#cue music

[ivory--raven]

Hazbin Hotel wishes-

[moolmitowlthings]

DAPHNE FICUS IRIS MAACKIA LYTHRUM MYRICA SABIA. THYMUS RIBES ABELIA SEDUM FELICIA OCHNA LYCHNIS

FLOS-

[justaholeinmysoul]

Me: aw i really love this book/show I'm enjoying

Media I'm enjoying :*is about to end*

Adhd: and we won't finish this. You will forget about it unless for the times you will remember it but a weird anxiety will stop you to finish it. You're welcome

[tiger-grace]

Bruce: Okay, Damian. You need to promise to be good for the Doctor, they’re not an enemy in disguise trying to administer poison. We’ve known her for years.

Damian: The clinic is by crime alley! She most certainly owns several firearms that she could use as soon as I’m incapacitated!

Jason, raising his pistol: Firearms?

Bruce: No, Jason, no guns. We’ve spoken about this.

Damian: Anyone could be a part of a test from my grandfather! We need to be prepared!

Bruce: It’s just a vaccine shot!

Jason, very slowly raising his pistol: ..Shot?

[soosoosoup]

Funk branch au

Au and branch design by @bbc-trolls

[habken]

Actually very fun to think of trench coat au fusion saying things only a kid would lol

Imagine monoma yapping on about how much class A sucks or something and Katzuku goes "hey that's mean :/" so sincerely and earnestly, monoma actually apologizes and has to look inward like "am I... mean? Is that who I've become??"

[gazpachoandbooks]

Currently imagining Arthur + Gwen + the knights asking someone (maybe druids?) who this famous "Emrys" is and they proceed to do a version of "We Don't Talk About Bruno" while Arthur, Gwen and the knights grow increasingly more distressed with each line and Merlin hyperventilates in the background

[puppyeared]

whatever. go my scarab

ive been watching scruffys pikmin 4 playthrough (go check it out!!!!)

[amoureux-de-guyman]

Oh me oh my, you mean…. He’s alive and well!? And still not showering by the looks of it!!???

Guy Manuel on Marco Marzilli’s Instagram today.

(p.s. that arrow was drawn in by Marco, not me)

[alicornze7]

Silly guys goin' on silly adventures:]

@rorydrawsandwrites's puppeteer au but the only difference is that jax gives consent

My contribution to this wonderful au has been long overdue:')

Rambling in tags ehe (cw: ribbun:p)

Well maybe it's not the only difference

[lillifaba]

You've heard of "is your pussy green"

Now get ready for "is your dick made of straw"

[patovpran]

Polin + friend

[coldzonkprofessorturtle]

An Affair to Remember

Alright, let's get into Affair the Series, which has been giving me brainrot the past few weeks so feels like a good time to get into an analysis of why I find it so fascinating. Eventually I'd love to do a deeper dive into Thai GLs and that industry (that's a whole other thing though) but after having seen my share of them (Gap, Show Me Love, TSOU, The Loyal Pin) I've really found myself falling into the rabbit hole with Affair the Series and the way it depicts friendship, love, and acceptance.

Deep dive below and also thank you gif makers for your work 🙏🏽

(also will go over events from episodes 1-5, so spoilers ahead if not up-to-date)

So first off, I have read the novel, which is the first time I've finished one of those for a GL and quite frankly, the translation wasn't that great but the story still came through. I won't refer to it much and will base this on the show as I think they've done a fantastic job with the adaptation and fingers crossed continue to do so.

Where in most GLs the core conflict is external. The main couple can't be in love typically due to familial/cultural pressure or a man interfering (that still exists to an extent here) the main conflict in Affair is simply that Wan and Pleng love each other too much but they do so in different ways.

When we meet Wan and Pleng they're 17 years old and have spent their entire lives together. They're sisters but not and while Wan seems to have a social circle, Pleng really has no other friends outside of Wan. The spoiled rich girl and the maid's daughter. Couldn't be more different if they tried and yet by circumstance their lives are as intertwined as it gets.

At 17, they have different ideas for their futures. Pleng is musically talented, wins every contest and is financially set. She can live the life she wants. If she wants to be a musician then so be it. Her parents love and support her and there's no pressure. Wan on the other hand has an overbearing mother (and a resentful father), no prospects for her future but at least she has Pleng.

Despite her parents, Wan loves wholly and openly. She knows she loves Pleng and while she doesn't yet know it she does know that Pleng loves her too. I would argue that Wan truly knows herself, which is why she comes across as so self-assured in their younger years. She's slowly trying to guide Pleng to understand herself too.

Pleng, however, has never had to sit with her emotions in the same way. Take this as differences of personality, class and upbringing. Now that they're 17 and entering adulthood, Pleng has to start engaging with the world (and her emotions) rather than hiding behind the rich, insular lifestyle she's had up to this point.

As the idea of boyfriends comes up, Pleng starts to lash out. She's jealous, she's pushy but really she's just in love with her best friend and doesn't know it. Everything starts happening too fast. Wan meets a boy at an art gallery, Aunt Wi pushes Pleng to help Wan get with Ek, Pleng's dad is extremely stressed and she doesn't know to what extent and throughout that Pleng is dealing with her feelings that for some reason just won't go away. Feelings that Wan keeps bringing up in her over and over.

Pleng is a mess. She doesn't know how to connect with her peers, she knows something is wrong with her dad, she sees that Wan is seemingly moving forward in a way that she's not (dating a boy) and whether she realizes it she continues to isolate herself.

From Wan's perspective she couldn't care less about dating Ek. She's already completely devoted to Pleng (in ways that Pleng doesn't even know).

They're 17, hormonal, gay, and incapable of seeing each other's perspective. Wan wants Pleng to let her in. Pleng can't help but push everyone away.

As soon as Pleng starts to really come to terms with her feelings about Wan. That's when everything falls apart. Her dad kills himself, her mom goes into cardiac arrest, all of her family's assets are seized and she's now orphaned and staying with Wan's parents who clearly and vocally have no space for her. Pleng who was already struggling to find her footing before that fateful night now has absolutely nothing to stand on.

The break point is when Pleng finds out about Wan's academic achievements and that Wan had been hiding that truth about herself their entire lives. Wan has always been intelligent and capable but hidden herself behind a veil of ineptitude. Wan in loving Pleng puts her on a pedestal to her own detriment. She has no issue blighting her own light so that Pleng can shine but from the moment we meet 17 year old Pleng in the show we see her pushing Wan to better herself. Wan thinks loving Pleng means her own success doesn't matter whereas Pleng loves Wan and all of her potential.

They both love each selflessly but while Wan would burn the whole world to keep Pleng warm, Pleng loves Wan despite her own existence. So when Pleng leaves she writes,

"Your parents will feel at ease. And you'll finally get to live your life as your true self... I know you love me but I also want you to love yourself. And be proud of who you are."

For Pleng, her leaving is the ultimate way to show her love to Wan. A clean break. She runs away so Wan can thrive but here's the thing Wan needs Pleng to keep her grounded. Pleng does too but she can't see it at this point. Too much has happened and so, in her desperation she removes herself. She is her father's daughter after all.

So when 13 years pass and Wan has spent that entire time holding on to whatever she can to keep herself close to Pleng (becoming a doctor, riding a bike to work, marrying Ek, separating herself from her parents); Pleng has become a ghost of herself. Wan has imbued herself with all the things she thinks/knows Pleng would like while Pleng is stuck in a cycle that she can't get out of: play music, make a bit of money, pay rent, rest, repeat.

Pleng never reaches out to Wan because why would she? Her loving Wan means staying away and on top of that there's a sense of shame of what her life has become.

So when they finally meet again it's too much. Wan is successful but she's still clearly in love with Pleng and while it was all Wan's doing, in a way her success is a direct result of Pleng's influence. In removing herself, Pleng slowly begins to realize not just that she took Wan's smile with her but the why and how. Wan's changed and devoid of the joy and innocence that Pleng loved most.

They slowly fall back into their natural rhythms but Pleng still can't accept her own presence in Wan's life. Wan is back to pushing (albeit more aggressively then before - time was wasted) and in pushing Pleng, Pleng pushes back. If they take their relationship that one step further, what then? What if it falls apart? Why not just stay in a cycle where nothing shifts? What if there's another ringing shot in the distance and everything changes in a moment?

If there's one core trauma to Pleng as a character it's her desperation to not feel like a burden to anyone. Especially Wan. And then she finds out that Wan (though separated) is still married to Ek and she can't accept that she could have ruined Wan's potential happiness. Not understanding that Pleng herself is Wan's happiness. Pleng feels like a disruption because at the root of it the thing she wanted above all for Wan, "I also want you to love yourself. And be proud of who you are" is not something that Pleng accepts for herself.

I'll leave it there and hope the show navigates the situations that are about to come as well as they have so far but kudos as Affair manages to oh so gracefully skirt what could otherwise be an incredibly toxic relationship. Somehow they manage to give these two characters so much grace despite their flaws. And truly that's also a huge credit to Sonya and Lookmhee's abilities.

It's chaotic and messy but in coming back together these two might just realize that's how they both best shine.

[hippolotamus]

who's ready for S8? 9-1-1 text posts 10/?

[claidiart]

𝘽𝙧𝙞𝙣𝙜 𝙩𝙝𝙚𝙢 𝙩𝙤 𝙢𝙚.

[moistotaltrashmammal]

L would be the type where if yall are dating, and you're sleeping next to him, you would wake up to him looking at you like this: