

General Info:

Most clones have only ever heard of Morbs, who is extremely elusive. Even after deployment, he rarely leaves the morgue wing attached to medical. Whereas Ashe feels a complicated mixture of self-loathing and knowing that he’s unwelcome in other spaces because all other clones loathe him too, Morbs is simple. He likes being with his men, they’re his favorite group of clones. The living get plenty of attention amongst each other. He just is happier with his own men, and prioritizes giving them his own attention.

He’s eccentric and more than a little creepy, but his reputation means that many of his brothers are very curious about him. He has a strict “no one alive past this line” rule at the entrance of the morgue, with very few exceptions, so not even those who try to catch a glimpse of him while visiting medical have much luck. Spotting him outside the morgue is both like an exciting cryptid sighting, but also potentially a bad luck omen. Morbs is oblivious to the excitement his presence causes, as he’s usually just in a rush to get back to the morgue.

Morbs is so mysterious that only a very limited handful of his brothers knows how truly odd his habits are. He has an assigned bunk, but ignores it and sleeps in a specially padded cold locker so that he can “sleep in the barracks with his men.” He calls it his favorite bunk, and tells the other medics he wants to rest there when he one day inevitably dies. He will sometimes forget to take care of himself, ignoring his own living needs to eat, drink, exercise, hygiene, etc. until a medic, usually Stabber, drags him out of the morgue to handle it. Stabber thinks Morbs is an example of how truly unfair their genetic enhancements are, because Morbs somehow maintains his solid CC-class physique with essentially zero effort on his part.

Unlike Ashe, who wants to be out in the field, Morbs never wants to leave his morgue for anything. Once he has been relocated into the morgue on the Negotiator, he only steps out when absolutely necessary. He doesn’t want to see the sights of the outside galaxy, doesn’t want to see the people or try the foods. He thinks all air outside of the morgue that is not optimized for the preservation of clone bodies is distasteful. He especially hates heat, sunlight, and humidity, insisting that it will “cause us to decay faster.”

The one exception to this is if there is a morgue, funeral, cemetery, or something else death-related going on. He learned about other cultures’ death practices, and he’s admittedly still curious about them too, mostly in the context of whether there’s anything else he can do to improve the experience for his men. If the ship is planetside and there’s supposed to be a famous cemetery, he might be seen quickly slinking outside, face completely veiled to avoid exposure to the elements.

Relationships:

Morbs maintains a close relationship with Ashe, though it’s one he’ll rarely show in front of others, always maintaining a professional distance if they have company. But Ashe is the only living person that Morbs will seek out for company, always while Ashe is alone. Morbs is the only one who knows the extent of what Ashe suffered during his early training, and had experienced much of it with him. He is concerned about Ashe, but doesn’t offer medical help, as he feels Stabber does that enough, and he doesn’t trust himself to think of Ashe as a patient; that never ends well. He will instead offer Ashe silent company.

Morbs claims to despise Stabber, especially since he’s the one responsible for taking him away from his morgue on Tipoca City and forcing him onto a star destroyer. Because Stabber is the CMO of the 212th, prior to Ashe joining them, Morbs is forced to interact with him the most. Morbs doesn’t like Stabber because he considers the other medic, “far too alive.” Stabber’s high energy, movement, and noise levels all grate on Morbs’ preference for stillness and darkness. Still, he reluctantly respects Ashe’s former assistant’s skills as a medic, and will follow his orders.

He also won’t admit it, but Stabber was the one who gave him his name. Stabber had a habit of announcing that Ashe’s work buddy “has the morbs,” a phrase he’d picked up from one of Ashe’s training resources that he claims means “has emo vibes.” Stabber liked the sound of the word so much that he began shouting it every time he encountered Morbs, and it ended up sticking. Morbs pretends he doesn’t care, but secretly thinks it’s fitting.

On the other hand, Morbs has a surprisingly amicable relationship with the Jedi he interacts with most frequently, Obi-Wan. He was very leery of letting Obi-Wan come anywhere near the morgue, not trusting an outsider with his delicate men who are unable to defend themselves. However, Obi-Wan found Morbs’ ruminations and philosophies fascinating, and was easily able to bait him into a conversation by expressing interest. Despite being surrounded by war, Morbs often seems strangely detached from it, preferring to speak less about the realities of war and the gears that move it, and more about why various cultures frame death and the afterlife in certain ways. While the conversations are often melancholy in nature, Obi-Wan appreciates the strange normalcy of it, knowing that Morbs would likely have these same questions regardless of whether there was a war. Morbs likewise is invested in hearing about death traditions from an outside perspective.

While the other clones aboard the Negotiator were at first both morbidly fascinated by Morbs, they were discouraged from actually interacting with him because he says things like, “You should not be in here, unless you are dead. Unless you would like to be dead, in which case I can help you,” or, “Oh, well you don’t look like you’re dying. How unfortunate.” However, they gradually realize that Morbs is not as aloof as he first appears.

He isn’t opposed to speaking, as long as it’s about his men. They realize that while Morbs refuses to let any curious bystanders or unqualified personel enter the morgue for no reason, he’s always eager to learn more about those in his care. Clones who have lost brothers can always count on him wanting to hear about the deceased, and if they’re present in his morgue, Morbs may even allow them to visit. When the first clone brings Morbs some flowers, because he saw that some nat-borns planet-side were laying flowers by the graves of their lost loved ones, Morbs is tickled by the action. Clones are not granted proper graves, and those in Morbs’ morgue are still “on duty.” But Morbs creates a little sterilized shrine in a corner of medical close to the morgue, where he collects these offerings and allows his brothers to visit. If the tablet Morbs laid there is turned a certain way, Morbs knows that one of his brothers wishes to speak to him about someone deceased, and he slinks out of the morgue to listen to them.

Because Morbs is the Chief Mortician, he not only processes the bodies that pass in front of his own hands, but he obsessively goes over the reports sent to him by all other clone morticians and standard clone medics, who are in charge of marking all final fatalities. As such, he has the most comprehensive knowledge of all deceased clones. On the rare occasions that they are able to conduct larger, collective remembrances, if Morbs is available, he will often be called to lead them.

Obi-Wan observes that Morbs is acting almost like a priest or other religious leader, but Morbs scoffs at the idea. He has no intention of leading a religion; he just cares about his men.

And all of the clones will join his army, one day.

Appearance:

Morbs wears a modified version of the clone mortician uniform, a black version of the standard softshell white medic uniform. As the Chief Mortician, Morbs wears a longer knee-length version of the uniform, along with a black kama over it to signify his CC status. He also has a rank bar, and red shoulder pieces to show his personal training from Nala Se, like Ashe and Omega. He technically has armor, but he’s never worn most of it since his fitting, and he doesn’t plan on wearing it either. His men serve without wearing armor, so why should he? If the ship is ever boarded, he intends on going down with his men in the morgue, a plan that no one will allow him to follow through on.

The one piece of armor he does occasionally wear is his helmet, which is a black version of Ashe’s. He must occasionally process bodies that have been exposed to hazardous conditions, and in these cases, he’ll don his helmet for its filtration and advanced sensors. He is so utterly uninterested in his own armor that it was left unpainted, and Ashe decided to paint it black for him, so it can match Morbs’ aesthetic preferences. While Morbs never acknowledged the gesture, he shows his appreciation by not protesting when he’s told to wear it.

After leaving Kamino, he grows his hair long and wears it loosely tied back, because as a non-combatant, he isn’t limited to practical hair styles. The exact length changes constantly as he uses his own hair to create wigs and patches for any of his men who may have had their own hair damaged. He refuses to share his hair with anyone who isn’t dead.

He also gets tattooed, two dark lines dripping down his cheeks from his eyes. He saw nat-borns with the look in some funerary documentaries he watched as a cadet. He doesn’t know that what he saw was nat-borns with running makeup, but he likes the look because it looks like a trail of permanent black tears on his face. He takes it to be a metaphor that he is always thinking of his men.

Morbs also has deep permanent bags under his eyes. This is due to a mix of him constantly forgetting that he needs sleep, along with him not wanting to sleep because he has so many thoughts to ponder.

While he usually just wears his uniform, he has a veil that he throws over his head whenever he has to step outside of the ship or Republic medical facility for any length of time. He also has an ornamental headdress he’s fashioned for special occasions, such as when he has to welcome an exceptionally large number of men to his army, is conducting a field cremation, or is leading a remembrance. The headdress is created from shards of plastoid armor he’s had to pull from his men.

Note:

Morbs’ designation, CC-4413, was chosen because the number 4 means “death” in many Asian cultures, due to how it sounds similar to “death” in many Asian languages, including but not limited to my own Japanese/Chinese cultures. Tetraphobia, or the fear of the number 4, is a thing! The number Thirteen is an unlucky number in other cultures. The number “4413” felt fitting for this character who is so immersed in death and bad luck!